1 00:00:02,440 --> 00:00:02,760 Speaker 1: Get a. 2 00:00:03,400 --> 00:00:10,200 Speaker 2: I'm Laala Berry, nutritionist, author, actor, TV presenter, and professional overshaer. 3 00:00:10,800 --> 00:00:15,680 Speaker 2: This podcast is all about celebrating failure because I believe 4 00:00:15,720 --> 00:00:19,000 Speaker 2: it's a chance for us to learn, grow and face 5 00:00:19,040 --> 00:00:20,120 Speaker 2: our blind spots. 6 00:00:20,680 --> 00:00:23,840 Speaker 1: Each week, I'll interview a different guest about their. 7 00:00:23,760 --> 00:00:27,000 Speaker 2: Highs as well as their loads, all in a bid 8 00:00:27,000 --> 00:00:29,800 Speaker 2: to inspire us to fearlessly fail. 9 00:00:35,680 --> 00:00:36,000 Speaker 1: Hello. 10 00:00:36,240 --> 00:00:39,800 Speaker 2: I feel like today's episode is really like sitting down 11 00:00:39,840 --> 00:00:44,000 Speaker 2: with a mate. Jo Hey Diaz is awesome. He's an 12 00:00:44,040 --> 00:00:47,879 Speaker 2: actor and voice actor. You'll actually get a little taste 13 00:00:47,960 --> 00:00:50,480 Speaker 2: of some of his voice acting because he naturally it's 14 00:00:50,600 --> 00:00:51,800 Speaker 2: just part of him. 15 00:00:51,840 --> 00:00:56,120 Speaker 1: He can't not do like little bits and voices. 16 00:00:56,280 --> 00:00:59,840 Speaker 2: He does loads of animation and you can hear kind 17 00:00:59,840 --> 00:01:03,319 Speaker 2: of like the variety. Even in today's chat, we talk 18 00:01:03,360 --> 00:01:05,920 Speaker 2: about also why he acts, and he's been doing this 19 00:01:05,959 --> 00:01:09,039 Speaker 2: since he was like thirteen, and he talks about like 20 00:01:09,080 --> 00:01:12,160 Speaker 2: his purpose behind it and why he loves it and 21 00:01:12,160 --> 00:01:14,840 Speaker 2: what his goals are for the future. It was just 22 00:01:14,880 --> 00:01:19,120 Speaker 2: so nice to sit down with a really humble, talented, 23 00:01:19,560 --> 00:01:23,880 Speaker 2: working actor and voice actor who's based here in Los Angeles. 24 00:01:24,160 --> 00:01:27,480 Speaker 2: He gave so much of his time, his heart and 25 00:01:27,520 --> 00:01:29,720 Speaker 2: he's a really really sweet human being. And I feel 26 00:01:29,760 --> 00:01:31,960 Speaker 2: lucky because I get to call him a friend. All Right, 27 00:01:32,000 --> 00:01:33,080 Speaker 2: I hope you love this chat. 28 00:01:33,480 --> 00:01:37,720 Speaker 1: Thank you. Oh you are absolutely wonderful. Welcome to the pod. 29 00:01:38,959 --> 00:01:42,200 Speaker 1: You're r oo Hi Diaz, mate, welcome to the pod. 30 00:01:42,319 --> 00:01:44,920 Speaker 3: Oh, thank you for having me. This is Oh, this 31 00:01:45,000 --> 00:01:45,360 Speaker 3: is fun. 32 00:01:45,520 --> 00:01:48,080 Speaker 2: I was just saying, I was so excited about this 33 00:01:48,120 --> 00:01:51,040 Speaker 2: pod because it feels like I'll be interviewing a mate. 34 00:01:51,240 --> 00:01:55,200 Speaker 3: Oh we've hung out, yes, But you also have that personality. 35 00:01:55,240 --> 00:01:58,040 Speaker 3: You have that personality where like instantly you feel like 36 00:01:58,040 --> 00:02:01,560 Speaker 3: like I've known you forever and the feeling. 37 00:02:01,360 --> 00:02:03,880 Speaker 2: Is the feeling is mutual. And a big shout out 38 00:02:03,920 --> 00:02:05,160 Speaker 2: to our mutual friend child. 39 00:02:06,960 --> 00:02:09,520 Speaker 3: That's a special little human. I love them so much. 40 00:02:10,240 --> 00:02:14,280 Speaker 2: So you, my friend, have done a lot of amazing things. 41 00:02:14,320 --> 00:02:18,119 Speaker 2: So actor voice, what do we call it voice? 42 00:02:18,160 --> 00:02:19,160 Speaker 1: I have active voice. 43 00:02:19,040 --> 00:02:20,360 Speaker 3: Voice actor voice. 44 00:02:22,680 --> 00:02:25,720 Speaker 2: I spent I reckon three nearly three hours yesterday. So 45 00:02:25,800 --> 00:02:28,040 Speaker 2: much of the animation stuff you've done is on YouTube. 46 00:02:28,200 --> 00:02:30,040 Speaker 3: No way, I don't even know this. And even when 47 00:02:30,080 --> 00:02:31,359 Speaker 3: you told me there was like some interview on it, 48 00:02:31,360 --> 00:02:32,679 Speaker 3: I was like why, I was like, what's on? 49 00:02:32,800 --> 00:02:34,520 Speaker 1: Oh? My goodness so much. That's when I was texting. 50 00:02:34,600 --> 00:02:36,560 Speaker 2: I was like, oh my god, this is like amazing 51 00:02:36,600 --> 00:02:39,240 Speaker 2: because I would so First of all, what I did 52 00:02:39,480 --> 00:02:41,720 Speaker 2: was I would watch what I what I knew you 53 00:02:41,760 --> 00:02:44,160 Speaker 2: were in, and I'd try and guess which character you were, 54 00:02:44,200 --> 00:02:47,840 Speaker 2: and then I'd check is it IMDb. I checked that 55 00:02:47,960 --> 00:02:50,800 Speaker 2: to double check that I got the characters right, nailed it. 56 00:02:50,840 --> 00:02:52,120 Speaker 1: Every time, I was like, got it. 57 00:02:52,240 --> 00:02:55,200 Speaker 3: That's I know, because I have a generic little kid voice. 58 00:02:55,200 --> 00:02:56,840 Speaker 3: When they had me do like little kids, I was like, 59 00:02:57,240 --> 00:02:59,680 Speaker 3: I was like, this might sound like that other character, 60 00:02:59,760 --> 00:03:02,360 Speaker 3: but I could throw an accent on it. But they're like, no, no, 61 00:03:02,480 --> 00:03:03,600 Speaker 3: keep that one really okay. 62 00:03:03,440 --> 00:03:06,160 Speaker 2: No, I feel like you did. I feel like each 63 00:03:06,240 --> 00:03:09,040 Speaker 2: time I was like, I don't know. I've got to 64 00:03:09,040 --> 00:03:12,160 Speaker 2: say anyway, I loved soaking up all your animation stuff. 65 00:03:12,160 --> 00:03:15,080 Speaker 2: And then you're like, do you want to see my my, 66 00:03:15,080 --> 00:03:17,440 Speaker 2: my comedy and drama reals, And I was like, yeah, 67 00:03:17,560 --> 00:03:18,639 Speaker 2: the comedy. 68 00:03:18,240 --> 00:03:22,440 Speaker 1: Stuff like so funny. Oh, you have to tell me. 69 00:03:22,720 --> 00:03:26,080 Speaker 2: What was it like working on The Good Place with 70 00:03:26,400 --> 00:03:29,079 Speaker 2: like the iconic it's Kristin Beler. 71 00:03:29,000 --> 00:03:31,200 Speaker 3: Yeah, Kristen Bell. She was so sweet. And I still 72 00:03:31,280 --> 00:03:33,160 Speaker 3: run into a bunch of the cast since then, and 73 00:03:33,280 --> 00:03:38,120 Speaker 3: I with that whole story was crazy because I auditioned 74 00:03:38,240 --> 00:03:41,320 Speaker 3: for the pilot, right and they were looking specifically for 75 00:03:41,360 --> 00:03:44,720 Speaker 3: an Asian actor for this one role who was Manny's 76 00:03:44,840 --> 00:03:45,320 Speaker 3: raw on it. 77 00:03:46,000 --> 00:03:48,120 Speaker 1: Spoiler alert, You're not, Yeah, I'm not. 78 00:03:48,160 --> 00:03:50,960 Speaker 3: I'm not Asian. Yeah, Mexican American. 79 00:03:50,720 --> 00:03:52,120 Speaker 1: Mexican American first generations. 80 00:03:52,560 --> 00:03:55,920 Speaker 3: Yeah. Both my parents born and raised in Mexico, but 81 00:03:56,000 --> 00:03:58,800 Speaker 3: I was born here in La Los Angeles. And so 82 00:03:59,040 --> 00:04:03,320 Speaker 3: I auditioned for were the pilot and my manager was like, no, no, 83 00:04:03,320 --> 00:04:04,800 Speaker 3: they just want you to go in anyway, just go 84 00:04:04,840 --> 00:04:06,520 Speaker 3: in and have fun. And it was like this really 85 00:04:06,520 --> 00:04:08,240 Speaker 3: funny monologue and I just had fun with it and 86 00:04:08,280 --> 00:04:10,480 Speaker 3: it was like I was playing this like DJ from 87 00:04:10,520 --> 00:04:14,200 Speaker 3: like Florida, like reminiscing about my past. So anyway, long 88 00:04:14,200 --> 00:04:17,320 Speaker 3: story short, I didn't get it like two three months ago, 89 00:04:17,320 --> 00:04:22,080 Speaker 3: by I think, and I get another audition for another, 90 00:04:22,200 --> 00:04:25,760 Speaker 3: like a smaller part on on the on the show, 91 00:04:26,440 --> 00:04:28,560 Speaker 3: and then an hour later they're like, poor, hey, actually, 92 00:04:28,760 --> 00:04:31,160 Speaker 3: uh never mind, you don't have to audition. The role 93 00:04:31,240 --> 00:04:33,480 Speaker 3: is yours. And I was like, oh. 94 00:04:33,320 --> 00:04:35,719 Speaker 1: Oh shit, okay type or anything out of. 95 00:04:36,279 --> 00:04:39,680 Speaker 3: Yeah, So they just offered me that and then it's 96 00:04:39,760 --> 00:04:41,480 Speaker 3: crazy is that they didn't. They're like, okay, are you 97 00:04:41,520 --> 00:04:44,000 Speaker 3: available to shoot like next Thursday or something like that 98 00:04:44,040 --> 00:04:46,040 Speaker 3: it was, and I was like, yeah, whatever. 99 00:04:46,200 --> 00:04:48,680 Speaker 1: And that feels quick, by the way, it. 100 00:04:48,600 --> 00:04:50,880 Speaker 3: Feels really quick. So they, I could say, already had 101 00:04:50,880 --> 00:04:52,479 Speaker 3: sort of shooting some of the pilot. And this is 102 00:04:52,480 --> 00:04:55,560 Speaker 3: like the pilot. There was no information about the show 103 00:04:55,880 --> 00:05:00,920 Speaker 3: anywhere online besides it being based on something about the afterlife, 104 00:05:00,960 --> 00:05:03,000 Speaker 3: but it was the creators of Community and Parks and 105 00:05:03,040 --> 00:05:05,600 Speaker 3: Recreation and it was Mike sure involved, and I was like, 106 00:05:05,640 --> 00:05:07,120 Speaker 3: okay something. It's like, oh, it's kind of like a 107 00:05:07,160 --> 00:05:10,120 Speaker 3: you know, mockumentary maybe, and I'm like, oh, I could 108 00:05:10,480 --> 00:05:13,520 Speaker 3: I see this comedy? But they didn't send any any 109 00:05:13,560 --> 00:05:16,440 Speaker 3: script until the night before I think we were on 110 00:05:16,560 --> 00:05:18,440 Speaker 3: ten PM. So I'm kind of freaking out. I was like, 111 00:05:18,839 --> 00:05:21,040 Speaker 3: what am I doing tomorrow? And they're like, oh, they're 112 00:05:21,040 --> 00:05:22,719 Speaker 3: gonna send you the script. They finally email it to me, 113 00:05:22,800 --> 00:05:25,599 Speaker 3: and it seemed like kind of really outrageous, and I 114 00:05:25,640 --> 00:05:27,960 Speaker 3: was like, is this like a dream sequence. I don't understand. 115 00:05:27,960 --> 00:05:31,040 Speaker 3: There's like garbage, like a big garbage has been falling 116 00:05:31,040 --> 00:05:33,160 Speaker 3: on me. I was like, what is this? No information 117 00:05:33,200 --> 00:05:36,320 Speaker 3: about the show? Show. So I show up the following 118 00:05:36,360 --> 00:05:40,240 Speaker 3: day still have no idea. My fellow actor who we 119 00:05:40,240 --> 00:05:43,039 Speaker 3: were soul mates in the Afterlife, he's like, he's like, 120 00:05:43,040 --> 00:05:44,240 Speaker 3: do you know what the fuck's going on? I was like, 121 00:05:44,279 --> 00:05:46,839 Speaker 3: I have no idea. And then I asked the director, 122 00:05:46,960 --> 00:05:49,760 Speaker 3: was Michael McDonald point you from like Matt TV back 123 00:05:49,800 --> 00:05:51,400 Speaker 3: in the day, And I was like, I mean that 124 00:05:51,440 --> 00:05:54,200 Speaker 3: was an honor by you and from watching that. Uh. 125 00:05:54,279 --> 00:05:56,039 Speaker 3: I asked him, Hey, so what's what's kind of the 126 00:05:56,839 --> 00:05:59,120 Speaker 3: you know, like the the energy of the show. How 127 00:05:59,160 --> 00:06:02,800 Speaker 3: would you you know? And they're like I would say, uh, 128 00:06:02,960 --> 00:06:05,120 Speaker 3: it's gonna have his own tone, you know, it's uh, 129 00:06:05,160 --> 00:06:07,560 Speaker 3: it has his own unique tone. I was like, okay, 130 00:06:07,680 --> 00:06:11,040 Speaker 3: Like but yeah, just what were you doing? You're doing fine? 131 00:06:11,080 --> 00:06:13,680 Speaker 3: I'm like okay, And so I'm still kind of nervous. 132 00:06:13,680 --> 00:06:15,600 Speaker 3: I'm like, do I just play this up like as 133 00:06:15,720 --> 00:06:18,680 Speaker 3: naturally as possible, over the top nice. And finally was 134 00:06:18,760 --> 00:06:21,200 Speaker 3: Christen Bell was like, hey, they had you sign NDA's right. 135 00:06:21,240 --> 00:06:22,479 Speaker 3: I was like, yeah, okay, this is what the show 136 00:06:22,520 --> 00:06:24,280 Speaker 3: is about. Oh bye. She explained the whole thing, and 137 00:06:24,320 --> 00:06:27,680 Speaker 3: she was really sweet about yeah, yeah, super lovely. But 138 00:06:27,720 --> 00:06:30,120 Speaker 3: I've run into a bunch of the cast, and I 139 00:06:30,120 --> 00:06:32,000 Speaker 3: always say, like, I give them hugs when I see him. 140 00:06:32,040 --> 00:06:34,440 Speaker 3: They're really sweet. Yeah. Yeah, so I just did that 141 00:06:34,480 --> 00:06:35,960 Speaker 3: little part and they brought me back for a couple 142 00:06:36,080 --> 00:06:37,640 Speaker 3: like another little thing, and that was pretty much it. 143 00:06:37,680 --> 00:06:39,800 Speaker 1: Yeah, so hang on, that's pretty nerve wracking though. 144 00:06:40,000 --> 00:06:43,719 Speaker 2: Ten pm the night before, Yeah, Like, did you get 145 00:06:43,720 --> 00:06:46,320 Speaker 2: nervous about like being off balk and lines? 146 00:06:46,320 --> 00:06:52,719 Speaker 3: And yeah, And I'm so like, I like rehearsing, I 147 00:06:52,800 --> 00:06:55,719 Speaker 3: like playing around with it. I like preparing, and I'm like, Okay, 148 00:06:55,720 --> 00:06:57,000 Speaker 3: maybe I could do this with it. I'm like, oh, 149 00:06:57,080 --> 00:06:59,320 Speaker 3: I could do this and then not having anything till 150 00:06:59,320 --> 00:07:02,039 Speaker 3: like the night before, Okay, Oh how can I play 151 00:07:02,080 --> 00:07:04,400 Speaker 3: this and then have no information about the tone of 152 00:07:04,440 --> 00:07:06,760 Speaker 3: the show or what the show is about in general, 153 00:07:07,040 --> 00:07:09,640 Speaker 3: only that it's a comedy. And I'm like, okay, but 154 00:07:09,720 --> 00:07:12,040 Speaker 3: this seems like kind of crazy situation. 155 00:07:12,440 --> 00:07:14,760 Speaker 2: Yeah, it's such a scenario that we haven't seen in 156 00:07:14,800 --> 00:07:15,400 Speaker 2: Telly before. 157 00:07:15,400 --> 00:07:17,600 Speaker 3: In yeah really yeah, very true. 158 00:07:17,640 --> 00:07:21,800 Speaker 2: Well, you were very funny and even the garbage been 159 00:07:21,880 --> 00:07:25,880 Speaker 2: like palling on you, and you'd like, do you like 160 00:07:26,280 --> 00:07:28,440 Speaker 2: I feel like you And I could be totally wrong, 161 00:07:28,480 --> 00:07:30,720 Speaker 2: but I feel like you've naturally got comedy bones. 162 00:07:31,160 --> 00:07:33,239 Speaker 3: I think because I was such a goofy kid growing 163 00:07:33,360 --> 00:07:37,000 Speaker 3: up and I am kind of like a little adhd 164 00:07:37,400 --> 00:07:40,240 Speaker 3: and I'm like really animated when I talk naturally, so 165 00:07:40,280 --> 00:07:42,600 Speaker 3: I think like and have a very friendly face, you know, 166 00:07:43,160 --> 00:07:44,640 Speaker 3: I have like I look like a giant ten year 167 00:07:44,640 --> 00:07:50,520 Speaker 3: old always naturally, I always kind of like, uh, I 168 00:07:50,600 --> 00:07:52,520 Speaker 3: end upooking a lot of comedies because of that. Yeah. 169 00:07:52,640 --> 00:07:56,080 Speaker 2: Yeah, and your energy is like so light and fun 170 00:07:56,200 --> 00:07:59,800 Speaker 2: as well, so you can see why that, like how 171 00:07:59,800 --> 00:08:02,040 Speaker 2: that it's crossed over so beautifully for you. 172 00:08:02,240 --> 00:08:03,000 Speaker 3: Yeah, because so. 173 00:08:03,160 --> 00:08:07,560 Speaker 2: Yeah, okay, what about So before I move on to something, 174 00:08:07,720 --> 00:08:09,040 Speaker 2: you've done so much amazing stuff. 175 00:08:09,160 --> 00:08:12,080 Speaker 1: First of all, did you start like fourteen or something? Fifteen? 176 00:08:12,160 --> 00:08:14,960 Speaker 3: Yeah. I convinced my mom when I mean I was 177 00:08:15,000 --> 00:08:17,640 Speaker 3: probably like in eighth grade. I was like, I think 178 00:08:17,680 --> 00:08:19,760 Speaker 3: twelve or thirteen years old. I started doing plays in 179 00:08:20,320 --> 00:08:22,720 Speaker 3: junior high and I convinced my mom to enroll me 180 00:08:22,720 --> 00:08:25,240 Speaker 3: in like a real acting class. And right away she's 181 00:08:25,320 --> 00:08:27,400 Speaker 3: like no, no, no, She's like that career of an actor 182 00:08:27,480 --> 00:08:29,160 Speaker 3: is unstable. And I was like, what are you talking about. 183 00:08:29,160 --> 00:08:31,960 Speaker 3: I'm like, I go to basketball practice. I suck at basketball. 184 00:08:31,960 --> 00:08:35,000 Speaker 3: Why can't I just give this a try, just for fun. Yeah, 185 00:08:35,040 --> 00:08:36,920 Speaker 3: And I enrolled in this acting class and I got 186 00:08:36,920 --> 00:08:39,160 Speaker 3: an agent in the class. I was thirteen years old. 187 00:08:39,520 --> 00:08:41,600 Speaker 3: Got an agent, and they started sending me out on auditions, 188 00:08:41,600 --> 00:08:45,240 Speaker 3: and I started booking commercials and I booked this recurring 189 00:08:45,320 --> 00:08:47,920 Speaker 3: role on a Spanish sitcom, which was my first Spanish 190 00:08:48,120 --> 00:08:50,960 Speaker 3: ever audition. And I did that throughout high school and 191 00:08:50,960 --> 00:08:52,800 Speaker 3: then I stopped for like several years. When I went 192 00:08:52,840 --> 00:08:55,920 Speaker 3: off to college, I like graduated, I was a communications major, 193 00:08:56,720 --> 00:08:58,280 Speaker 3: but I knew in my heart I wanted to get 194 00:08:58,280 --> 00:08:59,679 Speaker 3: back into it as soon as I moved back to 195 00:08:59,760 --> 00:09:03,480 Speaker 3: La How to convince my parents again that I graduated, 196 00:09:03,520 --> 00:09:05,679 Speaker 3: got a college diploma, but I'm like, I still want 197 00:09:05,679 --> 00:09:06,440 Speaker 3: to get this acting thing. 198 00:09:07,000 --> 00:09:09,240 Speaker 1: You know, it's not good. 199 00:09:09,640 --> 00:09:11,520 Speaker 3: Yes, we kind of like worked out. I mean, my 200 00:09:11,559 --> 00:09:12,920 Speaker 3: mom still tells me. She's like, you wanted to. 201 00:09:12,920 --> 00:09:14,880 Speaker 1: Be an architect, you know when you were younger. 202 00:09:14,920 --> 00:09:16,760 Speaker 3: Why don't you know, why don't you still do that? 203 00:09:16,840 --> 00:09:21,480 Speaker 2: I was like no, and you go, you're doing freaking awesome, 204 00:09:21,679 --> 00:09:24,120 Speaker 2: Like you're doing so so wow. So can we talk 205 00:09:24,160 --> 00:09:26,040 Speaker 2: about like one of your dreams has always been to 206 00:09:26,080 --> 00:09:30,320 Speaker 2: be a voice actor. I feel like you were designed 207 00:09:30,600 --> 00:09:31,480 Speaker 2: for it. 208 00:09:32,160 --> 00:09:35,679 Speaker 3: I guess so because I always did a bunch of 209 00:09:35,880 --> 00:09:38,520 Speaker 3: like goofy voices as a kid, and I was in 210 00:09:38,600 --> 00:09:40,640 Speaker 3: high school and my friends used to put me on 211 00:09:40,679 --> 00:09:42,800 Speaker 3: the spot like oh right, do this, or cry on 212 00:09:42,840 --> 00:09:44,559 Speaker 3: the spot like do this, and they were like, oh, 213 00:09:44,600 --> 00:09:49,760 Speaker 3: do this imitation of this blah, and so I I 214 00:09:49,800 --> 00:09:53,280 Speaker 3: never knew how to get into into uh, into voice acting, 215 00:09:53,400 --> 00:09:56,200 Speaker 3: like I started doing commerce at a commercial audition, I 216 00:09:56,200 --> 00:09:58,960 Speaker 3: mean a commercial agent. Ended up getting a theatrical agent, 217 00:09:59,000 --> 00:10:00,240 Speaker 3: which is like a TV film agent. 218 00:10:00,320 --> 00:10:02,680 Speaker 1: I love that you describe that because Australians are like. 219 00:10:03,760 --> 00:10:06,120 Speaker 3: Yeah, you think like theater, right, But TV and film 220 00:10:06,200 --> 00:10:10,679 Speaker 3: agents in Hollywood are called are called theatrical agents. So 221 00:10:10,960 --> 00:10:18,640 Speaker 3: I randomly I got a voiceover audition from my commercial agent. 222 00:10:18,760 --> 00:10:21,280 Speaker 3: I didn't even know the agency had a voiceover department, right, 223 00:10:21,800 --> 00:10:24,440 Speaker 3: And if it was up to me, like if I 224 00:10:24,520 --> 00:10:26,920 Speaker 3: was like, this is Jo at thirteen years old, going like, Okay, 225 00:10:27,520 --> 00:10:29,240 Speaker 3: what would be your dream job, Like I don't know, 226 00:10:29,440 --> 00:10:32,160 Speaker 3: like be on like the Simpsons or like the or 227 00:10:32,240 --> 00:10:34,000 Speaker 3: Family Guy, like a show like that that lasts for 228 00:10:34,160 --> 00:10:36,280 Speaker 3: years and you could just do funny voices and go 229 00:10:36,280 --> 00:10:38,320 Speaker 3: in to record like that would be kind of my dream, right, 230 00:10:38,600 --> 00:10:43,160 Speaker 3: more so than on camera stuff. And because inside I 231 00:10:43,160 --> 00:10:45,640 Speaker 3: feel like I'm really goofy around my friends, but then 232 00:10:45,880 --> 00:10:48,760 Speaker 3: I'm kind of an introvert. I'm like an extroverted introvert, 233 00:10:48,880 --> 00:10:51,439 Speaker 3: you know. And so I'm like, I don't know if 234 00:10:51,440 --> 00:10:53,000 Speaker 3: I want to be on camera all the time. I'm like, oh, 235 00:10:53,000 --> 00:10:54,560 Speaker 3: I don't know if I want to do this, That's 236 00:10:54,600 --> 00:10:56,520 Speaker 3: what I was saying. I was so fascinating that you 237 00:10:56,520 --> 00:10:58,600 Speaker 3: found things on YouTube. I'm kind of like shy away 238 00:10:58,600 --> 00:11:00,599 Speaker 3: for like doing interviews. I'm like a need. I was like, 239 00:11:00,640 --> 00:11:02,600 Speaker 3: it's fine. I'm like, I'm just happy working and being 240 00:11:02,600 --> 00:11:07,400 Speaker 3: creative on my own kind of thing. But I so 241 00:11:07,679 --> 00:11:10,400 Speaker 3: I get this audition from my commercial agent. They needed 242 00:11:10,480 --> 00:11:15,560 Speaker 3: more bilingual submissions for this interactive PBS cartoon. I got 243 00:11:15,559 --> 00:11:18,360 Speaker 3: so excited. I was like, holy shit, I'm auditioning for 244 00:11:18,960 --> 00:11:21,840 Speaker 3: a cartoon. I was like, what, this is amazing. So 245 00:11:21,920 --> 00:11:25,120 Speaker 3: I go in and I meet Farents. It's so funny. 246 00:11:25,280 --> 00:11:27,720 Speaker 3: By who's my it's still my current voice over agent. 247 00:11:28,559 --> 00:11:30,520 Speaker 3: And I told him like, oh my god, I had 248 00:11:30,559 --> 00:11:32,640 Speaker 3: no idea. You guys had a voiceover department. Can I 249 00:11:32,720 --> 00:11:34,920 Speaker 3: just read for every role. He's like, sure, so we 250 00:11:35,000 --> 00:11:37,400 Speaker 3: sent like the crocodile man. This is the you know, 251 00:11:37,480 --> 00:11:40,439 Speaker 3: like there's all these random characters for this interactive like 252 00:11:40,720 --> 00:11:41,960 Speaker 3: uh web series. 253 00:11:42,760 --> 00:11:44,480 Speaker 1: This isn't are you talking about? 254 00:11:44,480 --> 00:11:48,960 Speaker 3: Oh yeah, oh noah. And I jokingly grandma. I jokingly 255 00:11:49,000 --> 00:11:51,360 Speaker 3: send in the grandma. So I do the grandma's voice, 256 00:11:51,840 --> 00:11:55,280 Speaker 3: and I think a couple of weeks it was so 257 00:11:55,320 --> 00:11:58,079 Speaker 3: I'll give you to this so little. The whole series 258 00:11:58,120 --> 00:11:59,720 Speaker 3: based on a little kid that goes to Latin America. 259 00:11:59,760 --> 00:12:03,320 Speaker 3: It's a series to help kids learn Spanish. Yes, and 260 00:12:03,520 --> 00:12:06,040 Speaker 3: it's a little American kid. He's like ten years old. 261 00:12:06,080 --> 00:12:08,240 Speaker 3: He goes to Latin America to live with his grandma 262 00:12:08,559 --> 00:12:11,240 Speaker 3: and he gets into all these crazy adventures and at 263 00:12:11,240 --> 00:12:12,840 Speaker 3: the end of the episode they learn a few words 264 00:12:12,840 --> 00:12:13,400 Speaker 3: in Spanish. 265 00:12:13,480 --> 00:12:13,840 Speaker 1: Yeah. 266 00:12:13,880 --> 00:12:17,720 Speaker 3: So I based it on one of my fake ants. 267 00:12:17,720 --> 00:12:19,000 Speaker 3: I call her, but it's like one of my mom's 268 00:12:19,000 --> 00:12:21,600 Speaker 3: best friends. Yeah, and she's like the sweetest lady. And 269 00:12:21,640 --> 00:12:25,720 Speaker 3: she goes, no, no, I've been back at Miho. I 270 00:12:26,000 --> 00:12:29,800 Speaker 3: see Miho Martio, and the little kid will be like Martillo. 271 00:12:29,920 --> 00:12:34,120 Speaker 3: He's like, I don't understand Grandma. He's like Martillo, Miko 272 00:12:34,240 --> 00:12:38,200 Speaker 3: Martillo and I just I jokingly sent it in and 273 00:12:38,200 --> 00:12:41,679 Speaker 3: they cast me as the fucking grandma no Way, and 274 00:12:41,679 --> 00:12:44,199 Speaker 3: we were both so surprised. And ever since then, he 275 00:12:44,280 --> 00:12:46,840 Speaker 3: kind of just started sending me more auditions. He's like, Hey, 276 00:12:46,840 --> 00:12:48,240 Speaker 3: why don't you read for this? Hey, why don't you 277 00:12:48,240 --> 00:12:49,960 Speaker 3: read for this? What do you think about this? And 278 00:12:50,000 --> 00:12:53,120 Speaker 3: so that's how I kind of started from that one project. 279 00:12:53,240 --> 00:12:56,800 Speaker 2: Didn't you also get cast as Noah because you'd done recording? 280 00:12:56,840 --> 00:12:58,719 Speaker 1: And then I told you back in. 281 00:12:58,960 --> 00:13:01,040 Speaker 3: They called me back in. Was on the way home 282 00:13:01,120 --> 00:13:04,240 Speaker 3: and my agent calls, He's like, hey, h can you 283 00:13:04,559 --> 00:13:06,360 Speaker 3: turn around and go back to the studios? Like why, 284 00:13:06,360 --> 00:13:09,120 Speaker 3: what's up? He's like, because they want you to record 285 00:13:09,400 --> 00:13:12,600 Speaker 3: Noah the main kids. Like I was like what, He's like, yeah, 286 00:13:12,640 --> 00:13:15,480 Speaker 3: I guess. They didn't like the it was. It was 287 00:13:15,600 --> 00:13:18,079 Speaker 3: actually actually like a thirty year old actress. They didn't 288 00:13:18,120 --> 00:13:20,160 Speaker 3: like her accident when she spoke Spanish something like that, 289 00:13:20,160 --> 00:13:23,600 Speaker 3: because PBS was like listening in from New York or 290 00:13:23,600 --> 00:13:25,520 Speaker 3: something like that. So they I felt bad because I 291 00:13:25,559 --> 00:13:27,199 Speaker 3: met her and she was so lovely and then I 292 00:13:27,280 --> 00:13:29,160 Speaker 3: came back and then she was walking on and I'm like, 293 00:13:29,880 --> 00:13:32,240 Speaker 3: by and I was like, oh no, does she know 294 00:13:32,320 --> 00:13:34,040 Speaker 3: I'm like replacing her right now. 295 00:13:34,320 --> 00:13:36,800 Speaker 2: I feel like that's the name of the game though, right, 296 00:13:36,920 --> 00:13:38,440 Speaker 2: that stuff happen like that. 297 00:13:39,280 --> 00:13:42,800 Speaker 1: How exciting, Grandma. 298 00:13:42,440 --> 00:13:48,480 Speaker 2: First, amazing the other vo job that you've done that 299 00:13:48,640 --> 00:13:51,320 Speaker 2: was so exciting to watch and read about. 300 00:13:51,400 --> 00:13:52,319 Speaker 1: How I'm saying this right. 301 00:13:52,400 --> 00:13:57,040 Speaker 2: It's Eleanor of A, Elene of A Yeah, Elne of 302 00:13:57,080 --> 00:13:58,440 Speaker 2: Avalore and you were gay. 303 00:13:59,400 --> 00:14:01,720 Speaker 3: Yeah. He was her her royal guard. 304 00:14:02,000 --> 00:14:04,400 Speaker 1: Yeah yeah, very heroic. 305 00:14:04,040 --> 00:14:06,280 Speaker 3: Yeah, very like this guy thinks he's like, you know, 306 00:14:06,320 --> 00:14:07,840 Speaker 3: he's like he's like I got this. He's like her 307 00:14:07,880 --> 00:14:10,880 Speaker 3: secret service agent. But he's really like a goofball. He's 308 00:14:10,880 --> 00:14:12,480 Speaker 3: like this like eighteen year old kid that's like, oh 309 00:14:12,480 --> 00:14:14,200 Speaker 3: my gosh, I got this, like serious job now I 310 00:14:14,200 --> 00:14:16,640 Speaker 3: got to protect the princess. I'm like I got this. Yeah. 311 00:14:16,679 --> 00:14:18,960 Speaker 3: But that was that fun. That was so fun, and 312 00:14:19,000 --> 00:14:22,120 Speaker 3: the cast was like such like such beautiful people. I 313 00:14:22,160 --> 00:14:25,280 Speaker 3: love them so much. And but the thing with voiceover stuff, 314 00:14:25,280 --> 00:14:29,360 Speaker 3: you don't meet that's gonna say you like, for that one, 315 00:14:29,480 --> 00:14:32,400 Speaker 3: we were recording individually. There's been a couple like lost 316 00:14:32,480 --> 00:14:35,840 Speaker 3: and as we recorded as a group, he had blue Hey, yeah, 317 00:14:35,880 --> 00:14:36,600 Speaker 3: he's so cute. 318 00:14:36,640 --> 00:14:38,080 Speaker 1: I love his character. 319 00:14:38,480 --> 00:14:41,720 Speaker 3: Oh Joe, yeah a little he's like half munchkin half giant. 320 00:14:41,880 --> 00:14:44,240 Speaker 3: Yeah yeah. And it's based on the original Oz books 321 00:14:44,280 --> 00:14:46,960 Speaker 3: and it's it's a it's the animation is amazing. 322 00:14:47,200 --> 00:14:48,840 Speaker 1: Your voice was quite different in that. That told me 323 00:14:48,880 --> 00:14:50,040 Speaker 1: a bit of time to be like. 324 00:14:50,440 --> 00:14:52,760 Speaker 3: Oh yeah, he's like a little rasp beer. 325 00:14:53,040 --> 00:14:55,320 Speaker 1: Like Jorthy, He's like, we gotta go. 326 00:14:55,720 --> 00:14:57,800 Speaker 3: He's like a little Yeah, he's like a little fourteen 327 00:14:57,840 --> 00:15:01,400 Speaker 3: year old like munchkin giant. Oh my goodness. Yeah. But 328 00:15:01,480 --> 00:15:05,320 Speaker 3: Elena and we recorded individually, so we would like we 329 00:15:05,360 --> 00:15:07,920 Speaker 3: would only meet each other at events like to promote 330 00:15:07,920 --> 00:15:10,760 Speaker 3: the It was like the premiere and I'm meeting like 331 00:15:11,160 --> 00:15:13,200 Speaker 3: people I like. I was like, oh my gosh, it's 332 00:15:13,680 --> 00:15:16,640 Speaker 3: Amy Carrero, who was a working actress and been on 333 00:15:16,640 --> 00:15:19,920 Speaker 3: awesome shows and now films, like we met there for 334 00:15:19,960 --> 00:15:22,800 Speaker 3: the first time. Jenna Ortega, who's now blown up from 335 00:15:22,800 --> 00:15:25,200 Speaker 3: like Wednesday, like we met originally on. 336 00:15:25,080 --> 00:15:27,640 Speaker 1: That she was she a character on that she was 337 00:15:27,640 --> 00:15:28,040 Speaker 1: a character. 338 00:15:28,080 --> 00:15:30,800 Speaker 3: She was the younger sister on the Elena's younger sister 339 00:15:30,880 --> 00:15:31,360 Speaker 3: on that show. 340 00:15:31,520 --> 00:15:33,160 Speaker 1: Have you watched her on Wednesday? She's amazing. 341 00:15:33,200 --> 00:15:34,880 Speaker 3: Yeah, she's awesome. And then we worked on a film 342 00:15:34,920 --> 00:15:37,280 Speaker 3: just right before the pandemic. Yeah, we worked on this 343 00:15:37,320 --> 00:15:39,720 Speaker 3: like horror flick, and we got to shoot in Madrid. 344 00:15:39,840 --> 00:15:41,480 Speaker 3: We're out there for like seven weeks. 345 00:15:41,520 --> 00:15:44,280 Speaker 2: Okay, So now I watched that horror, I've watched the Sway, 346 00:15:44,280 --> 00:15:45,040 Speaker 2: and I hang on, is. 347 00:15:45,040 --> 00:15:48,760 Speaker 1: It the is it there? That wasn't the Paranormal Activity. 348 00:15:48,840 --> 00:15:51,480 Speaker 3: No, that was American Carnes. But Paranormal Activity was what 349 00:15:51,560 --> 00:15:54,720 Speaker 3: I did. Uh yeah, that was like my first like 350 00:15:55,520 --> 00:15:55,960 Speaker 3: so like. 351 00:15:56,000 --> 00:15:59,280 Speaker 2: So I am house sitting and dog sitting alone and 352 00:15:59,320 --> 00:16:01,120 Speaker 2: I'm sorry to raise do it not? And I was like, 353 00:16:01,680 --> 00:16:06,680 Speaker 2: I'm gonna have to watch these clips tomorrow, but it's scary. 354 00:16:06,880 --> 00:16:10,040 Speaker 3: It's scary. But I feel ours was the most fun 355 00:16:10,320 --> 00:16:12,480 Speaker 3: of all, like the Paranormals, because it starts off kind 356 00:16:12,480 --> 00:16:15,320 Speaker 3: of as a comedy, like a buddy too, Like kids 357 00:16:15,320 --> 00:16:15,960 Speaker 3: are just like. 358 00:16:16,000 --> 00:16:18,000 Speaker 1: A new film. Part of it, didn't you because that's 359 00:16:18,000 --> 00:16:18,760 Speaker 1: what your character? 360 00:16:19,200 --> 00:16:22,960 Speaker 3: Yeah? And I literally shot like we shot that movie 361 00:16:23,000 --> 00:16:24,640 Speaker 3: on a camp quarter you could buy a best buy 362 00:16:24,800 --> 00:16:27,440 Speaker 3: like the local shop, and they just kind of had 363 00:16:27,920 --> 00:16:30,760 Speaker 3: some extra things on it for sound. But other than that, 364 00:16:30,880 --> 00:16:32,680 Speaker 3: like that's why I feel like that movie is like 365 00:16:32,680 --> 00:16:34,880 Speaker 3: my baby, because they had me. They would set up 366 00:16:34,880 --> 00:16:38,120 Speaker 3: certain shots for me, like the DP and director to 367 00:16:38,160 --> 00:16:40,080 Speaker 3: be like, okay, make sure you clock this on the 368 00:16:40,120 --> 00:16:43,320 Speaker 3: way out, set the camera here, and on the way 369 00:16:43,480 --> 00:16:44,320 Speaker 3: you pick it up about and. 370 00:16:44,480 --> 00:16:46,000 Speaker 1: So I would to learn a lot. 371 00:16:46,160 --> 00:16:47,600 Speaker 3: Yeah, it was. It was like it was like working 372 00:16:47,600 --> 00:16:50,520 Speaker 3: on like a badass student project. Like we just had 373 00:16:50,560 --> 00:16:53,080 Speaker 3: kind of like Paramount Studios, the backing of Paramount Studios, 374 00:16:53,080 --> 00:16:54,600 Speaker 3: but in reality we're all shooting this on this little 375 00:16:54,600 --> 00:16:55,320 Speaker 3: camp quarter. 376 00:16:55,520 --> 00:16:59,440 Speaker 2: It's giving blay Witch yeah, like Witch Project. So and 377 00:16:59,440 --> 00:17:02,359 Speaker 2: then what was the horror movie you were just saying. 378 00:17:02,080 --> 00:17:04,520 Speaker 3: About, Oh, American carnage. So we shot this little Innie 379 00:17:04,560 --> 00:17:08,600 Speaker 3: movie right before the pandemic and it's out on Hulu 380 00:17:08,640 --> 00:17:13,520 Speaker 3: now with Eric Dane. You know he's from Euphoria and 381 00:17:14,440 --> 00:17:17,240 Speaker 3: yeah yeah yeah, Jacob Elordi's dad in that. He has 382 00:17:17,280 --> 00:17:19,960 Speaker 3: a crazy role in Euphoria, you know, I know, the 383 00:17:20,040 --> 00:17:23,200 Speaker 3: whole show. And then Jenna's in it as well, she's 384 00:17:23,200 --> 00:17:25,879 Speaker 3: like one of the leads. Yeah, oh look at you. 385 00:17:25,880 --> 00:17:28,720 Speaker 2: You're just such a us, such a go get. Okay, 386 00:17:28,760 --> 00:17:32,840 Speaker 2: So my next question was when I watched your dramatic real. 387 00:17:32,760 --> 00:17:34,960 Speaker 1: I was like, oh, this is a side of you 388 00:17:35,080 --> 00:17:36,120 Speaker 1: I've seen. 389 00:17:37,640 --> 00:17:41,280 Speaker 2: So where does your heartlight? Like do you love doing like? 390 00:17:41,440 --> 00:17:43,680 Speaker 2: Is it drama, comedy, video? Is it kind of all 391 00:17:43,720 --> 00:17:45,800 Speaker 2: equal or you know what? 392 00:17:45,920 --> 00:17:48,919 Speaker 3: I feel like what feeds my soul is maybe like 393 00:17:49,320 --> 00:17:52,280 Speaker 3: the more dramatic work, because I don't think I'm that funny. 394 00:17:52,400 --> 00:17:55,679 Speaker 3: I think naturally, I'm like just because the way I 395 00:17:55,720 --> 00:17:57,840 Speaker 3: am kind of like goofy, like toggle my hands and 396 00:17:57,880 --> 00:18:00,280 Speaker 3: I'm kind of all over the place. I feel old. 397 00:18:00,640 --> 00:18:02,160 Speaker 3: That's what kind of makes me funny. So I try 398 00:18:02,200 --> 00:18:05,600 Speaker 3: to bring that to whatever I do. But then the drama, 399 00:18:07,200 --> 00:18:11,040 Speaker 3: anything that speaks to like just being human, I love 400 00:18:11,080 --> 00:18:12,560 Speaker 3: that because I think the reason I got even got 401 00:18:12,560 --> 00:18:14,720 Speaker 3: into this is because like I feel like I have 402 00:18:14,760 --> 00:18:17,719 Speaker 3: such a like just love for like humans. 403 00:18:17,800 --> 00:18:22,200 Speaker 1: Yeah, well it's they say, it's human beings being human. 404 00:18:22,160 --> 00:18:25,240 Speaker 3: Yeah, good acting, Yeah, And I feel like there has 405 00:18:25,280 --> 00:18:28,000 Speaker 3: to be that love there. But I genuinely like, I mean, 406 00:18:28,040 --> 00:18:30,359 Speaker 3: I don't know where my life's going to lead me. 407 00:18:30,359 --> 00:18:32,280 Speaker 3: But then I me and my wife are like, you know, 408 00:18:32,680 --> 00:18:35,959 Speaker 3: maybe we'll open up like some kind of holistic bonus 409 00:18:35,960 --> 00:18:36,600 Speaker 3: center like. 410 00:18:36,640 --> 00:18:39,480 Speaker 2: You guys are one thousand per Yeah, we're gonna do that. 411 00:18:39,480 --> 00:18:42,879 Speaker 2: I question that one for a second, because. 412 00:18:42,520 --> 00:18:45,640 Speaker 3: That's what outside even when I'm on set, Like that's 413 00:18:45,680 --> 00:18:48,360 Speaker 3: what I end up talking about, like all that stuff. 414 00:18:48,280 --> 00:18:50,080 Speaker 1: Your health, not you. And I mean that in the 415 00:18:50,119 --> 00:18:51,240 Speaker 1: best possible. 416 00:18:50,960 --> 00:18:52,920 Speaker 3: Why I always like that. I mean, I mean, I'm 417 00:18:52,920 --> 00:18:54,920 Speaker 3: always trying to work on myself, but I like finding 418 00:18:54,960 --> 00:18:58,600 Speaker 3: like natural cures for things. I'm very like anything that 419 00:18:58,600 --> 00:19:00,000 Speaker 3: brings us back to nature, you know what I mean. 420 00:19:00,000 --> 00:19:02,800 Speaker 1: Connections quite spiritual, Yeah, I would. 421 00:19:02,560 --> 00:19:07,919 Speaker 3: Say, yeah, I would say that I'm probably uh the most. 422 00:19:08,680 --> 00:19:10,120 Speaker 3: I hate using the word spiritual, but. 423 00:19:10,080 --> 00:19:13,080 Speaker 1: Then I'm like connected to yourself, connected to myself and. 424 00:19:13,119 --> 00:19:17,480 Speaker 3: Something greater than me. Yeah, And I feel I'm constantly 425 00:19:17,520 --> 00:19:20,000 Speaker 3: in connection with that, you know. And that's like expanding 426 00:19:20,080 --> 00:19:23,960 Speaker 3: my view of the world of like and of life. 427 00:19:24,440 --> 00:19:26,760 Speaker 2: That would make you a better actor too, because you've 428 00:19:26,800 --> 00:19:29,679 Speaker 2: got like this trust within yourself and then this trust 429 00:19:29,720 --> 00:19:31,720 Speaker 2: within like I'm going to connect with this human being 430 00:19:31,800 --> 00:19:33,720 Speaker 2: and let it be like letter. 431 00:19:33,800 --> 00:19:36,000 Speaker 1: And that's where it makes sense that drama would fill 432 00:19:36,080 --> 00:19:36,399 Speaker 1: you up. 433 00:19:36,520 --> 00:19:41,320 Speaker 2: Yes, you're honoring like this art form and this craft. 434 00:19:41,520 --> 00:19:42,840 Speaker 3: That makes sense. I love the way you put that 435 00:19:42,840 --> 00:19:44,520 Speaker 3: because maybe I'm always trying to find the words to 436 00:19:44,520 --> 00:19:46,439 Speaker 3: describe that, but maybe I think that's exactly what it is. 437 00:19:46,440 --> 00:19:49,520 Speaker 1: I think it's human connection because I'm. 438 00:19:49,400 --> 00:19:52,520 Speaker 3: Always looking for that and I love I kind of 439 00:19:52,560 --> 00:19:55,919 Speaker 3: see people as their ten year old self. Yeah, and 440 00:19:55,960 --> 00:20:02,000 Speaker 3: I think my wife Lola ar Na Lauren. We've yeah, 441 00:20:02,119 --> 00:20:05,400 Speaker 3: so that's so funny called Lola Bear sometimes I'm gonna 442 00:20:07,920 --> 00:20:11,440 Speaker 3: and so yeah, I feel like we see people as 443 00:20:11,480 --> 00:20:13,600 Speaker 3: their ten year old self. So like I was like, ah, 444 00:20:13,640 --> 00:20:15,560 Speaker 3: it was like, oh, that's just the front they grew up. Like, oh, 445 00:20:15,600 --> 00:20:18,359 Speaker 3: they're just they got hardened, their heart hardened up. It's like, oh, 446 00:20:18,520 --> 00:20:20,800 Speaker 3: we kind of see through that, and I see the light. 447 00:20:20,840 --> 00:20:22,320 Speaker 3: And I was like, we're just big kids trying to 448 00:20:22,320 --> 00:20:24,280 Speaker 3: figure shit out, you know, and we're all still even 449 00:20:24,320 --> 00:20:27,159 Speaker 3: dealing with like ship that like patterns that we developed 450 00:20:27,160 --> 00:20:28,680 Speaker 3: as kids. And I'm like, oh, but that's not really 451 00:20:28,720 --> 00:20:31,320 Speaker 3: you you know, like you know what I'm saying. So 452 00:20:31,400 --> 00:20:36,840 Speaker 3: anything that kind of brings brings that awareness in through storytelling, 453 00:20:37,359 --> 00:20:39,400 Speaker 3: I really like that's what like sings to my soul. 454 00:20:39,480 --> 00:20:42,200 Speaker 3: I'm like, oh, my soul goes. I love this story. 455 00:20:42,280 --> 00:20:45,000 Speaker 3: Because of that, I learned something about myself and about 456 00:20:45,000 --> 00:20:49,320 Speaker 3: being human, about our connection to everybody and everything around us. Yeah. 457 00:20:49,560 --> 00:20:53,360 Speaker 2: I always think as well, the cool thing about this vocation, 458 00:20:53,680 --> 00:20:56,920 Speaker 2: like this craft or art form is like you say, 459 00:20:56,960 --> 00:21:00,760 Speaker 2: someone's like watching a movie or TV show you're in. 460 00:21:01,400 --> 00:21:04,119 Speaker 2: You get to connect to the audience's heart and you 461 00:21:04,160 --> 00:21:06,199 Speaker 2: have the ability to change someone's heart, like you have 462 00:21:06,280 --> 00:21:09,560 Speaker 2: the ability to like cause a feeling or like think 463 00:21:09,560 --> 00:21:12,480 Speaker 2: about when you see your favorite movie or like you 464 00:21:12,560 --> 00:21:13,920 Speaker 2: know and you're like, oh, like. 465 00:21:13,920 --> 00:21:15,080 Speaker 1: That just hit me in the heart. 466 00:21:15,240 --> 00:21:18,080 Speaker 2: And I think there's not many other careers other than 467 00:21:18,119 --> 00:21:19,720 Speaker 2: maybe singers would probably get. 468 00:21:19,600 --> 00:21:20,480 Speaker 1: That feeling as well. 469 00:21:20,720 --> 00:21:21,560 Speaker 3: Yeah, I guess you're right. 470 00:21:23,080 --> 00:21:26,280 Speaker 1: Yeah, I'm very going down a very esoteric That. 471 00:21:26,200 --> 00:21:27,600 Speaker 3: Makes sense though. That makes sense to me when you 472 00:21:27,600 --> 00:21:29,080 Speaker 3: say that, because I'm like, yeah, because I think that's 473 00:21:29,080 --> 00:21:31,159 Speaker 3: what's Yeah. 474 00:21:31,560 --> 00:21:36,560 Speaker 1: I can't have you on this pod without asking. 475 00:21:37,880 --> 00:21:40,320 Speaker 2: You did an add campaign which I saw yesterday on 476 00:21:40,400 --> 00:21:41,680 Speaker 2: YouTube with Snoop Dogg. 477 00:21:41,880 --> 00:21:43,520 Speaker 1: Yes, Jack in the. 478 00:21:43,440 --> 00:21:46,560 Speaker 3: Box, right, Jag in the Box he had you know, 479 00:21:46,560 --> 00:21:50,520 Speaker 3: I auditioned for it and I didn't get it initially. No, 480 00:21:50,760 --> 00:21:52,240 Speaker 3: And this is like this has never happened. 481 00:21:52,320 --> 00:21:54,600 Speaker 1: Did you play quite the straight character? Don't you like? Guys, 482 00:21:54,880 --> 00:21:55,680 Speaker 1: what are your ideas? 483 00:21:55,880 --> 00:21:59,440 Speaker 3: And I audition for another role in that And because 484 00:21:59,440 --> 00:22:00,919 Speaker 3: they did a couple spots and it was for his 485 00:22:01,000 --> 00:22:03,280 Speaker 3: Munchie meal. So he did a collaboration with Jack in 486 00:22:03,320 --> 00:22:07,439 Speaker 3: the Box. Yeah the brownie exact, it's not a weed brownie, 487 00:22:07,440 --> 00:22:08,760 Speaker 3: but you know what I'm saying, Like, it's like it's 488 00:22:08,760 --> 00:22:13,120 Speaker 3: his munchie meal like this Snoop Dogg. So I auditioned 489 00:22:13,119 --> 00:22:15,760 Speaker 3: for that. Yeah I didn't get it, and then the 490 00:22:15,800 --> 00:22:18,920 Speaker 3: next day he said, hey, uh, keep those days available 491 00:22:18,920 --> 00:22:20,639 Speaker 3: because they're looking for a role for you and this 492 00:22:20,960 --> 00:22:23,960 Speaker 3: Oh what No? And I was so bummed because I 493 00:22:23,960 --> 00:22:25,200 Speaker 3: really wanted to work with Snoop Dogg. I was like, 494 00:22:25,200 --> 00:22:26,800 Speaker 3: I've never met the guy. I'm like, I don't even 495 00:22:26,800 --> 00:22:28,240 Speaker 3: know what's the small talk to him about? Like what 496 00:22:28,320 --> 00:22:32,760 Speaker 3: do you talk about? Wait? You know, I'm like I'm 497 00:22:32,760 --> 00:22:34,560 Speaker 3: just gonna beat this dorky guy and be like hey, 498 00:22:34,600 --> 00:22:36,520 Speaker 3: so uh you know what about Long Beach? You know? 499 00:22:36,640 --> 00:22:41,040 Speaker 3: Like so I h but it was so fun and 500 00:22:41,560 --> 00:22:43,679 Speaker 3: my dream was to kind of like I was like, 501 00:22:43,680 --> 00:22:45,520 Speaker 3: oh my gosh, if I get the opportunity to smoke 502 00:22:45,560 --> 00:22:47,960 Speaker 3: with them. I rarely smoke anymore, but like. 503 00:22:48,920 --> 00:22:51,800 Speaker 1: I was like that that's once in a lifetime, one 504 00:22:51,840 --> 00:22:52,320 Speaker 1: hundred percent. 505 00:22:52,359 --> 00:22:54,399 Speaker 3: My wife was even like, you know, I'm like, if 506 00:22:54,440 --> 00:22:56,000 Speaker 3: you get a chance to smoke a Snoop Dogg. Leave 507 00:22:56,040 --> 00:22:58,080 Speaker 3: your car there, we'll go pick it up the next day. 508 00:22:58,080 --> 00:23:00,920 Speaker 3: I'm like, I'll probably die. But yeah, she's like, I'm 509 00:23:00,920 --> 00:23:02,760 Speaker 3: in full support of this. Go make it. 510 00:23:02,920 --> 00:23:04,480 Speaker 2: If he just sat with him in his trial, you 511 00:23:04,520 --> 00:23:06,760 Speaker 2: get like passive smart, you'd just be like, okay, I 512 00:23:07,720 --> 00:23:10,840 Speaker 2: am spinning, I am span How cool was he lovely 513 00:23:10,880 --> 00:23:11,240 Speaker 2: to work with? 514 00:23:11,359 --> 00:23:13,320 Speaker 3: He was lovely. I mean his energy was lovely. I mean, 515 00:23:13,440 --> 00:23:14,800 Speaker 3: mind you, I'm sure he's probably. 516 00:23:15,119 --> 00:23:16,400 Speaker 1: Have a massive entourage. 517 00:23:16,960 --> 00:23:20,359 Speaker 3: He did have like like probably like an entarage of 518 00:23:20,440 --> 00:23:24,040 Speaker 3: maybe uh I mean this is including his megabar, maybe 519 00:23:24,119 --> 00:23:27,960 Speaker 3: like six to eight people that's still solid solid. But 520 00:23:28,080 --> 00:23:30,640 Speaker 3: he and he has his double that looks exactly like him, 521 00:23:30,680 --> 00:23:33,000 Speaker 3: and it's one of his doubles, and that's who we 522 00:23:33,080 --> 00:23:35,520 Speaker 3: basically interacted with all day like he like the double 523 00:23:35,600 --> 00:23:38,280 Speaker 3: was there, and then they set up all the light 524 00:23:38,320 --> 00:23:40,320 Speaker 3: and everything. They're like, okay, we're ready for Snoop Dogg 525 00:23:40,320 --> 00:23:42,359 Speaker 3: and then play a song. And it wasn't until like 526 00:23:42,520 --> 00:23:46,840 Speaker 3: the fifth time we go he had entry music entry music, 527 00:23:46,920 --> 00:23:49,440 Speaker 3: and we go, We're like, who was playing play it 528 00:23:49,520 --> 00:23:52,480 Speaker 3: was playing this? Yeah? It was It was a Ram 529 00:23:52,840 --> 00:23:57,960 Speaker 3: like all right, uh, we're ready for suiting and we're like, 530 00:23:58,240 --> 00:24:04,280 Speaker 3: is someone playing like entry music? He comes out he's like, hey, 531 00:24:04,280 --> 00:24:06,399 Speaker 3: how you doing? Fan? But he arrived literally as soon 532 00:24:06,400 --> 00:24:08,280 Speaker 3: as I got there. He was like right behind me 533 00:24:08,440 --> 00:24:12,080 Speaker 3: like two minutes after I signed in, and he's so lovely. 534 00:24:12,080 --> 00:24:14,280 Speaker 3: He's like, what's up Van, how you doing? I was like, 535 00:24:14,440 --> 00:24:17,000 Speaker 3: I'm like, oh so man, nice to meet you. That's 536 00:24:17,119 --> 00:24:19,480 Speaker 3: meet too, like real sweet, like just like a good energy. 537 00:24:19,800 --> 00:24:21,640 Speaker 3: Oh I love that very cool. 538 00:24:22,040 --> 00:24:24,200 Speaker 1: Has the independ anyone that you've worked with, and you're 539 00:24:24,280 --> 00:24:27,040 Speaker 1: like you are a friggin' legend that has like blown 540 00:24:27,080 --> 00:24:28,080 Speaker 1: your blown your way. 541 00:24:28,800 --> 00:24:32,000 Speaker 3: I did, uh well when I Ethan Hawke, I did, 542 00:24:32,080 --> 00:24:35,480 Speaker 3: like h a supporting role in this movie called That, 543 00:24:35,960 --> 00:24:40,160 Speaker 3: the actor Logan Marshall Green directed, And I know. 544 00:24:40,160 --> 00:24:41,800 Speaker 1: Logan Marshall Green, how are you talking about? 545 00:24:42,000 --> 00:24:45,240 Speaker 2: Yeah, he's got a double ganger Tom. 546 00:24:46,680 --> 00:24:51,840 Speaker 3: I'm sure he loves No. They really do look a. 547 00:24:51,920 --> 00:24:55,960 Speaker 2: Like yeah, because I I think your guy Logan was 548 00:24:55,960 --> 00:24:57,960 Speaker 2: in Venom but for Ages. 549 00:24:58,000 --> 00:25:00,400 Speaker 1: I was like, that's surely Tom Hardy like you have to. 550 00:25:00,400 --> 00:25:03,760 Speaker 3: Yeah, oh no, no, but Tom. 551 00:25:02,840 --> 00:25:05,439 Speaker 1: There's some other thing that he did that. 552 00:25:05,400 --> 00:25:07,239 Speaker 3: He did this great great mind. I can't even think 553 00:25:07,240 --> 00:25:08,800 Speaker 3: about it was a Blumhouse and he. 554 00:25:09,119 --> 00:25:14,400 Speaker 1: Was talking about Okay, so anyway, okay, so best Hawk. 555 00:25:14,440 --> 00:25:16,320 Speaker 3: Yes, yeah, so he did a movie. Ethan Hawk's the 556 00:25:16,400 --> 00:25:18,800 Speaker 3: lead of it. And Ethan Hawk I've always kind of 557 00:25:18,800 --> 00:25:22,479 Speaker 3: admired for and especially even after during that we're shooting 558 00:25:22,480 --> 00:25:25,640 Speaker 3: at like and afterwards, up till now, he's been so 559 00:25:25,800 --> 00:25:29,560 Speaker 3: creative and so just artistic. Like he's just like in 560 00:25:29,760 --> 00:25:32,800 Speaker 3: so many projects since then, and he's just I feel 561 00:25:32,840 --> 00:25:36,520 Speaker 3: like he's in this amazing space and I just really 562 00:25:36,560 --> 00:25:38,359 Speaker 3: love him as a person. He was just like and 563 00:25:38,440 --> 00:25:41,720 Speaker 3: as an artist, but he just so lovely. Him and 564 00:25:41,720 --> 00:25:44,240 Speaker 3: his wife were like so lovely, and I was just like, oh, 565 00:25:44,359 --> 00:25:46,240 Speaker 3: you know, I like these people, like these are I 566 00:25:46,400 --> 00:25:49,080 Speaker 3: like working with. He's such an actor, you know, and 567 00:25:49,160 --> 00:25:54,240 Speaker 3: such a very chill, very like no ego and that's 568 00:25:54,240 --> 00:25:54,639 Speaker 3: the best. 569 00:25:56,560 --> 00:25:57,200 Speaker 1: Oh my goodness. 570 00:25:57,200 --> 00:25:59,320 Speaker 2: Okay, So I have to ask you about how about 571 00:25:59,320 --> 00:26:03,399 Speaker 2: saying it's right he's lost high am I saying, so 572 00:26:03,440 --> 00:26:04,159 Speaker 2: that's on Hulu? 573 00:26:04,240 --> 00:26:04,440 Speaker 1: Right? 574 00:26:04,680 --> 00:26:07,440 Speaker 3: Yeah? That was the first original Hulu series. 575 00:26:07,800 --> 00:26:09,080 Speaker 1: This is like Barlaide. 576 00:26:09,359 --> 00:26:10,320 Speaker 3: Yeah, ten years ago? 577 00:26:11,560 --> 00:26:12,879 Speaker 1: How was that looked so fun? 578 00:26:13,040 --> 00:26:14,639 Speaker 3: It was? It was so fun, but we had no 579 00:26:14,680 --> 00:26:16,560 Speaker 3: idea it was gonna end up on Hulu, which is crazy. 580 00:26:17,440 --> 00:26:19,679 Speaker 3: It was shot in a la yeah, a lot of 581 00:26:20,080 --> 00:26:24,919 Speaker 3: nonprofits funded it, and it was it's basically like a 582 00:26:25,000 --> 00:26:27,800 Speaker 3: high school series with kind of like a lesson, you know, like. 583 00:26:27,680 --> 00:26:29,280 Speaker 1: It feels to be hot, break high kind. 584 00:26:29,119 --> 00:26:32,199 Speaker 3: Of yeah, like a nine O two one ozer, but 585 00:26:32,280 --> 00:26:36,439 Speaker 3: in the hood, you know. And so I I remember 586 00:26:36,480 --> 00:26:38,000 Speaker 3: we shot it during the summer and it was kind 587 00:26:38,000 --> 00:26:39,680 Speaker 3: of like this low budget web series. We didn't know 588 00:26:39,680 --> 00:26:41,880 Speaker 3: what was gonna happen with it, and suddenly Hulu picked 589 00:26:41,880 --> 00:26:43,479 Speaker 3: it up and they were like, oh, we're gonna make 590 00:26:43,520 --> 00:26:46,840 Speaker 3: it like the first Hulu original series. And so we're like, 591 00:26:46,840 --> 00:26:49,960 Speaker 3: holy shit, like okay, and it's still on there and 592 00:26:50,040 --> 00:26:52,439 Speaker 3: it's uh and it's a cool I mean, I was 593 00:26:52,480 --> 00:26:55,080 Speaker 3: in the first two seasons. I recurred, and then I 594 00:26:55,119 --> 00:26:58,240 Speaker 3: started working I was doing Paranormal and then it's the 595 00:26:58,280 --> 00:26:59,960 Speaker 3: other thing and I couldn't be on it, but I 596 00:27:00,160 --> 00:27:03,159 Speaker 3: recurred on it. And my character had this, uh, this 597 00:27:03,320 --> 00:27:07,040 Speaker 3: funny like he would give sex advice. Yeah, funny, it's funny. Yeah. 598 00:27:07,119 --> 00:27:09,320 Speaker 3: But they were the creators were really clever, and the 599 00:27:09,320 --> 00:27:12,680 Speaker 3: producers they they would write like these really funny scripts. Yeah, 600 00:27:12,680 --> 00:27:15,120 Speaker 3: it was a lot of fun and I love that 601 00:27:15,119 --> 00:27:17,240 Speaker 3: that whole cast. I still keep in contact with those 602 00:27:17,240 --> 00:27:19,600 Speaker 3: producers and they're just the lovely people. Now. 603 00:27:19,600 --> 00:27:21,399 Speaker 2: I don't know if this was from the sitcom, but 604 00:27:21,440 --> 00:27:24,760 Speaker 2: you play like a nerd, a very funny nerd in something. 605 00:27:24,960 --> 00:27:28,919 Speaker 3: Well the very first thing I did when I was 606 00:27:28,960 --> 00:27:31,520 Speaker 3: in high school with that, that sitcom that I did, Yeah, 607 00:27:31,880 --> 00:27:32,960 Speaker 3: it was basically. 608 00:27:32,680 --> 00:27:34,400 Speaker 1: Got like a a side combed hair. 609 00:27:34,520 --> 00:27:37,920 Speaker 3: Oh wait, well, oh wait was it? No? Because there's 610 00:27:37,960 --> 00:27:39,919 Speaker 3: one when I was like super chunky and I was 611 00:27:39,920 --> 00:27:41,440 Speaker 3: like fourteen years old. That was my first job and 612 00:27:41,480 --> 00:27:43,040 Speaker 3: I was recurring on this like I was playing like 613 00:27:43,040 --> 00:27:45,680 Speaker 3: an oracle character. Really, it was based on the sitcom 614 00:27:45,760 --> 00:27:48,280 Speaker 3: one they at a time, which they brought back on Netflix. Yeah, 615 00:27:48,320 --> 00:27:49,960 Speaker 3: but there was a Spanish version and I was in 616 00:27:50,000 --> 00:27:51,879 Speaker 3: love with like that younger sister on the show. But 617 00:27:52,600 --> 00:27:55,520 Speaker 3: that's I played that nerd character. And the one I'm 618 00:27:55,520 --> 00:27:57,119 Speaker 3: trying to think of which one now. 619 00:27:57,400 --> 00:27:58,320 Speaker 1: I'm going to send it to you. 620 00:27:58,359 --> 00:27:59,960 Speaker 2: I think it's on your comedy Real. I think it's 621 00:28:00,080 --> 00:28:01,480 Speaker 2: Stardi or Comedy Reel. 622 00:28:01,960 --> 00:28:05,399 Speaker 3: Oh that was high and mighty. That was Hi Mighty. 623 00:28:05,560 --> 00:28:08,080 Speaker 3: That was That was another thing that we kind of 624 00:28:08,119 --> 00:28:11,080 Speaker 3: shot over summer. It was like this in Indy little series. 625 00:28:11,040 --> 00:28:14,440 Speaker 2: Literally landed in this like full nerdy Gooba. 626 00:28:14,800 --> 00:28:17,640 Speaker 3: But he's not. He's like there's like nerd. There's kind 627 00:28:17,640 --> 00:28:19,840 Speaker 3: of like a little dumb and oblivious and like a 628 00:28:20,000 --> 00:28:22,239 Speaker 3: huge butt head and a drinker. And he's kind of 629 00:28:22,240 --> 00:28:24,520 Speaker 3: this twenty five year old guy who's like in between 630 00:28:24,520 --> 00:28:27,479 Speaker 3: that like party phase of his life. Yeah, and like 631 00:28:27,640 --> 00:28:30,720 Speaker 3: really like like coming into adulthood and like, oh shit, 632 00:28:30,760 --> 00:28:32,439 Speaker 3: I got to have to get my shit together, you know. 633 00:28:33,119 --> 00:28:37,960 Speaker 3: And so it's this kind of outrageous like comedy, but 634 00:28:38,000 --> 00:28:40,560 Speaker 3: there's like a heart underneath it all, and it's about 635 00:28:40,560 --> 00:28:44,320 Speaker 3: addiction and and it's a good message. It's a good 636 00:28:44,360 --> 00:28:46,720 Speaker 3: message too. Yeah, and hbo En did picking that up 637 00:28:46,760 --> 00:28:48,920 Speaker 3: and then it premiered at sun Dance and. 638 00:28:49,440 --> 00:28:52,520 Speaker 1: Yeah, look at you, Look at you? Okay, So. 639 00:28:54,360 --> 00:28:56,120 Speaker 2: What if we were to look into a crystal ball 640 00:28:56,200 --> 00:28:59,200 Speaker 2: right now? Where would you love to be like five 641 00:28:59,280 --> 00:29:04,080 Speaker 2: years from now? Aside from like an Emmy a golden. 642 00:29:05,480 --> 00:29:07,480 Speaker 3: You know what? My I feel like my goals have 643 00:29:07,680 --> 00:29:11,680 Speaker 3: changed like the the last like five ten years. I 644 00:29:11,720 --> 00:29:13,280 Speaker 3: feel when I was younger, I was like, oh I 645 00:29:13,280 --> 00:29:16,400 Speaker 3: can't wait to be on like this show for like 646 00:29:16,520 --> 00:29:18,479 Speaker 3: five years and then I'll get nominated for this and 647 00:29:18,560 --> 00:29:21,480 Speaker 3: maybe do this, and not that I still wouldn't want that, right, 648 00:29:22,720 --> 00:29:25,680 Speaker 3: but I would love to be on a show where 649 00:29:25,680 --> 00:29:28,479 Speaker 3: I just like, I'm like, I'm obsessed with just playing 650 00:29:28,480 --> 00:29:32,520 Speaker 3: that character and there. I love drama. EDI's because I 651 00:29:32,520 --> 00:29:33,600 Speaker 3: feel life is a drama. Ye. 652 00:29:33,720 --> 00:29:34,520 Speaker 1: Dramedy is my favor. 653 00:29:34,720 --> 00:29:38,680 Speaker 2: Ted Las, yeah, is my ultimate dream, Like an ensemble 654 00:29:38,720 --> 00:29:40,240 Speaker 2: membot on something like ted Last. 655 00:29:40,080 --> 00:29:44,400 Speaker 3: One hundred Yeah, something like that where I love it's hot. Yeah, 656 00:29:44,440 --> 00:29:47,160 Speaker 3: there's hard, but it's funny and it's light, but then 657 00:29:47,160 --> 00:29:50,160 Speaker 3: there's like really serious. I love it, love it. So 658 00:29:50,200 --> 00:29:54,479 Speaker 3: something like that and doing I don't know, like maybe 659 00:29:54,520 --> 00:29:56,520 Speaker 3: like you know, it's so funny. I've never said this, 660 00:29:56,600 --> 00:29:59,080 Speaker 3: but like I would love to do a docu series 661 00:29:59,480 --> 00:30:03,000 Speaker 3: where I go around maybe parts of the world where 662 00:30:03,080 --> 00:30:05,880 Speaker 3: either I'm behind the scenes doing it and finding like 663 00:30:06,480 --> 00:30:10,960 Speaker 3: like interviewing holistic doctors, finding cures for things, and I 664 00:30:10,960 --> 00:30:13,080 Speaker 3: don't know, something along those lines. I just want to travel. 665 00:30:13,200 --> 00:30:15,600 Speaker 1: I want to, like you got to visit Australia made. 666 00:30:15,480 --> 00:30:17,520 Speaker 3: I have never been. I'm know I'm going to be 667 00:30:17,560 --> 00:30:20,760 Speaker 3: obsessed with this thank you. 668 00:30:20,760 --> 00:30:23,120 Speaker 1: You got to come visit Charlie and I Yeah, I 669 00:30:23,280 --> 00:30:24,000 Speaker 1: love yeah. 670 00:30:24,160 --> 00:30:30,360 Speaker 3: And Byron Bay, Yeah, I shouldn't do an Australian accent 671 00:30:30,400 --> 00:30:31,080 Speaker 3: with Australia. 672 00:30:32,040 --> 00:30:32,640 Speaker 1: A lot of. 673 00:30:34,160 --> 00:30:36,480 Speaker 3: Lives in Byron By. He was all on the Netflix 674 00:30:36,520 --> 00:30:37,880 Speaker 3: hit Shay Byron Bays. 675 00:30:38,920 --> 00:30:41,680 Speaker 1: Do you know anyone off bron Back. I was like, 676 00:30:42,120 --> 00:30:44,480 Speaker 1: I was like, I've got a few friends, yeah, because 677 00:30:44,520 --> 00:30:48,320 Speaker 1: we live there. You know. So funny. 678 00:30:48,440 --> 00:30:51,440 Speaker 2: Your Aussie was good because a lot of the mistakes 679 00:30:51,520 --> 00:30:55,120 Speaker 2: that a lot of Americans make when they try to 680 00:30:55,120 --> 00:30:57,920 Speaker 2: do an Aussie accent. Is it either lands in British 681 00:30:58,040 --> 00:31:00,520 Speaker 2: like it lands in that kind of like that. 682 00:31:00,600 --> 00:31:03,200 Speaker 1: We like get a mate and I'm like, well. 683 00:31:03,080 --> 00:31:05,040 Speaker 3: That's that's British. 684 00:31:05,120 --> 00:31:08,120 Speaker 2: Yeah, Or sometimes you'll get as strange kind of like 685 00:31:08,160 --> 00:31:09,920 Speaker 2: South African kind of twang. 686 00:31:10,000 --> 00:31:12,360 Speaker 3: I feel so hard to do South African. It's so 687 00:31:12,400 --> 00:31:14,760 Speaker 3: specific in its yeah, because it's a mix of both 688 00:31:14,920 --> 00:31:17,480 Speaker 3: Australian and British, but it has its own little twain. 689 00:31:17,600 --> 00:31:19,920 Speaker 1: Did you ever do Southern? I love a Southern like. 690 00:31:20,840 --> 00:31:24,120 Speaker 3: And there's different southernthing, so I remember how to do 691 00:31:24,160 --> 00:31:26,960 Speaker 3: it like a textan actor trying to do around He's like, 692 00:31:28,480 --> 00:31:30,600 Speaker 3: it's very I can't. 693 00:31:30,400 --> 00:31:32,240 Speaker 2: Even do it right now do what I used to 694 00:31:32,240 --> 00:31:34,960 Speaker 2: do when I do it because I did cat on 695 00:31:34,960 --> 00:31:37,920 Speaker 2: a hot tin roof for scene study, so Tennessee Williams 696 00:31:37,920 --> 00:31:41,200 Speaker 2: like Southern bell and before we'd go into scene, I'd 697 00:31:41,240 --> 00:31:44,480 Speaker 2: be like literally standing up like apple apple par like 698 00:31:45,000 --> 00:31:46,960 Speaker 2: try and get into like and I was like, because 699 00:31:47,000 --> 00:31:48,840 Speaker 2: I had big monologues, and I was like, if I 700 00:31:48,960 --> 00:31:51,040 Speaker 2: need my trigger face, but now do you're not? My 701 00:31:51,120 --> 00:31:58,840 Speaker 2: American trigger phrase is immediately no, immediately no, literally, immediately no. 702 00:31:59,760 --> 00:32:01,960 Speaker 2: It's hilarious when I'm at work because I work at 703 00:32:02,000 --> 00:32:03,840 Speaker 2: a yogat sho here that I just pick up things 704 00:32:03,880 --> 00:32:06,160 Speaker 2: I say and they're like immediately no, and I'm like, oh. 705 00:32:06,000 --> 00:32:10,040 Speaker 3: My god, hilarious. And that's like your entry, like because we. 706 00:32:10,000 --> 00:32:11,480 Speaker 1: Say it is an Australian we'd say. 707 00:32:11,440 --> 00:32:14,080 Speaker 3: Literally, oh yeah, we say literally. 708 00:32:14,000 --> 00:32:17,760 Speaker 2: But Americans go literally, oh, you're right right that they 709 00:32:17,840 --> 00:32:22,680 Speaker 2: hit there, yeah, because the British literally yeah literally, and 710 00:32:22,760 --> 00:32:26,120 Speaker 2: we say literally, but you got literally yeah. 711 00:32:26,160 --> 00:32:30,600 Speaker 3: And it's also very very California accent. You do yeah, 712 00:32:30,920 --> 00:32:33,400 Speaker 3: show in the back of I like mumble, I speak 713 00:32:33,560 --> 00:32:34,920 Speaker 3: in the back of my throat. 714 00:32:35,240 --> 00:32:38,000 Speaker 2: And how would you order a matcher? That's the funniest thing. 715 00:32:38,000 --> 00:32:40,520 Speaker 2: When I hear California's like a green match a tea, 716 00:32:40,640 --> 00:32:41,120 Speaker 2: Oh match. 717 00:32:42,040 --> 00:32:45,760 Speaker 3: March, I go, can I get like an ice marcher 718 00:32:45,880 --> 00:32:49,040 Speaker 3: with oat milk and vanilla bean extra? 719 00:32:49,960 --> 00:32:53,960 Speaker 2: But you know what I mean, like can I have? 720 00:32:56,360 --> 00:32:58,800 Speaker 2: But see how we would say matcha? And you know, 721 00:32:58,840 --> 00:33:00,920 Speaker 2: when I first got off the plane and I've been 722 00:33:00,920 --> 00:33:04,280 Speaker 2: in Australia for a few months because I love black coffee, 723 00:33:04,640 --> 00:33:07,280 Speaker 2: and I've gone like, I'm like, surely they know all 724 00:33:07,280 --> 00:33:10,160 Speaker 2: the Australian coffee because we get like flat whites and stuff. 725 00:33:10,200 --> 00:33:12,440 Speaker 1: Anyway, and I remember I went. 726 00:33:12,320 --> 00:33:14,760 Speaker 2: This beautiful coffee like specialty coffee shop in satur morny C. 727 00:33:14,840 --> 00:33:16,320 Speaker 2: I was like, these guys are gonna know what I'm 728 00:33:16,320 --> 00:33:18,280 Speaker 2: talking about. And I was like, hey, can I get 729 00:33:18,280 --> 00:33:19,000 Speaker 2: a long black? 730 00:33:19,080 --> 00:33:22,840 Speaker 1: And they were like what? And I was like, that's 731 00:33:22,840 --> 00:33:25,520 Speaker 1: our coffee in Australia. That's what you order, a long black. 732 00:33:25,880 --> 00:33:29,280 Speaker 2: They made me an Americano, it's not the same coffee. 733 00:33:29,360 --> 00:33:31,560 Speaker 2: It's not the same. When you go to Australia you 734 00:33:31,600 --> 00:33:33,840 Speaker 2: get along black. It was like the most delicious black 735 00:33:33,840 --> 00:33:35,240 Speaker 2: coffee ever. 736 00:33:35,560 --> 00:33:38,040 Speaker 3: You know, have you trayed blue bottle obsessed? And that 737 00:33:38,400 --> 00:33:41,040 Speaker 3: New Orleans. The Oh my god, it's it's like crack. 738 00:33:41,120 --> 00:33:43,360 Speaker 3: It's like I had a stop the New Orleans one. 739 00:33:44,040 --> 00:33:48,640 Speaker 3: It's so it's their pre made don't like it's sweet. 740 00:33:48,840 --> 00:33:51,760 Speaker 3: It's like they're sweet ice coffee but it's not overly sweet. 741 00:33:51,840 --> 00:33:54,720 Speaker 3: And you get it at a neighbor and he was like, hey, 742 00:33:54,720 --> 00:33:57,360 Speaker 3: you you like ice ice coffee And I was like, yeah, 743 00:33:57,520 --> 00:34:00,520 Speaker 3: like ice coffee. He's like, oh, go to bla bottle 744 00:34:00,600 --> 00:34:03,200 Speaker 3: and you know, like order yourself for like a New 745 00:34:03,360 --> 00:34:05,360 Speaker 3: Orleans with oat milk. So I ordered and I was like, 746 00:34:05,440 --> 00:34:10,200 Speaker 3: oh my god. It's like creamy, but it's not overly sweet. 747 00:34:10,200 --> 00:34:12,759 Speaker 3: It's like just sweet enough, but it's so strong. And 748 00:34:13,239 --> 00:34:14,719 Speaker 3: it got to the point I was drinking two a day. 749 00:34:14,719 --> 00:34:17,359 Speaker 3: I was like, and I was walking around, I'm trying 750 00:34:17,400 --> 00:34:21,840 Speaker 3: to take my bodies are tired, but I'm so alert. 751 00:34:22,120 --> 00:34:24,640 Speaker 1: Oh yeah yeah, no, no, no, no, no, I can't do that. 752 00:34:25,040 --> 00:34:28,600 Speaker 2: I have a hard like one o'clock is I can't 753 00:34:28,600 --> 00:34:29,560 Speaker 2: go coffee after one. 754 00:34:29,600 --> 00:34:32,839 Speaker 3: That's why I'm drinking this like adapted gen Oh yeah, 755 00:34:33,360 --> 00:34:36,240 Speaker 3: right now, this is very low. This is very lola ishue, 756 00:34:36,360 --> 00:34:37,759 Speaker 3: Lola approved, Lola proof. 757 00:34:37,880 --> 00:34:39,800 Speaker 1: Yeah, we've done your soul cycle. 758 00:34:39,840 --> 00:34:42,400 Speaker 2: Okay, so now I want to ask you, like, for 759 00:34:42,800 --> 00:34:45,279 Speaker 2: people listening to this, I know that like a lot 760 00:34:45,280 --> 00:34:49,240 Speaker 2: of actors and aspiring actors listen to this, what advice 761 00:34:49,280 --> 00:34:52,239 Speaker 2: would you have for somebody that's like wanting to kind 762 00:34:52,239 --> 00:34:53,920 Speaker 2: of like make a bit of a break in their 763 00:34:54,280 --> 00:34:55,080 Speaker 2: arts industry. 764 00:34:55,640 --> 00:34:59,560 Speaker 3: I feel, wherever you like, if you want to act, 765 00:35:00,120 --> 00:35:02,960 Speaker 3: like nothing's stopping you. You know, whatever resources you have 766 00:35:03,200 --> 00:35:07,960 Speaker 3: in wherever place you live, do that, like completely do that. 767 00:35:08,000 --> 00:35:10,960 Speaker 3: And once you get and if you you truly have 768 00:35:11,040 --> 00:35:12,759 Speaker 3: a love for it, because you have to have a 769 00:35:12,760 --> 00:35:15,040 Speaker 3: love for it, because if not, it's not it's not 770 00:35:15,040 --> 00:35:17,080 Speaker 3: worth it, Like don't do it, You're gonna be struggling. 771 00:35:17,120 --> 00:35:18,680 Speaker 3: And it's something that you don't have a passion for 772 00:35:18,800 --> 00:35:20,239 Speaker 3: or not a true love for it. Because the thing 773 00:35:20,280 --> 00:35:21,640 Speaker 3: is a lot of people move to LA because they 774 00:35:21,680 --> 00:35:24,120 Speaker 3: want to be famous, and that's different. You know. They're 775 00:35:24,160 --> 00:35:28,359 Speaker 3: the ones that, yeah, and everyone's trying to be Kardashians. 776 00:35:28,400 --> 00:35:29,759 Speaker 3: They come out here and they're like, oh, I don't 777 00:35:29,760 --> 00:35:31,799 Speaker 3: even have to like have a talent. I could just 778 00:35:31,880 --> 00:35:35,480 Speaker 3: be famous just for like you know, and so but 779 00:35:35,600 --> 00:35:39,760 Speaker 3: if you truly love the art of acting or anything 780 00:35:39,840 --> 00:35:43,239 Speaker 3: in the artistic field, like do it. Just practice it 781 00:35:43,239 --> 00:35:45,440 Speaker 3: as much as you can, and then finally when you 782 00:35:45,480 --> 00:35:48,160 Speaker 3: feel you're ready, if it's TV and film you're trying 783 00:35:48,200 --> 00:35:50,839 Speaker 3: to do, then LA is like obviously like a great, Yeah, 784 00:35:50,960 --> 00:35:53,080 Speaker 3: the home for that, or New York if you want 785 00:35:53,080 --> 00:35:55,200 Speaker 3: to do theater even TV. And I have so many 786 00:35:55,200 --> 00:35:57,759 Speaker 3: friends that audition from New York and there's a lot 787 00:35:57,760 --> 00:36:00,759 Speaker 3: of things that film in New York. And finally make 788 00:36:00,800 --> 00:36:05,000 Speaker 3: the move there and find amazing like classes to take 789 00:36:05,120 --> 00:36:07,240 Speaker 3: always be training because I feel like we never stopped 790 00:36:07,280 --> 00:36:10,320 Speaker 3: growing as a person, you know. But also like me 791 00:36:10,360 --> 00:36:12,640 Speaker 3: and Lola were talking about this earlier because she's recommending 792 00:36:12,640 --> 00:36:14,640 Speaker 3: classes and I was like, oh, like you trade this class. 793 00:36:14,640 --> 00:36:16,560 Speaker 3: I was like, oh, And I'm always kind of looking 794 00:36:16,600 --> 00:36:20,040 Speaker 3: for something because because you're always growing. 795 00:36:19,840 --> 00:36:22,279 Speaker 2: And you want to keep that muscle flexed as well. 796 00:36:22,360 --> 00:36:25,080 Speaker 2: I did it speaking class. I did a class last 797 00:36:25,120 --> 00:36:28,800 Speaker 2: week with a director and writer called John Patrick Shanley. 798 00:36:28,840 --> 00:36:29,720 Speaker 1: He's New York face. 799 00:36:30,000 --> 00:36:34,520 Speaker 2: Yes, he wrote Doubt and Instructor, and he was pretty 800 00:36:34,640 --> 00:36:36,759 Speaker 2: like his seventy two he was pretty cut not cut throat, 801 00:36:36,760 --> 00:36:38,440 Speaker 2: but just like he says what he believes and he's 802 00:36:38,480 --> 00:36:42,000 Speaker 2: like he goes first of all, you're either writing or 803 00:36:42,040 --> 00:36:46,080 Speaker 2: you're not. Like you're either acting or you're not, whether 804 00:36:46,120 --> 00:36:49,400 Speaker 2: it be like in class or whatever. And then he 805 00:36:49,520 --> 00:36:54,520 Speaker 2: said actors go through so much rejection and he said 806 00:36:54,560 --> 00:36:56,680 Speaker 2: four years before they make it. And he said, but 807 00:36:56,719 --> 00:36:59,719 Speaker 2: it keeps them in shape. Oh, and I was like, fuck, 808 00:36:59,760 --> 00:37:02,239 Speaker 2: I'm never looked at it like a positive. Yeah, it's 809 00:37:02,280 --> 00:37:05,120 Speaker 2: like all those self tapes, it's like, that's your opportunity, Yes, 810 00:37:05,280 --> 00:37:06,839 Speaker 2: all opportunities to skape back there. 811 00:37:06,920 --> 00:37:10,439 Speaker 3: Yeah, opportunities to storytell. That's what my acting co Dana Cals, 812 00:37:10,440 --> 00:37:12,400 Speaker 3: She's always like, she's like, they're not auditions, they're just 813 00:37:12,400 --> 00:37:15,279 Speaker 3: an opportunity to storytell. So focus on the story tell us. 814 00:37:15,320 --> 00:37:17,279 Speaker 3: Like fuck your actor mind, that's always like, oh, I 815 00:37:17,280 --> 00:37:19,080 Speaker 3: need a book this. And then it's like we could 816 00:37:19,200 --> 00:37:21,960 Speaker 3: feel that energy and people feel that like walking into 817 00:37:22,000 --> 00:37:23,719 Speaker 3: a room, you're like, I need to book this job. 818 00:37:23,840 --> 00:37:26,880 Speaker 3: Like no, just your storyteller, and storytellers existed way before 819 00:37:27,239 --> 00:37:30,400 Speaker 3: these things got producers and directors and casting directors. They're like, 820 00:37:30,400 --> 00:37:33,239 Speaker 3: they're just humans. Yeah, just humans, And you know, like 821 00:37:33,280 --> 00:37:36,000 Speaker 3: we're all storytellers. Storytellers of exists since the beginning of time. 822 00:37:36,480 --> 00:37:39,759 Speaker 3: So focus on that, but also like make sure like 823 00:37:40,000 --> 00:37:44,279 Speaker 3: you're just well rounded in life. I feel like experienced lives. 824 00:37:44,400 --> 00:37:46,920 Speaker 3: The world's so much bigger than this industry, you know, 825 00:37:47,600 --> 00:37:51,360 Speaker 3: and I feel I maybe my relationship with the industry 826 00:37:51,360 --> 00:37:53,360 Speaker 3: is also different because I grew up in La so 827 00:37:53,440 --> 00:37:55,360 Speaker 3: this is my backyard, you know. I didn't move somewhere 828 00:37:55,440 --> 00:37:56,640 Speaker 3: to kind of be like, oh, I have this goal. 829 00:37:56,719 --> 00:37:58,000 Speaker 3: So I have a lot of respect for people that 830 00:37:58,160 --> 00:38:01,160 Speaker 3: move and go like, oh my god, I'm giving myself 831 00:38:01,160 --> 00:38:03,000 Speaker 3: five years for this, and if it. 832 00:38:02,880 --> 00:38:04,880 Speaker 1: Doesn't happen hard, it is hard. 833 00:38:05,000 --> 00:38:08,239 Speaker 2: Like I had an an American accountant that I'm no 834 00:38:08,320 --> 00:38:09,960 Speaker 2: longer with and he was like, if you don't make 835 00:38:10,000 --> 00:38:11,919 Speaker 2: it in three years, you should give up your green card. 836 00:38:11,920 --> 00:38:13,160 Speaker 1: And I was like, oh my. 837 00:38:13,000 --> 00:38:17,520 Speaker 2: God, that's not long enough, mate. I've had my green 838 00:38:17,520 --> 00:38:19,799 Speaker 2: card nearly three years. I'm like, oh my goodness. No, 839 00:38:19,960 --> 00:38:21,960 Speaker 2: I'm just starting to feel a bit of a groove. 840 00:38:22,120 --> 00:38:25,520 Speaker 2: Now I'm going to rid another couple of hard years 841 00:38:25,520 --> 00:38:26,400 Speaker 2: ago ahead of me. 842 00:38:26,480 --> 00:38:28,520 Speaker 3: It's going to take it takes years, and also to 843 00:38:28,800 --> 00:38:31,040 Speaker 3: learn the business aspect of it, because that's one thing, 844 00:38:31,080 --> 00:38:33,440 Speaker 3: Like you have this passion for acting and learning what 845 00:38:33,480 --> 00:38:35,640 Speaker 3: it's like to be even on set and also learning 846 00:38:35,719 --> 00:38:37,399 Speaker 3: like all like. 847 00:38:37,280 --> 00:38:40,319 Speaker 1: You like yourself in a way to you're opening up 848 00:38:40,360 --> 00:38:41,120 Speaker 1: a business, right. 849 00:38:41,320 --> 00:38:41,520 Speaker 3: Yeah. 850 00:38:43,640 --> 00:38:46,480 Speaker 2: Anthony Lapali, who I've interviewed on this part as well, 851 00:38:46,719 --> 00:38:49,319 Speaker 2: I've told you heaps about he said it takes about 852 00:38:49,360 --> 00:38:52,480 Speaker 2: seven years. He's like, it's about a seven He's like, 853 00:38:52,520 --> 00:38:55,400 Speaker 2: it's about a seven year windows. So they keep reminding me. 854 00:38:55,480 --> 00:38:59,000 Speaker 2: They're like, Lola, you're at three, Like chill out, chill out. 855 00:38:59,440 --> 00:39:01,640 Speaker 2: And he actually, it's really interesting to hear this as 856 00:39:01,640 --> 00:39:04,479 Speaker 2: an Australian that lives out here. He said, never feel 857 00:39:04,480 --> 00:39:07,080 Speaker 2: guilty about going home to make money. And I was like, 858 00:39:07,640 --> 00:39:10,640 Speaker 2: I had to hear that because I'm someone that sometimes goes, 859 00:39:10,680 --> 00:39:12,400 Speaker 2: oh fuck, I've got to go home to get like 860 00:39:12,800 --> 00:39:15,040 Speaker 2: a really well paying gig, which is what I'm about 861 00:39:15,080 --> 00:39:17,920 Speaker 2: to do. But then I have to remind myself that 862 00:39:17,920 --> 00:39:19,799 Speaker 2: that gives me the freedom to come back here and 863 00:39:20,160 --> 00:39:23,080 Speaker 2: say and keep going and keep working on the dream. 864 00:39:23,239 --> 00:39:24,319 Speaker 3: Yes, you know. 865 00:39:25,040 --> 00:39:27,520 Speaker 2: And so I think knowing that not everyone's journey to 866 00:39:27,560 --> 00:39:29,200 Speaker 2: get there is the same one. 867 00:39:30,000 --> 00:39:31,839 Speaker 3: Everyone has a different path, right. 868 00:39:31,680 --> 00:39:33,440 Speaker 2: And I think it does take a bit longer than 869 00:39:33,920 --> 00:39:37,040 Speaker 2: we think. When we're in that first day of acting class, 870 00:39:37,080 --> 00:39:39,080 Speaker 2: going oh yeah, well I'll be like Margot Robbie in 871 00:39:39,080 --> 00:39:39,920 Speaker 2: a year's time. 872 00:39:39,880 --> 00:39:43,640 Speaker 3: Right, yeah, and I and there's and we have to 873 00:39:43,680 --> 00:39:47,680 Speaker 3: remember too, there's like thousands, thousands of like working actors 874 00:39:47,719 --> 00:39:49,520 Speaker 3: that you probably don't even know their names, but they're 875 00:39:49,520 --> 00:39:52,600 Speaker 3: constantly working and they're like, successful actor. 876 00:39:52,480 --> 00:39:54,359 Speaker 1: Is my goal. 877 00:39:54,480 --> 00:39:57,479 Speaker 3: Yeah, there's and there's there's a working actor that looks 878 00:39:57,520 --> 00:40:01,120 Speaker 3: like everybody in your life, like like you're your funny 879 00:40:01,120 --> 00:40:02,960 Speaker 3: looking neighbor. That's it right next up. But he's like 880 00:40:03,000 --> 00:40:04,640 Speaker 3: you know what I mean, they look so people are like, oh, 881 00:40:04,680 --> 00:40:06,359 Speaker 3: I gotta look like Brad back, gotta look like Kim 882 00:40:06,400 --> 00:40:09,160 Speaker 3: kardash you know, Brad. But you know, like, no, you 883 00:40:09,920 --> 00:40:10,319 Speaker 3: have you. 884 00:40:10,400 --> 00:40:13,160 Speaker 2: Sat in callbacks and sat in the room and being like, 885 00:40:13,239 --> 00:40:15,040 Speaker 2: oh my god, all these people look like me. 886 00:40:15,400 --> 00:40:18,440 Speaker 3: Yeah. And I've also sat in places where like I 887 00:40:18,480 --> 00:40:21,600 Speaker 3: look like none of these people too, And I'm like, now, 888 00:40:21,640 --> 00:40:23,840 Speaker 3: I'm thinking that's who they kind of wanted cast. But 889 00:40:23,880 --> 00:40:25,480 Speaker 3: I kind of did a decent job and they brought 890 00:40:25,480 --> 00:40:28,440 Speaker 3: me back. Oh wow, And I was up for it 891 00:40:28,480 --> 00:40:32,319 Speaker 3: was an Apple series for for Joseph Gordon Levitt did 892 00:40:32,320 --> 00:40:33,239 Speaker 3: it at A twenty four. 893 00:40:33,840 --> 00:40:36,160 Speaker 2: It would have been amazing and I remember hate be 894 00:40:36,200 --> 00:40:37,120 Speaker 2: phenomenal to work with that. 895 00:40:37,280 --> 00:40:39,560 Speaker 3: Yes, and he was so lovely in the re rotation 896 00:40:39,640 --> 00:40:41,359 Speaker 3: in the call back, like he was just I felt 897 00:40:41,400 --> 00:40:43,040 Speaker 3: like I was friends with them. The producer, he was 898 00:40:43,080 --> 00:40:45,839 Speaker 3: a producer on it. It was called mister I mean, 899 00:40:46,320 --> 00:40:48,560 Speaker 3: I don't know if they changed mister Corman. We lasted 900 00:40:48,600 --> 00:40:50,880 Speaker 3: one season, but I was up for it. And I 901 00:40:50,960 --> 00:40:53,759 Speaker 3: went in to the first call, the second call, and 902 00:40:53,840 --> 00:40:57,320 Speaker 3: the third callback was this would have been for drama, 903 00:40:58,160 --> 00:40:59,800 Speaker 3: Like no, it would have been it's a drama y 904 00:41:00,400 --> 00:41:03,320 Speaker 3: and my role would have been like, yeah, it's a 905 00:41:03,320 --> 00:41:05,480 Speaker 3: good it's drama and comedy, which is like my favorite. 906 00:41:05,560 --> 00:41:05,920 Speaker 1: Yeah. 907 00:41:05,960 --> 00:41:07,520 Speaker 3: But it went to the third call back and it 908 00:41:07,600 --> 00:41:10,120 Speaker 3: was on you guys, and they were really heavy set guys, 909 00:41:10,160 --> 00:41:13,120 Speaker 3: like like you know, like three pounds, like really big guys. 910 00:41:13,320 --> 00:41:17,560 Speaker 3: And I go, oh, they're probably wanting to cast something. 911 00:41:17,560 --> 00:41:19,040 Speaker 3: And I get it, right, I'm like, because me and 912 00:41:19,120 --> 00:41:21,440 Speaker 3: him have we have a similar energy, you know. So 913 00:41:21,520 --> 00:41:23,520 Speaker 3: I was like, and I kind of change my energy 914 00:41:23,560 --> 00:41:26,200 Speaker 3: for the character, but naturally me and him would be 915 00:41:26,280 --> 00:41:27,600 Speaker 3: kind of, yeah, we're a little too similar. 916 00:41:27,840 --> 00:41:29,960 Speaker 2: And that's You've brought up a really great point, and 917 00:41:30,000 --> 00:41:32,160 Speaker 2: that is casting and that's something. 918 00:41:31,840 --> 00:41:33,560 Speaker 1: That is out of your hands. 919 00:41:33,600 --> 00:41:36,280 Speaker 2: Out of your hands, like you might read for something 920 00:41:36,960 --> 00:41:39,080 Speaker 2: and or I might read for something and they're like, 921 00:41:39,120 --> 00:41:41,480 Speaker 2: well she's brunette. Now, we don't want to brunette. We 922 00:41:41,520 --> 00:41:45,960 Speaker 2: actually need a blonde. Or you might remind the casting 923 00:41:45,960 --> 00:41:50,040 Speaker 2: director of their ex and they're like, no, there's something 924 00:41:50,120 --> 00:41:52,839 Speaker 2: reminds me of my exit here out. Yeah, And it's 925 00:41:52,920 --> 00:41:56,120 Speaker 2: so fascinating that that part of that part of the 926 00:41:56,120 --> 00:41:59,440 Speaker 2: picture is just like out of your control. Which brings 927 00:41:59,440 --> 00:42:00,799 Speaker 2: me back to you, is they to tell a good 928 00:42:00,840 --> 00:42:02,680 Speaker 2: story and enjoy that prices. 929 00:42:02,320 --> 00:42:05,160 Speaker 3: And we have to enjoy our lives, you know, Like 930 00:42:05,520 --> 00:42:09,799 Speaker 3: I have friends that like awesome humans, super talented, but 931 00:42:09,840 --> 00:42:14,480 Speaker 3: sometimes like they're emotionally they're highs and low lows like 932 00:42:14,560 --> 00:42:15,200 Speaker 3: all the time, and. 933 00:42:15,360 --> 00:42:17,920 Speaker 1: That can come with the actory hottest stuff. 934 00:42:18,080 --> 00:42:20,400 Speaker 3: And I was like, dude, like enjoy your days. 935 00:42:20,520 --> 00:42:21,640 Speaker 1: This is your life. 936 00:42:21,800 --> 00:42:24,520 Speaker 3: And this has been years of this. I'm like, no 937 00:42:24,680 --> 00:42:26,560 Speaker 3: one project's going to change. I mean it could change 938 00:42:26,560 --> 00:42:29,359 Speaker 3: your life, really, but that one thing, you ride that 939 00:42:29,400 --> 00:42:32,040 Speaker 3: wave and then people are onto the next thing. No 940 00:42:32,080 --> 00:42:34,239 Speaker 3: one cares after a year or two, like like what 941 00:42:34,400 --> 00:42:36,200 Speaker 3: like I can't even tell you who got like one day, 942 00:42:36,200 --> 00:42:37,799 Speaker 3: Oscar two years, Ag're like, no, you know what I'm saying. 943 00:42:38,200 --> 00:42:40,760 Speaker 3: And we're constantly fed so much information, so much content, 944 00:42:40,840 --> 00:42:44,279 Speaker 3: Like just enjoy your days, enjoy your life, like look too, 945 00:42:44,719 --> 00:42:48,720 Speaker 3: I mean whatever, you're passionate about things that bring you joy. 946 00:42:48,920 --> 00:42:50,759 Speaker 3: That's what I wanted to do, Like the last couple 947 00:42:50,800 --> 00:42:52,839 Speaker 3: of years, I just want like joy to be the 948 00:42:52,880 --> 00:42:56,120 Speaker 3: marker of my success, you know, truly, Like I'm like, 949 00:42:56,200 --> 00:42:59,120 Speaker 3: am I enjoying my days? Like what things bring me joy? 950 00:42:59,239 --> 00:43:02,120 Speaker 3: Like doing that, nurturing myself on a daily basis, that's 951 00:43:02,160 --> 00:43:04,520 Speaker 3: like more so than anything else, I'm like, that's all 952 00:43:04,560 --> 00:43:06,920 Speaker 3: I care about, Like, am I enjoying my life? 953 00:43:07,160 --> 00:43:07,480 Speaker 1: Yeah? 954 00:43:07,520 --> 00:43:09,040 Speaker 3: You know, I don't want to look back. And also 955 00:43:09,080 --> 00:43:10,600 Speaker 3: like I'm always I'm so hard on myself and I'm 956 00:43:10,600 --> 00:43:14,360 Speaker 3: always costantly going like, ah, is this like really me 957 00:43:15,040 --> 00:43:18,960 Speaker 3: not wanting to fully put myself. Is that my fear 958 00:43:19,040 --> 00:43:21,200 Speaker 3: talking or is it me kind of going like oh, 959 00:43:21,239 --> 00:43:23,399 Speaker 3: I'm happy doing this, but part of me is going like, no, 960 00:43:23,520 --> 00:43:26,719 Speaker 3: I haven't fully expressed all my talent, everything I'm here 961 00:43:26,760 --> 00:43:27,920 Speaker 3: to do in this life. And I don't want to 962 00:43:27,920 --> 00:43:30,080 Speaker 3: look back. And I always battle that, you know, I 963 00:43:30,160 --> 00:43:31,879 Speaker 3: have regrets and I always go on and. 964 00:43:31,760 --> 00:43:32,920 Speaker 1: I think it's for you. 965 00:43:32,960 --> 00:43:36,560 Speaker 2: Then it's the courage to live with freedom to do 966 00:43:36,640 --> 00:43:39,600 Speaker 2: whatever feels right and the joy, but also to have 967 00:43:40,320 --> 00:43:43,920 Speaker 2: the courage to do what feels true to you, you know, 968 00:43:44,080 --> 00:43:46,680 Speaker 2: like I think that's cool. Like right before we hit 969 00:43:46,719 --> 00:43:49,160 Speaker 2: record on this, I told you I got booked for 970 00:43:49,239 --> 00:43:52,680 Speaker 2: a TV gig and they really wanted me to talk 971 00:43:52,680 --> 00:43:54,880 Speaker 2: about something that makes no sense for me to talk about, 972 00:43:55,000 --> 00:43:56,839 Speaker 2: and I put the foot down. I was just like, 973 00:43:57,080 --> 00:43:58,600 Speaker 2: and it meant that I had to take the risk 974 00:43:58,640 --> 00:44:01,399 Speaker 2: of losing the gig, and I said, thank you so much. 975 00:44:01,440 --> 00:44:03,680 Speaker 2: I don't I don't approve talking about that topic. So 976 00:44:03,719 --> 00:44:05,880 Speaker 2: can we either talk here's five other topics we can 977 00:44:05,920 --> 00:44:07,640 Speaker 2: talk about, or you can let me go. 978 00:44:07,840 --> 00:44:10,360 Speaker 1: And I'm totally And it's having that. 979 00:44:10,280 --> 00:44:13,960 Speaker 2: Courage to go this is who I am, this is 980 00:44:14,000 --> 00:44:16,080 Speaker 2: my truth, and this is the freedom of like finding 981 00:44:16,080 --> 00:44:18,440 Speaker 2: that joy because I love doing TV segments. 982 00:44:18,480 --> 00:44:21,040 Speaker 3: There's so much You're so good at it. I've seen 983 00:44:21,080 --> 00:44:22,560 Speaker 3: these clips. I'm like, you're you're. 984 00:44:22,520 --> 00:44:23,560 Speaker 1: I love it time stuff. 985 00:44:23,719 --> 00:44:27,080 Speaker 2: I love it, and I just think for me, I 986 00:44:27,120 --> 00:44:28,600 Speaker 2: was just like, no, well, this is my truth. I'm 987 00:44:28,600 --> 00:44:29,919 Speaker 2: going to honor it, and I think it's the same 988 00:44:29,960 --> 00:44:32,000 Speaker 2: thing like feel. 989 00:44:31,840 --> 00:44:34,799 Speaker 3: Life will bring when you do that, life will bring 990 00:44:34,840 --> 00:44:38,960 Speaker 3: you an opportunity another one, like totally for sure. And 991 00:44:39,000 --> 00:44:41,840 Speaker 3: You're like, this feels aligned to my integrity, aligned to 992 00:44:41,880 --> 00:44:45,400 Speaker 3: what I really like. Yeah, it feels true and like 993 00:44:45,400 --> 00:44:47,480 Speaker 3: like I'm doing it out of love now yeah you know, 994 00:44:47,600 --> 00:44:49,640 Speaker 3: not because I'm doing it because I needed to. He's like, Okay, 995 00:44:49,680 --> 00:44:51,239 Speaker 3: this feels like good. I want to express myself in 996 00:44:51,239 --> 00:44:51,520 Speaker 3: this way. 997 00:44:51,560 --> 00:44:56,239 Speaker 2: So, yeah, you're amazing. I have love having you on 998 00:44:56,280 --> 00:44:58,640 Speaker 2: this pod. I just want to end on because you 999 00:44:58,640 --> 00:45:01,560 Speaker 2: are so inspiring. Is there anything you live by like 1000 00:45:01,680 --> 00:45:05,000 Speaker 2: mantra or like is it the finding the joy? 1001 00:45:05,160 --> 00:45:08,880 Speaker 3: You know? I think I feel like the relationship we 1002 00:45:08,960 --> 00:45:12,319 Speaker 3: have with ourselves, like our life is a reflection of 1003 00:45:12,360 --> 00:45:15,520 Speaker 3: the relationship we have with ourselves, you know. And I 1004 00:45:15,560 --> 00:45:18,319 Speaker 3: feel like I'm constantly trying to work on myselves where 1005 00:45:18,320 --> 00:45:22,520 Speaker 3: I'm just like aligned to who I am at my 1006 00:45:22,560 --> 00:45:24,200 Speaker 3: core and who I am at my core. I think 1007 00:45:24,200 --> 00:45:26,040 Speaker 3: it's like this little kids is just full of love, 1008 00:45:26,120 --> 00:45:29,960 Speaker 3: right and once express that and so you know always 1009 00:45:29,960 --> 00:45:32,640 Speaker 3: I heard back in the day like you like humans, 1010 00:45:32,680 --> 00:45:35,319 Speaker 3: could you make choices either out of fear out of 1011 00:45:35,360 --> 00:45:37,480 Speaker 3: love and like you could break it down to that, 1012 00:45:37,640 --> 00:45:39,320 Speaker 3: and I was like really, And when I heard that, initially, 1013 00:45:39,360 --> 00:45:42,480 Speaker 3: I was like, no, it can't be like that easy. 1014 00:45:42,520 --> 00:45:45,280 Speaker 3: But then you could break down certain decisions like holy shit. 1015 00:45:45,640 --> 00:45:48,640 Speaker 3: And I remember years ago when I started analyzing my life, 1016 00:45:48,680 --> 00:45:51,680 Speaker 3: I go, holy fuck, like I've made so many decisions 1017 00:45:51,719 --> 00:45:55,399 Speaker 3: out of fear, Like what like, okay, like what's life 1018 00:45:55,400 --> 00:45:57,000 Speaker 3: look like if I started making things out of there? 1019 00:45:57,160 --> 00:45:59,440 Speaker 3: Just be true to me? Being such a people pleaser 1020 00:45:59,480 --> 00:46:01,839 Speaker 3: my whole life too. I was like, always had trouble 1021 00:46:01,880 --> 00:46:05,799 Speaker 3: with sitting boundaries. So I'm like, okay, what's life look 1022 00:46:05,920 --> 00:46:09,560 Speaker 3: like when I'm like focusing on I'm filling my cup? Right? 1023 00:46:10,239 --> 00:46:12,239 Speaker 3: And I never did that. I was always trying to 1024 00:46:12,239 --> 00:46:14,880 Speaker 3: help everybody. And I'm like, and never and put myself last, 1025 00:46:15,120 --> 00:46:17,000 Speaker 3: and then I don't have resentment after it, and I'm like, oh, 1026 00:46:17,080 --> 00:46:19,560 Speaker 3: I don't know, and I feel guilty now. I'm like, okay, 1027 00:46:19,880 --> 00:46:22,319 Speaker 3: I'm filling my cup. But naturally, when you fill our cup, 1028 00:46:23,800 --> 00:46:25,640 Speaker 3: there's the love to give there, you know what I'm saying. 1029 00:46:25,640 --> 00:46:29,200 Speaker 3: So things just flow easier, I feel, yes, So I'm 1030 00:46:29,200 --> 00:46:30,960 Speaker 3: always trying to be in flow with life, you know, 1031 00:46:31,040 --> 00:46:33,120 Speaker 3: I love that, right, because we never know what life 1032 00:46:33,200 --> 00:46:35,000 Speaker 3: is gonna bring us tomorrow. But if we're like at 1033 00:46:35,000 --> 00:46:37,960 Speaker 3: peace with like yeah, anything. I feel like if you 1034 00:46:38,120 --> 00:46:41,480 Speaker 3: find peace even in death and in transition, like if 1035 00:46:41,520 --> 00:46:43,640 Speaker 3: you can find peace with the worst case scenarios, like 1036 00:46:43,640 --> 00:46:44,880 Speaker 3: like you're gonna be fine. 1037 00:46:45,040 --> 00:46:47,120 Speaker 1: Yeah, And I like that, like not my own choices 1038 00:46:47,160 --> 00:46:47,680 Speaker 1: out of theater. 1039 00:46:48,080 --> 00:46:51,239 Speaker 2: I think if you can catch yourself in those moments, 1040 00:46:50,040 --> 00:46:54,320 Speaker 2: you know, oh, actually hang on a sick you know, 1041 00:46:54,760 --> 00:46:56,560 Speaker 2: it's quite inspiring to live that way. 1042 00:46:56,719 --> 00:46:58,759 Speaker 3: I know. So I mind you. I say this now, 1043 00:46:58,840 --> 00:47:03,920 Speaker 3: but like and then tomorrow I'm like, oh fuck, what 1044 00:47:04,000 --> 00:47:04,480 Speaker 3: do I do? 1045 00:47:05,440 --> 00:47:05,680 Speaker 1: Hey? 1046 00:47:05,960 --> 00:47:11,160 Speaker 2: I have freaking loved chatting to you. Thank you, thank 1047 00:47:11,200 --> 00:47:13,279 Speaker 2: you so so much, and I feel very lucky to 1048 00:47:13,280 --> 00:47:14,640 Speaker 2: have a friend in you as well. 1049 00:47:14,719 --> 00:47:17,120 Speaker 3: So I thinks same year you got a friend in 1050 00:47:17,160 --> 00:47:18,279 Speaker 3: Elie all the time. 1051 00:47:18,480 --> 00:47:20,440 Speaker 1: Thank you for your friend. See yer. 1052 00:47:23,320 --> 00:47:29,000 Speaker 2: That's a wrap on another episode of Fearlessly Failing. As always, 1053 00:47:29,120 --> 00:47:32,480 Speaker 2: thank you to our guests, and let's continue the conversation 1054 00:47:32,640 --> 00:47:33,600 Speaker 2: on Instagram. 1055 00:47:34,080 --> 00:47:36,239 Speaker 1: I'm at Yamo Lollerberry. 1056 00:47:36,880 --> 00:47:41,040 Speaker 2: This potty my word for podcast is available on all 1057 00:47:41,120 --> 00:47:45,080 Speaker 2: streaming platforms. I'd love it if you could subscribe. Rape 1058 00:47:45,200 --> 00:47:47,919 Speaker 2: and comment, and of course spread the love