WEBVTT - TALKBACK TINGZ: Stuck on air with nothing to say 📻

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<v Speaker 1>Right, I've been listening to talkback. I found some more

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<v Speaker 1>gold for you, Mitch.

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<v Speaker 2>I love this is my one of my favorite segments

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<v Speaker 2>and one of the listener's favorite segments too, that all

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<v Speaker 2>rave about it.

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<v Speaker 1>We've done the John Laws Special in the past, and

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<v Speaker 1>this time it's like late night, middle of the night

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<v Speaker 1>talkback radio.

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<v Speaker 2>This is my time slot.

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<v Speaker 3>This is my weekend. Oh no, even more graveyard shift.

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<v Speaker 2>So the listenership is down Monday to Friday. That you

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<v Speaker 2>get to the weekends, you're talking to two people on it.

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<v Speaker 2>Cat shit.

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<v Speaker 1>So the idea of talkback things is I bring you

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<v Speaker 1>the bits of gold that I hear, and then you

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<v Speaker 1>try and learn from it. You try and take it

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<v Speaker 1>on board in your radio presenting in your FM job.

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<v Speaker 3>Very different, of course, very different.

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<v Speaker 2>Yeah.

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<v Speaker 1>Now, one of my favorite things to do when I'm

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<v Speaker 1>at home back in the country is listen to the

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<v Speaker 1>first ever radio station that I worked at, oh, which

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<v Speaker 1>is fourteen oh four to two pick in Park.

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<v Speaker 4>Oh.

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<v Speaker 2>The breakfast show was a budge right, beautiful broadcast.

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<v Speaker 3>No, I used to work there.

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<v Speaker 1>I would do one day a week there instead of

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<v Speaker 1>going to school on a Friday with my favorite thing.

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<v Speaker 3>Anyway, So a while ago. Last time I was at home.

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<v Speaker 1>In fact, I was driving late at night on a Saturday,

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<v Speaker 1>and I heard something go to where That is literally

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<v Speaker 1>my worst nightmare, even though I'm not a radio announcer, like,

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<v Speaker 1>I've had equally fucked up dreams. Is this listener sent

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<v Speaker 1>in about being caught in this scenario?

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<v Speaker 2>Yes, me too, I have.

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<v Speaker 3>So you're familiar with timing out?

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<v Speaker 2>Oh the bane of my existence? Right.

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<v Speaker 1>So a lot of talkback radio stations they have the

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<v Speaker 1>news start at the top of the hour, and it's

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<v Speaker 1>up to the host whoever's pushing the buttons to make

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<v Speaker 1>sure that they feel the exact amount of seconds so

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<v Speaker 1>that it sounds smooth when the news start.

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<v Speaker 2>And AM stations take it seriously like here a kiss,

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<v Speaker 2>the news can play at five past six, like no one,

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<v Speaker 2>no one, No one is listening to kiss for the news.

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<v Speaker 2>But a lot of older people rely on AM radio

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<v Speaker 2>as the source of news and they want it.

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<v Speaker 1>Yeah, exactly, they want on the dot. They've got to

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<v Speaker 1>get that. So the presenters have to get the maths right.

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<v Speaker 2>Yeah. So so the hour ends it I don't know,

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<v Speaker 2>five point fifty four, then you have to go, shit,

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<v Speaker 2>I need to feel But it's never five fifty four,

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<v Speaker 2>it's five to fifty four and thirty nine seconds. Yes,

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<v Speaker 2>then you've got to fill five it's and thirty Yeah,

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<v Speaker 2>I know, I know. I've got to fill that exact second.

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<v Speaker 3>Don't You have to time out a bit at well?

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<v Speaker 2>And I have to time out every night because I'm

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<v Speaker 2>a national show, so I airn multiple markets, so I

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<v Speaker 2>have to make sure Sydney all the Kiss stations, whether

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<v Speaker 2>it be Kiss Melbourne and Kiss Sydney and get this.

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<v Speaker 2>This is a mind fuck. And at eight fifty nine

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<v Speaker 2>oh one okay and point one and one of second.

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<v Speaker 2>The problem is I'm eight seconds delayed, so I have

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<v Speaker 2>to I have to, I know, I know. So when

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<v Speaker 2>I broadcast, it's actually eight seconds after it actually goes

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<v Speaker 2>to air, so I need to account for missing. It's

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<v Speaker 2>a mind fuck. Yeah, I actually I have to time

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<v Speaker 2>out at nine oh one thirty. It's just too much.

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<v Speaker 3>Well, when I heard this, it was Carter Edwards, the

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<v Speaker 3>talk back host.

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<v Speaker 1>Right, it was ten fifty seven PM, so he had

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<v Speaker 1>exactly three minutes to fill before the news started at

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<v Speaker 1>eleven on the dot, and so he had to stop

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<v Speaker 1>talking at what ten fifty nine and fifty nine seconds.

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<v Speaker 3>Is that right?

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<v Speaker 2>Yep, yep.

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<v Speaker 3>So he had a caller on the line, Oh risky move.

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<v Speaker 1>Well yeah, I'm imagining that he's thinking, a lot of

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<v Speaker 1>the time, you will hear on talk back to like,

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<v Speaker 1>so we've got to get to the news.

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<v Speaker 3>Sorry, night, You've got to get to the news.

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<v Speaker 1>So I'm imagining he's thinking, great, perfect, I'll chat to

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<v Speaker 1>this caller for three minutes, then go to the news.

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<v Speaker 1>But then he had to cut the call short because

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<v Speaker 1>it's something they said, and so then he was just

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<v Speaker 1>stuck with no la. So, firstly, here's how the call went.

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<v Speaker 5>I do apologize.

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<v Speaker 3>That's the.

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<v Speaker 4>Hello, Hello, Look, I'm just calling. I spoke to the

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<v Speaker 4>young man and he asked me what I wanted to

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<v Speaker 4>talk about, and yeah, I did say relationships. And I

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<v Speaker 4>suppose it does start with relationships a little bit. But

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<v Speaker 4>what it really comes back to is the drought. My partner.

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<v Speaker 4>I'm at home at the moment by myself because last

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<v Speaker 4>night my partner cheated on me because the drought has

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<v Speaker 4>just been so hard on him. Matt, if you're.

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<v Speaker 2>Out there, hang on, hang on, hang on.

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<v Speaker 5>You you cannot mentioned names, dell.

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<v Speaker 4>Oh sorry, I'm sorry.

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<v Speaker 5>People will recognize your voice, and people will recognize something

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<v Speaker 5>about you and possibly could be a huge problem. Can

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<v Speaker 5>you just cut to the chase, please, Kiara and tell

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<v Speaker 5>us what you're going to. Basically, the point that you're trying.

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<v Speaker 4>To make, well, the point that I'm trying to make

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<v Speaker 4>is this bloody drought is really screwingever on.

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<v Speaker 5>Yeah, I can understand. Sorry, Belle, I'm sorry, but I

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<v Speaker 5>can't take it any further.

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<v Speaker 1>Firstly, we must acknowledge what the fuck? How does the

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<v Speaker 1>drought make it?

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<v Speaker 2>Okay? I know, listen, I know my goyfriend slaughtered that girl,

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<v Speaker 2>but the drought so hard on him.

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<v Speaker 1>Isn't a double thy one of the ten commandments? Yeah,

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<v Speaker 1>if you could just get away with all of them

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<v Speaker 1>just because it's the drought. Oh, he's doing a double

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<v Speaker 1>stint for murder, but he's the drought. You must understand, Jesus.

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<v Speaker 2>I know you're busy spitting in people's eyes and heart

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<v Speaker 2>and sees, but hey, George over here, don't slaughter him.

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<v Speaker 2>The drown them drown bullshit. He's like, don't don't defame anyone.

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<v Speaker 2>Go again, and she says it was the drought. He

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<v Speaker 2>cut her off, like droughts someone's name.

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<v Speaker 1>Yeah, I'm really not sure why he cut her off,

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<v Speaker 1>but that for one reason or another he did, and

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<v Speaker 1>so he was left with Yeah, if I were him,

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<v Speaker 1>I would just be thinking, fuck me dead. I've got

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<v Speaker 1>all this time to fill, So do I play a song?

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<v Speaker 3>Not enough time?

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<v Speaker 1>It's like maybe two minutes. And I know that from

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<v Speaker 1>working at two p K all of that network, their

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<v Speaker 1>ad breaks are set to four minutes. You can't adjust them,

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<v Speaker 1>so it's not enough time to play ads, not enough

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<v Speaker 1>time to play a song.

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<v Speaker 3>There's no callers. He's just like, I just got.

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<v Speaker 2>To fill it to feel.

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<v Speaker 1>Yeah, he just kind of flailed and he kind of

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<v Speaker 1>just kept talking as though she was still there. But anyway,

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<v Speaker 1>I'll let you have a listen. So here's how he

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<v Speaker 1>coped with having to feel all that time.

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<v Speaker 5>I do apologize, Kia, but from my point of view,

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<v Speaker 5>from my end, it could go anywhere and light a

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<v Speaker 5>fire anywhere, So I just can't take it any further. Sweetheart. Sorry,

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<v Speaker 5>if you want to give us a call sometime and

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<v Speaker 5>just be a little more aware of how to be

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<v Speaker 5>radio friendly, I guess is the words to use. My

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<v Speaker 5>humblest apologies because I understand that you would like to.

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<v Speaker 5>I'll tell you what I'll do, Kiara, if you like,

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<v Speaker 5>I will call you on the way home if we can,

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<v Speaker 5>If you wouldn't mind, if you would be kind enough

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<v Speaker 5>to give my my producer his name is Zach, your

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<v Speaker 5>phone number and it's if it wouldn't be a problem,

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<v Speaker 5>that I could call you after midnight, which is when

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<v Speaker 5>I on my way home, and I could get the

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<v Speaker 5>basic story and maybe we can take it from there,

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<v Speaker 5>from the from the point of what it is that

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<v Speaker 5>you are trying to to come to with your your story.

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<v Speaker 5>Uh huh so oh, I see, okay, let me let

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<v Speaker 5>me then put my put that on hold, put that

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<v Speaker 5>number on hold, and see if we can pick it up,

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<v Speaker 5>because if I can, I will reh what can I say?

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<v Speaker 5>I can probably Yeah, I'd like to talk to you

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<v Speaker 5>off here, if that's it all possible, because I don't

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<v Speaker 5>want to be appearing to be totally unkind to you.

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<v Speaker 5>I've done it before, so please don't think that, Yeah,

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<v Speaker 5>it hasn't happened before. So I'll call you after midnight

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<v Speaker 5>if you would so allow it to happen, because I

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<v Speaker 5>can hear that you are you are in need of assistance.

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<v Speaker 5>I said, I can help you with that.

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<v Speaker 2>Apologies, that's the news.

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<v Speaker 3>It's eleven o'clock.

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<v Speaker 1>I was sitting there in my car. Imagine me driving

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<v Speaker 1>on this wide open road. This is when I was

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<v Speaker 1>back home in the country, and I'm just going, fuck cart,

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<v Speaker 1>I'm feeling you, bro.

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<v Speaker 3>I would not want to be in that situation. He

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<v Speaker 3>just had nothing to say or do.

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<v Speaker 2>That's a car crash. Also, him noticing that she's nearly saying,

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<v Speaker 2>I'll give you my number. You called me such How

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<v Speaker 2>many times did he reiterate the fact that he just

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<v Speaker 2>wanted to hear her side of the story off.

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<v Speaker 3>The yet I don't know who.

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<v Speaker 1>I don't know how old that chick that called through

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<v Speaker 1>it was, but he Carter is very popular with the elderly.

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<v Speaker 1>He like goes on to like RSL's right, and he's

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<v Speaker 1>quite popular.

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<v Speaker 2>I mean, like, as cringe as that was, I think

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<v Speaker 2>I could do it. I think I could do it

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<v Speaker 2>better than Carter.

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<v Speaker 1>I mean what else is there to say, though, Like

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<v Speaker 1>if you can't play a song or play ads, like

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<v Speaker 1>what do you do? You just kept repeating himself.

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<v Speaker 2>Yeah, it's hard, it is hard. But I think as

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<v Speaker 2>a radio anoun said that, you know, that's the job.

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<v Speaker 2>I do it every night. I don't know half the

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<v Speaker 2>stuff I'm talking.

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<v Speaker 1>But also, like I was thinking to myself, wouldn't you

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<v Speaker 1>just google something and start reading the news or something like,

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<v Speaker 1>you know, here's something online. But anyway, I'm glad that

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<v Speaker 1>you've come in with this cocky attitude and you're so

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<v Speaker 1>confident because the challenge today, the talk back to challenge.

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<v Speaker 3>Yeah, no, there is. There always is, idiot, If you

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<v Speaker 3>don't just listen.

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<v Speaker 1>To talk about it, then you go, thanks for listening.

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<v Speaker 1>I always try and make you do something to learn

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<v Speaker 1>from it. So over there, I've put a three minute

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<v Speaker 1>countdown and after that three minutes it's got little radio static.

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<v Speaker 3>The whole time is to give it the effect God,

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<v Speaker 3>you're good yea. So after that three minutes, the news

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<v Speaker 3>theme kicks in.

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<v Speaker 1>So I want you to imagine that your carter and

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<v Speaker 1>you've been thrown in that situation and you have to

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<v Speaker 1>fill three minutes.

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<v Speaker 2>So am I doing that scenario with that caller?

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<v Speaker 1>No, not necessarily you would the call has just hung

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<v Speaker 1>up up to you, and just how you'd feel that

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<v Speaker 1>three minutes. And I don't mean an impression of carter,

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<v Speaker 1>I mean as you like imagine you it happens to

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<v Speaker 1>you on kids, You've got three minutes to film, just

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<v Speaker 1>say all your sound effects have died.

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<v Speaker 2>Okay, so this is full and you can't.

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<v Speaker 3>Bring in me in Jenna. You're pretending you're alone like him.

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<v Speaker 2>Oh God, this is stuff.

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<v Speaker 1>This could happen though you're responsible for timing out. This

0:10:08.920 --> 0:10:09.560
<v Speaker 1>could happen to you.

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<v Speaker 3>You never know.

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<v Speaker 2>This actually happens to me every night when I time

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<v Speaker 2>out my show. But I just play What's New pussy Cat?

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<v Speaker 1>Yeah, you play like end credits music to in Leeway.

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<v Speaker 3>You could play it for twenty seconds, you could play

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<v Speaker 3>it for two.

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<v Speaker 2>Sometimes I'm a minute under and I'll go, well, people

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<v Speaker 2>are getting a minute of What's New pussy Cat.

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<v Speaker 1>I would do the same thing if you use myself

0:10:28.280 --> 0:10:30.160
<v Speaker 1>that like window Leeway.

0:10:30.200 --> 0:10:32.920
<v Speaker 3>But Carter he had silence to feel, So that's what

0:10:32.960 --> 0:10:33.320
<v Speaker 3>you've got.

0:10:33.400 --> 0:10:34.719
<v Speaker 2>I'm going to just put myself. I'm going to be

0:10:34.760 --> 0:10:36.360
<v Speaker 2>mitron Kess, but I'm going to do the same scenario.

0:10:36.440 --> 0:10:37.840
<v Speaker 2>So I have at least something's a lot to how

0:10:37.840 --> 0:10:38.280
<v Speaker 2>hold on to?

0:10:38.480 --> 0:10:42.240
<v Speaker 1>Ready, So there's a lady Garguy's going to count you in.

0:10:42.679 --> 0:10:49.680
<v Speaker 2>Okay, let's see how you go all right, thank you

0:10:49.960 --> 0:10:55.559
<v Speaker 2>for Thank you Bernie for calling through. Top ten bumpcakes

0:10:55.960 --> 0:11:00.320
<v Speaker 2>for your Easter Barak. I'll just rehash the top ten

0:11:00.360 --> 0:11:05.880
<v Speaker 2>bunkcakes Vanilla Vanilla.

0:11:07.280 --> 0:11:09.720
<v Speaker 1>Hang on, this is what you would actually do, chocolate.

0:11:10.440 --> 0:11:11.960
<v Speaker 1>You don't actually have this information.

0:11:13.200 --> 0:11:14.040
<v Speaker 2>Out I'm Philly.

0:11:14.200 --> 0:11:16.560
<v Speaker 1>No, you can't just make up fiction on radio because

0:11:16.559 --> 0:11:18.520
<v Speaker 1>that's just lies shit.

0:11:19.320 --> 0:11:20.800
<v Speaker 2>So you can literally have nothing to talk about.

0:11:21.760 --> 0:11:22.880
<v Speaker 3>Well, you'll figure it out.

0:11:22.760 --> 0:11:27.040
<v Speaker 2>Okay, all right, if you are listening for the news bulletins,

0:11:27.040 --> 0:11:32.440
<v Speaker 2>we'll get there in moments. How many moments? Well, keep

0:11:32.480 --> 0:11:37.200
<v Speaker 2>listening to find out what a show it's been. The

0:11:37.280 --> 0:11:40.320
<v Speaker 2>number to call thirteen one oh six five. The number

0:11:41.280 --> 0:11:46.800
<v Speaker 2>thirteen one oh six ' five. Also, it could be

0:11:46.840 --> 0:11:50.600
<v Speaker 2>one three, it could be ten, it could be sixty five,

0:11:51.480 --> 0:11:54.600
<v Speaker 2>thirteen one oh sixty five. Call us up. We're live

0:11:55.040 --> 0:11:58.440
<v Speaker 2>until until we hit twelve, until that old clock hits

0:11:58.480 --> 0:12:04.720
<v Speaker 2>the china, until we the brass is knocked a show.

0:12:04.760 --> 0:12:07.680
<v Speaker 2>It's been a show that was great, a show that

0:12:07.760 --> 0:12:10.760
<v Speaker 2>I will remember for all of time. It'll go down

0:12:10.840 --> 0:12:13.520
<v Speaker 2>in history. Is one of the best shows. And I

0:12:13.679 --> 0:12:16.280
<v Speaker 2>thought I might, speaking of best shows, give you a

0:12:16.360 --> 0:12:24.199
<v Speaker 2>countdown the best sitcom shows. The eighties. The list starts now.

0:12:25.280 --> 0:12:27.880
<v Speaker 2>He's been prepared for weeks. It's a segment that everyone

0:12:27.920 --> 0:12:32.840
<v Speaker 2>is excited for. Cheers, We can't forget Cheers. Runtime nineteen

0:12:32.880 --> 0:12:36.480
<v Speaker 2>eighty two to nineteen ninety three. Once again, that could

0:12:36.480 --> 0:12:39.520
<v Speaker 2>also be one hundred and ninety eight and two or

0:12:39.559 --> 0:12:43.000
<v Speaker 2>one hundred and ninety nine. And the three are the

0:12:43.040 --> 0:12:47.680
<v Speaker 2>Golden Girls. Oh, my wife Lucy loves the Golden Girls.

0:12:47.720 --> 0:12:52.760
<v Speaker 2>Runtime one hundred ninety eight five, one hundred ninety nine

0:12:52.880 --> 0:12:56.640
<v Speaker 2>two thirteen one O sixty five. If you have contribution

0:12:56.720 --> 0:12:59.040
<v Speaker 2>to the game Growing Pains, I'll tell you what my

0:12:59.160 --> 0:13:03.520
<v Speaker 2>nephew going through the worst growing pains is. How far

0:13:03.600 --> 0:13:06.600
<v Speaker 2>is that the news is in? Okay, great news on

0:13:06.640 --> 0:13:13.360
<v Speaker 2>the way. The news is coming full house. One hundred

0:13:13.360 --> 0:13:16.440
<v Speaker 2>and ninety eight seven one hundred and ninety niney five.

0:13:18.160 --> 0:13:19.880
<v Speaker 2>The sun Blake was born in nineteen ninety five. I

0:13:19.920 --> 0:13:24.120
<v Speaker 2>remember it like it was yesterday. Lucy screaming with pain,

0:13:25.240 --> 0:13:27.000
<v Speaker 2>and I said, and I said to that nurse, I said,

0:13:27.080 --> 0:13:29.480
<v Speaker 2>we were at the local district hospital. One nurse. It's

0:13:29.520 --> 0:13:33.640
<v Speaker 2>also the receptionist. I said, you look after her, and

0:13:33.960 --> 0:13:37.880
<v Speaker 2>he had him. He was premature, but we made it.

0:13:38.040 --> 0:13:41.960
<v Speaker 2>Family ties one hundred ninety eight two, one hundred ninety

0:13:41.960 --> 0:13:44.600
<v Speaker 2>eight nine. Now let's go to the news with Esmarella Jones.

0:13:47.920 --> 0:13:49.400
<v Speaker 1>Oh wow, I love how you still managed to go

0:13:49.440 --> 0:13:50.760
<v Speaker 1>a little bit over and talked everything.

0:13:51.040 --> 0:13:55.160
<v Speaker 3>Then I made it. Now, are you shitting yourself? Or

0:13:55.240 --> 0:13:55.880
<v Speaker 3>you just like whatever?

0:13:56.000 --> 0:13:57.840
<v Speaker 2>I shout myself after I got to the Golden Girls,

0:13:57.880 --> 0:13:59.959
<v Speaker 2>because how many more shows can you rattle on about?

0:14:00.400 --> 0:14:00.920
<v Speaker 3>Why did you go?

0:14:01.040 --> 0:14:03.000
<v Speaker 1>Shows of the eighties? Because once again, I don't think

0:14:03.040 --> 0:14:07.000
<v Speaker 1>you understood the challenge. Why, I said, Imagine it's you

0:14:07.160 --> 0:14:09.800
<v Speaker 1>and you're in that scenario. You don't have a wife, Lucy,

0:14:10.280 --> 0:14:12.439
<v Speaker 1>you don't have a son, Blake where.

0:14:12.360 --> 0:14:13.200
<v Speaker 3>That shit comes from?

0:14:14.559 --> 0:14:16.600
<v Speaker 2>The googled?

0:14:16.640 --> 0:14:19.760
<v Speaker 3>I googled yeah, but where does that bring in your family?

0:14:20.080 --> 0:14:22.320
<v Speaker 2>That was the content. No, that was the fictional character

0:14:22.320 --> 0:14:22.760
<v Speaker 2>that I create.

0:14:22.800 --> 0:14:24.720
<v Speaker 3>No, I said, imagine you're you. Do you want to

0:14:24.720 --> 0:14:25.760
<v Speaker 3>try and you're stuck on air?

0:14:25.840 --> 0:14:26.480
<v Speaker 2>Do you want to try it?

0:14:26.600 --> 0:14:27.040
<v Speaker 3>Not at all?

0:14:27.160 --> 0:14:28.760
<v Speaker 2>This is for you to have to do it again.

0:14:29.040 --> 0:14:30.480
<v Speaker 3>No, you don't do it again. I'm just selling it.

0:14:30.520 --> 0:14:34.360
<v Speaker 3>You fail, literally a fail, But you have to pretend what.

0:14:34.200 --> 0:14:36.200
<v Speaker 1>You would do in that scenario and not what did

0:14:36.200 --> 0:14:38.360
<v Speaker 1>you have a character name in mind, and you did that, Bruce,

0:14:38.480 --> 0:14:38.920
<v Speaker 1>not what.

0:14:38.800 --> 0:14:39.440
<v Speaker 3>Bruce would do.

0:14:40.520 --> 0:14:42.520
<v Speaker 2>I want to do it again. Then I want to win. God.

0:14:42.680 --> 0:14:44.800
<v Speaker 3>Yeah, so I've got to do it again.

0:14:44.920 --> 0:14:46.840
<v Speaker 1>Anyone that's made it this long in the show, clearly

0:14:46.840 --> 0:14:48.560
<v Speaker 1>they've got time in their hands. So I guess we

0:14:48.600 --> 0:14:51.040
<v Speaker 1>can waste some more time. You've got three minutes to go. People,

0:14:53.280 --> 0:14:53.640
<v Speaker 1>all right?

0:14:53.640 --> 0:14:58.240
<v Speaker 2>Ava Max on the show next Friday. I love Ava.

0:14:58.840 --> 0:15:01.440
<v Speaker 2>If you know Lady Gaga, you know that people often

0:15:01.440 --> 0:15:03.680
<v Speaker 2>get mad at the comparison. I've made it on the

0:15:03.680 --> 0:15:06.200
<v Speaker 2>show before. I have a good friend Mitchell Coombs hates

0:15:06.240 --> 0:15:08.480
<v Speaker 2>it when I could pay a Max and Lady Gaga.

0:15:08.520 --> 0:15:10.560
<v Speaker 2>I say, Ava Max is the next Lady Gaga, and

0:15:10.600 --> 0:15:13.720
<v Speaker 2>he says, you're the next fall. We laugh. Coming up

0:15:14.040 --> 0:15:19.920
<v Speaker 2>on the Tuesday show, Charlie XCX new music out and

0:15:19.960 --> 0:15:23.120
<v Speaker 2>she's in isolation. A lot of people are in isolation

0:15:23.680 --> 0:15:27.480
<v Speaker 2>because of COVID. That's what it's doing to people. It's

0:15:27.520 --> 0:15:31.760
<v Speaker 2>putting us in isolation. Hey, you like music, God do it?

0:15:32.040 --> 0:15:34.320
<v Speaker 2>This is hard, that's hard.

0:15:34.640 --> 0:15:36.200
<v Speaker 3>How long do you talk for again?

0:15:36.840 --> 0:15:40.360
<v Speaker 2>I talked anywhere from like forty seconds to five minutes.

0:15:41.360 --> 0:15:42.400
<v Speaker 3>Why was that such atrocle so?

0:15:42.400 --> 0:15:43.640
<v Speaker 2>I don't know one's to talk to. I can't play

0:15:43.640 --> 0:15:44.840
<v Speaker 2>sound effects, isn't it right?

0:15:45.320 --> 0:15:46.760
<v Speaker 3>But do you like music?

0:15:48.920 --> 0:15:49.560
<v Speaker 2>Else? To tell?

0:15:50.680 --> 0:15:53.880
<v Speaker 3>Just Me A podcast by a couple of mitches.