1 00:00:10,204 --> 00:00:13,484 Speaker 1: My Heart podcasts, hear more Gold one on one point 2 00:00:13,524 --> 00:00:15,204 Speaker 1: seven podcasts. 3 00:00:14,604 --> 00:00:21,964 Speaker 2: Playlists, and listen live on the Free iHeart app. Everybody, 4 00:00:22,003 --> 00:00:32,964 Speaker 2: It's time for Jonesy and Amanda's cutting floor. On the 5 00:00:33,004 --> 00:00:35,404 Speaker 2: cutting room floor today, Finn sexual? 6 00:00:36,324 --> 00:00:38,924 Speaker 1: Is this about the Finn brothers? They did used to 7 00:00:39,004 --> 00:00:40,884 Speaker 1: have a bit of a crushy on what it was? 8 00:00:41,284 --> 00:00:41,844 Speaker 2: It? Sexual? 9 00:00:42,644 --> 00:00:43,083 Speaker 3: Crushy? 10 00:00:43,764 --> 00:00:46,244 Speaker 2: Son, you would have been part of the Devil's tried 11 00:00:46,484 --> 00:00:48,443 Speaker 2: with the finn. 12 00:00:48,604 --> 00:00:50,484 Speaker 3: What what's that? 13 00:00:50,924 --> 00:00:51,763 Speaker 2: Finn sexual? 14 00:00:53,324 --> 00:00:55,204 Speaker 3: Mike? Can I say about my crushy with the Finns? 15 00:00:55,284 --> 00:00:55,764 Speaker 2: Yeah? Sure. 16 00:00:56,004 --> 00:00:57,484 Speaker 1: I used to live in a flat when I was 17 00:00:57,484 --> 00:00:59,884 Speaker 1: working at Simon town Ends Wonderworld a million years ago, 18 00:01:00,764 --> 00:01:05,284 Speaker 1: and I used to play their records really loudly, thinking 19 00:01:05,324 --> 00:01:09,964 Speaker 1: that they might drive past one or both the music 20 00:01:10,084 --> 00:01:12,203 Speaker 1: playing and say, I'm going to drop in for a. 21 00:01:12,124 --> 00:01:14,283 Speaker 3: Cup of tea. Yeah, just a cup of tea. That's 22 00:01:14,324 --> 00:01:15,644 Speaker 3: not urban district, No it's not. 23 00:01:15,724 --> 00:01:17,564 Speaker 1: It actually was just a cup of tea though, just 24 00:01:17,604 --> 00:01:20,004 Speaker 1: in case. Sometimes I had some vegemite glasses in the 25 00:01:20,084 --> 00:01:22,484 Speaker 1: fridge children ready to go if I felt like a 26 00:01:22,524 --> 00:01:23,324 Speaker 1: cask wine. 27 00:01:23,404 --> 00:01:26,084 Speaker 2: Ah, that was what an era You got the Vegemi 28 00:01:26,164 --> 00:01:28,884 Speaker 2: glass with your cask of wine in it. You wouldn't 29 00:01:28,884 --> 00:01:31,604 Speaker 2: put a cask of wine in it. You decant it 30 00:01:31,644 --> 00:01:32,484 Speaker 2: into a. 31 00:01:32,484 --> 00:01:35,324 Speaker 3: Glass, So there's no decanting. I just put my mouth 32 00:01:35,404 --> 00:01:36,284 Speaker 3: underneath the nozzle. 33 00:01:37,084 --> 00:01:40,484 Speaker 2: No, the fin sexual is not about your your romantic 34 00:01:40,764 --> 00:01:43,923 Speaker 2: For the Finn boys, fin sexual is the exclusive attraction 35 00:01:44,244 --> 00:01:46,964 Speaker 2: to those who are feminine in nature. 36 00:01:47,044 --> 00:01:49,604 Speaker 3: Oh so it's not like a finan having it off 37 00:01:49,604 --> 00:01:50,284 Speaker 3: with a dolphin. 38 00:01:50,444 --> 00:01:53,404 Speaker 2: No, this means fin sexual people are attracted to women, 39 00:01:54,044 --> 00:02:00,244 Speaker 2: feminine aligned non binary people, and potentially feminine men. It 40 00:02:00,364 --> 00:02:02,364 Speaker 2: is the attraction to femininity. 41 00:02:02,564 --> 00:02:04,604 Speaker 3: And what's an example anyone who's that? 42 00:02:05,204 --> 00:02:08,084 Speaker 2: What? Different sexualities have always been around, but more recently 43 00:02:08,163 --> 00:02:11,564 Speaker 2: the terminal has changed, and there's a lot of different 44 00:02:11,564 --> 00:02:15,764 Speaker 2: ways to describe your sexual orientation than just gay or straight. 45 00:02:15,844 --> 00:02:16,444 Speaker 3: What's yours? 46 00:02:17,124 --> 00:02:19,884 Speaker 2: I'm a straight as old mate. 47 00:02:19,964 --> 00:02:21,643 Speaker 3: When you're passioning him last night? Is that what she 48 00:02:21,724 --> 00:02:22,284 Speaker 3: said to him? 49 00:02:22,483 --> 00:02:24,924 Speaker 2: No, I'm pretty hetero, but I'd like to think I 50 00:02:25,043 --> 00:02:26,883 Speaker 2: lean into my own femininity. 51 00:02:27,163 --> 00:02:30,203 Speaker 1: You you, what way are you feminine? 52 00:02:31,004 --> 00:02:36,323 Speaker 3: If I say you go boo feelings, feelings dingy bill cafe? 53 00:02:36,564 --> 00:02:39,524 Speaker 1: What in what way do you lean into your feminine 54 00:02:40,204 --> 00:02:43,844 Speaker 1: by liking Sydney Sweeney does not make you feminine. 55 00:02:43,964 --> 00:02:46,763 Speaker 2: No, not a lot. I appreciate what she does. I 56 00:02:47,284 --> 00:02:53,404 Speaker 2: like Shania Twain. You know, when I hear Shan Twaine songs, 57 00:02:53,404 --> 00:02:55,244 Speaker 2: I go, yeah, right on, she's she's great. 58 00:02:55,844 --> 00:02:57,603 Speaker 3: You are so feminine. You're right, you can. 59 00:02:59,004 --> 00:03:05,043 Speaker 1: You are so feminine, exactly, Carold King, Yes, she's great. 60 00:03:05,603 --> 00:03:11,043 Speaker 2: You know that makes me feminine. I moisturize, do you yeah? 61 00:03:11,204 --> 00:03:11,964 Speaker 3: Do you yeah? 62 00:03:12,363 --> 00:03:12,844 Speaker 2: What do you mean? 63 00:03:13,284 --> 00:03:14,244 Speaker 3: Well, I'm surprised you. 64 00:03:14,204 --> 00:03:15,724 Speaker 2: Look at me as if I'm fighting. Ten of the 65 00:03:15,764 --> 00:03:19,844 Speaker 2: seven signs of what else I do? That's feminine? I 66 00:03:19,884 --> 00:03:22,643 Speaker 2: opened doors for later. Now, that's that's just massago is 67 00:03:22,803 --> 00:03:24,083 Speaker 2: these days, not massag. 68 00:03:25,004 --> 00:03:28,564 Speaker 1: It's nice, it's not I am with your student's feminine. 69 00:03:29,404 --> 00:03:32,524 Speaker 1: I've seen you run. That's quite feminine. 70 00:03:34,124 --> 00:03:36,164 Speaker 3: I think you fight. It's very sexually attractive. 71 00:03:38,524 --> 00:03:47,363 Speaker 2: All right, Okay, kids, that's it for today. 72 00:03:47,724 --> 00:03:50,003 Speaker 3: Come back tomorrow from more of Chelsea and a man 73 00:03:50,084 --> 00:03:53,284 Speaker 3: that's cutting the cotton