1 00:00:00,600 --> 00:00:03,680 Speaker 1: There are three certainties in life, Clercy, death, taxes, and 2 00:00:03,800 --> 00:00:07,800 Speaker 1: SBS makes a mighty fine show. And another one starts 3 00:00:07,920 --> 00:00:11,280 Speaker 1: tomorrow night, Thursday Night, Safe Home premieres at eight thirty 4 00:00:11,560 --> 00:00:16,319 Speaker 1: and it stars Virginia Gay, who joins us now, Good morning, Virginia, Oh. 5 00:00:16,280 --> 00:00:20,000 Speaker 2: I mourning my friends? How are you now? Safe Home? 6 00:00:20,160 --> 00:00:21,400 Speaker 2: Tell us about it. 7 00:00:21,400 --> 00:00:25,840 Speaker 3: It's a terrific four part limited series. It's a thriller, 8 00:00:25,920 --> 00:00:30,360 Speaker 3: it's incredibly well paced, It's got these glorious, complex characters. 9 00:00:30,720 --> 00:00:33,920 Speaker 3: It's set in a family violence legal center. I play 10 00:00:33,960 --> 00:00:36,519 Speaker 3: the head at the family violence legal center. And what 11 00:00:36,640 --> 00:00:39,479 Speaker 3: is so striking about the show is that it's written 12 00:00:39,520 --> 00:00:41,880 Speaker 3: by Anna Barnes, who actually worked in a family violence 13 00:00:41,960 --> 00:00:46,320 Speaker 3: legal center for three years. So she knows that world, 14 00:00:46,360 --> 00:00:49,480 Speaker 3: and she knows the absolute truth of this show, which 15 00:00:49,520 --> 00:00:54,080 Speaker 3: is that unfortunately, family violence can happen to anyone, anywhere, anytime, 16 00:00:54,920 --> 00:00:58,560 Speaker 3: of any class, of any background. So what that means is, 17 00:00:58,600 --> 00:01:02,640 Speaker 3: while that's an absolutely horrifying, a horrifying fact, what it 18 00:01:02,680 --> 00:01:05,119 Speaker 3: means is that when you're watching this show, you got 19 00:01:05,160 --> 00:01:07,520 Speaker 3: no idea who'd done the who done it? 20 00:01:07,680 --> 00:01:08,240 Speaker 2: You know what I mean? 21 00:01:08,840 --> 00:01:10,759 Speaker 3: It makes incredible television. 22 00:01:11,600 --> 00:01:14,200 Speaker 1: Well, you answered my question about research too, because if 23 00:01:14,240 --> 00:01:16,360 Speaker 1: you get to tell a story like this, it's got 24 00:01:16,360 --> 00:01:18,000 Speaker 1: to be real, and it's not going to get any 25 00:01:18,240 --> 00:01:20,760 Speaker 1: realer than coming from the woman who works there. 26 00:01:20,920 --> 00:01:24,480 Speaker 3: It's exactly right. And we worked so incredibly hard. I mean, 27 00:01:24,520 --> 00:01:27,360 Speaker 3: the team that made this show is so so impressive. 28 00:01:28,000 --> 00:01:30,800 Speaker 3: It's produced by Image and Banks, who brought you Offspring, 29 00:01:30,840 --> 00:01:34,800 Speaker 3: who brought you The Royal Flying Doctors reboot. It was 30 00:01:34,840 --> 00:01:38,959 Speaker 3: directed by the most incredible director Stevie Kruz Martin, and 31 00:01:39,040 --> 00:01:43,280 Speaker 3: she created this amazing atmosphere on set where myself and 32 00:01:43,319 --> 00:01:45,880 Speaker 3: the other cast, including Asha d from The Bold Type. 33 00:01:45,920 --> 00:01:48,280 Speaker 3: She's a huge star in America. Yes, naval Lee, who's 34 00:01:48,280 --> 00:01:52,160 Speaker 3: got a Logan nomination for New Gold Mountain like amazing actors. 35 00:01:52,360 --> 00:01:52,600 Speaker 2: Yeah. 36 00:01:52,800 --> 00:01:57,720 Speaker 3: She created this incredibly safe and loving atmosphere on set 37 00:01:57,840 --> 00:02:01,280 Speaker 3: so that we could go to incredibly dark places and 38 00:02:01,400 --> 00:02:05,360 Speaker 3: deliver them as truthfully as we could, to tell these 39 00:02:05,400 --> 00:02:09,640 Speaker 3: stories properly. But then we were able to just like 40 00:02:09,720 --> 00:02:11,960 Speaker 3: the amount of love that surrounded us at every point 41 00:02:12,040 --> 00:02:14,919 Speaker 3: meant that we were able to come out of it, 42 00:02:14,960 --> 00:02:17,000 Speaker 3: which again, you know, is a is a privilege that 43 00:02:17,040 --> 00:02:19,200 Speaker 3: of course you don't get when you are actually living 44 00:02:19,200 --> 00:02:20,120 Speaker 3: with family dialands. 45 00:02:20,160 --> 00:02:23,320 Speaker 2: No, that's right, that's right to go home at the 46 00:02:23,360 --> 00:02:23,799 Speaker 2: end of the day. 47 00:02:23,840 --> 00:02:26,200 Speaker 4: No, that's right. You talk about the story. The stories 48 00:02:26,240 --> 00:02:27,840 Speaker 4: had to be told, right because the numbers are so 49 00:02:28,040 --> 00:02:31,200 Speaker 4: incredibly shocking, and they never they never ceased to amaze 50 00:02:31,240 --> 00:02:34,120 Speaker 4: me how hideous they are, with people affected. 51 00:02:34,080 --> 00:02:36,519 Speaker 3: So awful and so striking. What I think was the 52 00:02:36,840 --> 00:02:40,360 Speaker 3: thing that made it this script, just like it gripped 53 00:02:40,360 --> 00:02:43,280 Speaker 3: me to read it, let alone perform it was this 54 00:02:43,480 --> 00:02:47,320 Speaker 3: sense that Anna knows this world, and so she really 55 00:02:47,320 --> 00:02:50,680 Speaker 3: wanted to tell it really honestly, which is about like saying, 56 00:02:51,040 --> 00:02:54,160 Speaker 3: you don't always identify monsters. They're not like, they're not 57 00:02:54,240 --> 00:02:57,799 Speaker 3: monsters immediately, you know, And that family violence can look 58 00:02:57,960 --> 00:03:01,280 Speaker 3: like several things. So it can look like financial control, 59 00:03:01,440 --> 00:03:04,519 Speaker 3: it can look like yes, it can look like elder abuse. 60 00:03:04,600 --> 00:03:07,360 Speaker 3: It doesn't necessarily look like what you think it's going 61 00:03:07,440 --> 00:03:07,800 Speaker 3: to look like. 62 00:03:07,960 --> 00:03:10,000 Speaker 1: I think that, you know, with those figures for domestic file, 63 00:03:10,000 --> 00:03:11,359 Speaker 1: as bad as they are, I always think they're a 64 00:03:11,360 --> 00:03:14,200 Speaker 1: bit of a tip of an Arceberg situation, and it 65 00:03:14,240 --> 00:03:15,520 Speaker 1: doesn't discriminate. 66 00:03:16,280 --> 00:03:19,160 Speaker 2: It is where you might least expect it. 67 00:03:19,520 --> 00:03:22,560 Speaker 1: You know what I love, I'm loving before you know 68 00:03:22,600 --> 00:03:28,600 Speaker 1: on another note, loving these four part shows because something else. A. 69 00:03:29,160 --> 00:03:31,240 Speaker 2: I love a good binge and you can do for. 70 00:03:32,040 --> 00:03:36,280 Speaker 1: And B it's just sometimes that's just it's you know, 71 00:03:36,320 --> 00:03:40,120 Speaker 1: it's a really healthy amount. And it's quality, not quantity 72 00:03:40,200 --> 00:03:42,000 Speaker 1: sometimes exactly. 73 00:03:42,160 --> 00:03:45,080 Speaker 3: Absolutely this was you know, this was this length because 74 00:03:45,080 --> 00:03:46,120 Speaker 3: that was the right length. 75 00:03:46,240 --> 00:03:50,520 Speaker 2: Yes, yes, there's no fill out here. It is perfect. 76 00:03:50,520 --> 00:03:53,720 Speaker 3: Each episode is perfect and so exhilarating to watch. And 77 00:03:53,760 --> 00:03:58,040 Speaker 3: it all drops, of course on SBS on demand on Thursday, 78 00:03:58,120 --> 00:03:59,120 Speaker 3: so you can watch them. 79 00:03:59,240 --> 00:04:00,720 Speaker 2: That's my week and done. 80 00:04:01,200 --> 00:04:04,320 Speaker 4: I know, right to too many tezy shows other with 81 00:04:04,320 --> 00:04:05,560 Speaker 4: one at a time a week. 82 00:04:05,720 --> 00:04:07,360 Speaker 2: Yeah, I know, I know the. 83 00:04:07,400 --> 00:04:09,720 Speaker 3: Number of times. You know, my viewing habits have changed 84 00:04:09,720 --> 00:04:13,200 Speaker 3: so significantly five years. Yeah, waiting for something for a week. 85 00:04:13,240 --> 00:04:16,320 Speaker 3: I'm like, I think about it. That's not how it 86 00:04:16,360 --> 00:04:17,080 Speaker 3: works anymore. 87 00:04:17,240 --> 00:04:18,080 Speaker 2: But it's true. 88 00:04:17,880 --> 00:04:19,800 Speaker 1: Because and you must love it because there was I 89 00:04:19,880 --> 00:04:22,000 Speaker 1: think there was a time where you had to fill 90 00:04:22,120 --> 00:04:24,599 Speaker 1: the number of you know, shows for the year. You 91 00:04:24,720 --> 00:04:27,880 Speaker 1: also had to fill that exact forty four minutes or 92 00:04:27,920 --> 00:04:28,680 Speaker 1: whatever it was. 93 00:04:28,760 --> 00:04:30,279 Speaker 2: Now, I love I can turn on a show. 94 00:04:30,640 --> 00:04:33,200 Speaker 1: Some episodes go for thirty eight minutes, some go for 95 00:04:33,200 --> 00:04:36,200 Speaker 1: forty seven. It depends what was warranted to tell the story. 96 00:04:36,240 --> 00:04:37,520 Speaker 1: It's governed by the story. 97 00:04:38,200 --> 00:04:40,280 Speaker 2: Yay, exactly, Jenia, I know you have. 98 00:04:40,640 --> 00:04:43,200 Speaker 4: You have a special link with per performance of and 99 00:04:43,200 --> 00:04:45,360 Speaker 4: then that whole production with that Carston crew, with black 100 00:04:45,400 --> 00:04:49,080 Speaker 4: Swan and the festival with Serano was amazing. And also 101 00:04:49,200 --> 00:04:51,760 Speaker 4: with your connection with Perth having spent time here, and 102 00:04:51,800 --> 00:04:54,120 Speaker 4: of course with telephone, you were a natural for telephone. 103 00:04:54,080 --> 00:04:56,640 Speaker 4: I always thought that bring that personality to town. 104 00:04:56,920 --> 00:04:59,599 Speaker 2: Yeah, I did love telephone. My god, what a who's 105 00:04:59,640 --> 00:05:06,000 Speaker 2: of a time they were breaking records. Let me come back, welcome, 106 00:05:06,040 --> 00:05:08,120 Speaker 2: there's a standing invitation. You've got to be here. 107 00:05:08,480 --> 00:05:10,200 Speaker 3: Oh, bless your heart. But yes, indeed I am a 108 00:05:10,200 --> 00:05:13,560 Speaker 3: Whopper girl. I and everything that I'm about. Acting at Whopper, 109 00:05:13,560 --> 00:05:15,520 Speaker 3: I'm eternally grateful to it and at school in the 110 00:05:15,600 --> 00:05:19,440 Speaker 3: com and Perth recently and doing Serrho at black Swan 111 00:05:19,480 --> 00:05:24,080 Speaker 3: and as part of the profestival was incredible. What johdinary 112 00:05:24,120 --> 00:05:25,800 Speaker 3: opportunity that was. God, we loved it. 113 00:05:25,880 --> 00:05:28,039 Speaker 2: And a great twist on the Sirrheno story. More of 114 00:05:28,080 --> 00:05:30,040 Speaker 2: that please, yes? 115 00:05:30,240 --> 00:05:30,440 Speaker 1: Right? 116 00:05:30,560 --> 00:05:31,960 Speaker 2: Okay, So it's. 117 00:05:31,920 --> 00:05:34,960 Speaker 3: Like Cory shouldn't just belong the same old people who 118 00:05:35,000 --> 00:05:36,839 Speaker 3: have always told the story life. 119 00:05:38,640 --> 00:05:41,000 Speaker 2: I know, who'd have thought, Well, we are living in 120 00:05:41,000 --> 00:05:41,720 Speaker 2: the Golden Age. 121 00:05:42,040 --> 00:05:45,880 Speaker 1: Safe Home premiers eight thirty tomorrow on SBS and SBS 122 00:05:45,880 --> 00:05:46,400 Speaker 1: on demand. 123 00:05:46,520 --> 00:05:49,440 Speaker 2: Virginia Gay, lovely to talk to you. 124 00:05:49,720 --> 00:05:51,360 Speaker 3: Thank you so much, Bleasure, beautiful heart 125 00:05:51,440 --> 00:05:52,800 Speaker 2: Thank you see your FACETI