1 00:00:01,240 --> 00:00:04,600 Speaker 1: Powered by the iHeart Radio app from ninety six air 2 00:00:04,680 --> 00:00:08,559 Speaker 1: VM to where GARB. You're listening today, This is Crazy 3 00:00:08,640 --> 00:00:10,719 Speaker 1: and Lisa's podcast. 4 00:00:10,240 --> 00:00:13,119 Speaker 2: Coming up on the podcast Today with Teleith. On This Weekend. 5 00:00:13,360 --> 00:00:14,480 Speaker 2: Tim McMillan joins. 6 00:00:14,360 --> 00:00:16,520 Speaker 1: Us Sandy on the show report. Lisa spoke about the 7 00:00:16,560 --> 00:00:18,320 Speaker 1: death of One Direction's Liam Payne. 8 00:00:18,640 --> 00:00:22,040 Speaker 3: We talked about what word or phrase young person's phrase 9 00:00:22,079 --> 00:00:23,400 Speaker 3: you cannot bring yourself to you? 10 00:00:24,239 --> 00:00:26,599 Speaker 1: I love that for you and ben O'shet talked about 11 00:00:26,680 --> 00:00:28,440 Speaker 1: Kate Winslet in the new movie Lee. 12 00:00:28,840 --> 00:00:32,200 Speaker 4: Tim McMillan is do morning, How are you money? 13 00:00:32,240 --> 00:00:35,360 Speaker 2: It is fifty seven, number five known coverage beginning. 14 00:00:35,080 --> 00:00:37,720 Speaker 4: I'm doing the mass just go fifty Yeah, I know. 15 00:00:38,320 --> 00:00:42,640 Speaker 2: It starts at seven Saturday night on Cattle seven. 16 00:00:42,520 --> 00:00:44,880 Speaker 4: Twenty six solid hours. Yeah. 17 00:00:44,920 --> 00:00:47,479 Speaker 3: It stretched out over the time because it used to 18 00:00:47,560 --> 00:00:49,200 Speaker 3: be just that twenty four hours. 19 00:00:49,280 --> 00:00:51,080 Speaker 2: Yeah, but we just can't do it, can't. 20 00:00:50,920 --> 00:00:55,120 Speaker 5: Wrap it up finale get you know. Obviously we've got 21 00:00:55,160 --> 00:00:57,760 Speaker 5: the news at six. I've called on a Saturday, which 22 00:00:58,200 --> 00:01:03,000 Speaker 5: is a blockbuster in itself tune and then it kicks 23 00:01:03,080 --> 00:01:06,080 Speaker 5: off with the Bang at seven o'clock and then like 24 00:01:06,120 --> 00:01:08,560 Speaker 5: the Sunday night is the Grand finale, so you've got 25 00:01:08,560 --> 00:01:09,479 Speaker 5: to give that time as well. 26 00:01:09,640 --> 00:01:13,240 Speaker 1: You want to fill the momentum exactly. So it's Incredible Together, 27 00:01:13,319 --> 00:01:15,840 Speaker 1: which is this year's theme. But it's been all along 28 00:01:16,360 --> 00:01:17,920 Speaker 1: I think, so. 29 00:01:17,400 --> 00:01:20,399 Speaker 5: Yeah, but it's good, so I suppose solidify that in 30 00:01:20,440 --> 00:01:23,960 Speaker 5: a theme Incredible Together And yeah, look, I mean it's 31 00:01:24,000 --> 00:01:26,240 Speaker 5: one of the beautiful things about Telethone is just saying, 32 00:01:26,440 --> 00:01:28,759 Speaker 5: you know, so many people from so many different parts 33 00:01:28,760 --> 00:01:31,760 Speaker 5: of Wa, so many different sections of the community coming 34 00:01:31,800 --> 00:01:34,199 Speaker 5: together to do their They're a bit big and small, 35 00:01:34,560 --> 00:01:37,800 Speaker 5: every bit count so it's it's awesome to see, you know, 36 00:01:39,240 --> 00:01:42,000 Speaker 5: especially kids helping kids, you know, through their own little 37 00:01:42,000 --> 00:01:45,600 Speaker 5: fundraising endeavors that they've done throughout the year. It's beautiful 38 00:01:45,640 --> 00:01:47,440 Speaker 5: to see. So it's a nice theme. I think that 39 00:01:47,800 --> 00:01:49,960 Speaker 5: really encapsulates what Telethon's all about. 40 00:01:50,400 --> 00:01:52,800 Speaker 3: And of course another thing we love is all the 41 00:01:52,880 --> 00:01:53,720 Speaker 3: visits from. 42 00:01:53,560 --> 00:01:57,480 Speaker 4: The how how long have you got we Got? 43 00:01:57,800 --> 00:01:59,440 Speaker 5: I think it's a highlight of the year Perth for 44 00:01:59,560 --> 00:02:02,320 Speaker 5: so many We'll look on the music front, Guy Sebastian 45 00:02:02,960 --> 00:02:06,440 Speaker 5: and Human Nature probably the two big draw cards. But 46 00:02:06,720 --> 00:02:09,000 Speaker 5: by no means does it does it stop there? So 47 00:02:09,040 --> 00:02:12,960 Speaker 5: there's there. 48 00:02:11,160 --> 00:02:16,799 Speaker 3: In town because of their fiftieth anniversary m Buns he 49 00:02:16,840 --> 00:02:17,560 Speaker 3: played last year. 50 00:02:17,880 --> 00:02:19,880 Speaker 2: Yeah, I know, yeh look, I. 51 00:02:19,800 --> 00:02:23,520 Speaker 4: Know, but look this is way out of my my years. 52 00:02:24,120 --> 00:02:25,119 Speaker 4: You can life. 53 00:02:26,600 --> 00:02:30,000 Speaker 5: I don't want to give anyone. I hope that someone 54 00:02:30,400 --> 00:02:35,240 Speaker 5: said he said King Charles is in town. You know, 55 00:02:35,639 --> 00:02:36,079 Speaker 5: look I know. 56 00:02:40,560 --> 00:02:40,840 Speaker 2: King. 57 00:02:41,919 --> 00:02:42,600 Speaker 4: That's true. 58 00:02:43,880 --> 00:02:47,120 Speaker 2: He was royalty stuff is the ultimate King Charles. 59 00:02:47,280 --> 00:02:49,880 Speaker 5: Can he hold a chune though? I can he work 60 00:02:49,960 --> 00:02:55,239 Speaker 5: the phone room? We probably could do anyway saying that 61 00:02:55,760 --> 00:03:02,320 Speaker 5: on Sunday morning exactly. I mentioned the entourage but no, look, 62 00:03:02,760 --> 00:03:04,560 Speaker 5: just some of the musical acts coming as well. 63 00:03:05,080 --> 00:03:06,120 Speaker 4: We've got home and away people. 64 00:03:06,160 --> 00:03:09,560 Speaker 5: We've got better homes of gardens people, Sunrise people, says. 65 00:03:09,840 --> 00:03:14,840 Speaker 5: And Middleton, who was probably best last year. He was huge. Yeah, 66 00:03:14,960 --> 00:03:16,799 Speaker 5: he's I don't know where he gets his energy from. 67 00:03:16,919 --> 00:03:17,560 Speaker 5: It's phenomenal. 68 00:03:17,600 --> 00:03:19,560 Speaker 4: He's incredible, isn't it. Yeah, he's got five kids. 69 00:03:19,600 --> 00:03:21,240 Speaker 1: Yeah, and you get into you say drop and do 70 00:03:21,280 --> 00:03:23,320 Speaker 1: twenty he has to twenty thousand push ups because. 71 00:03:23,320 --> 00:03:24,280 Speaker 4: Totally that's out yeady. 72 00:03:24,440 --> 00:03:26,639 Speaker 5: Well because everyone asks him to drop and do twenty course, 73 00:03:26,680 --> 00:03:30,880 Speaker 5: so in an average days haush ups he's knocking out. 74 00:03:30,960 --> 00:03:31,760 Speaker 4: Yeah. 75 00:03:31,840 --> 00:03:33,560 Speaker 5: Yeah, So human nature is going to be there as 76 00:03:33,560 --> 00:03:36,880 Speaker 5: well as Rob Mills, Samantha Jode As I mention, the 77 00:03:36,960 --> 00:03:38,760 Speaker 5: list goes on and there's I know you had just 78 00:03:38,800 --> 00:03:39,880 Speaker 5: had Ben a Shane before. 79 00:03:40,240 --> 00:03:43,160 Speaker 4: He's taking charge of the slumber parties through the night. 80 00:03:43,040 --> 00:03:45,440 Speaker 5: As well, which is he loves it that he's just 81 00:03:45,480 --> 00:03:48,040 Speaker 5: a different world together times now, Yeah, he's mad. 82 00:03:48,360 --> 00:03:51,000 Speaker 3: What will you be doing specifically, you put your pajamas 83 00:03:51,040 --> 00:03:52,520 Speaker 3: onto there everywhere. 84 00:03:52,600 --> 00:03:56,040 Speaker 4: I will be there just about at pajama time. I've 85 00:03:56,040 --> 00:03:56,240 Speaker 4: got it. 86 00:03:56,280 --> 00:03:58,200 Speaker 5: I've obviously got news commitments of the weekend as well, 87 00:03:58,200 --> 00:04:00,880 Speaker 5: but I've yeah doing quite a long stints on the 88 00:04:00,880 --> 00:04:05,600 Speaker 5: couch talking to some of the donors and beneficiaries through Sunday. 89 00:04:06,280 --> 00:04:08,480 Speaker 5: I'll be doing a stint in the phone room as 90 00:04:08,520 --> 00:04:11,600 Speaker 5: well on Saturday night, round about the same time that 91 00:04:11,640 --> 00:04:13,520 Speaker 5: some of my colleagues are going to be really stepping 92 00:04:13,520 --> 00:04:16,000 Speaker 5: out of their comforsaones and doing some lip syncing. 93 00:04:17,400 --> 00:04:18,799 Speaker 2: Has not stopped completely. 94 00:04:19,200 --> 00:04:23,000 Speaker 5: Yeah, blame blame Rick. Yeah, Look I think that's valid. 95 00:04:25,480 --> 00:04:26,599 Speaker 5: He loves it a lot. 96 00:04:26,960 --> 00:04:30,080 Speaker 4: He got out of this. Look I'm doing someone's got 97 00:04:30,120 --> 00:04:31,400 Speaker 4: to do the phone room. Yes, yeah. 98 00:04:32,000 --> 00:04:34,160 Speaker 5: All I'm saying is that there was talk early on 99 00:04:34,440 --> 00:04:38,560 Speaker 5: of me doing a solo Gang Theam style, which look 100 00:04:38,760 --> 00:04:40,520 Speaker 5: just filled me with horror a. 101 00:04:40,520 --> 00:04:43,520 Speaker 4: Little bit of dread. Barrow was all, yeah, I bet 102 00:04:43,520 --> 00:04:47,240 Speaker 4: he was about me. Of course he was put you 103 00:04:47,279 --> 00:04:49,880 Speaker 4: in it. He probably told me in the first place. 104 00:04:49,880 --> 00:04:51,840 Speaker 5: So now look, someone's got to do the phone room, right, 105 00:04:51,880 --> 00:04:53,120 Speaker 5: So I'm happy to take on for the. 106 00:04:53,080 --> 00:04:57,560 Speaker 4: Same laugh along from the sidelines. 107 00:04:58,360 --> 00:04:59,880 Speaker 5: I don't know who's got Gang Them style in the 108 00:05:00,160 --> 00:05:02,719 Speaker 5: but look I worry for them because that's that's a 109 00:05:02,760 --> 00:05:05,640 Speaker 5: tough one. I meant, it's hard enough learning to mount 110 00:05:05,680 --> 00:05:09,400 Speaker 5: the words for a song in English, right, m exactly, 111 00:05:10,080 --> 00:05:13,480 Speaker 5: I mean that's just one's exactly same. 112 00:05:13,320 --> 00:05:17,240 Speaker 4: Time, sadly. Yeah, anyway, don't play game them style. 113 00:05:17,000 --> 00:05:24,359 Speaker 3: Now, guarantee you thank you. Last year, a new record 114 00:05:24,960 --> 00:05:26,880 Speaker 3: of seventy seven point five million. 115 00:05:26,640 --> 00:05:27,400 Speaker 2: Dollars was raised. 116 00:05:27,440 --> 00:05:28,560 Speaker 4: Yeah. That's phenomenal, isn't it. 117 00:05:28,600 --> 00:05:31,919 Speaker 2: I mean I can remember when a million for the 118 00:05:31,920 --> 00:05:33,760 Speaker 2: first year on. 119 00:05:34,160 --> 00:05:35,000 Speaker 4: Yeah, very much. 120 00:05:35,760 --> 00:05:40,559 Speaker 3: Right, have Bobby limited his shirt off and that coming? 121 00:05:40,839 --> 00:05:44,000 Speaker 5: Yeah, you know there's still calls every year someone get 122 00:05:44,040 --> 00:05:46,320 Speaker 5: your shirt off, and someone. 123 00:05:46,080 --> 00:05:50,120 Speaker 4: Will, of cour course, already he's on the plane, exactly, 124 00:05:50,600 --> 00:05:52,600 Speaker 4: he doesn't wear a shirt. It's in his contract. 125 00:05:53,240 --> 00:05:56,160 Speaker 2: Do you think it's possible to break it again. I mean, 126 00:05:56,200 --> 00:05:57,680 Speaker 2: at some stage. 127 00:05:57,320 --> 00:06:02,000 Speaker 4: It's got the expectation. It's heavy, isn't It's very heavy. 128 00:06:02,839 --> 00:06:05,560 Speaker 5: Look, I think the expectation is there, the hope is 129 00:06:05,600 --> 00:06:07,200 Speaker 5: always there, is. 130 00:06:07,160 --> 00:06:07,960 Speaker 4: The confidence there. 131 00:06:08,000 --> 00:06:10,800 Speaker 5: I wouldn't like to say, I'm sure the people who 132 00:06:11,560 --> 00:06:15,400 Speaker 5: you know who run telethon having a few sleep because 133 00:06:15,400 --> 00:06:17,880 Speaker 5: you don't want to be the person in charge of 134 00:06:17,920 --> 00:06:21,200 Speaker 5: the thing when it doesn't quite get there. But that's 135 00:06:21,200 --> 00:06:23,800 Speaker 5: why I think it is so important that everyone does there. 136 00:06:23,920 --> 00:06:24,600 Speaker 4: It does their bit. 137 00:06:24,680 --> 00:06:26,960 Speaker 5: We can't just rely on sort of the big donors 138 00:06:27,000 --> 00:06:29,920 Speaker 5: every year. Every little bit counts from favor. 139 00:06:30,080 --> 00:06:32,080 Speaker 4: Yeah. One thing we're going to favorite is a state 140 00:06:32,080 --> 00:06:38,160 Speaker 4: election coming up, and Roger Will Roger Cook. It's generous. 141 00:06:38,600 --> 00:06:40,960 Speaker 2: Absolutely yes, we've got a double dip. 142 00:06:41,920 --> 00:06:47,560 Speaker 1: Exactly hopefully, yeah, absolutely yeah, opposite of the federal position. 143 00:06:47,640 --> 00:06:48,920 Speaker 4: Let is going to be here as well, so. 144 00:06:48,960 --> 00:06:54,200 Speaker 5: I believe so, yes, so looking Yeah, but please don't 145 00:06:54,240 --> 00:06:56,800 Speaker 5: let that that that put you off doing your bit. 146 00:06:57,279 --> 00:07:01,160 Speaker 4: Don't just rely on that you know, true political leaders. 147 00:07:00,839 --> 00:07:03,800 Speaker 2: With but when you get there being treated like a tech. 148 00:07:03,760 --> 00:07:07,400 Speaker 5: O, the ranch other goals as well, exactly exactly do 149 00:07:07,480 --> 00:07:07,839 Speaker 5: each other. 150 00:07:08,680 --> 00:07:10,320 Speaker 4: We'd love for them to outdo each other. 151 00:07:10,440 --> 00:07:14,280 Speaker 3: Donations are of course takes. You can go to telethon 152 00:07:14,320 --> 00:07:18,080 Speaker 3: seven dot com to donate online or as usual as 153 00:07:18,080 --> 00:07:21,720 Speaker 3: we've done for fifty seven years, call one three hundred 154 00:07:21,880 --> 00:07:23,280 Speaker 3: seven three seven five zero. 155 00:07:23,560 --> 00:07:25,280 Speaker 5: You already in the zone, and if you want to 156 00:07:25,280 --> 00:07:27,560 Speaker 5: come along to the rac Arena, it's a gold coin 157 00:07:27,600 --> 00:07:33,640 Speaker 5: donation in the evening. Yeah, so that the primetime sessions 158 00:07:33,640 --> 00:07:35,080 Speaker 5: I suppose if you can call it that, the Saturday 159 00:07:35,120 --> 00:07:35,920 Speaker 5: night and the Sunday night. 160 00:07:36,240 --> 00:07:38,080 Speaker 4: You know where ey Sebastian is going to be performing. 161 00:07:38,760 --> 00:07:41,440 Speaker 5: You've got to go through the usual ticketing outlet's to 162 00:07:41,720 --> 00:07:45,160 Speaker 5: get access to that. After that you want to come 163 00:07:45,200 --> 00:07:48,560 Speaker 5: through the night, it's a gold coin donation, it is. 164 00:07:48,600 --> 00:07:51,280 Speaker 5: And it's also of course the family Festival on Sunday, 165 00:07:51,320 --> 00:07:54,320 Speaker 5: which is free entry, the transport is free. 166 00:07:54,360 --> 00:07:56,760 Speaker 4: The whole wonderful areas shut down. 167 00:07:56,840 --> 00:08:00,440 Speaker 5: There's all sorts of family friendly activities, free carnival rides, 168 00:08:00,640 --> 00:08:03,720 Speaker 5: all the beneficiaries, well, many of the beneficiaries have stalls 169 00:08:03,720 --> 00:08:05,760 Speaker 5: that can so you can really see where the funds go. 170 00:08:06,440 --> 00:08:09,000 Speaker 4: It's all sorts of activities going on there. So it's 171 00:08:09,000 --> 00:08:12,600 Speaker 4: an amazing weekend on a huge weekend. I'm exhausted already 172 00:08:13,880 --> 00:08:15,000 Speaker 4: get too exhausted. 173 00:08:14,640 --> 00:08:16,560 Speaker 1: Because I'm about to play a gaining styles of that. 174 00:08:17,640 --> 00:08:19,160 Speaker 1: I wouldn't do that to you, Jim, your friend. 175 00:08:19,200 --> 00:08:19,520 Speaker 4: Thank you? 176 00:08:19,560 --> 00:08:23,040 Speaker 5: Are the other webcams too off? I'm having out these. 177 00:08:23,560 --> 00:08:25,640 Speaker 5: If the webcams are afternoon and you bust the. 178 00:08:25,600 --> 00:08:27,480 Speaker 2: Move for us, we will see you on the weekend. 179 00:08:27,480 --> 00:08:29,360 Speaker 4: Thanks, looking forward to it. Thank youks guys. 180 00:08:31,000 --> 00:08:35,680 Speaker 2: The Sure report on ninety six FM. 181 00:08:35,880 --> 00:08:39,079 Speaker 3: Fans have flocked to the hotel in Borders Areas in 182 00:08:39,200 --> 00:08:42,880 Speaker 3: Argentina where One Direction star Liam Payne has died this morning, 183 00:08:43,160 --> 00:08:46,719 Speaker 3: age just thirty one. It's horribly sad. His body was 184 00:08:46,720 --> 00:08:49,199 Speaker 3: found in the courtyard of the hotel. 185 00:08:48,720 --> 00:08:50,359 Speaker 2: After falling from a balcony. 186 00:08:50,679 --> 00:08:54,440 Speaker 3: The guy who's the head of the state emergency medical 187 00:08:54,480 --> 00:09:00,000 Speaker 3: system has addressed the media saying Liam fell about thirty 188 00:09:00,000 --> 00:09:04,520 Speaker 3: teen or fourteen meters and suffered severe injuries incompatible with 189 00:09:04,640 --> 00:09:06,240 Speaker 3: life en quote. 190 00:09:06,480 --> 00:09:07,680 Speaker 2: He said authorities are. 191 00:09:07,559 --> 00:09:13,040 Speaker 3: Investigating the circumstances and will conduct an autopsy. You've seen 192 00:09:13,320 --> 00:09:16,560 Speaker 3: the Monsters series on the Menendez Brothers, haven't you, and 193 00:09:16,640 --> 00:09:20,360 Speaker 3: before that the Monsters series on Jeffrey Darmer. Season three 194 00:09:20,400 --> 00:09:23,120 Speaker 3: of Monsters is going to be about ed Dean. Dean 195 00:09:23,240 --> 00:09:27,040 Speaker 3: became infamous in the nineteen fifties when authorities discovered not 196 00:09:27,080 --> 00:09:30,080 Speaker 3: only had he killed multiple people, but he had dug 197 00:09:30,160 --> 00:09:32,959 Speaker 3: up graves from a cemetery near his home and fashioned 198 00:09:32,960 --> 00:09:36,000 Speaker 3: doll manner of household items and clothing from human remains. 199 00:09:36,480 --> 00:09:39,080 Speaker 3: Charlie Hunnan from Sons of Anarchy is going to play Gean, 200 00:09:39,240 --> 00:09:43,120 Speaker 3: and more cast members have been announced this morning. Laurie Metcalfe, 201 00:09:43,240 --> 00:09:46,040 Speaker 3: who was Jackie on Rosanne amongst many other great roles. 202 00:09:46,040 --> 00:09:49,880 Speaker 3: She's fantastic. She's going to play Dean's mother, and British 203 00:09:49,880 --> 00:09:53,600 Speaker 3: actor Tom Hollander is going to play Alfred Hitchcock because 204 00:09:53,640 --> 00:09:58,000 Speaker 3: gen was the inspiration for Norman Bates right in Hitchcock's classics. 205 00:09:58,200 --> 00:10:01,000 Speaker 2: Psycho Holland is wonderful, wonderful, It's great. 206 00:10:01,000 --> 00:10:04,240 Speaker 3: In the Night Manager Saturday Night Live to a sketch 207 00:10:04,280 --> 00:10:07,800 Speaker 3: the other night about the Oasis reunion tour with James 208 00:10:07,840 --> 00:10:11,800 Speaker 3: Austin Johnson and Sarah Sherman playing the Gallagher brothers in 209 00:10:11,920 --> 00:10:15,640 Speaker 3: the weekend up to update segment. Liam Gallagher was not impressed. 210 00:10:15,920 --> 00:10:18,680 Speaker 3: He posted a screenshot and asked are they meant to 211 00:10:18,679 --> 00:10:23,880 Speaker 3: be comedians? Lots of lots of Brits were similarly unimpressed. 212 00:10:24,240 --> 00:10:26,959 Speaker 3: But it's the terrible accents they have a problem with. 213 00:10:27,000 --> 00:10:29,599 Speaker 2: Do you want to hear it? Listen? It's not hard, No, 214 00:10:29,760 --> 00:10:30,480 Speaker 2: it's a maybe. 215 00:10:31,720 --> 00:10:33,839 Speaker 4: He's say. 216 00:10:34,520 --> 00:10:44,520 Speaker 2: If Liam doesn't act like a baby? Are the worst access? 217 00:10:47,080 --> 00:10:51,440 Speaker 2: I would be a night as well terrible The. 218 00:10:51,520 --> 00:10:53,280 Speaker 3: Line about if Liam doesn't act like a baby? That 219 00:10:53,360 --> 00:10:58,160 Speaker 3: was did you have a Viewmaster as a kid? Absolutely 220 00:10:58,280 --> 00:11:00,439 Speaker 3: one of my favorite toys? Getting a new diss for 221 00:11:00,520 --> 00:11:06,920 Speaker 3: it was always a good Well, apparently Mattel is developing 222 00:11:07,040 --> 00:11:09,600 Speaker 3: a feature film about the Viewmaster. 223 00:11:10,000 --> 00:11:12,559 Speaker 2: This I can't get as excited film. I mean what, 224 00:11:13,080 --> 00:11:14,840 Speaker 2: I have no idea how it's going to work. 225 00:11:14,880 --> 00:11:18,040 Speaker 3: There's a story out this morning about their making a film, 226 00:11:18,240 --> 00:11:21,319 Speaker 3: but nowhere in it doesn't talk about plot or the storyline. 227 00:11:21,360 --> 00:11:23,280 Speaker 2: I can't even believe I'm using terms like plot in 228 00:11:23,320 --> 00:11:25,840 Speaker 2: a movie about Viewmaster. So I don't know what they're 229 00:11:25,840 --> 00:11:26,199 Speaker 2: going to do. 230 00:11:26,480 --> 00:11:29,360 Speaker 3: It just says it's a live action movie, okay, and 231 00:11:29,440 --> 00:11:31,840 Speaker 3: it's going to be developed with Sony pictures. 232 00:11:31,880 --> 00:11:35,360 Speaker 4: Right, so just like people what they can see through 233 00:11:35,440 --> 00:11:36,000 Speaker 4: there or I. 234 00:11:36,080 --> 00:11:38,640 Speaker 3: Don't know, it's going to be a little animated Viewmaster 235 00:11:38,720 --> 00:11:39,680 Speaker 3: with a personality and the. 236 00:11:39,760 --> 00:11:42,040 Speaker 1: Little slides might come from life and I don't Yeah, 237 00:11:42,440 --> 00:11:43,600 Speaker 1: you mean the viewmaster has legs. 238 00:11:43,960 --> 00:11:46,360 Speaker 3: Yeah, it runs around a little because you know, live 239 00:11:46,400 --> 00:11:48,960 Speaker 3: action usually suggests there's going to be people, but also. 240 00:11:48,840 --> 00:11:51,599 Speaker 2: Still some you know, bit of that. 241 00:11:52,000 --> 00:11:53,080 Speaker 4: Yeah, maybe the view Master. 242 00:11:53,480 --> 00:11:55,000 Speaker 2: I don't need you to say live actually. 243 00:11:54,880 --> 00:11:57,559 Speaker 4: Dancing Kiwi fruits or something. Who knows that kind of 244 00:11:57,600 --> 00:11:58,560 Speaker 4: thing exactly. 245 00:11:58,920 --> 00:12:01,840 Speaker 3: That's what I'm picturing in my head, tasty, a dancing 246 00:12:02,160 --> 00:12:03,720 Speaker 3: view must dancing view muster. 247 00:12:05,160 --> 00:12:06,560 Speaker 4: No, it's terrible. 248 00:12:07,000 --> 00:12:11,160 Speaker 2: Anyway, we don't have to see it. That's the beauty 249 00:12:11,240 --> 00:12:11,760 Speaker 2: of choice. 250 00:12:11,840 --> 00:12:13,960 Speaker 4: We really want to go marketplace in front of view Master. Now. 251 00:12:14,240 --> 00:12:17,920 Speaker 2: I loved my I just the satisfying sound of that 252 00:12:18,240 --> 00:12:20,080 Speaker 2: click click click. 253 00:12:20,000 --> 00:12:22,599 Speaker 1: Yeah yeah, and the annoyance of your sister standing in 254 00:12:22,600 --> 00:12:24,120 Speaker 1: the lights so you couldn't see what was going. 255 00:12:24,000 --> 00:12:28,240 Speaker 3: On the way easily amused click get out of my way, 256 00:12:28,240 --> 00:12:31,800 Speaker 3: play with the colleidoscope clip was a much basic to 257 00:12:31,960 --> 00:12:33,840 Speaker 3: ever remember those stupid. 258 00:12:33,760 --> 00:12:36,359 Speaker 2: Balls of dangerous We were allowed to have those almost. 259 00:12:36,120 --> 00:12:37,840 Speaker 4: Like nun takers? Were they more? 260 00:12:38,720 --> 00:12:44,160 Speaker 2: More Lisa, more podcasts soon, Clarzie. 261 00:12:44,240 --> 00:12:48,440 Speaker 3: I can't bring myself to say as as the young 262 00:12:48,520 --> 00:12:53,160 Speaker 3: people saying this is going it drops, It's dropping, it 263 00:12:53,360 --> 00:12:57,640 Speaker 3: drops next Thursday. That's the cool wave, it's the cool way. 264 00:12:58,080 --> 00:13:00,679 Speaker 3: And apparently I'm not one of the cool kids. Well, 265 00:13:00,760 --> 00:13:04,480 Speaker 3: because I can't even bring myself to say it's funny. 266 00:13:04,520 --> 00:13:05,880 Speaker 4: You say that because it's from. 267 00:13:05,800 --> 00:13:11,880 Speaker 2: Someone who can get lit. Yeah, yeah, but I cannot 268 00:13:11,960 --> 00:13:13,760 Speaker 2: say it drops. 269 00:13:14,280 --> 00:13:17,800 Speaker 3: And I don't think that anyone over forty should be 270 00:13:17,880 --> 00:13:21,199 Speaker 3: saying it drops on Thursday, mind you, he sees and 271 00:13:21,280 --> 00:13:21,960 Speaker 3: drops tomorrow. 272 00:13:22,120 --> 00:13:24,839 Speaker 1: The voiceover guy earlier slide into our DMS, and I went, 273 00:13:25,520 --> 00:13:27,720 Speaker 1: he's not a young person saying. So this is becoming 274 00:13:27,760 --> 00:13:29,920 Speaker 1: part of the vernacular in front of the every day 275 00:13:30,440 --> 00:13:32,760 Speaker 1: and this is not necessarily just at ages, think, because 276 00:13:32,760 --> 00:13:34,360 Speaker 1: I'm listening to a lot of podcasts and looking at 277 00:13:34,360 --> 00:13:36,520 Speaker 1: a lot of social media for people in their thirties 278 00:13:36,559 --> 00:13:39,000 Speaker 1: and forties who are starting to use this language. And 279 00:13:39,080 --> 00:13:41,160 Speaker 1: I saw someone the other day who I thought that 280 00:13:41,440 --> 00:13:44,280 Speaker 1: they would know better, but she could continue to say 281 00:13:44,360 --> 00:13:48,960 Speaker 1: and continues to say, it's so fun, so fun, so fun, 282 00:13:49,080 --> 00:13:51,439 Speaker 1: not the extra word, maybe so much fun or whatever. 283 00:13:51,920 --> 00:13:53,199 Speaker 1: It does sound like an old man I don't really 284 00:13:53,280 --> 00:13:55,040 Speaker 1: care about. For someone who dies, it's an old man 285 00:13:55,120 --> 00:13:58,080 Speaker 1: complaining about it or even both of us. But because 286 00:13:58,360 --> 00:13:59,800 Speaker 1: if I'm not seen by my kids as a bit 287 00:13:59,840 --> 00:14:01,640 Speaker 1: of a day sometimes and I'm not doing my dad job, 288 00:14:02,000 --> 00:14:03,120 Speaker 1: I'm allowed to tell dad jokes. 289 00:14:03,280 --> 00:14:06,520 Speaker 3: When my thirteen year old niece, great niece is so fun, 290 00:14:06,640 --> 00:14:09,880 Speaker 3: it's kind of cute. When a forty five year old 291 00:14:09,880 --> 00:14:12,760 Speaker 3: says it, you just had a little bit literate a 292 00:14:12,840 --> 00:14:13,240 Speaker 3: little bit. 293 00:14:13,880 --> 00:14:18,720 Speaker 4: So what about like when someone says like worry worry? 294 00:14:19,160 --> 00:14:21,600 Speaker 4: Is it worry or worry? Look, I know it's spelt r. 295 00:14:22,040 --> 00:14:24,280 Speaker 2: Well these are just this is just mispronounced. 296 00:14:24,760 --> 00:14:26,880 Speaker 1: But I do hear worry a hell of a lot, 297 00:14:27,360 --> 00:14:29,440 Speaker 1: and that one's that one seems to be growing and 298 00:14:29,520 --> 00:14:30,240 Speaker 1: spreading worry. 299 00:14:30,400 --> 00:14:33,120 Speaker 3: Also, how many people now are saying error instead of 300 00:14:33,520 --> 00:14:37,440 Speaker 3: And I blame Taylor because she's got this enormous tour, 301 00:14:38,000 --> 00:14:41,120 Speaker 3: And yes, in America it's an error, But the irony 302 00:14:41,200 --> 00:14:43,040 Speaker 3: of it here is that just means a mistake and 303 00:14:43,200 --> 00:14:47,800 Speaker 3: error and the word is era error. We speak, you know, 304 00:14:48,440 --> 00:14:50,760 Speaker 3: British English, so it is. 305 00:14:50,760 --> 00:14:51,440 Speaker 4: Everywhere I'm hearing. 306 00:14:51,640 --> 00:14:53,600 Speaker 1: I listen to a lot of vast range of podcasts, 307 00:14:53,760 --> 00:14:55,440 Speaker 1: a lot of people and they're not all twenty one 308 00:14:55,840 --> 00:14:57,560 Speaker 1: saying things. But there's a lot of people also would 309 00:14:57,600 --> 00:14:59,720 Speaker 1: love to have an app where they could work out 310 00:14:59,760 --> 00:15:01,000 Speaker 1: what hell their kids are talking about. 311 00:15:01,480 --> 00:15:05,000 Speaker 3: Yeah, it's the young people phrases like it drops on Thursday, 312 00:15:05,120 --> 00:15:07,800 Speaker 3: not it'll be out, it'll be released, it drops, it'll 313 00:15:07,840 --> 00:15:10,680 Speaker 3: be released on Thursday. We want to ask you on 314 00:15:10,800 --> 00:15:13,280 Speaker 3: thirty ten sixty five, what young people phrase or word 315 00:15:13,360 --> 00:15:16,480 Speaker 3: can you not bring yourself to use? Oh you can 316 00:15:16,520 --> 00:15:18,840 Speaker 3: text us on zero four seven six ninety six, ninety 317 00:15:18,840 --> 00:15:19,440 Speaker 3: six ninety six. 318 00:15:19,520 --> 00:15:20,600 Speaker 2: Slide into our DMS. 319 00:15:20,680 --> 00:15:22,640 Speaker 4: Now you're getting there. I love that for you. 320 00:15:22,760 --> 00:15:26,480 Speaker 2: Listen, I feel ick when I say slide into my DMS. 321 00:15:27,000 --> 00:15:31,600 Speaker 4: Why because it just sounds so your public not good. 322 00:15:31,800 --> 00:15:33,840 Speaker 1: Well, we had Day Monday on there show a couple 323 00:15:33,840 --> 00:15:36,280 Speaker 1: of years ago, the football Superstar people would slide into 324 00:15:36,320 --> 00:15:38,760 Speaker 1: his DMS and wings about how their their bets are 325 00:15:38,800 --> 00:15:40,320 Speaker 1: going on the footy and stuff like that. 326 00:15:40,680 --> 00:15:43,040 Speaker 4: You know you messed up for your quarteta or whatever the. 327 00:15:43,080 --> 00:15:44,440 Speaker 2: Weekend, slide straight on out. 328 00:15:44,600 --> 00:15:46,800 Speaker 4: Can't slide out of my d That's the way you're 329 00:15:46,800 --> 00:15:47,600 Speaker 4: getting in touch. 330 00:15:47,600 --> 00:15:51,800 Speaker 3: Talking about the things that you you can't the young 331 00:15:51,920 --> 00:15:54,680 Speaker 3: people words or phrases you can't bring yourself to use, 332 00:15:55,120 --> 00:15:58,120 Speaker 3: Julie says, Julian Henley Brooks says, the word I'll never 333 00:15:58,240 --> 00:15:58,840 Speaker 3: use is bay. 334 00:15:59,360 --> 00:16:01,960 Speaker 2: Oh my god. Well, actually you know what it means. 335 00:16:02,040 --> 00:16:05,280 Speaker 3: It means before anyone else, which in and of itself 336 00:16:05,360 --> 00:16:06,040 Speaker 3: is pretty stupid. 337 00:16:06,680 --> 00:16:09,360 Speaker 2: The fact that I knew that is amazes me. 338 00:16:10,040 --> 00:16:12,640 Speaker 4: To look up marries me a little bit. 339 00:16:12,720 --> 00:16:13,800 Speaker 2: I don't know where it came from. 340 00:16:14,000 --> 00:16:15,720 Speaker 4: Slide into Lisa's d MS today. 341 00:16:17,440 --> 00:16:19,400 Speaker 2: What about you, Paul and Nangara. 342 00:16:19,160 --> 00:16:23,800 Speaker 4: Morning Paul, morning, morning there, Yeah, good mate. What are 343 00:16:23,800 --> 00:16:28,120 Speaker 4: you saying? What a you're hearing bar all the time? 344 00:16:28,360 --> 00:16:34,320 Speaker 4: Out of my son someone's I think it's the way 345 00:16:34,400 --> 00:16:34,920 Speaker 4: they dress. 346 00:16:35,360 --> 00:16:37,160 Speaker 2: Yes, really, I've heard of. 347 00:16:37,200 --> 00:16:41,960 Speaker 4: An colored shoes on the West with it a while ago. 348 00:16:42,120 --> 00:16:42,280 Speaker 6: Bar. 349 00:16:42,920 --> 00:16:47,600 Speaker 4: Sure it's not, it's definitely, but it might be like 350 00:16:48,240 --> 00:16:53,160 Speaker 4: that's the pair of ten of you made bigger issues 351 00:16:54,480 --> 00:16:58,560 Speaker 4: this year, is not last year's or something. Okay, maybe 352 00:16:58,640 --> 00:17:00,160 Speaker 4: it could be a place where issues go, have. 353 00:17:00,120 --> 00:17:14,800 Speaker 2: A drinks giving like the bar and get smart. You know, 354 00:17:16,840 --> 00:17:18,800 Speaker 2: probably not a new shape, but thank you, Paul. 355 00:17:18,880 --> 00:17:24,879 Speaker 4: It's funny. Maybe something that the kids said to you 356 00:17:25,040 --> 00:17:26,200 Speaker 4: yesterday last night. 357 00:17:26,080 --> 00:17:28,520 Speaker 2: Before bed or and you're still scratching your hands. 358 00:17:28,359 --> 00:17:29,879 Speaker 4: Still going what the hell? On the Google and. 359 00:17:30,280 --> 00:17:33,080 Speaker 3: Young people phrases the ones you can't bring yourself to 360 00:17:33,200 --> 00:17:36,520 Speaker 3: use for me, it's it drops tomorrow. No, it's been 361 00:17:36,560 --> 00:17:39,240 Speaker 3: released tomorrow, it'll be out tomorrow, it drops. 362 00:17:39,280 --> 00:17:39,960 Speaker 4: It'll be so fun. 363 00:17:40,680 --> 00:17:43,080 Speaker 1: I keep seeing it and it's and they start spreading 364 00:17:43,119 --> 00:17:46,920 Speaker 1: as well. Absolutely, especially when you see you're fifty something 365 00:17:46,960 --> 00:17:50,560 Speaker 1: friends using it. It's like stop, stop you keeping the kids. 366 00:17:51,800 --> 00:17:53,640 Speaker 2: A river from worried in Mariua. 367 00:17:53,840 --> 00:17:58,280 Speaker 3: On the text line hard launch and soft launch of relationships. 368 00:17:59,200 --> 00:18:01,359 Speaker 2: Please, Yeah, so it's. 369 00:18:01,240 --> 00:18:04,399 Speaker 3: A soft launch obviously that I guess that comes before 370 00:18:04,440 --> 00:18:05,200 Speaker 3: the hard launch. 371 00:18:05,400 --> 00:18:08,720 Speaker 4: Yeah, yeah, no introductions maybe, I don't. 372 00:18:08,800 --> 00:18:11,399 Speaker 3: It just means we're I'm looking at you young people 373 00:18:11,440 --> 00:18:16,480 Speaker 3: out there. I don't understand, just launch it. So the 374 00:18:16,520 --> 00:18:22,840 Speaker 3: hard launches introduced soft equal subtle launch socials on your socials. 375 00:18:24,480 --> 00:18:28,480 Speaker 2: Hard launch, I guess is there in your face and obvious. 376 00:18:29,359 --> 00:18:30,560 Speaker 2: So that's passing out in. 377 00:18:30,560 --> 00:18:34,920 Speaker 3: The open public ash out in the open. 378 00:18:35,720 --> 00:18:36,159 Speaker 2: I don't think that. 379 00:18:39,880 --> 00:18:40,840 Speaker 4: Yeah, I guess. 380 00:18:42,600 --> 00:18:45,000 Speaker 2: Obviously when they're full faces on your socials. 381 00:18:45,040 --> 00:18:47,159 Speaker 4: But we're learning something as we go. Wow, it's going 382 00:18:47,240 --> 00:18:48,520 Speaker 4: to sw you cad I, Sam. 383 00:18:49,440 --> 00:18:50,320 Speaker 2: Hello, good morning. 384 00:18:50,359 --> 00:18:52,880 Speaker 4: How are you going? Sam? The language that you're hearing 385 00:18:52,920 --> 00:18:54,720 Speaker 4: that you. Are you understanding what's going on? 386 00:18:55,680 --> 00:18:55,880 Speaker 6: Yes? 387 00:18:56,200 --> 00:18:57,600 Speaker 2: Yeah, No, not that last one. 388 00:18:59,000 --> 00:19:02,640 Speaker 4: That's funny though, What do you got a soft hard launch? 389 00:19:02,680 --> 00:19:03,840 Speaker 4: And you what you're about to say? 390 00:19:05,160 --> 00:19:06,360 Speaker 1: Well, I've got three. 391 00:19:06,480 --> 00:19:08,200 Speaker 4: Actually I've got five planagers living here? 392 00:19:09,000 --> 00:19:12,680 Speaker 2: Lord us do you need a safe Why do you 393 00:19:12,840 --> 00:19:13,159 Speaker 2: keep up? 394 00:19:16,240 --> 00:19:19,680 Speaker 4: I've I've got doing this now? No? 395 00:19:19,920 --> 00:19:24,760 Speaker 6: Well, one of them is always brah bra Yeah, and 396 00:19:24,880 --> 00:19:26,400 Speaker 6: I just like, I don't know, I feel like covering 397 00:19:26,440 --> 00:19:27,840 Speaker 6: myself up, like can you do my brow? 398 00:19:28,280 --> 00:19:28,960 Speaker 2: What going on? 399 00:19:30,040 --> 00:19:30,240 Speaker 4: Yeah? 400 00:19:30,880 --> 00:19:32,679 Speaker 2: Because is that like from bro? 401 00:19:33,920 --> 00:19:38,960 Speaker 4: Do you it? I sell it the ra yeah? 402 00:19:40,960 --> 00:19:41,160 Speaker 2: Yeah. 403 00:19:41,440 --> 00:19:43,480 Speaker 6: And then I got another one who is what she's 404 00:19:43,560 --> 00:19:44,480 Speaker 6: twenty three or something? 405 00:19:45,080 --> 00:19:49,960 Speaker 4: She likes, Oh that's sleigh slay slay slave. You know 406 00:19:50,200 --> 00:19:51,240 Speaker 4: what do you? What are you slaying? 407 00:19:51,280 --> 00:19:53,240 Speaker 2: Honey? Life? 408 00:19:53,320 --> 00:19:56,119 Speaker 4: I think the truth? Where's the dragon? Dragon? 409 00:19:56,200 --> 00:19:56,880 Speaker 2: I'll help you out? 410 00:19:57,240 --> 00:19:57,920 Speaker 1: What are you playing? 411 00:19:58,119 --> 00:20:00,600 Speaker 4: Fire breathing dragon? Help? 412 00:20:01,520 --> 00:20:02,920 Speaker 6: And then I think this one was a bit of 413 00:20:02,960 --> 00:20:03,560 Speaker 6: a popular one. 414 00:20:03,960 --> 00:20:07,720 Speaker 4: It's the G, the G, the G G the G 415 00:20:08,280 --> 00:20:10,920 Speaker 4: word your word. Use your word so it's not the 416 00:20:11,040 --> 00:20:13,320 Speaker 4: m c G. You're not sinking about Grand Final Day? Yes, 417 00:20:13,440 --> 00:20:13,600 Speaker 4: the G? 418 00:20:14,240 --> 00:20:18,840 Speaker 2: Can I tell you? My mother turns eighty six next weekend? 419 00:20:19,200 --> 00:20:23,200 Speaker 4: She says, all G does she really? It's all good? 420 00:20:24,520 --> 00:20:27,320 Speaker 4: Yeah yeah, but just the G is confused your. 421 00:20:29,040 --> 00:20:29,159 Speaker 5: Man? 422 00:20:29,320 --> 00:20:35,040 Speaker 3: Okay, yeah, so that the greatest, the goat the it's 423 00:20:35,080 --> 00:20:37,280 Speaker 3: got to be the greatest, full time. 424 00:20:37,760 --> 00:20:40,960 Speaker 4: Yeah, two seconds and the whole words out your mouth 425 00:20:41,000 --> 00:20:43,480 Speaker 4: and you know what you're talking about us all of 426 00:20:43,520 --> 00:20:46,639 Speaker 4: the initials come on. 427 00:20:47,480 --> 00:20:49,560 Speaker 1: And the other thing about it, Sam, they're the ones 428 00:20:49,600 --> 00:20:51,240 Speaker 1: that they do say. You can't say you can't call 429 00:20:51,280 --> 00:20:53,159 Speaker 1: a guy and he's twenties a champ anymore? If you 430 00:20:53,280 --> 00:20:53,879 Speaker 1: champ someone. 431 00:20:54,040 --> 00:20:58,359 Speaker 4: Apparently, yeah, that's champ. I don't know why. I mean, 432 00:20:58,440 --> 00:21:00,320 Speaker 4: that's just a normal word in there, but none, probably 433 00:21:00,320 --> 00:21:01,000 Speaker 4: not patronizing. 434 00:21:01,160 --> 00:21:02,960 Speaker 2: I'm going to be wondering what the J stands for all. 435 00:21:03,840 --> 00:21:09,119 Speaker 2: Thank you for that, Sam. Yeah, let's here, John and co. 436 00:21:09,520 --> 00:21:10,320 Speaker 2: What do you got for us? 437 00:21:11,840 --> 00:21:11,959 Speaker 4: Here? 438 00:21:11,960 --> 00:21:12,159 Speaker 6: You go? 439 00:21:13,440 --> 00:21:22,639 Speaker 4: I think, yeah, that's yeah, it's just annoys me. 440 00:21:23,160 --> 00:21:25,520 Speaker 2: But it's also the other one that really annoys me 441 00:21:25,600 --> 00:21:27,200 Speaker 2: too is when they say like every. 442 00:21:27,040 --> 00:21:32,000 Speaker 4: Second word yeah, yes, Like. 443 00:21:33,600 --> 00:21:35,240 Speaker 1: I tried it on least this morning and her I 444 00:21:35,359 --> 00:21:39,480 Speaker 1: started going in funny directions like yeah, like every second 445 00:21:39,480 --> 00:21:41,879 Speaker 1: word yeah, to be crazy like a. 446 00:21:41,960 --> 00:21:46,160 Speaker 2: Nervous tick really like rather a nervous tick. 447 00:21:46,680 --> 00:21:48,840 Speaker 4: Yeah, like that. I said that many times. 448 00:21:49,440 --> 00:21:51,119 Speaker 2: I did a little winki thing at me. 449 00:21:51,760 --> 00:21:56,320 Speaker 1: Thank you John, John, thanks mate, Like there are so 450 00:21:56,480 --> 00:21:58,760 Speaker 1: many and sometimes when you actually analyze it, there's more 451 00:21:58,760 --> 00:21:59,400 Speaker 1: that you don't realize. 452 00:21:59,440 --> 00:22:03,680 Speaker 4: A're getting set or typed on such a regular occasion. 453 00:22:04,680 --> 00:22:08,960 Speaker 2: Singleton can't say my bad, my bad, sorry, my bad. 454 00:22:09,920 --> 00:22:15,040 Speaker 3: Yeah, Jillie and Sam was telling us before about I 455 00:22:15,160 --> 00:22:17,800 Speaker 3: think it was her daughter using the expression it's the 456 00:22:17,960 --> 00:22:20,879 Speaker 3: G and I've been trying to work out what the 457 00:22:22,720 --> 00:22:26,040 Speaker 3: the m CD Sean Indoorsville. It might be able to 458 00:22:26,040 --> 00:22:29,399 Speaker 3: help us out. Hello, Sean, Sean, what's the G? 459 00:22:29,600 --> 00:22:29,639 Speaker 6: And? 460 00:22:29,760 --> 00:22:31,400 Speaker 4: It's the G? Please explain. 461 00:22:32,600 --> 00:22:40,440 Speaker 2: All the go the go or the goats. It's the G. 462 00:22:40,680 --> 00:22:46,680 Speaker 2: It's nice. What's it like living with someone who talks 463 00:22:46,760 --> 00:22:47,280 Speaker 2: like that? Short? 464 00:22:50,880 --> 00:22:52,680 Speaker 4: I said, it's catching she does? 465 00:22:53,160 --> 00:22:55,639 Speaker 2: Yeah, started do you do? You start to talk their 466 00:22:55,680 --> 00:22:56,560 Speaker 2: language when they're around? 467 00:22:57,600 --> 00:22:59,919 Speaker 4: Shaking, shaking your head a bit, Sean? Each day? 468 00:23:01,440 --> 00:23:02,359 Speaker 2: Thank you sure. 469 00:23:05,440 --> 00:23:12,119 Speaker 4: Stand for greevy, you're groovy, you're mint your right. 470 00:23:14,400 --> 00:23:17,760 Speaker 2: Donnor in Carabine, Hello, morning, dinner, it was morning. What 471 00:23:17,880 --> 00:23:18,320 Speaker 2: do you reckon? 472 00:23:18,440 --> 00:23:19,119 Speaker 4: What do you go for us? 473 00:23:20,119 --> 00:23:23,200 Speaker 2: Have a good one, Have a good one one, have 474 00:23:23,320 --> 00:23:23,920 Speaker 2: a good one. 475 00:23:24,359 --> 00:23:26,800 Speaker 4: You can't stand especially like Sunday morning. 476 00:23:26,880 --> 00:23:28,560 Speaker 2: Down the I d a with your bold packet of 477 00:23:28,640 --> 00:23:31,000 Speaker 2: tool of paper and I go, oh, I have a 478 00:23:31,040 --> 00:23:31,359 Speaker 2: good one. 479 00:23:31,440 --> 00:23:33,560 Speaker 4: Mom straight away think have a good. 480 00:23:34,920 --> 00:23:35,120 Speaker 3: Day? 481 00:23:36,920 --> 00:23:39,720 Speaker 4: Usually I think, but how hard is it to say 482 00:23:39,800 --> 00:23:44,720 Speaker 4: have a good day? The old school school variety of it. 483 00:23:46,840 --> 00:23:49,040 Speaker 2: More and more and every time somebody says that, it's 484 00:23:49,119 --> 00:23:58,120 Speaker 2: like the toilet paper, have a good day, dinner, a lovely. 485 00:24:00,080 --> 00:24:02,280 Speaker 4: Work in I got it. 486 00:24:04,000 --> 00:24:07,680 Speaker 2: More Cley more, Lisa More podcasts soon. 487 00:24:09,440 --> 00:24:13,600 Speaker 6: Great to flick with Ben o'she good morning guys. 488 00:24:14,359 --> 00:24:16,440 Speaker 3: Do you love a true story? I love a true story. 489 00:24:16,520 --> 00:24:19,080 Speaker 3: You can't write better than true stories? 490 00:24:19,200 --> 00:24:22,480 Speaker 6: Yeah, well, especially this story. It's so wild. Do you 491 00:24:22,520 --> 00:24:24,520 Speaker 6: would think this has come from the mind of a 492 00:24:24,600 --> 00:24:29,359 Speaker 6: Hollywood screenwriter? The story of Lee Miller, who a lot 493 00:24:29,400 --> 00:24:31,720 Speaker 6: of people probably wouldn't be aware of, and certainly during 494 00:24:31,800 --> 00:24:33,960 Speaker 6: her own lifetime a lot of people didn't know who 495 00:24:34,000 --> 00:24:37,040 Speaker 6: she was. She kind of became renowned and getting the 496 00:24:37,080 --> 00:24:41,240 Speaker 6: respect she deserved years after she'd died. So she was 497 00:24:41,440 --> 00:24:44,280 Speaker 6: a war correspondent, but many years before that, in the 498 00:24:44,359 --> 00:24:47,159 Speaker 6: late nineteen twenties, she was one of the most in 499 00:24:47,359 --> 00:24:50,600 Speaker 6: demand models in New York City. She was on the 500 00:24:50,720 --> 00:24:54,760 Speaker 6: cover of American Vogue. She was doing advertisements in the newspapers. 501 00:24:55,119 --> 00:24:58,879 Speaker 6: She was, you know, the Claudius Shiffer, the Cindy Crawfords 502 00:24:59,119 --> 00:25:03,480 Speaker 6: the late nineteen twenties. But she always, I guess, was 503 00:25:03,640 --> 00:25:07,160 Speaker 6: more attracted to being behind the camera, being an artist. 504 00:25:07,320 --> 00:25:09,280 Speaker 6: So as she was getting a little bit older and 505 00:25:09,320 --> 00:25:12,440 Speaker 6: the modeling jobs dried up, she moved to Paris and 506 00:25:12,720 --> 00:25:15,200 Speaker 6: fell in with a group of I guess, some of 507 00:25:15,240 --> 00:25:17,840 Speaker 6: the greatest artists on the planet at the time. People 508 00:25:17,920 --> 00:25:20,320 Speaker 6: you may have heard of, like Pablo Picasso was one 509 00:25:20,359 --> 00:25:24,400 Speaker 6: of her mates. Jean Cocteaux, the great kind of French 510 00:25:24,600 --> 00:25:28,920 Speaker 6: poet and filmmaker and playwright, and all of these kinds 511 00:25:28,920 --> 00:25:32,440 Speaker 6: of people, right, and the Duchess Solage, who was the 512 00:25:32,600 --> 00:25:35,040 Speaker 6: editor of French Vogue at the time. So she moved 513 00:25:35,080 --> 00:25:39,400 Speaker 6: in pretty fancies artistic circle circles, especially in those times. 514 00:25:40,800 --> 00:25:43,240 Speaker 6: This was in the nineteen thirties and the specter of 515 00:25:43,600 --> 00:25:47,320 Speaker 6: war with Germany was starting to grow in Europe. The 516 00:25:47,440 --> 00:25:51,040 Speaker 6: Nazi movement was happening, and all of these artistes, especially 517 00:25:51,080 --> 00:25:53,000 Speaker 6: in France, were looking at this and going, oh gosh, 518 00:25:53,080 --> 00:25:54,560 Speaker 6: this is a bit of a concern. 519 00:25:54,520 --> 00:25:55,400 Speaker 4: Was going to tell here. 520 00:25:56,880 --> 00:26:00,320 Speaker 6: She then marries a Englishman who's an artist and a 521 00:26:00,400 --> 00:26:02,840 Speaker 6: curator and an art gallery. She moves to London just 522 00:26:03,080 --> 00:26:06,399 Speaker 6: as the war starts, the Blitz is happening. She's working 523 00:26:06,480 --> 00:26:09,240 Speaker 6: for British Vogue, but she wants to do something like 524 00:26:09,320 --> 00:26:11,119 Speaker 6: she's you know, I can't want to do my bit, 525 00:26:11,280 --> 00:26:13,880 Speaker 6: but in British society's and so many roles that women 526 00:26:13,920 --> 00:26:17,440 Speaker 6: could do time, I want to do omissions factory. Yeah, 527 00:26:17,480 --> 00:26:19,439 Speaker 6: exactly so. But she remember saying, in a minute, I'm 528 00:26:19,480 --> 00:26:21,119 Speaker 6: an American citizen. I'm gonna have to do what I'm 529 00:26:21,160 --> 00:26:25,280 Speaker 6: told by the British government. So uses her American passport 530 00:26:25,400 --> 00:26:27,280 Speaker 6: to convince people to let her go to the front 531 00:26:27,359 --> 00:26:31,440 Speaker 6: lines in France, where she becomes a war correspondent, like 532 00:26:31,600 --> 00:26:33,639 Speaker 6: and then once she gets there, she has to convince 533 00:26:33,960 --> 00:26:37,080 Speaker 6: the American Army commanders, you know, I know no women 534 00:26:37,119 --> 00:26:38,840 Speaker 6: are allowed anywhere near the front lines. I want to 535 00:26:38,880 --> 00:26:42,480 Speaker 6: go there with my camera. It was just it's hard 536 00:26:42,560 --> 00:26:45,440 Speaker 6: to even explain how unheard of that was at the time. 537 00:26:46,880 --> 00:26:49,440 Speaker 6: And so then she has done things like she's taken 538 00:26:49,480 --> 00:26:51,720 Speaker 6: photos of what it was like on the front line 539 00:26:51,760 --> 00:26:54,800 Speaker 6: for the troops taking photos in the medical tense of 540 00:26:55,080 --> 00:26:58,800 Speaker 6: what the impacts of war. She captured the first ever 541 00:26:59,000 --> 00:27:03,240 Speaker 6: image of nap harm being used on a human population. 542 00:27:03,800 --> 00:27:06,520 Speaker 6: She was one of the first into the concentration camps 543 00:27:06,640 --> 00:27:11,040 Speaker 6: after the fall of Hitler and captured really the world's 544 00:27:11,040 --> 00:27:14,320 Speaker 6: first images of the horrors of some of those concentration camps. 545 00:27:15,000 --> 00:27:19,040 Speaker 6: She talked her way into Hitler's apartment at the end 546 00:27:19,119 --> 00:27:22,080 Speaker 6: of the war, just you know, like literally within hours 547 00:27:22,240 --> 00:27:27,160 Speaker 6: of Hitler and aver Braun killing themselves, Russians had stripped off, 548 00:27:27,280 --> 00:27:29,960 Speaker 6: hopped into Hitler's bath and posed for a photo. 549 00:27:30,080 --> 00:27:30,119 Speaker 4: No. 550 00:27:30,400 --> 00:27:33,160 Speaker 6: Yeah, So the stuff that she has done is incredible. 551 00:27:33,240 --> 00:27:35,200 Speaker 6: She's like all the while kind of you know, sort 552 00:27:35,240 --> 00:27:38,119 Speaker 6: of fiercely independent, giving the middle finger to the patriarchy, 553 00:27:38,240 --> 00:27:41,000 Speaker 6: all this kind of stuff. And then she gets back 554 00:27:41,080 --> 00:27:44,320 Speaker 6: to gets back to the UK and gives all these 555 00:27:44,320 --> 00:27:46,600 Speaker 6: photos to British Vogue and they're like, well, you know what, 556 00:27:46,960 --> 00:27:48,720 Speaker 6: the war has ended and people kind of moved on, 557 00:27:48,920 --> 00:27:52,040 Speaker 6: so we're not going to publish these, you're kidding? Yeah, wow, 558 00:27:52,280 --> 00:27:54,320 Speaker 6: And so then and then this is and then and 559 00:27:54,440 --> 00:27:56,560 Speaker 6: then and then so she's refusing to take no for 560 00:27:56,640 --> 00:28:00,560 Speaker 6: an answer. The photos get sent to America can Vogue, 561 00:28:00,560 --> 00:28:02,520 Speaker 6: where of course they remember her as a model, like 562 00:28:02,600 --> 00:28:06,880 Speaker 6: these photos are incredible. They get published, but even still 563 00:28:07,040 --> 00:28:08,399 Speaker 6: they kind of just you know, after the end of 564 00:28:08,440 --> 00:28:11,359 Speaker 6: that edition, there's no Internet, the photos are forgotten about it. 565 00:28:11,720 --> 00:28:14,880 Speaker 6: And it's not until many years later, maybe twenty years later, 566 00:28:15,040 --> 00:28:18,160 Speaker 6: when her adult son finds a box of her old 567 00:28:18,280 --> 00:28:21,320 Speaker 6: images in the attic that is like, holy cow, this 568 00:28:21,440 --> 00:28:24,200 Speaker 6: is what my mum. Didn't realize that his mum did it, 569 00:28:24,760 --> 00:28:26,840 Speaker 6: and then has written this book based on the life 570 00:28:26,840 --> 00:28:28,440 Speaker 6: of his mum. He's done on his research, and that's 571 00:28:28,480 --> 00:28:31,200 Speaker 6: what the movie is based on. And now Lee Miller 572 00:28:31,320 --> 00:28:36,440 Speaker 6: is considered one of the greatest war correspondents ever, just 573 00:28:36,520 --> 00:28:39,360 Speaker 6: an amazing, amazing legacy. And so who else would you 574 00:28:39,440 --> 00:28:42,040 Speaker 6: think would be perfect to play a character like that. 575 00:28:43,200 --> 00:28:44,600 Speaker 2: One of the greatest actresses. 576 00:28:44,800 --> 00:28:48,760 Speaker 6: Kate wins oscool winner, and no one is better at 577 00:28:48,800 --> 00:28:52,440 Speaker 6: bringing these real life characters to life, and she is 578 00:28:52,680 --> 00:28:55,760 Speaker 6: so perfect for this role. She's got that sort of 579 00:28:55,880 --> 00:28:59,120 Speaker 6: fierce spirit, also vulnerable because there's some stuff that happens 580 00:28:59,160 --> 00:29:02,240 Speaker 6: in Lee Miller's fildhood and background that kind of informs 581 00:29:02,280 --> 00:29:04,760 Speaker 6: who she is as an adult. And so Kate Winslet, 582 00:29:05,120 --> 00:29:08,000 Speaker 6: as you would expect, is phenomenal, absolutely the best thing 583 00:29:08,040 --> 00:29:11,440 Speaker 6: about this Other aspects of the film maybe not so amazing, 584 00:29:11,720 --> 00:29:14,360 Speaker 6: but purely because Kate Winslett is so good. Everybody else 585 00:29:14,520 --> 00:29:18,320 Speaker 6: kind of looks like trash, including the great Alexander Scarsguard 586 00:29:18,360 --> 00:29:23,640 Speaker 6: who plays her husband. Why they cast him a Scandinavian 587 00:29:23,680 --> 00:29:26,800 Speaker 6: bloke as an englishman. He's still got a Scandinavian accent, 588 00:29:26,840 --> 00:29:30,320 Speaker 6: doesn't sound like an English gentleman at all. And then 589 00:29:30,360 --> 00:29:32,719 Speaker 6: you've got Andy Samberg, who people will know from Brooklyn 590 00:29:32,840 --> 00:29:35,720 Speaker 6: nine to nine, who plays a fellow war correspondent who 591 00:29:35,720 --> 00:29:37,080 Speaker 6: becomes besties with Lee Miller. 592 00:29:38,120 --> 00:29:41,000 Speaker 2: Look, he's not a dramatic actors. 593 00:29:40,240 --> 00:29:44,280 Speaker 6: Funny, very funny, and when he's telling jokeside film, he's amazing. 594 00:29:46,120 --> 00:29:47,680 Speaker 6: And you can get away with that in some films. 595 00:29:47,840 --> 00:29:50,960 Speaker 6: But when you're acting in scenes heavy scenes of the 596 00:29:51,040 --> 00:29:54,520 Speaker 6: Holocaust opposite Kate Winslet, doesn't work. When you're there with 597 00:29:54,600 --> 00:29:57,440 Speaker 6: the creed, does not work at all. So that's a 598 00:29:57,480 --> 00:29:59,800 Speaker 6: bit unfortunate. So some of the casting decisions are not amazing. 599 00:30:00,160 --> 00:30:01,880 Speaker 6: The only actor who really stacks up next to Kate 600 00:30:01,880 --> 00:30:07,000 Speaker 6: Winslet is Marion Cottier, the French actress who plays Solange Duchess. Yes, 601 00:30:07,520 --> 00:30:10,000 Speaker 6: but you'd watch this for Kate Winslet's performance, and also 602 00:30:10,360 --> 00:30:12,560 Speaker 6: for the true story, which is incredible, and the pictures. 603 00:30:12,600 --> 00:30:14,160 Speaker 6: The pictures at the end of the film during the 604 00:30:14,280 --> 00:30:16,880 Speaker 6: closing credits just okay, crazy. 605 00:30:16,720 --> 00:30:18,560 Speaker 4: What a groundbreaker. Oh yeah, incredible. 606 00:30:18,800 --> 00:30:21,280 Speaker 2: Well I don't even know what to say other than 607 00:30:21,360 --> 00:30:22,160 Speaker 2: just what are you giving it? 608 00:30:22,440 --> 00:30:26,720 Speaker 6: Because it's three three stars three three Some of those 609 00:30:26,760 --> 00:30:28,440 Speaker 6: some of those other performances let it down a bit, 610 00:30:28,520 --> 00:30:29,920 Speaker 6: but you know, Kate Winslet. 611 00:30:29,840 --> 00:30:31,760 Speaker 1: If you were just judging stars on Kate, it would 612 00:30:31,760 --> 00:30:36,000 Speaker 1: be more than three. Then thanks guys,