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Speaker 1: Good after that? Everyone, Well, and what are you getting

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Speaker 1: your home? Once?

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Speaker 2: If you could describe the segment wrong word, wrong place

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Speaker 2: with an event that's occurred historically, what would it be?

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Speaker 3: Oh, very very good? Um, okay, okay, they can I

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Speaker 3: have some thinking music, because I think he really put

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Speaker 3: it on the spotst No, wrong word, wrong place if

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Speaker 3: you ain't fired to a moment in history, so it

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Speaker 3: would have to be a confusing moment in history. And

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Speaker 3: I would say this will His name was General Lee.

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Speaker 3: He was big in the Civil.

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Speaker 4: War in America.

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Speaker 3: And General Lee was once told let's charge at nine

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Speaker 3: He's tell that, let's charge at nine. He unfortunately took

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Speaker 3: that as nine pm, a post dinner.

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Speaker 4: Charge, is what he thought it was.

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Speaker 3: So he charged at nine pm, and then to find

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Speaker 3: out that I wanted him to charge at nine am

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Speaker 3: led to the death of a lot of men.

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Speaker 4: Wow, because wrong word, wrong place is all.

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Speaker 3: About get that Jesus in a summer night, didn't they Well,

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Speaker 3: you know that's the historical reference.

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Speaker 5: Will you know?

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Speaker 6: That?

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Speaker 1: Was that all bullshy?

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Speaker 2: Yeah?

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Speaker 4: Completely? I don't even know who generally is read in

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Speaker 4: the book.

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Speaker 2: Once we're in a civil war, wrong road, wrong pace,

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Speaker 2: we will be coming up very very surely for all

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Speaker 2: you guys to enjoy and choose out. It's our favorite segment.

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Speaker 2: But also we're trying to get to the moon. We

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Speaker 2: have to be artists to go to the moon. I

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Speaker 2: know it sounds ridiculous. It's legit though, it's one hundred

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Speaker 2: percent legit. And Steve Curry, the Steve Curry, this bloke

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Speaker 2: from the Castle.

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Speaker 1: He loved the serenity of the place. That's a serenity.

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Speaker 1: I think he also just loved the word so much, serenity.

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Speaker 2: Dale Caerrigan is going to join us in the studio

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Speaker 2: a little bit later on. He's got a brand new

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Speaker 2: TV show, but he's going to help us make the

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Speaker 2: piece of art that is going to get us to

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Speaker 2: the moon.

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Speaker 3: And piece of art we mean potentially mooning an office

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Speaker 3: in here which we know has a meeting with some

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Speaker 3: really serious clients. We think that'd be pretty funny.

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Speaker 1: Yeah, it's dangerous.

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Speaker 2: Yeah, it should be great to listen to, God to

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Speaker 2: watch if be able to say it.

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Speaker 1: Online a little bit later on, there are a lot

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Speaker 1: of things that we probably should be covering. All right,

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Speaker 1: So woods Donald Trump talking.

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Speaker 2: At the UN ye United Nations, You're on today.

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Speaker 4: I'm on fire, you're on Let's not put that far out.

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Speaker 4: Let's put some London. Let's have a good time. Ape

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Speaker 4: mm hmmm another acronym. I'm on the apec baby, what

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Speaker 4: no apex? Another meeting of very important people. Go on

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Speaker 4: with the storm. Don't put my fire out? All right?

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Speaker 1: So Donald Trump's at the UN. Yeah, who started the UN?

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Speaker 4: By the way, I believe it was no I know

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Speaker 4: her name. I know her name.

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Speaker 1: It's a guy.

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Speaker 3: Yet, Well I'm wrong, So you put my fire, you bastard.

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Speaker 3: It was short, but it was good.

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Speaker 1: Wilson.

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Speaker 2: Sorry, the UN, all right? They are Donald Trump speaking

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Speaker 2: to them. Now, what the noise you're going to hear

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Speaker 2: in the crowd here?

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Speaker 1: I need to just let everyone know this before we

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Speaker 1: move on.

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Speaker 2: Of all the places that you think that Donald Trump

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Speaker 2: wouldn't try and pull the wall over people's eyes, it's

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Speaker 2: got to be the UN, right, if they deal with

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Speaker 2: him day and day out.

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Speaker 1: Yep, right, have a listen to what he says. The

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Speaker 1: noise you hear after is them laughing in his face. Great,

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Speaker 1: have a listen to this.

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Speaker 7: In less than two years, my administration has accomplished more

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Speaker 7: than almost any administration in the history of our country, America.

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Speaker 1: Is so true. Didn't expect that reaction. But that's okay.

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Speaker 4: Oh he's so funny.

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Speaker 1: He just laughed in his face.

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Speaker 4: It is such a funny joke that he's made as well.

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Speaker 3: Like that is brilliant that none of the not the

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Speaker 3: best comedians in the world.

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Speaker 1: That's good. Remember the best comedians in the world could

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Speaker 1: make the UN laugh. Yeah, they are. No matter what

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Speaker 1: country you're from, you're in hysterics.

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Speaker 3: That okay, it is They finally cracked the UN's remarkable.

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Speaker 1: Now listen.

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Speaker 2: Yesterday the big controversial news was obviously the Sydney Opera

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Speaker 2: House and broadcasting an add on to the Sydney Opera

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Speaker 2: House around a race event.

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Speaker 1: It's been in the news.

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Speaker 4: Everywhere, over two hundred thousand signatures.

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Speaker 2: And yet a petition to try and stop it from happening.

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Speaker 2: All throughout the news, this has been controversial. What I'm

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Speaker 2: about to play you It kicks off with Pete Hellier

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Speaker 2: on the project. This is a bunch of people all

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Speaker 2: saying how bad it would be if this it happened.

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Speaker 2: Have a listen to this.

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Speaker 1: You didn't even pay for the opera house. Did you

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Speaker 1: pay for the Opera House. There's your headline. You're away

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Speaker 1: the idea.

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Speaker 2: That someone could bully a public official just because they're

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Speaker 2: doing their job and ask them to break the rules

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Speaker 2: and tread their job, but they don't get their way.

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Speaker 1: That's that's not Australian in any way.

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Speaker 8: The Sydney Opera House is an architectural icon, it is

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Speaker 8: World Heritage listed, it is a treasure for the Australian people.

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Speaker 1: It is not meant for crass commercialism.

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Speaker 4: All good points, all really good points.

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Speaker 1: And I think highlighting the.

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Speaker 2: Highlight in the highlighting how bad, how bad it would

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Speaker 2: be if that happened, if it was to go ahead.

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Speaker 2: And also just the bullying of and it's a heritage building,

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Speaker 2: et cetera. Sure, yea, these are your thoughts.

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Speaker 4: No, No, there's been taken down to content. They've been

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Speaker 4: take out of context. I was trying to iMOS actually

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Speaker 4: talked me around. I mean, I agree with him.

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Speaker 1: It's quick.

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Speaker 4: No, he very quickly got me.

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Speaker 3: And well done Scimo, because he's right, you know, like

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Speaker 3: it's it's a huge landmark. And why not make a

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Speaker 3: bit of cage Yeah, by selling it off to promote something.

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Speaker 4: No, and that's not funny.

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Speaker 3: But you know obviously by the second grab year where

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Speaker 3: I woke up from a slumber.

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Speaker 4: I fell asleep and was just talking and a.

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Speaker 2: Favorite segment, Well, I say heim leg, Well you'll say Heimer,

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Speaker 2: I say Stern.

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Speaker 1: Well you say scrod on delight fula vagina the wrong place?

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Speaker 3: Really simple? Thirteen one oh six five is our number?

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Speaker 3: Have you said the wrong word in the wrong place?

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Speaker 3: It's so simple, but it's so entertaining. Here's a few

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Speaker 3: corkscrews from last week.

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Speaker 9: Will I'm a nurse and part of my job is

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Speaker 9: to write care plans for patients that they needed to

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Speaker 9: is a gentle massage.

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Speaker 10: And one of my student nurses.

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Speaker 11: Asked me if it was right because it actually said genital.

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Speaker 1: Oh, Julia, you put the wrong word the wrong place.

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Speaker 10: Wasn't me? Was my mum for an absolute crackup. So

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Speaker 10: we're walking down the street, her and the three of

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Speaker 10: us are three kids, and she said she needed to

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Speaker 10: pop into the bakery because we needed some for karta bread.

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Speaker 10: And she walked in and she just said, point blank,

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Speaker 10: over the counter, Hi, just like a loc of filatio bread.

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Speaker 2: Place hellone with flacio bread, go over the counter.

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Speaker 3: Entertainers make our days thirteen one oh sixty five is

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Speaker 3: the number? Have you put the wrong word in the

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Speaker 3: wrong place? We got Benny here, Benny, what happened?

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Speaker 12: Oh?

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Speaker 13: Hey, guys, Hey doing great?

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Speaker 4: Benny good.

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Speaker 13: So I worked in Canada for a number of years

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Speaker 13: and worked at a restaurant that was quite fine dining.

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Speaker 13: And we had this steak and polenta chips dish, and

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Speaker 13: I just couldn't get my my my tongue around the

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Speaker 13: word polenta and a number of times. You know, he's

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Speaker 13: standing at the table North American servant. You know, okay, guys,

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Speaker 13: I'm the special. Tonight is steak and placentorship.

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Speaker 1: And placenta. I rank as well, beautiful. Some people are

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Speaker 1: that way inclined, though.

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Speaker 3: Ben tom Cruise eighties placenter. Sorry, now I've done it again, he.

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Speaker 1: French, All right, first mills a child into center.

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Speaker 4: No, I don't know when he gave birth.

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Speaker 14: When he's just stop, you're walking embodiment of the segment

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Speaker 14: Melgans called mel You put the wrong word in the

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Speaker 14: wrong place, mate.

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Speaker 3: So instead of saying to my manager that I had

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Speaker 3: a good shift, I told her that I had a good.

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Speaker 1: So simple, but strung to the point. Is it that

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Speaker 1: you never expected. What was the reaction there.

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Speaker 12: I didn't expect it either what the ship.

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Speaker 6: Or the.

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Speaker 2: No to say it no, the shift, no to say

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Speaker 2: it right? Yeah, yeah, we're all on the same page now.

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Speaker 4: No, I'm not going to ask a second no, thank you.

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Speaker 4: That's hilarious. We've got Jane here now, Jane, what happened

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Speaker 4: with you?

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Speaker 9: Well, it was a long time ago. I was working

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Speaker 9: in a little I GA supermarket when I was younger,

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Speaker 9: and the freezer had broken down, and so the guy

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Speaker 9: asked me to put up a sign to explain with

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Speaker 9: the customers could get their ice cream and stuff, you know,

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Speaker 9: instead of in this particular freezer.

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Speaker 10: So I put up this.

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Speaker 9: Huge sign freezer to the left.

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Speaker 10: Sorry for any incontinence.

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Speaker 1: You should talk to Mel that just called. Actually on

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Speaker 1: the same page. Steve Curry is going to join us.

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Speaker 2: On the show halfter five o'clock live on.

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Speaker 1: The radio, creating live art.

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Speaker 2: Work Woods which involves mooning a room which is about

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Speaker 2: thirty meters away from us with a very important client.

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Speaker 2: Is It'll be happening live on your radios. Will and

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Speaker 2: Woody Instagram, Will and Woody Facebook. That's coming up very

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Speaker 2: very shortly. The Bachelorette starts tomorrow night seven thirty on

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Speaker 2: Channel ten. Incredible opportunity for a whole bunch of people

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Speaker 2: to hopefully not come across too Keen on the new

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Speaker 2: batch Trette.

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Speaker 1: I believe her name is Ali.

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Speaker 3: Ali, and we discussed it at length yesterday, but we

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Speaker 3: finally landed on our last name is Wigen Reigian.

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Speaker 2: The question is will she find mister Wright, right, That's

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Speaker 2: what everyone's thinking. And I think one of the biggest

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Speaker 2: hurdles she's going to hit is a hurdle that Meghan

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Speaker 2: Markle has actually spoken about recently. How are you going

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Speaker 2: to Lincoln being a Markle with a Bachelororette?

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Speaker 1: The pop culture more pop culture from the Brilliant.

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Speaker 2: Well, so I think we can all agree and we're

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Speaker 2: going to see this in the Bachelorette. We see it

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Speaker 2: every season in The Bachelor anyway. There's always people that

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Speaker 2: come across the Turkean.

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Speaker 4: Yeah, and that's not good. That's a big non apparently.

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Speaker 2: Cash for the last Bachelor, Fat Turkane. It's really really

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Speaker 2: easy to come across as Turkean.

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Speaker 1: And arguably there's nothing more.

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Speaker 2: Unattractive than coming across as Turcane. The reason I mentioned

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Speaker 2: this is Meghan Markale. There's a biography being written by

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Speaker 2: somebody else about her, which is.

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Speaker 1: Sure where he talks about the fact that she was.

224
00:11:33,240 --> 00:11:36,720
Speaker 2: Really worried that on her first date with Harry she

225
00:11:37,440 --> 00:11:40,080
Speaker 2: was rattled that she came across as far turcane.

226
00:11:40,280 --> 00:11:42,520
Speaker 4: Ah, I didn't said what she did? What did she?

227
00:11:42,520 --> 00:11:45,680
Speaker 1: She said? She just accepted his invitation way too quickly.

228
00:11:46,000 --> 00:11:47,280
Speaker 4: I can say what, You're supposed to sit in there

229
00:11:47,280 --> 00:11:48,360
Speaker 4: a little bit. I'm not very good at this.

230
00:11:48,360 --> 00:11:49,400
Speaker 1: I think you are.

231
00:11:49,480 --> 00:11:51,120
Speaker 4: Aren't you supposed to sit like? Oh, I'm not sure

232
00:11:51,160 --> 00:11:53,120
Speaker 4: if I'm available for a date. Let me get back

233
00:11:53,120 --> 00:11:53,320
Speaker 4: to you.

234
00:11:53,400 --> 00:11:54,880
Speaker 1: Well, this is the area that I want to talk

235
00:11:54,920 --> 00:11:57,080
Speaker 1: to you about, because I'm not very good at it.

236
00:11:57,120 --> 00:11:57,400
Speaker 4: Either.

237
00:11:58,120 --> 00:11:59,680
Speaker 1: We've been out of the we've been out of the

238
00:11:59,679 --> 00:12:00,280
Speaker 1: game for while.

239
00:12:00,440 --> 00:12:03,120
Speaker 3: Yeah, two lines that have been in a zoo for

240
00:12:03,160 --> 00:12:05,520
Speaker 3: too long, getting them you know, get their meal every day.

241
00:12:05,520 --> 00:12:10,599
Speaker 1: But we've loft, we have lost the other time er

242
00:12:11,559 --> 00:12:12,640
Speaker 1: we off our thief.

243
00:12:15,000 --> 00:12:18,160
Speaker 2: And it's really hard to know, but there is definitely

244
00:12:19,559 --> 00:12:21,800
Speaker 2: there's definitely a sweet spot Woods.

245
00:12:21,800 --> 00:12:23,600
Speaker 4: Because you don't want to come across as a d head.

246
00:12:23,800 --> 00:12:26,640
Speaker 3: I reckon exactly, like because if you're a dhead, You're

247
00:12:26,679 --> 00:12:27,560
Speaker 3: a bloody dhead.

248
00:12:28,320 --> 00:12:29,280
Speaker 1: What is too keen?

249
00:12:31,000 --> 00:12:33,920
Speaker 2: That's the question, because it is obviously a really nice

250
00:12:33,960 --> 00:12:38,280
Speaker 2: threshold between it's cute or it's too k because you

251
00:12:38,400 --> 00:12:42,000
Speaker 2: have to show some form of intent, don't you, And.

252
00:12:42,200 --> 00:12:43,280
Speaker 4: It's just a nice thing to do.

253
00:12:43,360 --> 00:12:46,200
Speaker 3: I don't like the idea of play hard, play hard

254
00:12:46,200 --> 00:12:48,320
Speaker 3: to get you know that business well, treating a bit

255
00:12:48,440 --> 00:12:51,640
Speaker 3: mean self esteem a little bit and then you'll be

256
00:12:51,720 --> 00:12:53,960
Speaker 3: will be there for the grabbing. I hate chat like that.

257
00:12:54,240 --> 00:12:56,400
Speaker 3: But my one little rule when I was single was

258
00:12:57,040 --> 00:13:00,240
Speaker 3: message for message or call for now stop now stop.

259
00:13:00,120 --> 00:13:02,280
Speaker 1: That captain at three. That was the rule.

260
00:13:02,320 --> 00:13:05,240
Speaker 3: That was never a cap no no, And that's a joke,

261
00:13:05,320 --> 00:13:08,680
Speaker 3: and that is a joke. My rule, though, was one

262
00:13:08,720 --> 00:13:11,560
Speaker 3: message for one message or one call for one call.

263
00:13:11,640 --> 00:13:13,400
Speaker 3: So if I had message, if I message a girl

264
00:13:13,480 --> 00:13:15,959
Speaker 3: oh yeah, and she doesn't right back, I will never

265
00:13:15,960 --> 00:13:18,880
Speaker 3: write them right again because you've sent her the message

266
00:13:18,880 --> 00:13:20,720
Speaker 3: and it's too keen in my opinion, to have two

267
00:13:20,720 --> 00:13:24,120
Speaker 3: messages in a row and it's true or cool. If

268
00:13:24,160 --> 00:13:25,800
Speaker 3: I try and call them and they don't pick up

269
00:13:25,800 --> 00:13:27,360
Speaker 3: and they don't call me back, I won't call.

270
00:13:27,480 --> 00:13:29,600
Speaker 2: I had to say it as well, because I'd like

271
00:13:29,679 --> 00:13:31,439
Speaker 2: to think that if somebody was.

272
00:13:33,720 --> 00:13:36,360
Speaker 1: Keen, then you wouldn't exploit them for it.

273
00:13:36,440 --> 00:13:40,199
Speaker 2: But human nature, like if you're taking if you've got to,

274
00:13:40,960 --> 00:13:43,360
Speaker 2: let's cast your eyes back to the single days.

275
00:13:43,679 --> 00:13:45,760
Speaker 1: If you get two text messages in a row from

276
00:13:45,800 --> 00:13:48,080
Speaker 1: a girl, will you.

277
00:13:48,080 --> 00:13:51,400
Speaker 4: Start going a little bit so she's really keen?

278
00:13:51,520 --> 00:13:51,720
Speaker 1: Yeah?

279
00:13:51,760 --> 00:13:54,360
Speaker 2: Yeah, yeah, And it probably says to you, if anything,

280
00:13:54,440 --> 00:13:57,240
Speaker 2: that you're not that keen, right, Like, if you haven't

281
00:13:57,240 --> 00:13:58,800
Speaker 2: written back to the verse one, that probably tells me

282
00:13:58,880 --> 00:14:00,520
Speaker 2: you're not that ken in yourself and should probably just

283
00:14:00,520 --> 00:14:04,040
Speaker 2: message her and go, hey, look, thanks so much, but yeah,

284
00:14:04,120 --> 00:14:06,559
Speaker 2: I'm not that keen. Yes, yes, human nature dictates that

285
00:14:06,559 --> 00:14:08,640
Speaker 2: if we get a couple of week often just go ah,

286
00:14:08,640 --> 00:14:10,199
Speaker 2: I've got him there, so I probably don't need to

287
00:14:10,200 --> 00:14:12,280
Speaker 2: reply for a little bit longer. It's not good, but

288
00:14:12,320 --> 00:14:16,520
Speaker 2: it definitely happens. There's nothing worse than somebody coming across

289
00:14:16,559 --> 00:14:20,200
Speaker 2: as too keen. And yet when I spoke to the

290
00:14:20,200 --> 00:14:23,400
Speaker 2: producers about this before, they said to me that actually

291
00:14:23,600 --> 00:14:25,440
Speaker 2: a guy showing that he's actually got a bit of

292
00:14:25,440 --> 00:14:30,120
Speaker 2: intent means a lot. And the whole treating men keeping

293
00:14:30,160 --> 00:14:32,720
Speaker 2: keen thing is kind of you know, a bit out faced.

294
00:14:32,960 --> 00:14:35,280
Speaker 3: I think showing into you can show intent though in

295
00:14:35,800 --> 00:14:37,080
Speaker 3: one point of contact.

296
00:14:37,320 --> 00:14:38,000
Speaker 4: Do you know what I mean?

297
00:14:38,120 --> 00:14:41,920
Speaker 3: Like, you know, showing if I'm show intent ID date

298
00:14:41,960 --> 00:14:43,360
Speaker 3: with a good guy I had.

299
00:14:44,000 --> 00:14:45,840
Speaker 4: I loved seeing you last night. I had a really

300
00:14:45,920 --> 00:14:46,520
Speaker 4: enjoyable time.

301
00:14:46,880 --> 00:14:49,200
Speaker 3: But I'm not going to message that six times the

302
00:14:49,240 --> 00:14:51,240
Speaker 3: next day because that would come across as too keen.

303
00:14:52,360 --> 00:14:52,840
Speaker 4: You know what I mean?

304
00:14:53,200 --> 00:14:54,000
Speaker 1: I definitely I do it.

305
00:14:54,000 --> 00:14:55,800
Speaker 2: There's a threshold and this is what I want, this

306
00:14:55,840 --> 00:14:58,280
Speaker 2: is what I think we can try and well, I'd

307
00:14:58,280 --> 00:14:59,760
Speaker 2: love to hear from other people on this thirty one

308
00:14:59,760 --> 00:15:02,680
Speaker 2: I s spiles the phone number here. I need to

309
00:15:02,760 --> 00:15:07,240
Speaker 2: know if you've recently been or you're currently in a

310
00:15:07,280 --> 00:15:11,520
Speaker 2: position where you can't decide whether somebody's been too keen

311
00:15:11,640 --> 00:15:11,840
Speaker 2: or not.

312
00:15:12,400 --> 00:15:17,880
Speaker 4: Oh so you're currentellus? Yeah, right, okay, because you know it.

313
00:15:17,840 --> 00:15:18,840
Speaker 1: Can go both ways.

314
00:15:18,880 --> 00:15:20,920
Speaker 2: And I like to think that, you know, like Prince

315
00:15:20,920 --> 00:15:23,360
Speaker 2: Harry did with Meghan Markle, Like maybe she did right

316
00:15:23,480 --> 00:15:26,840
Speaker 2: back within five seconds of the message hitting her in box.

317
00:15:26,600 --> 00:15:28,240
Speaker 1: But look where they are now.

318
00:15:28,440 --> 00:15:30,840
Speaker 2: Sure, And I know it's really tough when somebody's coming

319
00:15:30,840 --> 00:15:32,520
Speaker 2: on to keen because you get a little bit worried

320
00:15:32,520 --> 00:15:34,720
Speaker 2: and you're like, oh my god, I like that guy,

321
00:15:34,720 --> 00:15:37,360
Speaker 2: and now he's cooked it because he's sent me bunches

322
00:15:37,400 --> 00:15:39,400
Speaker 2: of flowers to my work three days in a row,

323
00:15:39,520 --> 00:15:40,960
Speaker 2: and it might be a little bit too much.

324
00:15:41,080 --> 00:15:42,920
Speaker 1: Sure, So third one, I six ' five.

325
00:15:44,160 --> 00:15:46,440
Speaker 2: Have you recently been or are you in a position

326
00:15:47,320 --> 00:15:49,360
Speaker 2: where you can't decide whether it's cute.

327
00:15:49,160 --> 00:15:49,640
Speaker 1: Or it's keen?

328
00:15:50,200 --> 00:15:51,840
Speaker 2: All right, and you're right in the middle of it

329
00:15:53,160 --> 00:15:54,960
Speaker 2: has been some form of representation.

330
00:15:55,120 --> 00:15:56,120
Speaker 1: It doesn't matter what it is.

331
00:15:56,120 --> 00:15:57,920
Speaker 2: It could be anything from him buying you a puppy

332
00:15:58,000 --> 00:15:59,280
Speaker 2: to him writing your text message.

333
00:15:59,280 --> 00:16:01,720
Speaker 3: And we can give you a really unbiased opinion here

334
00:16:01,760 --> 00:16:05,000
Speaker 3: as to is this isn't is cute or kin Yeah?

335
00:16:05,040 --> 00:16:05,240
Speaker 1: Great?

336
00:16:05,600 --> 00:16:08,240
Speaker 2: Talking about Meghan Markle, who's basically said that she thought

337
00:16:08,560 --> 00:16:10,920
Speaker 2: that she was far too keen early on in her

338
00:16:11,080 --> 00:16:13,560
Speaker 2: date with Harry, which I'm pretty sure Harry would have

339
00:16:13,560 --> 00:16:14,040
Speaker 2: been used to.

340
00:16:14,360 --> 00:16:15,040
Speaker 1: He is a prince.

341
00:16:15,160 --> 00:16:18,320
Speaker 2: I can't see many people doing the old child. I'll

342
00:16:18,360 --> 00:16:20,840
Speaker 2: wait half an hour before I text back with yeah.

343
00:16:20,880 --> 00:16:23,440
Speaker 1: Know you were dropping everything.

344
00:16:23,600 --> 00:16:25,800
Speaker 3: But I think because of that though if I was Meghan,

345
00:16:26,000 --> 00:16:28,360
Speaker 3: I would be very conscious of I really don't want to.

346
00:16:28,320 --> 00:16:30,600
Speaker 4: Be one of those mones who's way too keen because

347
00:16:30,640 --> 00:16:31,240
Speaker 4: you would.

348
00:16:31,000 --> 00:16:35,400
Speaker 2: Get so much attention. And she said quite openly that

349
00:16:37,120 --> 00:16:38,680
Speaker 2: she thinks she was way too keen. She said she

350
00:16:38,760 --> 00:16:44,840
Speaker 2: accepted his dinner invitation. I imagine before it even she

351
00:16:44,920 --> 00:16:47,200
Speaker 2: might have even had the answer prepped, like in notes,

352
00:16:47,240 --> 00:16:49,840
Speaker 2: which she'd groomed with her friends for a long time

353
00:16:49,920 --> 00:16:51,840
Speaker 2: before she fasted it in, and it would have come

354
00:16:51,880 --> 00:16:53,400
Speaker 2: back within three seconds, no doubt.

355
00:16:53,440 --> 00:16:56,040
Speaker 3: But we're asking now will But we're asking people who

356
00:16:56,040 --> 00:16:58,840
Speaker 3: were in this situation. It's a fine line and they're

357
00:16:58,880 --> 00:17:01,160
Speaker 3: not sure if the person they're they're dating or just

358
00:17:01,200 --> 00:17:02,360
Speaker 3: seeing he's been too keen.

359
00:17:02,760 --> 00:17:04,879
Speaker 4: We got we've got a d M on our.

360
00:17:04,760 --> 00:17:08,119
Speaker 1: Instagram and it's cute or king. I mean, that's what that's.

361
00:17:08,680 --> 00:17:10,480
Speaker 3: Having read this, I can see why she didn't want

362
00:17:10,480 --> 00:17:12,040
Speaker 3: to come on air because this is ongoing. But she

363
00:17:12,080 --> 00:17:13,520
Speaker 3: said that she said, you went out with a date

364
00:17:13,560 --> 00:17:15,520
Speaker 3: on a guy. Yep, she went out with a date

365
00:17:15,800 --> 00:17:16,640
Speaker 3: on a guy.

366
00:17:16,880 --> 00:17:17,800
Speaker 4: Now I've said that wrong.

367
00:17:17,840 --> 00:17:21,560
Speaker 1: She went on a date with a guy. For the date,

368
00:17:21,640 --> 00:17:22,000
Speaker 1: she said.

369
00:17:22,119 --> 00:17:25,120
Speaker 3: She said, the date went really well. The next day

370
00:17:25,480 --> 00:17:27,800
Speaker 3: she works at a cafe. She was working at the

371
00:17:27,840 --> 00:17:30,199
Speaker 3: cafe and she's the barista. She was doing the coffee

372
00:17:30,200 --> 00:17:32,760
Speaker 3: and staff dad, and she said they were texting so

373
00:17:32,800 --> 00:17:34,480
Speaker 3: like they were saying that had a great date, should

374
00:17:34,480 --> 00:17:35,800
Speaker 3: we see each other again? She said that was going

375
00:17:35,840 --> 00:17:37,960
Speaker 3: really well, and then she said she got a text

376
00:17:38,000 --> 00:17:43,439
Speaker 3: message from him saying careful, don't burn your hand, and

377
00:17:43,480 --> 00:17:47,960
Speaker 3: she was like, what you much? And then he revealed

378
00:17:48,000 --> 00:17:51,480
Speaker 3: that he was across the street and he was watching

379
00:17:52,400 --> 00:17:57,160
Speaker 3: and then came in and was like, oh, hey, surprise, cute. Wow,

380
00:17:57,960 --> 00:18:03,920
Speaker 3: no cue talking because apparently there's still cain can what

381
00:18:03,960 --> 00:18:06,000
Speaker 3: I'm watching you that is so, I mean, if you're

382
00:18:06,040 --> 00:18:07,879
Speaker 3: gonna watch, don't tell them that you're watching.

383
00:18:08,160 --> 00:18:12,359
Speaker 2: Jesus sorry, if you're going to watch, don't tell them

384
00:18:12,359 --> 00:18:13,280
Speaker 2: that you're going to be watching.

385
00:18:13,400 --> 00:18:14,400
Speaker 1: Yeah, you just don't watch.

386
00:18:15,280 --> 00:18:17,600
Speaker 4: Of course, no one don't watch. But you know, if

387
00:18:17,600 --> 00:18:18,879
Speaker 4: you have to, don't tell.

388
00:18:18,760 --> 00:18:22,320
Speaker 1: Them about it. Like, no, don't tell them about it.

389
00:18:22,320 --> 00:18:25,879
Speaker 4: So I'm saying, that's okay, okay, yeah, right, okay watch.

390
00:18:26,480 --> 00:18:27,880
Speaker 2: If you're can do a stake out in a cheap

391
00:18:29,359 --> 00:18:31,760
Speaker 2: tell them you put a disguise on for.

392
00:18:33,640 --> 00:18:34,520
Speaker 1: Just get the job done.

393
00:18:34,920 --> 00:18:37,360
Speaker 4: Got edy years given as a ring eddie that you're

394
00:18:37,520 --> 00:18:39,200
Speaker 4: worried you've been too keen.

395
00:18:40,160 --> 00:18:45,800
Speaker 2: Yeah, I'm messing a girl at the moment, okay.

396
00:18:44,880 --> 00:18:48,520
Speaker 1: And she's going overseas and do I I want to

397
00:18:48,520 --> 00:18:50,040
Speaker 1: ask her? I drop it at the airport.

398
00:18:50,080 --> 00:18:52,359
Speaker 13: I know it's like a boyfriendly, but I think it

399
00:18:52,440 --> 00:18:54,240
Speaker 13: might help before she sort of goes away.

400
00:18:54,320 --> 00:18:55,920
Speaker 1: How long have you been to it? You've been texting

401
00:18:55,960 --> 00:18:58,040
Speaker 1: you for Eddie, better month?

402
00:18:58,520 --> 00:19:00,800
Speaker 3: If this helps you out at all, Eddie. I was

403
00:19:00,800 --> 00:19:04,399
Speaker 3: once I'd had one date and night with kissed on

404
00:19:04,520 --> 00:19:05,200
Speaker 3: this one girl.

405
00:19:05,240 --> 00:19:07,080
Speaker 4: And this was just one night and then the next

406
00:19:07,080 --> 00:19:09,000
Speaker 4: morning I drove her to the airport.

407
00:19:09,160 --> 00:19:12,919
Speaker 3: I remember that, which he really appreciated, and then we

408
00:19:13,040 --> 00:19:14,040
Speaker 3: never hooked up again.

409
00:19:14,160 --> 00:19:16,040
Speaker 4: So if you can take some advice.

410
00:19:15,720 --> 00:19:20,680
Speaker 2: There, what what car do you drive?

411
00:19:20,720 --> 00:19:20,800
Speaker 15: It?

412
00:19:22,000 --> 00:19:23,240
Speaker 13: A hold an Astra?

413
00:19:24,440 --> 00:19:24,640
Speaker 3: Yeah?

414
00:19:26,160 --> 00:19:26,360
Speaker 12: Nice?

415
00:19:27,359 --> 00:19:28,240
Speaker 4: Maybe hire a car?

416
00:19:28,520 --> 00:19:31,240
Speaker 1: Yeah? Would you hire a car ready? That's too key though,

417
00:19:31,640 --> 00:19:32,679
Speaker 1: that's far too can.

418
00:19:32,880 --> 00:19:38,720
Speaker 3: Yeah, yeah, it gets done.

419
00:19:39,400 --> 00:19:41,399
Speaker 1: Call Eddie. Steve Curry is going to join.

420
00:19:41,760 --> 00:19:43,720
Speaker 3: This is a bit of a cheeky story from the

421
00:19:43,800 --> 00:19:46,560
Speaker 3: United States of America, Minnesota.

422
00:19:47,160 --> 00:19:47,960
Speaker 4: To be exact.

423
00:19:48,520 --> 00:19:53,439
Speaker 3: Police police pull over and see a guy on the

424
00:19:53,520 --> 00:19:59,920
Speaker 3: side of the road kneeling down over a squirrel. There's

425
00:20:00,720 --> 00:20:03,840
Speaker 3: peaked their interest a little. What I mean he's next

426
00:20:03,880 --> 00:20:06,480
Speaker 3: to a he's next to a squirrel, and he's kneeling.

427
00:20:06,520 --> 00:20:09,159
Speaker 3: He's kneeling next to a squirrel, and they're just going like,

428
00:20:09,440 --> 00:20:13,399
Speaker 3: what's a guy doing kneeling next to a squirrel.

429
00:20:12,880 --> 00:20:15,640
Speaker 1: Taking a photo? So having a chance, it.

430
00:20:15,560 --> 00:20:17,239
Speaker 3: Could have been so many things. So the police got

431
00:20:17,240 --> 00:20:20,800
Speaker 3: out of the car to investigate, and they notice that

432
00:20:20,840 --> 00:20:24,000
Speaker 3: the guy is actually delivering CPR.

433
00:20:24,600 --> 00:20:26,520
Speaker 1: Oh my god, to a squirrel.

434
00:20:27,359 --> 00:20:29,960
Speaker 4: So he pulled he pulled over in his car. He

435
00:20:30,000 --> 00:20:31,160
Speaker 4: saw the squirrel was.

436
00:20:32,440 --> 00:20:34,399
Speaker 3: Like down and out of the count, was lying on

437
00:20:34,440 --> 00:20:36,440
Speaker 3: the bag, got up in games and he was such

438
00:20:36,480 --> 00:20:40,280
Speaker 3: a good samaritan that he started giving this squirrel see

439
00:20:40,320 --> 00:20:41,320
Speaker 3: a little bit rank.

440
00:20:41,359 --> 00:20:42,760
Speaker 4: It's a little bit rank. But how's this?

441
00:20:42,800 --> 00:20:45,320
Speaker 3: The police come over there questioning. They're going like, excuse me, sure,

442
00:20:45,359 --> 00:20:48,080
Speaker 3: what are you doing with that squirrel there? He's saying, oh, well,

443
00:20:48,119 --> 00:20:50,960
Speaker 3: I'm trying to give a CPR. I'm from Texas firstly,

444
00:20:51,040 --> 00:20:52,600
Speaker 3: and secondly I'm trying to give.

445
00:20:52,440 --> 00:20:53,280
Speaker 4: A squirrels CPR.

446
00:20:53,480 --> 00:20:55,280
Speaker 1: The CPR and the police.

447
00:20:54,960 --> 00:20:57,040
Speaker 4: Are going, oh right, well, why don't you try to

448
00:20:57,040 --> 00:20:57,720
Speaker 4: flip it him over?

449
00:20:57,800 --> 00:20:59,400
Speaker 3: And then they're all in there, well, they're all trying

450
00:20:59,400 --> 00:21:00,840
Speaker 3: to get him going, let's bloody do it.

451
00:21:00,880 --> 00:21:03,040
Speaker 4: So he's over there, mouth to mouth with the squirrel.

452
00:21:03,119 --> 00:21:05,600
Speaker 4: He's using the double finger. How's this?

453
00:21:06,320 --> 00:21:10,240
Speaker 3: After a minute of CPR, the squirrel comes back alive.

454
00:21:10,440 --> 00:21:15,600
Speaker 1: Oh my god, unbelievable. Oh my god. Maybe the squirrel

455
00:21:15,640 --> 00:21:17,520
Speaker 1: is just cold.

456
00:21:17,880 --> 00:21:21,440
Speaker 2: I don't think squirrels are smart enough to But maybe

457
00:21:21,480 --> 00:21:23,040
Speaker 2: he's just gone out and have a couple of drinks.

458
00:21:23,200 --> 00:21:23,680
Speaker 1: Come home.

459
00:21:23,800 --> 00:21:25,639
Speaker 2: Oh yeah, he just passed out at the bottom of

460
00:21:25,720 --> 00:21:26,680
Speaker 2: his tree.

461
00:21:27,520 --> 00:21:29,440
Speaker 1: He's just been working up by a bunch of people

462
00:21:29,520 --> 00:21:30,120
Speaker 1: hunched room.

463
00:21:30,560 --> 00:21:31,320
Speaker 4: But how body good.

464
00:21:31,320 --> 00:21:34,000
Speaker 3: We're going to the of the reason human's given a

465
00:21:34,000 --> 00:21:34,800
Speaker 3: squirrel CPR.

466
00:21:34,880 --> 00:21:37,840
Speaker 4: Now, I know this is an amazing story.

467
00:21:38,600 --> 00:21:41,919
Speaker 3: And I know we might not hear anything here but

468
00:21:42,040 --> 00:21:47,680
Speaker 3: our numbers thirteen one oh sixty five. Have you ever,

469
00:21:47,960 --> 00:21:54,000
Speaker 3: o God, have you ever given CPR to an animal?

470
00:21:54,440 --> 00:21:55,000
Speaker 1: We've got a.

471
00:21:54,960 --> 00:21:59,160
Speaker 4: Liars here, a Lias. This is great. Your dad gave CPR.

472
00:22:00,080 --> 00:22:04,040
Speaker 1: Yeah to my budgy, to a budgy. Yeah, a little

473
00:22:04,040 --> 00:22:04,560
Speaker 1: white budgy.

474
00:22:04,680 --> 00:22:05,160
Speaker 12: I come home.

475
00:22:05,200 --> 00:22:08,320
Speaker 1: He's given a CPR, comes back to life. Next day,

476
00:22:08,359 --> 00:22:08,760
Speaker 1: my brother.

477
00:22:08,720 --> 00:22:10,640
Speaker 4: Decides to feed it carrots.

478
00:22:11,720 --> 00:22:12,639
Speaker 1: Next morning, I wake up.

479
00:22:12,680 --> 00:22:14,800
Speaker 13: The whole cage is orange and the birds the orange

480
00:22:14,800 --> 00:22:18,240
Speaker 13: from the carrot because it threw up and then.

481
00:22:17,640 --> 00:22:20,240
Speaker 3: Oh god, it didn't really and I was going to

482
00:22:20,280 --> 00:22:22,399
Speaker 3: play you raised me out, but the story finished with

483
00:22:22,640 --> 00:22:23,280
Speaker 3: the next.

484
00:22:23,119 --> 00:22:28,480
Speaker 2: Day he died, Budgies, like Jesus, he died, came back,

485
00:22:29,200 --> 00:22:32,000
Speaker 2: then went again, went to get into blaze of glory.

486
00:22:32,000 --> 00:22:34,880
Speaker 1: But what's with the orange thing? The whole bird turned orange?

487
00:22:35,440 --> 00:22:38,120
Speaker 13: Yeah, because eight carrots and then threw up all over

488
00:22:38,160 --> 00:22:42,040
Speaker 13: itself and the h oh hang.

489
00:22:42,000 --> 00:22:43,800
Speaker 4: On, but it didn't it didn't die, which is orange?

490
00:22:43,800 --> 00:22:49,879
Speaker 4: After that? No, no, I died two days. Yeah, right,

491
00:22:49,960 --> 00:22:52,159
Speaker 4: so that's a tough cole days for the budgy. But

492
00:22:52,359 --> 00:22:54,400
Speaker 4: your dad gave it CPR, So thank you for the call.

493
00:22:54,600 --> 00:22:56,600
Speaker 4: We've got a merely died.

494
00:22:58,600 --> 00:23:00,320
Speaker 1: Ate a carrot vomit in itself.

495
00:23:00,080 --> 00:23:04,200
Speaker 3: And then it's just a tragic forty eight hours. Sorry, Amelia,

496
00:23:04,440 --> 00:23:07,959
Speaker 3: we're still recovering from that, poor budgy. Sorry, really, your

497
00:23:08,040 --> 00:23:08,960
Speaker 3: mum gave CPR.

498
00:23:09,960 --> 00:23:12,440
Speaker 9: Yes, my mom gave CEPR toor gold fish.

499
00:23:13,280 --> 00:23:15,160
Speaker 1: What how did.

500
00:23:15,080 --> 00:23:18,000
Speaker 3: It didn't work though, because if your mum was breathing

501
00:23:18,040 --> 00:23:19,879
Speaker 3: air into its mouth, doesn't it need water?

502
00:23:21,640 --> 00:23:22,080
Speaker 1: I don't know.

503
00:23:22,200 --> 00:23:25,399
Speaker 9: She it was like floating outside down in like the

504
00:23:25,440 --> 00:23:28,920
Speaker 9: fish bowl, so he scooped it out, and she gave

505
00:23:29,040 --> 00:23:32,960
Speaker 9: CPR with her pinkies because the index fingers are too big.

506
00:23:33,880 --> 00:23:39,120
Speaker 9: And then she got a straw and started like pushing

507
00:23:39,160 --> 00:23:41,720
Speaker 9: air and a little chest went up and down.

508
00:23:42,000 --> 00:23:45,959
Speaker 1: No, and it lived.

509
00:23:47,119 --> 00:23:48,160
Speaker 9: Not sadly you passed.

510
00:23:48,240 --> 00:23:51,000
Speaker 4: Oh damn it? What ify you raised me out?

511
00:23:51,000 --> 00:23:54,439
Speaker 1: But we can't do it all right, double judging.

512
00:23:54,520 --> 00:23:56,880
Speaker 4: I've got to be honest, like, I mean, did you expect.

513
00:23:56,600 --> 00:23:59,640
Speaker 1: Them all fish low?

514
00:23:59,720 --> 00:24:02,800
Speaker 4: Air into a fish's mouth, it brethes through, guilty and.

515
00:24:02,720 --> 00:24:03,480
Speaker 1: It gets water.

516
00:24:03,680 --> 00:24:06,040
Speaker 3: Yeah, you should have squirted it, like got a water

517
00:24:06,040 --> 00:24:07,399
Speaker 3: pistol and the squirted water.

518
00:24:07,600 --> 00:24:11,720
Speaker 2: It's a goldfish super So we're just through the gills.

519
00:24:12,240 --> 00:24:15,560
Speaker 1: What wouldn't bring air through? Surely you're holding him under

520
00:24:15,560 --> 00:24:17,320
Speaker 1: the tap, all right, fingers crossed.

521
00:24:17,520 --> 00:24:18,480
Speaker 4: We'd love to finish with.

522
00:24:18,560 --> 00:24:20,200
Speaker 1: It's actually sickening, isn't it.

523
00:24:20,200 --> 00:24:22,399
Speaker 2: It's like if you or I died and then somebody

524
00:24:22,480 --> 00:24:23,400
Speaker 2: put a hose in our.

525
00:24:23,320 --> 00:24:24,840
Speaker 4: Mouth and squirted water.

526
00:24:25,440 --> 00:24:26,160
Speaker 1: That's what's happening.

527
00:24:26,520 --> 00:24:28,919
Speaker 2: That that's the fat fish, the fish in that the

528
00:24:28,960 --> 00:24:29,920
Speaker 2: fish in that fish bowl.

529
00:24:30,000 --> 00:24:32,600
Speaker 1: Now I'm afraid of dying. So they're going to get brutalized.

530
00:24:33,040 --> 00:24:34,960
Speaker 3: People just at the time, we've had a budget that

531
00:24:35,000 --> 00:24:37,479
Speaker 3: spewed on itself and then died. And now then we

532
00:24:37,560 --> 00:24:41,119
Speaker 3: had a poor goldfish that was blown air into its mouth. Kathy,

533
00:24:41,240 --> 00:24:44,480
Speaker 3: I'm hoping, I'm hoping yours is a nice story, was

534
00:24:44,480 --> 00:24:47,119
Speaker 3: their CPR given, Yes, it was.

535
00:24:47,800 --> 00:24:51,920
Speaker 11: I am My young young niece stayed over one night

536
00:24:51,960 --> 00:24:54,760
Speaker 11: when she was young. She ever said the fish and

537
00:24:54,800 --> 00:24:57,520
Speaker 11: the gold and in the bowl. Next morning we got

538
00:24:57,600 --> 00:25:01,560
Speaker 11: up and we had about sick fish plot, and they're

539
00:25:01,560 --> 00:25:04,760
Speaker 11: floating upside down in a fish pond, and put them

540
00:25:04,760 --> 00:25:08,080
Speaker 11: all out, put them into a sink of fresh water

541
00:25:08,160 --> 00:25:10,959
Speaker 11: and ran it through their gills and blue seep and

542
00:25:11,080 --> 00:25:14,280
Speaker 11: blue into their mouth matter and moved their gills in

543
00:25:14,320 --> 00:25:19,200
Speaker 11: and out in the water. They are still alive today.

544
00:25:27,359 --> 00:25:30,440
Speaker 3: Dark times for a while there, right, it's all about

545
00:25:30,480 --> 00:25:31,720
Speaker 3: massaging the gills.

546
00:25:32,080 --> 00:25:33,639
Speaker 4: Massage the gills.

547
00:25:34,680 --> 00:25:35,159
Speaker 1: You give.

548
00:25:37,359 --> 00:25:40,200
Speaker 2: Just added some weird sickening thing going on with the

549
00:25:40,240 --> 00:25:40,840
Speaker 2: fish there.

550
00:25:41,000 --> 00:25:44,600
Speaker 1: Clearly forgot the fact that they're water.

551
00:25:45,640 --> 00:25:47,600
Speaker 2: Hey, Steve Cory's going to join us on the show

552
00:25:47,680 --> 00:25:49,600
Speaker 2: right after the news there's going to be a live

553
00:25:50,480 --> 00:25:53,960
Speaker 2: mooning on this show. The artwork which will hopefully get

554
00:25:53,960 --> 00:25:56,320
Speaker 2: to the moon. If that makes no sense. That's totally

555
00:25:56,359 --> 00:25:58,840
Speaker 2: understandable because it's a very confusing sentence. But there is

556
00:25:58,880 --> 00:26:00,879
Speaker 2: a piece of art which will hopefully get us to

557
00:26:00,920 --> 00:26:04,080
Speaker 2: the moon. Stephen Curry's on the show. He's going to

558
00:26:04,160 --> 00:26:06,320
Speaker 2: help us out live in your radios. It'll be willin

559
00:26:06,320 --> 00:26:07,000
Speaker 2: Wood Instagram.

560
00:26:07,080 --> 00:26:09,359
Speaker 1: Facebook. Is a very big client meeting next door, and

561
00:26:09,440 --> 00:26:11,560
Speaker 1: we are going to burst through those doors.

562
00:26:12,000 --> 00:26:14,080
Speaker 3: Are we going through the doors? I think we're going

563
00:26:14,119 --> 00:26:17,760
Speaker 3: to moon onto the glass. Sorry, that's probably an offair conversation,

564
00:26:17,840 --> 00:26:19,240
Speaker 3: but there's going to be. There's gonna be a live

565
00:26:19,280 --> 00:26:21,560
Speaker 3: mooning of a very serious meeting. Will we burst through

566
00:26:21,560 --> 00:26:24,240
Speaker 3: the door or not? You'll have to find out very shortly.

567
00:26:24,880 --> 00:26:28,800
Speaker 2: It's been announced that six people, six people only, will

568
00:26:28,800 --> 00:26:32,119
Speaker 2: be going to the moon as the first moon tourists.

569
00:26:32,720 --> 00:26:34,240
Speaker 1: It's set in stone.

570
00:26:34,359 --> 00:26:37,320
Speaker 2: But those six people, it has also been said, have

571
00:26:37,520 --> 00:26:42,600
Speaker 2: to be artists. Yes, well agreed, you stuck at the

572
00:26:42,680 --> 00:26:45,240
Speaker 2: Japanese billionaire. Well he's the guy taking them, but him

573
00:26:45,280 --> 00:26:49,200
Speaker 2: to one side. Six artists. Only six artists are allowed

574
00:26:49,240 --> 00:26:50,320
Speaker 2: to go to the moon.

575
00:26:50,440 --> 00:26:53,080
Speaker 1: We are not artists. We have agreed. We are not artists.

576
00:26:53,119 --> 00:26:55,440
Speaker 1: Our friends have told us we are not artists. Yes,

577
00:26:55,480 --> 00:26:56,240
Speaker 1: we are a couple of.

578
00:26:56,240 --> 00:26:59,760
Speaker 2: Hacks, so we need We are trying to get to

579
00:26:59,840 --> 00:27:01,200
Speaker 2: the moon on a rocket ship, but.

580
00:27:01,160 --> 00:27:01,959
Speaker 1: We are not artists.

581
00:27:02,080 --> 00:27:04,200
Speaker 2: Yes, we need some artwork to be artists.

582
00:27:04,280 --> 00:27:04,760
Speaker 4: That's right.

583
00:27:05,680 --> 00:27:08,600
Speaker 2: We have decided, with your help that a great piece

584
00:27:08,600 --> 00:27:10,520
Speaker 2: of art would involve a great mooning.

585
00:27:11,320 --> 00:27:13,520
Speaker 4: Because you know they're going to the moon, why not

586
00:27:13,640 --> 00:27:14,399
Speaker 4: use morning.

587
00:27:14,160 --> 00:27:16,679
Speaker 2: Will Everyone loves a morning. If we could get a

588
00:27:16,720 --> 00:27:20,160
Speaker 2: great mooning happening and capture a morning, maybe that will

589
00:27:20,160 --> 00:27:21,600
Speaker 2: be the bit of art that will get us to

590
00:27:21,640 --> 00:27:22,040
Speaker 2: the moon.

591
00:27:22,200 --> 00:27:26,840
Speaker 3: Smart Steve Curry, this guy, he loved the serenity of

592
00:27:26,920 --> 00:27:27,359
Speaker 3: the place.

593
00:27:27,600 --> 00:27:30,320
Speaker 1: That's a serenity. I think he also just loved the

594
00:27:30,359 --> 00:27:34,920
Speaker 1: word so much serenity. He's going to help us upnext

595
00:27:34,960 --> 00:27:37,840
Speaker 1: live on the radio with a mooning for all of

596
00:27:37,880 --> 00:27:41,320
Speaker 1: you guys to enjoy. Willymwoody Instagram, Willan Woody Facebook. As

597
00:27:41,440 --> 00:27:45,600
Speaker 1: we moon a very important client meeting that's going on

598
00:27:45,600 --> 00:27:46,440
Speaker 1: to the radio station.

599
00:27:46,600 --> 00:27:50,200
Speaker 4: It's actually apparently it's underway, so that that meeting has started.

600
00:27:50,320 --> 00:27:50,560
Speaker 1: Yep.

601
00:27:51,200 --> 00:27:53,720
Speaker 3: I don't think we can say what client is in there,

602
00:27:53,760 --> 00:27:56,280
Speaker 3: but it's a serious client and very shortly they're going

603
00:27:56,320 --> 00:27:59,879
Speaker 3: to see two nude bottoms and now I think pressed

604
00:27:59,880 --> 00:28:01,320
Speaker 3: against glass, but you know.

605
00:28:01,200 --> 00:28:02,080
Speaker 4: We we'll figure that out.

606
00:28:02,160 --> 00:28:03,080
Speaker 1: Something to discuss with.

607
00:28:03,119 --> 00:28:05,440
Speaker 2: Steve is going to join us up next, Steve Curry

608
00:28:05,640 --> 00:28:08,080
Speaker 2: helping us make the artwork that could get us to

609
00:28:08,119 --> 00:28:10,560
Speaker 2: the moon. Stay with us. We've got a very special guest.

610
00:28:10,560 --> 00:28:11,720
Speaker 2: Since Steve Carry is in here.

611
00:28:11,840 --> 00:28:15,280
Speaker 1: I want to move my money. You guys got movable.

612
00:28:14,880 --> 00:28:18,600
Speaker 12: Microphones and I've got like a I've got a mounted microphones.

613
00:28:18,000 --> 00:28:18,960
Speaker 1: While they pays the big bucks.

614
00:28:19,119 --> 00:28:24,399
Speaker 4: Okay, sorry mate, Yeah, this is the upgrades that next time, guys.

615
00:28:24,160 --> 00:28:27,720
Speaker 1: That's all I'm going to say. Mate, you have a

616
00:28:27,760 --> 00:28:28,760
Speaker 1: brand new show.

617
00:28:29,040 --> 00:28:33,200
Speaker 2: I'll tell you what the Steve Curry woulds Steve Steve

618
00:28:33,280 --> 00:28:38,400
Speaker 2: Curry move into ominous serious acting.

619
00:28:38,680 --> 00:28:41,000
Speaker 1: Yes, at least ione playing a serial killer this time.

620
00:28:41,600 --> 00:28:43,640
Speaker 4: To step back from that isn't two years ago.

621
00:28:44,440 --> 00:28:46,960
Speaker 12: I'm probably sick of playing like you know, do Fiss

622
00:28:47,000 --> 00:28:48,240
Speaker 12: who can't get laid right.

623
00:28:48,480 --> 00:28:52,200
Speaker 1: And then and then comes so natural and.

624
00:28:52,280 --> 00:28:55,320
Speaker 12: Now it's like I've been podcasts like guys who can

625
00:28:55,360 --> 00:28:56,760
Speaker 12: get late but then are going to be really mean

626
00:28:56,760 --> 00:28:57,520
Speaker 12: to you afterwards.

627
00:28:58,800 --> 00:29:02,280
Speaker 4: So is this the new character Jacob kidding? I'm getting

628
00:29:02,320 --> 00:29:05,800
Speaker 4: told he's a mission directors director of plan he sleeps

629
00:29:05,800 --> 00:29:06,560
Speaker 4: with a lot of women.

630
00:29:06,760 --> 00:29:07,600
Speaker 1: It does.

631
00:29:07,400 --> 00:29:09,280
Speaker 4: Does he puts it about?

632
00:29:08,960 --> 00:29:11,440
Speaker 1: He puts it about in.

633
00:29:11,440 --> 00:29:14,200
Speaker 12: The company inc Or is it I'm not getting my

634
00:29:14,200 --> 00:29:15,080
Speaker 12: meat where I get my bread?

635
00:29:15,120 --> 00:29:17,360
Speaker 1: No?

636
00:29:15,440 --> 00:29:21,240
Speaker 12: No, he puts it out elsewhere just to annoy most

637
00:29:21,240 --> 00:29:24,920
Speaker 12: of the people that he's working with. So so he

638
00:29:24,960 --> 00:29:26,520
Speaker 12: works in Pine Gap. So Pine Gap, for anyone who

639
00:29:26,520 --> 00:29:31,160
Speaker 12: doesn't know, is a joint American Australian military base in the.

640
00:29:31,160 --> 00:29:35,080
Speaker 2: Middle of Australia to celebrate our great bond between our nations.

641
00:29:36,160 --> 00:29:38,200
Speaker 1: Yeah, so you're playing this.

642
00:29:38,440 --> 00:29:40,960
Speaker 12: I play, Yeah, I play Jacob Kiddo, who is the

643
00:29:40,960 --> 00:29:44,320
Speaker 12: mission director on the operations for Because, as I've always said,

644
00:29:45,160 --> 00:29:48,680
Speaker 12: do you want someone monitoring all of the behavior in

645
00:29:48,720 --> 00:29:51,600
Speaker 12: the South China, Sea and Syria? Get Dale Kerrigan on

646
00:29:51,640 --> 00:30:01,240
Speaker 12: the company, don't you know? But don't you think fight

647
00:30:01,320 --> 00:30:04,400
Speaker 12: breaks out? You'll break the jousting sticks. And you saw

648
00:30:04,440 --> 00:30:06,880
Speaker 12: today we came out and then.

649
00:30:06,760 --> 00:30:07,640
Speaker 1: Monday morning meeting.

650
00:30:07,760 --> 00:30:08,480
Speaker 4: What did you do today?

651
00:30:08,520 --> 00:30:08,960
Speaker 1: Dale?

652
00:30:09,160 --> 00:30:09,360
Speaker 6: Dale?

653
00:30:13,600 --> 00:30:15,800
Speaker 12: Dale was either going to end up in prison or

654
00:30:15,840 --> 00:30:17,440
Speaker 12: as a mission director at Pine Gap.

655
00:30:19,080 --> 00:30:23,960
Speaker 1: Yeah, good Ford, yeah, good on Dale. Yeah, yeah, it sounds.

656
00:30:23,680 --> 00:30:25,880
Speaker 4: Buddy interesting, mate. It's on thirty Sunday.

657
00:30:25,960 --> 00:30:29,280
Speaker 3: But Steve we having heard about the show, and having

658
00:30:29,320 --> 00:30:31,680
Speaker 3: heard about the character that you're playing, the mission director,

659
00:30:32,240 --> 00:30:38,440
Speaker 3: we think that you were of intenril importance to something

660
00:30:38,520 --> 00:30:41,120
Speaker 3: we want to pull off in the station after a song.

661
00:30:41,160 --> 00:30:42,160
Speaker 4: So we're going to play a song.

662
00:30:42,200 --> 00:30:46,000
Speaker 2: There are some skills that you've learned on the set

663
00:30:45,240 --> 00:30:51,200
Speaker 2: in any direction directction as well. No, I'm happy to

664
00:30:51,200 --> 00:30:52,720
Speaker 2: give you a little bit of of a hint.

665
00:30:52,880 --> 00:30:53,200
Speaker 1: Liner.

666
00:30:53,960 --> 00:30:55,120
Speaker 2: We are trying.

667
00:30:56,680 --> 00:31:01,200
Speaker 1: No, no, I'm excited. We're trying to get the attention

668
00:31:01,240 --> 00:31:04,120
Speaker 1: of a Japanese billionaire. Okay, a guy called Usaku.

669
00:31:05,520 --> 00:31:11,680
Speaker 2: Right, so what's he's been billed as the first person

670
00:31:11,720 --> 00:31:12,280
Speaker 2: to go.

671
00:31:12,320 --> 00:31:15,800
Speaker 1: To the moon? Oh yeah, okay, Elon Musk is sending him. Right,

672
00:31:16,640 --> 00:31:18,200
Speaker 1: He said that he's taking six artists with.

673
00:31:18,240 --> 00:31:20,800
Speaker 2: Him, So hang, m right, you want to try and well,

674
00:31:20,800 --> 00:31:22,360
Speaker 2: we're trying to show to him that we're artists.

675
00:31:22,600 --> 00:31:24,040
Speaker 1: We realized that being radio show.

676
00:31:25,120 --> 00:31:26,760
Speaker 2: So we're trying to make a piece of art which

677
00:31:26,800 --> 00:31:30,040
Speaker 2: he is going to see us as great enough artists

678
00:31:30,040 --> 00:31:32,680
Speaker 2: to go with him. The piece of art that we've

679
00:31:32,720 --> 00:31:36,560
Speaker 2: got lined up is obviously trying to get to the moon.

680
00:31:36,880 --> 00:31:40,920
Speaker 2: We want to do a live moaning on the radio show.

681
00:31:41,040 --> 00:31:43,360
Speaker 12: Okay again, Visual medium so this is going to work

682
00:31:43,360 --> 00:31:44,080
Speaker 12: well visual media.

683
00:31:44,520 --> 00:31:48,600
Speaker 4: People can go to our Instagram or Facebook on both

684
00:31:48,640 --> 00:31:50,240
Speaker 4: that we want to live on the radio.

685
00:31:50,320 --> 00:31:52,880
Speaker 3: We know there's a big client who was in the

686
00:31:52,960 --> 00:31:55,680
Speaker 3: building right now having a meeting with the sales dogs.

687
00:31:55,960 --> 00:31:56,440
Speaker 4: I saw that.

688
00:31:56,720 --> 00:32:01,040
Speaker 12: Serious looking meetings, serious stuff. They're going to love mooning.

689
00:32:02,040 --> 00:32:04,320
Speaker 12: People who are saying we need a mooning right now.

690
00:32:04,200 --> 00:32:06,080
Speaker 4: I think just a lighting up there to day.

691
00:32:06,480 --> 00:32:09,200
Speaker 3: So we want kid We want Jacob Kiddo to direct

692
00:32:09,200 --> 00:32:11,760
Speaker 3: the mission so I don't have to moon control in it.

693
00:32:11,840 --> 00:32:13,840
Speaker 3: When do we pull the pants down? How do we

694
00:32:13,880 --> 00:32:16,640
Speaker 3: get up there? And if you want to moon as well, please.

695
00:32:16,560 --> 00:32:20,320
Speaker 2: We've we've rigged the room with cameras and microphones as well.

696
00:32:22,000 --> 00:32:25,880
Speaker 2: We're going to a side guy's corn it calling moning,

697
00:32:25,920 --> 00:32:28,920
Speaker 2: which is going to be happy on the radio. I

698
00:32:28,960 --> 00:32:31,520
Speaker 2: hope everybody's having wonderful What day is it?

699
00:32:32,560 --> 00:32:37,760
Speaker 1: Tuesday? Steve Steve, Steve Carry is here with us.

700
00:32:38,400 --> 00:32:40,479
Speaker 2: What we're doing right now is a live mooning on

701
00:32:40,520 --> 00:32:43,040
Speaker 2: the airwaves. It's a real mission right now. So we've

702
00:32:43,040 --> 00:32:47,640
Speaker 2: got Steve and he's just been playing a spy director

703
00:32:47,680 --> 00:32:49,840
Speaker 2: as well, so he's the right person for the job.

704
00:32:50,200 --> 00:32:54,280
Speaker 2: We're also adults, but we're coming up to the roommate.

705
00:32:54,320 --> 00:32:56,560
Speaker 2: Can see this on Willow Woody Instagram with the Woody Facebook.

706
00:32:56,720 --> 00:32:59,280
Speaker 12: Now we're gonna have to use some code. Okay, all

707
00:32:59,280 --> 00:33:01,920
Speaker 12: good spies, you code. Good bums are going to be

708
00:33:02,000 --> 00:33:06,880
Speaker 12: known as J thirty ones, both of them. One. Prepare

709
00:33:06,920 --> 00:33:12,360
Speaker 12: the J thirty ones for launch? Yeah, pants ready, yeah,

710
00:33:12,400 --> 00:33:16,640
Speaker 12: and then I'll say T minus get to launch thirty

711
00:33:16,680 --> 00:33:18,480
Speaker 12: ones thirty one?

712
00:33:19,080 --> 00:33:21,120
Speaker 4: Okay, so just one and then do it.

713
00:33:21,200 --> 00:33:24,520
Speaker 12: Just run and then I'll let you know.

714
00:33:23,400 --> 00:33:25,960
Speaker 1: Okays directly.

715
00:33:27,600 --> 00:33:30,720
Speaker 12: If I say I board board get out of there.

716
00:33:30,760 --> 00:33:33,160
Speaker 4: Okay, we go down separate ways.

717
00:33:33,560 --> 00:33:36,080
Speaker 1: Well, let's just let's just all panics.

718
00:33:36,360 --> 00:33:39,160
Speaker 12: That's at that point I recommend with panic all.

719
00:33:39,120 --> 00:33:40,520
Speaker 2: Right, Steve Cary with us so you can watch this

720
00:33:40,520 --> 00:33:41,840
Speaker 2: will Instagram and Facebook.

721
00:33:41,920 --> 00:33:44,760
Speaker 1: A live monar on the radio. Ladder's going into.

722
00:33:44,600 --> 00:33:45,800
Speaker 4: Position to position.

723
00:33:45,920 --> 00:33:47,959
Speaker 1: Steve carry is going, all right, here we go.

724
00:33:48,000 --> 00:33:52,600
Speaker 12: There's a guys, guys, mount ladder, Mount ladder, repeat, repete

725
00:33:52,680 --> 00:33:53,200
Speaker 12: mount ladder.

726
00:33:53,200 --> 00:33:55,000
Speaker 1: Should we prepare the J thirty one before?

727
00:33:55,480 --> 00:33:57,720
Speaker 12: Just mount the ladder, get up to the second step,

728
00:33:57,720 --> 00:34:03,160
Speaker 12: second and await further instructions game, What prepare the J thirty.

729
00:34:02,880 --> 00:34:06,160
Speaker 1: One prepare the J thirty ones haven just get them,

730
00:34:06,240 --> 00:34:06,680
Speaker 1: just get them.

731
00:34:07,000 --> 00:34:12,440
Speaker 12: Put it. Let's go half moon on the Jay one

732
00:34:13,360 --> 00:34:15,960
Speaker 12: half mercay depending to deploy J thirty onees in T

733
00:34:16,160 --> 00:34:18,040
Speaker 12: minus five okay.

734
00:34:17,560 --> 00:34:23,680
Speaker 8: Four three two one activate J thirty one J thirty.

735
00:34:23,400 --> 00:34:26,000
Speaker 12: Ones continue to continue.

736
00:34:26,080 --> 00:34:34,480
Speaker 1: We have movement, We have movement. More Jesus rib foundition.

737
00:34:34,960 --> 00:34:43,840
Speaker 12: Now I reconmenta get up, down.

738
00:34:43,760 --> 00:34:44,880
Speaker 13: Down, get down.

739
00:34:46,680 --> 00:34:48,160
Speaker 1: I'm pretty sure you've lost your jobs.

740
00:34:48,160 --> 00:34:49,440
Speaker 8: Got the thing is.

741
00:34:50,800 --> 00:34:52,560
Speaker 12: The thing is I don't work here, so it doesn't

742
00:34:52,600 --> 00:34:54,080
Speaker 12: affect in the slightest.

743
00:34:54,360 --> 00:34:55,719
Speaker 1: I'm pretty sure you guys are going to have to

744
00:34:55,719 --> 00:35:00,640
Speaker 1: start looking for old turn the phase, the sale directors

745
00:35:00,680 --> 00:35:05,040
Speaker 1: in there. This I do not learn from the stage.

746
00:35:06,760 --> 00:35:09,160
Speaker 2: Oh God, legend, thank you so much.

747
00:35:10,239 --> 00:35:13,120
Speaker 1: Find out that he like that.

748
00:35:13,560 --> 00:35:15,040
Speaker 12: The show was pretty much like that.

749
00:35:15,640 --> 00:35:17,239
Speaker 2: You're going to get out of here and you can

750
00:35:17,280 --> 00:35:19,520
Speaker 2: watch that on Miller Woody Instagram, Facebook.

751
00:35:20,440 --> 00:35:22,640
Speaker 1: Very good stuff. Oh were cooked?

752
00:35:22,760 --> 00:35:24,239
Speaker 2: You want to go and check out the video of

753
00:35:24,520 --> 00:35:27,360
Speaker 2: a morning of a very important client meeting within the

754
00:35:27,440 --> 00:35:30,680
Speaker 2: radio station only about fifteen twenty minutes ago, live on.

755
00:35:30,640 --> 00:35:33,040
Speaker 1: Your radios with Steve Gurry.

756
00:35:34,520 --> 00:35:34,920
Speaker 2: Get up.

757
00:35:40,000 --> 00:35:42,759
Speaker 4: Curry really lost his call. Disappointing that he lost his call.

758
00:35:44,040 --> 00:35:45,799
Speaker 2: Someone who's paid to be an actor, you think that

759
00:35:45,840 --> 00:35:47,239
Speaker 2: he would have been able to carry it for a

760
00:35:47,239 --> 00:35:48,200
Speaker 2: little bit longer.

761
00:35:47,960 --> 00:35:48,759
Speaker 1: There, that's right.

762
00:35:48,800 --> 00:35:50,640
Speaker 4: But anyway, say that video on her Instagram.

763
00:35:50,680 --> 00:35:51,880
Speaker 1: You can go and check it out with him? What

764
00:35:52,040 --> 00:35:52,719
Speaker 1: he woodrow.

765
00:35:53,000 --> 00:35:55,520
Speaker 2: I had a bit of a blunder the other day.

766
00:35:55,640 --> 00:35:59,279
Speaker 2: Oh no, My girlfriend and I were driving past a

767
00:35:59,400 --> 00:36:03,640
Speaker 2: theater and there were ads for Nelson Mandela the musical.

768
00:36:03,960 --> 00:36:07,160
Speaker 1: I've seen it. You've seen it madeba Madiba, you've seen it.

769
00:36:07,200 --> 00:36:09,720
Speaker 3: I saw it in Warnable in Victoria was the first

770
00:36:09,840 --> 00:36:11,280
Speaker 3: showing of the musical.

771
00:36:11,920 --> 00:36:12,560
Speaker 4: I've seen it.

772
00:36:12,640 --> 00:36:16,040
Speaker 1: Wow, I did not expect you to. When did that happen?

773
00:36:16,239 --> 00:36:16,400
Speaker 12: You know?

774
00:36:16,520 --> 00:36:19,120
Speaker 3: I saw that the last week, two weeks ago, on

775
00:36:19,160 --> 00:36:20,359
Speaker 3: a Thursday night, first showing.

776
00:36:20,400 --> 00:36:22,120
Speaker 4: The director came out and spoke to the whole crowd.

777
00:36:22,520 --> 00:36:24,720
Speaker 3: Was with me and a whole bunch of seventy year olds,

778
00:36:25,239 --> 00:36:26,920
Speaker 3: and I saw it, and he gets who's in it?

779
00:36:27,280 --> 00:36:28,799
Speaker 1: Tim o Madic.

780
00:36:28,840 --> 00:36:29,719
Speaker 4: Tim Maddic's in it?

781
00:36:30,160 --> 00:36:31,520
Speaker 1: He does he play Mandela.

782
00:36:31,600 --> 00:36:34,360
Speaker 4: He's not Mandela, a great character to Americans.

783
00:36:34,360 --> 00:36:35,800
Speaker 1: I still got it.

784
00:36:35,880 --> 00:36:36,920
Speaker 4: Yeah, but sorry, go on.

785
00:36:37,000 --> 00:36:42,560
Speaker 5: So I drove past that response from me to say

786
00:36:43,000 --> 00:36:45,920
Speaker 5: so I drove past it and I said to my girlfriend,

787
00:36:45,960 --> 00:36:47,040
Speaker 5: Nelson Mandela musical.

788
00:36:47,040 --> 00:36:49,000
Speaker 1: I turned to here and I go, it's interesting.

789
00:36:51,440 --> 00:36:52,919
Speaker 2: I don't think a little bit early to be doing

790
00:36:53,120 --> 00:36:55,000
Speaker 2: Mandela music always he's not even dead.

791
00:36:56,960 --> 00:37:03,080
Speaker 1: And my girlfriend was like, yeah, he is.

792
00:37:03,600 --> 00:37:04,359
Speaker 4: Did you miss that?

793
00:37:04,880 --> 00:37:05,120
Speaker 5: Well?

794
00:37:05,560 --> 00:37:06,040
Speaker 1: I just.

795
00:37:07,719 --> 00:37:08,480
Speaker 4: Where were you when?

796
00:37:08,520 --> 00:37:08,719
Speaker 1: You know?

797
00:37:08,760 --> 00:37:12,239
Speaker 4: That was a big pretty big money, yeah, huge news.

798
00:37:12,280 --> 00:37:16,200
Speaker 3: It was like we're radio hosts ae years ago.

799
00:37:16,840 --> 00:37:17,759
Speaker 1: It was it five years ago.

800
00:37:17,800 --> 00:37:19,480
Speaker 3: I actually thought it was a couple of years ago,

801
00:37:19,480 --> 00:37:21,839
Speaker 3: but I definitely I knew it passed away.

802
00:37:21,920 --> 00:37:23,879
Speaker 1: Yeah, well I probably should have known that.

803
00:37:24,200 --> 00:37:26,719
Speaker 2: But then as we started trading a few names in

804
00:37:26,719 --> 00:37:31,279
Speaker 2: the car, I realized that it's actually really hard to

805
00:37:31,320 --> 00:37:32,920
Speaker 2: remember whether somebody is.

806
00:37:38,480 --> 00:37:40,759
Speaker 6: It's tough, mate, and you had to swing at me,

807
00:37:41,160 --> 00:37:47,680
Speaker 6: but I'm telling you, these days, it's really they Sometimes

808
00:37:47,680 --> 00:37:49,919
Speaker 6: they'll just go and you won't even realize that they're gone.

809
00:37:50,200 --> 00:37:51,680
Speaker 4: Yeah, and you do, you do forget.

810
00:37:51,719 --> 00:37:53,719
Speaker 3: I remember when I was trying to name artists last week,

811
00:37:53,760 --> 00:37:56,400
Speaker 3: I was only naming dead artists accidentally.

812
00:37:56,440 --> 00:37:59,040
Speaker 1: But oh that's right. Well they were like, you thought

813
00:37:59,040 --> 00:38:00,040
Speaker 1: Picasso was still.

814
00:38:00,239 --> 00:38:02,960
Speaker 3: No and that was a massive miss. But public was

815
00:38:02,960 --> 00:38:04,840
Speaker 3: another one. Jackson pot Jackson polic I thought he was

816
00:38:04,880 --> 00:38:07,520
Speaker 3: still kicking around. No, no, I paint around.

817
00:38:07,600 --> 00:38:09,759
Speaker 2: I'm thirteen one o six five is the number if

818
00:38:09,800 --> 00:38:11,880
Speaker 2: you want to get involved in this, because I think it's.

819
00:38:11,719 --> 00:38:12,560
Speaker 1: Bloody hard to do.

820
00:38:12,960 --> 00:38:15,200
Speaker 4: Yeah, sure, Okay, dead or alive?

821
00:38:15,840 --> 00:38:18,319
Speaker 1: You guys can throw us a name. I love it

822
00:38:18,360 --> 00:38:21,640
Speaker 1: so and I basically just have to pick whether we

823
00:38:21,680 --> 00:38:23,600
Speaker 1: think the person is still dead or alive. I'm telling

824
00:38:23,640 --> 00:38:25,319
Speaker 1: you it's not as easy as it.

825
00:38:25,440 --> 00:38:28,280
Speaker 4: We promise, we promise, we won't go no, no advice,

826
00:38:28,640 --> 00:38:29,400
Speaker 4: that's no fun at all.

827
00:38:29,440 --> 00:38:31,960
Speaker 3: You just call up thirteen one oh six mons, name someone,

828
00:38:31,960 --> 00:38:34,080
Speaker 3: and we will have to get dead or alive.

829
00:38:34,480 --> 00:38:35,400
Speaker 4: Do you want to give me one?

830
00:38:35,480 --> 00:38:37,440
Speaker 2: I've got I've got a few for you, just just

831
00:38:37,480 --> 00:38:38,800
Speaker 2: to prove that this is tricky.

832
00:38:39,120 --> 00:38:39,600
Speaker 4: Give it to me.

833
00:38:40,200 --> 00:38:44,680
Speaker 1: Frank Sinatra, Oh, really good one Sinatra.

834
00:38:46,080 --> 00:38:47,000
Speaker 4: No, he's still alive.

835
00:38:47,120 --> 00:38:50,960
Speaker 2: Sinatra dead nineteen ninety eight, ninety eight, nineteen ninety eight.

836
00:38:51,080 --> 00:38:54,279
Speaker 2: I'm telling you, mate, we are so this is really

837
00:38:54,360 --> 00:38:58,440
Speaker 2: hard to do. Mother Teresa, she's dead dead nineteen ninety seven.

838
00:38:58,719 --> 00:39:00,759
Speaker 4: Done, read a really good the Theresa quote.

839
00:39:00,800 --> 00:39:06,600
Speaker 2: Recently, was it save the world?

840
00:39:09,560 --> 00:39:11,360
Speaker 1: Pela Pelea?

841
00:39:12,320 --> 00:39:15,520
Speaker 3: Now they were talking about being scoring in four World

842
00:39:15,560 --> 00:39:17,480
Speaker 3: Cups in a row with Timmy kale So and I'm

843
00:39:17,480 --> 00:39:19,360
Speaker 3: pretty sure they interviewed Peas he's still alive.

844
00:39:20,719 --> 00:39:31,920
Speaker 1: He is? He is still alive. Angela Merkele who or

845
00:39:31,920 --> 00:39:32,880
Speaker 1: who is? Or who was?

846
00:39:33,640 --> 00:39:33,879
Speaker 11: Yeah?

847
00:39:34,000 --> 00:39:35,080
Speaker 4: Well whatever?

848
00:39:35,120 --> 00:39:37,600
Speaker 1: Who was? Or Chancellor of Germany?

849
00:39:38,400 --> 00:39:41,319
Speaker 3: The Chancellor of Germany. Mercle she's still alive. She's the

850
00:39:41,320 --> 00:39:42,080
Speaker 3: current chancellor.

851
00:39:42,120 --> 00:39:42,560
Speaker 11: She is.

852
00:39:44,000 --> 00:39:46,319
Speaker 1: You're heating up thirty one and six five.

853
00:39:46,400 --> 00:39:48,400
Speaker 2: If you've got a name for us, I'd love for

854
00:39:48,440 --> 00:39:50,399
Speaker 2: you guys to try and slip one thart.

855
00:39:50,520 --> 00:39:52,840
Speaker 1: It's really it's much harder than it sounds.

856
00:39:53,120 --> 00:39:58,040
Speaker 3: Richard Attenborough, who's that David's brother? But what he's in

857
00:39:58,120 --> 00:39:58,839
Speaker 3: Jurassic Park?

858
00:39:59,480 --> 00:40:00,200
Speaker 2: Is he? Oh?

859
00:40:00,239 --> 00:40:01,160
Speaker 4: He's the I think?

860
00:40:01,239 --> 00:40:04,719
Speaker 1: So how else would I know him? How else would

861
00:40:04,760 --> 00:40:05,400
Speaker 1: I know? Richard?

862
00:40:06,080 --> 00:40:09,120
Speaker 15: In a few who is he in dressing? The dude

863
00:40:09,120 --> 00:40:16,319
Speaker 15: with the you know, the welcome to Dead? He's dead?

864
00:40:16,400 --> 00:40:19,879
Speaker 4: I'm pretty sure. I'm actually not sure. Sorry, we will

865
00:40:19,920 --> 00:40:20,400
Speaker 4: look that up.

866
00:40:20,840 --> 00:40:22,360
Speaker 1: If anyone who's expis another.

867
00:40:22,960 --> 00:40:25,439
Speaker 2: If you want to play a game of General Live,

868
00:40:26,440 --> 00:40:29,080
Speaker 2: just give us a name, and I think we're going

869
00:40:29,120 --> 00:40:32,600
Speaker 2: to blow a pup. Bibble's really open a few eyes

870
00:40:32,600 --> 00:40:35,000
Speaker 2: out there, because it's alarming how many people are gone

871
00:40:35,160 --> 00:40:37,080
Speaker 2: that you think is still hanging around. I'd like to

872
00:40:37,080 --> 00:40:45,680
Speaker 2: play a game of dead or alive, taking a call

873
00:40:45,920 --> 00:40:49,719
Speaker 2: as to whether you've got someone for us, because we're finding.

874
00:40:49,400 --> 00:40:52,680
Speaker 1: It really quite hard sting alive.

875
00:40:53,000 --> 00:40:58,320
Speaker 4: He's alive, Yes, Steven Segal alive? Yeah? Why is that

876
00:40:58,400 --> 00:40:58,840
Speaker 4: so easy?

877
00:41:00,440 --> 00:41:01,160
Speaker 1: I don't know.

878
00:41:01,239 --> 00:41:03,640
Speaker 4: John cud Van dam alive.

879
00:41:03,920 --> 00:41:06,200
Speaker 1: He's in the entrotune an Yeah, you got me. The

880
00:41:06,440 --> 00:41:11,319
Speaker 1: Pope francis dead? How is the current pope?

881
00:41:12,400 --> 00:41:14,200
Speaker 4: That's not breaking news every run? He's still alive?

882
00:41:14,560 --> 00:41:16,120
Speaker 1: Still, Margaret Thatcher.

883
00:41:18,200 --> 00:41:18,760
Speaker 4: Still alive?

884
00:41:18,840 --> 00:41:22,960
Speaker 1: That's dead? All right, let's go. Mother will have some

885
00:41:22,960 --> 00:41:25,040
Speaker 1: fun that she's gone.

886
00:41:25,360 --> 00:41:29,120
Speaker 3: Thirty one O six five, Chantelle, you'd like to throw

887
00:41:29,160 --> 00:41:30,759
Speaker 3: someone's name up and you want us to guess if

888
00:41:30,760 --> 00:41:31,400
Speaker 3: they're dead or alive?

889
00:41:32,280 --> 00:41:37,320
Speaker 1: Yeah? True, Pac dead? Who was it? Tupac?

890
00:41:37,480 --> 00:41:41,000
Speaker 4: Tupac dead? Come on, Chantel, of course he's dead.

891
00:41:42,719 --> 00:41:48,040
Speaker 2: There's a lot of people who Yeah, we're one of these. Sorry,

892
00:41:48,080 --> 00:41:53,320
Speaker 2: we're not accepting conspiracy theories. What he's in Argentina sipping cocktails.

893
00:41:53,360 --> 00:41:54,279
Speaker 1: I know it's not a.

894
00:41:54,239 --> 00:41:57,520
Speaker 4: Bad point throwing Andy Kaufman there.

895
00:41:57,680 --> 00:41:59,720
Speaker 1: I'm sure Elvis is Elvas.

896
00:41:59,760 --> 00:42:00,960
Speaker 4: Still he's okay.

897
00:42:01,000 --> 00:42:04,920
Speaker 2: Sorry, Rodney thirty one O sixty five, we're playing Denner Alive.

898
00:42:05,360 --> 00:42:06,160
Speaker 4: Who have you got for us?

899
00:42:06,239 --> 00:42:12,319
Speaker 1: Rodney? You know, boys, I just love your show. Who

900
00:42:13,480 --> 00:42:20,280
Speaker 1: Jeanie Little Junior, Little Jeanie, Jeanie Little Jeanie Little.

901
00:42:20,600 --> 00:42:23,239
Speaker 4: You're gonna have to remind us who exactly is.

902
00:42:23,360 --> 00:42:27,279
Speaker 1: Genie's probably too young to remember. Yeah, who is she?

903
00:42:28,280 --> 00:42:29,400
Speaker 1: Australian entertainer.

904
00:42:31,920 --> 00:42:34,680
Speaker 9: She's like a personality entertainer.

905
00:42:35,000 --> 00:42:37,359
Speaker 1: Yeah right, okay, Jeanie Little.

906
00:42:37,080 --> 00:42:41,919
Speaker 4: I'm gonna say she's dead. She's dead? Is she dead?

907
00:42:44,400 --> 00:42:46,879
Speaker 1: Is she gener alive? He's got no idea? Right, We're

908
00:42:46,880 --> 00:42:47,879
Speaker 1: gonna move on to Tom.

909
00:42:48,320 --> 00:42:54,080
Speaker 2: Thanks for the call, Tom, talk to us. Let's try

910
00:42:54,120 --> 00:42:57,320
Speaker 2: and make it within you know, at least public knowledge

911
00:42:57,360 --> 00:42:57,719
Speaker 2: of the person.

912
00:42:57,760 --> 00:43:00,359
Speaker 1: Who is Tom? Who's deader alive? Go for it?

913
00:43:02,239 --> 00:43:04,960
Speaker 10: Last three with my boys. But Jimmy and a.

914
00:43:05,880 --> 00:43:07,239
Speaker 4: Dead Jimmy Hendrix is dead.

915
00:43:07,320 --> 00:43:08,319
Speaker 1: Jimmy Hendrix is dead.

916
00:43:09,239 --> 00:43:13,000
Speaker 2: Yeah you're yeah, Yeah, yeah, I think he.

917
00:43:13,160 --> 00:43:14,759
Speaker 4: Jimmy Hendricks is part of the twenty seven club.

918
00:43:14,840 --> 00:43:16,719
Speaker 1: I think he is part of the twenty seven club.

919
00:43:16,760 --> 00:43:19,799
Speaker 1: Jimmy Hendricks. There's some big names in that club, isn't there.

920
00:43:20,440 --> 00:43:22,960
Speaker 4: Have you heard the thing that the myth or the

921
00:43:23,040 --> 00:43:24,480
Speaker 4: scary thing about the white lighter?

922
00:43:25,320 --> 00:43:27,000
Speaker 1: I have heard about.

923
00:43:26,680 --> 00:43:29,680
Speaker 4: The everyone in the twenty seven club had a white.

924
00:43:29,560 --> 00:43:33,280
Speaker 2: No, I heard a different story about the white lighter.

925
00:43:33,320 --> 00:43:36,400
Speaker 2: I didn't know that there somebody out there, some shrewd,

926
00:43:37,400 --> 00:43:40,759
Speaker 2: some shrewd person who's combining urban myths, has managed to

927
00:43:40,800 --> 00:43:44,960
Speaker 2: combine the white lighter myth with the twenty seven club men.

928
00:43:45,120 --> 00:43:47,040
Speaker 4: I don't mind it, and I won't touch a white.

929
00:43:46,880 --> 00:43:49,600
Speaker 1: Lighter, will the white Well, you don't touch lighters full stop.

930
00:43:49,600 --> 00:43:51,480
Speaker 2: But the white lighter if for everyone playing at home,

931
00:43:51,920 --> 00:43:54,680
Speaker 2: I believe is a story about a band who all

932
00:43:54,719 --> 00:43:57,680
Speaker 2: had a white lighter, who used one light white lighter

933
00:43:57,680 --> 00:44:00,399
Speaker 2: after a gig, and then they all mysteriously died.

934
00:44:01,880 --> 00:44:03,799
Speaker 3: And now from white lighters, guys, And I'm sorry to

935
00:44:03,800 --> 00:44:06,000
Speaker 3: the businesses that just produce white lighters, but.

936
00:44:06,880 --> 00:44:10,160
Speaker 1: From and and the twenty seven.

937
00:44:10,200 --> 00:44:12,359
Speaker 4: Club, Yes, they all had a white lighter.

938
00:44:12,440 --> 00:44:16,280
Speaker 1: No, I don't think I've heard who's in the club.

939
00:44:17,239 --> 00:44:21,319
Speaker 3: Who's in the club, Jimmy Hendrix, Yeah, I believe our

940
00:44:21,440 --> 00:44:23,600
Speaker 3: Australia's own Heath Ledger is in the seventh Club.

941
00:44:23,680 --> 00:44:27,160
Speaker 4: Yep, there's a lot more and I'm embarrassed that I

942
00:44:27,200 --> 00:44:27,960
Speaker 4: don't do you go?

943
00:44:28,080 --> 00:44:34,040
Speaker 3: You know one, I believe Amy Whitehouse au seven Right, Okay.

944
00:44:34,280 --> 00:44:35,160
Speaker 4: Let's get let's get Ethan.

945
00:44:35,160 --> 00:44:37,480
Speaker 1: You look at the tween Janice Janis Joplins. Apparently in

946
00:44:37,520 --> 00:44:39,600
Speaker 1: the twenty seven car we got Ethan.

947
00:44:39,640 --> 00:44:40,280
Speaker 4: Here Ethan.

948
00:44:40,560 --> 00:44:42,640
Speaker 3: Mate, you want to throw up a name and me

949
00:44:42,680 --> 00:44:43,919
Speaker 3: and we'll have to guess with their dead or alive?

950
00:44:44,960 --> 00:44:47,359
Speaker 13: Hey are you going? I'm first man on the moon

951
00:44:47,400 --> 00:44:48,080
Speaker 13: Neil Armstrong?

952
00:44:48,760 --> 00:44:53,120
Speaker 2: Oh right, question a movie about him as well?

953
00:44:53,239 --> 00:44:56,120
Speaker 4: This is this is good, this is good. Where do you?

954
00:44:56,120 --> 00:44:56,440
Speaker 4: What do you?

955
00:44:56,520 --> 00:44:58,719
Speaker 3: I feel like buzz Aldron gets a lot of interviews

956
00:44:58,719 --> 00:45:01,200
Speaker 3: these days, and I think that only would have happened.

957
00:45:01,360 --> 00:45:05,120
Speaker 4: If Neil had kicked the bucket no offense.

958
00:45:05,239 --> 00:45:06,759
Speaker 10: To the spotlight as soon as he landed though.

959
00:45:06,840 --> 00:45:10,759
Speaker 1: That's yeah, that's true, that's right. I remember that I haven't.

960
00:45:10,560 --> 00:45:12,680
Speaker 1: He went out of the spotlight.

961
00:45:12,760 --> 00:45:16,320
Speaker 2: So once it was done, you're right, the buzz Aldron

962
00:45:16,400 --> 00:45:18,960
Speaker 2: thing screams it. And you know what, there is a

963
00:45:19,080 --> 00:45:23,320
Speaker 2: movie out about Neil Armstrong.

964
00:45:22,880 --> 00:45:26,760
Speaker 3: That usually suggested that they that is post thumas post Thomas.

965
00:45:26,960 --> 00:45:29,279
Speaker 1: So we're going to say he's dead. We're gonna say

966
00:45:29,280 --> 00:45:30,160
Speaker 1: he's dead, Ethan.

967
00:45:31,000 --> 00:45:31,439
Speaker 13: That's true.

968
00:45:31,440 --> 00:45:33,720
Speaker 2: He's gone a good one.

969
00:45:33,600 --> 00:45:34,040
Speaker 4: Though, Ethan.

970
00:45:34,800 --> 00:45:36,040
Speaker 1: When when did he die? Ethan?

971
00:45:37,120 --> 00:45:39,600
Speaker 13: I think twenty twelve, right.

972
00:45:40,480 --> 00:45:43,600
Speaker 2: Interesting stuff, not part of the twenty seven club, which

973
00:45:43,600 --> 00:45:46,120
Speaker 2: has what we've been talking about. And he's you know,

974
00:45:46,280 --> 00:45:48,000
Speaker 2: so you know, he probably wasn't in danger of having

975
00:45:48,040 --> 00:45:49,120
Speaker 2: the old white lighter as well?

976
00:45:49,160 --> 00:45:51,040
Speaker 4: Would I wouldn't think so, would I think?

977
00:45:51,520 --> 00:45:53,320
Speaker 2: If you use So what have you heard about the

978
00:45:53,520 --> 00:45:55,080
Speaker 2: white lighter and the twenty seven club?

979
00:45:55,160 --> 00:45:57,440
Speaker 3: I've just been told that there are photos of all

980
00:45:57,480 --> 00:45:59,960
Speaker 3: those people in the twenty seven club with a white lighter.

981
00:46:00,840 --> 00:46:01,680
Speaker 4: So if you, if I.

982
00:46:01,640 --> 00:46:03,879
Speaker 3: Mean, see that, because it is to be right now,

983
00:46:03,960 --> 00:46:05,319
Speaker 3: and you know, you look to your left, there's a

984
00:46:05,320 --> 00:46:09,240
Speaker 3: white lighter in your car. Drive safely, first, first and foremost,

985
00:46:09,280 --> 00:46:10,959
Speaker 3: and don't you know, take your eyes off the road,

986
00:46:11,000 --> 00:46:12,879
Speaker 3: but get that bloody thing out of there.

987
00:46:13,640 --> 00:46:14,760
Speaker 1: Well, don't throw it out the window.

988
00:46:15,000 --> 00:46:15,160
Speaker 6: Sorry.

989
00:46:16,680 --> 00:46:18,360
Speaker 2: Is there a chance that of the people in the

990
00:46:18,360 --> 00:46:22,640
Speaker 2: twenty seven club that died with the white lighter that

991
00:46:22,800 --> 00:46:25,000
Speaker 2: was largely because the photos have been put in black

992
00:46:25,000 --> 00:46:25,920
Speaker 2: and white.

993
00:46:29,600 --> 00:46:33,799
Speaker 3: Potentially, don't make me sound silly. Potentially there were color

994
00:46:33,840 --> 00:46:34,800
Speaker 3: photos of people Ledger.

995
00:46:35,440 --> 00:46:37,799
Speaker 2: There's a rocket shit with the first tourists to go

996
00:46:37,800 --> 00:46:39,759
Speaker 2: to the moon there they have to be artists, though

997
00:46:39,800 --> 00:46:43,080
Speaker 2: that's not being told. They're only putting artists on that ship.

998
00:46:44,200 --> 00:46:45,759
Speaker 2: Woods and I would love to be on that. We'd

999
00:46:45,800 --> 00:46:47,440
Speaker 2: love to be on there. We're trying to show to

1000
00:46:47,480 --> 00:46:49,200
Speaker 2: people that we are artists, so we need a piece

1001
00:46:49,239 --> 00:46:51,319
Speaker 2: of artwork, which is what we're struggling with.

1002
00:46:51,800 --> 00:46:52,200
Speaker 1: That's it.

1003
00:46:52,400 --> 00:46:57,759
Speaker 3: So we're loosely saying that what is art is us.

1004
00:46:57,520 --> 00:46:59,680
Speaker 4: Doing very epic mooning.

1005
00:47:00,120 --> 00:47:04,200
Speaker 3: Yeah, such as when a really important meeting is on

1006
00:47:04,440 --> 00:47:08,440
Speaker 3: in this station, we go, under direction of Stephen Curry

1007
00:47:08,920 --> 00:47:11,920
Speaker 3: to that meeting and moon them all live on radio.

1008
00:47:12,200 --> 00:47:36,040
Speaker 8: Activate J thirty one if.

1009
00:47:28,880 --> 00:47:32,160
Speaker 4: You want to say that video, Instagram or Facebook to yourself.

1010
00:47:32,560 --> 00:47:36,680
Speaker 2: He's a legend, Steve Living legend. I can't believe we

1011
00:47:36,800 --> 00:47:37,719
Speaker 2: just mooned aboard me.

1012
00:47:38,440 --> 00:47:42,080
Speaker 4: And we probably have a meeting, I'm pretty sure.

1013
00:47:41,360 --> 00:47:43,040
Speaker 1: Which means we've got to get out of here. Thanks

1014
00:47:43,040 --> 00:47:44,799
Speaker 1: so much for listening to the show. Will and wanted

1015
00:47:44,840 --> 00:47:45,680
Speaker 1: the place to get that on.

1016
00:47:45,640 --> 00:47:48,320
Speaker 2: Instagram and Facebook if you missed editing.

1017
00:47:48,120 --> 00:47:48,560
Speaker 1: Of the show.

1018
00:47:49,120 --> 00:47:52,040
Speaker 2: iHeartRadio is the app where you can download that we

1019
00:47:52,080 --> 00:47:54,480
Speaker 2: will see tomorrow from for Goodbye get a

1020
00:47:54,520 --> 00:47:56,840
Speaker 1: Fresh way to drives home with Will and Woody