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Speaker 1: What's our next guest should need absolutely no introduction. One

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Speaker 1: of the biggest comedians in the world. He is, of

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Speaker 1: course Australian. His name is Jim Jeffries and he joins

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Speaker 1: us right now here on body.

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Speaker 2: Welcome Jim God, thanks for having me very excited.

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Speaker 3: How many How many of these interviews have you done

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Speaker 3: to Jim?

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Speaker 1: Yeah, yeah, let's art on the table.

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Speaker 2: I've done a few. I did a few yesterday. I'm

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Speaker 2: going around the trap speak. I'm always happy to be

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Speaker 2: talking to. Which one are you? I appreciate?

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Speaker 1: Oh, no, pleasure to have you on the show. Mate.

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Speaker 1: Generally speaking, if the interview does get to us and

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Speaker 1: it is an indication of the fact that it is

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Speaker 1: a really shit movie or an under selling show. So

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Speaker 1: I'm not sure where you sit.

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Speaker 2: On that opec I've got both of those things offer.

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Speaker 1: So I am obliged to say. The tickets to Jim

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Speaker 1: show available this Friday from nine am at Jim Jeffries

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Speaker 1: dot COM's wing to head over and get a ticket. Jim,

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Speaker 1: I ask you about being a dad because Woods and

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Speaker 1: I both have become dads recently, and I understand a

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Speaker 1: bit in your show is kind of about relinquishing who

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Speaker 1: you were in the past. It's a bit of a

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Speaker 1: party boy to being a father.

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Speaker 2: I've been a dad for a while now. I got

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Speaker 2: eleven year old and a two year old, you know

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Speaker 2: what I mean? So what are you guys finding it hard?

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Speaker 2: How old are your kids? You just become dad? Like

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Speaker 2: like last week, what's happened? Two?

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Speaker 3: Pretty fresh? Still pretty fresh?

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Speaker 1: Yeah?

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Speaker 2: I know they're terrible people under two. You act like

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Speaker 2: you love them. You tell everyone, don't you, Oh yeah,

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Speaker 2: I love them? But you don't really. You haven't had

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Speaker 2: a proper conversation with him yet. You don't even know

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Speaker 2: if you like them. Isn't just a thing that shits

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Speaker 2: itself and rolls around crying love?

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Speaker 1: That?

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Speaker 3: Isn't one of your children current.

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Speaker 2: Of your house doing that? You wouldn't show on a

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Speaker 2: lot of laughing.

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Speaker 4: I think I've been that out on a couple of times. Actually,

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Speaker 4: isn't one of your children currently too, Jim?

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Speaker 2: One of my children is currently too? Yes, and I

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Speaker 2: believe you'll go three next is probably the.

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Speaker 1: Yeah, yeah, yeah, yeah.

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Speaker 2: I've got to I've got a two year old. Yeah,

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Speaker 2: I got to you, right?

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Speaker 3: So has he won your love? Has he won your love?

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Speaker 2: Yet Well, this is the thing is the first child

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Speaker 2: was really chill, right, Like, it was really chill, and

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Speaker 2: just if you told him no, he'd do it. And

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Speaker 2: I told that, And then this one is what my

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Speaker 2: dad would call a wrecker, Like he'll if he sees

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Speaker 2: a vase or something, he'll push it off a table

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Speaker 2: and laugh at you. He smashes things. And also I

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Speaker 2: didn't baby proof the house for the first kid, because

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Speaker 2: you know, I thought that was an American thing. That

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Speaker 2: wasn't a real thing. This this one will eat laundry

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Speaker 2: pods out of the LEAs to think all day all

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Speaker 2: I do with this child, I'm on suicide watch. If

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Speaker 2: he's at the top of the chairs. He sowed himself down.

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Speaker 2: You know, he's a lunatic oat.

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Speaker 1: So you've got a two year old, Jim, and then

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Speaker 1: you've got an eleven year old. Is that right? From

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Speaker 1: a previous relationship.

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Speaker 2: Yeah, from a previous relationship. What I did was I

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Speaker 2: used to live in the Hollywood Hills with my axent

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Speaker 2: and one baby, and then I broke up with her

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Speaker 2: and married another woman had another baby. So he moved

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Speaker 2: into two houses down in the flats of Hollywood, like

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Speaker 2: further out where the property is a bit cheaper, and

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Speaker 2: I can afford two of those houses. And if this

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Speaker 2: marriage doesn't work out, I'll get three houses out in

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Speaker 2: the Nevada desert towards the baby. If I get to

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Speaker 2: five women, I'll probably get someplace in Utah, a commune

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Speaker 2: with a whole lot of caravans around a fire pit.

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Speaker 1: So you know that's a sliding scale.

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Speaker 4: It's a lot of women listening, praying that the relationship

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Speaker 4: doesn't work all the.

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Speaker 3: Nevada does it.

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Speaker 1: When Jim sounds good, I could be smoking marshmallows over

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Speaker 1: the pit with Jim.

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Speaker 2: The calimony diminishes each time, to get smaller and smaller

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Speaker 2: with each kids. It's like my eleven year old said

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Speaker 2: to me when he was about seven or something. He said, Dad,

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Speaker 2: I want an old I want a brother or sister.

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Speaker 2: I'd like a brother. I want a baby brother or sister.

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Speaker 2: And I looked at him and I said, one day,

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Speaker 2: do you want to own all of this house or

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Speaker 2: half of this house? To know how economics works? So

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Speaker 2: I gave him a sibling.

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Speaker 1: I gave him a sibling. I'm not sure whether your

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Speaker 1: current partner would have anything to do with that. I

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Speaker 1: feel like there might be a little bit more to

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Speaker 1: it than you're just bequeathing him. A child went to

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Speaker 1: a vending machine somewhere, touched in the right numbers and

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Speaker 1: got yourself a little bit.

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Speaker 2: You know how quickly I had sex. It was less effort.

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Speaker 4: But I want to talk to you, Jim, just about

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Speaker 4: your passing a kidney stone.

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Speaker 3: If I can.

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Speaker 2: That was a seamless leap.

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Speaker 3: I'm a professional. I'm a pro. No, it's quite seriously.

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Speaker 3: My dad passed a kidney stone.

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Speaker 4: And this is not one word of a lie when

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Speaker 4: he was in hospital, because he went to hospital he

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Speaker 4: was in so much pain, and he said it was

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Speaker 4: so painful that at one point he looked at the

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Speaker 4: doctor and he was like, mate, just end it.

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Speaker 3: I can't, I cannot do with it. Just end it.

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Speaker 4: And the doctor laughed at him and was like, I'm sorry, sir,

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Speaker 4: I'm not going to do that.

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Speaker 3: You're going to have to pass the kidney stone. How

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Speaker 3: was your experience?

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Speaker 2: My kidneystone was so bad that I wanted your father

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Speaker 2: to end it was it was bad. I was I

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Speaker 2: was in Canada when it happened, and I just finished

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Speaker 2: the show. But I was in a smallish town called Kingston,

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Speaker 2: and in the emergency word. Loads of people were at

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Speaker 2: the gig the night before, so I was like crying

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Speaker 2: in pain and people were coming up asking for photos.

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Speaker 2: It was really fun time for me. But they gave

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Speaker 2: me three shots and morphine and then the doctor was

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Speaker 2: treating me. She said to me. She said that she

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Speaker 2: had had four children and two kidney saynes, and the

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Speaker 2: kidney stones were far worse than giving birth. Right Now,

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Speaker 2: I come home and I tell my wife this. It

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Speaker 2: turns out you're not allowed to say that something's worse

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Speaker 2: than childbirth. You're not even allowed to say it. Right.

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Speaker 2: I got this information from a woman who had been

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Speaker 2: through both experiences, but I'm not allowed to say that

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Speaker 2: my experience is worse than childbirth.

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Speaker 3: That is, that is an obvious rule that you should

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Speaker 3: What were you here? What was the reaction you thought

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Speaker 3: you were going to get there?

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Speaker 1: Jim, That's right.

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Speaker 2: I could have. I would have had a cesarean kidney

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Speaker 2: stone at the end when I saw my kidney stones

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Speaker 2: just before I passed, and it looked like an eat

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Speaker 2: a coconut.

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Speaker 4: And now Australia is imagining what your todger looks like

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Speaker 4: while passing the kidneys stone, which is great.

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Speaker 2: And eat the coconut, and it was a very small

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Speaker 2: kidney stone. It just had a very small passage to

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Speaker 2: go through.

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Speaker 1: I find it funny, Jim. I feel like you started

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Speaker 1: that story by saying you're in Canada and you were

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Speaker 1: in the emergency, and you did a show in this

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Speaker 1: little town last night, and then you said most of

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Speaker 1: the audience were in the emergency. Is that some sort

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Speaker 1: of a reflection of the people that come and see

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Speaker 1: your show.

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Speaker 2: I think I sold a few thousand tickets and the

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Speaker 2: town was only a town of about one hundred thousand people.

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Speaker 2: And so with the demographics of the age of the

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Speaker 2: people who come to see me versus people who need

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Speaker 2: to end up at Emergency Wards because they've been taken

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Speaker 2: too many drugs or whatever. This was the perfect ZN

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Speaker 2: diagram of Jim Jeffrey Fan versus drug addicts versus emergency room.

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Speaker 2: We all met together at the one place.

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Speaker 4: Did you just save him some time and effort, Jim,

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Speaker 4: and do your shows from Emergency Wards all around America.

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Speaker 1: You get the right people there. Don't worry about selling

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Speaker 1: any tickets. If you would like to buy a ticket

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Speaker 1: to go and see Jim though, and you prefer that

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Speaker 1: than seeing him in the ed, then get along to

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Speaker 1: see him. Jim Jefferies dot Com Ticks to Go and

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Speaker 1: See Jim show available this Friday from nine am. Jim,

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Speaker 1: it has been a pleasure to talk to you, mate,

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Speaker 1: Thanks so much for coming on.

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Speaker 2: Thanks for having me. Lads, I enjoyed myself.

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Speaker 1: As your child says something which got you in trouble. Now.

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Speaker 1: This all started because I was picking up my daughter

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Speaker 1: Max from daycare the other day and the headmaster of

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Speaker 1: the daycare set up pulled me aside and was like, hey,

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Speaker 1: do you I mean, are you guys getting a divorce?

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Speaker 1: Is how we need to talk about Wow? And I'm thinking, well,

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Speaker 1: actually I knew exactly where this had come from. So

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Speaker 1: I had to bitch, I need to wind it back

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Speaker 1: a few weeks. So I went and saw this guy

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Speaker 1: Sem and I went and saw this guy before Alex Cameron.

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Speaker 1: He's an Australian artist, he's brilliant, he's for me, he's

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Speaker 1: got rights to be the Australian David Bowie. I absolutely

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Speaker 1: love this guy, and accordingly I was blasting him in

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Speaker 1: the house beforehand, before daycare. Just in general, I was

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Speaker 1: just playing he's got a new record. I was playing

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Speaker 1: a lot of the record and he's he has a

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Speaker 1: particular song and his lyrics can get a bit graphic.

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Speaker 1: Alex Cameron's lyrics, and obviously Max is just my daughter

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Speaker 1: is just at the age where she's just absorbing everything

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Speaker 1: sponges like a sponge. Anyway, this is the lyrics in

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Speaker 1: one of his songs.

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Speaker 5: And my friends in Kansas City with the model I'm

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Speaker 5: drinking and dogging is my battery of the soul resolut.

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Speaker 1: Okay, So the song's called divorce, right, and I'll tell

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Speaker 1: you what the lyrics he says. He says, I've got

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Speaker 1: friends in Kansas City with a mother effing futon couch.

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Speaker 3: You're playing this around your daughter, if that's.

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Speaker 1: How you want to play it. I'm drinking in the

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Speaker 1: dark because my batteries are all run out. All you've

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Speaker 1: got to do is say it.

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Speaker 4: Just say divorced, anyway, uplifting stuff from Alex.

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Speaker 1: She loves that song.

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Speaker 3: Right, it's up.

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Speaker 1: She walks into the kitchen and she's like, just hit

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Speaker 1: me with divorce, and she's just started talking and she says.

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Speaker 3: That she walks into the you can this is where

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Speaker 3: it picks up.

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Speaker 6: I got bed in Kansas City, girl, If that's how

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Speaker 6: you want to play it, I'm dancing in the dark.

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Speaker 6: But now my battery Now, oh you got jish say it?

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Speaker 3: Did she not the pomos?

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Speaker 1: Then she's apparently So whenever they put on music at daycare,

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Speaker 1: they plug the they're plugging the ipodspeaker and or whatever,

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Speaker 1: and Max is just walking out to them saying good boys.

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Speaker 1: And so they say, Mac, what are you going to

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Speaker 1: go and do when you get home? And she says,

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Speaker 1: that's good.

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Speaker 7: Boy, good.

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Speaker 3: So naturally you're grolling with I speak to her in Dutch.

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Speaker 1: Sorry, yeah, yeah, yeah yeah, spell that out for everyone.

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Speaker 1: It's a very confused.

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Speaker 3: She's talking about divorce. You're speaking Dutch. My god headmarks

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Speaker 3: or a daycare?

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Speaker 1: Max in English? Please start breaking up or not. It's

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Speaker 1: very cute, but also has been quite damaging and we

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Speaker 1: have had to sort of, you know, prove of the

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Speaker 1: daycare that we aren't going through a breakup.

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Speaker 3: Also put on the wiggles, you know, different man.

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Speaker 1: Absolutely, my daughter is cultured and she will learn about

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Speaker 1: the tougher parts of life very early on. So I

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Speaker 1: would love to hear from you guys. If you've been

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Speaker 1: in my situation, your kid's gone to daycare or wherever,

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Speaker 1: they've gone to a friend's house, apparent, and they've said

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Speaker 1: something which has got you in a whole lot of trouble,

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Speaker 1: totally innocently cast your child said something that got you

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Speaker 1: in trouble.

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Speaker 8: Yes, she definitely did. My husband and I were out,

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Speaker 8: my mom was babysitting her, and she decided that night

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Speaker 8: to tell my mom that I'm a bad mummy because

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Speaker 8: I'm an alcoholic.

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Speaker 1: Oh my god.

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Speaker 8: And then a few days later her school teacher pulled

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Speaker 8: me aside to ask me about it as well, I've

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Speaker 8: probably had two alcoholic drinks all year.

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Speaker 1: Oh gosh. And they're just doing their due diligence. There.

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Speaker 1: We've got Maddie who's called on thurday one and six.

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Speaker 3: Five keeping an eye out on mum.

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Speaker 1: Yeah, Maddie, your son said something they got you in trouble.

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Speaker 9: Yes. So when he started talking, he was a pleess

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Speaker 9: for cars, and he went to Dacre and tried to

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Speaker 9: tell the teacher that mummy got a new car. But

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Speaker 9: he couldn't say white calf, so he said, Mommy got

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Speaker 9: a new Waine cuff.

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Speaker 1: I didn't see it. Going that way Sally on thirday

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Speaker 1: one of his sixth wive. We're talking about saying certain

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Speaker 1: that got you in trouble? Did your child?

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Speaker 7: So So, when my son was two years old, he

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Speaker 7: wasn't taking like oral panetole when he had a sickness

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Speaker 7: one day, so a doctor recommended we use the panetole

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Speaker 7: suppository that have to.

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Speaker 1: Go up the bum.

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Speaker 7: You're behind and probably about three years of age, you

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Speaker 7: know we've used the hens. By this point he goes

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Speaker 7: to his preschool and he tells the teacher, Mummy needs

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Speaker 7: to stop putting her finger up my botcher.

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Speaker 1: Yes, I've spoken to about this reward. I don't know

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Speaker 1: if it's more common in Europe or not. But like

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Speaker 1: we exclusively put the panetl up the.

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Speaker 3: Bum, we don't went under that.

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Speaker 1: But because Max just doesn't like the flavor, well you

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Speaker 1: just silver bullet bang.

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Speaker 4: We squirt fluid into mouth with the with the with

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Speaker 4: the meds sound like a europhin or a panetole, but

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Speaker 4: temperature l is up the bum.

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Speaker 3: I don't yeah, I don't.

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Speaker 1: Made you got to get the suppositories. It's easy straight

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Speaker 1: into straight into the blood system.

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Speaker 4: Well, you're sending far to cannon it, mate, Tony, what

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Speaker 4: did your way to go about it?

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Speaker 1: What did you to get you like, Yeah, you're the

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Speaker 1: stranger here to all play. Tony's called to.

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Speaker 10: My hubby and I used to just play around and say, oh,

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Speaker 10: come here, We've got strippers and cocaine, and.

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Speaker 8: Just to each other, just like just a joke. I'll

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Speaker 8: come here instead of like, come here, we'll go to

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Speaker 8: do this. And he's gone to school and he's gone, hey,

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Speaker 8: I've got strippers and cocaine.

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Speaker 1: Got a brand new podcast called share My murd If

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Speaker 1: you've missed who we've spoken to in the past on

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Speaker 1: this podcast, have a listen to this. Sh my move

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Speaker 1: health and well being experts def Cliss.

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Speaker 4: I feel incredibly sick, but also mentally, I was just.

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Speaker 2: A mess every night because I just felt like I

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Speaker 2: was continuously disappointing myself.

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Speaker 1: Olympic boxer Harry Garside.

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Speaker 5: Really been struggling.

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Speaker 1: This has been the hardest year of my life. And

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Speaker 1: you know what, I know I'm competitive and I know

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Speaker 1: I'm an athlete, but for me to say that out loud,

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Speaker 1: it's like, I feel like this situation beat me. Written

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Speaker 1: Laura from The Pickup.

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Speaker 11: I can already feel myself gain upset, but this.

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Speaker 1: Is a vulnerable place.

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Speaker 11: Yeah yeah, I feel very unlovable and.

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Speaker 1: Something must be wrong with me, like I'm the common

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Speaker 1: denominator and author and Mega marathon runner Ned Brockman. When

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Speaker 1: you start letting these words of burnout, I think it

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Speaker 1: comes back to the power of the mind and if

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Speaker 1: you can continuously say these things have been positive. Our

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Speaker 1: time here on this planet is very limited, and you're

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Speaker 1: a long time dead.

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Speaker 3: I want to make the most of the time while

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Speaker 3: I'm here.

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Speaker 1: We've got some very very special guests on the Share

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Speaker 1: I podcast in the past, as you can hear there,

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Speaker 1: and second series starts up with a bang and one

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Speaker 1: only Will Anderson in a place in an area that

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Speaker 1: I certainly haven't spoken to him like this beforewards, we'll

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Speaker 1: we have him on the show. He's an entertainer, bull

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Speaker 1: tearingly are funny guy.

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Speaker 3: No one's described like that before.

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Speaker 4: But you say that, he's like he's like a bull

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Speaker 4: out of the gainst, a cannon out of the cannon.

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Speaker 1: Do you know what I mean. I'm going to take

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Speaker 1: that ball back if again. Now you guys can get

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Speaker 1: this wherever you get your podcasts tomorrow. I'm sorry that

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Speaker 1: has been delayed. There's a lot to figure out. It

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Speaker 1: turns out, when you're launching a new series of a podcast,

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Speaker 1: it will be tomorrow wherever you get your podcasts. A

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Speaker 1: brand new series of Shamo Mood with Will Anderson. Here's

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Speaker 1: another sympoit of the conversation. You're going to be able

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Speaker 1: to hear. This is all about his creative process. Have

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Speaker 1: listened half the time.

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Speaker 11: I try to walk without anything in my ears, So

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Speaker 11: I really do try to like be in the like

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Speaker 11: hear what people are yelling at each other, or the

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Speaker 11: sound of the city or whatever it might be. You know,

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Speaker 11: the change of environment between the street and a bookshop

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Speaker 11: or whatever, Like they sound very different even they're next

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Speaker 11: to each other. If you've got your headphones on and

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Speaker 11: you're not listening, you don't hear that sort of stuff.

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Speaker 11: And yeah, I can't do it the whole time, but

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Speaker 11: it's great. I get so many ideas when I'm walking,

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Speaker 11: like so many of the things. I think about, so

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Speaker 11: many things that are in the show. Often, you know,

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Speaker 11: if I'm going to come in to something where you

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Speaker 11: know they would like me to do a couple of

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Speaker 11: breaks on the radio, for example, and I want a

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Speaker 11: couple of stories. I'll just go I'll walk in. It

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Speaker 11: will take me an hour, and on the walk, I'll

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Speaker 11: just come up with something and like, you know, like

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Speaker 11: I find it very creative times incredible to go for

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Speaker 11: a walk.

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Speaker 1: And that hour long walk is like I know that

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Speaker 1: the ideas will be formed in that time. And I

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Speaker 1: imagine from your perspective that's probably completely effortless as well,

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Speaker 1: Like you're not walking along going like you know, with

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Speaker 1: your notepad and pin sort of jotting down the ideas.

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Speaker 1: You can just kind of like effortlessly creating sort of

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Speaker 1: joining the dots together, and by the time you rock

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Speaker 1: up and press the elevator button, you're like, oh, there

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Speaker 1: you go.

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Speaker 11: Yeah, it's amazing. If you look things just yeah, present

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Speaker 11: themselves very quickly. Yeah, yeah, you know, just by living

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Speaker 11: your life. I went into the public toilets. I don't

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Speaker 11: have I told you this story. I mind it, but

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Speaker 11: recently I was just in a public toilet and it

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Speaker 11: was like flashing. There was a flashing red light in

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Speaker 11: the public toilet, and I was like, what sort of

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Speaker 11: emergencies happened to this public toilet? I kept going in

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Speaker 11: because I need to go to the toilet, and it

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Speaker 11: turns out it was just a guy having a week

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Speaker 11: at the ural and he still had his bike coming on,

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Speaker 11: and it was just I was just like, oh, well,

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Speaker 11: that's like something like all you gotta do is like

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Speaker 11: go to the toilet sometimes and materials just there. If

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Speaker 11: you're looking like like you can't work with that, if

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Speaker 11: you can't get a couple of breaks of radio out

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Speaker 11: or something like.

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Speaker 1: That, what are you doing. It's a large time metaphor

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Speaker 1: for what you're talking about as well, in terms of

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Speaker 1: like having your headphones off and having your headphones on

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Speaker 1: and like what you miss then the map never sort

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Speaker 1: of matches the terrain in terms of your life. And

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Speaker 1: it's funny, I have the same thing with headphones when

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Speaker 1: you got headphones on Chicken with music. For me, though,

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Speaker 1: the narrative that I build about my life, it's like

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Speaker 1: I create the soundtrack for the music, and then whatever's

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Speaker 1: happened to me to the day over the last week

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Speaker 1: gets dramatized to match the music, and by the time

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Speaker 1: I get off my bike, it wasn't what it was

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Speaker 1: when it started, but whichever artist I played just made it.

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Speaker 1: They fleshed it out. They texted that story for me,

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Speaker 1: whereas if I'm not listening to anything, the sound of

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Speaker 1: what's going on around me is entertaining to the point

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Speaker 1: that the narrative kind of gets drowned out a little bit.

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Speaker 11: One of the things I try to be aware of

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Speaker 11: is what am I being influenced by in the way

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Speaker 11: that I feel right now? Right that difference between what

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Speaker 11: is my authentic take on this versus what am I

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Speaker 11: being influenced by?

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Speaker 1: My friends?

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Speaker 11: Is it the environment? Am I stress? Did I eat enough?

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Speaker 4: Like?

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Speaker 11: Am I running late? Like?

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Speaker 9: Like?

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Speaker 11: What external things? What algorithm have I been reading that

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Speaker 11: has made me feel like I can't do?

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Speaker 10: Like?

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Speaker 11: Why don't I feel like I want to sit down

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Speaker 11: and read my book at the moment. So I'm trying

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Speaker 11: to be very conscious of that idea of like what

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Speaker 11: externality is you let affect your life?

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Speaker 1: DoD you have My Mood podcast with Will Anderson kicks

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Speaker 1: off tomorrow wherever you get your podcasts.

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Speaker 4: I'm sure everyone's across this, but just to get you

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Speaker 4: up to speed in case you have missed it, A

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Speaker 4: small room under my house was classified as an undercroft

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Speaker 4: by a quasi expert.

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Speaker 2: Right.

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Speaker 3: I was devastated about this. I was.

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Speaker 4: I was a laughing stock at parties when people found

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Speaker 4: out I had an undercroft under my house because undercroft

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Speaker 4: sounds awful, sounds boring. So I've come to this radio

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Speaker 4: show trying to change the name of the room under

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Speaker 4: my house, and I believe it is a dungeon. And

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Speaker 4: when I asked people, because thousands of people have been

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Speaker 4: listening to this radio show, pondering, wondering, dinner chat, you know,

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Speaker 4: what do we think the room is Underwood's house? Australia

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Speaker 4: decided that it does, in fact sound like a dungeon,

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Speaker 4: including Megan. Megan, what do you think of when you say.

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Speaker 9: You need to have a prisoner and chained up and

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Speaker 9: you need to do a bit of torture on that tube?

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Speaker 1: A bit of torture.

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Speaker 7: Yeah, and I think it needs to be willed.

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Speaker 1: It's standing very much fear of You do understand what

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Speaker 1: you've done there? Like we had an expert on Guy Guy,

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Speaker 1: Guy Geltner, Guy Geltner, Guy Gelton, He's an expert in dungeons,

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Speaker 1: and then we just went to the public and asked

443
00:21:06,440 --> 00:21:08,520
Speaker 1: them about a dungeon. So it's like exactly right, the

444
00:21:08,560 --> 00:21:10,800
Speaker 1: equivalent of getting like imagine we're doing like Sky News.

445
00:21:10,840 --> 00:21:12,879
Speaker 1: We get an expert on to explain the stock market,

446
00:21:12,880 --> 00:21:14,399
Speaker 1: and then we go and ask somebody in the street,

447
00:21:14,920 --> 00:21:16,240
Speaker 1: who are you going to listen to? There?

448
00:21:17,040 --> 00:21:19,160
Speaker 4: Well, we're a democracy, Will, so I'm going to listen

449
00:21:19,200 --> 00:21:21,160
Speaker 4: to the vast number of people.

450
00:21:20,920 --> 00:21:23,560
Speaker 1: That's got nothing to do with you being an expert

451
00:21:23,600 --> 00:21:25,120
Speaker 1: on something that just means that you vote for.

452
00:21:25,080 --> 00:21:27,239
Speaker 3: People exactly right, exactly right.

453
00:21:27,240 --> 00:21:29,400
Speaker 4: And speaking of votes, look thirteen one oh sixty five

454
00:21:29,440 --> 00:21:31,520
Speaker 4: guys who thinks WILL should be my prisoner.

455
00:21:31,880 --> 00:21:35,240
Speaker 3: No, it's just where we're at. I think.

456
00:21:35,280 --> 00:21:37,040
Speaker 4: I think at the end of the day, if the

457
00:21:37,040 --> 00:21:41,160
Speaker 4: weight of people just go bloody over, I'm keen to you.

458
00:21:41,160 --> 00:21:43,679
Speaker 1: That I need to consent to go in there. You

459
00:21:43,680 --> 00:21:44,720
Speaker 1: can't just put me in there.

460
00:21:44,800 --> 00:21:47,520
Speaker 4: Well, hopefully when the weight of numbers come through here

461
00:21:47,720 --> 00:21:50,639
Speaker 4: I'm thirty five, and they'll go, may.

462
00:21:50,560 --> 00:21:52,679
Speaker 3: Just bloody do it, Buck up, buck up, and bloody

463
00:21:52,680 --> 00:21:52,840
Speaker 3: do it.

464
00:21:52,880 --> 00:21:55,000
Speaker 4: Get under his house and be his prisoner. Put on

465
00:21:55,040 --> 00:21:57,639
Speaker 4: the chains, no, and be whipped. Now, now I know

466
00:21:57,640 --> 00:22:00,240
Speaker 4: what you're thinking. I haven't committed a crime. Have to

467
00:22:00,280 --> 00:22:02,919
Speaker 4: commit a crime to be kept as a prisoner in

468
00:22:02,960 --> 00:22:06,240
Speaker 4: a dungeon. And I get that all Well, well, I'm

469
00:22:06,240 --> 00:22:09,000
Speaker 4: thinking that and I want to convict you. So you've

470
00:22:09,000 --> 00:22:10,879
Speaker 4: done a number of crimes. You've done a number of

471
00:22:10,920 --> 00:22:12,080
Speaker 4: crimes on this radio show.

472
00:22:12,480 --> 00:22:14,560
Speaker 1: All I've done is protest to the fact that you

473
00:22:14,600 --> 00:22:16,960
Speaker 1: don't have a dungeon under your house. Doesn't that Now

474
00:22:17,000 --> 00:22:18,840
Speaker 1: you're make him escapegoat.

475
00:22:18,400 --> 00:22:22,440
Speaker 4: No, not escapegoat, a prisoner for crimes now, crime one, yesterday,

476
00:22:22,480 --> 00:22:23,920
Speaker 4: five o'clock on this radio show.

477
00:22:24,000 --> 00:22:27,600
Speaker 3: I think you may possibly the worst joke ever. Just

478
00:22:27,640 --> 00:22:29,160
Speaker 3: before we did the quiz.

479
00:22:30,240 --> 00:22:37,680
Speaker 1: Cin cinnem on the end, swimming, make sure you look

480
00:22:37,720 --> 00:22:42,240
Speaker 1: out for any rogue cinms on the surface of the water,

481
00:22:42,320 --> 00:22:43,040
Speaker 1: could be a shark.

482
00:22:43,200 --> 00:22:54,640
Speaker 3: What's amis? Ready to go in the sin bin?

483
00:22:55,280 --> 00:22:55,840
Speaker 2: Lock him?

484
00:22:56,280 --> 00:22:56,639
Speaker 1: That was?

485
00:22:56,720 --> 00:22:56,960
Speaker 2: That was?

486
00:22:57,760 --> 00:22:58,800
Speaker 1: That was an in game.

487
00:22:58,880 --> 00:23:06,160
Speaker 3: Crime number two. Rhyme number two. It's not funny. I'm

488
00:23:06,200 --> 00:23:11,960
Speaker 3: not laughing. Is not laughing. Lock him up? Crime number two.

489
00:23:12,040 --> 00:23:15,119
Speaker 3: You don't even know your vegetables. First question, what's this

490
00:23:15,200 --> 00:23:15,720
Speaker 3: in my hand?

491
00:23:15,760 --> 00:23:17,880
Speaker 1: Will ah zucchini?

492
00:23:18,359 --> 00:23:21,840
Speaker 4: No, bloody hell, that is a cucumber.

493
00:23:21,920 --> 00:23:22,840
Speaker 3: My friends.

494
00:23:22,880 --> 00:23:24,520
Speaker 1: The difference, paul.

495
00:23:24,320 --> 00:23:27,160
Speaker 3: In, there's a massive difference. Now two great crimes.

496
00:23:27,560 --> 00:23:28,320
Speaker 1: The difference is.

497
00:23:28,320 --> 00:23:32,199
Speaker 4: Kathy's here, Kathy here, Kathy, do you want Will to

498
00:23:32,240 --> 00:23:33,760
Speaker 4: be my prisoner? Yes?

499
00:23:33,840 --> 00:23:34,199
Speaker 1: Please?

500
00:23:34,280 --> 00:23:34,720
Speaker 9: Hell yeah?

501
00:23:36,920 --> 00:23:37,880
Speaker 5: Full body whack.

502
00:23:38,800 --> 00:23:41,000
Speaker 3: I's how you want to tor trim? Kathy? I like it.

503
00:23:41,080 --> 00:23:43,400
Speaker 3: Let's keep it going. Australia thirteen one oh sixty five

504
00:23:43,520 --> 00:23:44,400
Speaker 3: is the number.

505
00:23:44,280 --> 00:23:44,840
Speaker 1: I did not.

506
00:23:46,280 --> 00:23:50,720
Speaker 4: Should should Will be my prisoner? And I like what Kathy?

507
00:23:50,720 --> 00:23:52,960
Speaker 4: You're there, bit of sugar? How should we tortrim?

508
00:23:57,720 --> 00:24:00,639
Speaker 1: I will not be killing Woody?

509
00:24:01,040 --> 00:24:05,080
Speaker 3: Tina? Do you think, well, I'm feeling good.

510
00:24:05,080 --> 00:24:08,720
Speaker 4: I'm excited about becoming a prison warden wardener or whatever

511
00:24:08,720 --> 00:24:10,560
Speaker 4: they're called warden.

512
00:24:10,840 --> 00:24:12,480
Speaker 3: Do you think Will should be my prisoner?

513
00:24:13,560 --> 00:24:17,720
Speaker 9: Absolutely? It's a natural evolution of your relationship. And I

514
00:24:17,760 --> 00:24:21,680
Speaker 9: think they should be catches involved would be one.

515
00:24:21,600 --> 00:24:25,880
Speaker 4: That they're created one what sorry, they should be created

516
00:24:25,960 --> 00:24:27,560
Speaker 4: with just very raw materials.

517
00:24:30,240 --> 00:24:32,919
Speaker 1: For the majority of the middle aged women that are

518
00:24:32,960 --> 00:24:35,520
Speaker 1: calling up, you're really showing your colors here, and I

519
00:24:35,560 --> 00:24:37,720
Speaker 1: think it's it's sick to be honest. I reckon. We

520
00:24:37,760 --> 00:24:40,240
Speaker 1: had three middle aged women call it yesterday calling for

521
00:24:40,320 --> 00:24:43,160
Speaker 1: a red room Stars slash sex dungeon.

522
00:24:42,920 --> 00:24:47,639
Speaker 4: As off again. We've got Sanna here are Sanna? You

523
00:24:47,680 --> 00:24:49,280
Speaker 4: want to see Will become my prisoner?

524
00:24:50,080 --> 00:24:52,840
Speaker 7: Absolutely? Hi, guys, Will if you're going to have a dungeon.

525
00:24:53,080 --> 00:24:55,440
Speaker 7: It's got to be a sex dungeon. There's no other time.

526
00:24:59,320 --> 00:25:00,880
Speaker 7: We've got to go the gimble.

527
00:25:02,400 --> 00:25:02,640
Speaker 1: Shut.

528
00:25:03,080 --> 00:25:06,080
Speaker 10: Finally, how good would he look?

529
00:25:07,800 --> 00:25:11,080
Speaker 3: Find him in a gag him? He's getting sick.

530
00:25:11,440 --> 00:25:15,639
Speaker 4: I'm really really scared before we take any more, I

531
00:25:15,640 --> 00:25:17,479
Speaker 4: don't want to be in a sex I am going

532
00:25:17,480 --> 00:25:19,200
Speaker 4: to put an end to the sex dungeon requests.

533
00:25:19,280 --> 00:25:21,560
Speaker 3: I think he's getting a bit weird. It's just a

534
00:25:21,640 --> 00:25:22,240
Speaker 3: dungeon guy.

535
00:25:22,560 --> 00:25:24,560
Speaker 1: Center back for a second. He is Sanny. You're not

536
00:25:24,640 --> 00:25:27,720
Speaker 1: real about that. Have you been in a sex dungeon before, Santa?

537
00:25:28,560 --> 00:25:30,360
Speaker 7: No, I've got I had a gimble.

538
00:25:34,840 --> 00:25:38,560
Speaker 3: No sexual positivity. I like it Eli or Ellie? Is

539
00:25:38,600 --> 00:25:38,960
Speaker 3: it Ellie?

540
00:25:39,359 --> 00:25:40,719
Speaker 1: Lly? Ellie?

541
00:25:40,920 --> 00:25:43,960
Speaker 3: You think you think Will should be a prisoner?

542
00:25:44,000 --> 00:25:44,359
Speaker 1: Ellie?

543
00:25:45,400 --> 00:25:45,600
Speaker 9: Hell?

544
00:25:45,720 --> 00:25:45,920
Speaker 1: Yeah?

545
00:25:46,640 --> 00:25:47,320
Speaker 10: Out of question?

546
00:25:47,560 --> 00:25:48,840
Speaker 3: And how do you want me to talk to him

547
00:25:48,880 --> 00:25:49,760
Speaker 3: if he is my prisoner?

548
00:25:49,800 --> 00:25:50,240
Speaker 2: Hell ye?

549
00:25:50,800 --> 00:25:53,880
Speaker 10: I wonder. I've heard a lot about Taylor swiftom kind

550
00:25:53,880 --> 00:25:56,000
Speaker 10: of being an enemy at the moment, so I think

551
00:25:56,119 --> 00:25:58,520
Speaker 10: nothing better than being trapped in the room with your

552
00:25:58,520 --> 00:25:59,080
Speaker 10: worst enemy.

553
00:25:59,520 --> 00:26:01,359
Speaker 4: You think I'm get Taylor Swift to go to my

554
00:26:01,440 --> 00:26:03,280
Speaker 4: dungeon't I mean?

555
00:26:05,040 --> 00:26:05,360
Speaker 2: I mean?

556
00:26:05,440 --> 00:26:07,840
Speaker 10: I mean just having someone that you probably don't like.

557
00:26:08,000 --> 00:26:12,200
Speaker 10: Could be anyone you know from an artist or somebody. Yeah,

558
00:26:11,680 --> 00:26:14,480
Speaker 10: I find someone you couldn't stand to be with.

559
00:26:14,720 --> 00:26:17,600
Speaker 9: The one person get all you know.

560
00:26:17,720 --> 00:26:19,720
Speaker 3: You're like, will you put the call into t Swift?

561
00:26:19,760 --> 00:26:23,080
Speaker 4: I reckon, well, reach out, we'll reach out over emails

562
00:26:23,160 --> 00:26:24,879
Speaker 4: if Swizzles is every to come to the dungeon.

563
00:26:25,520 --> 00:26:26,600
Speaker 1: I do like Taylor Swift.

564
00:26:26,600 --> 00:26:28,080
Speaker 3: By the way, a luncheon in the dungeon.

565
00:26:28,520 --> 00:26:30,399
Speaker 1: I respect her. Of course, you know it's not a

566
00:26:30,440 --> 00:26:32,359
Speaker 1: luncheon in the dungeon. You've been trying to get little luncheon.

567
00:26:32,720 --> 00:26:36,359
Speaker 3: Luncheon in the dungeon, Taylor Swift. Let's go to Liam.

568
00:26:37,800 --> 00:26:41,240
Speaker 3: Luncheon in the dungeon. Liam, Liam, what are your thoughts?

569
00:26:41,280 --> 00:26:41,520
Speaker 1: Mate?

570
00:26:42,080 --> 00:26:45,040
Speaker 3: Should will be my prisoner? And secondary question, how should

571
00:26:45,040 --> 00:26:45,280
Speaker 3: we do it?

572
00:26:45,320 --> 00:26:45,879
Speaker 1: Trum?

573
00:26:47,000 --> 00:26:48,719
Speaker 7: He should hang you boys nipples?

574
00:26:49,600 --> 00:27:02,000
Speaker 1: Liam show. Alrighty, so one of us gets vulnerable on

575
00:27:02,040 --> 00:27:07,399
Speaker 1: a Wednesday. But yeah, one of us gets vulnerable on

576
00:27:07,400 --> 00:27:12,880
Speaker 1: a Wednesday. That's me today, Woods And today I wanted

577
00:27:12,880 --> 00:27:16,040
Speaker 1: to talk about something that I didn't expect that I

578
00:27:16,080 --> 00:27:18,400
Speaker 1: would talk about. But I had a really weird feeling

579
00:27:18,440 --> 00:27:21,800
Speaker 1: after I went to this wedding on the weekend, a

580
00:27:21,840 --> 00:27:25,400
Speaker 1: great time at the wedding, very very good friends, beautiful location.

581
00:27:26,240 --> 00:27:28,800
Speaker 1: And this is purely introspective. This was just about me.

582
00:27:30,240 --> 00:27:32,520
Speaker 1: You know that I'm not a big drinker. Yes, I

583
00:27:32,560 --> 00:27:33,840
Speaker 1: don't really drink during the.

584
00:27:33,800 --> 00:27:38,080
Speaker 4: Week have amazing self control, will is able to have

585
00:27:38,119 --> 00:27:41,840
Speaker 4: a one drink and then be like ah, so satisfied,

586
00:27:42,240 --> 00:27:44,320
Speaker 4: and like, I just can't relate to that. Again, I

587
00:27:44,359 --> 00:27:46,200
Speaker 4: don't have a problem to it, very clear, but I'm

588
00:27:46,200 --> 00:27:47,440
Speaker 4: just it's quite amazing to watch.

589
00:27:47,800 --> 00:27:51,800
Speaker 1: The one exception to that is parties. Sure, I like parties.

590
00:27:52,200 --> 00:27:55,719
Speaker 1: I like parties. I like sending it at parties, always have.

591
00:27:56,080 --> 00:28:00,000
Speaker 1: It's been a thing for me. And it's weird because

592
00:28:00,040 --> 00:28:02,399
Speaker 1: I don't like really drinking outside of that. But then

593
00:28:02,480 --> 00:28:04,240
Speaker 1: when I have an opportunity to, like at a wedding

594
00:28:04,320 --> 00:28:07,320
Speaker 1: or a party, I just go a go hard.

595
00:28:07,520 --> 00:28:08,560
Speaker 3: Yeah yeah sure.

596
00:28:08,640 --> 00:28:12,040
Speaker 1: And anyway, I went into this wedding saying to myself

597
00:28:12,760 --> 00:28:15,520
Speaker 1: last week on Friday, I'm not going to do that.

598
00:28:15,720 --> 00:28:18,480
Speaker 1: I don't need to. Yeah you know, and I'm you know,

599
00:28:18,760 --> 00:28:20,600
Speaker 1: I just don't need to. Anyway, as soon as we

600
00:28:20,680 --> 00:28:25,119
Speaker 1: got there, I saw everyone there. I think we finished

601
00:28:25,119 --> 00:28:27,760
Speaker 1: the ceremony, and I was like first of the cocktail bar,

602
00:28:27,920 --> 00:28:30,200
Speaker 1: I was like, let's go, like I'm ready.

603
00:28:30,040 --> 00:28:32,359
Speaker 3: To go social anxiety wise or.

604
00:28:32,800 --> 00:28:37,159
Speaker 1: Well, great question. So I properly sent it and then

605
00:28:37,200 --> 00:28:41,840
Speaker 1: the next day I was full of regret about it

606
00:28:42,080 --> 00:28:46,040
Speaker 1: and Sam was like, you know why, like what do

607
00:28:46,160 --> 00:28:49,320
Speaker 1: you do You think you could do it? Like could

608
00:28:49,360 --> 00:28:51,480
Speaker 1: you do it sober? And I was like, I think

609
00:28:51,520 --> 00:28:55,040
Speaker 1: I could, but but but the big question for me

610
00:28:55,120 --> 00:28:58,080
Speaker 1: is why don't I want to like what? Like what

611
00:28:58,240 --> 00:29:00,800
Speaker 1: is what's the bit? Because I went in there going, hey, look,

612
00:29:00,800 --> 00:29:05,200
Speaker 1: I'm gonna hold back here and I couldn't. And I

613
00:29:05,320 --> 00:29:08,000
Speaker 1: was like what is that? Like what? Because I can

614
00:29:08,040 --> 00:29:10,320
Speaker 1: do it all the time, apart from when I'm in

615
00:29:10,360 --> 00:29:13,000
Speaker 1: these you know, big moments, and I used to just

616
00:29:13,040 --> 00:29:14,960
Speaker 1: think I just get excited.

617
00:29:15,120 --> 00:29:17,240
Speaker 4: Do you think people expected of you a little bit

618
00:29:17,320 --> 00:29:19,800
Speaker 4: like you know, you're you're you're you you you at

619
00:29:19,800 --> 00:29:21,800
Speaker 4: these events? You drink, you have a good time. You

620
00:29:21,880 --> 00:29:25,400
Speaker 4: don't know, and like that pressure from like exactly an

621
00:29:25,440 --> 00:29:26,960
Speaker 4: identity that people think is you?

622
00:29:27,920 --> 00:29:30,640
Speaker 1: I think so I think it was. It was a

623
00:29:30,680 --> 00:29:33,720
Speaker 1: hard thing to come to terms with, but I I

624
00:29:34,360 --> 00:29:38,160
Speaker 1: really don't think I'm worthwhile at a party or like

625
00:29:38,200 --> 00:29:39,880
Speaker 1: a large gathering unless I'm lit.

626
00:29:40,400 --> 00:29:44,240
Speaker 3: Oh so you think you're the value you bring is when.

627
00:29:44,120 --> 00:29:45,640
Speaker 1: You're one hundred percent Wow.

628
00:29:46,120 --> 00:29:47,240
Speaker 3: Yeah yeah.

629
00:29:47,280 --> 00:29:49,840
Speaker 1: And it was funny. It was kind of like confirmed

630
00:29:49,880 --> 00:29:52,720
Speaker 1: for me because you know, on the night of the wedding,

631
00:29:52,760 --> 00:29:55,959
Speaker 1: I was having these you know, wild, rowdy conversations with people,

632
00:29:56,200 --> 00:29:58,200
Speaker 1: and I don't know if anyone else experiences this, but

633
00:29:59,360 --> 00:30:01,800
Speaker 1: at the recover the next day, I was like, whoa,

634
00:30:02,680 --> 00:30:06,240
Speaker 1: this is all This is a totally different energy that

635
00:30:06,280 --> 00:30:09,000
Speaker 1: I'm sharing with you now. And that made me reflect

636
00:30:09,080 --> 00:30:12,719
Speaker 1: on the fact that who I am is purely based

637
00:30:12,760 --> 00:30:17,200
Speaker 1: on how much I'm drinking. Effectively alcohol infused I am

638
00:30:17,240 --> 00:30:20,320
Speaker 1: as a person. And as I said, I don't know

639
00:30:20,320 --> 00:30:23,120
Speaker 1: if I do feel as if this isn't something that

640
00:30:23,120 --> 00:30:25,320
Speaker 1: I'm just I'm vulnerable about. I feel like a lot

641
00:30:25,360 --> 00:30:28,720
Speaker 1: of people listening can probably share this, but it kind

642
00:30:28,720 --> 00:30:31,120
Speaker 1: of just made me think about how like our whole

643
00:30:31,160 --> 00:30:35,320
Speaker 1: culture is built around this idea that like, unless you're drinking,

644
00:30:35,360 --> 00:30:38,640
Speaker 1: you're not fun, and unless you're drinking, there's no reason

645
00:30:38,680 --> 00:30:41,160
Speaker 1: you should be there. Like one of the ways that

646
00:30:41,200 --> 00:30:45,960
Speaker 1: they wrap up nearly everything is by saying last drinks, yeah, yeah, yeah, yeah,

647
00:30:46,000 --> 00:30:48,760
Speaker 1: because why else would you be here. If if you're

648
00:30:48,760 --> 00:30:51,280
Speaker 1: not drinking, then you're going to start sobering up and

649
00:30:51,280 --> 00:30:52,560
Speaker 1: then everything's going to be awful.

650
00:30:53,200 --> 00:30:54,840
Speaker 4: You kind of feel like you're letting people down, don't

651
00:30:54,840 --> 00:30:56,840
Speaker 4: you When you say I've had I've had times in

652
00:30:56,880 --> 00:30:59,040
Speaker 4: my lifehere I've been like, oh, I'm not drinking tonight, and.

653
00:30:58,960 --> 00:31:01,080
Speaker 3: You you feel do you do you feel like a guilt.

654
00:31:01,200 --> 00:31:03,120
Speaker 3: It's like I feel I feel like I've.

655
00:31:03,040 --> 00:31:06,560
Speaker 4: Ruined everyone's night because I've chosen not to drink tonight.

656
00:31:06,880 --> 00:31:08,960
Speaker 1: If it's someone's birthday or something, and you go and

657
00:31:09,000 --> 00:31:10,480
Speaker 1: you rock up and you go, I'm not drinking, and

658
00:31:10,520 --> 00:31:11,880
Speaker 1: you need to tell them. You need to give them

659
00:31:11,920 --> 00:31:14,000
Speaker 1: a reason why you're not, like you know, oh, I

660
00:31:14,040 --> 00:31:16,280
Speaker 1: don't know, like and it needs to be substantial, like

661
00:31:16,320 --> 00:31:21,480
Speaker 1: my partner's pregnant, a relative sick, though I've got a god,

662
00:31:21,520 --> 00:31:24,120
Speaker 1: I mean, I'm doing a sober month. You know you

663
00:31:24,160 --> 00:31:26,000
Speaker 1: have to. I'm doing the whole month. You know, I can't.

664
00:31:26,040 --> 00:31:29,320
Speaker 1: I can't see tonight. And you're right, because you're I've

665
00:31:29,320 --> 00:31:31,400
Speaker 1: almost feel like I need to explain to them that's

666
00:31:31,440 --> 00:31:33,800
Speaker 1: why you're not getting the better version of me, and

667
00:31:33,840 --> 00:31:36,520
Speaker 1: I apologize for that. Or also, you know it's funny

668
00:31:36,560 --> 00:31:39,960
Speaker 1: not going to get the sufficiently drug infused person which

669
00:31:40,000 --> 00:31:43,000
Speaker 1: is going to create this vibe that you want from me. Yeah.

670
00:31:43,040 --> 00:31:45,280
Speaker 4: And I also feel like you make you kind of

671
00:31:45,280 --> 00:31:48,160
Speaker 4: hold up when you say I'm not drinking. I feel

672
00:31:48,160 --> 00:31:50,479
Speaker 4: like I make everyone I say that to feel guilty

673
00:31:50,480 --> 00:31:51,120
Speaker 4: about drinking.

674
00:31:51,280 --> 00:31:51,680
Speaker 1: Yeah.

675
00:31:51,720 --> 00:31:53,959
Speaker 3: And it's like I'm not meaning to do that.

676
00:31:54,120 --> 00:31:55,840
Speaker 4: Yeah, because sometimes I'll be like, I need to drink

677
00:31:55,880 --> 00:31:58,320
Speaker 4: here because I don't want you to feel bad about drinking.

678
00:31:58,440 --> 00:31:59,040
Speaker 1: Yeah.

679
00:31:59,160 --> 00:32:03,120
Speaker 3: Yeah, And it's not it's not. It's not a reason too. Yeah.

680
00:32:03,600 --> 00:32:06,080
Speaker 1: No, it's not. It's not a reason to drink. And again,

681
00:32:06,080 --> 00:32:08,640
Speaker 1: people don't give a shit because the really funny thing

682
00:32:08,800 --> 00:32:10,800
Speaker 1: was we got to the end of the night and

683
00:32:11,200 --> 00:32:12,840
Speaker 1: one of my best friends who I was staying in

684
00:32:12,840 --> 00:32:15,920
Speaker 1: this house with, she was also not drinking. Oh sorry, sorry,

685
00:32:15,960 --> 00:32:17,840
Speaker 1: she was not drinking. We got to the end of

686
00:32:17,880 --> 00:32:20,720
Speaker 1: the night and we got back to accommodation. I was like, oh, cool,

687
00:32:21,160 --> 00:32:23,520
Speaker 1: is sure you're staying up for a couple of wines

688
00:32:23,560 --> 00:32:26,760
Speaker 1: with me? And she was like, I didn't drink tonight, yeah,

689
00:32:26,840 --> 00:32:29,360
Speaker 1: and she normally and I was like what, And that

690
00:32:29,640 --> 00:32:31,680
Speaker 1: for me just proved how silly this whole thing was

691
00:32:31,680 --> 00:32:34,240
Speaker 1: because I was like, I had no idea. It did

692
00:32:34,240 --> 00:32:36,440
Speaker 1: not impact what I thought of you at all.

693
00:32:36,680 --> 00:32:37,960
Speaker 3: Yeah, yeah, yeah, yeah yeah.

694
00:32:37,960 --> 00:32:40,080
Speaker 1: So anyway, I don't know if anybody else can relate

695
00:32:40,120 --> 00:32:42,600
Speaker 1: to that, but it was a yeah, yeah, it was.

696
00:32:42,640 --> 00:32:42,920
Speaker 1: It was.

697
00:32:42,960 --> 00:32:44,880
Speaker 3: It was a hard thing to come to, one hundred

698
00:32:44,880 --> 00:32:46,160
Speaker 3: percent trying to get a drink tonight.

699
00:32:46,240 --> 00:32:49,800
Speaker 1: Yeah, very good.

700
00:32:50,240 --> 00:32:51,080
Speaker 11: And what is.

701
00:32:54,120 --> 00:33:01,680
Speaker 2: So Eilish is hit me hard and soft.

702
00:33:01,680 --> 00:33:04,400
Speaker 3: Tour is coming to Australia next February and March.

703
00:33:04,600 --> 00:33:08,200
Speaker 2: Pre Selle tickets on sale now at Billie Eilish dot com.

704
00:33:08,520 --> 00:33:11,760
Speaker 1: Guess yes, The Fish with.

705
00:33:12,120 --> 00:33:21,560
Speaker 2: Billy Eilish, It's guess yes, The Fish with Billy Eilishing.

706
00:33:21,560 --> 00:33:23,480
Speaker 1: The great drive to Billy Eilish now.

707
00:33:23,440 --> 00:33:28,560
Speaker 4: Woods, It's not silly, It's not silly. Poop Pan's executive

708
00:33:28,560 --> 00:33:30,880
Speaker 4: producer told me that it's the talk of the network.

709
00:33:31,040 --> 00:33:34,480
Speaker 4: I guess the Fish for Billy, you.

710
00:33:34,800 --> 00:33:35,800
Speaker 3: Talk of the network.

711
00:33:38,120 --> 00:33:40,320
Speaker 1: I thought Colin Jack in melbourneould have been bigger news,

712
00:33:40,400 --> 00:33:41,360
Speaker 1: but no.

713
00:33:41,120 --> 00:33:42,480
Speaker 2: This is this is a clipstick.

714
00:33:42,760 --> 00:33:49,200
Speaker 4: Yes, the rules are very simple to get tickets to

715
00:33:49,400 --> 00:33:51,640
Speaker 4: Billie Eilish for you and three friends.

716
00:33:51,680 --> 00:33:54,000
Speaker 3: I'm going to explain them to Lily, who is playing today.

717
00:33:54,080 --> 00:34:00,360
Speaker 4: Hello Lily, Hello Lily. You obviously love Bill, Yes I do, Yes,

718
00:34:00,760 --> 00:34:03,240
Speaker 4: no doubt everyone loves it. I mean stro the tickets

719
00:34:03,240 --> 00:34:06,840
Speaker 4: selling for two hundred and twenty dollars, we found out today.

720
00:34:06,920 --> 00:34:10,800
Speaker 4: So you are playing for tickets to you and three friends.

721
00:34:10,840 --> 00:34:13,520
Speaker 4: The game is simple. You are going to be calling

722
00:34:13,640 --> 00:34:18,799
Speaker 4: a restaurant, okay, and effectively you've got to guess the

723
00:34:18,840 --> 00:34:23,720
Speaker 4: fish of the day. So so what do you believe

724
00:34:23,840 --> 00:34:25,560
Speaker 4: the fish of the day is going to be at

725
00:34:25,600 --> 00:34:28,320
Speaker 4: the Yorkshire Stingo Hotel?

726
00:34:28,480 --> 00:34:30,400
Speaker 1: Oh the Stingo? What a play Stingers?

727
00:34:30,719 --> 00:34:31,640
Speaker 3: What do you reckon, Lily?

728
00:34:32,680 --> 00:34:37,760
Speaker 9: I'm gonna maybe say flatheadd.

729
00:34:35,960 --> 00:34:40,680
Speaker 1: Okay, Look, the Stingo is in Melbourne, so we have

730
00:34:41,040 --> 00:34:43,680
Speaker 1: been when we did say yesterday that there's a lot

731
00:34:43,680 --> 00:34:45,959
Speaker 1: of flathead in Port Phillip Bay.

732
00:34:46,040 --> 00:34:48,440
Speaker 4: I believe we got a Melbourne restaurant yesterday and flathead

733
00:34:48,640 --> 00:34:50,640
Speaker 4: was one of the fishes the day.

734
00:34:50,760 --> 00:34:52,799
Speaker 1: It's going to be at the Stingo. I don't know,

735
00:34:53,200 --> 00:34:57,399
Speaker 1: I don't, I don't. It doesn't look Lily. I don't

736
00:34:57,440 --> 00:35:00,520
Speaker 1: want to influence your choice here. I've been to the

737
00:35:00,600 --> 00:35:01,719
Speaker 1: Stingo a lot.

738
00:35:02,560 --> 00:35:04,719
Speaker 9: Okay, I don't know.

739
00:35:04,880 --> 00:35:06,160
Speaker 7: My dad might be.

740
00:35:06,120 --> 00:35:08,480
Speaker 1: A bit expensive for them, do.

741
00:35:08,480 --> 00:35:10,720
Speaker 3: You want to change? Do you want to change your guess?

742
00:35:10,800 --> 00:35:14,719
Speaker 1: I think flatheads quite a delicious fish. You're looking at

743
00:35:14,760 --> 00:35:15,640
Speaker 1: something a bit more.

744
00:35:17,239 --> 00:35:20,280
Speaker 9: Okay, maybe I'll change my decision.

745
00:35:20,480 --> 00:35:21,120
Speaker 3: Are you sure?

746
00:35:22,560 --> 00:35:27,080
Speaker 1: I don't know, no change. I'm happy to wear this.

747
00:35:27,160 --> 00:35:28,000
Speaker 1: I'm happy to wear this.

748
00:35:28,120 --> 00:35:29,320
Speaker 3: What fish do you want, Lily?

749
00:35:30,160 --> 00:35:30,960
Speaker 2: What else is there?

750
00:35:31,280 --> 00:35:32,759
Speaker 8: I don't know much about.

751
00:35:32,480 --> 00:35:33,040
Speaker 7: Fish at all.

752
00:35:34,520 --> 00:35:36,799
Speaker 1: Okay, I'm trying to think. What would they have? They

753
00:35:36,880 --> 00:35:38,520
Speaker 1: have probably that have like I reckon, I'm going to

754
00:35:38,520 --> 00:35:42,000
Speaker 1: say they're going to have a John Dorry. Baron Mundy

755
00:35:42,080 --> 00:35:44,480
Speaker 1: was guessed yesterday as well. I reckon Bara Mundy would

756
00:35:44,520 --> 00:35:45,200
Speaker 1: be a good ben.

757
00:35:45,600 --> 00:35:46,040
Speaker 3: What do you want?

758
00:35:48,239 --> 00:35:50,880
Speaker 1: Rockling would also be maybe a good guess, Lily.

759
00:35:51,160 --> 00:35:54,840
Speaker 9: Okay, maybe I'll do the rockling.

760
00:35:55,120 --> 00:35:56,480
Speaker 7: I'll do that all right.

761
00:35:58,400 --> 00:36:00,759
Speaker 3: Is it a rocking burger or or is it it's

762
00:36:00,800 --> 00:36:02,799
Speaker 3: just fish of the day. It's not a burgers.

763
00:36:03,480 --> 00:36:06,239
Speaker 1: I'm riding with Lily at the moment, so.

764
00:36:07,040 --> 00:36:08,799
Speaker 4: You've absolutely put yourself on the line here. If she

765
00:36:08,920 --> 00:36:10,960
Speaker 4: loses it is it is completely on you.

766
00:36:11,000 --> 00:36:12,959
Speaker 1: I'll have to buy a Billilis tickets and I'm happy

767
00:36:12,960 --> 00:36:15,439
Speaker 1: to do you will It'll be six hundred dollars worth

768
00:36:15,440 --> 00:36:16,800
Speaker 1: of ticket. I'm only buying a one ticket.

769
00:36:17,160 --> 00:36:19,120
Speaker 3: No, she's playing for her three friends.

770
00:36:20,080 --> 00:36:23,080
Speaker 1: Let's do it, Lily. I reckon I sorry, Lily, I

771
00:36:23,080 --> 00:36:25,440
Speaker 1: reckon Bary Monday. I reckon barn Mondy.

772
00:36:25,440 --> 00:36:26,640
Speaker 9: That was going to be my second option.

773
00:36:26,719 --> 00:36:27,880
Speaker 8: Anyways, I'll do that.

774
00:36:32,080 --> 00:36:32,319
Speaker 2: Single.

775
00:36:32,400 --> 00:36:33,279
Speaker 4: Come speaking.

776
00:36:34,600 --> 00:36:36,759
Speaker 1: Hello, Hemorro, I was it going?

777
00:36:36,800 --> 00:36:37,480
Speaker 2: How can I help you?

778
00:36:37,960 --> 00:36:38,200
Speaker 9: Good?

779
00:36:38,239 --> 00:36:38,600
Speaker 2: Thanks?

780
00:36:38,840 --> 00:36:41,279
Speaker 8: I was just wondering what your catch of the day,

781
00:36:41,360 --> 00:36:45,840
Speaker 8: like your best fish was? Yes? Please?

782
00:36:45,920 --> 00:36:47,960
Speaker 9: Yes fish is salmon.

783
00:36:50,080 --> 00:36:57,440
Speaker 4: Okay, but we also have moundy on the specials.

784
00:36:58,719 --> 00:37:00,680
Speaker 8: Okay, that's not.

785
00:37:02,680 --> 00:37:06,919
Speaker 1: You enjoy Oh, Will look, Lily, I'm on your team here.

786
00:37:07,560 --> 00:37:09,400
Speaker 1: Looks like we was paying for your tickets.

787
00:37:09,880 --> 00:37:12,360
Speaker 4: So that sounds like you are going, Lily, but you

788
00:37:12,440 --> 00:37:15,239
Speaker 4: haven't won them. Will will be paying for you and

789
00:37:15,280 --> 00:37:18,879
Speaker 4: three friends to go and see Billie Eilish. I mean

790
00:37:18,920 --> 00:37:21,080
Speaker 4: this game, it's got so much to it and it'll

791
00:37:21,080 --> 00:37:22,320
Speaker 4: be back tomorrow.

792
00:37:22,520 --> 00:37:25,000
Speaker 3: If you want to be in it, go to Willinwoody

793
00:37:25,600 --> 00:37:27,080
Speaker 3: dot com. Guess the feeling that.

794
00:37:29,080 --> 00:37:30,879
Speaker 1: Bush it. He's just angry that we got it. Don't

795
00:37:30,880 --> 00:37:31,200
Speaker 1: worry