WEBVTT - RHOBH - RECAP - WEEK 14 - ALANA MCLEAN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast last week that Life.

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<v Speaker 2>Hey guys, welcome back to TV Reload. I want to

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<v Speaker 2>thank you for clicking and downloading on today's episode with

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<v Speaker 2>Alana MacLean, who is basically now a real housewife of

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<v Speaker 2>Beverly Hills herself after receiving a like on social media

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<v Speaker 2>from Dark Camsley, we of course will go deep on

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<v Speaker 2>the fourteenth episode of Beverly Hills season fourteen, which is

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<v Speaker 2>called Hemlines and Headlines, and this actually could be the

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<v Speaker 2>most different reaction Alana and I have had for this season,

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<v Speaker 2>and we will get into the reasons why. Plus, guys,

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<v Speaker 2>if you want to score the episodes two, you know,

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<v Speaker 2>please hit us up on social media because we would

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<v Speaker 2>love to hear your interactions. We will discuss the way

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<v Speaker 2>on which Garcel and Sudden have double standards and maybe

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<v Speaker 2>that happens when you have been on a show like

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<v Speaker 2>this for so long. I will get Alana's perspective on

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<v Speaker 2>Morgan Wade's name coming up a fair bit in this

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<v Speaker 2>episode and what she thinks at this stage, what really

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<v Speaker 2>has happened. Has this relationship been in emotional fair or

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<v Speaker 2>was this at one stage actually romantic. We will address

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<v Speaker 2>the fact that Sutton's mum couldn't make the fashion show

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<v Speaker 2>and why Sudden just couldn't pop her on a private

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<v Speaker 2>plane and fly her over. You are going to get

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<v Speaker 2>plenty of chat on Deret's catch up with Gasel, what

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<v Speaker 2>we think of the modeling career trajectory of all of

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<v Speaker 2>these children of the Housewives, And of course we're going

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<v Speaker 2>to unpack that tweet from Milana and the reaction from Deret,

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<v Speaker 2>you know, because why wouldn't we. There is so much

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<v Speaker 2>to unpack, as per usual, with so many inside revelations

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<v Speaker 2>from Alana and Ice perspective. So guys sit back and

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<v Speaker 2>relax as we unpack the wonderful world of the Real

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<v Speaker 2>Housewives of Beverly Hill Season fourteen, Episode fourteen, am I

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<v Speaker 2>Love Hello?

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<v Speaker 1>Sorry, I literally just came from the beach at thirty

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<v Speaker 1>nine degrees here today and I'm wearing an old kaftan

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<v Speaker 1>and I just realized I look like one of Erica

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<v Speaker 1>James's new cushions, the Leopard Brint.

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<v Speaker 3>I was like, you know what I mean?

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<v Speaker 2>Oh, I'm not even slightly dressed up as anything from

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<v Speaker 2>the Housewives.

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<v Speaker 1>Oh my god, can I just say, though, thank god,

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<v Speaker 1>I feel like we're finally back. We're finally back to

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<v Speaker 1>an episode and a vibe that I actually wanted to watch.

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<v Speaker 1>I really enjoyed this one.

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<v Speaker 2>I'm reading between the lines, and I know you so well.

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<v Speaker 2>You basically feel like you're in the housewives. Because Dari

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<v Speaker 2>liked one of your dweets this week.

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<v Speaker 3>Oh my god, yeah she did.

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<v Speaker 2>Can you read that tweet to me?

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<v Speaker 4>Now?

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<v Speaker 1>So what it was was it was a post from

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<v Speaker 1>Watch What Happens Live and Andy Cohen had sutting on

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<v Speaker 1>there and he was like, we've got a lot of comments.

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<v Speaker 3>About the Big Wallet, and people didn't like that. And

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<v Speaker 3>then she tried to say, yeah, it didn't really sound

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<v Speaker 3>like me, did it. It had muddled words, and I

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<v Speaker 3>was just I think I was angry.

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<v Speaker 1>She tried to lose all accountability for what she'd said.

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<v Speaker 3>She tried to make like, muddled words.

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<v Speaker 2>What did you tweet? What did you clap back?

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<v Speaker 1>I wrote, muddled words? Question mark. You seemed pretty clear.

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<v Speaker 1>And so all these people start liking my comment and

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<v Speaker 1>then that's the comment that yourete liked.

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<v Speaker 3>Don't give me this shit muddled words.

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<v Speaker 1>Firstival you've yelled it out twice. Then you called her

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<v Speaker 1>poor eat in your confessional. Then you sat down and

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<v Speaker 1>said to Garcel that you wanted to hook up with

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<v Speaker 1>a billionaire.

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<v Speaker 3>Like, don't try and dodge.

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<v Speaker 1>What you've said, how you've felt, and try and not

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<v Speaker 1>own it. In the words of Lisa Rena, you said

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<v Speaker 1>that shit, you felt that way. People are coming for

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<v Speaker 1>you because you absolutely sounded like an elitis bitch. So

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<v Speaker 1>you need to sit there and wear it anyway. Dorete

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<v Speaker 1>liked it, so we're best friends. Now, please be advised.

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<v Speaker 1>I'm now in The Housewives.

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<v Speaker 2>Well, we have to get into this episode. The best

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<v Speaker 2>intro to this podcast that we've ever had. I think

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<v Speaker 2>we need to start with is the Real Housewives taking

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<v Speaker 2>their launching platform too far with Garcel's son now a model,

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<v Speaker 2>because like Lisa, Rinna was attacked over her mama Jarole

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<v Speaker 2>with her girls coming off the back of Yolanda with

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<v Speaker 2>her DIDs, and then now it's like any one that

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<v Speaker 2>has a child put them in a pageant. I mean,

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<v Speaker 2>is Kick Jagger going to be on the front cover

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<v Speaker 2>of Rolling Stone? I mean, what's going on?

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<v Speaker 1>I'm sure he probably will. Do you know what I say,

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<v Speaker 1>fair play, I'd say you've got the platform there if

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<v Speaker 1>there's money to be made, honey, Like, we're not going

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<v Speaker 1>to be watching these people, you know, into their seventies.

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<v Speaker 1>Although Jennifer Tilley is sixty six, which blew my mind.

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<v Speaker 3>A little bit. She looks like good for that. But

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<v Speaker 3>I just feel like.

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<v Speaker 1>It's like the Kardashian's right, you know, and we start

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<v Speaker 1>to see the kids and we're invested in the kids,

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<v Speaker 1>and then they want to sort of hopefully keep that going.

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<v Speaker 3>So I don't know, I don't mind that so much,

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<v Speaker 3>And I'd probably rather.

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<v Speaker 1>Watch them in that sense that there's some connection to

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<v Speaker 1>the parents and the show, as opposed to just watch

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<v Speaker 1>a completely different storyline with the kids, do you know

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<v Speaker 1>what I'm saying.

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<v Speaker 2>Yeah, it's probably a better storyline than just having Garzel

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<v Speaker 2>cooking dinner with the boys and fighting with them about.

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<v Speaker 3>Their homework and stuff.

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<v Speaker 4>Yeah.

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<v Speaker 2>Yes, Oh, flashbacks to Crystal when she'd wheel at her

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<v Speaker 2>brother and be like, you are an international popstone and

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<v Speaker 2>everyone was like who oh, yeah, no one cares. Kyle

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<v Speaker 2>also talking to Kathy about mo I've been so ready

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<v Speaker 2>to talk to you about this. It's so interesting because

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<v Speaker 2>to me and you flagged this very early on the podcast,

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<v Speaker 2>I can't remember how you phrased it, is there existing

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<v Speaker 2>beef between Kathy Hilton and Maurizio Yumanski because of what

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<v Speaker 2>happened back in the day. Because I'm starting to wonder

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<v Speaker 2>whether or not Kathy Hilton's turned up in this season.

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<v Speaker 2>It sounds to me like she's been sitting in the waiting,

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<v Speaker 2>you know, in the sidelines, waiting to come out and

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<v Speaker 2>be like, told you so, here's a pig.

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<v Speaker 1>Yeah, and that Kathy vibe is spot on with the

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<v Speaker 1>told you so. And like I said, when you watch

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<v Speaker 1>Paris in Love and you get to see more of

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<v Speaker 1>Kathy Hilton, how she interacts with her family, how she

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<v Speaker 1>interacts with Paris, how she interacted with Carterine who got

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<v Speaker 1>married to Paris, you see more of that. She is

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<v Speaker 1>very much a martyr in that sense. So I feel

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<v Speaker 1>like she probably has had a bit of a grudge

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<v Speaker 1>towards you know, Mauricio, because he worked for Rick Hilton.

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<v Speaker 1>He went out on his own, he started the agency

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<v Speaker 1>and here we are.

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<v Speaker 3>But she's probably always thought he was a bit shady.

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<v Speaker 1>And now she gets to eat Crow, I mean, sorry,

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<v Speaker 1>watch Kylie Crow and sort of say.

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<v Speaker 3>Well, we told her the front for a SIAT.

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<v Speaker 4>She said she lost the feeling in her legs when

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<v Speaker 4>she saw that, and then we wouldn't she saw what

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<v Speaker 4>the picture of mom and girl kissing?

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<v Speaker 5>I saw that?

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<v Speaker 4>Well, isn't that why you're saying? How I'm doing?

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<v Speaker 2>Kind of? Yeah, but I wanted you to bring it up.

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<v Speaker 2>Why do Cathy choose to bring up the pepparazzi photos

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<v Speaker 2>like that with Kyle? I thought that was so bizarro?

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<v Speaker 2>Just say so I saw these photos online. How do

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<v Speaker 2>you feel Kyle had to be like, so, you're talking

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<v Speaker 2>about the photos online. She's like, yeah, I guess so.

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<v Speaker 2>I just didn't want to bring it up like that.

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<v Speaker 2>Why not your sisters just bring it up? Just ask

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<v Speaker 2>the question, why do you need to phrase him like that?

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<v Speaker 1>But then they were sitting there in that breast clinic

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<v Speaker 1>waiting for the results of their mammogram, and obviously that's

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<v Speaker 1>quite a you know, triggering experience for both of them

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<v Speaker 1>sitting there, so I'm sure they would have been on edge.

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<v Speaker 3>Kyle definitely would have been on edge.

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<v Speaker 1>We've seen her do these mammograms over the years in

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<v Speaker 1>the show, which I commend her for. But you're sort

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<v Speaker 1>of sitting there waiting to hear if everything's okay, and

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<v Speaker 1>then your sister's bringing up these staged paparazzi photos and

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<v Speaker 1>Kyle was sort of there, going, I don't want to

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<v Speaker 1>talk about this girl, like I don't care who she is,

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<v Speaker 1>I don't want to know who she is, and Kathy

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<v Speaker 1>kept pressing it.

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<v Speaker 3>She was really, yeah, I agree with you. I think

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<v Speaker 3>she was enjoying it.

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<v Speaker 2>She looked also very bizarro, and it's like, you know,

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<v Speaker 2>it didn't look very well while she was bringing all

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<v Speaker 2>of this up. You know, sometimes when you're being the devil,

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<v Speaker 2>you know you're not looking your best. That's what I

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<v Speaker 2>always think. And you know, she was playing a role

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<v Speaker 2>there that I think that she knew was a bit

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<v Speaker 2>too shady. I don't know, like even when Kyle said, okay,

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<v Speaker 2>can we not talk about this, then she brought up

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<v Speaker 2>a lady. I mean, who's the lady? And who is Estella?

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<v Speaker 2>Because that's whose name Kathy threw out there at that point,

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<v Speaker 2>do we even know any of that? Do we need

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<v Speaker 2>to pooh?

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<v Speaker 3>Who's that is? That?

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<v Speaker 2>Who she said was in the photo? She says something

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<v Speaker 2>about the lady. She was like, yeah, Estella. She was

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<v Speaker 2>like the lady.

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<v Speaker 3>It was the lady.

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<v Speaker 4>She reminds me of the lady with the dancer keep

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<v Speaker 4>talking about her so much.

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<v Speaker 3>Oh, okay, who cares? But that's Stella, right, But I'm

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<v Speaker 3>saying it doesn't even know. Okay, you're right.

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<v Speaker 2>Did you remember her saying this?

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<v Speaker 3>No, I haven't clocked this.

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<v Speaker 4>Oh.

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<v Speaker 1>I feel like when I watched it and then she

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<v Speaker 1>did that confessional, and I thought, you know, she hasn't

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<v Speaker 1>done a lot of these confessionals over the years, just

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<v Speaker 1>being a friend off. But then all of a sudden,

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<v Speaker 1>she's sitting down to do the confessional and she's like,

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<v Speaker 1>you know, there's been these rumors about Mauricio for years,

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<v Speaker 1>but you know, we didn't have anyone come forward, and

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<v Speaker 1>he doesn't have enough money to pay them off.

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<v Speaker 3>And I thought he was joking.

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<v Speaker 6>We've heard all those rumors about him. It's embarrassing, it's humiliating,

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<v Speaker 6>but really we've never seen a picture.

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<v Speaker 3>Nobody's ever come out.

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<v Speaker 6>He's not in a position financially to pay anybody off.

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<v Speaker 3>The man's worth like one hundred million dollars or something.

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<v Speaker 3>He's just had two series of his own show on Netflix.

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<v Speaker 1>He's yet sitting all over the country I thought, now

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<v Speaker 1>you're trying to I don't know, so he doesn't have

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<v Speaker 1>enough money.

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<v Speaker 3>All of it was just a bit strange.

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<v Speaker 1>She seemed to rarely, you know, more so than being

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<v Speaker 1>really worried about how Kyle was feeling. It was more

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<v Speaker 1>she was more happy that he had been exposed.

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<v Speaker 2>Almost who do you think out of you? And I

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<v Speaker 2>will end up looking more like Kathy Hilton for he

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<v Speaker 2>is well.

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<v Speaker 1>I've got the Kathy Hilton hat now, so okay. Yeah,

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<v Speaker 1>And I do feel like when it comes to hosting

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<v Speaker 1>the parties, I'm in my Kathy Hilton era, you know

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<v Speaker 1>what I mean.

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<v Speaker 3>Like I love a table scape, I love.

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<v Speaker 1>Everything to be meticulous, So in that sense, I'm a

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<v Speaker 1>little bit Kathy esque. My tan says Otherwise, my tan

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<v Speaker 1>says Kyle, my table escaping says Kathy.

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<v Speaker 2>I think you win that one. I was like, yeah,

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<v Speaker 2>but I don't know. Her face just didn't seem to

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<v Speaker 2>match the color of her neck. Like it was just

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<v Speaker 2>really strange to me. I don't know.

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<v Speaker 3>It really picked up on some interesting.

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<v Speaker 2>Definitely honing in on some very good things, very small details.

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<v Speaker 2>We're going to park that because we need to talk

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<v Speaker 2>about Erica Jane now. Erica Jane's back, and this house

0:10:17.400 --> 0:10:20.840
<v Speaker 2>renovation is getting way too many storylines this season. For me,

0:10:20.960 --> 0:10:23.520
<v Speaker 2>I'm like, are we back talking about her house and

0:10:24.080 --> 0:10:27.360
<v Speaker 2>her getting some wallpaper, because like, you've just bought a

0:10:27.400 --> 0:10:29.560
<v Speaker 2>new house, and I was curious to know, are you

0:10:29.640 --> 0:10:31.440
<v Speaker 2>going to be wallpapering? Are you going to know?

0:10:31.640 --> 0:10:34.240
<v Speaker 1>The wallpaper was a little bit much for me in

0:10:34.280 --> 0:10:36.520
<v Speaker 1>both rooms. I'm all for a bit of a statement.

0:10:36.640 --> 0:10:39.760
<v Speaker 1>There was a bit too much there for my personal chaste. However,

0:10:40.120 --> 0:10:43.239
<v Speaker 1>I love when you see the before and after shots,

0:10:43.280 --> 0:10:46.120
<v Speaker 1>Like I love renovation shows. I love seeing when it

0:10:46.160 --> 0:10:48.640
<v Speaker 1>all comes together. So that was the part of that

0:10:48.760 --> 0:10:51.440
<v Speaker 1>storyline that I was like, Oh, it was the payoff.

0:10:51.520 --> 0:10:54.080
<v Speaker 1>It was the payoff for seeing all those other sort

0:10:54.080 --> 0:10:57.520
<v Speaker 1>of prolonged scenes of her, you know, with this Martin

0:10:57.559 --> 0:11:00.960
<v Speaker 1>Ballard guy, you know, planning the renovation. I loved seeing

0:11:00.960 --> 0:11:03.960
<v Speaker 1>the final result, and I loved seeing her so happy

0:11:04.320 --> 0:11:06.560
<v Speaker 1>and sharing that moment with her mum because when she

0:11:06.640 --> 0:11:09.360
<v Speaker 1>said this is really a symbol of me starting over

0:11:09.640 --> 0:11:12.280
<v Speaker 1>and they were drinking that champagne in the cabana, I

0:11:12.400 --> 0:11:14.120
<v Speaker 1>just I wanted to just go get a bottle of

0:11:14.160 --> 0:11:18.120
<v Speaker 1>herve myself and just go cheers to you girlfriend.

0:11:18.640 --> 0:11:21.400
<v Speaker 2>Thanks for coming out to you for heaven Me. I'm

0:11:21.440 --> 0:11:24.520
<v Speaker 2>happy you got to seat the house. Oh yeah, me too.

0:11:24.640 --> 0:11:28.679
<v Speaker 5>It's beautiful How some people would look at the redecoration,

0:11:28.800 --> 0:11:30.640
<v Speaker 5>you know, some people would be like, eh, to me,

0:11:30.880 --> 0:11:32.680
<v Speaker 5>it's a real symbol of starting over.

0:11:33.840 --> 0:11:35.800
<v Speaker 3>I mean, I still I'm thinking about that verve now.

0:11:35.840 --> 0:11:38.120
<v Speaker 3>It looks so crisp and pink and delicious.

0:11:38.280 --> 0:11:39.760
<v Speaker 2>We look we're in different states, but I think, you

0:11:39.800 --> 0:11:41.880
<v Speaker 2>know it's fair play. We'll just go and open some

0:11:42.640 --> 0:11:45.240
<v Speaker 2>My partner will be upset and Robbie will come home and.

0:11:45.200 --> 0:11:48.120
<v Speaker 1>Say no, it'd be like it's only one seventeen in

0:11:48.160 --> 0:11:51.280
<v Speaker 1>the afternoon. Here you officially have a drinking problem.

0:11:52.040 --> 0:11:54.880
<v Speaker 2>Did you find that her looking for validation from her

0:11:54.880 --> 0:11:57.280
<v Speaker 2>mother feels like a bit of a theme, because like,

0:11:57.480 --> 0:11:59.840
<v Speaker 2>I've just picked up on this thing. So unless you're

0:12:00.240 --> 0:12:02.640
<v Speaker 2>dead and they're on the Housewives, are they all looking

0:12:02.720 --> 0:12:05.800
<v Speaker 2>for validation from their mums? And maybe that's why these

0:12:05.800 --> 0:12:08.120
<v Speaker 2>women are on a show like this, looking for validation

0:12:08.240 --> 0:12:10.920
<v Speaker 2>and redemption from all of us. You know, it seems

0:12:10.960 --> 0:12:13.800
<v Speaker 2>like we keep revisiting this theme, even to read with

0:12:13.840 --> 0:12:17.080
<v Speaker 2>her mom this season. You know, she's looking for some validation.

0:12:17.440 --> 0:12:19.559
<v Speaker 2>Am I something here and what are you putting down

0:12:19.559 --> 0:12:19.760
<v Speaker 2>with that?

0:12:20.000 --> 0:12:22.679
<v Speaker 1>Yeah, I think they're definitely leaning into it. I think

0:12:22.800 --> 0:12:27.120
<v Speaker 1>the complexities of the mother daughter relationship and look, Erica

0:12:27.520 --> 0:12:30.560
<v Speaker 1>and her mom have been very rocky for many years.

0:12:30.559 --> 0:12:33.400
<v Speaker 1>And if you read the book Erica's book, she talks

0:12:33.440 --> 0:12:35.640
<v Speaker 1>a lot about her mum and her upbringing and it

0:12:35.720 --> 0:12:38.680
<v Speaker 1>was very tumultuous. And to see them having that moment

0:12:38.720 --> 0:12:42.920
<v Speaker 1>on the couch was a beautiful moment. But it's taken

0:12:43.679 --> 0:12:46.240
<v Speaker 1>her whole lifetime to really get there. And I think

0:12:46.640 --> 0:12:50.080
<v Speaker 1>we had the juxtaposition of seeing that with her, But

0:12:50.120 --> 0:12:54.240
<v Speaker 1>then obviously we'd seen with Suttain, you know, the rockiness

0:12:54.280 --> 0:12:57.360
<v Speaker 1>only a few episodes ago with her own mum rebound

0:12:57.400 --> 0:13:00.559
<v Speaker 1>in Augusta and sort of working through and she was

0:13:00.600 --> 0:13:02.640
<v Speaker 1>supposed to come to this fashion show and all of

0:13:02.679 --> 0:13:04.840
<v Speaker 1>this and she didn't make it. But yeah, there is

0:13:04.880 --> 0:13:07.719
<v Speaker 1>definitely something to be said for them leaning into this

0:13:07.800 --> 0:13:10.920
<v Speaker 1>full circle moment with the mother daughter relationships.

0:13:11.120 --> 0:13:12.400
<v Speaker 2>I didn't read the book, but I want to know

0:13:12.440 --> 0:13:15.560
<v Speaker 2>from you, Like, there was some stuff online and you know,

0:13:15.840 --> 0:13:20.360
<v Speaker 2>Radar online and Daily Mail about the complicated relationship between

0:13:20.440 --> 0:13:22.800
<v Speaker 2>Erica and her mother and her mother was like a

0:13:22.800 --> 0:13:24.679
<v Speaker 2>bit of a party girl. And I think that they

0:13:24.720 --> 0:13:27.800
<v Speaker 2>may have even shared a couple of men in their lives.

0:13:27.800 --> 0:13:30.800
<v Speaker 2>I mean, we know they're sharing their Erica's bed, mum,

0:13:32.120 --> 0:13:32.960
<v Speaker 2>but am I right?

0:13:33.480 --> 0:13:35.160
<v Speaker 3>Were they they didn't share men?

0:13:36.080 --> 0:13:39.440
<v Speaker 1>I think she had Erica very young, and it's a

0:13:39.559 --> 0:13:42.520
<v Speaker 1>similar sort of story as you know what you see

0:13:42.559 --> 0:13:44.880
<v Speaker 1>sometimes where it's like the mum had her very young.

0:13:44.960 --> 0:13:46.120
<v Speaker 3>She had her own plans.

0:13:46.200 --> 0:13:49.280
<v Speaker 1>I think she was quite into entertainment and singing and

0:13:49.360 --> 0:13:51.040
<v Speaker 1>dancing and all of that sort of stuff as well,

0:13:51.080 --> 0:13:52.840
<v Speaker 1>and then she had Erica very young, and it all

0:13:52.880 --> 0:13:56.079
<v Speaker 1>came to a screeching halt. And then that same story

0:13:56.120 --> 0:13:59.560
<v Speaker 1>replicated with Erica. She felt pregnant very young. She really

0:13:59.559 --> 0:14:03.160
<v Speaker 1>only got into the entertaining when Tom funded that when

0:14:03.440 --> 0:14:05.680
<v Speaker 1>she was I think thirty six thirty seven.

0:14:06.240 --> 0:14:09.560
<v Speaker 3>And so I guess now they're at this place where

0:14:09.600 --> 0:14:10.440
<v Speaker 3>they've both had.

0:14:10.320 --> 0:14:13.560
<v Speaker 1>To rebuild their lives and they're sitting there having that

0:14:13.679 --> 0:14:16.880
<v Speaker 1>champagne together and they've gone things have taken twist turns,

0:14:17.280 --> 0:14:19.720
<v Speaker 1>curve balls, but here we are. We've made it through.

0:14:19.760 --> 0:14:20.600
<v Speaker 1>We're survivors.

0:14:20.960 --> 0:14:21.680
<v Speaker 2>And you loved it.

0:14:21.920 --> 0:14:24.120
<v Speaker 3>I really loved it, and I loved the new cabana,

0:14:24.440 --> 0:14:25.640
<v Speaker 3>so it was just.

0:14:25.640 --> 0:14:28.440
<v Speaker 1>A love fest for me. I loved that part more

0:14:28.480 --> 0:14:33.600
<v Speaker 1>than the Riba. Sutton feel there's something not be resolved there.

0:14:35.040 --> 0:14:40.600
<v Speaker 7>My mother spent one day trying to get her cancel plate.

0:14:41.320 --> 0:14:47.000
<v Speaker 7>Then the next day she's spent thirteen hours at the

0:14:47.040 --> 0:14:50.040
<v Speaker 7>airport and never got to get on that plate. So

0:14:50.360 --> 0:14:52.360
<v Speaker 7>the fact that she did all of that for me

0:14:52.360 --> 0:14:55.240
<v Speaker 7>means the world, Like, she doesn't do that?

0:14:56.240 --> 0:14:58.320
<v Speaker 2>Can I just say? Reaba not being able to make

0:14:58.440 --> 0:15:02.600
<v Speaker 2>Sutton's fashion showy was really bizarre because I'm like, Sudden,

0:15:02.800 --> 0:15:05.600
<v Speaker 2>you have three hundred and fifty thousand dollars being thrown

0:15:05.640 --> 0:15:08.280
<v Speaker 2>your way per month. Put your mom on a private

0:15:08.320 --> 0:15:10.160
<v Speaker 2>jet plane? What are you talking about?

0:15:10.360 --> 0:15:12.080
<v Speaker 3>Like that is such a good point.

0:15:12.400 --> 0:15:14.760
<v Speaker 2>She's like, I mum was at the airport for thirty

0:15:14.800 --> 0:15:17.880
<v Speaker 2>six hours and she couldn't make it to you know,

0:15:18.080 --> 0:15:21.200
<v Speaker 2>Los Angeles. And I'm like, Sutton, why is your mom

0:15:21.320 --> 0:15:24.840
<v Speaker 2>getting on a plane on you know, Delta Airlines from

0:15:25.200 --> 0:15:27.360
<v Speaker 2>Port Agusta when you could just pop her on a

0:15:27.360 --> 0:15:30.680
<v Speaker 2>plane and fly her over, Like, honestly, it didn't make any.

0:15:30.600 --> 0:15:34.440
<v Speaker 1>Man so true because she's taken private planes for other things,

0:15:34.640 --> 0:15:36.320
<v Speaker 1>and I think there was a cast trip where she

0:15:36.400 --> 0:15:39.200
<v Speaker 1>hadn't got her passport fixed in time, and she was like, oh,

0:15:39.200 --> 0:15:41.360
<v Speaker 1>I would have had to have got my own flight,

0:15:41.400 --> 0:15:43.400
<v Speaker 1>which would have hurt. But anyway we got there in

0:15:43.440 --> 0:15:46.240
<v Speaker 1>the end or something. So you're right, she's just dropped

0:15:46.280 --> 0:15:47.840
<v Speaker 1>in that private plane many a time.

0:15:48.200 --> 0:15:50.840
<v Speaker 2>I mean, just as bizarre as Erica Jane still not

0:15:51.040 --> 0:15:53.080
<v Speaker 2>being able to put her mum in another room. I

0:15:53.120 --> 0:15:56.760
<v Speaker 2>mean that place definitely has I can't let it go.

0:15:57.280 --> 0:15:59.360
<v Speaker 2>There's another bedroom for the mum to go. I don't

0:15:59.360 --> 0:16:01.440
<v Speaker 2>want to share a bed with my mom. Okay, maybe

0:16:01.440 --> 0:16:04.280
<v Speaker 2>it is true, Like what are those things that they

0:16:04.320 --> 0:16:07.720
<v Speaker 2>have at those bns balls where they sleep outside and

0:16:07.760 --> 0:16:11.040
<v Speaker 2>those rucksack type things, like what if that is a

0:16:12.200 --> 0:16:15.320
<v Speaker 2>swag mom? Outside of the swag, we'll see you in

0:16:15.320 --> 0:16:15.720
<v Speaker 2>the morning.

0:16:15.880 --> 0:16:18.640
<v Speaker 3>But I mean, just a hotel room, just a just

0:16:18.680 --> 0:16:19.480
<v Speaker 3>a hotel room.

0:16:19.680 --> 0:16:21.800
<v Speaker 2>Do you sleep with your mum in a bend?

0:16:22.160 --> 0:16:22.960
<v Speaker 3>Absolutely not?

0:16:23.360 --> 0:16:26.480
<v Speaker 2>No, no, okay, just wanted to check if it's you know,

0:16:26.560 --> 0:16:29.440
<v Speaker 2>the gay son mother thing or whether it's a girl's thing.

0:16:30.760 --> 0:16:34.000
<v Speaker 1>It's just it's called a one bedroom, a high rent,

0:16:34.120 --> 0:16:36.280
<v Speaker 1>high sort of stress situation.

0:16:36.400 --> 0:16:37.200
<v Speaker 3>I don't know, it's a.

0:16:37.200 --> 0:16:39.680
<v Speaker 2>Good it's not a one bedroom place. It's got a

0:16:39.720 --> 0:16:42.280
<v Speaker 2>pool for like ten people. It's not just a one

0:16:42.320 --> 0:16:44.760
<v Speaker 2>bedroom place. Like it doesn't make any sense to me

0:16:45.240 --> 0:16:48.040
<v Speaker 2>to get Kathy to put in a few ringy dinghies

0:16:48.120 --> 0:16:49.960
<v Speaker 2>to find out being well.

0:16:49.760 --> 0:16:52.160
<v Speaker 1>Maybe she could have stayed at Kathy's seeing as they

0:16:52.200 --> 0:16:54.440
<v Speaker 1>were having such a nice little interaction in the middle

0:16:54.480 --> 0:16:57.760
<v Speaker 1>of a runway, and you know, they could have probably

0:16:57.800 --> 0:16:59.920
<v Speaker 1>just done that chit chat over at Kathy's house over

0:17:00.080 --> 0:17:01.400
<v Speaker 1>a caveat Potato.

0:17:01.800 --> 0:17:04.560
<v Speaker 2>Sutton is so bizarre. I mean, this would be the

0:17:04.600 --> 0:17:07.240
<v Speaker 2>worst drinking game to ever play, because you would be drunk.

0:17:07.320 --> 0:17:09.560
<v Speaker 2>But how many double standards to Garcel and Sutton have

0:17:09.600 --> 0:17:11.600
<v Speaker 2>to have this season in terms of like what they

0:17:11.640 --> 0:17:14.920
<v Speaker 2>expect of other people versus what they expect of themselves.

0:17:15.280 --> 0:17:18.840
<v Speaker 1>Oh my god, it's it is so true, And I

0:17:18.880 --> 0:17:21.679
<v Speaker 1>love that Erica keeps bringing up like what happened to me.

0:17:22.200 --> 0:17:24.320
<v Speaker 3>She just clocked everything.

0:17:24.480 --> 0:17:27.359
<v Speaker 1>She was like, you know, and she was on her

0:17:27.400 --> 0:17:30.560
<v Speaker 1>own island because at that point we hadn't seen the

0:17:30.560 --> 0:17:33.280
<v Speaker 1>full extent of these double standards, and she had to

0:17:33.359 --> 0:17:36.119
<v Speaker 1>keep her trap shut at the time and worry about

0:17:36.200 --> 0:17:38.280
<v Speaker 1>you know, lawsuits and things. She actually had to get

0:17:38.320 --> 0:17:40.600
<v Speaker 1>on with. But now I just love that she's like, well,

0:17:40.760 --> 0:17:43.000
<v Speaker 1>that didn't happen for me, or look what happened to me,

0:17:43.119 --> 0:17:46.320
<v Speaker 1>and she's just calling everything out. But I also loved

0:17:46.320 --> 0:17:48.240
<v Speaker 1>when Durite said, you know, I think you've got the

0:17:48.320 --> 0:17:49.159
<v Speaker 1>roast tinted.

0:17:48.920 --> 0:17:51.960
<v Speaker 3>Glasses on when it comes to Garsell, and she.

0:17:51.920 --> 0:17:54.160
<v Speaker 1>Said no, no, no, And she said, but what about

0:17:54.240 --> 0:17:56.520
<v Speaker 1>what she said to me last week? She goes, oh, yeah, yeah,

0:17:56.520 --> 0:18:00.200
<v Speaker 1>that was cruel a Cavia Caspia.

0:18:01.560 --> 0:18:02.280
<v Speaker 3>She wasn't cruel.

0:18:03.760 --> 0:18:07.520
<v Speaker 7>You need to pick on somebody else who'se wallet fips

0:18:07.560 --> 0:18:09.240
<v Speaker 7>because that's not okay with me.

0:18:09.440 --> 0:18:10.400
<v Speaker 2>You think you're bigger than her.

0:18:10.600 --> 0:18:15.760
<v Speaker 3>I think my wallet is. That was mean and that

0:18:15.880 --> 0:18:16.639
<v Speaker 3>was really cruel.

0:18:17.080 --> 0:18:20.639
<v Speaker 5>I am saying something in the moment would be refreshing.

0:18:20.920 --> 0:18:24.240
<v Speaker 3>I got it, you know, I mean, I feel like

0:18:24.280 --> 0:18:25.440
<v Speaker 3>she sees it.

0:18:25.440 --> 0:18:27.639
<v Speaker 1>It was interesting watching that sit down with Darei and

0:18:27.680 --> 0:18:29.800
<v Speaker 1>Garcel because we just have not seen that.

0:18:30.200 --> 0:18:31.919
<v Speaker 2>I'm going to say it's in Cincea. Both of them

0:18:31.920 --> 0:18:34.800
<v Speaker 2>getting together and having that catch up to me is bizarre.

0:18:34.880 --> 0:18:36.320
<v Speaker 2>But I want to know from you what you think

0:18:36.359 --> 0:18:39.840
<v Speaker 2>their motives are, because Garcel will run back this information

0:18:39.920 --> 0:18:42.480
<v Speaker 2>to sudden and Darda is recruiting people to stay on

0:18:42.520 --> 0:18:45.280
<v Speaker 2>the show. These are my takes. What makes you think

0:18:45.320 --> 0:18:48.640
<v Speaker 2>that these two women, after everything that we've seen, can

0:18:48.760 --> 0:18:52.959
<v Speaker 2>go and have a beat salad together? And when Garsel

0:18:53.000 --> 0:18:54.760
<v Speaker 2>turned up, she did look sick. I was like, are

0:18:54.760 --> 0:18:55.720
<v Speaker 2>you sick? Are you scared?

0:18:55.800 --> 0:18:58.719
<v Speaker 1>This isn't a genuine catch up production. Have said, we

0:18:58.760 --> 0:19:01.360
<v Speaker 1>want you guys to get together and we want you

0:19:01.400 --> 0:19:05.200
<v Speaker 1>guys to discuss x y zed And what I was

0:19:05.280 --> 0:19:09.159
<v Speaker 1>kind of getting from it is this groundwork for a

0:19:09.240 --> 0:19:14.800
<v Speaker 1>potential friendship that may evolve. But also are we foreshadowing

0:19:14.840 --> 0:19:19.240
<v Speaker 1>a potential Sutton takedown from these other women next season,

0:19:19.440 --> 0:19:21.800
<v Speaker 1>Like maybe the tides are going to turn on Sutton

0:19:22.280 --> 0:19:25.000
<v Speaker 1>and they're kind of wanting to see if the other

0:19:25.080 --> 0:19:29.560
<v Speaker 1>friendships can be strong enough to hold her to account potentially.

0:19:29.880 --> 0:19:31.840
<v Speaker 2>I mean, at least de Red did make her intentions

0:19:31.880 --> 0:19:33.760
<v Speaker 2>clear and her piece to camera, like you said about

0:19:33.760 --> 0:19:37.159
<v Speaker 2>the rose colored glasses, because I thought that was more herself.

0:19:38.200 --> 0:19:41.840
<v Speaker 5>As long as Garcel is either doing Ston's bidding, never

0:19:41.920 --> 0:19:44.920
<v Speaker 5>speaking up when Sutton goes below the belt and constantly

0:19:45.119 --> 0:19:48.520
<v Speaker 5>defending her, we can have nice lunches, but we're never

0:19:48.680 --> 0:19:50.119
<v Speaker 5>actually going to be close friends.

0:19:51.760 --> 0:19:54.440
<v Speaker 2>She was basically like, we aren't going to be friends

0:19:54.840 --> 0:19:57.520
<v Speaker 2>if you do not see where I'm coming from. This

0:19:57.640 --> 0:20:01.080
<v Speaker 2>is just a lunch girl's friendship catchup time scenario. It

0:20:01.200 --> 0:20:03.840
<v Speaker 2>is not a forever besties type thing if you are

0:20:03.880 --> 0:20:07.040
<v Speaker 2>going to keep starting with sudden, especially when she says

0:20:07.080 --> 0:20:10.920
<v Speaker 2>things like mart Wallett is grover when I said that

0:20:11.000 --> 0:20:12.000
<v Speaker 2>Marke Wallett.

0:20:11.640 --> 0:20:16.119
<v Speaker 1>Is I mean, what was interesting was the elephant in

0:20:16.160 --> 0:20:20.040
<v Speaker 1>the room being addressed with the Morgan chat, because then

0:20:20.080 --> 0:20:24.439
<v Speaker 1>they started talking about Morgan Wade referring to the music

0:20:24.560 --> 0:20:27.720
<v Speaker 1>video and Kyle's just been to the concert and that's

0:20:27.800 --> 0:20:30.560
<v Speaker 1>been all over TMZ as well, and I thought, Aha.

0:20:30.440 --> 0:20:30.960
<v Speaker 3>Here we go.

0:20:31.200 --> 0:20:34.080
<v Speaker 1>This might be the start of that, you know, finally

0:20:34.119 --> 0:20:36.480
<v Speaker 1>coming to fruition, because we've been talking about on the

0:20:36.480 --> 0:20:39.560
<v Speaker 1>podcast where like there is a big gaping hole of

0:20:39.640 --> 0:20:43.000
<v Speaker 1>confusion about where this Morgan thing landed with Kyle. And

0:20:43.040 --> 0:20:45.760
<v Speaker 1>this is why we aren't understanding where she is on

0:20:45.760 --> 0:20:48.600
<v Speaker 1>this trajectory with Mauricio, because one minute she was like

0:20:48.720 --> 0:20:51.239
<v Speaker 1>out and she's getting the tats and she's traveling, and

0:20:51.280 --> 0:20:53.320
<v Speaker 1>now she's all like, oh my god, Mauricio is not

0:20:53.359 --> 0:20:55.960
<v Speaker 1>fighting for me. I'm upset he's kissing other women. But

0:20:56.000 --> 0:20:58.159
<v Speaker 1>what we don't understand is what happened in the middle

0:20:58.359 --> 0:21:01.480
<v Speaker 1>with this Morgan piece. The fact that they've brought that up.

0:21:01.760 --> 0:21:04.680
<v Speaker 1>I'm like, Oh, here we go. She might have to

0:21:04.720 --> 0:21:06.080
<v Speaker 1>answer some more questions soon.

0:21:06.400 --> 0:21:08.040
<v Speaker 2>I don't think she is. I mean, she walked straight

0:21:08.080 --> 0:21:10.439
<v Speaker 2>past that red carpet and she was like, not talking

0:21:10.480 --> 0:21:11.080
<v Speaker 2>to the press.

0:21:12.080 --> 0:21:15.399
<v Speaker 4>I'm not talking to press. I just don't want to

0:21:15.440 --> 0:21:17.840
<v Speaker 4>be asked a million questions. I want to come to

0:21:17.880 --> 0:21:20.800
<v Speaker 4>this party and have fun and not have to talk

0:21:20.840 --> 0:21:22.520
<v Speaker 4>about my separation.

0:21:23.840 --> 0:21:26.879
<v Speaker 2>How long are you going to dodge not just the press,

0:21:27.119 --> 0:21:29.600
<v Speaker 2>but the viewers of your own program. Yes, all the

0:21:29.640 --> 0:21:32.200
<v Speaker 2>women are on your tail, but so is everyone now.

0:21:32.320 --> 0:21:35.280
<v Speaker 2>Like everyone now is just wanting a simple answer. And

0:21:35.359 --> 0:21:37.600
<v Speaker 2>I feel like, is it fair if you've signed up

0:21:37.600 --> 0:21:40.520
<v Speaker 2>for a reality show and you've had a storyline like

0:21:40.560 --> 0:21:44.439
<v Speaker 2>this not clarified for three seasons? Morgan Wade has been

0:21:44.480 --> 0:21:47.920
<v Speaker 2>around for three years, we have not had clarification on anything,

0:21:47.960 --> 0:21:50.359
<v Speaker 2>and fair play to everyone with their privacy, you know,

0:21:50.720 --> 0:21:53.199
<v Speaker 2>but don't sign up to a reality TV show and

0:21:53.200 --> 0:21:54.640
<v Speaker 2>then keep us hanging for this long.

0:21:54.920 --> 0:21:58.240
<v Speaker 1>I think she owes everyone the answer, and I get

0:21:58.280 --> 0:22:00.640
<v Speaker 1>if Morgan doesn't want to be on the program anymore,

0:22:00.960 --> 0:22:03.280
<v Speaker 1>but I feel like she there needs to be something

0:22:03.320 --> 0:22:07.480
<v Speaker 1>in there where we understand what has transpired and she

0:22:07.520 --> 0:22:10.199
<v Speaker 1>doesn't need to literally give us every single twist and

0:22:10.240 --> 0:22:12.560
<v Speaker 1>turn that's happened. But I think we need to be

0:22:12.640 --> 0:22:14.920
<v Speaker 1>able to connect the dots. We've been investing in Kyle

0:22:15.040 --> 0:22:19.320
<v Speaker 1>for fourteen seasons. This has been a huge milestone or

0:22:19.359 --> 0:22:23.439
<v Speaker 1>life altering change, and we are not understanding.

0:22:23.280 --> 0:22:25.880
<v Speaker 3>Where it all sits. So I feel like she does

0:22:25.920 --> 0:22:28.680
<v Speaker 3>owe us that, and I'm very surprised that production is

0:22:28.800 --> 0:22:29.880
<v Speaker 3>letting her get.

0:22:29.720 --> 0:22:33.080
<v Speaker 1>Away with not giving us that. I think she's pulled

0:22:33.080 --> 0:22:35.840
<v Speaker 1>the OG card. She thinks she's got enough credits in

0:22:35.880 --> 0:22:38.520
<v Speaker 1>the bank to get some special favors, and I think

0:22:38.560 --> 0:22:39.760
<v Speaker 1>she's pulling all of them.

0:22:40.040 --> 0:22:43.119
<v Speaker 2>If we had to like settle our bets cash up

0:22:43.119 --> 0:22:46.119
<v Speaker 2>with the register. What has actually happened here? Do you

0:22:46.280 --> 0:22:49.080
<v Speaker 2>think Kyle Richards and Morgan Wade have been having sex?

0:22:50.560 --> 0:22:54.520
<v Speaker 3>I don't know. I don't know. I don't understand it.

0:22:54.640 --> 0:22:56.199
<v Speaker 3>I really don't understand it.

0:22:56.600 --> 0:22:59.800
<v Speaker 1>I think Kyle loved the attention, and I think she

0:23:00.080 --> 0:23:03.080
<v Speaker 1>love flirting with her, and I think she questioned her

0:23:03.119 --> 0:23:08.840
<v Speaker 1>own sexuality potentially, and it went to very yeah, strong

0:23:08.960 --> 0:23:11.359
<v Speaker 1>sort of place where they're hanging out all the time

0:23:11.440 --> 0:23:13.720
<v Speaker 1>and this and that. I don't understand what's happened in

0:23:13.800 --> 0:23:16.600
<v Speaker 1>the middle. I really don't, do you. What do you think?

0:23:17.760 --> 0:23:19.879
<v Speaker 2>I think it was dark one night when they're in

0:23:19.920 --> 0:23:22.760
<v Speaker 2>bed together on like one of her trips. I don't know,

0:23:22.920 --> 0:23:27.600
<v Speaker 2>like was there, you know, Denise Richard's Brandy Glanville, like,

0:23:27.720 --> 0:23:29.320
<v Speaker 2>you know, we're on a shoot and we got a

0:23:29.320 --> 0:23:31.480
<v Speaker 2>little too close and had a few two champagnes. I

0:23:31.480 --> 0:23:33.960
<v Speaker 2>don't know whether or not it's a proper relationship that

0:23:34.000 --> 0:23:36.360
<v Speaker 2>ever happened, because I was trying to read this today

0:23:36.400 --> 0:23:38.440
<v Speaker 2>and read it and I think a majority of people

0:23:38.480 --> 0:23:41.800
<v Speaker 2>are saying that it was an emotional affair. What is it?

0:23:41.880 --> 0:23:43.800
<v Speaker 3>Is that emotional affair?

0:23:43.920 --> 0:23:44.080
<v Speaker 4>Yes?

0:23:44.200 --> 0:23:47.200
<v Speaker 2>Yes, like not a physical affair, an emotional affair. So

0:23:47.280 --> 0:23:49.280
<v Speaker 2>I think most people are settling up on their chips

0:23:49.320 --> 0:23:50.040
<v Speaker 2>on that one and.

0:23:49.960 --> 0:23:53.640
<v Speaker 1>They're like, yeah, yeah, I would probably agree with that.

0:23:53.680 --> 0:23:55.720
<v Speaker 1>And I think it's probably one of those things that

0:23:55.760 --> 0:23:58.920
<v Speaker 1>because it was a woman, she was allowed to spend

0:23:58.960 --> 0:24:00.879
<v Speaker 1>it all that time with her, She is allowed to

0:24:00.920 --> 0:24:02.920
<v Speaker 1>feel a certain way because she was like You're right,

0:24:02.960 --> 0:24:04.320
<v Speaker 1>it's not crossing.

0:24:03.920 --> 0:24:07.320
<v Speaker 3>A physical sort of line, but it doesn't wait.

0:24:07.320 --> 0:24:09.479
<v Speaker 2>Having sex with other women. That's what I want to know.

0:24:09.880 --> 0:24:11.639
<v Speaker 1>Well, I heard rumors that she was getting it on

0:24:11.720 --> 0:24:13.960
<v Speaker 1>with Kesher, but I mean it wasn't confirmed, so I

0:24:13.960 --> 0:24:20.880
<v Speaker 1>don't know. I know Tiktop is Kesher a lesbian? Well, yeah,

0:24:20.960 --> 0:24:23.480
<v Speaker 1>maybe this is way too I mean that is not

0:24:23.600 --> 0:24:26.160
<v Speaker 1>fact checked. It was literally one article, and I feel

0:24:26.200 --> 0:24:28.400
<v Speaker 1>like if I've only seen it in one article, we'll take

0:24:28.440 --> 0:24:30.399
<v Speaker 1>that with a grain of salt. We'll take it with

0:24:30.440 --> 0:24:33.080
<v Speaker 1>a grain of salt. But I did like that Dereet

0:24:33.359 --> 0:24:36.480
<v Speaker 1>a Garcel were talking about that Morgan Way thing because

0:24:36.480 --> 0:24:38.600
<v Speaker 1>I feel like somebody needs to bring that up before

0:24:38.640 --> 0:24:39.400
<v Speaker 1>the season's out.

0:24:39.680 --> 0:24:41.840
<v Speaker 2>So Jennifer Tilly being weird and wonderful and the same

0:24:41.840 --> 0:24:46.120
<v Speaker 2>episode of Kathy being fashioned roadkill, I should say, it's

0:24:46.160 --> 0:24:49.560
<v Speaker 2>like the winner of the Kookie Queens goes to Kathy Hilton.

0:24:49.680 --> 0:24:51.639
<v Speaker 1>Do you feel like that was a little bit too

0:24:52.080 --> 0:24:55.040
<v Speaker 1>fake though? Do you feel like that was an authentic moment?

0:24:55.400 --> 0:24:58.600
<v Speaker 2>I am onto this hard. I think the Kathy Hilton

0:24:58.640 --> 0:25:01.359
<v Speaker 2>as well is getting screwed criders to come up with stuff,

0:25:01.520 --> 0:25:03.399
<v Speaker 2>because you know, when she was like, where are the

0:25:03.400 --> 0:25:04.639
<v Speaker 2>Hordy Gordys or whatever?

0:25:04.840 --> 0:25:05.040
<v Speaker 4>You know?

0:25:05.119 --> 0:25:08.280
<v Speaker 2>Like then she came out, Yeah.

0:25:07.240 --> 0:25:11.800
<v Speaker 3>Where are these? I haven't seen where this diversion.

0:25:17.520 --> 0:25:19.400
<v Speaker 2>I don't think you understand the joke, Like it didn't

0:25:19.400 --> 0:25:21.240
<v Speaker 2>seem to work. And I'm just starting to feel like

0:25:21.280 --> 0:25:23.440
<v Speaker 2>a lot of Kathy Hilton's contribution to this show is

0:25:23.480 --> 0:25:26.119
<v Speaker 2>a construction of producers or something else.

0:25:26.480 --> 0:25:28.920
<v Speaker 1>Yeah, I mean, look, I was here for this sort

0:25:28.920 --> 0:25:32.240
<v Speaker 1>of comedic moment, but I was like, you're telling me,

0:25:32.359 --> 0:25:35.680
<v Speaker 1>Kathy Hilton, the woman who was all about eloquence and

0:25:35.720 --> 0:25:38.960
<v Speaker 1>how you sort of behave in public, and the facade

0:25:38.960 --> 0:25:41.720
<v Speaker 1>that you put up is trotting off backstage at a

0:25:41.760 --> 0:25:45.399
<v Speaker 1>fashion show and then walking onto a runway, you know

0:25:45.400 --> 0:25:47.560
<v Speaker 1>what I mean, and having such a lack of awareness

0:25:47.560 --> 0:25:49.679
<v Speaker 1>of what was I was like, Oh, I don't know,

0:25:49.960 --> 0:25:50.960
<v Speaker 1>I don't think so dull.

0:25:51.200 --> 0:25:53.720
<v Speaker 2>I believe that she likes a bit of self awareness.

0:25:54.000 --> 0:25:56.080
<v Speaker 2>So and at the end of the day, it wasn't

0:25:56.119 --> 0:26:00.959
<v Speaker 2>like Vogue fashion. It was no passion only was not

0:26:01.280 --> 0:26:03.679
<v Speaker 2>you know at the rooftop of the Aqua arena, you know,

0:26:03.840 --> 0:26:06.320
<v Speaker 2>like it was not it.

0:26:06.240 --> 0:26:08.120
<v Speaker 3>Was a fashion show minus the fashion.

0:26:08.520 --> 0:26:09.000
<v Speaker 2>Oh yeah.

0:26:09.160 --> 0:26:10.800
<v Speaker 3>I felt like if We've had.

0:26:10.600 --> 0:26:13.840
<v Speaker 1>The ugly leather pants, We've got the ugly orange jumper.

0:26:14.240 --> 0:26:18.040
<v Speaker 1>Because that sweater, oh my god, what the hell was

0:26:18.040 --> 0:26:20.119
<v Speaker 1>that that Jennifer Tilly was wearing on the runway and

0:26:20.160 --> 0:26:21.879
<v Speaker 1>her hair looked the same as when she'd done the

0:26:21.920 --> 0:26:24.199
<v Speaker 1>rehearsals like five hours earlier. So I was like, is

0:26:24.240 --> 0:26:26.639
<v Speaker 1>this a DIY situation?

0:26:27.000 --> 0:26:27.640
<v Speaker 3>What is this?

0:26:28.040 --> 0:26:30.159
<v Speaker 1>But for someone who wants to add to cut, I

0:26:30.240 --> 0:26:31.520
<v Speaker 1>was like, I don't want to add any of.

0:26:31.480 --> 0:26:32.280
<v Speaker 3>This to the cut.

0:26:32.520 --> 0:26:34.680
<v Speaker 2>Not a single thing. There was not a single thing

0:26:34.680 --> 0:26:36.720
<v Speaker 2>on the phone. I mean maybe the plastic leather pants.

0:26:36.720 --> 0:26:40.280
<v Speaker 2>That the plastic leather dress. I didn't mind that. I

0:26:40.280 --> 0:26:40.960
<v Speaker 2>thought that was all right.

0:26:41.160 --> 0:26:42.880
<v Speaker 3>I'd stand too close to fire, you.

0:26:43.000 --> 0:26:45.600
<v Speaker 2>Do not stand And then she's like, walk slowly and

0:26:45.680 --> 0:26:47.679
<v Speaker 2>everyone was like, this is so good. It feels like

0:26:47.720 --> 0:26:49.960
<v Speaker 2>a real fashion show. And everyone at home was like, no,

0:26:50.080 --> 0:26:50.639
<v Speaker 2>it doesn't.

0:26:51.760 --> 0:26:52.119
<v Speaker 3>I'm know.

0:26:52.320 --> 0:26:55.120
<v Speaker 1>I mean, look sudden, it meant a lot. And again

0:26:55.200 --> 0:26:57.040
<v Speaker 1>I think, you know, we're watching some of these things.

0:26:57.040 --> 0:26:59.640
<v Speaker 1>It's like the renovations with Erica, was it the most

0:27:00.000 --> 0:27:03.040
<v Speaker 1>amorous renovation in the history of renovations? No, but what

0:27:03.119 --> 0:27:05.200
<v Speaker 1>it was, And the same with the fashion show. It's

0:27:05.200 --> 0:27:09.160
<v Speaker 1>a symbol of something that they've started, the journey they've

0:27:09.200 --> 0:27:11.359
<v Speaker 1>been on, and having that moment where it ties it

0:27:11.400 --> 0:27:13.080
<v Speaker 1>all up in a bow and you can say, I

0:27:13.119 --> 0:27:15.239
<v Speaker 1>actually did this, and that's what that was. And I

0:27:15.280 --> 0:27:20.120
<v Speaker 1>did appreciate the episode ending on a nice note for once,

0:27:20.160 --> 0:27:22.800
<v Speaker 1>where she was like, I'm really appreciative that my friends

0:27:22.840 --> 0:27:25.040
<v Speaker 1>are here. I feel like my mum's proud, i feel

0:27:25.040 --> 0:27:26.440
<v Speaker 1>like my daughter's proud, and.

0:27:26.440 --> 0:27:27.439
<v Speaker 3>I'm just really happy.

0:27:27.480 --> 0:27:29.159
<v Speaker 1>And I just thought that was nice to end it

0:27:29.359 --> 0:27:32.360
<v Speaker 1>on that kind of page for once, rather than a

0:27:32.640 --> 0:27:34.119
<v Speaker 1>controversial set of cliffhanger.

0:27:35.119 --> 0:27:39.080
<v Speaker 7>This group of ruds congratulate me, and they're actually they

0:27:40.000 --> 0:27:43.000
<v Speaker 7>seem authentic regulations.

0:27:44.520 --> 0:27:45.760
<v Speaker 3>It feels really great.

0:27:46.359 --> 0:27:49.359
<v Speaker 7>And some of these girls have been with me now

0:27:49.920 --> 0:27:54.600
<v Speaker 7>since I've opened my store, and they have inspired me

0:27:54.840 --> 0:27:56.200
<v Speaker 7>in so many ways that they.

0:27:56.119 --> 0:28:01.440
<v Speaker 3>Will never know. I'm truly so great to call them

0:28:01.480 --> 0:28:02.080
<v Speaker 3>that friends.

0:28:03.240 --> 0:28:05.600
<v Speaker 2>How many Elna Maclean's Alana MacLean.

0:28:05.880 --> 0:28:07.720
<v Speaker 1>I think this was up there for me. I think

0:28:07.720 --> 0:28:10.160
<v Speaker 1>this was a four and a half. It had everything

0:28:10.200 --> 0:28:12.280
<v Speaker 1>I kind of wanted. It had the scenes with the

0:28:12.320 --> 0:28:15.520
<v Speaker 1>different women, it didn't have anything too heavy. It had

0:28:15.680 --> 0:28:17.800
<v Speaker 1>a fashion moment, It had something that brought them all

0:28:17.840 --> 0:28:18.840
<v Speaker 1>together four and.

0:28:18.840 --> 0:28:22.600
<v Speaker 2>A half in WTF, I will drop two on this one.

0:28:23.400 --> 0:28:25.520
<v Speaker 3>This is the biggest difference we've had all year.

0:28:25.880 --> 0:28:27.359
<v Speaker 2>But I think it has a lot to do with

0:28:27.440 --> 0:28:30.080
<v Speaker 2>like frame of mind and like what else you're watching

0:28:30.359 --> 0:28:34.440
<v Speaker 2>that could also play into it. But yeah, two two,

0:28:34.760 --> 0:28:38.000
<v Speaker 2>and I want more. We're getting very close to seeing

0:28:38.000 --> 0:28:40.360
<v Speaker 2>a reunion. I feel like things need to be coming

0:28:40.440 --> 0:28:42.600
<v Speaker 2>to a head, you know, Like I don't know if

0:28:42.640 --> 0:28:44.120
<v Speaker 2>I need to see them all getting together like the

0:28:44.240 --> 0:28:46.280
<v Speaker 2>end of an episode of The Golden Girls and celebrating

0:28:46.280 --> 0:28:50.720
<v Speaker 2>Sutton's you know, pisspoorl fashion show. Like I wouldn't mind

0:28:50.760 --> 0:28:53.760
<v Speaker 2>it if there was some open ended resentment or some

0:28:54.160 --> 0:28:57.080
<v Speaker 2>conflict that needs to be resolved. Like at the moment,

0:28:57.160 --> 0:28:59.640
<v Speaker 2>we're heading towards Kumbaya, Like what do we want from

0:28:59.640 --> 0:29:02.200
<v Speaker 2>this re union? Them to sit around and have cups

0:29:02.200 --> 0:29:06.280
<v Speaker 2>of tea and talk about Sutton's beautiful fashion show? Fuck off?

0:29:06.600 --> 0:29:08.480
<v Speaker 1>Yeah, well, I mean, no one's going to be wearing

0:29:08.520 --> 0:29:10.280
<v Speaker 1>anything from that fashion show to the reunion.

0:29:10.360 --> 0:29:12.800
<v Speaker 3>Put it that way. Oh look, I get what you mean.

0:29:12.920 --> 0:29:15.440
<v Speaker 3>It's an interesting one in that I feel like we're.

0:29:15.320 --> 0:29:19.960
<v Speaker 1>The goldilocks of conflict because we obviously want some, we

0:29:20.040 --> 0:29:23.000
<v Speaker 1>don't want too much. Same with you know, the more

0:29:23.120 --> 0:29:26.160
<v Speaker 1>serious sort of themes and the family backgrounds, were like, oh,

0:29:26.160 --> 0:29:27.880
<v Speaker 1>we want to see more, but then we're like, oh,

0:29:28.000 --> 0:29:30.800
<v Speaker 1>now we've seen too much. So they dance with that

0:29:30.880 --> 0:29:33.680
<v Speaker 1>line week on week, and for me, I just feel like,

0:29:33.960 --> 0:29:36.920
<v Speaker 1>because we'd had such a flat couple of weeks on

0:29:37.000 --> 0:29:41.280
<v Speaker 1>the episodes prior, maybe my expectations were lower and therefore

0:29:41.320 --> 0:29:44.760
<v Speaker 1>this episode just exceeded where I felt like they were

0:29:44.760 --> 0:29:45.800
<v Speaker 1>going to go with it a little bit.

0:29:45.840 --> 0:29:47.480
<v Speaker 3>So I was happy with it. But I get what

0:29:47.520 --> 0:29:47.920
<v Speaker 3>you're saying.

0:29:48.080 --> 0:29:51.000
<v Speaker 2>What did you call it? The ringy Dingys? Let's give

0:29:51.040 --> 0:29:51.360
<v Speaker 2>them two?

0:29:53.640 --> 0:29:54.880
<v Speaker 3>I want to get ding dings?

0:29:55.040 --> 0:29:59.160
<v Speaker 2>Who ringy dingy's are there? Are? We is of finding

0:29:59.200 --> 0:29:59.840
<v Speaker 2>out who did?

0:30:01.640 --> 0:30:09.560
<v Speaker 3>Oh yes, oh my god.

0:30:10.760 --> 0:30:13.680
<v Speaker 2>Once again, I don't care she was talking about like

0:30:13.720 --> 0:30:14.280
<v Speaker 2>we should know.

0:30:14.720 --> 0:30:14.920
<v Speaker 4>Oh.

0:30:15.000 --> 0:30:17.520
<v Speaker 1>I just feel like that was I've got people, we

0:30:17.560 --> 0:30:20.080
<v Speaker 1>can find things out, we can make some calls.

0:30:20.520 --> 0:30:21.960
<v Speaker 2>Don't mess with don't mess.

0:30:21.800 --> 0:30:23.479
<v Speaker 3>With Kenny, mess with Kenny Dingy.

0:30:23.680 --> 0:30:26.600
<v Speaker 2>Okay, I'm just in the background loading up the previous

0:30:26.600 --> 0:30:28.520
<v Speaker 2>for next week's episode, because I remember when it played

0:30:28.680 --> 0:30:32.840
<v Speaker 2>it felt like whoever edited next week's sneak peek. I

0:30:32.840 --> 0:30:35.760
<v Speaker 2>mean promo for next week. Gave up halfway through putting

0:30:35.800 --> 0:30:36.200
<v Speaker 2>it together.

0:30:36.600 --> 0:30:38.080
<v Speaker 3>You are savage this week.

0:30:38.320 --> 0:30:40.000
<v Speaker 2>Yeah, and then they just stopped the promo. They're like

0:30:40.000 --> 0:30:42.280
<v Speaker 2>halfway through, they're like, yeah, this is the next week's

0:30:42.280 --> 0:30:44.200
<v Speaker 2>episode is so fun, and halfway through they're like, nah,

0:30:44.440 --> 0:30:45.400
<v Speaker 2>this is not it.

0:30:46.280 --> 0:30:48.680
<v Speaker 3>Next time on the Real Housewives of Beverly Hills.

0:30:48.920 --> 0:30:51.040
<v Speaker 6>I think it's interesting that we can talk about mo

0:30:51.160 --> 0:30:52.600
<v Speaker 6>and we can't talk about Morgan.

0:30:53.320 --> 0:30:58.880
<v Speaker 1>I only partied like five nights.

0:31:00.320 --> 0:31:03.040
<v Speaker 5>She's definitely coming in like, uh, oh Ani, have been

0:31:03.080 --> 0:31:03.800
<v Speaker 5>a bad girl.

0:31:04.840 --> 0:31:07.200
<v Speaker 3>I wanted to like me so much and I can't

0:31:07.360 --> 0:31:08.040
<v Speaker 3>get on tube.

0:31:09.960 --> 0:31:12.240
<v Speaker 1>We are just hanging on for this carst trip in

0:31:12.320 --> 0:31:15.560
<v Speaker 1>Saint Lucia, and that's what we need.

0:31:15.680 --> 0:31:18.400
<v Speaker 3>We need some we need some people. You know what

0:31:18.440 --> 0:31:18.760
<v Speaker 3>it is.

0:31:18.840 --> 0:31:22.240
<v Speaker 1>It's just they're not drinking enough anymore. So everyone's a

0:31:22.240 --> 0:31:24.360
<v Speaker 1>bit more like reserved or something, you know.

0:31:24.480 --> 0:31:25.560
<v Speaker 3>But I feel like we need.

0:31:25.440 --> 0:31:28.959
<v Speaker 1>A cast trip where there's cartwheels and hair flips and

0:31:29.000 --> 0:31:31.880
<v Speaker 1>the dancing and all those things that we love about

0:31:31.920 --> 0:31:32.520
<v Speaker 1>a cast trip.

0:31:32.760 --> 0:31:34.800
<v Speaker 2>Yeah. I think you're right. I think it's all we

0:31:34.840 --> 0:31:37.200
<v Speaker 2>need to be drunk. What's happening is that they have

0:31:37.280 --> 0:31:40.040
<v Speaker 2>no husbands and they don't drink anymore, like if the

0:31:40.120 --> 0:31:43.480
<v Speaker 2>husbands were causing them to drink. We need the husbands back, yeah.

0:31:43.480 --> 0:31:45.960
<v Speaker 1>I mean responsibly. Of course, we're not, like, you know,

0:31:46.160 --> 0:31:49.320
<v Speaker 1>advocating for a drinking problem. But there is something missing

0:31:49.360 --> 0:31:50.440
<v Speaker 1>around that fun piece.

0:31:51.440 --> 0:31:52.280
<v Speaker 2>No, no, no, I agree.

0:31:52.320 --> 0:31:53.360
<v Speaker 3>We'll see where it goes.

0:31:53.520 --> 0:31:55.640
<v Speaker 2>We need to finish this on a on a high.

0:31:55.720 --> 0:31:58.560
<v Speaker 2>Did you watch Denise Richard's twenty minute episodes?

0:31:58.600 --> 0:32:02.120
<v Speaker 1>Like, no, I haven't seen it yet, So give me

0:32:02.400 --> 0:32:05.320
<v Speaker 1>the elevator pitch why we should watch this show.

0:32:05.600 --> 0:32:09.280
<v Speaker 2>Okay, So she knows that she's not willing to give

0:32:09.360 --> 0:32:12.720
<v Speaker 2>too much controversy, so she's jam packing the series with

0:32:12.880 --> 0:32:15.520
<v Speaker 2>special guest stars from the Real Housewives of Beverly Hills.

0:32:15.720 --> 0:32:20.040
<v Speaker 2>So there's going to be cameos from Kathy Hilton, Suthern Strat, Erica, Jane,

0:32:20.240 --> 0:32:23.520
<v Speaker 2>Camille Grammar. They're bringing in all of these people. They're

0:32:23.520 --> 0:32:25.400
<v Speaker 2>going to drop one on episode. The episodes are only

0:32:25.400 --> 0:32:27.280
<v Speaker 2>twenty minutes long. They're not very long. It's like she

0:32:27.360 --> 0:32:30.200
<v Speaker 2>comes in, she drops all of what you would expect

0:32:30.360 --> 0:32:34.680
<v Speaker 2>at Charlie Sheen's story. Here a conversation about OnlyFans. That's

0:32:34.720 --> 0:32:37.680
<v Speaker 2>so controversial and so weird with her one of her daughters.

0:32:37.880 --> 0:32:40.720
<v Speaker 2>To make that show really pop, they need to bring

0:32:40.760 --> 0:32:43.720
<v Speaker 2>Lisa Rinner in for a cameo like that's where we live.

0:32:44.720 --> 0:32:47.320
<v Speaker 3>Well, I mean I just can't see that happening. But yes,

0:32:47.360 --> 0:32:49.960
<v Speaker 3>everyone would be here for it. But everyone, like.

0:32:50.000 --> 0:32:52.600
<v Speaker 1>The word for Bravo, would be pissed if that moment

0:32:52.720 --> 0:32:55.440
<v Speaker 1>happened not on Beverly Hills. I feel like if they

0:32:55.440 --> 0:32:57.720
<v Speaker 1>were going to have that resolution moment, it would have

0:32:57.800 --> 0:32:59.600
<v Speaker 1>to be back on the original playing field.

0:33:00.000 --> 0:33:01.720
<v Speaker 2>You're gonna watch, we are gonna watch this so that.

0:33:01.680 --> 0:33:04.000
<v Speaker 3>We can right now, I'm going off torch it now.

0:33:04.280 --> 0:33:06.680
<v Speaker 2>Okay, can you call me every five minutes throughout the

0:33:06.680 --> 0:33:09.160
<v Speaker 2>show and if you've got extra needs by me.

0:33:11.520 --> 0:33:14.320
<v Speaker 1>I don't think we should be talking about needs of

0:33:14.400 --> 0:33:16.720
<v Speaker 1>any kind like we are not equipped.

0:33:16.800 --> 0:33:19.080
<v Speaker 2>We are not equipped. Okay, thank you so much for

0:33:19.120 --> 0:33:20.320
<v Speaker 2>joining me up by Bravo.

0:33:20.440 --> 0:33:23.160
<v Speaker 3>Bravo, do you ever want me to be on the

0:33:23.200 --> 0:33:25.440
<v Speaker 3>show again? They need to cut that and

0:33:25.680 --> 0:33:32.440
<v Speaker 1>Cut all right much Jerry much loved, Bye bye, bye

0:33:32.440 --> 0:33:33.120
<v Speaker 1>bye