1 00:00:05,960 --> 00:00:15,840 Speaker 1: This is Will and Woody. Good afternoon everyone. 2 00:00:16,040 --> 00:00:18,520 Speaker 2: I hope you haven't a wonderful Monday. 3 00:00:18,680 --> 00:00:21,360 Speaker 1: We certainly are hey. A little bit later on this 4 00:00:21,480 --> 00:00:24,760 Speaker 1: hour pocket money pitch. If you spent all your money 5 00:00:24,880 --> 00:00:27,240 Speaker 1: as a kid already, then you've got a chance to 6 00:00:27,240 --> 00:00:29,520 Speaker 1: get your hands on some more cash. Here twenty five 7 00:00:29,560 --> 00:00:32,519 Speaker 1: dollars where we say fifteen cents or something extrawdinary woods, 8 00:00:32,760 --> 00:00:37,360 Speaker 1: huge pull today changing money loade, life changing cash. Also, 9 00:00:38,400 --> 00:00:42,000 Speaker 1: we are trying to see if we can prove the 10 00:00:42,000 --> 00:00:45,800 Speaker 1: theory of six degrees of separation, the idea that you 11 00:00:45,800 --> 00:00:49,120 Speaker 1: can speak to anyone in the world just via a 12 00:00:49,240 --> 00:00:51,080 Speaker 1: chain of six people. 13 00:00:51,320 --> 00:00:54,480 Speaker 2: And the person we're trying to get to is David Hasselho. 14 00:00:57,480 --> 00:01:00,880 Speaker 2: So six links, so what's that? So by by Friday 15 00:01:01,360 --> 00:01:04,280 Speaker 2: we are hoping to have David Hasselhoff on the phone 16 00:01:04,360 --> 00:01:05,880 Speaker 2: on this show kicks off today. 17 00:01:06,080 --> 00:01:08,280 Speaker 1: Love to hear from you guys with all your suggestions, 18 00:01:08,319 --> 00:01:11,000 Speaker 1: going to be talking all things. Miley and Leon Hemsworth 19 00:01:11,040 --> 00:01:13,720 Speaker 1: a breakup right up next to the golden opportunity that 20 00:01:13,800 --> 00:01:20,560 Speaker 1: she's let go begging if good Smiley Cyrus. She's split 21 00:01:20,640 --> 00:01:22,319 Speaker 1: with Liam's Liam Hemsworth. 22 00:01:22,920 --> 00:01:24,600 Speaker 2: So that's the big news today, and. 23 00:01:25,040 --> 00:01:29,880 Speaker 1: Importantly she is also posted for the first time since 24 00:01:30,040 --> 00:01:30,760 Speaker 1: they're split. 25 00:01:31,440 --> 00:01:34,360 Speaker 2: It's a big post. It's a huge post, mate, the 26 00:01:34,400 --> 00:01:36,160 Speaker 2: post breakup post. It's one of the one of the 27 00:01:36,200 --> 00:01:37,160 Speaker 2: biggest posts you'll ever do. 28 00:01:37,240 --> 00:01:42,040 Speaker 1: Will Yeah, exactly A right mate, And she's cooked hers, 29 00:01:42,160 --> 00:01:42,959 Speaker 1: I reckon. 30 00:01:43,360 --> 00:01:44,800 Speaker 2: I quite quite liked her. 31 00:01:45,120 --> 00:01:47,480 Speaker 1: You're a tragic Miley cyrus fan. 32 00:01:47,520 --> 00:01:48,240 Speaker 2: I love Miley. 33 00:01:48,560 --> 00:01:53,720 Speaker 1: So she's on top of a mountain, inactive where without sweating. 34 00:01:53,880 --> 00:01:56,160 Speaker 2: So I presumed Chopp has been cropped out of the photo. 35 00:01:57,480 --> 00:01:58,200 Speaker 2: And I'm not going to. 36 00:01:58,200 --> 00:02:00,560 Speaker 1: Read you the whole caption because it's so boring. But 37 00:02:00,640 --> 00:02:03,640 Speaker 1: she said, I don't even if I startry, don't find 38 00:02:03,720 --> 00:02:07,200 Speaker 1: evolution because you will never win. Like the mountain I'm 39 00:02:07,240 --> 00:02:10,359 Speaker 1: standing on top of, which was once underwater, connected with Africa, 40 00:02:10,600 --> 00:02:11,959 Speaker 1: change is inevitable. 41 00:02:12,000 --> 00:02:13,639 Speaker 2: What beautiful message will oh? 42 00:02:13,760 --> 00:02:19,880 Speaker 1: You make me sick? I want to focus on how 43 00:02:20,000 --> 00:02:23,600 Speaker 1: critical that post is. I reginon, she's cooked that, you know. Look, 44 00:02:23,680 --> 00:02:25,760 Speaker 1: maybe because she's going for a nice breakup with him 45 00:02:25,800 --> 00:02:29,600 Speaker 1: and she's trying to make it amicable, et cetera. You 46 00:02:29,680 --> 00:02:32,799 Speaker 1: always remember the photo, the first photo that your ex 47 00:02:32,840 --> 00:02:34,000 Speaker 1: posted after you broke. 48 00:02:33,880 --> 00:02:38,200 Speaker 2: Up, Definitely the one that definitely stays with me. And 49 00:02:38,200 --> 00:02:40,560 Speaker 2: this was a number of relationships ago. So I was 50 00:02:40,600 --> 00:02:43,160 Speaker 2: early twenties. But I broke up with a girl and 51 00:02:43,200 --> 00:02:46,280 Speaker 2: the next week it wasn't even one photo whill it 52 00:02:46,320 --> 00:02:51,720 Speaker 2: was an album, yea, an album of her in a bikini, 53 00:02:52,840 --> 00:02:57,240 Speaker 2: rolling around in the in the water, like in the 54 00:02:57,280 --> 00:03:00,640 Speaker 2: small waves, funny, and it was like minute was it 55 00:03:00,680 --> 00:03:03,480 Speaker 2: was provocative. It was a provocative shoot. That's amazing. 56 00:03:03,880 --> 00:03:06,400 Speaker 1: I've had a similar experience where an ex girlfriend of 57 00:03:06,440 --> 00:03:08,520 Speaker 1: mine was also in the shallows. 58 00:03:09,480 --> 00:03:10,680 Speaker 2: Shallows, why are the shallow? 59 00:03:12,440 --> 00:03:13,519 Speaker 1: She was in the shallows. 60 00:03:13,600 --> 00:03:16,520 Speaker 2: Yeah, and she was topless. 61 00:03:17,280 --> 00:03:19,399 Speaker 1: She was topless in the shallows, but she had two 62 00:03:19,480 --> 00:03:28,200 Speaker 1: coconuts covering her breasts. 63 00:03:25,120 --> 00:03:27,480 Speaker 2: Right, yeah, yeah? What was the caption there when you've 64 00:03:27,480 --> 00:03:33,440 Speaker 2: got two coconuts over? I don't seem to remember O 65 00:03:33,760 --> 00:03:38,080 Speaker 2: fair enough, no, but clearly, by the way, this is 66 00:03:38,120 --> 00:03:40,040 Speaker 2: I mean again, I hate to sound vain here, but 67 00:03:40,120 --> 00:03:42,240 Speaker 2: clearly that's a shot at us as the ex partner 68 00:03:43,160 --> 00:03:45,640 Speaker 2: broken up with me. Well, look at these coconuts that 69 00:03:45,680 --> 00:03:46,680 Speaker 2: you're missing out, that's right. 70 00:03:46,720 --> 00:03:49,000 Speaker 1: And what I want to do here on thirteen one 71 00:03:49,000 --> 00:03:51,040 Speaker 1: oh sixty five, which is a phone number, is I 72 00:03:51,080 --> 00:03:53,800 Speaker 1: don't want to focus on the breakout posts that you 73 00:03:53,840 --> 00:03:56,120 Speaker 1: and I have just referenced woulds because we're all used 74 00:03:56,120 --> 00:03:57,720 Speaker 1: to seeing a rig. 75 00:03:57,520 --> 00:04:00,000 Speaker 2: Shot sure just looking sexy, being like look at. 76 00:04:00,280 --> 00:04:02,080 Speaker 1: And it's a bit disappointing and it's a little bit 77 00:04:02,120 --> 00:04:04,240 Speaker 1: what Miley's gone for as well. On top of Maunch's 78 00:04:04,240 --> 00:04:07,600 Speaker 1: inneractive where she's you know, like Ladi da. I want 79 00:04:07,600 --> 00:04:10,520 Speaker 1: to hear from you guys right now what it's like 80 00:04:11,120 --> 00:04:16,200 Speaker 1: the most memorable post breakup post that you've ever seen. 81 00:04:16,839 --> 00:04:18,839 Speaker 1: It might it might have been your ex that put 82 00:04:18,880 --> 00:04:19,240 Speaker 1: it up. 83 00:04:20,400 --> 00:04:21,440 Speaker 2: I want to know from you guys. 84 00:04:21,480 --> 00:04:23,200 Speaker 1: And I want to stay clear of the body shots 85 00:04:23,240 --> 00:04:25,839 Speaker 1: because where are used to them. Well, it's Miley Cyrus. 86 00:04:27,600 --> 00:04:30,080 Speaker 1: She's posted her first post since the break up with 87 00:04:30,160 --> 00:04:33,480 Speaker 1: Leam Emsworth. It's her on a mountain and look, you're 88 00:04:33,520 --> 00:04:36,520 Speaker 1: a big Miley fan, so I'll let you explain what 89 00:04:36,560 --> 00:04:38,719 Speaker 1: she's captured it. It's her and active around the mountain 90 00:04:39,120 --> 00:04:42,200 Speaker 1: and the quote is nature never hurries, but it is 91 00:04:42,240 --> 00:04:43,040 Speaker 1: always on time. 92 00:04:43,240 --> 00:04:45,880 Speaker 2: I love that message. I love Miley Cyrus and I 93 00:04:45,920 --> 00:04:48,160 Speaker 2: think it's just an inspirational way for people to look 94 00:04:48,160 --> 00:04:50,360 Speaker 2: at breakups. Things change, people change, and you've got to 95 00:04:50,360 --> 00:04:52,279 Speaker 2: get past that sort of stuff. Good on you, Miley, 96 00:04:52,400 --> 00:04:52,920 Speaker 2: you're a hero. 97 00:04:54,640 --> 00:04:55,039 Speaker 1: Wow? 98 00:04:57,480 --> 00:05:01,880 Speaker 2: What expected that? Rick has Gon on thirty one five? 99 00:05:02,080 --> 00:05:03,960 Speaker 2: Is that a subliminal message to your ex as well? 100 00:05:04,040 --> 00:05:07,000 Speaker 2: Is that what they want? 101 00:05:06,040 --> 00:05:14,679 Speaker 1: We'll go to record, Rick, we're best best post breakup 102 00:05:14,720 --> 00:05:15,440 Speaker 1: post you've seen? 103 00:05:15,440 --> 00:05:16,159 Speaker 2: Mate? Fire away? 104 00:05:17,160 --> 00:05:18,120 Speaker 3: Well, my ex. 105 00:05:18,040 --> 00:05:20,880 Speaker 4: Mate, she she had a picture with me once me 106 00:05:20,880 --> 00:05:24,560 Speaker 4: and shuploaded or whatever. Then the next day we actually 107 00:05:24,600 --> 00:05:26,760 Speaker 4: broke up, so Shari uploaded it and she put a 108 00:05:26,800 --> 00:05:28,160 Speaker 4: clown emoji over my head. 109 00:05:28,680 --> 00:05:31,880 Speaker 2: Oh wow, not bad. I don't mind. That's a little 110 00:05:31,880 --> 00:05:33,440 Speaker 2: bit of a round of applause. That's pretty good. What 111 00:05:33,520 --> 00:05:38,000 Speaker 2: was the caption there? Not bad? Not bad, good shot. 112 00:05:40,080 --> 00:05:42,920 Speaker 2: We're referring to a viral video there. If anyone doesn't 113 00:05:42,960 --> 00:05:45,560 Speaker 2: realize what we're doing, we've got Bonnie here on thirty 114 00:05:45,600 --> 00:05:51,239 Speaker 2: one six five. Bonnie, we're talking about the post breakup post. 115 00:05:51,640 --> 00:05:52,440 Speaker 2: What did your ex do? 116 00:05:53,480 --> 00:05:53,720 Speaker 3: Yeah? 117 00:05:53,800 --> 00:05:56,440 Speaker 5: So after we broke up, my ex books a trip 118 00:05:56,480 --> 00:05:59,359 Speaker 5: to Europe and he checked it on Facebook with a 119 00:05:59,400 --> 00:06:02,880 Speaker 5: photo of a bin and captioned it, I'm done with trash. 120 00:06:03,040 --> 00:06:03,880 Speaker 5: Bring on Europe. 121 00:06:07,080 --> 00:06:10,280 Speaker 2: A little bit meaner that one? Good start, body, I mean, 122 00:06:10,360 --> 00:06:11,600 Speaker 2: I don't mind it. It all though. 123 00:06:11,680 --> 00:06:13,880 Speaker 1: I mean again, you've got to appreciate these. You look 124 00:06:13,920 --> 00:06:15,840 Speaker 1: back on them and go, you've gotta have a lot. 125 00:06:16,000 --> 00:06:18,400 Speaker 1: And more importantly, if it's not you that the post 126 00:06:18,440 --> 00:06:22,560 Speaker 1: is about, there's absolute bliss in being a third person 127 00:06:22,600 --> 00:06:23,479 Speaker 1: watching this as well. 128 00:06:23,640 --> 00:06:26,200 Speaker 2: Oh I agree, Yeah, it's great entertainment for us bystanders. 129 00:06:26,320 --> 00:06:28,960 Speaker 2: I've got Megan here and Meghan, what did your ex post? 130 00:06:29,960 --> 00:06:30,120 Speaker 1: Hi? 131 00:06:30,200 --> 00:06:33,560 Speaker 6: Yeah, so that scar maybe three days after we Twitter 132 00:06:34,240 --> 00:06:37,479 Speaker 6: he had got a cupcake that had like a ice 133 00:06:37,760 --> 00:06:41,040 Speaker 6: heart on the top. But he had posted it on 134 00:06:41,160 --> 00:06:45,760 Speaker 6: Instagram and sliced his heart down the middle of his cupcake. 135 00:06:46,080 --> 00:06:48,040 Speaker 2: Oh that's like a. 136 00:06:47,960 --> 00:06:51,080 Speaker 6: Bit of a creative you know, boken heart cupcakes. 137 00:06:51,240 --> 00:06:54,320 Speaker 2: Oh so quite like an artistic you know. 138 00:06:54,640 --> 00:06:57,880 Speaker 1: Sorry, he made the cupcake for the post. 139 00:06:57,600 --> 00:06:59,760 Speaker 6: I think he made it, but he bought it. 140 00:06:59,640 --> 00:07:02,840 Speaker 2: Maybe with a love heart on it, and then like. 141 00:07:02,839 --> 00:07:05,080 Speaker 6: The heart on the top and so the heart was 142 00:07:05,279 --> 00:07:11,320 Speaker 6: very clearly right down and it all cut. 143 00:07:11,440 --> 00:07:12,360 Speaker 2: It's another one of them. 144 00:07:12,400 --> 00:07:15,400 Speaker 1: Though it looks a lot worse on him, I agree, 145 00:07:15,480 --> 00:07:16,720 Speaker 1: And it does on you, Meghan. 146 00:07:16,800 --> 00:07:18,920 Speaker 2: Were you celebrating after that? I mean, like, you know, 147 00:07:18,960 --> 00:07:19,800 Speaker 2: it sounds like you got. 148 00:07:19,680 --> 00:07:24,080 Speaker 6: Out of a good It was because technically, I mean, 149 00:07:24,160 --> 00:07:29,200 Speaker 6: I felt like bakup didn't really affect him, So seeing that, 150 00:07:29,480 --> 00:07:31,400 Speaker 6: I was sort of like, oh okay, maybe I did 151 00:07:31,440 --> 00:07:32,600 Speaker 6: mean something to this guy. 152 00:07:32,760 --> 00:07:38,040 Speaker 2: Yeah right, Yeah, feel pretty good. Yeah you did break 153 00:07:38,080 --> 00:07:40,320 Speaker 2: someone's heart though, Megan said, you know, don't feel too 154 00:07:40,320 --> 00:07:47,280 Speaker 2: good about it. Absolute heartbreaking, Megan. Well, there's a bit 155 00:07:47,320 --> 00:07:50,920 Speaker 2: of news today that apparently Meghan Markle and Prince Harry 156 00:07:51,720 --> 00:07:55,520 Speaker 2: don't get invited out to dinner anymore because of their 157 00:07:55,560 --> 00:07:56,880 Speaker 2: public displays of affection. 158 00:07:57,480 --> 00:08:02,080 Speaker 1: Yeah, I saw this. They're over p d A canrdling 159 00:08:02,400 --> 00:08:02,720 Speaker 1: each other. 160 00:08:02,800 --> 00:08:05,200 Speaker 2: They refuse not to sit next to each other as well. 161 00:08:06,800 --> 00:08:10,000 Speaker 2: Question for you, do you reckon? They also do those 162 00:08:10,440 --> 00:08:17,000 Speaker 2: couple baby voices with each other? Have togi who's the 163 00:08:17,080 --> 00:08:20,880 Speaker 2: rightful king? Oh my Prince? How we you can see 164 00:08:20,880 --> 00:08:22,720 Speaker 2: it happening? Yeah, I'm not going to continue to do 165 00:08:22,760 --> 00:08:27,960 Speaker 2: this with you fair enough. Super embarrassing when people do 166 00:08:28,000 --> 00:08:30,640 Speaker 2: find out you do one of those baby couple of voices, 167 00:08:30,680 --> 00:08:32,839 Speaker 2: and that's why most of them keep them behind closed doors. 168 00:08:32,840 --> 00:08:37,000 Speaker 2: So will we saw an opportunity to prank one of 169 00:08:37,040 --> 00:08:40,120 Speaker 2: our team absolutely based on this. Producer Joel is currently 170 00:08:40,280 --> 00:08:44,440 Speaker 2: away sick ye at the moment, so right after this 171 00:08:44,559 --> 00:08:47,200 Speaker 2: next song, we're going to speak to his wife. We're 172 00:08:47,200 --> 00:08:49,320 Speaker 2: going to call his wife and we're going to see 173 00:08:49,320 --> 00:08:52,200 Speaker 2: if his wife can make him do his baby voice 174 00:08:52,520 --> 00:08:55,959 Speaker 2: on the phone. So all of Australia gets to well, 175 00:08:56,000 --> 00:08:58,559 Speaker 2: we are in the middle of trying to prank one 176 00:08:58,600 --> 00:09:04,000 Speaker 2: of our producers. Producers, he's actually off sick today. Questionable reasons, 177 00:09:04,000 --> 00:09:05,720 Speaker 2: I dare say, Well, given us, you know, just being 178 00:09:05,760 --> 00:09:07,880 Speaker 2: the weekend and whatnot, we thought it was a good 179 00:09:07,960 --> 00:09:10,000 Speaker 2: chance to stitch him up and try and make him 180 00:09:10,040 --> 00:09:12,600 Speaker 2: do that couple's baby voice. 181 00:09:12,720 --> 00:09:14,800 Speaker 1: Oh yeah, the one behind closed doors where it gets 182 00:09:14,800 --> 00:09:15,440 Speaker 1: a bit cutesy. 183 00:09:15,800 --> 00:09:18,160 Speaker 2: We all know that we do it with our partners 184 00:09:18,200 --> 00:09:20,840 Speaker 2: behind closed doors, but you never want people hearing it. 185 00:09:20,920 --> 00:09:25,000 Speaker 2: So we've actually got Joel's wife on the phone right now. 186 00:09:25,040 --> 00:09:27,920 Speaker 2: We're going to try and see if Joel's wife can 187 00:09:27,920 --> 00:09:31,160 Speaker 2: make him do that couply baby voice on the phone 188 00:09:31,360 --> 00:09:32,760 Speaker 2: right now. Hey, Kesha, are you going? 189 00:09:33,240 --> 00:09:34,559 Speaker 3: Hey boys, I'm good? 190 00:09:34,640 --> 00:09:37,959 Speaker 2: How are you very good? We're excited, Yeah, we're excited. Look, 191 00:09:38,000 --> 00:09:39,960 Speaker 2: here's the thing. Joel doesn't deserve a day off. I mean, 192 00:09:39,960 --> 00:09:42,120 Speaker 2: how sick is Joel? Honestly, kesh, Oh. 193 00:09:42,000 --> 00:09:44,920 Speaker 5: He's definitely playing it off. I mean, you can't come 194 00:09:44,960 --> 00:09:47,040 Speaker 5: into work and you know it's a bit suss it's 195 00:09:47,040 --> 00:09:48,680 Speaker 5: on a Monday. 196 00:09:47,840 --> 00:09:51,120 Speaker 2: But couldn't agree more. We're all thinking it. We're all 197 00:09:51,120 --> 00:09:53,240 Speaker 2: thinking it. So we think he deserves a bit of 198 00:09:53,240 --> 00:09:56,480 Speaker 2: a stitch up here. You've told us that Joel does 199 00:09:56,600 --> 00:09:58,800 Speaker 2: do a bit of a baby voice, the little couple 200 00:09:58,840 --> 00:09:59,920 Speaker 2: of voice between you guys. 201 00:10:00,240 --> 00:10:02,600 Speaker 6: Oh, absolutely, he loves the baby. 202 00:10:02,320 --> 00:10:03,440 Speaker 2: Voice and amazing. 203 00:10:03,679 --> 00:10:04,960 Speaker 1: This is gonna be the challenge, like Cash, you like, 204 00:10:04,960 --> 00:10:07,240 Speaker 1: does he do that publicly or is that just a 205 00:10:07,320 --> 00:10:08,439 Speaker 1: behind closed doors thing? 206 00:10:09,000 --> 00:10:11,240 Speaker 5: I think it depends how much I've played up with him. 207 00:10:11,280 --> 00:10:14,200 Speaker 5: If I'm really feeling a baby voice, he'll usually join in, 208 00:10:14,280 --> 00:10:17,199 Speaker 5: even if it's in public, but definitely at home he does. 209 00:10:17,280 --> 00:10:19,840 Speaker 2: Yeah. Amazing. So if we call him now, Cash, do 210 00:10:19,920 --> 00:10:22,240 Speaker 2: you reckon? You can get him into that baby voice 211 00:10:22,280 --> 00:10:24,160 Speaker 2: area for all of Australia to hear. 212 00:10:24,920 --> 00:10:27,480 Speaker 5: I reckon, give me five minutes, not even two minutes. 213 00:10:28,240 --> 00:10:31,480 Speaker 2: Amazing, we've got his number here, We're going to call 214 00:10:31,559 --> 00:10:34,000 Speaker 2: him and Australia look forward to a man just lose 215 00:10:34,000 --> 00:10:35,520 Speaker 2: all his dignity within seconds. 216 00:10:42,400 --> 00:10:44,720 Speaker 7: Hey both, hellow, Hey, I'm good. 217 00:10:44,760 --> 00:10:45,360 Speaker 5: How are you? 218 00:10:47,120 --> 00:10:47,760 Speaker 3: Garbage? 219 00:10:48,320 --> 00:10:50,079 Speaker 5: Are you still feeling really rubbish? 220 00:10:50,600 --> 00:10:53,000 Speaker 7: Yeah, I'm just at the chemist right now. Actually, can 221 00:10:53,040 --> 00:10:54,160 Speaker 7: I call you back in two sects? 222 00:10:54,240 --> 00:10:55,240 Speaker 3: Or oh? 223 00:10:55,400 --> 00:10:56,520 Speaker 5: Do you have to call me back? 224 00:10:56,600 --> 00:10:58,640 Speaker 6: I just you know, I'm just on a break at work, 225 00:10:58,840 --> 00:11:00,080 Speaker 6: just really wanted to talk to you. 226 00:11:00,080 --> 00:11:04,520 Speaker 7: You hang on two seconds, okay? 227 00:11:06,000 --> 00:11:06,200 Speaker 5: Yeah? 228 00:11:06,280 --> 00:11:10,880 Speaker 7: No no, oh good, I'm just just heading home now you 229 00:11:11,000 --> 00:11:11,600 Speaker 7: heading home? 230 00:11:11,720 --> 00:11:11,880 Speaker 1: Oh? 231 00:11:12,080 --> 00:11:13,320 Speaker 8: Does a snuggle bumb. 232 00:11:13,120 --> 00:11:14,840 Speaker 6: Want me to make some soup for him? 233 00:11:15,559 --> 00:11:19,959 Speaker 7: Ah? The snuggle bumb is struggling hard. That would be 234 00:11:20,080 --> 00:11:26,200 Speaker 7: so great, honestly, thanks, snooky. I'm please. 235 00:11:26,480 --> 00:11:30,280 Speaker 5: Yeah, not like that. Yeah, yeah, we'll get you instead 236 00:11:30,360 --> 00:11:34,800 Speaker 5: watch some Stranger Things. Yeah, that'd be great. Yeah, yeah, 237 00:11:35,200 --> 00:11:37,920 Speaker 5: just get you to Oh just snuggle bomb. Have us 238 00:11:37,920 --> 00:11:38,720 Speaker 5: saw Tom Tom? 239 00:11:39,320 --> 00:11:39,760 Speaker 1: Oh? 240 00:11:39,880 --> 00:11:43,400 Speaker 7: Yeah, snuggle Bumb's Tom Tom is no cool for Thank 241 00:11:43,440 --> 00:11:46,840 Speaker 7: you so much for offering to help. I'm so cooked 242 00:11:48,280 --> 00:11:52,360 Speaker 7: a sick Baba. I'll be okay, I'll be okay. Yeah, Baba, 243 00:11:53,679 --> 00:11:55,120 Speaker 7: you always look after me, don't you? 244 00:11:55,559 --> 00:11:55,920 Speaker 3: I know? 245 00:11:56,360 --> 00:11:57,360 Speaker 9: I know, Babo. 246 00:11:57,600 --> 00:11:59,080 Speaker 5: Oh that's okay, Well good. 247 00:11:59,000 --> 00:12:00,599 Speaker 7: You didn't go into work today? 248 00:12:01,480 --> 00:12:02,360 Speaker 5: Yeah? 249 00:12:02,880 --> 00:12:06,280 Speaker 2: Are you sure you're okay? Buba? It's your employee as well. 250 00:12:06,280 --> 00:12:15,679 Speaker 2: And Woody here, we're worried about your bubba, we're worried 251 00:12:15,720 --> 00:12:20,520 Speaker 2: about you. 252 00:12:21,840 --> 00:12:23,880 Speaker 7: I had one rule, not get my wife. 253 00:12:27,760 --> 00:12:30,240 Speaker 1: Have you ever heard a moment in the back of 254 00:12:30,280 --> 00:12:34,840 Speaker 1: an uber where you're having an argument and you can't 255 00:12:34,920 --> 00:12:37,560 Speaker 1: help but feel awkward because you know that the driver's 256 00:12:38,120 --> 00:12:39,600 Speaker 1: witnessing or listening to the whole thing. 257 00:12:39,679 --> 00:12:41,400 Speaker 2: Yes, and you want to you want to stop the 258 00:12:41,520 --> 00:12:43,800 Speaker 2: argument because you know that person's eaves dropping. But then 259 00:12:43,800 --> 00:12:46,440 Speaker 2: also you're emotional, so you want to keep going. Yeah, yeah, 260 00:12:46,480 --> 00:12:48,320 Speaker 2: I will never forget the moment that I was having 261 00:12:48,360 --> 00:12:51,040 Speaker 2: a It was a pretty big, big with my ex 262 00:12:51,080 --> 00:12:54,360 Speaker 2: girlfriends as many years ago, and while we were fighting, 263 00:12:54,559 --> 00:13:02,280 Speaker 2: no word of a lie, this song shuffled on. Driver 264 00:13:02,400 --> 00:13:07,480 Speaker 2: starts laughing, I start laughing. Girlfriend didn't laugh. No, no, 265 00:13:07,600 --> 00:13:10,200 Speaker 2: she was quite Yeah. 266 00:13:10,360 --> 00:13:13,480 Speaker 1: Well, I had a similar incident on the weekend where 267 00:13:14,360 --> 00:13:20,480 Speaker 1: the driver actually butted in, He got involved, got involved, 268 00:13:20,600 --> 00:13:22,120 Speaker 1: and I don't know if this is like in the 269 00:13:22,120 --> 00:13:23,960 Speaker 1: code of conduct. 270 00:13:23,440 --> 00:13:24,800 Speaker 2: Or done a long way to try and get his 271 00:13:24,880 --> 00:13:26,840 Speaker 2: five stars solve an argument. 272 00:13:26,840 --> 00:13:30,040 Speaker 1: Well that's what I was kind of thinking, and you know, like, 273 00:13:30,160 --> 00:13:32,360 Speaker 1: is he just one of those people? But my girlfriend 274 00:13:32,400 --> 00:13:36,640 Speaker 1: was having a pretty pretty stock standard you know, I 275 00:13:36,679 --> 00:13:40,240 Speaker 1: hate the stereotype here but a pretty stock standard female 276 00:13:40,520 --> 00:13:43,080 Speaker 1: outfit meltdown before a party. 277 00:13:43,480 --> 00:13:43,960 Speaker 2: Oh sure. 278 00:13:44,040 --> 00:13:48,400 Speaker 9: So then the back and we're going at it. Yeah, fighting, yes, 279 00:13:50,600 --> 00:13:54,480 Speaker 9: different story. No, no, that's no, no, we're fighting. 280 00:13:54,480 --> 00:13:54,959 Speaker 2: We're fighting. 281 00:13:54,960 --> 00:13:58,760 Speaker 1: And he hears it, and then he says from the 282 00:13:58,760 --> 00:14:08,640 Speaker 1: front seat, Wow, cute but Psycho, sorry cute but Psycho. 283 00:14:09,120 --> 00:14:13,319 Speaker 2: Is he directing that comment that you talking about your 284 00:14:13,320 --> 00:14:14,360 Speaker 2: beautiful partner? Sem? 285 00:14:14,640 --> 00:14:18,000 Speaker 1: He was talking about Sam. 286 00:14:17,920 --> 00:14:24,040 Speaker 2: Wow, wow, bold move so wow, and was joking? Were 287 00:14:24,080 --> 00:14:26,640 Speaker 2: you doing in a joking? He said, straight up? 288 00:14:26,680 --> 00:14:32,320 Speaker 1: He just goes, wow, cute, but Psycho, so I similar 289 00:14:32,360 --> 00:14:33,880 Speaker 1: to you in the situation. When the song came on, 290 00:14:34,000 --> 00:14:37,840 Speaker 1: I just started laughing. Was oh my god, I just 291 00:14:37,920 --> 00:14:40,480 Speaker 1: can't believe that you've said this. And I look over 292 00:14:40,560 --> 00:14:43,640 Speaker 1: at Zem and she's sitting directly behind him, my girlfriend, 293 00:14:43,960 --> 00:14:46,440 Speaker 1: and she's got one of those mafia wires that she's 294 00:14:46,440 --> 00:14:48,680 Speaker 1: extending so she can, like, you know, lean over the 295 00:14:48,680 --> 00:14:52,720 Speaker 1: seat and strangle him, of course, but just before she 296 00:14:52,840 --> 00:14:57,360 Speaker 1: gets a chance to he then says, I just don't 297 00:14:57,400 --> 00:14:58,600 Speaker 1: know why anyone would do that. 298 00:14:59,520 --> 00:15:00,760 Speaker 2: I don't I would do that. 299 00:15:01,720 --> 00:15:04,960 Speaker 1: I'm like what, And I could see he's kind of 300 00:15:05,000 --> 00:15:08,080 Speaker 1: like looking forward and I look forward, and there's a 301 00:15:08,280 --> 00:15:15,360 Speaker 1: number plate in front of us that has cute Psycho 302 00:15:16,040 --> 00:15:20,359 Speaker 1: written on the number plate. Right, so there's this enormous 303 00:15:20,440 --> 00:15:22,800 Speaker 1: bombent of relief, right, And I sort of say to Sam, 304 00:15:22,840 --> 00:15:25,080 Speaker 1: I'm like, you know, he's talking about this number plate 305 00:15:25,160 --> 00:15:29,080 Speaker 1: and shit absolutely like erupts into laughter, like we just 306 00:15:29,120 --> 00:15:33,520 Speaker 1: can't believe it gets this. He then turns around and 307 00:15:33,560 --> 00:15:36,280 Speaker 1: he's like, what are you guys laughing at? And then 308 00:15:36,440 --> 00:15:40,040 Speaker 1: he realizes that we thought that he was saying it 309 00:15:40,120 --> 00:15:44,760 Speaker 1: about Sam, and he nearly pulls over in apology, like 310 00:15:44,880 --> 00:15:48,520 Speaker 1: he's like, it was just so awkward for him at 311 00:15:48,520 --> 00:15:49,760 Speaker 1: the number plate the number plate, and I was like, 312 00:15:49,760 --> 00:15:51,600 Speaker 1: that's all right, mate, it's all right, it's all right. Yeah. 313 00:15:51,600 --> 00:15:53,520 Speaker 1: We got to the car and Sam grabbed my phone 314 00:15:53,520 --> 00:15:58,560 Speaker 1: and then immediately gave him one start. The fu money 315 00:15:58,560 --> 00:16:02,600 Speaker 1: Pinch is coming up right next All week we're putting 316 00:16:02,640 --> 00:16:05,640 Speaker 1: the theory of six degrees of separation to the test. 317 00:16:05,800 --> 00:16:09,160 Speaker 1: So at five o'clock we will start seeing whether we 318 00:16:09,240 --> 00:16:13,520 Speaker 1: can get David Hasselhoff on the phone by making six 319 00:16:14,320 --> 00:16:15,120 Speaker 1: phone calls. 320 00:16:16,240 --> 00:16:17,000 Speaker 2: Wowee. 321 00:16:17,280 --> 00:16:18,640 Speaker 1: Right now, though, if you're a kid out there and 322 00:16:18,680 --> 00:16:20,520 Speaker 1: you spend all your pocket money, give us a call 323 00:16:20,560 --> 00:16:22,200 Speaker 1: thirty one and six five because we'll give you a 324 00:16:22,280 --> 00:16:25,480 Speaker 1: fresh batch of cash if the pitch is good enough. 325 00:16:25,520 --> 00:16:27,920 Speaker 2: Woods. Yeah, we've got Aila on the phone right now. Aylor, 326 00:16:27,960 --> 00:16:29,400 Speaker 2: what do you need some more money for? 327 00:16:30,880 --> 00:16:33,680 Speaker 10: I need the money for because at school book weeks 328 00:16:33,720 --> 00:16:36,280 Speaker 10: coming up and I have no costume and I was 329 00:16:36,320 --> 00:16:38,360 Speaker 10: thinking about getting a Wonder Woman costume. 330 00:16:39,760 --> 00:16:43,160 Speaker 2: Or you could just steal one of mum's white sheets 331 00:16:43,160 --> 00:16:45,080 Speaker 2: and go as a ghost and then you don't need money. 332 00:16:48,640 --> 00:16:52,360 Speaker 2: Beautiful proof solved your issues. Aila, You don't need any cash. 333 00:16:52,400 --> 00:16:54,600 Speaker 2: Thirty one oh Sixny Times Did you go as a 334 00:16:54,880 --> 00:16:57,480 Speaker 2: ghost with the sheet on you? Every single year? Well, 335 00:16:57,880 --> 00:16:58,880 Speaker 2: every single year. 336 00:16:59,360 --> 00:17:01,000 Speaker 1: If you're a kid out there and you've spent your 337 00:17:01,040 --> 00:17:02,840 Speaker 1: pocket money, give us a call on thirteen one and 338 00:17:02,880 --> 00:17:06,240 Speaker 1: six five because Wheat will give you a fresh batch 339 00:17:06,280 --> 00:17:08,520 Speaker 1: of cash if your pitch is good enough. 340 00:17:08,800 --> 00:17:11,120 Speaker 5: Dear have a dog, Dear have a door. 341 00:17:19,119 --> 00:17:20,320 Speaker 2: Pocket money pitch. 342 00:17:21,640 --> 00:17:21,720 Speaker 3: Now. 343 00:17:21,760 --> 00:17:23,359 Speaker 1: If you first time listening to the show, you'll know 344 00:17:23,400 --> 00:17:26,480 Speaker 1: that we have no money. So the way that we 345 00:17:26,600 --> 00:17:28,520 Speaker 1: get this money is Wood and I come in on 346 00:17:28,520 --> 00:17:30,360 Speaker 1: a Monday. Often got a bit of bare change after 347 00:17:30,320 --> 00:17:33,920 Speaker 1: the weekend, put the cash together and that's how you 348 00:17:34,000 --> 00:17:34,960 Speaker 1: get your amount. 349 00:17:34,960 --> 00:17:37,680 Speaker 2: That's right, and today it's twenty five dollars fifteen, which 350 00:17:37,720 --> 00:17:39,680 Speaker 2: is pretty good. It was a slow weekend for the 351 00:17:39,720 --> 00:17:41,560 Speaker 2: two of us. Well, we didn't do much, so we 352 00:17:41,720 --> 00:17:44,480 Speaker 2: managed to save a bit of coin, and we've got 353 00:17:44,600 --> 00:17:48,280 Speaker 2: Mikayla here. Who could win the fruits of our slow weekend. Mikayla, 354 00:17:48,760 --> 00:17:50,280 Speaker 2: what do you want some more cash for? 355 00:17:51,480 --> 00:17:51,560 Speaker 1: So? 356 00:17:51,800 --> 00:17:55,200 Speaker 3: I want to win the money because whenever I show 357 00:17:55,320 --> 00:17:57,879 Speaker 3: my mom a photo of a mouse, she likes screams 358 00:17:58,000 --> 00:18:02,080 Speaker 3: and I want one really badly. So I'm gonna buy 359 00:18:02,119 --> 00:18:04,520 Speaker 3: one with my money because she can't stop me, and 360 00:18:04,560 --> 00:18:07,560 Speaker 3: then she's gonna love it. 361 00:18:07,560 --> 00:18:09,959 Speaker 2: It's pretty good. I'm all for stitching up your mum. 362 00:18:10,040 --> 00:18:11,840 Speaker 2: I reckon, it's absolutely brilliant. Migayla. 363 00:18:11,960 --> 00:18:13,840 Speaker 1: What would you call the mouse if you got a 364 00:18:13,880 --> 00:18:14,480 Speaker 1: pet mouse? 365 00:18:17,880 --> 00:18:20,680 Speaker 5: Joe after my mom? 366 00:18:20,280 --> 00:18:26,240 Speaker 2: Call the same name, Joe Junior. Yeah, Mikayla, I think 367 00:18:26,240 --> 00:18:27,720 Speaker 2: it's really good. Migayla. 368 00:18:28,000 --> 00:18:31,320 Speaker 1: We've got o Livia here on thirteen one oh sixty five. Olivia, 369 00:18:31,359 --> 00:18:32,240 Speaker 1: what's your pocket money? 370 00:18:32,280 --> 00:18:32,520 Speaker 2: Pitch? 371 00:18:34,400 --> 00:18:38,040 Speaker 10: Well, I was gonna save up for my mom's birthday 372 00:18:38,080 --> 00:18:41,520 Speaker 10: present coming up, her birthday coming up soon, and she 373 00:18:41,640 --> 00:18:44,840 Speaker 10: heard it back recently, So I wanted to maybe something 374 00:18:44,880 --> 00:18:47,199 Speaker 10: like a that's something that would help it. 375 00:18:48,440 --> 00:18:50,359 Speaker 2: What are you thinking, like a like a back brace? 376 00:18:51,480 --> 00:18:58,000 Speaker 10: Yeah, make it look like a massage or massage just quickly. 377 00:18:58,119 --> 00:19:00,280 Speaker 2: Massages much better than back brace. Don't buy you, mama 378 00:19:00,320 --> 00:19:05,080 Speaker 2: back brace. Yeah, that's really nice, Olivia. That is that's 379 00:19:05,080 --> 00:19:06,360 Speaker 2: good stuff, Olivia. 380 00:19:06,440 --> 00:19:09,760 Speaker 1: Okay, So what we're going to do now you've both 381 00:19:09,840 --> 00:19:13,080 Speaker 1: heard Mikayla and Olivia. You've both heard what each other's 382 00:19:13,119 --> 00:19:15,040 Speaker 1: pitch is. We're now going to get down to the 383 00:19:15,080 --> 00:19:17,520 Speaker 1: serious business and you're not going to be able to 384 00:19:17,560 --> 00:19:18,879 Speaker 1: hear each other, and we're going to talk to you 385 00:19:18,920 --> 00:19:22,399 Speaker 1: each privately about what you'd like to do. We're going 386 00:19:22,440 --> 00:19:24,840 Speaker 1: to cut off with Michayla. Here, Mikayla, it's twenty five 387 00:19:24,880 --> 00:19:27,160 Speaker 1: dollars and fifteen cents. 388 00:19:28,840 --> 00:19:30,160 Speaker 2: What would you like to do. 389 00:19:30,600 --> 00:19:31,240 Speaker 1: With the money? 390 00:19:31,280 --> 00:19:32,560 Speaker 2: I mean eat? What are you thinking? 391 00:19:33,720 --> 00:19:34,000 Speaker 5: Well? 392 00:19:34,880 --> 00:19:37,439 Speaker 3: I know I really want my mouth, but I do 393 00:19:37,520 --> 00:19:40,440 Speaker 3: think Olivia is nice, But I think. 394 00:19:40,240 --> 00:19:40,520 Speaker 5: I'm like. 395 00:19:43,040 --> 00:19:46,640 Speaker 2: No mcaul. Even though Olivia's mum's got a sore back 396 00:19:47,080 --> 00:19:49,280 Speaker 2: and needs a massage or a back brace. 397 00:19:50,480 --> 00:19:52,440 Speaker 3: My mom's lonely, she needs a pet. 398 00:19:54,000 --> 00:19:56,360 Speaker 2: You're both pulling out the sad Mum card and it's 399 00:19:56,359 --> 00:19:57,919 Speaker 2: not bad. Okay. 400 00:19:58,280 --> 00:20:02,040 Speaker 1: So, but this is a pet, Mikayla, as well as 401 00:20:02,680 --> 00:20:04,000 Speaker 1: a vehicle to scare your mum. 402 00:20:04,119 --> 00:20:08,879 Speaker 3: Right, yeah, but like they're like five dollars each, so. 403 00:20:08,800 --> 00:20:12,720 Speaker 2: I can get like you can get five mice. Yeah, 404 00:20:12,880 --> 00:20:14,600 Speaker 2: I'm all for trying to. You know, if your mom 405 00:20:14,640 --> 00:20:16,560 Speaker 2: cries when she sees a mouse a phone of a mouse, 406 00:20:16,600 --> 00:20:19,879 Speaker 2: then when you bring home five physical ones, it'll be pandemonia. Mikayla. 407 00:20:19,920 --> 00:20:22,080 Speaker 1: If you get the money, then you need to promise 408 00:20:22,119 --> 00:20:24,120 Speaker 1: to send us a video of you scaring your mom 409 00:20:24,160 --> 00:20:28,200 Speaker 1: with mice. All right, Mikayla, hold the phone. You're going 410 00:20:28,200 --> 00:20:29,920 Speaker 1: to be stopped from hearing us now as we talk 411 00:20:30,000 --> 00:20:35,280 Speaker 1: privately to Olivia, Olivia, how are you feeling good? Okay? 412 00:20:35,320 --> 00:20:37,120 Speaker 1: So we just spoke to Mikayla and she said, you're 413 00:20:37,119 --> 00:20:42,240 Speaker 1: a little bit of a snot bag. Oh that's nice. 414 00:20:42,480 --> 00:20:46,200 Speaker 2: She's evil will Jacone, Bill's Jacon. She didn't say that, 415 00:20:46,359 --> 00:20:49,639 Speaker 2: she says she sounds really nice. But Olivia, you've heard 416 00:20:49,680 --> 00:20:52,560 Speaker 2: what Michayla wants the money for. It's a buy five 417 00:20:52,680 --> 00:20:55,720 Speaker 2: miles potentially. Do you want to give her the money? 418 00:20:57,040 --> 00:20:57,240 Speaker 5: Yeah? 419 00:20:58,920 --> 00:21:00,480 Speaker 2: You're happy to give her all the money. 420 00:21:01,440 --> 00:21:01,640 Speaker 3: Yeah. 421 00:21:03,160 --> 00:21:06,280 Speaker 1: Oh, there's always a good person. Nice guy's finished last 422 00:21:06,320 --> 00:21:06,800 Speaker 1: on this show. 423 00:21:07,119 --> 00:21:10,400 Speaker 2: Mikayla, you've got the money. Congratulations, you've got it, Mikayla. 424 00:21:10,480 --> 00:21:14,840 Speaker 2: Twenty five bucks fifteen cents. Oh, thank you, great story. 425 00:21:14,960 --> 00:21:17,200 Speaker 2: I'll tell you what, Olivia. I know you're still listening there. 426 00:21:17,800 --> 00:21:21,479 Speaker 2: I've got a back brace. So it's you. It's well, 427 00:21:21,520 --> 00:21:23,800 Speaker 2: it's used. It's a used back brace, Olivia. But you 428 00:21:23,840 --> 00:21:24,880 Speaker 2: can pass that on to your lie. 429 00:21:26,400 --> 00:21:26,760 Speaker 5: Thank you. 430 00:21:27,440 --> 00:21:27,960 Speaker 2: You're welcome. 431 00:21:28,160 --> 00:21:28,200 Speaker 6: You. 432 00:21:29,200 --> 00:21:32,000 Speaker 2: What do you wrap it for your backbrace and give 433 00:21:32,040 --> 00:21:33,840 Speaker 2: it to your mum for a present. I'll tell you what. 434 00:21:34,200 --> 00:21:36,320 Speaker 1: We'll find something around here in the office. We'll still 435 00:21:36,359 --> 00:21:38,639 Speaker 1: saying that beck Jude's been given and we'll send it 436 00:21:38,720 --> 00:21:40,520 Speaker 1: over to you if you give your mom your birthday right. 437 00:21:41,480 --> 00:21:44,119 Speaker 1: Thank you, no worries, Lib, you're a lovely person, Mikayla. 438 00:21:44,119 --> 00:21:45,479 Speaker 1: That was out of the good of her heart. Now, 439 00:21:45,520 --> 00:21:48,040 Speaker 1: because you've got the money, you know what your job is, mate, 440 00:21:48,119 --> 00:21:50,720 Speaker 1: we expect at least ten videos of you scaring the 441 00:21:50,760 --> 00:21:54,960 Speaker 1: Bejesus out of your mum. Okay, done, great stuff. You 442 00:21:55,119 --> 00:21:58,120 Speaker 1: have joined this show. Will and Woody at a key 443 00:21:58,240 --> 00:22:01,720 Speaker 1: time wards all week we are putting the theory of 444 00:22:01,920 --> 00:22:06,480 Speaker 1: six degrees of separation to the test. The big question 445 00:22:06,720 --> 00:22:13,400 Speaker 1: is can we get David Hasselhoff on the phone by 446 00:22:13,520 --> 00:22:17,200 Speaker 1: making six phone calls? That's all we're allowed. 447 00:22:17,320 --> 00:22:19,840 Speaker 2: Yeah, and there's there's obviously a huge amount of pressure 448 00:22:19,960 --> 00:22:22,080 Speaker 2: on this first phone call. Who do we call first? 449 00:22:22,119 --> 00:22:24,320 Speaker 2: Because once we start the chain, Yeah, it has to 450 00:22:24,400 --> 00:22:25,240 Speaker 2: keep going from there. 451 00:22:25,320 --> 00:22:27,760 Speaker 1: Yeah, that's right, that's right, that's the way the theory works. 452 00:22:27,800 --> 00:22:29,600 Speaker 1: We're going to be strict on it. Six phone calls 453 00:22:29,640 --> 00:22:32,359 Speaker 1: and six phone calls only. But now it's over to 454 00:22:32,440 --> 00:22:33,000 Speaker 1: you guys. 455 00:22:33,320 --> 00:22:35,280 Speaker 2: Yeah, we just want some inspiration from you guys. Thirteen 456 00:22:35,320 --> 00:22:36,840 Speaker 2: one oh sixty five is our number. 457 00:22:37,000 --> 00:22:37,160 Speaker 1: Yeah. 458 00:22:37,400 --> 00:22:40,399 Speaker 2: Who do you think we should call first? Yeah, you know, 459 00:22:40,760 --> 00:22:42,680 Speaker 2: and it doesn't have to be that could be a 460 00:22:42,800 --> 00:22:44,959 Speaker 2: celebrity in Australian celebrity that you think has a connection 461 00:22:45,000 --> 00:22:51,200 Speaker 2: to David Hasselhoff. You might actually know his hairdresser. Yeah, 462 00:22:51,320 --> 00:22:53,760 Speaker 2: I mean you might someone listening may have moved from 463 00:22:53,920 --> 00:22:56,720 Speaker 2: LA recently and they're like, actually, I'm David Hasselhoff's brother. 464 00:22:57,040 --> 00:22:59,400 Speaker 2: I mean that would be huge and would have him today. 465 00:22:59,480 --> 00:23:00,720 Speaker 2: We'd probably have him today. 466 00:23:00,880 --> 00:23:02,919 Speaker 1: But we're allowed six steps though, guys, so you can 467 00:23:03,000 --> 00:23:05,960 Speaker 1: think small to begin with you, the theory of six 468 00:23:06,080 --> 00:23:09,359 Speaker 1: degrees of separation. You can speak to anyone in the 469 00:23:09,440 --> 00:23:13,280 Speaker 1: world through a chain of six people to. 470 00:23:13,800 --> 00:23:19,760 Speaker 2: Three trying to get in touch with you six degrees 471 00:23:19,840 --> 00:23:20,920 Speaker 2: of separation. 472 00:23:22,000 --> 00:23:25,920 Speaker 1: Six gets us to six agrees of separation. 473 00:23:26,280 --> 00:23:27,840 Speaker 2: That's all week. We're putting this to the test. 474 00:23:27,960 --> 00:23:31,560 Speaker 1: Can we get David Hasselhoff on the phone by making 475 00:23:31,760 --> 00:23:33,359 Speaker 1: six phone calls? 476 00:23:36,119 --> 00:23:38,040 Speaker 2: It's gonna be a big week. And I dare say 477 00:23:38,160 --> 00:23:41,720 Speaker 2: this is the most important step. Who do we call first? 478 00:23:41,800 --> 00:23:43,760 Speaker 2: So we've asked you guys to give us some suggestions 479 00:23:43,800 --> 00:23:45,720 Speaker 2: on thirteen one oh six. 480 00:23:45,680 --> 00:23:48,119 Speaker 1: Five and as you put it out beforewards, like you know, 481 00:23:48,440 --> 00:23:51,320 Speaker 1: once the chain starts off, that's why this is important, 482 00:23:51,440 --> 00:23:54,919 Speaker 1: because the chain gets going. Yes, we're only we're going 483 00:23:55,000 --> 00:23:56,880 Speaker 1: to be really strict with this, guys. If we get 484 00:23:56,920 --> 00:23:58,600 Speaker 1: to six and we end up with. 485 00:24:00,160 --> 00:24:02,440 Speaker 2: I don't know, Pamela Anderson. 486 00:24:03,040 --> 00:24:07,040 Speaker 1: We'll have to take that. But I was thinking someone 487 00:24:07,160 --> 00:24:09,800 Speaker 1: less significant. No, Like you know, if we get to 488 00:24:09,960 --> 00:24:12,920 Speaker 1: you know, Rob Millsy Mills after six phone calls, we 489 00:24:14,440 --> 00:24:15,840 Speaker 1: love Millsy, but that will be the end of the 490 00:24:15,920 --> 00:24:19,080 Speaker 1: Journey's we're testing the theory guys, so if you think 491 00:24:19,119 --> 00:24:20,240 Speaker 1: you can get us in the right direction. 492 00:24:20,520 --> 00:24:22,960 Speaker 2: Got Rosie here, Rosie, who do you think we should 493 00:24:22,960 --> 00:24:24,800 Speaker 2: call on our journey to get to Hasselhoff? 494 00:24:25,680 --> 00:24:28,879 Speaker 5: Guys, you have to call Kyle Sandlim. It's just a 495 00:24:29,640 --> 00:24:30,760 Speaker 5: he does everyone. 496 00:24:30,880 --> 00:24:33,880 Speaker 2: He doesn't take my calls. He doesn't take what happened there? 497 00:24:34,040 --> 00:24:36,720 Speaker 1: And look, we we actually we actually working in a 498 00:24:36,720 --> 00:24:39,080 Speaker 1: pretty interesting building here. Obviously there there are lots of 499 00:24:39,200 --> 00:24:41,560 Speaker 1: you know, musicians, there are lots of other celebrities that 500 00:24:41,600 --> 00:24:45,200 Speaker 1: walk through the building. We look, we're got as lucky 501 00:24:45,240 --> 00:24:46,680 Speaker 1: when we speak to these people like it's it's a 502 00:24:46,800 --> 00:24:49,000 Speaker 1: nice moment for us. We're not We're not like Kyle 503 00:24:49,000 --> 00:24:49,399 Speaker 1: and Jackie. 504 00:24:49,400 --> 00:24:51,600 Speaker 2: I have them piling in. I also recently asked out 505 00:24:51,680 --> 00:24:54,040 Speaker 2: Jackie on a day she's sort of gone cold. He's 506 00:24:54,080 --> 00:24:56,560 Speaker 2: not really we're not talking at the moment, and nothing 507 00:24:56,600 --> 00:24:58,119 Speaker 2: against you. You know, she's busy and whatnot, but it's 508 00:24:58,160 --> 00:24:58,480 Speaker 2: just weird. 509 00:24:58,520 --> 00:24:59,560 Speaker 1: She's not she's not that busy. 510 00:24:59,680 --> 00:25:02,560 Speaker 2: We've got Barbara. No, she's busy. She's on the new 511 00:25:02,640 --> 00:25:06,760 Speaker 2: mask the Masked Show singing. And we've got Barbara here. Barbara, 512 00:25:07,359 --> 00:25:09,159 Speaker 2: who do you think we should call first on our 513 00:25:09,280 --> 00:25:09,720 Speaker 2: journey to. 514 00:25:09,920 --> 00:25:12,520 Speaker 7: Hoff well, because he's doing. 515 00:25:14,600 --> 00:25:17,920 Speaker 6: I think you should bring like the CEO or manager. 516 00:25:22,600 --> 00:25:23,000 Speaker 1: On the phone. 517 00:25:24,920 --> 00:25:28,200 Speaker 2: Don't mind, Barbara. I actually used to know someone quite 518 00:25:28,280 --> 00:25:32,800 Speaker 2: high up. No, I'm being serious, and that's actually that's 519 00:25:32,840 --> 00:25:34,160 Speaker 2: not bad from Baba. And then we would be able 520 00:25:34,200 --> 00:25:35,960 Speaker 2: to go from how did you know someone quite high 521 00:25:36,040 --> 00:25:39,000 Speaker 2: up at? I know his son? Oh, very good, I 522 00:25:39,080 --> 00:25:41,600 Speaker 2: know his son. Okay, really well, actually okay, I'm not 523 00:25:41,640 --> 00:25:44,440 Speaker 2: gonna name names, but that's what you're going to call 524 00:25:44,520 --> 00:25:46,600 Speaker 2: him and say. We'd have to call the Sun first, 525 00:25:46,720 --> 00:25:48,080 Speaker 2: so that'll be a link. And then i'd go give 526 00:25:48,160 --> 00:25:48,840 Speaker 2: us your dad's. 527 00:25:48,640 --> 00:25:50,680 Speaker 1: Number, so that'll be number one would be calling the son. 528 00:25:50,960 --> 00:25:52,320 Speaker 1: Number two would be calling. 529 00:25:52,280 --> 00:25:54,960 Speaker 2: Called dad, call his dad and then go like, oh Dad, 530 00:25:55,520 --> 00:25:57,800 Speaker 2: what's off number? We're gonna have it by wednesday? Will 531 00:25:58,080 --> 00:26:01,480 Speaker 2: Champagne showers? We've got kiir here. Hope we'll take another 532 00:26:01,520 --> 00:26:04,359 Speaker 2: suggestion obviously here, who do you think we should call 533 00:26:04,480 --> 00:26:05,000 Speaker 2: first on our. 534 00:26:05,000 --> 00:26:07,879 Speaker 3: Journey to half Hey, boys, I think you might be 535 00:26:08,320 --> 00:26:11,200 Speaker 3: skipping a couple of steps if this works out. 536 00:26:11,320 --> 00:26:14,440 Speaker 5: But I do yoga with ten yas Vyetta, and I 537 00:26:14,720 --> 00:26:17,960 Speaker 5: know that she did Celebrity Apprentice with the Hot. 538 00:26:17,880 --> 00:26:22,320 Speaker 2: So oh yes, yes, that was five or six years ago. 539 00:26:22,600 --> 00:26:27,399 Speaker 1: He was on Celebrity Apprentice. Yeah, but so how so 540 00:26:27,600 --> 00:26:29,800 Speaker 1: ten years? Iata? I mean, like you know from who 541 00:26:29,840 --> 00:26:30,440 Speaker 1: dares Wins? 542 00:26:30,560 --> 00:26:31,320 Speaker 2: Of course she was. 543 00:26:31,359 --> 00:26:34,120 Speaker 1: She was a big she was a big name back 544 00:26:34,160 --> 00:26:38,199 Speaker 1: in the day. I feel like we spoke to her recently, 545 00:26:38,240 --> 00:26:40,000 Speaker 1: but I can't see her being an easy person to 546 00:26:40,040 --> 00:26:42,320 Speaker 1: get onto. You just do but you just do yoga 547 00:26:42,359 --> 00:26:44,600 Speaker 1: with her, Kira, Yeah, but. 548 00:26:44,960 --> 00:26:48,600 Speaker 5: Yoga is very like you chat to people. I've chatted 549 00:26:48,680 --> 00:26:50,800 Speaker 5: to her, We've exchanged numbers. 550 00:26:51,200 --> 00:26:55,399 Speaker 2: You've got a number. Yeah, oh beautiful, great, because I'm 551 00:26:55,400 --> 00:26:57,320 Speaker 2: pretty sure last when we spoke to her last time, 552 00:26:57,320 --> 00:26:57,800 Speaker 2: we had a weird a. 553 00:26:57,800 --> 00:26:59,360 Speaker 1: Good chat with her, like it was amicable. 554 00:26:59,400 --> 00:27:01,120 Speaker 2: I mean we did it re publiciers and stuff though, 555 00:27:01,240 --> 00:27:03,320 Speaker 2: So we didn't get a number, So Kira, can you 556 00:27:03,400 --> 00:27:04,680 Speaker 2: if you if you give the number. 557 00:27:04,680 --> 00:27:06,720 Speaker 1: Let's just double check with Kira. It's okay, Kira, do 558 00:27:06,800 --> 00:27:09,000 Speaker 1: you mind if we call ten years Ida? 559 00:27:10,359 --> 00:27:12,320 Speaker 5: Well, it's fine, just don't tell her that I gave. 560 00:27:12,160 --> 00:27:12,680 Speaker 8: You her number. 561 00:27:13,920 --> 00:27:16,800 Speaker 2: Deal deal to do? We don't know, hundred percent done, 562 00:27:16,840 --> 00:27:17,320 Speaker 2: we don't know you. 563 00:27:17,480 --> 00:27:19,680 Speaker 1: That's amazing, Okay, great, Kira, thank you so much? 564 00:27:19,720 --> 00:27:21,960 Speaker 2: Are we sure though? Just before. Thanks, Kira, Are we 565 00:27:22,080 --> 00:27:24,520 Speaker 2: sure ten years Aida is better than me calling my 566 00:27:24,680 --> 00:27:27,840 Speaker 2: mate whose dad? Yes to work? 567 00:27:28,119 --> 00:27:29,760 Speaker 1: Yes, and in fact I think it's really good. As 568 00:27:29,760 --> 00:27:31,960 Speaker 1: you said before, Champagne showers because she was on a 569 00:27:32,000 --> 00:27:34,000 Speaker 1: reality show with this guy. I'm not sure what part 570 00:27:34,160 --> 00:27:36,679 Speaker 1: of what Celebrity Apprentice they got knocked out, but are 571 00:27:36,720 --> 00:27:38,960 Speaker 1: all contestants at tight on that show? 572 00:27:39,080 --> 00:27:41,560 Speaker 2: We could I mean, we could have half on the show. 573 00:27:41,560 --> 00:27:43,320 Speaker 1: I'm getting your thumbs up from outside that we've got 574 00:27:43,480 --> 00:27:46,640 Speaker 1: ten years Iada's number. Kira's handed it over already. Thanks 575 00:27:46,680 --> 00:27:47,240 Speaker 1: for the good Kira. 576 00:27:47,359 --> 00:27:47,960 Speaker 2: We could have half. 577 00:27:48,000 --> 00:27:48,920 Speaker 1: This could happen today. 578 00:27:49,520 --> 00:27:50,040 Speaker 2: This is huge. 579 00:27:50,200 --> 00:27:50,960 Speaker 1: We'll do it up next. 580 00:27:51,040 --> 00:27:52,320 Speaker 2: Let's go to a song. Let's go to a song, 581 00:27:52,359 --> 00:27:53,919 Speaker 2: and then on the other side we're called ten years Ida, 582 00:27:54,840 --> 00:27:56,639 Speaker 2: and then after that we'll probably another song, and then 583 00:27:56,680 --> 00:28:00,640 Speaker 2: Hoff will be on the show. I don't know, don't worry. 584 00:28:00,680 --> 00:28:04,920 Speaker 2: I've got something to cheer you right up here. Three 585 00:28:07,840 --> 00:28:11,879 Speaker 2: get into with you six greas of separation? 586 00:28:12,480 --> 00:28:17,679 Speaker 1: You are six to six greas of separation. Yes, all 587 00:28:17,720 --> 00:28:19,399 Speaker 1: week we are put in a theory of six degrees 588 00:28:19,440 --> 00:28:24,040 Speaker 1: of separation to the test. Can we get David Hasselhoff. 589 00:28:24,359 --> 00:28:28,800 Speaker 2: On the show in six phone calls. We've started super hot. 590 00:28:28,840 --> 00:28:30,520 Speaker 2: We just received a call from a from a woman 591 00:28:30,640 --> 00:28:34,560 Speaker 2: called Kira. She's given us Tanya Zayetta's number. Now, Tanya 592 00:28:34,640 --> 00:28:36,720 Speaker 2: Zaietta used to do Celebrity of Printers. 593 00:28:37,880 --> 00:28:40,160 Speaker 1: Wodas wins before that. If anyone's wondering who she is, 594 00:28:40,200 --> 00:28:42,760 Speaker 1: she was the Yes Yes, the sidekick to Mike Whitney 595 00:28:42,760 --> 00:28:43,520 Speaker 1: and the denim shorts. 596 00:28:43,720 --> 00:28:46,800 Speaker 2: Also prominent figure in Fahm, which I've just readen off 597 00:28:46,800 --> 00:28:51,160 Speaker 2: the Wikipedia, not from personal experience. But we've got her 598 00:28:51,320 --> 00:28:56,960 Speaker 2: mobile number, will Yes, We've managed to secure it. So 599 00:28:57,400 --> 00:28:59,080 Speaker 2: this is a pretty good start. 600 00:28:58,920 --> 00:29:01,720 Speaker 1: To the sixtygrees separate. I mean, we're two in and 601 00:29:02,560 --> 00:29:04,080 Speaker 1: I reckon, we've already got someone. 602 00:29:03,960 --> 00:29:06,840 Speaker 2: That might have half's number. No calling ten, he's one, ten, 603 00:29:06,840 --> 00:29:09,080 Speaker 2: he's two. No, no, no, it's six calls, so tenure 604 00:29:09,200 --> 00:29:09,440 Speaker 2: is one. 605 00:29:09,840 --> 00:29:12,640 Speaker 1: Yeah, but it's six people. It's six degrees of separation. 606 00:29:12,720 --> 00:29:15,080 Speaker 1: We start off with Kira and then Tanya. 607 00:29:15,720 --> 00:29:20,160 Speaker 2: Hang on, we'll go to the producers. Two or is 608 00:29:20,200 --> 00:29:21,040 Speaker 2: this one? It's two? 609 00:29:21,600 --> 00:29:22,680 Speaker 1: Confirming this is number two? 610 00:29:24,480 --> 00:29:27,400 Speaker 2: Second person. Okay, all right, I was already a two 611 00:29:27,520 --> 00:29:30,280 Speaker 2: listen stress, but I'm not stressed because she was on 612 00:29:30,360 --> 00:29:31,720 Speaker 2: the show with him. We've got a number. 613 00:29:31,840 --> 00:29:34,840 Speaker 1: Okay, guys, this could be solved pretty quickly. Tanya's I 614 00:29:34,840 --> 00:29:35,800 Speaker 1: had a let's give her a call. 615 00:29:42,400 --> 00:29:45,720 Speaker 2: Hello, Hi, Tanya William, what are you here? How are you? 616 00:29:46,920 --> 00:29:47,640 Speaker 2: What do you mean up to? 617 00:29:48,440 --> 00:29:50,880 Speaker 5: Well, well, I've had got a fair bit going on 618 00:29:50,960 --> 00:29:53,600 Speaker 5: at the moment. Yeah, it's a tweet, it's pretty busy. 619 00:29:53,640 --> 00:29:56,440 Speaker 5: I've just put him into the Ninja Ninja baby worried Jim. 620 00:29:56,680 --> 00:30:03,160 Speaker 2: Oh really wow, very good. Down to business though, Tanya. 621 00:30:03,640 --> 00:30:05,480 Speaker 2: You know I'm the businessman of the two of us, 622 00:30:05,720 --> 00:30:08,160 Speaker 2: will and I. You know David Hasselhoff, don't you? 623 00:30:09,000 --> 00:30:12,120 Speaker 5: Is that what you two were up to, your mischievous duo? 624 00:30:12,400 --> 00:30:12,960 Speaker 1: No, no, no, no no. 625 00:30:13,240 --> 00:30:15,200 Speaker 2: We genuinely wanted to hear what you're up here. 626 00:30:15,240 --> 00:30:15,400 Speaker 1: You know. 627 00:30:15,520 --> 00:30:22,360 Speaker 2: We thought, well, we've got you warriors, because because you 628 00:30:22,560 --> 00:30:24,880 Speaker 2: were on Celebrity Apprentice with David Hasselhoff, weren't you. 629 00:30:26,400 --> 00:30:28,600 Speaker 5: I was, where are you heading with this? 630 00:30:29,320 --> 00:30:32,120 Speaker 1: Well, we're trying only six degrees of separation, So we're 631 00:30:32,160 --> 00:30:34,959 Speaker 1: trying this thing where we're trying to get David Hasselov 632 00:30:35,000 --> 00:30:37,880 Speaker 1: on the show, and the challenge was to get to 633 00:30:38,160 --> 00:30:41,080 Speaker 1: him through six different people. So I don't want you 634 00:30:41,120 --> 00:30:43,280 Speaker 1: to feel like you're being used here, but he has 635 00:30:43,360 --> 00:30:45,840 Speaker 1: got a poster of you from Fahm from nineteen ninety 636 00:30:45,840 --> 00:30:47,120 Speaker 1: five under his bed still I. 637 00:30:47,120 --> 00:30:55,680 Speaker 2: Didn't remember, which is embarrassing. Actually, Tenure, how well do 638 00:30:55,760 --> 00:30:58,080 Speaker 2: you know the hof Like? What was your relationship? 639 00:30:58,200 --> 00:30:58,240 Speaker 1: Like? 640 00:30:58,720 --> 00:31:01,680 Speaker 5: I know him pretty well because apart from Celebrity Apprentice, 641 00:31:01,720 --> 00:31:05,200 Speaker 5: then I also did bay Watch many many many moons back, 642 00:31:05,400 --> 00:31:09,920 Speaker 5: which I did, I donned the Red Cozy and I 643 00:31:10,000 --> 00:31:10,400 Speaker 5: stole it. 644 00:31:10,480 --> 00:31:15,080 Speaker 2: I still have to pay wow, But it's been a 645 00:31:15,120 --> 00:31:18,120 Speaker 2: few years between half meetings, so it's tana. Sorry. If 646 00:31:18,120 --> 00:31:20,560 Speaker 2: if you've been on Baywatch with him and your good buds, 647 00:31:20,600 --> 00:31:21,280 Speaker 2: do you have his number? 648 00:31:22,040 --> 00:31:22,240 Speaker 1: Oh? 649 00:31:23,480 --> 00:31:25,200 Speaker 5: You know what, I would have an old one from 650 00:31:25,280 --> 00:31:28,560 Speaker 5: a million years ago. That would not work. So I 651 00:31:28,600 --> 00:31:31,240 Speaker 5: don't think I can help you out. Sorry, guy, But 652 00:31:31,360 --> 00:31:34,400 Speaker 5: you know what, because of who Dares Wind's been on 653 00:31:34,720 --> 00:31:36,560 Speaker 5: Channel seven for so many years, I've still got a 654 00:31:36,600 --> 00:31:40,080 Speaker 5: lot of good friends over there. Yeah, who's one of 655 00:31:40,120 --> 00:31:44,760 Speaker 5: the really good? What about David K from Sunrise? How 656 00:31:44,800 --> 00:31:46,440 Speaker 5: about I give you Costi's number and see if that 657 00:31:46,560 --> 00:31:47,120 Speaker 5: helps you out. 658 00:31:47,200 --> 00:31:49,440 Speaker 2: We would love Coshi's number. We'll prank him a number 659 00:31:49,440 --> 00:31:55,719 Speaker 2: of times tonight. The secret safe with us. 660 00:31:55,840 --> 00:31:57,920 Speaker 1: But I actually think that's going to be a nice 661 00:31:57,920 --> 00:32:00,840 Speaker 1: little stepping stone that's they could actually work quite well. 662 00:32:02,920 --> 00:32:04,040 Speaker 5: I hope that I've been able to help. 663 00:32:04,480 --> 00:32:05,240 Speaker 2: That's been amazing. 664 00:32:05,840 --> 00:32:07,080 Speaker 5: Good luck with your half quest. 665 00:32:07,680 --> 00:32:12,080 Speaker 2: One more question, one more question? Can you sign the 666 00:32:12,200 --> 00:32:13,600 Speaker 2: poster and. 667 00:32:17,960 --> 00:32:19,440 Speaker 5: For you? I will do that. 668 00:32:22,240 --> 00:32:26,320 Speaker 2: Amazing absolutely, leg mate, thanks so much for joining us. Yeah, 669 00:32:26,480 --> 00:32:31,840 Speaker 2: I have a great afternoon, bye bye. Pretty good result. 670 00:32:32,200 --> 00:32:35,080 Speaker 2: Kohikoshi is definitely a step in the right direction towards 671 00:32:35,160 --> 00:32:37,680 Speaker 2: David hassel She's a huge step in the right He's 672 00:32:37,680 --> 00:32:40,200 Speaker 2: a big dog. Do you think he knows David Hasselhof 673 00:32:40,240 --> 00:32:42,280 Speaker 2: directly though? I reckon he definitely would have had something 674 00:32:42,320 --> 00:32:42,800 Speaker 2: to do with him. 675 00:32:42,800 --> 00:32:46,320 Speaker 1: And if he's now our third degree, I think we're 676 00:32:46,320 --> 00:32:47,120 Speaker 1: in a pretty good spot. 677 00:32:47,160 --> 00:32:49,280 Speaker 2: He's probably one of the biggest people in media in Australia. 678 00:32:49,960 --> 00:32:51,040 Speaker 2: I'm also looking forward to. 679 00:32:54,040 --> 00:32:57,320 Speaker 1: Six degrees of separation, a call a day, getting to 680 00:32:57,520 --> 00:32:59,840 Speaker 1: David Hassle half at three. 681 00:33:01,320 --> 00:33:03,360 Speaker 2: If we get David Kosh We've got the second most 682 00:33:03,360 --> 00:33:06,640 Speaker 2: favorite David in the world already. We're doing well. Woods. 683 00:33:07,800 --> 00:33:10,480 Speaker 1: Last week we were talking about last week, that is 684 00:33:11,960 --> 00:33:15,600 Speaker 1: last week as a cooking show. Last week, you and 685 00:33:15,720 --> 00:33:20,080 Speaker 1: I were talking about how a pizza ended a relationship. 686 00:33:21,000 --> 00:33:24,320 Speaker 2: A couple had pizza for dinner. The woman's a vegetarians, 687 00:33:24,320 --> 00:33:26,480 Speaker 2: so she had a vegetarian pizza. The bloke had a 688 00:33:26,680 --> 00:33:30,880 Speaker 2: meat lovers. They both had leftovers, and the next day 689 00:33:31,520 --> 00:33:36,280 Speaker 2: the bloke ate her vegetarian pizza for lunch, saving his 690 00:33:36,560 --> 00:33:39,680 Speaker 2: meat lovers for dinner, knowing that she couldn't have his 691 00:33:39,760 --> 00:33:40,280 Speaker 2: meat lovers. 692 00:33:40,920 --> 00:33:45,080 Speaker 1: Oh wow, wow, that would be actually be a great 693 00:33:45,400 --> 00:33:46,720 Speaker 1: topic for us to do on the show. 694 00:33:47,160 --> 00:33:49,920 Speaker 2: Is moments that you realized that you needed to break 695 00:33:50,000 --> 00:33:53,080 Speaker 2: up with them? Oh that is good, much better than 696 00:33:53,160 --> 00:34:01,120 Speaker 2: guessing how a pizza? And here we are asking them 697 00:34:01,280 --> 00:34:05,760 Speaker 2: much better question. Will I enjoyed how ender relationship? 698 00:34:06,200 --> 00:34:06,240 Speaker 3: No? 699 00:34:06,320 --> 00:34:08,759 Speaker 1: No, no, no, no, Patrinze, No, it's good stuff. Thirty 700 00:34:08,800 --> 00:34:12,399 Speaker 1: one and six five. Did you have a moment when 701 00:34:12,520 --> 00:34:14,279 Speaker 1: you realize that they weren't for you? 702 00:34:14,880 --> 00:34:17,640 Speaker 2: Yeah? And the small moment, the smaller moment, the more 703 00:34:17,680 --> 00:34:20,560 Speaker 2: interesting for mine. Yeah. So I was thinking about this before. 704 00:34:20,840 --> 00:34:21,040 Speaker 5: I know. 705 00:34:21,160 --> 00:34:25,759 Speaker 1: Miley Sison Liam Hemsworth broken up recently. I think that 706 00:34:25,840 --> 00:34:27,719 Speaker 1: one of the reasons they're broken up is because the 707 00:34:27,800 --> 00:34:30,920 Speaker 1: fact that her sexual orientation has changed, and she's been 708 00:34:30,920 --> 00:34:33,560 Speaker 1: seeing kissing a few girls or kissing a girl recently. 709 00:34:33,800 --> 00:34:37,359 Speaker 2: Yeah, Kaitlyn Carter. She's been seeing kissing Kaitlyn Carter Brodie 710 00:34:37,400 --> 00:34:40,080 Speaker 2: Jenner's X recently. So yes, I agree, that's that's a 711 00:34:40,120 --> 00:34:42,480 Speaker 2: big reason to break up with So that's too big. Well, 712 00:34:42,560 --> 00:34:44,960 Speaker 2: I think that's that's far too big. If her changing 713 00:34:45,040 --> 00:34:47,560 Speaker 2: sexual orientation is the reason, that's reason to. 714 00:34:47,560 --> 00:34:49,359 Speaker 1: Break up with, pretty, that's a pretty legit reation. 715 00:34:49,760 --> 00:34:52,160 Speaker 2: We are on thirteen one oh sixty five. We're after 716 00:34:52,280 --> 00:34:54,960 Speaker 2: just little little tiny things where you went, you know what, 717 00:34:55,800 --> 00:34:57,120 Speaker 2: I don't want to be with you because you just 718 00:34:57,200 --> 00:34:57,920 Speaker 2: did that small thing. 719 00:34:58,000 --> 00:34:59,879 Speaker 1: And you're saying because you see them do the small 720 00:35:00,520 --> 00:35:07,200 Speaker 1: and then that then speaks volumes to their character. Yeah, yeah, yeah, yeah, Okay, 721 00:35:08,800 --> 00:35:12,399 Speaker 1: So I wasn't I have an example of this. Yeah, 722 00:35:12,440 --> 00:35:15,680 Speaker 1: So I wasn't actually dating. I wasn't dating this. 723 00:35:15,800 --> 00:35:17,360 Speaker 2: Girl, but I was dating it. 724 00:35:17,440 --> 00:35:19,520 Speaker 1: But she's like a girlfriend. Yeah, I don't know, a 725 00:35:19,600 --> 00:35:23,560 Speaker 1: few dates with her and each date was a dinner date. Yeah, 726 00:35:23,880 --> 00:35:25,880 Speaker 1: And I picked up on it really early on, and 727 00:35:25,920 --> 00:35:28,880 Speaker 1: I let it go because I really liked her, but. 728 00:35:30,719 --> 00:35:35,120 Speaker 2: I hated the way that she treated staff. Oh, that's 729 00:35:35,120 --> 00:35:36,439 Speaker 2: a that's a big one for mine. 730 00:35:36,920 --> 00:35:39,040 Speaker 1: But it's not a big thing, like you know, we're 731 00:35:39,040 --> 00:35:41,759 Speaker 1: talking before about mysirus and like sexual orientation. But you 732 00:35:41,840 --> 00:35:44,440 Speaker 1: know what it was in particular, it was that she 733 00:35:44,600 --> 00:35:48,360 Speaker 1: didn't make eye contact with them, so when the person 734 00:35:48,480 --> 00:35:51,080 Speaker 1: came over to our table, she would just look at me. 735 00:35:51,239 --> 00:35:52,879 Speaker 1: She might even like occasionally talk to them. 736 00:35:52,920 --> 00:35:54,160 Speaker 2: But that just killed me. 737 00:35:54,239 --> 00:35:56,200 Speaker 1: And as someone who I had been like a waiter 738 00:35:56,280 --> 00:35:59,319 Speaker 1: and worked in hospitality before, Yeah, nothing ground my years 739 00:35:59,320 --> 00:36:00,880 Speaker 1: more than that. But I thought it's a lot about it. 740 00:36:00,960 --> 00:36:03,880 Speaker 1: I was like, this person's waiting on you. Yeah, like, 741 00:36:04,280 --> 00:36:05,160 Speaker 1: you know, look him in the eye. 742 00:36:05,320 --> 00:36:06,160 Speaker 2: So you broke up with her. 743 00:36:07,960 --> 00:36:10,240 Speaker 1: I saw her a few more times after that, eventually, 744 00:36:10,360 --> 00:36:14,160 Speaker 1: and there we go. Okay, thirteen one six, But I did, 745 00:36:14,280 --> 00:36:14,960 Speaker 1: I did eventually. 746 00:36:15,040 --> 00:36:16,920 Speaker 2: That was that was the reason. Yeah, yeah, no, that's 747 00:36:16,920 --> 00:36:17,640 Speaker 2: a perfect example. 748 00:36:17,760 --> 00:36:20,320 Speaker 1: Yeah, did you have a moment, and we're talking a 749 00:36:20,440 --> 00:36:24,759 Speaker 1: specific moment when they realized that when you realized that 750 00:36:24,880 --> 00:36:25,600 Speaker 1: they weren't for you? 751 00:36:26,120 --> 00:36:28,480 Speaker 2: Got ebony here, Ebane, what was the moment for you? 752 00:36:30,480 --> 00:36:33,800 Speaker 3: I was having drinks with my now ex boyfriend and 753 00:36:34,800 --> 00:36:38,480 Speaker 3: the song Bohemian Rhapsy came on and I'm a huge 754 00:36:38,760 --> 00:36:39,520 Speaker 3: eighties lover. 755 00:36:40,080 --> 00:36:41,880 Speaker 8: So I was going off to this song. I was like, 756 00:36:41,960 --> 00:36:44,440 Speaker 8: oh my god, I love this and he goes, oh, 757 00:36:44,800 --> 00:36:45,960 Speaker 8: I don't really like this song. 758 00:36:46,200 --> 00:36:51,600 Speaker 2: Oh god, wow, that's so gone. So you know it's funny. 759 00:36:52,560 --> 00:36:53,640 Speaker 7: I cut my pride. 760 00:36:54,000 --> 00:36:54,719 Speaker 2: Yeah, no, you're gone. 761 00:36:55,000 --> 00:36:56,920 Speaker 1: You know what's funny is they're like, if you're a 762 00:36:57,000 --> 00:37:01,160 Speaker 1: lover of music, like there, I think there are thousands 763 00:37:01,239 --> 00:37:05,960 Speaker 1: of minds that you can stand on if you're with 764 00:37:06,120 --> 00:37:07,240 Speaker 1: me music wise. 765 00:37:07,440 --> 00:37:09,440 Speaker 2: You used to say that to me. Actually you're on 766 00:37:09,560 --> 00:37:09,960 Speaker 2: first date. 767 00:37:10,320 --> 00:37:11,719 Speaker 1: You just be a little bit careful about this. Is 768 00:37:11,760 --> 00:37:12,719 Speaker 1: this the Radiohead test? 769 00:37:13,280 --> 00:37:16,600 Speaker 2: Yes it is, Yes, it is well and you can 770 00:37:16,640 --> 00:37:21,440 Speaker 2: tell all Australia what that test. Come on, this is 771 00:37:21,520 --> 00:37:22,800 Speaker 2: a long time ago, ebny. 772 00:37:22,880 --> 00:37:24,399 Speaker 1: So I don't want you to judge me too much. 773 00:37:24,400 --> 00:37:26,600 Speaker 2: I do know you are you a Radiohead fan? Evening? 774 00:37:28,080 --> 00:37:32,480 Speaker 1: Not hang up and know she's gone. But I used 775 00:37:32,520 --> 00:37:34,719 Speaker 1: to have a moment in first dates when I was 776 00:37:34,719 --> 00:37:36,719 Speaker 1: about twenty one, or dates when I was one, where 777 00:37:36,719 --> 00:37:39,440 Speaker 1: I would slide into the conversation Radiohead. 778 00:37:38,960 --> 00:37:41,440 Speaker 2: And if they didn't like them, then that was it. Boom. 779 00:37:41,920 --> 00:37:44,160 Speaker 2: That's how hard it is, ladies. It's tough to lock 780 00:37:44,200 --> 00:37:46,360 Speaker 2: that man down. Look at the moment, it was a 781 00:37:46,480 --> 00:37:48,840 Speaker 2: long time. I'll go Kate here, o, Kate, what was 782 00:37:48,880 --> 00:37:51,200 Speaker 2: the moment for you when you realize that your partner 783 00:37:51,239 --> 00:37:51,880 Speaker 2: wasn't the one for you? 784 00:37:53,640 --> 00:37:56,920 Speaker 3: I asked him if he thought we connected intellectually, and he. 785 00:37:56,960 --> 00:37:57,879 Speaker 7: Said, what does that mean? 786 00:38:01,480 --> 00:38:01,880 Speaker 2: Brilliant? 787 00:38:02,239 --> 00:38:02,480 Speaker 5: That was? 788 00:38:02,680 --> 00:38:04,600 Speaker 3: That was a moment I realized I'm dating an idiot. 789 00:38:05,000 --> 00:38:07,920 Speaker 2: Yeah, very good, Kate, that's funny stuff. 790 00:38:08,000 --> 00:38:08,160 Speaker 5: I do. 791 00:38:08,320 --> 00:38:09,279 Speaker 2: Miss you, Kate, I miss you. 792 00:38:13,719 --> 00:38:15,520 Speaker 1: Woods and I were talking last week about a woman 793 00:38:15,560 --> 00:38:17,000 Speaker 1: that broke up with a guy over a pizza. 794 00:38:17,840 --> 00:38:19,120 Speaker 2: So thirty one six five. 795 00:38:19,320 --> 00:38:21,440 Speaker 1: So if anybody else has had the moment, and it 796 00:38:21,520 --> 00:38:24,360 Speaker 1: has to be a specific moment when you realized that 797 00:38:24,520 --> 00:38:25,600 Speaker 1: that person wasn't for you. 798 00:38:25,920 --> 00:38:27,960 Speaker 2: Got Emily here, Emily, what was the moment for you? 799 00:38:28,520 --> 00:38:28,680 Speaker 3: Ah? 800 00:38:28,760 --> 00:38:31,520 Speaker 8: Hi, guys, Well, mine's food related as well. So the 801 00:38:31,600 --> 00:38:34,160 Speaker 8: guy was saying at the time he was he ofpened 802 00:38:34,239 --> 00:38:37,080 Speaker 8: to come over cooked in we were having a Mexican 803 00:38:37,239 --> 00:38:40,320 Speaker 8: he was making guacamole, and the next thing I know, 804 00:38:40,840 --> 00:38:44,760 Speaker 8: there's avocado handprints all over my kitchen. 805 00:38:45,920 --> 00:38:49,920 Speaker 2: Oh he smeared the guawk throughout your kitchen. 806 00:38:50,840 --> 00:38:54,120 Speaker 5: Not on purpose, I guess he just didn't watch hands. 807 00:38:54,480 --> 00:38:59,640 Speaker 2: I'll give him a because obviously anyways you're making quak, 808 00:38:59,640 --> 00:39:01,239 Speaker 2: you're gonna whack a finger in there to try how 809 00:39:01,280 --> 00:39:05,080 Speaker 2: the wuok's going. It's so grown. Just clean it out, Emily. 810 00:39:05,239 --> 00:39:07,239 Speaker 2: I'm on your side, mate. You don't want to guy. 811 00:39:07,440 --> 00:39:09,360 Speaker 1: It shows he doesn't wash his hands and shows his 812 00:39:09,480 --> 00:39:11,160 Speaker 1: dips and he dips his hands. 813 00:39:10,880 --> 00:39:12,480 Speaker 2: In food just means he gets a bit wilder. And 814 00:39:13,400 --> 00:39:16,440 Speaker 2: watch Jamie Oliver Cook. You've got Lea here last min 815 00:39:16,600 --> 00:39:17,799 Speaker 2: Leah talk to us. 816 00:39:17,960 --> 00:39:23,080 Speaker 3: Yeah, hello, two years into my relationship, my boyfriend at 817 00:39:23,120 --> 00:39:27,799 Speaker 3: the time spelt my name wrong on a birthday card, so. 818 00:39:27,840 --> 00:39:30,719 Speaker 2: You're spelled Lea. How did he spell it lea l. 819 00:39:30,840 --> 00:39:34,400 Speaker 5: A h instead of l a H wish? 820 00:39:35,840 --> 00:39:37,520 Speaker 2: Yeah, he wasn't getting a layer that night. 821 00:39:41,600 --> 00:39:45,440 Speaker 1: Been an absolute pleasure on your radios as always Woods. 822 00:39:45,560 --> 00:39:47,880 Speaker 1: If you're just joining the show and you missed it 823 00:39:48,040 --> 00:39:50,960 Speaker 1: earlier on really important that you know that we are 824 00:39:51,120 --> 00:39:55,680 Speaker 1: putting the theory of six degrees of separation to the test, 825 00:39:56,080 --> 00:40:03,360 Speaker 1: the question being can we get David Hasselhog on this 826 00:40:03,640 --> 00:40:06,880 Speaker 1: show with only six phone calls? 827 00:40:07,640 --> 00:40:07,839 Speaker 5: Yes? 828 00:40:08,680 --> 00:40:10,920 Speaker 2: Earlier we spoke to ten years Aena. She was a 829 00:40:11,000 --> 00:40:11,960 Speaker 2: very early phone. 830 00:40:11,800 --> 00:40:14,760 Speaker 1: Well, no earlier, we spoke to Kira, who's our number 831 00:40:14,840 --> 00:40:17,600 Speaker 1: one person. She's the first link in the chain. She 832 00:40:17,880 --> 00:40:19,879 Speaker 1: gave us Tanya, so we're two down. 833 00:40:20,239 --> 00:40:22,239 Speaker 2: And then we spoke to Tanya early this hour and 834 00:40:22,400 --> 00:40:25,840 Speaker 2: she gave us the number of David Kosh. Channel Seven's 835 00:40:26,080 --> 00:40:28,600 Speaker 2: David Kosh. So we're going to be calling Koshi tomorrow 836 00:40:28,640 --> 00:40:30,279 Speaker 2: and I'll tell you what I think. It's going to 837 00:40:30,320 --> 00:40:32,360 Speaker 2: be a bloody good chat given these gags. 838 00:40:32,880 --> 00:40:36,520 Speaker 1: What would a fly be called if it didn't have wings? 839 00:40:38,600 --> 00:40:44,239 Speaker 2: A walk? Can't I to have Kochi on the show 840 00:40:44,880 --> 00:40:47,839 Speaker 2: for the first time ever. Sunrise is Koshi. 841 00:40:47,719 --> 00:40:49,520 Speaker 1: And he's a third link in the chain of sixty 842 00:40:49,600 --> 00:40:54,360 Speaker 1: yearde separation, so hopefully he elevates us somewhere. He's a 843 00:40:54,400 --> 00:40:55,600 Speaker 1: big dog in Australian meeting. 844 00:40:56,000 --> 00:40:57,120 Speaker 2: He's the biggest of the dogs. 845 00:40:57,280 --> 00:40:59,759 Speaker 1: David Kosh all right, well it's going to be on 846 00:40:59,760 --> 00:41:01,160 Speaker 1: the show tomorrow and we're going to find out if 847 00:41:01,160 --> 00:41:03,040 Speaker 1: he is the biggesty, the biggest of the. 848 00:41:03,080 --> 00:41:04,279 Speaker 2: Dogs, the biggest of the dogs. 849 00:41:04,360 --> 00:41:06,960 Speaker 1: We'll see you guys tomorrow from four to continue six 850 00:41:07,040 --> 00:41:09,879 Speaker 1: Degrees of Separation to David hassel Hot, see what you're 851 00:41:09,920 --> 00:41:13,279 Speaker 1: hearing find us on Instagram and Facebook. Search Will and 852 00:41:13,320 --> 00:41:13,640 Speaker 1: Woody