WEBVTT - RHOBH - RECAP - WEEK 4 / 5 - ALANA MCLEAN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. Never Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading on today's episode with Lana MacLean, one

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<v Speaker 1>of my favorite humans in the world and the queen

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<v Speaker 1>of everything Bravo and Entertainment News. I wonder if you

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<v Speaker 1>noticed that we were absent last week with our recap.

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<v Speaker 1>Super sorry, we had been completely snowed under with our

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<v Speaker 1>Christmas commitments. So this week you're getting a bumper Christmas

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<v Speaker 1>dose of the Real Housewives of Beverly Hills as we

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<v Speaker 1>recap episode four and five, so you have a missed

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<v Speaker 1>down on what we thought about last week's episode. We're

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<v Speaker 1>going to ram it all into this one, starting off

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<v Speaker 1>with episode four, which includes our hot takes on what

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<v Speaker 1>went down last week, and moving into episode five, which

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<v Speaker 1>also includes some golden nuggets of gossip from both of

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<v Speaker 1>us scouring the internet and finding out whatever we can

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<v Speaker 1>find from the Real Housewives of Beverly Hills. We will

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<v Speaker 1>discuss the change in dynamics with the housewives all now

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<v Speaker 1>being single ladies. I will get a Lana's perspective on

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<v Speaker 1>how the producers must structure the show, and if they

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<v Speaker 1>let the friend ofs get their hands dirty when it

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<v Speaker 1>comes to conflict, we will address ourselves stepping up and

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<v Speaker 1>getting some serious pots during going what we think of

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<v Speaker 1>her still publicly talking about Derete and PK's robbery. You

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<v Speaker 1>will get plenty of chat on Camille, what we think

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<v Speaker 1>of Erica's return to the stage, if Kyle has in

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<v Speaker 1>fact dropped men from her lavish parties, and what we

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<v Speaker 1>see coming up in the next few weeks after the

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<v Speaker 1>two week break. There's actually so much to talk about,

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<v Speaker 1>with so many inside revelations from our perspective. So guys,

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<v Speaker 1>sit back and relax as we unpack the wonderful world

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<v Speaker 1>of the Real Housewives of Beverly Hills Season fourteen, Episode

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<v Speaker 1>four and five. Oh my god, what is going on

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<v Speaker 1>with your hair this week?

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<v Speaker 2>It's just giant. It's just a step away from dreadlocks.

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<v Speaker 1>I'm telling you, I love it. I don't know why.

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<v Speaker 1>It just the bigger and the more dreadlock here gets,

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<v Speaker 1>the better it look. I'm so nineties. I love that

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<v Speaker 1>Pamela Anderson's that have looked so I'm sure Rodney's it's like.

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<v Speaker 2>A c more textured, grittier version of Pamela.

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<v Speaker 1>I honestly don't think you've ever looked better. And that's

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<v Speaker 1>really interesting because you look like you've just come out

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<v Speaker 1>of the washing machine.

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<v Speaker 2>Oh my god, it's literally it's so early here. And

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<v Speaker 2>I was getting up out of bed and Robbie was like,

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<v Speaker 2>what are you doing. I was like, I've got to

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<v Speaker 2>do the podcast. He was like, you know, for Sharon,

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<v Speaker 2>do you make up first?

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<v Speaker 1>And I was like, nah, it's Ben Norris. He's going

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<v Speaker 1>to turn up looking like pee wee Herman and I'll

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<v Speaker 1>look fine.

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<v Speaker 2>We've nawed it, we've knowed it before. It's you know,

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<v Speaker 2>even noon.

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<v Speaker 3>Look, apologies, apologies we missed last week, but it is

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<v Speaker 3>the silly season and we were very silly somewhere in

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<v Speaker 3>the silliness. The silliness could not come together and record

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<v Speaker 3>in that momento. But we're hoping that everyone else had

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<v Speaker 3>plenty of silliness going on as well and forgot that

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<v Speaker 3>we didn't do it.

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<v Speaker 1>Well, here we go. We've got to talk about episode four,

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<v Speaker 1>So we kick it off with Darret. This fight that's

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<v Speaker 1>been continued on from episode three, which feels like it's

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<v Speaker 1>been continued on since the start of episode one of

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<v Speaker 1>this season. But it feels like Dreed is writing Kyle

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<v Speaker 1>like it is her job. She is going to keep

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<v Speaker 1>it going even if Kyle does say sorry and tries

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<v Speaker 1>to take ownership. I think Dereit's going to still hammer

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<v Speaker 1>the point she is.

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<v Speaker 2>Hammering it all right.

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<v Speaker 3>I mean, this is definitely why she has said to

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<v Speaker 3>those producers, don't worry, leave this with me, do not

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<v Speaker 3>find me. I can do this, watch me play, And

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<v Speaker 3>that's basically what she's doing.

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<v Speaker 2>And I think the thing that is making it.

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<v Speaker 3>Really awkward is the fact that Kyle is scrambling, as

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<v Speaker 3>we've said, to find so many excuses as to why

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<v Speaker 3>she's annoyed, because it's really putting that on full display

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<v Speaker 3>that there isn't just one singular thing that has happened.

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<v Speaker 3>She's trying to find a myriad of all these other

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<v Speaker 3>smaller things, and I just don't think it's looking authentic

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<v Speaker 3>at all.

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<v Speaker 1>I think that Kyle is starting to come to terms

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<v Speaker 1>with the fact that that's just her hoping mechanism. And

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<v Speaker 1>do you have a problem with friends stepping out and

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<v Speaker 1>just pushing you away a little bit if you challenge

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<v Speaker 1>them on their narratives?

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<v Speaker 2>Yeah, well, I.

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<v Speaker 3>Mean, nobody wants that to be the case. But I

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<v Speaker 3>think what she wasn't planning on happening is the fact

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<v Speaker 3>that that would be brought up to camera that she

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<v Speaker 3>had iced her out for six months, because, as we've

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<v Speaker 3>discussed before, a lot of it is about what is

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<v Speaker 3>happening on camera, and she feels like she can control

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<v Speaker 3>a lot of body's on camera because of her position

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<v Speaker 3>in the group and how.

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<v Speaker 2>Long she's been there.

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<v Speaker 3>But what she wasn't expecting to happen was for Dret

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<v Speaker 3>to say you did not talk to me for six months,

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<v Speaker 3>which would have been the period of time where they

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<v Speaker 3>weren't filming. So she expected that to sort of get

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<v Speaker 3>swept under the rug, and it hasn't been. And now

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<v Speaker 3>she's trying to find the reasons.

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<v Speaker 4>You do not get to pick and choose when it's okay,

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<v Speaker 4>when you want to be friends, when it's convenient, and

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<v Speaker 4>when I put a step wrong, you decide I'm going

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<v Speaker 4>to freeze Toreada and I'm going to punish her.

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<v Speaker 3>I saw a piece on on that said potentially I

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<v Speaker 3>have no idea if this is true or not, but

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<v Speaker 3>I actually had.

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<v Speaker 2>That moment where I thought, is this the missing piece, and.

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<v Speaker 3>It's because it's said Kyle was the one that tried

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<v Speaker 3>to get Drete fired. So she was like, well, I

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<v Speaker 3>don't have to talk to her anymore, she'll be gone

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<v Speaker 3>and dropped the whole thing. But now Durite is back

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<v Speaker 3>in the show, she's having to find another reason because

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<v Speaker 3>she wasn't expecting her to come back. And I thought

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<v Speaker 3>that would track if that was a theory.

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<v Speaker 1>That checked out, and it would also give enough fuel

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<v Speaker 1>to the fire, because I mean, they can never keep

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<v Speaker 1>that stuff under wraps. And so Deret's obviously heard about

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<v Speaker 1>the fact that Kyle's done that. She's pleaded for a

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<v Speaker 1>job back, and she said, you know what, I'm going

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<v Speaker 1>to go hard Bravo on Kyle Richard's and they've gone

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<v Speaker 1>okay because they've released how much money she got paid

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<v Speaker 1>for this series or that's been leaked and she's now

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<v Speaker 1>on a six figure salary for the show, which she's

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<v Speaker 1>never been on before. And I'm like, and you know,

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<v Speaker 1>Bravo to me have done this in the past throughout

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<v Speaker 1>different franchises. They have allowed cars to have like a

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<v Speaker 1>second chance if they've had their entire life blow up

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<v Speaker 1>with a marriage, meaning that this is now their sole income.

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<v Speaker 1>I mean, I don't know whether they're doing that as

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<v Speaker 1>a favor or whether they're cashing in on their misery,

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<v Speaker 1>but it does seem to sort of track that they

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<v Speaker 1>will want to keep people around, you know, just as

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<v Speaker 1>their husbands have left them, or their business has gone

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<v Speaker 1>up or whatever. They've lost their house.

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<v Speaker 3>Yeah, and you know why, because they're desperate at that point,

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<v Speaker 3>and desperation you were going to do anything. So they

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<v Speaker 3>know they're going to get more for the cameras because

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<v Speaker 3>they're like, well, if you don't bring it, then we're

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<v Speaker 3>going to cut you off. They've got nothing really to

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<v Speaker 3>lose and everything to gain by securing their spot. And

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<v Speaker 3>we saw it with Erika Jane and they've just gone,

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<v Speaker 3>here we go, this is beautiful. We've seen it now

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<v Speaker 3>with Kyle and now we can see it again with

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<v Speaker 3>to Read. And it's a way of keeping these people

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<v Speaker 3>engaged throughout the process.

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<v Speaker 2>But I definitely think there's something to that for sure.

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<v Speaker 1>They did base the show on the Real Housewives being

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<v Speaker 1>Desperate housewives. They were like, imagine if we had Desperate housewives,

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<v Speaker 1>but it was a reality show. That was where the

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<v Speaker 1>concept came from. When they mixed it with the OC.

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<v Speaker 1>I believe I might just things together, but that's how

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<v Speaker 1>I remember it well.

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<v Speaker 2>I mean we've seen it as well.

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<v Speaker 3>This is the first season really where there's a predominantly

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<v Speaker 3>and unmarried, separated, single cast and how that has sort

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<v Speaker 3>of changed the dynamic. And I think that is definitely

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<v Speaker 3>one way that it has, because these women suddenly know

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<v Speaker 3>they're really having to bring home the bacon on their own,

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<v Speaker 3>and I think that has changed what they bring to

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<v Speaker 3>the cameras and what they're sharing with us.

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<v Speaker 1>We have drifted a long way, though, from the housewives

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<v Speaker 1>being that their housewives, because it used to be a

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<v Speaker 1>prerequisite to get on the show, is that you really

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<v Speaker 1>had to be this is it affluent or effluent? Yeah,

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<v Speaker 1>remember Kathy Kim ruined this.

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<v Speaker 2>For me affluent.

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<v Speaker 1>They really did want these affluent women who had these

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<v Speaker 1>husbands that were like CEOs. That was kind of what

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<v Speaker 1>had happened with the OC and New York. That was

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<v Speaker 1>kind of what was happening. But as the series has

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<v Speaker 1>gone on and we're now fifteen years for some franchises,

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<v Speaker 1>you know into it, I don't think that they care

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<v Speaker 1>about them having husbands at all. They're like, are you rich,

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<v Speaker 1>Are you crazy? You should come on our show?

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<v Speaker 3>And I think, well, I think as well. A lot

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<v Speaker 3>of them came onto the show with that. But what

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<v Speaker 3>we've seen is the evolution of them and the demise

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<v Speaker 3>of these marriages and the complexities that have come with that,

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<v Speaker 3>and the legal troubles and the secrets, and you know,

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<v Speaker 3>for all the reality TV that we can tume, there's

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<v Speaker 3>still things about these marriages that we don't know. And

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<v Speaker 3>we're watching it again right now with Deret and she's unraveling.

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<v Speaker 1>I'm loving Bozeman. I'm living for her comments and her

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<v Speaker 1>pieces to camera. They are so good. In the confessionals

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<v Speaker 1>when she was talking about being these women and the

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<v Speaker 1>way in which they talk about their secrets.

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<v Speaker 5>None of these women give you what they think at

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<v Speaker 5>face value. They are not direct. There is something underneath.

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<v Speaker 5>You pick up a stone over here, Oh there's a

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<v Speaker 5>rock under that. If you pick up a rock, oh

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<v Speaker 5>there's a toad. There's a toad sitting on something. Absolutely,

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<v Speaker 5>and so I'm going to have to figure out what

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<v Speaker 5>are all the layers.

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<v Speaker 1>And she's like being able to slay what she wants

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<v Speaker 1>to say about what's actually going down whilst in the moment,

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<v Speaker 1>not really stepping up into being able to speak to

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<v Speaker 1>what she thinks about what's going on. She's not really

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<v Speaker 1>doing that at this stage. We may talk it because

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<v Speaker 1>we've seen something, because we're doing two episodes, we do

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<v Speaker 1>know that she will do it. But it's so interesting

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<v Speaker 1>in the first four episodes that she stood back and watched.

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<v Speaker 3>This is why she's the marketing genius that she obviously

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<v Speaker 3>has been in the corporate world, because she knows exactly

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<v Speaker 3>how to word things. She knows exactly what to say

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<v Speaker 3>for you to immediately get it. The analogies are so

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<v Speaker 3>on point. Her measured sort of response, the way that

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<v Speaker 3>she's observing and then reacting that is that is everything

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<v Speaker 3>that she.

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<v Speaker 2>Would have brought to her corporate career.

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<v Speaker 3>So I think that it's an amazing addition, and I

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<v Speaker 3>think I think she'll be here to stay.

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<v Speaker 1>Garcill really steps up to defend Kyle in this first argument,

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<v Speaker 1>in this continuation of an argument in episode four.

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<v Speaker 5>No, I wouldn't agree with that. He wouldn't with what

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<v Speaker 5>she was saying in terms of like, you can't just

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<v Speaker 5>say you're.

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<v Speaker 1>Sorry you don't agree. I agree that you don't do that.

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<v Speaker 1>Then I don't see I'm sorry. Yes, it was really

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<v Speaker 1>interesting because you weren't sure whether Garcel was responding to

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<v Speaker 1>the woman who was pouring the wine when she said

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<v Speaker 1>no and jump to support Kyle's accusation that darit really

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<v Speaker 1>doesn't know how to apologize. I was like, Garcel, you

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<v Speaker 1>have been asleep under a rock for seasons and now

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<v Speaker 1>you have stepped up. And I want to say that

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<v Speaker 1>Garcell was my favorite player in episode four. I thought

0:10:49.920 --> 0:10:53.640
<v Speaker 1>episode four, Garcel really decided to play the game. She

0:10:53.960 --> 0:10:56.960
<v Speaker 1>opened up about her marriage, she tried to connect with Kyle,

0:10:57.240 --> 0:11:00.120
<v Speaker 1>she dropped secrets, she stirred pots, and I was like,

0:11:00.559 --> 0:11:02.839
<v Speaker 1>this is what you're hired to do, lady, and this

0:11:02.880 --> 0:11:05.079
<v Speaker 1>is what we want from you, and when you do it,

0:11:05.200 --> 0:11:07.479
<v Speaker 1>you're actually really good at it and it's good television.

0:11:07.720 --> 0:11:07.960
<v Speaker 2>Yeah.

0:11:08.040 --> 0:11:09.960
<v Speaker 3>Well, we've said we were on a bit more from

0:11:10.000 --> 0:11:13.760
<v Speaker 3>Garcel and Sutton in terms of the realness, because what

0:11:14.280 --> 0:11:17.120
<v Speaker 3>we have sort of seen over the seasons is them

0:11:17.400 --> 0:11:20.679
<v Speaker 3>basically just picking someone to pile on and then just

0:11:20.720 --> 0:11:23.160
<v Speaker 3>trying to expose them. But then we were like, but

0:11:23.240 --> 0:11:26.120
<v Speaker 3>what are you actually bringing in terms of your own storyline?

0:11:26.160 --> 0:11:27.880
<v Speaker 3>I mean I did sort of feel like that's what

0:11:27.920 --> 0:11:30.440
<v Speaker 3>she was trying to do when she jumped on the Kyle.

0:11:30.480 --> 0:11:33.560
<v Speaker 3>I wouldn't say she was necessarily wanting to defend Kyle.

0:11:33.840 --> 0:11:36.360
<v Speaker 3>I think it's more about trying to bring down to

0:11:36.480 --> 0:11:40.840
<v Speaker 3>Read and well, I just felt like Duret's response. I

0:11:40.840 --> 0:11:43.600
<v Speaker 3>think she was expecting to Read to be like, oh, Garcel,

0:11:43.800 --> 0:11:45.880
<v Speaker 3>you know, I've always tried to get along with you,

0:11:45.960 --> 0:11:47.920
<v Speaker 3>and she's just had enough. She's like, I don't care.

0:11:48.240 --> 0:11:50.160
<v Speaker 3>I don't care that you don'd like me. I don't

0:11:50.160 --> 0:11:52.960
<v Speaker 3>care what you have to say. It's not surprising that

0:11:53.000 --> 0:11:56.319
<v Speaker 3>you've said that whatever, I'm done with you and you're bullshit.

0:11:57.480 --> 0:11:58.959
<v Speaker 1>I'm not surprised that you agree with that.

0:11:59.240 --> 0:12:02.680
<v Speaker 4>And let's be honest, Okay, I'm not your favorite person.

0:12:03.200 --> 0:12:04.280
<v Speaker 1>You're very clear about that.

0:12:05.160 --> 0:12:09.720
<v Speaker 4>I wouldn't expect you to actually not agree with what

0:12:09.760 --> 0:12:10.400
<v Speaker 4>she has to say.

0:12:10.480 --> 0:12:11.880
<v Speaker 1>Okay, agreed, then we're on the same page.

0:12:12.880 --> 0:12:16.240
<v Speaker 2>So I think that sort of backflipped a little bit.

0:12:16.559 --> 0:12:19.440
<v Speaker 1>I didn't. I mean, I agree in some ways, and

0:12:19.480 --> 0:12:22.160
<v Speaker 1>I loved your retrospective of that. But and yes, I

0:12:22.160 --> 0:12:24.280
<v Speaker 1>guess it was good that Deret didn't back down and

0:12:24.320 --> 0:12:25.679
<v Speaker 1>just went, well, you know what, you know, of course

0:12:25.720 --> 0:12:28.000
<v Speaker 1>you're going to have her back. I understand that to

0:12:28.040 --> 0:12:31.760
<v Speaker 1>a certain extent, but it still took Garsel to get

0:12:31.760 --> 0:12:35.040
<v Speaker 1>off the fence and actually join one of these conversations

0:12:35.080 --> 0:12:38.120
<v Speaker 1>because so far she's just been two eyes, two ears,

0:12:38.200 --> 0:12:40.880
<v Speaker 1>one mouth, with no speaking when all of this has

0:12:40.880 --> 0:12:41.560
<v Speaker 1>been going down.

0:12:41.880 --> 0:12:46.600
<v Speaker 3>Yeah, well, as we start to see episode five, the

0:12:46.640 --> 0:12:48.640
<v Speaker 3>pot stirring is going to go to a new level

0:12:48.920 --> 0:12:53.959
<v Speaker 3>because we saw her mention that Kyle gets these takes

0:12:54.000 --> 0:12:56.600
<v Speaker 3>from PK. So that was obviously in the midst of

0:12:56.600 --> 0:12:59.240
<v Speaker 3>this intimate sort of conversation that she was having in

0:12:59.280 --> 0:13:01.400
<v Speaker 3>episode four on the boat where we thought.

0:13:01.280 --> 0:13:03.880
<v Speaker 2>You know, she was being lovely, she was connecting with Kyle,

0:13:04.080 --> 0:13:04.560
<v Speaker 2>but then.

0:13:04.440 --> 0:13:08.040
<v Speaker 3>She goes and spills that tea and also mentioning the

0:13:08.120 --> 0:13:13.000
<v Speaker 3>robbery and Darite's robbery and saying someone had something to

0:13:13.040 --> 0:13:15.640
<v Speaker 3>do with that. So the pot stirring is going to

0:13:15.679 --> 0:13:17.480
<v Speaker 3>a new level. So I think that is what we're

0:13:17.520 --> 0:13:20.800
<v Speaker 3>going to see from Garcel bring to this season.

0:13:22.080 --> 0:13:24.360
<v Speaker 1>I had a really heartfelt talk with Kyle.

0:13:24.600 --> 0:13:30.839
<v Speaker 2>Yeah, but she told me that PK texts her.

0:13:32.240 --> 0:13:34.160
<v Speaker 1>Can I ask you about this? I don't know whether

0:13:34.240 --> 0:13:36.120
<v Speaker 1>or not this has happened in your friend group before,

0:13:36.200 --> 0:13:39.480
<v Speaker 1>but I'm curious to know if your friend that you're

0:13:39.600 --> 0:13:42.400
<v Speaker 1>very close to separates from their partner or their husband,

0:13:42.640 --> 0:13:45.560
<v Speaker 1>how do you go about that relationship? Because I know

0:13:45.640 --> 0:13:48.199
<v Speaker 1>you well enough to know that you would be friends

0:13:48.240 --> 0:13:51.600
<v Speaker 1>with your girlfriend's partners. You would make a huge effort

0:13:51.600 --> 0:13:53.960
<v Speaker 1>to do that. So if anything ever did happen, I

0:13:53.960 --> 0:13:56.760
<v Speaker 1>want to know where you would stand. Would you continue

0:13:56.760 --> 0:13:58.880
<v Speaker 1>a relationship with them or would you stop it straight away?

0:13:59.120 --> 0:14:02.600
<v Speaker 2>Yeah, it's such an interesting one. It's really difficult.

0:14:02.840 --> 0:14:05.440
<v Speaker 3>I think it is hard when you become friends with

0:14:05.480 --> 0:14:08.240
<v Speaker 3>all those people over such a period of time to

0:14:08.360 --> 0:14:12.240
<v Speaker 3>just cut everyone off. But I think ultimately there does

0:14:12.280 --> 0:14:15.560
<v Speaker 3>come that point, or particularly maybe in that sort of

0:14:15.679 --> 0:14:19.320
<v Speaker 3>very fragile state at the beginning, your loyalty probably has

0:14:19.360 --> 0:14:22.240
<v Speaker 3>to be more so to your friend than I send.

0:14:22.120 --> 0:14:25.040
<v Speaker 1>Out a text message straight away, like as the breakup happens.

0:14:25.200 --> 0:14:28.680
<v Speaker 1>That's something quite effusive and really quite lovely excitement.

0:14:29.560 --> 0:14:33.520
<v Speaker 3>Benjamin Norris media statement, all the best on your future endeavors,

0:14:33.680 --> 0:14:36.040
<v Speaker 3>kind regards, Benjamin Norris.

0:14:35.840 --> 0:14:38.200
<v Speaker 1>Something very supportive. I'll just love how well you know me,

0:14:38.280 --> 0:14:41.160
<v Speaker 1>but not to that extent, but pretty much. No, I

0:14:41.280 --> 0:14:43.320
<v Speaker 1>just think sometimes you just have to say, look, I'm

0:14:43.400 --> 0:14:46.120
<v Speaker 1>very sorry about what has happened. You know, I've really

0:14:46.120 --> 0:14:49.960
<v Speaker 1>appreciated the friendship. I try and sort of make sure

0:14:50.080 --> 0:14:53.800
<v Speaker 1>I state my case before I completely retreat into the

0:14:53.840 --> 0:14:56.360
<v Speaker 1>friendship that I have with you know, with my with

0:14:56.400 --> 0:14:58.520
<v Speaker 1>my core friend. Do you know what I mean? Because

0:14:58.560 --> 0:15:01.120
<v Speaker 1>there's no way in hell I would continue to get

0:15:01.120 --> 0:15:05.240
<v Speaker 1>text messages from one of my close friend's husbands if

0:15:05.240 --> 0:15:08.240
<v Speaker 1>that's not where the friendship's going to go, because realistically,

0:15:08.480 --> 0:15:10.080
<v Speaker 1>you could try and entertain that for a little bit

0:15:10.120 --> 0:15:11.520
<v Speaker 1>of time, but you're never going to be friends with them.

0:15:11.560 --> 0:15:13.040
<v Speaker 1>It's never going to work out. You're going to have

0:15:13.080 --> 0:15:15.920
<v Speaker 1>to move on eventually. So you just need to get

0:15:15.920 --> 0:15:19.040
<v Speaker 1>in there say something lovely. Thanks PK. We had at

0:15:19.120 --> 0:15:22.400
<v Speaker 1>least one dinner off camera and at least eighty five

0:15:22.440 --> 0:15:24.640
<v Speaker 1>dinners on camera. And I think you're a great guy,

0:15:24.720 --> 0:15:27.000
<v Speaker 1>but all the very best. Don't drop the soap in prison.

0:15:27.080 --> 0:15:30.640
<v Speaker 1>If that Blajo story is true, Well.

0:15:30.480 --> 0:15:34.560
<v Speaker 3>The interesting part about these is everything you're saying correct,

0:15:34.800 --> 0:15:37.760
<v Speaker 3>But what was different about this scenario is that Kyle

0:15:38.080 --> 0:15:40.680
<v Speaker 3>had not talked to Dureat for six months, was not

0:15:40.840 --> 0:15:44.360
<v Speaker 3>being actively friends with dret for six months. So that

0:15:44.560 --> 0:15:47.600
<v Speaker 3>is where it sort of becomes a great area because potentially,

0:15:47.640 --> 0:15:50.040
<v Speaker 3>in that scenario, she's like, well, I'm actually better friends

0:15:50.040 --> 0:15:54.040
<v Speaker 3>with PK that I am with Dereat, and our husbands

0:15:54.080 --> 0:15:57.040
<v Speaker 3>have always been friends, and you know, I mean, I

0:15:57.080 --> 0:15:59.960
<v Speaker 3>don't think there would be anything untoward in the text.

0:16:00.080 --> 0:16:02.200
<v Speaker 3>I think they would probably just send each other funny

0:16:02.440 --> 0:16:04.840
<v Speaker 3>hit and memes and all of that sort of stuff

0:16:04.840 --> 0:16:08.160
<v Speaker 3>and have a laugh. But yeah, it does go into

0:16:08.200 --> 0:16:10.920
<v Speaker 3>a gray area around the friendships and the loyalty and

0:16:10.960 --> 0:16:11.720
<v Speaker 3>who comes first.

0:16:12.000 --> 0:16:15.720
<v Speaker 1>I sometimes will put friends on pause and still continue

0:16:15.720 --> 0:16:20.080
<v Speaker 1>to be friends with their parents. Is that bad?

0:16:20.320 --> 0:16:25.120
<v Speaker 2>I mean, no, where are you going to dinner? You

0:16:25.120 --> 0:16:27.360
<v Speaker 2>know what I mean? Where's that roast? Chook?

0:16:27.760 --> 0:16:30.080
<v Speaker 1>Very quickly towards the end of this episode, got to

0:16:30.160 --> 0:16:34.400
<v Speaker 1>see this very bizarre transition, and that was that Sudden

0:16:34.520 --> 0:16:38.360
<v Speaker 1>had opened herself up and explained to dret that throughout

0:16:38.360 --> 0:16:41.480
<v Speaker 1>this divorce, which was predicted to be very hard, Sudden

0:16:41.560 --> 0:16:43.920
<v Speaker 1>explained to Derete that she could lean on her and

0:16:44.160 --> 0:16:47.280
<v Speaker 1>was very authentic with this conversation. I thought she was

0:16:47.320 --> 0:16:50.120
<v Speaker 1>authentic with what she was saying. However, we rolled into

0:16:50.160 --> 0:16:53.120
<v Speaker 1>the next scene, and I mean, something's going to have

0:16:53.120 --> 0:16:54.720
<v Speaker 1>to watch this back because she's really going to have

0:16:54.760 --> 0:16:57.240
<v Speaker 1>to own this. She yells at Dreep first and then

0:16:57.960 --> 0:17:01.640
<v Speaker 1>raises her voice and that's where and sort of reacts

0:17:01.680 --> 0:17:04.040
<v Speaker 1>like she's the victim, like she's being yelled at for

0:17:04.119 --> 0:17:06.160
<v Speaker 1>an actual fact. That's just not how it happened.

0:17:07.359 --> 0:17:10.200
<v Speaker 2>You're the one who started yelling. You're the one who

0:17:10.240 --> 0:17:10.920
<v Speaker 2>just started yelling.

0:17:12.200 --> 0:17:12.280
<v Speaker 5>No.

0:17:12.520 --> 0:17:14.480
<v Speaker 2>I tried to bring this group together last.

0:17:14.359 --> 0:17:17.680
<v Speaker 1>Night Sutton joined a conversation that she wasn't even really

0:17:17.680 --> 0:17:20.080
<v Speaker 1>a part of the start with, and then yelled at her.

0:17:20.240 --> 0:17:21.840
<v Speaker 1>I was like, what is going on here?

0:17:22.119 --> 0:17:25.120
<v Speaker 3>And also trying to, you know, get them all at

0:17:25.119 --> 0:17:28.160
<v Speaker 3>the table and we're doing a packed and it's sisterhood

0:17:28.440 --> 0:17:30.800
<v Speaker 3>and we all have to be this way and we

0:17:30.840 --> 0:17:32.800
<v Speaker 3>all have to be open and transparent and trying to

0:17:32.880 --> 0:17:35.239
<v Speaker 3>lead this charge, and then trying to have her at

0:17:35.240 --> 0:17:37.080
<v Speaker 3>home in the bus trip, and I just thought, you

0:17:37.640 --> 0:17:40.639
<v Speaker 3>are unbelievable. You know, I can't with some I have

0:17:40.920 --> 0:17:44.200
<v Speaker 3>never with her. She is so inconsistent. She is all

0:17:44.240 --> 0:17:47.840
<v Speaker 3>over the shop. She has opinions. One minute, she gas

0:17:47.920 --> 0:17:51.040
<v Speaker 3>lights you into thinking something. The next she plays the victim.

0:17:51.480 --> 0:17:54.960
<v Speaker 3>She changes sides all the time. I think she's wired,

0:17:55.160 --> 0:17:57.200
<v Speaker 3>a weird wired.

0:17:57.200 --> 0:18:00.200
<v Speaker 1>Person as a housewife. I think that she goes to

0:18:00.240 --> 0:18:03.359
<v Speaker 1>the dinner party and she rips the tablecloth off. You know,

0:18:03.560 --> 0:18:06.520
<v Speaker 1>she doesn't just join a conversation and spill a drink.

0:18:06.800 --> 0:18:09.879
<v Speaker 1>She literally makes sure that every single person at the

0:18:09.920 --> 0:18:14.280
<v Speaker 1>dinner party has been disrupted by her behavior. She's one

0:18:14.320 --> 0:18:16.280
<v Speaker 1>of those people that I guess we all have in

0:18:16.320 --> 0:18:19.520
<v Speaker 1>our friend group, which is someone who gets themselves involved

0:18:19.560 --> 0:18:21.879
<v Speaker 1>in so much of the drama that, yes, they probably

0:18:21.920 --> 0:18:24.240
<v Speaker 1>did give some good advice along the way, and you

0:18:24.359 --> 0:18:26.840
<v Speaker 1>know that that personality type will remind you that they

0:18:26.880 --> 0:18:28.600
<v Speaker 1>got that right, But they also threw a lot of

0:18:28.640 --> 0:18:31.120
<v Speaker 1>shit at the wall that didn't stick either, And they're

0:18:31.119 --> 0:18:34.080
<v Speaker 1>also responsible for starting a majority of the fires that

0:18:34.119 --> 0:18:35.880
<v Speaker 1>they then claimed that they put out.

0:18:36.119 --> 0:18:38.119
<v Speaker 2>Yes, that's exactly what she does.

0:18:38.359 --> 0:18:41.159
<v Speaker 3>She brings it up, She stirs the pod, and I

0:18:41.240 --> 0:18:44.320
<v Speaker 3>sort of feel like it's very you know, it's like

0:18:44.560 --> 0:18:48.399
<v Speaker 3>the old Chicago analogy, like razzle dazzle them over here

0:18:48.720 --> 0:18:51.280
<v Speaker 3>and then they won't realize that you're doing nothing over there.

0:18:51.480 --> 0:18:53.760
<v Speaker 3>And I just feel like that's what she tries to do.

0:18:53.880 --> 0:18:58.720
<v Speaker 3>She tries to be abrasive, yell and Jennifer Tilly called

0:18:58.760 --> 0:19:02.480
<v Speaker 3>her mercurial the after Show, which is basically like a

0:19:02.480 --> 0:19:05.959
<v Speaker 3>sudden change of emotions. That's exactly what she does, but

0:19:06.040 --> 0:19:09.280
<v Speaker 3>there's nothing sort of steady with her behind the scenes.

0:19:09.600 --> 0:19:12.480
<v Speaker 3>So I guess in a reality TV sense, it does

0:19:12.560 --> 0:19:14.240
<v Speaker 3>keep us on the edge of our seat, But in

0:19:14.320 --> 0:19:17.240
<v Speaker 3>terms of a friendship, I don't know how measured people

0:19:17.320 --> 0:19:19.800
<v Speaker 3>like Kyle have managed to stay friends with her for

0:19:19.920 --> 0:19:20.359
<v Speaker 3>so long.

0:19:20.480 --> 0:19:21.160
<v Speaker 2>I really don't.

0:19:21.480 --> 0:19:23.360
<v Speaker 1>I wonder whether or not we're going to see this.

0:19:23.359 --> 0:19:26.600
<v Speaker 1>This is a prediction. My prediction in a season moving

0:19:26.640 --> 0:19:29.359
<v Speaker 1>forward is that Sudden those two are going to fall out,

0:19:29.560 --> 0:19:31.159
<v Speaker 1>and I reckon we're going to start to see that

0:19:31.280 --> 0:19:35.280
<v Speaker 1>coming across in some of the confessionals, because I think

0:19:35.320 --> 0:19:39.080
<v Speaker 1>that Jennifer Tilly is aware of a lot of Sutton's

0:19:39.119 --> 0:19:41.880
<v Speaker 1>behavior and has just been tolerating it. And then once

0:19:41.880 --> 0:19:44.080
<v Speaker 1>she gets herself in there and she asserts herself and

0:19:44.119 --> 0:19:47.080
<v Speaker 1>gives us some purpose, I think she's going to challenge

0:19:47.119 --> 0:19:49.560
<v Speaker 1>Sudden and we're going to see a massive bust up

0:19:49.560 --> 0:19:50.040
<v Speaker 1>with those two.

0:19:50.320 --> 0:19:52.440
<v Speaker 2>Oh, it's an interesting prediction. Yeah.

0:19:52.440 --> 0:19:54.760
<v Speaker 3>Look, I think they've been Beverly Hill's friends. I think

0:19:54.800 --> 0:19:57.879
<v Speaker 3>they're both rich, they've both been single for a long time,

0:19:58.119 --> 0:20:00.439
<v Speaker 3>and that has been the basis of their friendship. But

0:20:00.640 --> 0:20:04.200
<v Speaker 3>in this scenario, in this show, depending on where they

0:20:04.240 --> 0:20:06.600
<v Speaker 3>take Jennifer Tilly, because at the moment, we're only seeing

0:20:06.600 --> 0:20:09.159
<v Speaker 3>little bits and pieces from her on the show and

0:20:09.200 --> 0:20:12.560
<v Speaker 3>her quirkiness and a weird house and her chucky dolls.

0:20:12.400 --> 0:20:13.560
<v Speaker 2>And all that sort of stuff.

0:20:13.560 --> 0:20:15.879
<v Speaker 3>But if she is trying to make a move to

0:20:15.920 --> 0:20:18.720
<v Speaker 3>get that diamond, then yeah, we will expect to see

0:20:18.720 --> 0:20:19.480
<v Speaker 3>a lot more from her.

0:20:19.840 --> 0:20:21.880
<v Speaker 1>She's a bit thirsty as well in her own way.

0:20:22.240 --> 0:20:25.560
<v Speaker 1>Her claim to fame is those chucky movies. And I

0:20:25.640 --> 0:20:27.800
<v Speaker 1>kind of relate to this because it's almost as though

0:20:27.880 --> 0:20:30.520
<v Speaker 1>you invite your friends over. Imagine if I invite my

0:20:30.520 --> 0:20:32.680
<v Speaker 1>friends over to watch episodes of Big Brother, do you

0:20:32.720 --> 0:20:34.159
<v Speaker 1>know what I mean? Like, that's what you kind of

0:20:34.280 --> 0:20:36.399
<v Speaker 1>were known for. And then you come into the house

0:20:36.800 --> 0:20:39.720
<v Speaker 1>and imagine I had a shrine of that stuff around

0:20:39.720 --> 0:20:40.119
<v Speaker 1>my house.

0:20:40.160 --> 0:20:41.879
<v Speaker 2>You'd be like, God, But do you know what you

0:20:42.000 --> 0:20:44.639
<v Speaker 2>do have is a ding dang dong.

0:20:45.720 --> 0:20:48.959
<v Speaker 3>It goes bang bang, bang, bang bang, and that scene

0:20:49.240 --> 0:20:51.480
<v Speaker 3>with her and they're in the midst of this really

0:20:51.480 --> 0:20:56.520
<v Speaker 3>emotional discussion and then the clock starts going.

0:20:57.440 --> 0:20:59.160
<v Speaker 1>That's my antique club.

0:21:02.480 --> 0:21:06.199
<v Speaker 2>That is exactly the first time I visited your house.

0:21:07.800 --> 0:21:09.000
<v Speaker 2>Good shit out of me?

0:21:10.280 --> 0:21:13.000
<v Speaker 1>No, and you gotta wait for the finish. But anyway,

0:21:13.200 --> 0:21:16.280
<v Speaker 1>I digress episode four. How many Alana mcleans? Are you

0:21:16.280 --> 0:21:19.080
<v Speaker 1>giving it three for that one? Same three for me?

0:21:19.600 --> 0:21:19.840
<v Speaker 2>Yeah?

0:21:20.119 --> 0:21:23.399
<v Speaker 1>Square it away three a little bit better than what

0:21:23.520 --> 0:21:26.160
<v Speaker 1>I thought the episode was prior to that. I think

0:21:26.320 --> 0:21:29.280
<v Speaker 1>for me, Garcel was the reason why I've given that

0:21:29.760 --> 0:21:33.360
<v Speaker 1>that episode three points. Without her and Bose's comment about

0:21:33.359 --> 0:21:36.359
<v Speaker 1>the toad, I might have been a little bit underwhelmed.

0:21:36.440 --> 0:21:38.479
<v Speaker 2>Yeah, I would agree with that. It was enough. It

0:21:38.520 --> 0:21:39.560
<v Speaker 2>was enough to keep us going.

0:21:39.800 --> 0:21:42.080
<v Speaker 1>Can we talk about the friend role and what they're

0:21:42.119 --> 0:21:44.320
<v Speaker 1>allowed to do in terms of getting their hands dirty.

0:21:44.440 --> 0:21:47.240
<v Speaker 1>Do you think that the executive producers talk to them

0:21:47.480 --> 0:21:50.000
<v Speaker 1>about how much they can get themselves involved in? Because

0:21:50.040 --> 0:21:52.920
<v Speaker 1>Kathy turns up very briefly. It's a blink and you'll

0:21:52.960 --> 0:21:55.919
<v Speaker 1>miss her moment. So she is at Kyle's party. But

0:21:56.080 --> 0:21:58.240
<v Speaker 1>as soon as the fight gets going, which I'm sort

0:21:58.240 --> 0:21:59.720
<v Speaker 1>of getting ahead of myself, but as soon as that

0:21:59.720 --> 0:22:02.720
<v Speaker 1>five got going, Kathy wasn't sitting there. And then you

0:22:02.920 --> 0:22:05.920
<v Speaker 1>watch the faces of the friends of the show and

0:22:05.960 --> 0:22:08.760
<v Speaker 1>they seem to sit back and they don't join the conversation.

0:22:08.880 --> 0:22:10.000
<v Speaker 1>Do you reckon that's controlled?

0:22:10.240 --> 0:22:14.280
<v Speaker 2>Yeah. I thought this was an interesting one with Kathy also.

0:22:14.040 --> 0:22:17.399
<v Speaker 3>Because of Jennifer Tilly that whole opening scene which was

0:22:17.400 --> 0:22:19.680
<v Speaker 3>at her house, which we've just mentioned, But I sort

0:22:19.680 --> 0:22:23.600
<v Speaker 3>of thought, oh, are we getting production trying to balance

0:22:23.640 --> 0:22:27.080
<v Speaker 3>out the quirkiness, Like we won't have Kathy's quirkiness today

0:22:27.119 --> 0:22:29.239
<v Speaker 3>with her getting her glam done and she's got her

0:22:29.280 --> 0:22:31.719
<v Speaker 3>ivy drip and she's getting her face massage and all

0:22:31.800 --> 0:22:32.000
<v Speaker 3>of that.

0:22:32.520 --> 0:22:34.560
<v Speaker 2>We're going to give Jennifer her quirking moment now.

0:22:34.600 --> 0:22:36.800
<v Speaker 3>So Kyle's coming to see her house with the dolls

0:22:36.840 --> 0:22:39.160
<v Speaker 3>and the drinks and the weird shit she's got going

0:22:39.160 --> 0:22:41.359
<v Speaker 3>on over there. And then she was part of that

0:22:41.440 --> 0:22:44.520
<v Speaker 3>tribal council sort of conversation at the end. So maybe

0:22:44.560 --> 0:22:46.600
<v Speaker 3>we'll leave Kathy out of it. We don't need two

0:22:46.680 --> 0:22:50.359
<v Speaker 3>of them there. It's like they're job sharing the quirkiness role.

0:22:50.640 --> 0:22:53.720
<v Speaker 2>So I feel like that was noticeable. It was interesting.

0:22:54.000 --> 0:22:56.280
<v Speaker 1>Yeah, I think you're so right about that job sharing

0:22:56.359 --> 0:22:58.959
<v Speaker 1>because it does seem like that they even out that quirkiness,

0:22:59.160 --> 0:23:02.240
<v Speaker 1>and I feel though there must be like a quota

0:23:02.560 --> 0:23:07.240
<v Speaker 1>when they put these episodes together. They must talk about humor, controversy,

0:23:07.520 --> 0:23:11.040
<v Speaker 1>stirring of the pot altercation, like they must sort of

0:23:11.280 --> 0:23:14.159
<v Speaker 1>timeline these things to make sure every episode at least

0:23:14.359 --> 0:23:17.800
<v Speaker 1>hits a point, you know, because it's feeling very muscular

0:23:18.040 --> 0:23:20.200
<v Speaker 1>at the moment with this series. It's feeling like they

0:23:20.280 --> 0:23:22.960
<v Speaker 1>know exactly where they need to go and they don't

0:23:22.960 --> 0:23:23.800
<v Speaker 1>step outside of that.

0:23:24.160 --> 0:23:27.000
<v Speaker 2>Yeah, well, I think, I mean we've heard before.

0:23:27.080 --> 0:23:30.080
<v Speaker 3>I mean it's interesting getting all the tidbits from the

0:23:30.119 --> 0:23:30.600
<v Speaker 3>after show.

0:23:30.600 --> 0:23:32.120
<v Speaker 2>If you don't watch the after.

0:23:31.840 --> 0:23:34.719
<v Speaker 3>Show, sometimes you get more from the after show than

0:23:34.760 --> 0:23:37.360
<v Speaker 3>you do on the actual show. It is very interesting,

0:23:37.400 --> 0:23:39.000
<v Speaker 3>and there is a lot that gets left on the

0:23:39.000 --> 0:23:41.600
<v Speaker 3>cutting room floor, and I think Anna Marie brought that

0:23:41.640 --> 0:23:44.440
<v Speaker 3>to light last season after she got cut, because apparently

0:23:44.480 --> 0:23:46.760
<v Speaker 3>there was a lot there to do with her political

0:23:46.800 --> 0:23:49.360
<v Speaker 3>beliefs and her and Crystal having fights, but they cut

0:23:49.440 --> 0:23:51.800
<v Speaker 3>all of that. We never knew any of that. So

0:23:51.880 --> 0:23:54.480
<v Speaker 3>I think there is a lot there, and then they'll

0:23:54.520 --> 0:23:56.800
<v Speaker 3>pick what they want to follow that narrative for show.

0:23:56.840 --> 0:23:59.359
<v Speaker 1>I think I'll send a bouquet of flowers to the editor, though,

0:23:59.440 --> 0:24:02.920
<v Speaker 1>because leave you me. I appreciate an editor who's willing

0:24:02.920 --> 0:24:05.640
<v Speaker 1>to cut Crystal and Anna Marie out of the.

0:24:06.359 --> 0:24:08.399
<v Speaker 2>I know, I kind of believe I remember their names.

0:24:08.720 --> 0:24:13.720
<v Speaker 1>Next next. So one of the things I thought was

0:24:13.760 --> 0:24:16.359
<v Speaker 1>interesting about this episode was Erica Jane had a piece

0:24:16.400 --> 0:24:19.520
<v Speaker 1>to camera and because we're used to seeing like a

0:24:19.560 --> 0:24:21.919
<v Speaker 1>line being thrown away in the confessional and then a

0:24:22.000 --> 0:24:24.560
<v Speaker 1>drink of the drink to assert the fact that they've

0:24:24.600 --> 0:24:28.520
<v Speaker 1>just said something extremely shady, can you please Alana explain

0:24:29.000 --> 0:24:31.399
<v Speaker 1>to me what the hell she was talking about. I

0:24:31.400 --> 0:24:34.400
<v Speaker 1>don't understand what she was talking about with a personality disorder,

0:24:34.680 --> 0:24:39.120
<v Speaker 1>about Sutton's reference and her own. I'm not really here

0:24:39.160 --> 0:24:43.919
<v Speaker 1>to diagnose personality disorders, but you know, I mean I

0:24:43.960 --> 0:24:45.840
<v Speaker 1>have one. What was that?

0:24:46.920 --> 0:24:49.920
<v Speaker 3>I think, well, she was calling her out as being volatile,

0:24:50.000 --> 0:24:52.560
<v Speaker 3>and I think that's definitely something that we've seen as

0:24:52.640 --> 0:24:54.199
<v Speaker 3>viewers and we've just spoken about it.

0:24:54.480 --> 0:24:56.800
<v Speaker 2>But I think she was saying there's something more to that.

0:24:57.080 --> 0:24:59.520
<v Speaker 3>I don't know whether that was a good move because

0:25:00.000 --> 0:25:02.960
<v Speaker 3>bringing medical things into the mix and I just got ooh,

0:25:03.080 --> 0:25:06.119
<v Speaker 3>it sort of discredits what you're saying. It takes it

0:25:06.119 --> 0:25:08.840
<v Speaker 3>to another place when you're accusing someone of having some

0:25:08.960 --> 0:25:12.080
<v Speaker 3>kind of medical or mental, you know, sort of issue.

0:25:12.400 --> 0:25:14.640
<v Speaker 3>But then she said, yeah, I mean I've got one,

0:25:14.840 --> 0:25:17.520
<v Speaker 3>but we didn't know what that was, so it was

0:25:17.560 --> 0:25:19.199
<v Speaker 3>a bit strange. I think she sort of said that

0:25:19.280 --> 0:25:21.720
<v Speaker 3>at the last minute to be like, oh, I'm not

0:25:21.760 --> 0:25:24.920
<v Speaker 3>calling her out, like I've got something too. But when

0:25:24.960 --> 0:25:28.159
<v Speaker 3>she was saying she was volatile, and to use Jennifer

0:25:28.200 --> 0:25:31.200
<v Speaker 3>Tilly's word, mercurial is what she said in the after show.

0:25:31.440 --> 0:25:34.159
<v Speaker 3>I think that describes some She goes from zero to

0:25:34.160 --> 0:25:36.800
<v Speaker 3>one hundred. We've seen it, they've played all the tapes back,

0:25:36.840 --> 0:25:40.240
<v Speaker 3>we're seeing the montage and she you know, when Kyle

0:25:40.320 --> 0:25:43.560
<v Speaker 3>said that time, you know, you have a habit of

0:25:43.600 --> 0:25:47.560
<v Speaker 3>losing your shit in ridiculous circumstances. That was another example

0:25:47.600 --> 0:25:49.520
<v Speaker 3>of it. But I feel like she does it as

0:25:49.520 --> 0:25:51.560
<v Speaker 3>a little bit of a front to try and take

0:25:51.600 --> 0:25:55.640
<v Speaker 3>the reins, to take charge when she's gotten nothing that interesting.

0:25:55.280 --> 0:25:57.800
<v Speaker 2>Going on in her own life. That's what she tries

0:25:57.840 --> 0:25:58.120
<v Speaker 2>to do.

0:25:58.440 --> 0:25:59.720
<v Speaker 1>I wonder whether or not we're going to get to

0:25:59.720 --> 0:26:02.520
<v Speaker 1>see much heavy lifting from Erica Jane. I did notice

0:26:02.560 --> 0:26:05.320
<v Speaker 1>this morning that she has posted on her social media

0:26:05.400 --> 0:26:08.240
<v Speaker 1>that she's back again playing Roxy Heart. Didn't see whether

0:26:08.280 --> 0:26:11.480
<v Speaker 1>it was in Chicago or whether it was in New York.

0:26:11.560 --> 0:26:13.680
<v Speaker 1>But look, I think that's exciting for her that she's

0:26:13.720 --> 0:26:15.920
<v Speaker 1>getting more of that work because that's kind of what

0:26:15.960 --> 0:26:17.840
<v Speaker 1>she was wanting to do in the first place. If

0:26:17.880 --> 0:26:19.880
<v Speaker 1>you go back and see what she talks about when

0:26:19.880 --> 0:26:22.800
<v Speaker 1>she joined Housewives, it was really to be a launching

0:26:22.840 --> 0:26:24.920
<v Speaker 1>pad for her. Erica jamesinging Korea.

0:26:25.160 --> 0:26:27.440
<v Speaker 2>That will I think that will get a run on

0:26:27.480 --> 0:26:27.720
<v Speaker 2>the show.

0:26:27.720 --> 0:26:29.400
<v Speaker 3>I mean, we might not see it until next year,

0:26:29.520 --> 0:26:31.879
<v Speaker 3>but I think that becomes the full circle moment for

0:26:31.920 --> 0:26:34.440
<v Speaker 3>her because she was doing that show when it all

0:26:34.480 --> 0:26:37.600
<v Speaker 3>turned to shit, COVID hit everything with Tom happened and

0:26:38.000 --> 0:26:40.919
<v Speaker 3>fuck four years of craziness and shit and then to

0:26:41.000 --> 0:26:43.440
<v Speaker 3>get back on the stage four years later, that will

0:26:43.480 --> 0:26:45.960
<v Speaker 3>be her full circle moment where she's like, I've come

0:26:46.000 --> 0:26:46.720
<v Speaker 3>back out on top.

0:26:46.880 --> 0:26:49.679
<v Speaker 1>It was a little country lesbian, not country western, but

0:26:49.720 --> 0:26:52.159
<v Speaker 1>country lesbian for me. With this party that KLi was

0:26:52.200 --> 0:26:55.680
<v Speaker 1>putting together, did you notice that there was barely any

0:26:55.720 --> 0:26:58.200
<v Speaker 1>men there? Because was this supposed to be her white

0:26:58.200 --> 0:27:00.000
<v Speaker 1>party that she does every year? Is that what we're

0:27:00.160 --> 0:27:02.720
<v Speaker 1>was supposed to assume because the White Party back in

0:27:02.760 --> 0:27:05.239
<v Speaker 1>the day, we just have couples everywhere where. This was

0:27:05.600 --> 0:27:10.359
<v Speaker 1>basically women with muscles, wearing like they were all just

0:27:10.400 --> 0:27:13.200
<v Speaker 1>wearing the same thing. Everyone was like, I'm just look

0:27:13.320 --> 0:27:16.720
<v Speaker 1>like a Morgan Wade event, do you know what I mean?

0:27:16.720 --> 0:27:19.879
<v Speaker 1>Like the influence of Morgan Wade and country. Everyone was like, Oh,

0:27:19.920 --> 0:27:21.439
<v Speaker 1>we've got to go to Kyle's place for a party.

0:27:21.480 --> 0:27:23.639
<v Speaker 1>What are we going to wear? What's Kyle into these days?

0:27:23.840 --> 0:27:28.040
<v Speaker 1>Vaginas and country. Women were like, we're going to bring

0:27:28.040 --> 0:27:29.680
<v Speaker 1>out vaginas, We're going to get them out, and we're

0:27:29.680 --> 0:27:31.520
<v Speaker 1>going to wear a country hat and Kyle will love us.

0:27:31.640 --> 0:27:33.520
<v Speaker 1>Because to me, I was like, I was confused by

0:27:33.600 --> 0:27:34.359
<v Speaker 1>whatever one was wearing.

0:27:34.840 --> 0:27:36.720
<v Speaker 3>I mean, look, she said it was the first party

0:27:36.760 --> 0:27:39.040
<v Speaker 3>without mo so maybe she was making it a bit

0:27:39.080 --> 0:27:42.240
<v Speaker 3>more sort of fem fatale female energy.

0:27:42.560 --> 0:27:44.679
<v Speaker 2>I don't know, but she definitely is trying to make.

0:27:44.520 --> 0:27:48.800
<v Speaker 3>The country thing cool and she's really leaning into that. So,

0:27:48.960 --> 0:27:51.760
<v Speaker 3>I mean, there was no sighting of Morgan Way, but

0:27:51.880 --> 0:27:53.480
<v Speaker 3>dare I say she could have been there, We just

0:27:53.520 --> 0:27:57.000
<v Speaker 3>didn't see her on camera. But interesting to have Camille

0:27:57.320 --> 0:27:59.640
<v Speaker 3>rock up as one of the I Guess guest stars

0:27:59.680 --> 0:28:03.479
<v Speaker 3>of this episode and then to bring her sort of

0:28:03.560 --> 0:28:06.679
<v Speaker 3>a thirstiness as we know her for so well to

0:28:06.760 --> 0:28:08.040
<v Speaker 3>that final scene, which.

0:28:08.000 --> 0:28:09.760
<v Speaker 2>Just made it explosive.

0:28:10.200 --> 0:28:13.280
<v Speaker 1>I love the bringing back Camille. I mean, I hate Camille.

0:28:13.280 --> 0:28:15.680
<v Speaker 2>I've so annoying.

0:28:15.920 --> 0:28:18.960
<v Speaker 1>She's so annoying. She's very thirsty as a housewife. You

0:28:18.960 --> 0:28:20.960
<v Speaker 1>can tell that every time she turns up. She's there

0:28:21.040 --> 0:28:23.919
<v Speaker 1>for her moment. But Lisa Rinnod just recently was talking

0:28:23.960 --> 0:28:27.359
<v Speaker 1>about where they wanted to bring Denise Richard's affair with

0:28:27.400 --> 0:28:30.439
<v Speaker 1>Brandy Glanville to the surface, and they just would the

0:28:30.480 --> 0:28:33.280
<v Speaker 1>producers would tell them, you know, something's going to happen,

0:28:33.520 --> 0:28:35.479
<v Speaker 1>and we can't tell you too much about it, but

0:28:35.520 --> 0:28:37.159
<v Speaker 1>pretty much all the ogs are going to be in

0:28:37.200 --> 0:28:40.520
<v Speaker 1>this episode, and that's what happens. Like they bring someone

0:28:40.640 --> 0:28:43.200
<v Speaker 1>in for a purpose, and Camille was obviously brought in

0:28:43.240 --> 0:28:46.840
<v Speaker 1>for a purpose to upset direct that was obvious. Kyle

0:28:46.960 --> 0:28:50.720
<v Speaker 1>was like doing the LVP trick, which is to sit

0:28:50.800 --> 0:28:55.080
<v Speaker 1>around in the tribal council say nothing, nothing, and then

0:28:55.120 --> 0:28:57.200
<v Speaker 1>have Camille be there and be like, I'm going to

0:28:57.240 --> 0:28:58.440
<v Speaker 1>do Kyle's work.

0:28:58.760 --> 0:29:01.440
<v Speaker 2>It was red bag to a bull and it worked perfectly.

0:29:01.600 --> 0:29:02.520
<v Speaker 2>It ignited her.

0:29:02.800 --> 0:29:04.880
<v Speaker 3>She was already on a nice sage after the five

0:29:04.960 --> 0:29:09.080
<v Speaker 3>with Sutton continuing trying to defend her position, trying to

0:29:09.120 --> 0:29:12.200
<v Speaker 3>say her life sucks. What more can I say to you?

0:29:12.360 --> 0:29:14.920
<v Speaker 3>And then for Commune to just jump in, and then

0:29:15.200 --> 0:29:18.960
<v Speaker 3>we got the cunt references, We got the I rate

0:29:19.560 --> 0:29:21.120
<v Speaker 3>anger from Dereid.

0:29:22.520 --> 0:29:24.640
<v Speaker 6>I lost my house, I lost my assistant of many,

0:29:24.680 --> 0:29:27.960
<v Speaker 6>many years, and I didn't get a lot of compassion

0:29:28.000 --> 0:29:33.000
<v Speaker 6>or empathy from some, especially ninety Welcome to me.

0:29:34.680 --> 0:29:37.680
<v Speaker 3>It worked a charm, but I still think, oh god,

0:29:37.760 --> 0:29:39.200
<v Speaker 3>I could not agree with dret more.

0:29:39.400 --> 0:29:41.480
<v Speaker 2>Camille is always looking for her moment.

0:29:41.800 --> 0:29:46.200
<v Speaker 3>She always comes in, She's always online, she comments on

0:29:46.280 --> 0:29:48.440
<v Speaker 3>everything like I don't think that's a front.

0:29:48.520 --> 0:29:50.280
<v Speaker 2>I think she really is that thirsty.

0:29:50.560 --> 0:29:53.760
<v Speaker 1>And you could tell the Kelsey Gramma thought the same

0:29:53.800 --> 0:29:57.000
<v Speaker 1>thing about her, Like the Gramma's original reactions to Camille

0:29:57.360 --> 0:30:00.680
<v Speaker 1>was like are you okay? Like when we watched season one,

0:30:00.760 --> 0:30:04.400
<v Speaker 1>you could see Camille was like so overcooked, Like he

0:30:04.440 --> 0:30:06.680
<v Speaker 1>looked so uncomfortable with it. Probably why he shifted her

0:30:06.680 --> 0:30:10.520
<v Speaker 1>off and got a new wife. But I just I'm

0:30:10.640 --> 0:30:13.360
<v Speaker 1>so glad Camille was there because we got this iconic moment.

0:30:13.520 --> 0:30:16.080
<v Speaker 1>And I know that Erica said to Kyle in the

0:30:16.120 --> 0:30:18.760
<v Speaker 1>after show, you know, I thought it was hilarious that

0:30:18.800 --> 0:30:20.640
<v Speaker 1>she used that word, and Kyle said that it was

0:30:20.720 --> 0:30:23.160
<v Speaker 1>inappropriate and didn't like that word used, didn't think it

0:30:23.200 --> 0:30:26.840
<v Speaker 1>was the right thing to say. But as Erica referenced

0:30:27.200 --> 0:30:31.000
<v Speaker 1>that moment where she jokingly said to Camille that you're

0:30:31.000 --> 0:30:34.480
<v Speaker 1>a stupid cunt two seasons back or three seasons back,

0:30:34.520 --> 0:30:36.760
<v Speaker 1>that was iconic, So it was kind of good that

0:30:36.800 --> 0:30:38.400
<v Speaker 1>she referenced that. It's a kind of a nod to

0:30:38.440 --> 0:30:39.480
<v Speaker 1>the fans, you know what I mean.

0:30:39.680 --> 0:30:42.240
<v Speaker 3>Yeah, And the fact that ben Direct actually had the

0:30:42.400 --> 0:30:44.640
<v Speaker 3>goal to be like, I didn't call you a f

0:30:45.040 --> 0:30:47.520
<v Speaker 3>z U and T, I called you a stupid one.

0:30:47.600 --> 0:30:49.920
<v Speaker 3>And then in her confessional she's like, I used to

0:30:49.960 --> 0:30:52.680
<v Speaker 3>regret calling her out, but now I truly believe it,

0:30:52.760 --> 0:30:55.280
<v Speaker 3>Like now I think she is a stupid f c

0:30:55.440 --> 0:30:55.760
<v Speaker 3>U and T.

0:30:56.120 --> 0:31:00.120
<v Speaker 1>Do your girlfriends use that word though, Like, no, I think.

0:31:00.120 --> 0:31:03.520
<v Speaker 2>That's the word that you use. I mean, I get that.

0:31:03.600 --> 0:31:05.920
<v Speaker 3>In the first instance, she was kind of saying, it's

0:31:05.920 --> 0:31:08.080
<v Speaker 3>a bit of a joke, that that is like the.

0:31:07.880 --> 0:31:10.320
<v Speaker 2>Worst of the worst to call someone that.

0:31:10.320 --> 0:31:13.640
<v Speaker 3>That's like that you have used all the other words,

0:31:14.080 --> 0:31:15.120
<v Speaker 3>that is the lowest.

0:31:15.440 --> 0:31:18.200
<v Speaker 1>If anyone I know drops the C word, it's usually

0:31:18.600 --> 0:31:21.720
<v Speaker 1>it's on it's usually like terms for I'm going to

0:31:21.800 --> 0:31:23.960
<v Speaker 1>drop this word now to let everyone know that it

0:31:24.040 --> 0:31:26.040
<v Speaker 1>is on, that.

0:31:25.960 --> 0:31:28.400
<v Speaker 2>It's in the most the worst state it could be in.

0:31:28.960 --> 0:31:32.600
<v Speaker 1>So how comfortable and confident were you with the term weaponized?

0:31:32.640 --> 0:31:34.959
<v Speaker 1>Because I had heard that used just recently and in

0:31:35.000 --> 0:31:37.520
<v Speaker 1>my friend groups someone said, you're weaponizing this and I

0:31:37.560 --> 0:31:39.760
<v Speaker 1>was like, oh, yeah, that does make sense, and you know,

0:31:39.840 --> 0:31:42.880
<v Speaker 1>that's a really good way to explain how women do

0:31:43.000 --> 0:31:45.000
<v Speaker 1>often do this to each other. I see it more

0:31:45.000 --> 0:31:46.800
<v Speaker 1>in my female friendship groups than I do in my

0:31:46.880 --> 0:31:50.280
<v Speaker 1>male friendship groups, and that has used something that's happening

0:31:50.360 --> 0:31:53.440
<v Speaker 1>in their life against them. I think weaponizing is the

0:31:53.480 --> 0:31:55.680
<v Speaker 1>new gas lighting when it comes to this season of

0:31:55.760 --> 0:31:58.040
<v Speaker 1>the show, and I think bose Men hammering that point

0:31:58.080 --> 0:32:00.440
<v Speaker 1>and making the women aware of it will be interesting

0:32:00.480 --> 0:32:03.160
<v Speaker 1>to see whether or not they stop doing it or

0:32:03.160 --> 0:32:05.680
<v Speaker 1>they start doing it more. But it's definitely going to

0:32:05.680 --> 0:32:08.440
<v Speaker 1>be something I think they'll talk about as the series progresses.

0:32:11.240 --> 0:32:15.000
<v Speaker 5>You just did that when I said that she's not manitu,

0:32:15.080 --> 0:32:15.800
<v Speaker 5>she's mad at her life.

0:32:15.800 --> 0:32:17.520
<v Speaker 2>That's weaponizing. It's love.

0:32:17.840 --> 0:32:22.560
<v Speaker 5>You take the horrible situation this happening in somebody's life

0:32:22.880 --> 0:32:25.720
<v Speaker 5>and turn it back around sharpen it and stick.

0:32:25.480 --> 0:32:25.880
<v Speaker 1>Them with it.

0:32:26.840 --> 0:32:30.840
<v Speaker 3>Well, her description was so perfect in terms of explaining

0:32:30.880 --> 0:32:34.520
<v Speaker 3>it and why it's so hurtful, And I think that

0:32:34.520 --> 0:32:36.080
<v Speaker 3>that is what something was doing.

0:32:36.120 --> 0:32:38.840
<v Speaker 2>But we've seen something do that. We saw her do it.

0:32:38.800 --> 0:32:42.000
<v Speaker 3>With Erica as well, and Garcelle does the same thing

0:32:42.040 --> 0:32:45.040
<v Speaker 3>as well. They're both they're both culprits of it. And

0:32:45.080 --> 0:32:47.440
<v Speaker 3>I think, you know, the fans are going to start

0:32:47.480 --> 0:32:50.640
<v Speaker 3>to see that more and more because now someone like

0:32:50.720 --> 0:32:54.320
<v Speaker 3>Bosa's had such a beautiful description of the word, it'll

0:32:54.360 --> 0:32:56.560
<v Speaker 3>be easier for people to go, ah, that's what they've

0:32:56.560 --> 0:32:58.920
<v Speaker 3>been doing all the whole, So the fans might start

0:32:58.960 --> 0:33:00.200
<v Speaker 3>to turn on garcel.

0:32:59.840 --> 0:33:02.560
<v Speaker 1>And yeah, I think our Cell and Sudden have been

0:33:02.640 --> 0:33:05.719
<v Speaker 1>facilitating the Lisa rent A role now and they've fully

0:33:06.080 --> 0:33:09.040
<v Speaker 1>slipped into that role. They're fully wearing the mask. You know. Well,

0:33:09.080 --> 0:33:11.560
<v Speaker 1>maybe I should say the maskers come off with the

0:33:11.600 --> 0:33:13.920
<v Speaker 1>way in which they are now facilitating the Lisa rent

0:33:13.920 --> 0:33:16.560
<v Speaker 1>A role by keeping things tracking along. But as we

0:33:16.640 --> 0:33:20.080
<v Speaker 1>unpack some of this behavior, weaponizing, gas lighting, all of

0:33:20.120 --> 0:33:23.360
<v Speaker 1>these terms that are now becoming so popular in reality television,

0:33:23.600 --> 0:33:26.320
<v Speaker 1>isn't that what the show is kind of supposed to do.

0:33:26.440 --> 0:33:29.240
<v Speaker 1>Aren't these women being told and coached behind the scenes

0:33:29.240 --> 0:33:31.360
<v Speaker 1>by their producers that to make this show and to

0:33:31.360 --> 0:33:33.440
<v Speaker 1>be good on the show, you need to join the fights.

0:33:33.520 --> 0:33:35.400
<v Speaker 1>You need to be able to be good at confrontation.

0:33:35.720 --> 0:33:39.080
<v Speaker 1>You know, if we take away weaponizing, you know, suddenly

0:33:39.080 --> 0:33:40.600
<v Speaker 1>doesn't have much of a trick left.

0:33:40.840 --> 0:33:42.680
<v Speaker 2>That's right, That's exactly right.

0:33:42.720 --> 0:33:44.600
<v Speaker 3>And that's what I think Kyle was trying to point

0:33:44.640 --> 0:33:46.520
<v Speaker 3>out last year at the reunion when she was.

0:33:46.520 --> 0:33:49.160
<v Speaker 2>Like, I have showed everything. All you do is try

0:33:49.240 --> 0:33:50.600
<v Speaker 2>and pick up on stuff.

0:33:50.360 --> 0:33:54.040
<v Speaker 3>That everyone else is doing so and then to boot

0:33:54.120 --> 0:33:57.200
<v Speaker 3>she goes, oh, you know, she's not even consistent with

0:33:57.280 --> 0:33:59.920
<v Speaker 3>her sort of takedown. One minute, she's friends with you,

0:34:00.120 --> 0:34:02.280
<v Speaker 3>one minute, she's trying to sympathize with you. The next

0:34:02.280 --> 0:34:04.680
<v Speaker 3>minute she's trying to bring you down. She's screaming you

0:34:04.720 --> 0:34:08.800
<v Speaker 3>in a restaurant. She is just not at an equilibrium ever.

0:34:09.120 --> 0:34:11.520
<v Speaker 3>But I think, yeah, you're right. The whole crux of

0:34:11.560 --> 0:34:15.120
<v Speaker 3>these shows is conflict and then resolution and watching that

0:34:15.239 --> 0:34:17.560
<v Speaker 3>kind of play out over and over again like a

0:34:17.640 --> 0:34:21.720
<v Speaker 3>soap opera with different players and different sort of themes

0:34:21.800 --> 0:34:27.600
<v Speaker 3>running throughout. So I think Sutton and Garsell definitely that

0:34:27.880 --> 0:34:28.640
<v Speaker 3>that has been there.

0:34:28.680 --> 0:34:31.560
<v Speaker 1>Am I how many? Alana McLean said we're giving this episode.

0:34:31.680 --> 0:34:33.960
<v Speaker 2>This one was better for me. I feel like this

0:34:34.160 --> 0:34:37.040
<v Speaker 2>was like this was up there. I don't know if

0:34:37.040 --> 0:34:39.360
<v Speaker 2>it's a four. I think it's a solid three and

0:34:39.360 --> 0:34:39.920
<v Speaker 2>a half for me.

0:34:40.040 --> 0:34:41.680
<v Speaker 1>This one, I'm going to agree. I'm going to go

0:34:41.800 --> 0:34:43.600
<v Speaker 1>solid three and a half on this one. You know

0:34:43.760 --> 0:34:46.239
<v Speaker 1>we're getting there, and I think, you know, if you're

0:34:46.239 --> 0:34:47.839
<v Speaker 1>a fan of the show and you have been there

0:34:47.880 --> 0:34:50.640
<v Speaker 1>since the start, bringing someone like Camille Grammer into it,

0:34:50.760 --> 0:34:52.880
<v Speaker 1>I think, oh, that's not her name. She's been Camille

0:34:52.880 --> 0:34:54.280
<v Speaker 1>Grammar in like fifteen years.

0:34:54.160 --> 0:34:58.239
<v Speaker 2>But we all know her is that she's hanging on

0:34:58.280 --> 0:34:59.320
<v Speaker 2>to that for deal life.

0:34:59.400 --> 0:35:02.480
<v Speaker 1>But bring someone like that back, it's iconic and it's

0:35:02.520 --> 0:35:04.600
<v Speaker 1>fun to watch. And then when they get into some

0:35:04.680 --> 0:35:07.440
<v Speaker 1>fights that bring up some old stuff from old seasons,

0:35:07.440 --> 0:35:10.279
<v Speaker 1>it's just nostalgia rama for me. So like that's where

0:35:10.280 --> 0:35:13.000
<v Speaker 1>we got to lift it a little bit. And you know,

0:35:13.360 --> 0:35:15.879
<v Speaker 1>it's another episode where I began to like Garsell Moore,

0:35:15.920 --> 0:35:18.400
<v Speaker 1>which is bizarre for me because I've not liked Garsel

0:35:18.560 --> 0:35:20.680
<v Speaker 1>in any season that we've seen so far. So the

0:35:20.719 --> 0:35:23.200
<v Speaker 1>fact that she's rising the ranks in who I am

0:35:23.320 --> 0:35:25.920
<v Speaker 1>enjoying amongst these women is bizarre to me.

0:35:26.280 --> 0:35:30.239
<v Speaker 3>Garcel is definitely taking on the lead role as the popstarer.

0:35:30.680 --> 0:35:34.040
<v Speaker 3>I think we've seen the base sort of laid there

0:35:34.160 --> 0:35:36.440
<v Speaker 3>for what is going to happen with Kyle, because she's

0:35:36.440 --> 0:35:39.200
<v Speaker 3>obviously throwing Kyle under the bus about these PK rumors,

0:35:39.320 --> 0:35:42.600
<v Speaker 3>and she's also igniting another fire, you know, jumping on

0:35:42.640 --> 0:35:46.279
<v Speaker 3>this fan theory that's been online for years about the

0:35:46.640 --> 0:35:50.040
<v Speaker 3>dret and PK robbery. So once those come to light more,

0:35:50.280 --> 0:35:52.200
<v Speaker 3>I think we'll see Garsel right in the middle of

0:35:52.239 --> 0:35:53.200
<v Speaker 3>a lot of these fires.

0:35:53.480 --> 0:35:55.920
<v Speaker 1>To any predictions for next week, we saw the preview.

0:35:55.920 --> 0:35:58.360
<v Speaker 1>They've not always been showing as the next week on

0:35:58.440 --> 0:36:01.880
<v Speaker 1>Housewives as I mean, we've got to wait two weeks

0:36:02.200 --> 0:36:02.719
<v Speaker 1>for it to be on.

0:36:03.280 --> 0:36:03.760
<v Speaker 2>Two weeks.

0:36:03.760 --> 0:36:07.080
<v Speaker 3>We've got the two week hiatus which over Christmas, so

0:36:07.080 --> 0:36:08.920
<v Speaker 3>we're all going to have to wait. We're all going

0:36:09.000 --> 0:36:11.399
<v Speaker 3>to have to wait with baited breath. Look, I think

0:36:11.480 --> 0:36:14.440
<v Speaker 3>the fires are going to continue. Funny enough, the fire

0:36:14.520 --> 0:36:17.280
<v Speaker 3>isn't so much around to eat and Kyle at the moment,

0:36:17.480 --> 0:36:19.920
<v Speaker 3>I think it's going to start to spread to the

0:36:19.960 --> 0:36:20.640
<v Speaker 3>other players.

0:36:20.960 --> 0:36:23.960
<v Speaker 1>I do think there's going to be some evolution with

0:36:24.000 --> 0:36:26.239
<v Speaker 1>these friendships, especially if you're going to fit bose Men

0:36:26.280 --> 0:36:29.400
<v Speaker 1>into it. You know, I think that Boseman is clearly

0:36:29.760 --> 0:36:33.719
<v Speaker 1>hanging on to her Dereat friendship for dear life, and

0:36:33.800 --> 0:36:35.759
<v Speaker 1>I think that that's going to be really hard for

0:36:35.800 --> 0:36:38.640
<v Speaker 1>her to maintain because Dereed's got too many holes in

0:36:38.680 --> 0:36:42.080
<v Speaker 1>her story for a CEO to just sit by and

0:36:42.120 --> 0:36:42.560
<v Speaker 1>co sign.

0:36:42.920 --> 0:36:44.800
<v Speaker 3>Well, she's not going to take any bullshit, so I

0:36:44.840 --> 0:36:47.160
<v Speaker 3>think once she works out the state of play, we'll

0:36:47.200 --> 0:36:48.839
<v Speaker 3>really see her coming to her own.

0:36:49.000 --> 0:36:51.240
<v Speaker 1>Well, we'll be back next week.

0:36:51.520 --> 0:36:53.480
<v Speaker 2>Who two weeks? We have to wait?

0:36:53.680 --> 0:36:55.720
<v Speaker 1>Oh my god, we have to waste two whole weeks.

0:36:55.800 --> 0:36:57.440
<v Speaker 1>I love all the people online. Did you see the

0:36:57.440 --> 0:36:59.960
<v Speaker 1>post and then read the comments underneath? We waited twelve

0:37:00.120 --> 0:37:02.400
<v Speaker 1>months for this show to come back. How dare you

0:37:02.480 --> 0:37:03.720
<v Speaker 1>stop for two whole weeks?

0:37:03.760 --> 0:37:05.719
<v Speaker 2>And it's like a private Christmas.

0:37:06.000 --> 0:37:07.799
<v Speaker 3>Got to go back to the beach and keep my

0:37:07.920 --> 0:37:13.640
<v Speaker 3>dreadlocks happening, my curly dreadlocks. Well, wishing you the best Christmas.

0:37:13.760 --> 0:37:17.359
<v Speaker 3>I have loved all our chats so far, and I've

0:37:17.400 --> 0:37:20.600
<v Speaker 3>loved our little festive bumper episode two. Thanks for everyone

0:37:20.760 --> 0:37:24.799
<v Speaker 3>being so patient. While we were clearly at fifty seven

0:37:24.880 --> 0:37:27.160
<v Speaker 3>Christmas parties last week and couldn't cover the show.

0:37:27.440 --> 0:37:29.360
<v Speaker 1>I wish that we could just print our text history

0:37:29.440 --> 0:37:31.600
<v Speaker 1>Are You Free? No? Are You no?

0:37:31.960 --> 0:37:32.560
<v Speaker 2>Loved God?

0:37:32.920 --> 0:37:35.280
<v Speaker 1>And it was like the way in which I rationalized

0:37:35.320 --> 0:37:37.440
<v Speaker 1>on my head was that if Teddy Mellencamp and tomorrow

0:37:37.560 --> 0:37:40.320
<v Speaker 1>Judge can take a week off and put two episodes together,

0:37:40.440 --> 0:37:40.920
<v Speaker 1>so can we.

0:37:41.120 --> 0:37:43.840
<v Speaker 2>Anyway, we saw that window and we took it.

0:37:43.960 --> 0:37:46.480
<v Speaker 3>But I've loved it and I can't wait to return

0:37:46.560 --> 0:37:47.960
<v Speaker 3>with all new Juicy episodes.

0:37:48.000 --> 0:37:49.360
<v Speaker 2>Twenty twenty five