1 00:00:01,080 --> 00:00:04,800 Speaker 1: How it Buddy my radio WAB from ninety six AIRVM 2 00:00:04,960 --> 00:00:06,960 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,879 Speaker 2: This is Clarzy and Lisa's podcast. 4 00:00:10,200 --> 00:00:12,200 Speaker 3: Coming up on the podcast today, the Lovely gain Or 5 00:00:12,240 --> 00:00:15,840 Speaker 3: Wheatley talking about the John Farnham documentary Finding the Voice. 6 00:00:15,960 --> 00:00:18,720 Speaker 4: Ben O'Shea holding Lisa back from the cinema because she's 7 00:00:18,760 --> 00:00:20,239 Speaker 4: desperately going to see fast X. 8 00:00:20,640 --> 00:00:23,400 Speaker 3: And we took your calls on who upstaged you at 9 00:00:23,440 --> 00:00:24,160 Speaker 3: your wedding? 10 00:00:24,680 --> 00:00:27,720 Speaker 4: John Farnham. Finding the Voice is in cinemas today. We've 11 00:00:27,720 --> 00:00:30,400 Speaker 4: seen this, Lisa, and this was This really had a 12 00:00:30,480 --> 00:00:31,720 Speaker 4: huge impact on us, didn't it? 13 00:00:31,720 --> 00:00:32,000 Speaker 3: Certainly? 14 00:00:32,080 --> 00:00:33,440 Speaker 5: D It is incredibly put together. 15 00:00:33,479 --> 00:00:36,040 Speaker 4: And the late great Glenn Wheatley was right by John's side, 16 00:00:36,080 --> 00:00:38,120 Speaker 4: not just for Whispering Jack, but for so much of 17 00:00:38,159 --> 00:00:40,479 Speaker 4: his life and so much of his wonderful career. And 18 00:00:40,520 --> 00:00:43,600 Speaker 4: by Glenn's side of course, and John's Gaina Wheatley, gooday 19 00:00:43,600 --> 00:00:45,360 Speaker 4: and welcome, good morning, good morning to you. 20 00:00:45,520 --> 00:00:49,159 Speaker 6: I wasn't there as long as John was there. I 21 00:00:49,159 --> 00:00:50,840 Speaker 6: came in just a little bit later. 22 00:00:52,159 --> 00:00:53,680 Speaker 2: There long enough so important. 23 00:00:54,480 --> 00:00:57,000 Speaker 3: As Clarsy said, we went along to this preview and 24 00:00:57,280 --> 00:00:59,840 Speaker 3: I thought, well this should be good little did I 25 00:00:59,880 --> 00:01:02,800 Speaker 3: know I was going to laugh and cry and everything 26 00:01:02,800 --> 00:01:04,680 Speaker 3: in between and go home and text everyone I knew 27 00:01:04,760 --> 00:01:06,240 Speaker 3: to go and see it as soon as they could. 28 00:01:06,800 --> 00:01:07,759 Speaker 3: It is beautiful. 29 00:01:08,280 --> 00:01:11,680 Speaker 7: It is beautiful, Poppy stock or the director. She's done 30 00:01:11,720 --> 00:01:15,959 Speaker 7: an extraordinary job pulling some pieces and some stories together 31 00:01:16,040 --> 00:01:19,399 Speaker 7: that I don't think have been part of our collective 32 00:01:19,480 --> 00:01:22,520 Speaker 7: history before. No, I think, do you think you know 33 00:01:22,720 --> 00:01:27,080 Speaker 7: the farm story? But I think she's just found other 34 00:01:27,160 --> 00:01:30,160 Speaker 7: elements to make it more interesting. 35 00:01:30,400 --> 00:01:32,479 Speaker 3: Yeah, that's exactly how we felt so. 36 00:01:32,440 --> 00:01:34,559 Speaker 4: Right, and she personalized so much of it. But even 37 00:01:34,640 --> 00:01:37,319 Speaker 4: following John's career, the things that we all learned along 38 00:01:37,400 --> 00:01:39,759 Speaker 4: the way and the you know, the voice of stuff 39 00:01:39,800 --> 00:01:42,679 Speaker 4: came later. Early on, he was a teen pop idol, 40 00:01:42,760 --> 00:01:45,000 Speaker 4: wasn't he John? And the career developed from. 41 00:01:44,840 --> 00:01:48,160 Speaker 7: There was and I think, you know, he was discovered 42 00:01:48,920 --> 00:01:52,960 Speaker 7: very quickly, same Sadie and was basically. 43 00:01:52,520 --> 00:01:53,640 Speaker 6: An overnight success. 44 00:01:53,680 --> 00:01:56,360 Speaker 7: And I think that was a lot of his problem 45 00:01:56,600 --> 00:02:00,680 Speaker 7: in feeling like he hadn't Ergie stripes and paid his 46 00:02:01,600 --> 00:02:04,720 Speaker 7: musical jews for Sae And. 47 00:02:04,360 --> 00:02:07,040 Speaker 6: It took him a long time. You know, he was 48 00:02:07,280 --> 00:02:10,000 Speaker 6: thirty eight by the time he did Whispering Jack. 49 00:02:10,919 --> 00:02:14,519 Speaker 7: I think he felt it took that long, for twenty years, 50 00:02:14,560 --> 00:02:18,880 Speaker 7: to actually believe that he deserved the success that was 51 00:02:19,040 --> 00:02:20,359 Speaker 7: then coming his life. 52 00:02:21,000 --> 00:02:21,760 Speaker 3: It's a lot of. 53 00:02:21,639 --> 00:02:26,760 Speaker 4: Rectorshipship certainly is from a planet to that in those 54 00:02:26,800 --> 00:02:27,880 Speaker 4: early days. 55 00:02:27,960 --> 00:02:30,280 Speaker 3: Just how much do you think he rude the day 56 00:02:30,320 --> 00:02:34,120 Speaker 3: he recorded Sadie the Clean Lady, he came, you love it? 57 00:02:34,680 --> 00:02:37,000 Speaker 7: Do you know what he looks at Sadie now with 58 00:02:37,360 --> 00:02:40,840 Speaker 7: such fondness. There was a period of time where he 59 00:02:40,880 --> 00:02:43,400 Speaker 7: did not want to sing it or play Apple here 60 00:02:43,480 --> 00:02:47,320 Speaker 7: it got anything else, And then came an acceptance and 61 00:02:47,360 --> 00:02:49,560 Speaker 7: that he says to this day, if. 62 00:02:49,440 --> 00:02:52,120 Speaker 6: It wasn't for Sadie, he wouldn't be where he is. 63 00:02:52,760 --> 00:02:55,600 Speaker 7: So he has great respect for it, as he should 64 00:02:55,600 --> 00:02:57,920 Speaker 7: have just shit out song, but he. 65 00:03:00,200 --> 00:03:00,359 Speaker 8: Did. 66 00:03:00,600 --> 00:03:01,760 Speaker 6: He say it, and now. 67 00:03:01,600 --> 00:03:05,760 Speaker 7: He seeing it in fiction and audiences still go nuts 68 00:03:05,760 --> 00:03:08,240 Speaker 7: for it. 69 00:03:08,440 --> 00:03:11,000 Speaker 6: And he used to think they were all sending him up, But. 70 00:03:11,000 --> 00:03:13,959 Speaker 7: Now I think people have gone on the journey and 71 00:03:14,040 --> 00:03:16,840 Speaker 7: actually do want to hear him seeing it him up. 72 00:03:17,000 --> 00:03:17,600 Speaker 5: Absolutely. 73 00:03:17,680 --> 00:03:20,720 Speaker 4: Yeah, the White Poppies put this together and you understand 74 00:03:20,760 --> 00:03:23,400 Speaker 4: completely the other dimension that comes into this and hearing 75 00:03:23,400 --> 00:03:27,280 Speaker 4: Olivia's voice and so much content, so much of Glenn 76 00:03:27,360 --> 00:03:29,639 Speaker 4: in there as well, and then John's health later on. 77 00:03:30,440 --> 00:03:33,359 Speaker 4: It's it's a project like none other, the way that's unfolded. 78 00:03:34,400 --> 00:03:40,160 Speaker 6: How it was not the original plan obviously for everyone. 79 00:03:41,080 --> 00:03:43,040 Speaker 6: Was not meant to be everybody's. 80 00:03:42,720 --> 00:03:47,040 Speaker 7: Final interview, let me tell you, But it was just 81 00:03:47,160 --> 00:03:50,720 Speaker 7: the way it happened. And I'm so glad Glenn actually 82 00:03:50,800 --> 00:03:54,360 Speaker 7: started this project and had the foresight to have his 83 00:03:54,440 --> 00:03:56,840 Speaker 7: interviews done early, because I think he needed to do 84 00:03:56,880 --> 00:04:00,400 Speaker 7: that to get the project underway. Yes, and of course 85 00:04:00,440 --> 00:04:04,040 Speaker 7: you didn't know that would be Olivia's last interview. Although 86 00:04:04,280 --> 00:04:08,120 Speaker 7: her voice was fairly feeble, but she was so positive 87 00:04:08,800 --> 00:04:11,760 Speaker 7: even at that particular time that she would be okay, 88 00:04:12,920 --> 00:04:16,000 Speaker 7: and you know, she was in what she said, he 89 00:04:16,120 --> 00:04:19,680 Speaker 7: was my favorite singer and she's sung with everybody, and 90 00:04:19,760 --> 00:04:23,880 Speaker 7: she still had to tell everybody that John is her 91 00:04:23,920 --> 00:04:27,760 Speaker 7: favorite singer. That was That was great, And then of 92 00:04:27,800 --> 00:04:32,240 Speaker 7: course we went off on another tangent, you know, when 93 00:04:32,320 --> 00:04:36,279 Speaker 7: John became unwell. So it's got it all in fact. 94 00:04:36,320 --> 00:04:38,440 Speaker 6: You go, you know, do you want to get interviewed? 95 00:04:38,600 --> 00:04:41,159 Speaker 5: No, fas I'd rather not be interview. 96 00:04:42,560 --> 00:04:44,960 Speaker 6: The interviewing list is sort of getting shorter. 97 00:04:46,800 --> 00:04:49,800 Speaker 3: There were there are times when you thought John's too 98 00:04:49,920 --> 00:04:51,880 Speaker 3: nice for this business. 99 00:04:51,560 --> 00:04:54,760 Speaker 6: He is. He is too nice for his business. 100 00:04:55,080 --> 00:04:59,560 Speaker 7: He's authentic, he's nice, he cares about his fans. He 101 00:04:59,640 --> 00:05:05,160 Speaker 7: is a genuine great human beings to because you know, 102 00:05:05,600 --> 00:05:07,839 Speaker 7: most of a lot of artiefs have a lot of ego. 103 00:05:08,600 --> 00:05:12,680 Speaker 7: He seems to leave his somewhere packed away very nicely. 104 00:05:13,240 --> 00:05:15,839 Speaker 7: He's skidding and he's authentic. 105 00:05:16,120 --> 00:05:19,160 Speaker 4: Yeah, okay, what about I mean, we know about John's talent. 106 00:05:19,240 --> 00:05:23,200 Speaker 4: He understands he's got this wonderful voice and the incredible 107 00:05:23,200 --> 00:05:26,480 Speaker 4: talent and incredible career. But that moment, you know, those moments, 108 00:05:26,520 --> 00:05:29,320 Speaker 4: or those days or that day when the Whispring Jack 109 00:05:29,360 --> 00:05:32,360 Speaker 4: album is about to be launched, and this incredible fear 110 00:05:32,480 --> 00:05:34,120 Speaker 4: that he obviously went through. It must have been the 111 00:05:34,240 --> 00:05:36,799 Speaker 4: depth that he was he was going into. It seems 112 00:05:36,839 --> 00:05:38,640 Speaker 4: quite strange for someone so talented. But it was all 113 00:05:38,640 --> 00:05:39,760 Speaker 4: writing on that album, wasn't it. 114 00:05:39,880 --> 00:05:43,880 Speaker 7: This was his moment and he was absolutely terrified. 115 00:05:44,240 --> 00:05:47,520 Speaker 6: And we won't even playing it to press. We were 116 00:05:47,560 --> 00:05:49,440 Speaker 6: playing to friends. 117 00:05:49,040 --> 00:05:54,000 Speaker 7: And family and he still just could barely get into 118 00:05:54,040 --> 00:05:56,800 Speaker 7: that car. And thank goodness, Sedule for I don't know 119 00:05:56,839 --> 00:06:00,120 Speaker 7: how she did it. Probably you know the broomstick to 120 00:06:00,200 --> 00:06:03,840 Speaker 7: the cover and enough they went in and then he 121 00:06:03,960 --> 00:06:07,840 Speaker 7: came out and it was so well received within this 122 00:06:07,920 --> 00:06:09,719 Speaker 7: group that I think he felt better. 123 00:06:09,760 --> 00:06:11,440 Speaker 6: I think there was just there was just so much 124 00:06:11,600 --> 00:06:14,960 Speaker 6: riding on it. There was so much stress and a 125 00:06:14,960 --> 00:06:18,920 Speaker 6: few of letting Glen down. There so many elements. 126 00:06:18,600 --> 00:06:21,040 Speaker 7: And this was basically his last roll of the dice, 127 00:06:21,520 --> 00:06:23,440 Speaker 7: and he was a bit old to go back to plumbing. 128 00:06:28,920 --> 00:06:31,160 Speaker 6: Still he can still fix this out. We go to 129 00:06:31,240 --> 00:06:36,279 Speaker 6: motels or hotels or whatever. The water precures crappy, I'll 130 00:06:36,320 --> 00:06:39,240 Speaker 6: fix it. And he goes along his stealing things. 131 00:06:39,800 --> 00:06:42,720 Speaker 5: He's got the skills. He's still very handy. 132 00:06:43,800 --> 00:06:47,400 Speaker 3: There is an awful lot to be said for John's 133 00:06:47,440 --> 00:06:51,400 Speaker 3: relationship with Glenn Wheatley. It strikes me as one of 134 00:06:51,440 --> 00:06:56,599 Speaker 3: the most true cases of actual loyalty and respect for 135 00:06:56,680 --> 00:06:59,560 Speaker 3: each other in the industry, and that's got to have 136 00:06:59,560 --> 00:07:02,200 Speaker 3: gone along way to the success that they had together. 137 00:07:02,640 --> 00:07:06,040 Speaker 7: I think it's just the story is a love affair 138 00:07:06,080 --> 00:07:10,240 Speaker 7: and about Glenn and John, not our girls. We hardly 139 00:07:10,320 --> 00:07:17,200 Speaker 7: got a look at Darling. They could communicate and speed 140 00:07:17,800 --> 00:07:20,440 Speaker 7: and for a couple of deaf guys, they could actually 141 00:07:20,560 --> 00:07:23,160 Speaker 7: view each other, whereas Jill. 142 00:07:23,000 --> 00:07:25,400 Speaker 6: And I could talk at nausea and you know, no, 143 00:07:25,520 --> 00:07:26,400 Speaker 6: you never told me that. 144 00:07:26,440 --> 00:07:29,560 Speaker 7: But Glenn and John, they spoke on another level. 145 00:07:29,680 --> 00:07:33,360 Speaker 6: It was really a love of a privilege. It was 146 00:07:33,480 --> 00:07:37,640 Speaker 6: so incredible to watch to humans. 147 00:07:37,200 --> 00:07:41,200 Speaker 7: And men, you know, just have a connection and an 148 00:07:41,240 --> 00:07:43,680 Speaker 7: understanding and a love for each other. 149 00:07:43,760 --> 00:07:45,080 Speaker 6: That was really special. 150 00:07:45,360 --> 00:07:48,240 Speaker 4: Yeah, John talks a lot, and the story's been out 151 00:07:48,280 --> 00:07:50,240 Speaker 4: there a lot about the risks that you and Glenn 152 00:07:50,240 --> 00:07:53,240 Speaker 4: took with your finances to help John get to this project. 153 00:07:53,320 --> 00:07:55,960 Speaker 4: Was there a certain moment when you all realized that 154 00:07:56,040 --> 00:07:58,040 Speaker 4: had just clicked? There was when it went to number one, 155 00:07:58,080 --> 00:08:00,480 Speaker 4: when it started getting airplay, and John, you know, and 156 00:08:00,560 --> 00:08:02,880 Speaker 4: he's humble way probably find a very personal way to 157 00:08:02,920 --> 00:08:04,600 Speaker 4: thank you. 158 00:08:04,760 --> 00:08:10,200 Speaker 7: John's been thanking us forever since, you know, through loyalty 159 00:08:10,520 --> 00:08:15,480 Speaker 7: and my goodness, He's been a steadfast friend and wonderful. 160 00:08:16,200 --> 00:08:17,880 Speaker 7: I think we were just when we got on the 161 00:08:17,960 --> 00:08:21,760 Speaker 7: role of the success, when we realized it was resonating 162 00:08:21,840 --> 00:08:22,560 Speaker 7: with everybody. 163 00:08:22,880 --> 00:08:25,840 Speaker 6: When we realized that it was when it went to 164 00:08:25,920 --> 00:08:28,400 Speaker 6: number one. It was enough to have a play on 165 00:08:28,480 --> 00:08:31,320 Speaker 6: the air, let alone go to number one. When we 166 00:08:31,320 --> 00:08:34,200 Speaker 6: got to that, it was a whole new world. 167 00:08:34,360 --> 00:08:35,679 Speaker 5: And John was. 168 00:08:35,640 --> 00:08:40,160 Speaker 6: Just so incredibly happy. That was the payment. Luckily it 169 00:08:40,200 --> 00:08:44,760 Speaker 6: was on Weekly Records, so that certainly helped. 170 00:08:45,000 --> 00:08:47,240 Speaker 7: Would have been hard coping and cheering from the sides 171 00:08:47,320 --> 00:08:50,720 Speaker 7: had it been on B Energy. 172 00:08:52,000 --> 00:08:54,120 Speaker 6: So it was just great. It was just a win 173 00:08:54,240 --> 00:08:57,199 Speaker 6: win all around him and a lot of joy. So 174 00:08:57,400 --> 00:08:59,760 Speaker 6: it's continued, you know what I mean. The second album 175 00:08:59,800 --> 00:09:05,840 Speaker 6: made reason amazing. It wasn't over one hit wonder we're 176 00:09:05,840 --> 00:09:09,680 Speaker 6: not talking about just saw this one. The gift we 177 00:09:09,800 --> 00:09:11,920 Speaker 6: had was, of course, you know you're the voice. 178 00:09:12,000 --> 00:09:14,960 Speaker 7: That's that's the gift that we still have today, this 179 00:09:15,520 --> 00:09:20,920 Speaker 7: extraordinary song that is going to be elevated to another stratosphere. 180 00:09:21,240 --> 00:09:23,480 Speaker 3: I have to say that you go away from the 181 00:09:23,520 --> 00:09:26,719 Speaker 3: movie as if we weren't already invested enough in how 182 00:09:26,840 --> 00:09:32,480 Speaker 3: John's doing. You leave the movie thinking please be okay? Yeah, 183 00:09:32,520 --> 00:09:37,319 Speaker 3: please yeah, please be okay, Please be okay. There's nothing 184 00:09:37,360 --> 00:09:38,719 Speaker 3: else to say. It really is there. 185 00:09:38,840 --> 00:09:44,679 Speaker 7: That's it, just yet, please I can't. 186 00:09:44,440 --> 00:09:45,240 Speaker 6: Lose both of them. 187 00:09:45,720 --> 00:09:51,040 Speaker 7: I've said it before, no. 188 00:09:49,720 --> 00:09:53,480 Speaker 3: No, well gain or thank you so much for joining us. 189 00:09:54,679 --> 00:09:58,319 Speaker 7: Absolute pleasure and I'm glad you enjoyed it, and I 190 00:09:58,320 --> 00:09:59,839 Speaker 7: hope everyone goes to see it too. 191 00:10:00,640 --> 00:10:07,360 Speaker 1: More more Lisa more podcasts soon, Clezi. 192 00:10:07,440 --> 00:10:10,840 Speaker 3: There are certain people at certain times in their life 193 00:10:10,880 --> 00:10:13,760 Speaker 3: that you don't want to upset. Sure, someone who's three 194 00:10:13,840 --> 00:10:16,040 Speaker 3: hundred and fifty thousand in the Q for Cold Play 195 00:10:16,120 --> 00:10:21,000 Speaker 3: tickets is probably one. Don't upset them. Is a bride, 196 00:10:21,960 --> 00:10:23,359 Speaker 3: Do not upset. 197 00:10:23,000 --> 00:10:25,280 Speaker 5: It, especially if it's really closer or on the day 198 00:10:25,520 --> 00:10:26,280 Speaker 5: to Bridezilla. 199 00:10:26,600 --> 00:10:30,160 Speaker 3: The one way to upset a bride is to upstage 200 00:10:30,200 --> 00:10:32,000 Speaker 3: her in her dress. 201 00:10:32,040 --> 00:10:32,160 Speaker 8: Oh. 202 00:10:32,320 --> 00:10:37,800 Speaker 3: Absolutely, it really should be an indictable offense. But Olivia Wilde, 203 00:10:38,160 --> 00:10:40,320 Speaker 3: you know, the actress Olivia wild She was going out 204 00:10:40,320 --> 00:10:42,439 Speaker 3: with Harry Styles for a while there. There was the 205 00:10:42,520 --> 00:10:46,440 Speaker 3: don't worry darling chimozzle that anyway, she just wore a 206 00:10:46,480 --> 00:10:50,720 Speaker 3: wedding dress to her friend's wedding. It was literally a 207 00:10:50,760 --> 00:10:54,840 Speaker 3: wedding It was an ivory gown by designer Nearly low Tan. 208 00:10:55,600 --> 00:10:58,960 Speaker 3: While revealing her unconventional look on social media, however, she 209 00:10:59,000 --> 00:11:00,520 Speaker 3: made it clear she was aware she was breaking a 210 00:11:00,520 --> 00:11:03,319 Speaker 3: well established wedding etiquette to boom, but that she had 211 00:11:03,360 --> 00:11:05,720 Speaker 3: a reason for doing so. She said, I wore a 212 00:11:05,720 --> 00:11:07,280 Speaker 3: wedding dress to a wedding so I could make a 213 00:11:07,360 --> 00:11:12,400 Speaker 3: joke about it in my toast, not a good enough excuse. 214 00:11:12,960 --> 00:11:14,600 Speaker 3: As far as I can see. 215 00:11:14,559 --> 00:11:15,600 Speaker 5: She had it on for the whole wedding. 216 00:11:15,840 --> 00:11:18,520 Speaker 3: She had it on for the whole wedding. You're an actress, Olivia. 217 00:11:18,640 --> 00:11:20,960 Speaker 3: You know about a costume change. If you wanted to 218 00:11:20,960 --> 00:11:24,480 Speaker 3: make a joke about it in your toast, then pop 219 00:11:24,520 --> 00:11:27,319 Speaker 3: out and get changed, come back in, clearly in costume 220 00:11:28,040 --> 00:11:33,640 Speaker 3: for that moment. I mean she looked fantastic, your wild 221 00:11:33,720 --> 00:11:37,760 Speaker 3: she's beautiful. She's wearing this gorgeous ivory gwn respect, isn't it? 222 00:11:37,960 --> 00:11:41,720 Speaker 3: For the whole wedding, everyone was looking at her instead. 223 00:11:41,400 --> 00:11:43,400 Speaker 5: Of the broad You've stolen a thunder? 224 00:11:43,840 --> 00:11:44,840 Speaker 3: Not good? 225 00:11:45,040 --> 00:11:47,400 Speaker 5: So she didn't get friends like her? 226 00:11:47,840 --> 00:11:51,360 Speaker 3: Yeah you know I'm there for the joke in the toast, 227 00:11:51,480 --> 00:11:54,040 Speaker 3: Yeah of course, yeah, but please just a quick change. 228 00:11:54,200 --> 00:11:57,600 Speaker 4: It read picked the moment, Go and change into the dress. 229 00:11:57,640 --> 00:12:00,240 Speaker 4: But she's stolen the bride's thunder. That's whole. 230 00:12:00,800 --> 00:12:03,520 Speaker 3: So who upstaged you at your wedding? It could be 231 00:12:03,559 --> 00:12:07,880 Speaker 3: the groomsman got drunk, Yeah out, relatives rocked up who 232 00:12:07,880 --> 00:12:09,319 Speaker 3: weren't invited out? 233 00:12:09,400 --> 00:12:10,360 Speaker 5: I've got three words for you. 234 00:12:10,480 --> 00:12:15,319 Speaker 4: Yeah, Pepper Middleton's bum definitely definitely upstage wedding. 235 00:12:15,400 --> 00:12:18,120 Speaker 5: My God, you know what you do. 236 00:12:18,280 --> 00:12:21,240 Speaker 3: I don't reckon. I've ever seen Pepper Middleston again. She 237 00:12:21,320 --> 00:12:22,360 Speaker 3: might have gone to the tower. 238 00:12:22,520 --> 00:12:24,880 Speaker 5: Yeah yeah, for some reason her bum's edged in my memory. 239 00:12:25,080 --> 00:12:26,720 Speaker 3: But you've heard it off with your head off, with 240 00:12:26,760 --> 00:12:30,000 Speaker 3: your bum up for your bum girl, Nick and Eesewick Park. 241 00:12:30,360 --> 00:12:32,800 Speaker 3: You used to DJ at weddings, so you would have 242 00:12:32,840 --> 00:12:33,520 Speaker 3: some stories. 243 00:12:33,760 --> 00:12:37,600 Speaker 9: I have thirty years worth of absolutely magnificence. 244 00:12:38,000 --> 00:12:38,839 Speaker 3: You should write a book. 245 00:12:39,600 --> 00:12:44,439 Speaker 9: Oh it looks not without a lawsuit. The best one was. 246 00:12:45,280 --> 00:12:47,760 Speaker 3: They've got a greyhound, right okay, and. 247 00:12:47,679 --> 00:12:52,280 Speaker 9: This greyhound has has had a massive win and it's 248 00:12:52,320 --> 00:12:55,920 Speaker 9: funded the wedding. The bridal party has come in right 249 00:12:56,080 --> 00:12:59,760 Speaker 9: with all the pomp and ceremony and next thing you know, 250 00:13:00,240 --> 00:13:05,319 Speaker 9: this greyhound is led in wearing this address, the same 251 00:13:05,400 --> 00:13:07,000 Speaker 9: as the bridesmaids. 252 00:13:07,280 --> 00:13:10,640 Speaker 5: Oh dear, I kid you. 253 00:13:12,720 --> 00:13:17,920 Speaker 10: Everybody's got absolutely ballistic of his greyhound, the bridle standing 254 00:13:18,080 --> 00:13:22,760 Speaker 10: up finding what's just happened? It was extraordinary. 255 00:13:22,880 --> 00:13:28,360 Speaker 3: Did she caught the bone? 256 00:13:29,480 --> 00:13:31,120 Speaker 5: You think I've seen everything now at a wedding? 257 00:13:31,280 --> 00:13:31,679 Speaker 3: Yeah? 258 00:13:32,040 --> 00:13:36,040 Speaker 9: Yes, you couldn't script it. 259 00:13:36,040 --> 00:13:37,000 Speaker 10: It was extraordinary. 260 00:13:37,640 --> 00:13:40,000 Speaker 3: You're right, you can't write this stuff. I definitely think 261 00:13:40,000 --> 00:13:41,600 Speaker 3: you should write a book, Nick, you don't have to 262 00:13:41,640 --> 00:13:51,600 Speaker 3: mention anyone's names. There'll be no laws. Podcast podcast Natasha 263 00:13:51,640 --> 00:13:56,040 Speaker 3: and Alchemists, Good morning. We are asking who upstaged you 264 00:13:56,120 --> 00:13:57,480 Speaker 3: at your wedding? What happened? 265 00:13:57,960 --> 00:14:03,320 Speaker 8: And so one of the long term family friends thought 266 00:14:03,559 --> 00:14:07,920 Speaker 8: that she would take the opportunity to spend half the 267 00:14:08,000 --> 00:14:09,280 Speaker 8: evening on the dance floor. 268 00:14:09,559 --> 00:14:10,880 Speaker 10: Toddless, What. 269 00:14:14,000 --> 00:14:19,040 Speaker 3: That's not something blue you were going for in heaven? 270 00:14:21,480 --> 00:14:24,640 Speaker 9: She carried on until I slightly walked over to her, 271 00:14:24,680 --> 00:14:27,480 Speaker 9: and just after, ever so nicely, she could put her 272 00:14:27,560 --> 00:14:29,400 Speaker 9: talk back on and carry on. 273 00:14:29,400 --> 00:14:30,240 Speaker 8: The rest of the night. 274 00:14:30,520 --> 00:14:32,360 Speaker 5: Wow, I take it there was a full dance floor 275 00:14:32,360 --> 00:14:32,760 Speaker 5: through test. 276 00:14:33,080 --> 00:14:36,480 Speaker 4: It was a full dance Yep, it was any people 277 00:14:36,520 --> 00:14:38,400 Speaker 4: there for the event, and we still talk. 278 00:14:38,280 --> 00:14:41,280 Speaker 8: About it this yeah, and we're still it's something one 279 00:14:41,320 --> 00:14:42,880 Speaker 8: of the I don't know whether I want to call 280 00:14:42,920 --> 00:14:46,440 Speaker 8: it a highlight, but it's something we certainly do talk about. 281 00:14:46,760 --> 00:14:49,640 Speaker 4: You always talk about the incident and what she hammered 282 00:14:49,640 --> 00:14:51,880 Speaker 4: early datesha Was that the reason or she just like 283 00:14:51,960 --> 00:14:52,600 Speaker 4: to get him out? 284 00:14:52,760 --> 00:14:53,840 Speaker 9: Yes, I would like to say. 285 00:14:54,760 --> 00:14:58,320 Speaker 8: We had a lovely couch given a repectional area, and 286 00:14:58,480 --> 00:15:00,560 Speaker 8: well before the end of the night we find her 287 00:15:00,720 --> 00:15:04,440 Speaker 8: fast to sleep. I was enjoyed this. 288 00:15:06,080 --> 00:15:09,560 Speaker 3: Yes, I hope she brought something nice from the registry. 289 00:15:09,960 --> 00:15:14,920 Speaker 3: Thank you Natasha in Rockingham, you were the upstage. I 290 00:15:15,360 --> 00:15:16,600 Speaker 3: was tell what happened. 291 00:15:17,920 --> 00:15:21,440 Speaker 8: I was waitressing at a wedding. It was a very 292 00:15:21,520 --> 00:15:24,760 Speaker 8: large wedding, so I had the head waiter behind me. 293 00:15:25,560 --> 00:15:30,040 Speaker 8: Traditionally you serve the bride, the groom and the bride's attendance. 294 00:15:30,600 --> 00:15:32,640 Speaker 8: And by time I got to the flower girl, she 295 00:15:32,760 --> 00:15:36,240 Speaker 8: built the bloody arssle tower out of cutlery and I 296 00:15:36,360 --> 00:15:41,640 Speaker 8: was leaning over a candle the entire time as I turned, 297 00:15:42,160 --> 00:15:43,080 Speaker 8: I was on fire. 298 00:15:43,320 --> 00:15:47,040 Speaker 5: Yeah, Oh my gosh. People think it was part of 299 00:15:47,080 --> 00:15:47,720 Speaker 5: the entertainment. 300 00:15:48,000 --> 00:15:48,200 Speaker 6: No. 301 00:15:48,360 --> 00:15:51,320 Speaker 8: But the funniest thing was this big german chef come 302 00:15:51,400 --> 00:15:55,360 Speaker 8: running out of the kitchen with butter, and thankfully I 303 00:15:55,440 --> 00:15:56,800 Speaker 8: knew better than to let. 304 00:15:56,680 --> 00:15:57,360 Speaker 11: Him put You. 305 00:16:01,040 --> 00:16:04,480 Speaker 8: I don't know, but you were taught wrap and roll. 306 00:16:05,400 --> 00:16:08,400 Speaker 8: In the eighties, vertical drapes were quite new, and in 307 00:16:08,440 --> 00:16:11,520 Speaker 8: my mind they were curtains, so you can imagine the mess. 308 00:16:11,800 --> 00:16:17,000 Speaker 11: Yeah, the best man and groomsman used corraps of ice, 309 00:16:17,120 --> 00:16:20,960 Speaker 11: water and cloth napkins to help put the flames out 310 00:16:21,000 --> 00:16:23,080 Speaker 11: before the hospital. 311 00:16:24,120 --> 00:16:25,840 Speaker 8: Yeah, but the bride might have ended it up in 312 00:16:25,920 --> 00:16:31,440 Speaker 8: hospital behind me about an hour later. Well, when I 313 00:16:31,480 --> 00:16:33,960 Speaker 8: was on fire, I could hear the bride saying, this 314 00:16:34,040 --> 00:16:36,600 Speaker 8: is my wedding. She was on fire. My uncle's adoctor. 315 00:16:36,640 --> 00:16:40,280 Speaker 8: My uncle's adoctor, she's on fire, and so she was 316 00:16:40,480 --> 00:16:46,200 Speaker 8: exceptionally highly strung. Yeah. I'd been in hospital long enough 317 00:16:46,240 --> 00:16:48,240 Speaker 8: to be treated. They were wheeling me out of the 318 00:16:48,240 --> 00:16:51,760 Speaker 8: emergency department and I heard she was on fire. 319 00:16:52,040 --> 00:16:52,640 Speaker 11: Was my wedding? 320 00:16:52,720 --> 00:16:59,200 Speaker 8: My uncle's a doctor. Oh yeah, yeah, I actually ruined 321 00:16:59,240 --> 00:16:59,760 Speaker 8: her wedding. 322 00:17:00,600 --> 00:17:02,920 Speaker 5: And you got sorted by a German chef. Who's going. 323 00:17:04,600 --> 00:17:08,359 Speaker 3: It was the eighties. You beautiful would have been polyester. 324 00:17:09,400 --> 00:17:14,280 Speaker 8: It was actually cotton flowers. So glind it fabul and 325 00:17:14,320 --> 00:17:18,600 Speaker 8: they reckon the fabulum. The ironing aids accelerates. 326 00:17:18,720 --> 00:17:23,280 Speaker 3: Yes, good, quite the tale. 327 00:17:23,359 --> 00:17:23,960 Speaker 5: What a story. 328 00:17:23,960 --> 00:17:27,480 Speaker 1: Thanks for you gread the flick with Ben Oh on 329 00:17:27,720 --> 00:17:29,360 Speaker 1: ninety six a FM. 330 00:17:29,520 --> 00:17:32,040 Speaker 2: Well Ben, good morning, Good morning guys. 331 00:17:32,640 --> 00:17:34,720 Speaker 3: You've seen all the Fast and the Furious movies. 332 00:17:35,119 --> 00:17:40,280 Speaker 2: Unfortunately, Yes, yes, is X. This one is fast X 333 00:17:40,320 --> 00:17:42,919 Speaker 2: the tirst part of the dorment something you know. The 334 00:17:42,960 --> 00:17:45,639 Speaker 2: first one was It came out in two thousand and 335 00:17:45,680 --> 00:17:49,720 Speaker 2: one and since then, across this nine film series, coming 336 00:17:49,800 --> 00:17:52,240 Speaker 2: up to this tenth one, it's earned more than nine 337 00:17:52,320 --> 00:17:56,159 Speaker 2: billion dollars at the global box office, an insane amount 338 00:17:56,200 --> 00:18:00,600 Speaker 2: of money. These movies are unashamedly big and d and 339 00:18:00,680 --> 00:18:02,680 Speaker 2: Fast X is the biggest and dumbest. 340 00:18:03,560 --> 00:18:05,800 Speaker 3: And that's saying that, you know that going in. 341 00:18:05,720 --> 00:18:09,439 Speaker 2: And that's saying something. At Fast nine, they actually fired 342 00:18:09,480 --> 00:18:14,600 Speaker 2: a car this will sound ridiculous into space, a homemade 343 00:18:14,680 --> 00:18:20,320 Speaker 2: rocket shot. And because because the once upon a time, 344 00:18:20,600 --> 00:18:24,840 Speaker 2: you know, there were simple movies. Vin Diesel's Dom Turetto character, 345 00:18:25,200 --> 00:18:28,040 Speaker 2: you know, talked about the importance of family and how 346 00:18:28,080 --> 00:18:30,160 Speaker 2: you had to live your life a quarter mile at 347 00:18:30,160 --> 00:18:33,159 Speaker 2: a time, and it was basically about nice cars and 348 00:18:33,320 --> 00:18:36,359 Speaker 2: street drag races. That was basically it. And it was 349 00:18:36,400 --> 00:18:39,080 Speaker 2: just about bragging rights who had the fastest car. There 350 00:18:39,119 --> 00:18:41,240 Speaker 2: wasn't much more to it than that. But then over 351 00:18:41,280 --> 00:18:45,639 Speaker 2: the years they became more elaborate as films. It became 352 00:18:45,720 --> 00:18:49,040 Speaker 2: less about driving cars across a quarter mile on a 353 00:18:49,080 --> 00:18:53,800 Speaker 2: city street and became about fighting crime or fighting global conspiracies, 354 00:18:54,160 --> 00:18:56,520 Speaker 2: say the world superhero the thing, right, They kind of 355 00:18:56,520 --> 00:18:59,080 Speaker 2: became like a superhero movie or a James Bond movie, 356 00:18:59,119 --> 00:19:03,080 Speaker 2: they traveled the world old fought super villains and so 357 00:19:03,119 --> 00:19:05,840 Speaker 2: they got increasingly ridiculous, and in past nine year there 358 00:19:05,920 --> 00:19:09,440 Speaker 2: was one scene where defeating defeating the villain who wanted 359 00:19:09,480 --> 00:19:12,560 Speaker 2: to take over the world involved shooting a car into space. 360 00:19:12,920 --> 00:19:18,520 Speaker 2: Somehow it may they definitely space. Space is a lot 361 00:19:18,560 --> 00:19:21,760 Speaker 2: further above a shark, right sound something Doctor Evil would 362 00:19:21,760 --> 00:19:24,320 Speaker 2: do exactly. So at this time around, it's more of 363 00:19:24,359 --> 00:19:26,920 Speaker 2: the same, like they're traveling around the world. This time 364 00:19:27,080 --> 00:19:29,679 Speaker 2: the villain is played by Jason Mowa. He's actually one 365 00:19:29,680 --> 00:19:31,120 Speaker 2: of the best bits about the film. It's a very 366 00:19:31,119 --> 00:19:35,359 Speaker 2: interesting character sort of androgynists, which is an interesting counterpoint 367 00:19:35,400 --> 00:19:39,360 Speaker 2: to Vin Diesel's kind of big macho vibes, and but 368 00:19:39,480 --> 00:19:43,320 Speaker 2: how he fits in his character Dante Reyes. To get 369 00:19:43,400 --> 00:19:46,639 Speaker 2: him into this movie, they've had to do a flashback 370 00:19:46,680 --> 00:19:49,440 Speaker 2: at the start of the film to Fast five and 371 00:19:49,560 --> 00:19:52,399 Speaker 2: what they call a retcon, which is where it happens 372 00:19:52,440 --> 00:19:54,440 Speaker 2: in TV and films all the time, where they kind 373 00:19:54,440 --> 00:19:57,040 Speaker 2: of take an old bit of footage and kind of 374 00:19:57,119 --> 00:20:00,359 Speaker 2: insert a few additional bits of information, may be with 375 00:20:00,400 --> 00:20:03,199 Speaker 2: some CGI trickery or a couple of extra scenes to 376 00:20:03,280 --> 00:20:05,080 Speaker 2: make you realize as the viewer that, oh, hang on 377 00:20:05,080 --> 00:20:06,600 Speaker 2: a minute, there was something else going on in that 378 00:20:06,680 --> 00:20:09,359 Speaker 2: scene that we never realized at the time. Now we know, 379 00:20:09,680 --> 00:20:13,000 Speaker 2: and so fast five. The villain in that film, Hernan Reyes, 380 00:20:13,160 --> 00:20:16,400 Speaker 2: was a drug lord. Turns out he had a son, Dante, 381 00:20:16,960 --> 00:20:20,359 Speaker 2: who when his dad was killed by Dom Toretto and 382 00:20:20,359 --> 00:20:22,760 Speaker 2: the gang. He's like, obviously was pretty upset about that. 383 00:20:23,040 --> 00:20:26,000 Speaker 2: Still ten years later a bit ticked off, and it's like, 384 00:20:26,000 --> 00:20:28,720 Speaker 2: so I'm going to teach you a lesson dom and crue. 385 00:20:28,760 --> 00:20:31,199 Speaker 2: I'm going to make you suffer and then I'm going 386 00:20:31,240 --> 00:20:33,320 Speaker 2: to knock you off. Basically, that's basically the thing. And 387 00:20:33,560 --> 00:20:35,480 Speaker 2: he wants he wants the world to pay the price. 388 00:20:35,520 --> 00:20:38,359 Speaker 2: So he's going after you know, like a Dom and 389 00:20:38,760 --> 00:20:43,840 Speaker 2: Ludicrous and all of the guy Michelle Rodriguez, all the team, 390 00:20:44,440 --> 00:20:47,200 Speaker 2: and so they travel the world, you know, basically doing 391 00:20:47,240 --> 00:20:50,080 Speaker 2: battle in a variety of different scenes and burn a 392 00:20:50,119 --> 00:20:52,920 Speaker 2: lot of burnouts, so many donuts. Paul and Dowey's all 393 00:20:52,920 --> 00:20:55,679 Speaker 2: over the place, and it's crazy. The film is crazy, 394 00:20:55,720 --> 00:20:57,960 Speaker 2: Like it's completely bonkers. Like there's one there's one scene 395 00:20:58,000 --> 00:21:00,879 Speaker 2: early on where there's a bomb that's sort of conveniently 396 00:21:00,920 --> 00:21:04,200 Speaker 2: spherical that rolls through Rome and is going to roll 397 00:21:04,240 --> 00:21:08,800 Speaker 2: in the front door of the Vatican unless unless Vin 398 00:21:08,840 --> 00:21:11,359 Speaker 2: Diesel stops it. And the way he stops it is 399 00:21:11,400 --> 00:21:14,640 Speaker 2: just totally insane. But so you expect that they write, 400 00:21:14,640 --> 00:21:17,560 Speaker 2: but these films, you expect them to be completely stupid, ridiculous. 401 00:21:17,680 --> 00:21:21,760 Speaker 2: The problem is always that the least believable stuff is 402 00:21:21,760 --> 00:21:25,359 Speaker 2: not the stunts. It's the acting. Oh yes, the dialogue, 403 00:21:25,560 --> 00:21:29,800 Speaker 2: Like the scenes that really stretch your ability to suspend 404 00:21:29,840 --> 00:21:32,399 Speaker 2: your disbelief. The scenes where characters are just sitting around 405 00:21:32,400 --> 00:21:34,600 Speaker 2: talking and the stuff that they're saying is just so 406 00:21:34,720 --> 00:21:37,679 Speaker 2: totally inane and stupid you just go, oh, come on. 407 00:21:38,200 --> 00:21:40,479 Speaker 2: And one of the greatest achievements of this film is 408 00:21:40,960 --> 00:21:43,640 Speaker 2: of these films is that they can take great actors. 409 00:21:43,680 --> 00:21:48,280 Speaker 2: And there are four Oscar winners, Fast X, Charlie's thereon, 410 00:21:48,680 --> 00:21:53,480 Speaker 2: Rita mourenho Helen, Mirren and bre Larsen. They look like 411 00:21:53,520 --> 00:21:56,440 Speaker 2: they cannot act. How honestly, it looks like they've forgotten 412 00:21:56,480 --> 00:21:58,160 Speaker 2: how to act. That's how bad the dialogue. 413 00:21:58,160 --> 00:21:59,639 Speaker 5: That would have benefited from a right to strike. 414 00:21:59,720 --> 00:22:01,719 Speaker 2: But but the films do such a good job of 415 00:22:01,760 --> 00:22:04,960 Speaker 2: making actors like Jason Momoa and Vin Diesel look amazing. 416 00:22:05,359 --> 00:22:09,120 Speaker 2: So good actors look terrible, mirror other actors maybe be questionable, 417 00:22:09,160 --> 00:22:12,919 Speaker 2: look amazing. And so you have to go in bearing 418 00:22:12,960 --> 00:22:15,960 Speaker 2: that in mind. Check your brain, check your brain at 419 00:22:15,960 --> 00:22:18,800 Speaker 2: the door, and you know you'll get some great cars. 420 00:22:18,840 --> 00:22:22,480 Speaker 2: There's a new DeLorean, there's Lamborghinis, there's a vintage out 421 00:22:22,520 --> 00:22:25,240 Speaker 2: for Romeo. There's the Dodge Charger that. 422 00:22:25,400 --> 00:22:26,359 Speaker 3: Or they just ruined them all. 423 00:22:26,440 --> 00:22:29,480 Speaker 2: Yeah, most of them gets totally totally trash. 424 00:22:30,520 --> 00:22:34,240 Speaker 3: Insurance companies no, man, Yeah, well how many chan will 425 00:22:34,240 --> 00:22:36,000 Speaker 3: probably do us? Now are you giving it? 426 00:22:36,800 --> 00:22:38,640 Speaker 2: I'm sad to report that there could be another two 427 00:22:38,640 --> 00:22:38,960 Speaker 2: more of it. 428 00:22:39,720 --> 00:22:41,560 Speaker 3: This one's, you know, one of those two parties. 429 00:22:41,600 --> 00:22:43,240 Speaker 2: That's the thing. It ends on a cliffhanger, so be 430 00:22:43,240 --> 00:22:43,760 Speaker 2: aware of that. 431 00:22:44,760 --> 00:22:50,080 Speaker 5: Two stars. All right, So hasn't peaked. Thanks, thank you 432 00:22:50,200 --> 00:22:51,600 Speaker 5: for man. 433 00:22:51,800 --> 00:23:02,280 Speaker 1: More Clezy more Lisa podcasts The Sure Report on ninety 434 00:23:02,320 --> 00:23:05,240 Speaker 1: six a FM. 435 00:23:05,320 --> 00:23:08,560 Speaker 3: Johnny Depp has spoken about his quote unquote comeback after 436 00:23:08,600 --> 00:23:11,960 Speaker 3: receiving a seven minute long standing ovation at the carn 437 00:23:12,000 --> 00:23:15,040 Speaker 3: Film Festival. He is this Year's Well having had his 438 00:23:15,040 --> 00:23:17,520 Speaker 3: private life so prominently in the public eye during his 439 00:23:17,520 --> 00:23:20,120 Speaker 3: court fight with Amber Heard. Depp says he had mixed 440 00:23:20,119 --> 00:23:22,640 Speaker 3: feelings about the term comeback. He's back on the big 441 00:23:22,640 --> 00:23:26,240 Speaker 3: screen as King Louis fifteen in Jon DeBerry, which portrays 442 00:23:26,280 --> 00:23:29,320 Speaker 3: an affair between the French monarch and the aforementioned Bary. 443 00:23:29,920 --> 00:23:33,080 Speaker 3: While the historical drama may be a big departure from 444 00:23:33,160 --> 00:23:37,879 Speaker 3: his regular blockbusters, it's debuted to rave reviews. He loves 445 00:23:37,920 --> 00:23:40,600 Speaker 3: the reviews. He just doesn't care much for the term comeback. 446 00:23:40,840 --> 00:23:44,760 Speaker 3: He says he's had about seven of those already. Arnold 447 00:23:44,760 --> 00:23:48,160 Speaker 3: Swarzenegger's been talking to The Hollywood Reporter about the origin 448 00:23:48,600 --> 00:23:51,879 Speaker 3: of his most famous catchphrase. 449 00:23:52,640 --> 00:23:53,480 Speaker 5: I'll be back. 450 00:23:53,920 --> 00:23:57,240 Speaker 3: He's revealed that at first he thought it sounded stupid. 451 00:23:57,640 --> 00:24:00,679 Speaker 3: In fact, he fought against the line while filming The 452 00:24:00,720 --> 00:24:04,359 Speaker 3: First Terminator back in nineteen eighty four, arguing with director 453 00:24:04,440 --> 00:24:07,200 Speaker 3: James Cameron it's a brave man over how it should 454 00:24:07,200 --> 00:24:09,679 Speaker 3: be delivered. While Arnie may have made something of a 455 00:24:09,720 --> 00:24:12,200 Speaker 3: mockery at the line at the time, it quickly helped 456 00:24:12,240 --> 00:24:15,160 Speaker 3: cement his legacy as an action movie start. He says, 457 00:24:15,200 --> 00:24:19,359 Speaker 3: wherever he goes, I'll be back. He is still the 458 00:24:19,440 --> 00:24:22,680 Speaker 3: line fans ask him to say, of course, a man 459 00:24:22,760 --> 00:24:26,600 Speaker 3: has been indicted for stealing the ruby slippers Judy Garland 460 00:24:26,640 --> 00:24:29,440 Speaker 3: war in The Wizard of Oz. He pinched the slippers 461 00:24:29,920 --> 00:24:34,720 Speaker 3: worth three and a half million dollars back in two 462 00:24:34,760 --> 00:24:38,520 Speaker 3: thousand and five. They were recovered by the FBI in 463 00:24:38,600 --> 00:24:40,920 Speaker 3: twenty eighteen, so he had them for a long time, 464 00:24:41,480 --> 00:24:43,840 Speaker 3: and they've been taken back to the Judy Gallen Museum 465 00:24:43,840 --> 00:24:49,199 Speaker 3: where they belong. There's no place like hop there's no 466 00:24:50,960 --> 00:24:52,320 Speaker 3: Do you reckon he was wearing them? 467 00:24:52,400 --> 00:24:53,640 Speaker 5: I reckon he bore them every winter. 468 00:24:53,680 --> 00:24:57,480 Speaker 3: At least he's to at least wear them. Sachet up 469 00:24:57,520 --> 00:24:58,240 Speaker 3: and down the hallway. 470 00:24:59,160 --> 00:25:00,000 Speaker 5: I'm ready for my close up. 471 00:25:00,280 --> 00:25:04,280 Speaker 3: Seth McFarland's reportedly quit Family Guy until an agreement between 472 00:25:04,320 --> 00:25:07,240 Speaker 3: the Writers Guild and the studio is reached. Seth and 473 00:25:07,280 --> 00:25:10,399 Speaker 3: his four show showrunners have all walked out in a 474 00:25:10,440 --> 00:25:12,520 Speaker 3: show of support to the writer's strike. He says he 475 00:25:12,600 --> 00:25:15,920 Speaker 3: won't return until the strike is over. As well as 476 00:25:15,960 --> 00:25:19,200 Speaker 3: being the creator of Family Guy, McFarland voices Peter Griffin, 477 00:25:19,560 --> 00:25:21,840 Speaker 3: Cleazy and Lisa s