WEBVTT - What Is The Gossip Hierarchy? 🗣️

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<v Speaker 1>The flex and Rooms Daily podcast.

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<v Speaker 2>Okay, some of them. I was listening to the podcast

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<v Speaker 2>the other day and I realized when I laughed about.

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<v Speaker 3>Yeah, it's not it's an innay I told you before.

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<v Speaker 3>It's a may what is it? It's it's not a name,

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<v Speaker 3>but you know horses do it. It's like a yeah, I.

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<v Speaker 2>Need to abolish it. Like sometimes I listen, I think,

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<v Speaker 2>what would this sound like if you hated us? Like,

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<v Speaker 2>what is it that you chick up on and think?

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<v Speaker 2>Fuck them? I reckon it's the nay.

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<v Speaker 3>That is a very wild exercise to be doing. Generally,

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<v Speaker 3>it's probably not good for your mental health.

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<v Speaker 2>No, no, no, I think I think it's part of

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<v Speaker 2>bettering yourself. Yeah, of course. But alas today we are

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<v Speaker 2>talking about gossiping and a special thing Flexi says is

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<v Speaker 2>the gossip hierarchy.

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<v Speaker 3>Well, I got it from this guy on Instagram, I

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<v Speaker 3>mean on TikTok called brand.

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<v Speaker 2>FLEs brand Flekes with two z's. That's all I want

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<v Speaker 2>to do for the explanation, because I really really need

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<v Speaker 2>to go and get up right now. Wait them more.

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<v Speaker 3>Toilet.

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<v Speaker 2>That's not me trying to be cute. Literally, I'm gonna

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<v Speaker 2>fucking burst I got a girl guy right out of.

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<v Speaker 1>Here, I got a girl fleck and frooms.

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<v Speaker 2>See, you just only be talking about gossiping. You can

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<v Speaker 2>listen to the full segment on our podcast Can you

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<v Speaker 2>get your podcasts? But I don't know if you remember,

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<v Speaker 2>but back in the day, Facebook was the ideal place

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<v Speaker 2>to collect gossip, be it in podcast groups or other

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<v Speaker 2>kind of niche groups. They gave you the illusion of privacy, mutuality,

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<v Speaker 2>screenshots exist, and we were sharing outside the group.

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<v Speaker 3>That was a big one.

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<v Speaker 2>Though.

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<v Speaker 3>There was a time I'm gonna say it was like

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<v Speaker 3>twenty eighteen where you had to be part of like

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<v Speaker 3>a local feminist Facebook group, a local girl podcaster group,

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<v Speaker 3>and like in that group it felt sacred. But be real,

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<v Speaker 3>there were seventy thousand people in there, your personal story.

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<v Speaker 3>I could click on your profile, see our mutual green

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<v Speaker 3>shot that information, take it out. It wasn't safe, but

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<v Speaker 3>it felt like and that's what matters.

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<v Speaker 2>I was in that phase I reckon twenty fifteen, and

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<v Speaker 2>I was spilling a lot.

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<v Speaker 3>You were you were, you were sharing your own business.

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<v Speaker 2>Yes, whoa in the group? In the feminist group? You know,

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<v Speaker 2>we're all called by vibes. And then of course it

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<v Speaker 2>evolved into a madman a fistfight fest. But Alas, this

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<v Speaker 2>one is I've brought a love line in so I'm

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<v Speaker 2>going to give you like a submission that was put

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<v Speaker 2>on a Facebook. It is part of unimil love Letters.

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<v Speaker 2>Now this was really are you in there? I'm infiltrated,

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<v Speaker 2>got centered?

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<v Speaker 3>Okay, so someone's broken the rules taking a screenshot. Okay,

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<v Speaker 3>and well mind implicated you.

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<v Speaker 2>This is public. But the UNIMEL love Letters was a

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<v Speaker 2>thing where people would be on UNI Melbourne campus and

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<v Speaker 2>see someone cute, so they text in. So this woman

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<v Speaker 2>da da da, like, can we go on a date?

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<v Speaker 2>I'm not sure if the stories were planted or if never,

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<v Speaker 2>what's a success rate for that? But Alas, here is

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<v Speaker 2>a mission. It's number four, four, five six one. Oh

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<v Speaker 2>my gosh. There's a lot of submissions. You can't catch

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<v Speaker 2>a break with rooms and this is a love letter

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<v Speaker 2>dear soon to be ex boyfriend. Oh I like that

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<v Speaker 2>and as brackets soon to be We met a few

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<v Speaker 2>years back when we were both in undergrad. I was

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<v Speaker 2>new to the country and you were my first friend

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<v Speaker 2>and we quickly fell in love. For years, you were

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<v Speaker 2>all I had in Australia. You were my everything. Fast

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<v Speaker 2>forward four years. We graduated together, moved in together, and

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<v Speaker 2>tried to build our life together. We got jobs, very

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<v Speaker 2>different jobs, and we met new people and made new friends.

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<v Speaker 2>What I haven't told you, and haven't had the courage

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<v Speaker 2>to tell you, is that I met someone at work.

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<v Speaker 2>He treats me very well, he makes me happy, and

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<v Speaker 2>he supports me financially.

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<v Speaker 3>Okay, there we go here. I wasn't we there for

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<v Speaker 3>a second, but he said the magic words.

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<v Speaker 2>I'm on board, dear soon to be ex boyfriend. I

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<v Speaker 2>found a rich man.

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<v Speaker 3>Yeah that period, do us for a loop.

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<v Speaker 2>I'm in love with him. I'm sorry that this didn't

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<v Speaker 2>work out. For a while. You were all I knew. Now,

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<v Speaker 2>I know there is more to find out out there, brutal.

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<v Speaker 2>By the time this gets posted, I would have already

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<v Speaker 2>packed up my things and moved out of your house

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<v Speaker 2>while you're at work. I'm sorry I couldn't break up

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<v Speaker 2>with you in person. I'm a coward. Consider this love

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<v Speaker 2>letting me breaking up with you. I have blocked you

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<v Speaker 2>off every social media platform and I've changed my number.

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<v Speaker 2>Please don't try to find me. This person is sick.

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<v Speaker 2>Your now ex girlfriend.

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<v Speaker 3>There is no way that is just creative writing some

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<v Speaker 3>literary major I don't know what they call them in

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<v Speaker 3>the straightlier, but that is not that person's not well.

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<v Speaker 2>Well, someone agreed with that's actually in the comments, the

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<v Speaker 2>substance he supports me financially. But everyone in the comments

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<v Speaker 2>is taking it very seriously, like it's a real thing.

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<v Speaker 2>One person wrote how to permanently destroy someone, how to

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<v Speaker 2>make someone have trust issues, how to make an f boy,

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<v Speaker 2>how to ruin your own life because you realize what

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<v Speaker 2>you did will return back to you. How to live

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<v Speaker 2>with the fear of what if my part that does

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<v Speaker 2>the same thing to me? Good luck original poster. Your

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<v Speaker 2>partner deserves at least one text.

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<v Speaker 3>By the time he figures out this is for him,

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<v Speaker 3>like he's going to be in such a wayward state

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<v Speaker 3>for an unnecessarily long amount of time before.

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<v Speaker 2>He's like, wait a second, that's for me.

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<v Speaker 3>It's brutal stuff. I totally understand. No, I don't understand,

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<v Speaker 3>but I can empathize with someone who feels as though

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<v Speaker 3>they've blown up their life so much that their only

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<v Speaker 3>option is to do something so just catastrophic tru really

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<v Speaker 3>nail it home. But I feel like there were so

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<v Speaker 3>many easier ways to do this MESSI like this just

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<v Speaker 3>feels number one so selfish, but number two so chaotic

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<v Speaker 3>and thoughtless and just mean. And you know what's so

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<v Speaker 3>wild though, it's this like really selfish behavior, master is

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<v Speaker 3>selfless behavior, Like this is the best way I could

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<v Speaker 3>give this this information to you because I love you

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<v Speaker 3>so much. Just like or write him a letter. You've

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<v Speaker 3>just publicly shamed him for for what you know where

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<v Speaker 3>he lives. Pop a letter in and just bounce a

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<v Speaker 3>big fan of a letter. Have you ever done a

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<v Speaker 3>letter I've done. I've drafted a letter in the notes.

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<v Speaker 3>We've all done a few notes letters, sent it through,

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<v Speaker 3>but I haven't done a physical letter in my time

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<v Speaker 3>for you. Yeah, that would be a really good pen

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<v Speaker 3>to paper or something like it.

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<v Speaker 2>It's brilliant. You do it in your notes and then

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<v Speaker 2>you start. It's just a lovely exercise to like do

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<v Speaker 2>your beautiful writing. It feels very cathartic. Pop in the mail,

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<v Speaker 2>wait for them to send you one back soon as

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<v Speaker 2>I'll send you a physical one. Other times they'll reply

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<v Speaker 2>via text message. But it's cathartic. I do like that.

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<v Speaker 2>But our producer Brook, who's just standing sitting by us,

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<v Speaker 2>says she has sent something into one of those anonymous

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<v Speaker 2>Facebook groups, and I was, so I need to hear

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<v Speaker 2>this story, so I'm gonna hand over the mic please.

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<v Speaker 3>Yeah.

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<v Speaker 4>So I used to submit to my UNI ones. It

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<v Speaker 4>wasn't just like love based ones. It was also just

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<v Speaker 4>like general confessions, and they were probably the most disturbing

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<v Speaker 4>thing I've ever come up with.

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<v Speaker 2>Slash written and read ohs not real.

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<v Speaker 3>Oh of course they're made up.

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<v Speaker 4>It was just literally by creatively disgusting, is how I

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<v Speaker 4>describe it.

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<v Speaker 2>What did you get out of doing that?

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<v Speaker 4>It was just so funny because people would then reply

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<v Speaker 4>to it thinking it was real, and it's like, you've

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<v Speaker 4>got to be joking seriously, And that was kind of

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<v Speaker 4>my idea of fun.

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<v Speaker 3>See, I think I'm the naive person because if I

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<v Speaker 3>go on to like a Reddit forum, if I see

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<v Speaker 3>a post on Facebook, I'm just assuming it's true. I'm like,

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<v Speaker 3>why would someone lie? Who has enough time in the

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<v Speaker 3>day to lie?

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<v Speaker 4>Well, there were so many details with it as well

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<v Speaker 4>that it's like, who would be bothered to make this up?

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<v Speaker 2>So I think they thought it was real. You've lost it, babe,

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<v Speaker 2>that's Brooky, our producer, always surprising us.

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<v Speaker 3>Literally, Brookies lived a thousand lives. One thing about me,

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<v Speaker 3>I'm stale in comparison. I'm just like, why would somebody lie?

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<v Speaker 3>This is like the most earnest and honest thing, but

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<v Speaker 3>this is like categorically insane.

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<v Speaker 2>There you have it. I really did enjoy that.

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<v Speaker 5>Look.

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<v Speaker 3>I will say it's moments I this is what I

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<v Speaker 3>wish that I was more committed to making my life

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<v Speaker 3>feel like a movie or a sitcom or something. Because

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<v Speaker 3>this is adding spice. This is gonna be a fantastic

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<v Speaker 3>story to tell someone in future, like what's the worst

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<v Speaker 3>way you've broken up with someone? There we go, there's

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<v Speaker 3>gonna be a six part mini series on Stan.

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<v Speaker 1>Of course, Flex and frooms.

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<v Speaker 3>Right now for me has tuna in her hand, but

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<v Speaker 3>it's boxed.

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<v Speaker 2>We've got a box of tuna. I'm gonna do my best,

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<v Speaker 2>since we are on radio, to explain what this looks like.

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<v Speaker 2>It's a white box about the size of my palm,

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<v Speaker 2>and it says future tuna. It's very kind of twenty

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<v Speaker 2>twenty twenty twenty two brand.

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<v Speaker 3>It is so cool. It's giving a five notebook helvetica.

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<v Speaker 3>It's impact on actually, but if you're not familiar with typography,

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<v Speaker 3>let's just say hell medica bold.

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<v Speaker 2>It's quite beautiful and it's from a brand called Future Farm.

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<v Speaker 2>It's a revolutionary plant based tuna for all tuna lovers,

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<v Speaker 2>and instead of the you and tuna, it's a v

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<v Speaker 2>very tough.

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<v Speaker 3>Oh yeah, it's twenty twelve.

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<v Speaker 2>So I've got Chabra packets. I'm gonna give you this.

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<v Speaker 3>Should we just open the one packet though, because I

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<v Speaker 3>feel like, let's not waste it. I have actually had

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<v Speaker 3>a plant based tuna before, because I do dabble in

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<v Speaker 3>plant based foods every now and then, because I know

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<v Speaker 3>there's gonna be a time where I prioritize my health overconvenience,

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<v Speaker 3>and the first way to do that is go plant based.

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<v Speaker 3>But I don't want eat vegetables. So I remember on

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<v Speaker 3>a shoot they had gave us plant based tuna wraps.

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<v Speaker 3>It tasted just like tuna.

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<v Speaker 2>Taste a good Yeah. I've done to taste this years ago,

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<v Speaker 2>of this plant based tuna vegan tuna. It was the

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<v Speaker 2>worst thing I've ever had in my whole life. Really,

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<v Speaker 2>It's like wet cat food mixed with carpet. So let's

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<v Speaker 2>see how this one goes.

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<v Speaker 3>I guess open it up. Oh, it is in this

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<v Speaker 3>silver foil aluminium space food vacuum sealed bag and it

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<v Speaker 3>looks like we can't see through it. But based on

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<v Speaker 3>the way Thrumi's playing with it.

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<v Speaker 2>It's slop, it's squishy. Oh my god, I'm scared tune

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<v Speaker 2>out of a bag. Well, this smells like tuna. Okay,

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<v Speaker 2>I don't want to get this on my tracks.

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<v Speaker 3>Before we try, we have to address the fact that

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<v Speaker 3>if this was real tuna, we would never eat it

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<v Speaker 3>out of a packet like this. It would never happen.

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<v Speaker 3>Why are we making accommodations for fake tuna? I can

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<v Speaker 3>smell that from here. It's wafting.

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<v Speaker 2>Okay, Well it's not real fish, so we can chill

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<v Speaker 2>out the ingredients of water plant based protein which is

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<v Speaker 2>soy pea, chick pea, olive oil, natural flowering, and to

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<v Speaker 2>micro algae that is strong. Okay. So I'm actually not

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<v Speaker 2>mad about it. I think if you put it into

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<v Speaker 2>a pastuck, it tastes really good. It's just the packet

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<v Speaker 2>is putting me off.

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<v Speaker 3>What I will say is that there's like this film

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<v Speaker 3>around it, like this thick film that is so miscellaneous.

0:10:41.720 --> 0:10:43.800
<v Speaker 3>If you don't look at it, it tastes a lot

0:10:43.840 --> 0:10:45.800
<v Speaker 3>like tuna. You know, I picky eat it right. So

0:10:46.040 --> 0:10:47.440
<v Speaker 3>a lot of what puts me off about food is

0:10:47.440 --> 0:10:49.040
<v Speaker 3>the way it looks. So sometimes I eat my food

0:10:49.080 --> 0:10:50.679
<v Speaker 3>in low lighting so I don't have to look at it,

0:10:50.720 --> 0:10:52.560
<v Speaker 3>and I just like gobble it down. This is one

0:10:52.559 --> 0:10:55.360
<v Speaker 3>of those situations. It does taste like tuna, but at

0:10:55.360 --> 0:10:55.800
<v Speaker 3>what cost?

0:10:57.160 --> 0:10:58.920
<v Speaker 2>You know what. The more I think about it, I'm

0:10:58.920 --> 0:11:00.720
<v Speaker 2>out of my tuna era. I used to eat tuna

0:11:00.760 --> 0:11:02.160
<v Speaker 2>every day for lunch for two.

0:11:02.200 --> 0:11:04.200
<v Speaker 3>You're the reason why I started eating tuna.

0:11:04.400 --> 0:11:05.160
<v Speaker 2>Do you like it too?

0:11:05.240 --> 0:11:07.560
<v Speaker 3>It's a two parter for me. Would not stop posting

0:11:07.600 --> 0:11:11.280
<v Speaker 3>about tuna, sirena' is that how you pronounce it? Serena?

0:11:11.520 --> 0:11:13.960
<v Speaker 3>Not sure, but she wouldn't stop posting about it. And

0:11:14.040 --> 0:11:16.720
<v Speaker 3>then my best friend at the time would make this

0:11:16.800 --> 0:11:21.000
<v Speaker 3>snack dish roast pumpkin and tuna, And so I wouldn't

0:11:21.040 --> 0:11:24.160
<v Speaker 3>have tried tuna generally if I hadn't seen you obsessed

0:11:24.160 --> 0:11:26.760
<v Speaker 3>with it. Tried it. It was amazing, But then I

0:11:26.760 --> 0:11:28.360
<v Speaker 3>figured I'm actually a John West girl.

0:11:28.679 --> 0:11:30.800
<v Speaker 2>Nah. That's where I got it. In the segment, and

0:11:30.840 --> 0:11:34.240
<v Speaker 2>we're done. Thank you so much. Shout out to Future Future,

0:11:34.440 --> 0:11:38.800
<v Speaker 2>Future Future FUM. The fact that it's vegan, it's pretty crazy.

0:11:38.840 --> 0:11:40.199
<v Speaker 2>If we put this into a rap, I think it

0:11:40.200 --> 0:11:42.080
<v Speaker 2>would be delicious. Oh it taste It's just like tuna.

0:11:42.200 --> 0:11:44.320
<v Speaker 2>So if you're a vegan, you want tuna, I recommend

0:11:44.320 --> 0:11:45.240
<v Speaker 2>I would say yes.

0:11:46.080 --> 0:11:48.800
<v Speaker 3>I would say it's maybe more flavorful than tuna, because

0:11:48.840 --> 0:11:51.600
<v Speaker 3>why was that micro piece still lingering in my mouth

0:11:51.720 --> 0:11:55.600
<v Speaker 3>like it's catching meat exactly?

0:11:55.800 --> 0:11:57.720
<v Speaker 1>This is flex and frooms.

0:11:58.800 --> 0:12:02.280
<v Speaker 3>It is not often I see something on the Internet

0:12:02.400 --> 0:12:05.240
<v Speaker 3>that makes me question how I see the world. I

0:12:05.280 --> 0:12:08.200
<v Speaker 3>think it makes me think briefly, and then I scroll

0:12:08.280 --> 0:12:10.400
<v Speaker 3>past and I'm back to my own biases about the

0:12:10.400 --> 0:12:14.000
<v Speaker 3>way things should be. But this person made a video

0:12:14.160 --> 0:12:16.839
<v Speaker 3>about gossiping, not that we should or shouldn't do it,

0:12:17.120 --> 0:12:21.000
<v Speaker 3>but in particular if we're going to the rules and

0:12:21.040 --> 0:12:22.280
<v Speaker 3>guidelines for how.

0:12:22.120 --> 0:12:23.000
<v Speaker 2>We should approach it.

0:12:23.320 --> 0:12:28.720
<v Speaker 3>This TikToker brand Underscore Flakes with two z's describes the

0:12:28.760 --> 0:12:30.319
<v Speaker 3>gossiping hierarchy.

0:12:29.920 --> 0:12:32.560
<v Speaker 5>Like this, I love to gossip, but in order to

0:12:32.720 --> 0:12:35.360
<v Speaker 5>really enjoy gossiping, you need to trust the people that

0:12:35.400 --> 0:12:37.440
<v Speaker 5>you are gossiping with. Don't that any present you the

0:12:37.480 --> 0:12:40.240
<v Speaker 5>gossip hierarchy of trust that I've created. On the bottom

0:12:40.240 --> 0:12:42.640
<v Speaker 5>of our hierarchy of trust, it's anyone in the world

0:12:42.679 --> 0:12:46.040
<v Speaker 5>that you may now, Celebrities, people you follow, people on

0:12:46.120 --> 0:12:49.360
<v Speaker 5>the street, just anyone that you see that exists in

0:12:49.360 --> 0:12:51.839
<v Speaker 5>your mind that you could potentially gossip about or gossip to.

0:12:52.080 --> 0:12:54.320
<v Speaker 5>They're on the bottom of the totem pole. We trust them.

0:12:54.360 --> 0:12:57.280
<v Speaker 5>The least above them is acquaintances. People that you're friendly with,

0:12:57.320 --> 0:12:59.400
<v Speaker 5>you may not necessarily love, or you might not be

0:12:59.440 --> 0:13:02.080
<v Speaker 5>their best friend, and you might feel comfortable gossiping to

0:13:02.120 --> 0:13:04.079
<v Speaker 5>them about a few things. But if I were you,

0:13:04.240 --> 0:13:06.240
<v Speaker 5>I wouldn't gossip with them about much because you don't

0:13:06.240 --> 0:13:08.000
<v Speaker 5>know how much you can trust those people. I love

0:13:08.040 --> 0:13:10.520
<v Speaker 5>them is obviously your best friends. These are some of

0:13:10.520 --> 0:13:12.280
<v Speaker 5>the best people to goasip with because not only do

0:13:12.320 --> 0:13:14.120
<v Speaker 5>you likely trust them and they likely trust you, you

0:13:14.200 --> 0:13:16.280
<v Speaker 5>probably also have a ton of mutual people that you

0:13:16.280 --> 0:13:19.600
<v Speaker 5>can gasp about. Top of the hierarchy. You know, we've

0:13:19.600 --> 0:13:22.640
<v Speaker 5>got our moms and our significant others. There is nothing

0:13:22.880 --> 0:13:26.480
<v Speaker 5>like gossiping on the phone to your mom about everybody.

0:13:26.640 --> 0:13:28.480
<v Speaker 5>And that is why this hierarchy is set up like this,

0:13:28.520 --> 0:13:31.679
<v Speaker 5>because while there are some exceptions. The one basic rule

0:13:31.840 --> 0:13:35.440
<v Speaker 5>is you should never gossip about someone higher up in

0:13:35.480 --> 0:13:37.880
<v Speaker 5>the hierarchy to someone lower up in the hierarchy.

0:13:38.040 --> 0:13:40.480
<v Speaker 3>The thoughts are in my head and they're running around.

0:13:40.520 --> 0:13:44.280
<v Speaker 3>They've got little legs, no arms, one head each, and

0:13:44.320 --> 0:13:47.640
<v Speaker 3>I cannot control them. I think gossiping is very important

0:13:48.000 --> 0:13:50.600
<v Speaker 3>because I think that it encourages people to be better communicators.

0:13:50.600 --> 0:13:52.520
<v Speaker 3>Because the one thing about gossip, in order for it

0:13:52.559 --> 0:13:56.040
<v Speaker 3>to be effective, it has to be understood as intended.

0:13:56.280 --> 0:13:57.840
<v Speaker 3>If I'm coming to you to gossip and you're not

0:13:58.040 --> 0:14:00.600
<v Speaker 3>hearing me as I intend, then it's pointless for me.

0:14:00.720 --> 0:14:03.320
<v Speaker 3>It's not fun for you. So I think that, like

0:14:03.440 --> 0:14:05.800
<v Speaker 3>there's two types of gossip in particular, maybe even more.

0:14:06.320 --> 0:14:11.640
<v Speaker 3>There's sacred gossip, such as such as you know your

0:14:11.840 --> 0:14:14.719
<v Speaker 3>best friend has cheated on their partner, but you don't

0:14:14.720 --> 0:14:16.720
<v Speaker 3>even think it's a bad idea, But like you're best

0:14:16.720 --> 0:14:19.120
<v Speaker 3>friends with a partner as well, Like that's sacred stuff

0:14:19.480 --> 0:14:24.000
<v Speaker 3>that's not everyday chat conversation at the coffee shop that requires,

0:14:24.440 --> 0:14:28.200
<v Speaker 3>you know, an air of caution. But then there's community gossip.

0:14:28.760 --> 0:14:32.800
<v Speaker 3>It's for everyone. It's enjoyment for the community. It's like

0:14:32.960 --> 0:14:35.800
<v Speaker 3>for me to enjoy, for you to enjoy. It's small talk,

0:14:35.920 --> 0:14:39.960
<v Speaker 3>it's water cooler chat, it's contextual. And sometimes every now

0:14:40.000 --> 0:14:44.360
<v Speaker 3>and then sacred gossip gets into community gossip. But then

0:14:44.400 --> 0:14:46.600
<v Speaker 3>you just take out a few key names and details

0:14:46.600 --> 0:14:47.920
<v Speaker 3>and then it's a free for all.

0:14:47.800 --> 0:14:53.600
<v Speaker 2>Right, like domokes oh dumin, dumoi dumi. They're like kind

0:14:53.600 --> 0:14:55.120
<v Speaker 2>of like blind items.

0:14:55.240 --> 0:14:58.080
<v Speaker 3>Yes, it's like blind items where it's like people need

0:14:58.080 --> 0:15:00.720
<v Speaker 3>to see this information and you've done your due diligence

0:15:00.760 --> 0:15:04.280
<v Speaker 3>by taking out anything so incriminating that it's clear who

0:15:04.360 --> 0:15:07.680
<v Speaker 3>it's about. In this instance, though, I like the hierarchy,

0:15:08.440 --> 0:15:09.480
<v Speaker 3>I just don't know if I use it.

0:15:10.200 --> 0:15:14.880
<v Speaker 2>I have dabbled in using the hierarchy and otherwise using it. Yeah,

0:15:15.280 --> 0:15:16.960
<v Speaker 2>I gotta shut my mouth sometimes.

0:15:18.040 --> 0:15:19.240
<v Speaker 3>Now it's not the time.

0:15:19.720 --> 0:15:22.960
<v Speaker 2>Now it's not the time. No, I would say, would

0:15:22.960 --> 0:15:24.520
<v Speaker 2>you say you and I gossip? Yeah?

0:15:24.560 --> 0:15:26.920
<v Speaker 3>Constantly. I feel like I know you had one conversation

0:15:26.960 --> 0:15:27.560
<v Speaker 3>that isn't gossip.

0:15:29.440 --> 0:15:33.720
<v Speaker 2>We actually haven't. And because it's nice, because we're in

0:15:33.720 --> 0:15:36.920
<v Speaker 2>the same industry, I think we come to the table

0:15:36.960 --> 0:15:40.440
<v Speaker 2>with different types of gossip from different people. But I'd

0:15:40.480 --> 0:15:42.800
<v Speaker 2>say I share pretty much everything with you that's your

0:15:42.840 --> 0:15:43.640
<v Speaker 2>industry gossip.

0:15:44.320 --> 0:15:47.320
<v Speaker 3>The thing about the gossiping that I do with you,

0:15:47.360 --> 0:15:51.440
<v Speaker 3>in particular is it's multi prompt. One thing that I

0:15:51.560 --> 0:15:53.440
<v Speaker 3>need from people that I spend a lot of time

0:15:53.480 --> 0:15:55.920
<v Speaker 3>with is trust, And I think the way that you

0:15:56.000 --> 0:15:59.240
<v Speaker 3>build trust is you create situations where the stakes are

0:15:59.240 --> 0:16:02.280
<v Speaker 3>a little bit higher than usual because you're bearing something,

0:16:02.520 --> 0:16:06.720
<v Speaker 3>your own vulnerabilities, your own secrets, your own context, or

0:16:07.000 --> 0:16:08.920
<v Speaker 3>just letting someone have a pick behind the curtains, like

0:16:08.960 --> 0:16:12.560
<v Speaker 3>this is what happens behind the facade or behind the performance.

0:16:12.600 --> 0:16:15.320
<v Speaker 3>You get to see what's happening behind there for context,

0:16:15.840 --> 0:16:18.520
<v Speaker 3>not because it's the new norm, not because everyone gets

0:16:18.520 --> 0:16:21.480
<v Speaker 3>to see so you see the full picture. I think

0:16:21.480 --> 0:16:24.640
<v Speaker 3>it's amazing. I will say, though I used to feel

0:16:24.640 --> 0:16:27.320
<v Speaker 3>like gossiping was fun with everyone, You just can't gossip

0:16:27.320 --> 0:16:29.960
<v Speaker 3>with everyone because some people want to bring in morality

0:16:29.960 --> 0:16:32.520
<v Speaker 3>into it. Oh but there are a nice person, maybe

0:16:32.560 --> 0:16:33.560
<v Speaker 3>the situation shut it.

0:16:34.840 --> 0:16:37.840
<v Speaker 2>Not interested you have to be down to clown. Yeah,

0:16:37.880 --> 0:16:39.840
<v Speaker 2>some people aren't. Though it would be a mix of

0:16:39.880 --> 0:16:42.400
<v Speaker 2>feeling like a bad person but also feeling that the

0:16:42.400 --> 0:16:44.600
<v Speaker 2>person is a bit of a loser when they don't

0:16:44.640 --> 0:16:49.120
<v Speaker 2>want to gossip. Literally, like if you're four it's like

0:16:49.120 --> 0:16:50.360
<v Speaker 2>people that don't eat McDonald's.

0:16:50.640 --> 0:16:54.280
<v Speaker 3>Okay, people who don't drink soft drink. Oh, shut get off,

0:16:54.320 --> 0:16:57.280
<v Speaker 3>there go Wait idiot, the world is a scary enough

0:16:57.280 --> 0:16:59.480
<v Speaker 3>place you don't want to enjoy. You don't want to

0:16:59.600 --> 0:17:02.520
<v Speaker 3>come down to our level. We subterranean. It's us and

0:17:02.600 --> 0:17:03.400
<v Speaker 3>Satan's people.

0:17:04.560 --> 0:17:07.720
<v Speaker 2>Sometimes, like I'll gossip with someone about someone else and

0:17:07.760 --> 0:17:10.119
<v Speaker 2>then they know more gossip than me. But I've acted

0:17:10.119 --> 0:17:12.480
<v Speaker 2>like I got the inside scoop. Ooh, that's always a

0:17:12.480 --> 0:17:15.280
<v Speaker 2>bit embarrassing. Yeah, that's like meta, I'm so sorry that

0:17:15.320 --> 0:17:17.639
<v Speaker 2>happened to you. But yeah, I gossip about everyone. I

0:17:17.680 --> 0:17:19.199
<v Speaker 2>gossip about you. You have to.

0:17:19.520 --> 0:17:22.760
<v Speaker 3>Yeah, it's necessary. But I will say, like I said before,

0:17:23.000 --> 0:17:25.080
<v Speaker 3>I think that gossiping we should do more of it

0:17:25.119 --> 0:17:25.800
<v Speaker 3>with less people.

0:17:26.560 --> 0:17:30.280
<v Speaker 2>Mm hmmmm. So yeah, it's information sharing, yes, but it's.

0:17:30.119 --> 0:17:35.880
<v Speaker 3>About figuring out, like what are your own personal milestones

0:17:36.000 --> 0:17:38.720
<v Speaker 3>or metrics or segments for how much gossip you're willing

0:17:38.720 --> 0:17:40.880
<v Speaker 3>to share, because I think everyone deserves to feel as

0:17:40.880 --> 0:17:44.359
<v Speaker 3>though there's someone worthy of gossiping too. But you have

0:17:44.440 --> 0:17:46.240
<v Speaker 3>to know how far are you willing to go with

0:17:46.359 --> 0:17:48.760
<v Speaker 3>this person? You're gonna be in the trenches with them.

0:17:48.800 --> 0:17:51.000
<v Speaker 3>When this comes out, you know, is that you're right

0:17:51.119 --> 0:17:54.159
<v Speaker 3>or die? I don't think so keep it light. We

0:17:54.240 --> 0:17:57.040
<v Speaker 3>need the small talk version of gossip and the deep

0:17:57.400 --> 0:17:59.440
<v Speaker 3>conversation version of gossip, because.

0:17:59.240 --> 0:18:01.720
<v Speaker 2>It'd be very attempting to just spill your guts when

0:18:01.720 --> 0:18:05.360
<v Speaker 2>you're in a particular mood. I'm running around Catera saying, Oh,

0:18:05.640 --> 0:18:08.400
<v Speaker 2>this happened, that happened. Did you hear about this person's paycheck?

0:18:08.880 --> 0:18:10.959
<v Speaker 2>Do you hear this person hates this person?

0:18:12.200 --> 0:18:14.000
<v Speaker 3>It's coming out of my ears. Really, you just got

0:18:14.000 --> 0:18:18.560
<v Speaker 3>to work on your media training carrying styles at venice this.

0:18:18.760 --> 0:18:20.480
<v Speaker 3>I love. What do you love about the movie?

0:18:20.520 --> 0:18:20.879
<v Speaker 2>Harry?

0:18:21.040 --> 0:18:25.680
<v Speaker 3>I love that this movie feels like a movie king

0:18:25.800 --> 0:18:27.440
<v Speaker 3>behavior because that's what I need to start doing.

0:18:27.560 --> 0:18:29.160
<v Speaker 2>He's like the Marilyn Monroe of.

0:18:30.800 --> 0:18:33.399
<v Speaker 3>Literally, what did you think about the event?

0:18:33.440 --> 0:18:34.120
<v Speaker 2>It was interesting?

0:18:35.840 --> 0:18:37.800
<v Speaker 3>What were you expecting from this event for it to

0:18:37.840 --> 0:18:39.080
<v Speaker 3>be interesting?

0:18:40.320 --> 0:18:41.960
<v Speaker 1>This is flex and frooms.

0:18:43.000 --> 0:18:45.159
<v Speaker 3>I feel like the FBI agent in my phone is

0:18:45.240 --> 0:18:48.080
<v Speaker 3>really really good at correcting my algorithm to ensure that

0:18:48.160 --> 0:18:50.359
<v Speaker 3>everything I'm interested in is what comes up on my feed.

0:18:50.920 --> 0:18:54.119
<v Speaker 3>Every time I think about my relationship to ambition and

0:18:54.240 --> 0:18:56.400
<v Speaker 3>doing stuff, I want to overcorrect and do nothing, which

0:18:56.440 --> 0:18:57.920
<v Speaker 3>is just not sustainable for my lifestyle.

0:18:58.000 --> 0:18:59.960
<v Speaker 2>Right, So when you want all or nothing.

0:19:00.080 --> 0:19:02.440
<v Speaker 3>Pretty much, you know, like when I'm working really hard,

0:19:02.480 --> 0:19:03.960
<v Speaker 3>I pretend that my fantasy is to be on like

0:19:04.000 --> 0:19:06.800
<v Speaker 3>a farm commune. No, babe, you've never wanted that in

0:19:06.800 --> 0:19:10.840
<v Speaker 3>your life. You're a layer. But I saw this Instagram

0:19:10.920 --> 0:19:15.960
<v Speaker 3>post from ABC News headline dream job already had me right.

0:19:16.280 --> 0:19:18.280
<v Speaker 3>Meet the Tokyo man who gets paid to do nothing.

0:19:18.280 --> 0:19:20.120
<v Speaker 3>I'm thinking, is it clickbait? Is it clickbait?

0:19:20.160 --> 0:19:20.640
<v Speaker 2>Probably?

0:19:20.920 --> 0:19:23.680
<v Speaker 3>Basically, there's this thirty eight year old guy who charges

0:19:24.000 --> 0:19:26.560
<v Speaker 3>approximately one hundred dollars per booking to a company client

0:19:26.680 --> 0:19:29.960
<v Speaker 3>and simply exist as a companion. So wherever you're going,

0:19:30.080 --> 0:19:34.680
<v Speaker 3>I'll come. That's it. No expectation to do stuff with you,

0:19:35.320 --> 0:19:37.600
<v Speaker 3>just be where you're going. He said that he got

0:19:37.640 --> 0:19:40.760
<v Speaker 3>paid to go to a park with a person who

0:19:40.760 --> 0:19:43.320
<v Speaker 3>wanted to play on a seesaw or two person job,

0:19:43.440 --> 0:19:47.160
<v Speaker 3>two person job. He also got paid just to accompany

0:19:47.200 --> 0:19:49.920
<v Speaker 3>someone for lunch. So not only are you getting paid

0:19:49.920 --> 0:19:52.080
<v Speaker 3>to be there, but whatever you end up doing is

0:19:52.119 --> 0:19:55.440
<v Speaker 3>on someone else's dime. A professional friend, one might say,

0:19:55.720 --> 0:20:00.080
<v Speaker 3>but not even a professional acquaintance. Yeah, professional presence, a

0:20:00.160 --> 0:20:01.560
<v Speaker 3>professional presence.

0:20:01.640 --> 0:20:03.880
<v Speaker 2>I totally get that. I think that's why podcasts are

0:20:03.920 --> 0:20:07.360
<v Speaker 2>so popular, because you just want someone with you. I

0:20:07.400 --> 0:20:09.080
<v Speaker 2>totally get that. You just want something in your eggs.

0:20:09.200 --> 0:20:11.400
<v Speaker 2>You don't want to think. You just want someone with you,

0:20:11.400 --> 0:20:13.800
<v Speaker 2>don't want to be alone. I also think, have you

0:20:13.840 --> 0:20:15.879
<v Speaker 2>noticed that thing where if someone's really staring at you

0:20:15.920 --> 0:20:19.720
<v Speaker 2>and giving a lot of attention, it's relaxing. Do you

0:20:19.720 --> 0:20:20.159
<v Speaker 2>ever get that?

0:20:25.080 --> 0:20:25.639
<v Speaker 3>You don't get that.

0:20:25.840 --> 0:20:29.360
<v Speaker 2>You don't get that when someone's drawing in your hand

0:20:29.359 --> 0:20:32.119
<v Speaker 2>and oh, your back or something. It's nice because it

0:20:32.160 --> 0:20:35.000
<v Speaker 2>feels it's also nice because the attention is on you

0:20:35.080 --> 0:20:38.160
<v Speaker 2>in some cosmic way. Yes, I do like that.

0:20:38.440 --> 0:20:40.879
<v Speaker 3>I think I like the passive attention better, Like, like

0:20:40.920 --> 0:20:43.359
<v Speaker 3>you're saying, being in the same room as someone knowing

0:20:43.400 --> 0:20:45.080
<v Speaker 3>that we could have a discussion if we wanted to,

0:20:45.160 --> 0:20:48.639
<v Speaker 3>but having no pressure to do anything. That's quite nice.

0:20:48.960 --> 0:20:52.080
<v Speaker 3>But here's the thing. If you've ever fantasized about living

0:20:52.080 --> 0:20:55.280
<v Speaker 3>a life that's different to yours currently, it can be done.

0:20:55.480 --> 0:20:57.720
<v Speaker 3>What's that quote, if you can dream it, you can

0:20:57.880 --> 0:20:58.280
<v Speaker 3>do it.

0:20:58.720 --> 0:21:03.840
<v Speaker 2>Yeah, Joey's out on that one. I've got many dreams.

0:21:03.880 --> 0:21:07.439
<v Speaker 3>Don't rule it out. Let this Tokyo man be your

0:21:07.600 --> 0:21:10.119
<v Speaker 3>guiding star. He can get paid one hundred bucks to

0:21:10.160 --> 0:21:12.200
<v Speaker 3>do nothing. You can too.

0:21:12.440 --> 0:21:14.800
<v Speaker 2>I mean I think we do in some respects. Yeah, yeah,

0:21:14.840 --> 0:21:16.600
<v Speaker 2>get out. That's for another segment.

0:21:17.000 --> 0:21:20.159
<v Speaker 1>You're listening to flex and Frooms on Kita.

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<v Speaker 2>The other day we were talking about feng shui and

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<v Speaker 2>was it about the studio and about how we've got

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<v Speaker 2>a poltigeist and maybe if we got better feng shuei

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<v Speaker 2>the poltogist would be gone.

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<v Speaker 3>I don't understand how we get to any of our tangents,

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<v Speaker 3>to be honest, but I do know a few hot

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<v Speaker 3>tips to anyone who wants to, I guess make their

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<v Speaker 3>room more energetically efficient. Number one, never have your back

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<v Speaker 3>facing the door. Sorry to produce a brook. It's bad, bad,

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<v Speaker 3>I'm not sure what for, but don't do it. You

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<v Speaker 3>should be in a commanding position. That means that from

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<v Speaker 3>your vantage point, you should be able to see the

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<v Speaker 3>full room, or you know, the most dominant part of

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<v Speaker 3>the room.

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<v Speaker 2>Well, that's kind of like I'd go out for a

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<v Speaker 2>yung cha with my family every Sunday and Dad would

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<v Speaker 2>only be comfortable if he was sitting in the very

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<v Speaker 2>corner looking at the whole restaurant. It's like a gangster thing,

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<v Speaker 2>like you need to have your guns so you can

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<v Speaker 2>kill anyone who comes in par and really I just

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<v Speaker 2>want to have that.

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<v Speaker 3>And there's one more thing as well. I don't know

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<v Speaker 3>if you are you are moving soon. It's a bit

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<v Speaker 3>of tips about your bedroom. Natural materials are gonna be

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<v Speaker 3>best for grounding. I'm talking woods, you know, I'm saying marbles.

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<v Speaker 3>I know how the coins are stacked up. But also,

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<v Speaker 3>if you're the kind of person who likes having art

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<v Speaker 3>in your bedroom, be careful about what kind of art

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<v Speaker 3>you put above your head, because apparently you're gonna energetically

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<v Speaker 3>absorb that. So nothing too dark, nothing too hectic, nothing

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<v Speaker 3>too like anti vibe. It's important.

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<v Speaker 2>Whoa okay, because I'm in that mirrored situation where opposite

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<v Speaker 2>my bed of this whole like floor length mirror.

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<v Speaker 3>Oh that's not good at all.

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<v Speaker 2>Yeah, that's all. And I'm seeing myself. I've got two

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<v Speaker 2>eggs above my bed, which is quite cute. This is

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<v Speaker 2>inviting spirits into her sanctuary? Is it?

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<v Speaker 4>Well?

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<v Speaker 2>Open portals, Fanks, just FYI, because I want to go

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<v Speaker 2>into it. I want to actually get an expert in

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<v Speaker 2>but the words mean in Chinese wind water. Feng is

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<v Speaker 2>wind and shui means water. And it's just about the

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<v Speaker 2>energy up and down. And da da da, thank you.

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<v Speaker 3>It's about the energy up and down.

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<v Speaker 2>Da da da.

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<v Speaker 1>You've been listening to the Flex and Frooms Daily podcast.

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