WEBVTT - AUSTRALIAN SURVIVOR EXIT INTERVIEWS: Week 4

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week Airline. Welcome TV Reload listeners.

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<v Speaker 1>My name is Benjamin Norris and this is your podcast

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<v Speaker 1>to get all the inside goss on the popular TV

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<v Speaker 1>shows you may be watching from around the world. Undeniably,

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<v Speaker 1>our TV sets are a major part of our home

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<v Speaker 1>entertainment and very little is known about how our favorite

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<v Speaker 1>shows get made. Each episode, I find guests that want

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<v Speaker 1>to dive just that little bit deeper into the shows

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<v Speaker 1>they're currently making, so that you can hear all their

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<v Speaker 1>exclusive stories and gain access to the biggest names in

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<v Speaker 1>Australian television. I want to thank you for downloading or

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<v Speaker 1>subscribing to this podcast. I love hearing your feedback, so

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<v Speaker 1>make sure you leave a comment on your chosen podcast

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<v Speaker 1>platform and I will make sure you feel as included

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<v Speaker 1>in the production of this show as I possibly can.

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<v Speaker 1>As you would know, I am obsessed with Australian Survivor

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<v Speaker 1>twenty twenty three and I'm doing the exit interview chats

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<v Speaker 1>for Heroes versus Villains. So this episode we will be

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<v Speaker 1>talking to the latest booted castaways from week four. First up,

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<v Speaker 1>I have Jordi Hansen, who no secret is one of

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<v Speaker 1>my favorite contestants in both seasons that I've seen him in.

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<v Speaker 1>Jordi re entered the Australian Survivor universe with the nickname

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<v Speaker 1>firmly slated as the Joker, beautifully selected as a villain

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<v Speaker 1>and one hundred percent a fan favorite for many Survivor enthusiasts.

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<v Speaker 1>We will talk massive idle fails and whether you can

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<v Speaker 1>ever play two sides successfully. We will discuss pieces to

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<v Speaker 1>camera and if they actually mean anything to how your

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<v Speaker 1>game is going. I really want to know if Simon

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<v Speaker 1>can pop out from his current deputy Dewy Roll as

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<v Speaker 1>the second in charge, wanting to be in charge. Jordi

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<v Speaker 1>will also share who he thinks could win and if

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<v Speaker 1>he would ever return to the Australian format again interesting.

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<v Speaker 1>We then have Benjamin Law, who was another journalist to

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<v Speaker 1>be booted from the show, but he's also known for

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<v Speaker 1>his popular writing on TV shows, novels and theater. I

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<v Speaker 1>actually think of him as an LGBTI activist and his

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<v Speaker 1>name being attached to this series was very exciting for me.

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<v Speaker 1>We will find out why he thinks people thought he

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<v Speaker 1>was shifty. We will discuss making the fake idol and

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<v Speaker 1>if he could have used his idle clue in a

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<v Speaker 1>different advantage. Benjamin will also reveal why he probably won't

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<v Speaker 1>return to the show and who most likely will be

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<v Speaker 1>standing in his way. Plus, Benjamin and Jordie both will

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<v Speaker 1>break down the fourth week of the series on Network ten,

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<v Speaker 1>which will give you some pretty cool exclusives on what

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<v Speaker 1>actually went down during their epic time on the show. However,

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<v Speaker 1>let's bring Jordan in now. I'm sure you're going to

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<v Speaker 1>enjoy his banter.

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<v Speaker 2>Hi, Ben, it's disappointing. I can't see your face. You

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<v Speaker 2>are always entertaining to be on a zoom win and

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<v Speaker 2>you've got such a beautiful set. I feel like it's wasted.

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<v Speaker 1>Now, it's so wasted. And I've just been sitting here

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<v Speaker 1>waiting to have this chat with you, and now you

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<v Speaker 1>can't see it all. Anyway, I digress and we have

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<v Speaker 1>to get into this chat with Survivor.

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<v Speaker 2>Go mate.

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<v Speaker 1>Okay, So you came back to Australian Survivor and for

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<v Speaker 1>audiences it was really clear that you had changed in

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<v Speaker 1>some way. Did you feel like something or has something

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<v Speaker 1>changed quite significantly for us to have noticed that different?

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<v Speaker 2>That's an interesting question. Yeah, a couple of people who

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<v Speaker 2>have said that to me, And you know, it seemed

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<v Speaker 2>to me this whole, this constant thing saying, how is

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<v Speaker 2>JORDI the voice of reason? I know I get it

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<v Speaker 2>in some way, but also I feel like I was

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<v Speaker 2>always like that. Perhaps it's situational. This time I was

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<v Speaker 2>surrounded by a different situation and different people, people that

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<v Speaker 2>perhaps weren't so level headed and were acting on emotions

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<v Speaker 2>and egos rather than being strategic and having fun and

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<v Speaker 2>so automatically you, I guess you become the voice of

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<v Speaker 2>reason when you see through that sort of rubbish. I

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<v Speaker 2>don't know.

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<v Speaker 1>I mean, I loved you the first time round, so

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<v Speaker 1>there was no real change for me. It was more

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<v Speaker 1>my reading of it online. And then I guess you

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<v Speaker 1>did get to play the word of reason in a

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<v Speaker 1>really hectic situation at one point. You know, I guess

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<v Speaker 1>sometimes if everyone's behaving badly, some people can look better.

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<v Speaker 2>But mate, I suppose so, Yeah, that was That was

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<v Speaker 2>a funny night, A very disappointing night that tribal counsel in.

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<v Speaker 2>You know, the way that they spoke to each other

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<v Speaker 2>was uncalled for, and I sort of let them know

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<v Speaker 2>that I.

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<v Speaker 1>Suppose, Well, some people have said Simon isn't doing anything

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<v Speaker 1>different from his first run on Austrain and Survivor, where

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<v Speaker 1>you have grown and evolved. You know, what does that

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<v Speaker 1>statement mean to you? I mean, do you think there's

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<v Speaker 1>some truth in that that Simon hasn't really changed his

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<v Speaker 1>gameplay compared to you. I'm maybe trying something different.

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<v Speaker 2>Perhaps, Yeah, I guess so, Like I don't want to,

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<v Speaker 2>you know, I don't want to speak too negatively about him.

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<v Speaker 2>He does have a good heart. But I suppose him

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<v Speaker 2>and George are in the same boat. You know, Simon

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<v Speaker 2>didn't learn from not being the leader, and I took

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<v Speaker 2>advantage of that. You know, everyone knows early days got

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<v Speaker 2>the leader, and I saw he was more than willing

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<v Speaker 2>to jump on that train. And then George as well,

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<v Speaker 2>seems to forget that. In the end, your peers are

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<v Speaker 2>the people that vote for you on the jury. You know,

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<v Speaker 2>they vote for you to win. You've got to play

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<v Speaker 2>a social game, and for some reason, George also didn't

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<v Speaker 2>learn from that. Here's me, though, sitting here at home

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<v Speaker 2>while they're still out there. You know, So having said that,

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<v Speaker 2>my advice really means nothing.

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<v Speaker 1>The moment that you said I'm going to play both sides.

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<v Speaker 1>I was like, no, Jordy, like I and my partner's

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<v Speaker 1>watching Survivor for the very first time, so like he's

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<v Speaker 1>never watched it before, and he was like, why are

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<v Speaker 1>you reacting like that? Why are you smacking your head?

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<v Speaker 1>Why are you saying no to Jeordie? And I was like,

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<v Speaker 1>I don't know whether or not players can play both

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<v Speaker 1>sides successfully. What do you think? Do you think that

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<v Speaker 1>making that decision at that point to try and play

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<v Speaker 1>everyone was maybe a bad idea.

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<v Speaker 2>Look, everyone's got their own opinions, so as a Survivor fan,

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<v Speaker 2>you know there's there's a history of people not getting

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<v Speaker 2>that right. But also if you do get it right,

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<v Speaker 2>it plays off. You know, it pays off. And if

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<v Speaker 2>it wasn't for that twist at that tribal council, it

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<v Speaker 2>would have paid off. But you know, I don't have

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<v Speaker 2>a crystal ball. I can't read the future. I did

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<v Speaker 2>not predict that there would be an immunity challenge within

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<v Speaker 2>a tribal you know, I didn't even know that was

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<v Speaker 2>a thing that existed. So if it wasn't for that twist,

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<v Speaker 2>the plan would have worked.

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<v Speaker 1>Honestly, I'm going to get back into this in a

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<v Speaker 1>little bit, but I just wanted to ask you, why

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<v Speaker 1>do you think that this series has been so amazing?

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<v Speaker 1>I mean, you should see what people are saying online

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<v Speaker 1>and that the ground swell that's happening. I mean, it

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<v Speaker 1>is the most enjoyable series I've ever seen. But why

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<v Speaker 1>has it leveled up in your mind?

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<v Speaker 2>That's a great question. I look for a lot of reasons,

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<v Speaker 2>you know. I think that I'd like to think that

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<v Speaker 2>the game players moving to a new level. I'd like

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<v Speaker 2>to think that it's because of the players and the

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<v Speaker 2>way that they've learned how the game works and they

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<v Speaker 2>understand how the game should be played. I'd like to

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<v Speaker 2>think that's the case, rather than production. I would like

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<v Speaker 2>to think that's.

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<v Speaker 1>The case last night. This is my thoughts on this.

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<v Speaker 1>I just think that you should have told the entire

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<v Speaker 1>tribal council that you both had idols and this wasn't

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<v Speaker 1>about your elimination. This was about which one one of

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<v Speaker 1>them was going to go home. I think if you

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<v Speaker 1>had been so convincing with that, you could have not

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<v Speaker 1>played your idols, which is what you were wanting to do,

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<v Speaker 1>but it would have been more of a clever tactic

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<v Speaker 1>to try and get them to scramble.

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<v Speaker 2>I guess perhaps you're right, Yeah, perhaps you're right. For me,

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<v Speaker 2>it was more so rather than holding someone over a barrel,

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<v Speaker 2>it was more so about forming an alliance. You know

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<v Speaker 2>that I was never going to play that idol. You know,

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<v Speaker 2>I had assumed that the numbers were going to be

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<v Speaker 2>split between Liz and I, and you know, that's what

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<v Speaker 2>we were told, and that we would end up sending

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<v Speaker 2>Sam home. Having gained new alliance members in Haley and Nina.

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<v Speaker 2>I would assume that those girls would have maybe wanted

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<v Speaker 2>to start playing the game a bit harder, you know,

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<v Speaker 2>and get out of the shadow of those fellas. You know,

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<v Speaker 2>they were really hiding under the supervision of those lads.

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<v Speaker 2>And I wanted to make a change, you know, changing

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<v Speaker 2>the narrative. Let's do it, you know. But unfortunately, once again,

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<v Speaker 2>you know, my opinions may not be correct. They're there

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<v Speaker 2>and I'm here.

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<v Speaker 1>So well, so do you think if the moths were

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<v Speaker 1>a little bit different, So that were definitely was Sam.

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<v Speaker 1>So Sam in your mind was going to is Who's

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<v Speaker 1>going to go home? That's what you were within.

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<v Speaker 2>I was pretty comfortable. I knew I was going to

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<v Speaker 2>cop some votes. You know, it was fairly obvious Liz

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<v Speaker 2>and I were the only two people that weren't jumping

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<v Speaker 2>on the hero train. So yeah, I had assumed that

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<v Speaker 2>the votes were going to be split between Liz and I.

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<v Speaker 2>I also thought maybe we'd have Simon. I'd also been

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<v Speaker 2>told that maybe Sean was interested as well, And as

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<v Speaker 2>we saw, Sean was interested right up until the last minute.

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<v Speaker 2>I was fairly comfortable to take that risk. But for me,

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<v Speaker 2>regardless of whether I took the risk or not, it

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<v Speaker 2>was about creating an alliance. Sure, I could have woken

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<v Speaker 2>up the next day on that beach, but then what

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<v Speaker 2>you know, like I was still out numbered. You know,

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<v Speaker 2>I had one alliance member. I was shafted anyway, for

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<v Speaker 2>want of a better.

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<v Speaker 1>Term, well, Sean saying that he was looking forward to

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<v Speaker 1>working with you, I thought, you know, maybe this is

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<v Speaker 1>the tease to the deconstruction of the meat train.

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<v Speaker 2>Well, yeah, and I would have thought that once again,

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<v Speaker 2>I don't want the guy. But every year I keep going,

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<v Speaker 2>why would you not? You know, I feel like I'm

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<v Speaker 2>saying sad thing I said last year. You know, why

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<v Speaker 2>just make a move. Let's do it. Let's break this up,

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<v Speaker 2>come on, like you know, but once again it's a snowsfest.

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<v Speaker 1>But they see That's where I think it comes down

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<v Speaker 1>to the question I was asking you, and the reason

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<v Speaker 1>why this show has leveled up is when the show

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<v Speaker 1>first came on television, everyone was so scared to go home.

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<v Speaker 1>They played safe and they played no big moves, and

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<v Speaker 1>for the audience at home, it just meant that it

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<v Speaker 1>wasn't as exciting where for you, you played big moves.

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<v Speaker 1>And you know, I think had you been in season

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<v Speaker 1>one doing this, you wouldn't have done that, you know

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<v Speaker 1>what I mean, Like I think, yeah.

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<v Speaker 2>No, you're right, you are right, Yeah, one hundred percent,

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<v Speaker 2>You're definitely right there. Yeah, it's changed completely. You know,

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<v Speaker 2>people know that. I think to be I would like

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<v Speaker 2>to think that people are making big moves and strategically

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<v Speaker 2>and intelligently and measured moves to impress the jury at

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<v Speaker 2>the end because they know what it takes. We've seen

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<v Speaker 2>after year when goats arrive at jury at the final,

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<v Speaker 2>at the final tribal, in front of the jury, they're

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<v Speaker 2>not impressed. You don't impress people just getting to the end.

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<v Speaker 2>You impress people by being measured and making smart, striking decisions.

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<v Speaker 2>And I think people know that, and I'd like to

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<v Speaker 2>think that's why, rather than you know, people doing it

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<v Speaker 2>to cause drama or you know, get attention. I hope

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<v Speaker 2>people are, you know, maintaining the purity of survival when

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<v Speaker 2>they make these decisions.

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<v Speaker 1>Well, Shoannie looked a little bit pissed that that idol

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<v Speaker 1>was burnt. Did you owe her a more sensible plan?

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<v Speaker 1>That's what I thought. I thought, you know, maybe easy come,

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<v Speaker 1>easygo scenario where you just were like, oh, hold, we

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<v Speaker 1>got these two idols, now, you know, let's just do whatever.

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<v Speaker 1>You know, let's I don't know, I just I wondered

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<v Speaker 1>whether or not you felt like you should have owed

0:10:47.440 --> 0:10:48.760
<v Speaker 1>her a better play of the idol.

0:10:49.080 --> 0:10:52.319
<v Speaker 2>Sure. I think perhaps it's difficult for people to see

0:10:53.520 --> 0:10:56.480
<v Speaker 2>the situation I was in. You know, there were quite

0:10:56.559 --> 0:11:01.240
<v Speaker 2>literally moments where it was everyone talk and I'm just

0:11:01.280 --> 0:11:03.760
<v Speaker 2>standing there going like, I know, you guys are talking

0:11:03.760 --> 0:11:06.080
<v Speaker 2>about me, you know, and me and Liza just standing

0:11:06.120 --> 0:11:08.840
<v Speaker 2>They're going, we're in trouble here. We got to do something,

0:11:09.000 --> 0:11:12.600
<v Speaker 2>so you know, sensible would be sure, play an idol,

0:11:12.640 --> 0:11:15.880
<v Speaker 2>send someone home. But then what you know, like then

0:11:15.920 --> 0:11:18.760
<v Speaker 2>I'm just sitting there. The idol's gone, it's back in

0:11:18.880 --> 0:11:22.680
<v Speaker 2>play anyway. It's more so about rather than just having

0:11:22.720 --> 0:11:25.600
<v Speaker 2>another morning on the beach, It's about creating in a line.

0:11:25.800 --> 0:11:28.200
<v Speaker 2>I think if people have an understanding of the game,

0:11:28.240 --> 0:11:30.680
<v Speaker 2>they'll know that just another day on the beach doesn't

0:11:30.679 --> 0:11:32.560
<v Speaker 2>mean you're not snooked anymore.

0:11:33.040 --> 0:11:35.319
<v Speaker 1>But you know what's funny, though, is I love Simon

0:11:35.360 --> 0:11:37.640
<v Speaker 1>by the way, I love both of you. Your two

0:11:37.760 --> 0:11:40.840
<v Speaker 1>are so good in this season almost. I mean, people

0:11:41.040 --> 0:11:43.120
<v Speaker 1>talking about George, but I feel like I've been talking

0:11:43.160 --> 0:11:46.280
<v Speaker 1>about you and Simon Moore. And my only concern for

0:11:46.360 --> 0:11:49.120
<v Speaker 1>Simon is I worry can he ever really shake this

0:11:49.280 --> 0:11:53.600
<v Speaker 1>kind of Barney Fife Deputy Dufus connotation that he has

0:11:53.679 --> 0:11:56.240
<v Speaker 1>going at the moment, you know where you get what

0:11:56.280 --> 0:11:59.280
<v Speaker 1>I'm saying here, right? You know, he obviously had gone

0:11:59.320 --> 0:12:01.760
<v Speaker 1>to sleep every night with his line ready to use

0:12:01.920 --> 0:12:05.240
<v Speaker 1>and gold, and he'd said it a thousand times, and

0:12:05.280 --> 0:12:07.520
<v Speaker 1>then when he couldn't get it out, you could see

0:12:07.559 --> 0:12:09.120
<v Speaker 1>the frustration in his eyes.

0:12:09.400 --> 0:12:12.560
<v Speaker 2>It just was, Oh, how funny it was that, Oh,

0:12:12.679 --> 0:12:15.640
<v Speaker 2>the poor bugger, the poor bugger, Like he's you know,

0:12:16.400 --> 0:12:21.280
<v Speaker 2>his whole world is wrapped up in Survivor, and unfortunately,

0:12:21.320 --> 0:12:25.080
<v Speaker 2>I think he's placing too much importance around his performance,

0:12:25.440 --> 0:12:28.400
<v Speaker 2>you know, while the prize is life changing, I think

0:12:28.480 --> 0:12:32.439
<v Speaker 2>that character beats strategy any day personally. And I think that,

0:12:32.640 --> 0:12:35.200
<v Speaker 2>you know, because he's so wrapped up in it, he

0:12:35.240 --> 0:12:38.160
<v Speaker 2>finds out hard to see. Clearly, he can't see. He

0:12:38.160 --> 0:12:40.600
<v Speaker 2>doesn't have the perspective on the game that you need

0:12:40.640 --> 0:12:44.600
<v Speaker 2>to see. Pass. For example, Sean and Sam cooked up

0:12:44.679 --> 0:12:46.880
<v Speaker 2>last night getting him to hand over what he thought

0:12:46.960 --> 0:12:49.240
<v Speaker 2>was an idol, you know, like, mate, can you not

0:12:49.520 --> 0:12:53.680
<v Speaker 2>see how you're just being worked over? Like take some control.

0:12:53.760 --> 0:12:55.840
<v Speaker 2>And that's what I try and sell tell people, and

0:12:55.880 --> 0:12:59.200
<v Speaker 2>that's sort of what I was preaching last night, was

0:12:59.520 --> 0:13:02.120
<v Speaker 2>don't back someone into a corner and expect them to

0:13:02.120 --> 0:13:04.240
<v Speaker 2>do what you tell them to do, you know, like,

0:13:04.600 --> 0:13:07.120
<v Speaker 2>at least have a dig, have a crack, you know,

0:13:07.640 --> 0:13:11.600
<v Speaker 2>don't just bend over for the majority. At least try something.

0:13:11.720 --> 0:13:14.280
<v Speaker 1>I guess though, that Simon really only exists in the

0:13:14.320 --> 0:13:16.960
<v Speaker 1>survival world, and I guess that can be quite dangerous

0:13:16.960 --> 0:13:19.800
<v Speaker 1>in a way where for you, for some reason, the

0:13:19.800 --> 0:13:22.440
<v Speaker 1>way you've played, and I guess the media profile that

0:13:22.480 --> 0:13:24.760
<v Speaker 1>you've managed to create for yourself means that we could

0:13:24.760 --> 0:13:26.600
<v Speaker 1>see you in any format, like you know, you could

0:13:26.640 --> 0:13:29.080
<v Speaker 1>go on to something else and exist outside of that.

0:13:29.400 --> 0:13:31.319
<v Speaker 1>So I guess the pressure for him might be a

0:13:31.320 --> 0:13:33.520
<v Speaker 1>little bit stronger than you. I guess because you might

0:13:33.559 --> 0:13:33.920
<v Speaker 1>be closer.

0:13:34.080 --> 0:13:36.920
<v Speaker 2>Really, that was lovely I mean to say about me,

0:13:37.240 --> 0:13:39.880
<v Speaker 2>But yeah, I think that. Look to be honest, I

0:13:39.920 --> 0:13:42.680
<v Speaker 2>haven't I've not done anything. I'm not in control of

0:13:42.720 --> 0:13:45.480
<v Speaker 2>the way that the public perceives me. You and I

0:13:45.520 --> 0:13:49.360
<v Speaker 2>both know that the general public can decide however they

0:13:49.400 --> 0:13:52.120
<v Speaker 2>want to believe. They can believe anything they want to believe,

0:13:52.320 --> 0:13:54.360
<v Speaker 2>you know, And it's not to do with me. I'm

0:13:54.400 --> 0:13:57.160
<v Speaker 2>just I just put myself out there, you know, and

0:13:57.280 --> 0:14:00.400
<v Speaker 2>I'm received how I am received. And Simon does it same.

0:14:00.480 --> 0:14:04.000
<v Speaker 2>He puts himself out there and he's received how however

0:14:04.440 --> 0:14:07.000
<v Speaker 2>he has received, you know. And so in the end,

0:14:07.120 --> 0:14:11.040
<v Speaker 2>I think true characters shine through and what's genuine comes

0:14:11.080 --> 0:14:13.960
<v Speaker 2>through I think as well. And people see through, people

0:14:14.000 --> 0:14:17.120
<v Speaker 2>see through it, people see through what you display, People

0:14:17.160 --> 0:14:21.520
<v Speaker 2>see through you know, you know, the idealistic image that

0:14:21.560 --> 0:14:24.080
<v Speaker 2>you portray. And so I think by just keeping it

0:14:24.120 --> 0:14:28.320
<v Speaker 2>real and you know, perhaps not try not even trying

0:14:28.360 --> 0:14:31.040
<v Speaker 2>to pretend don't even try and lie to the general public.

0:14:31.080 --> 0:14:32.320
<v Speaker 2>They can see what's going on.

0:14:32.520 --> 0:14:34.280
<v Speaker 1>I agree, I agree, But I also think you are

0:14:34.320 --> 0:14:36.760
<v Speaker 1>in control of that. I think on reality TV, you know,

0:14:36.800 --> 0:14:39.480
<v Speaker 1>there's a lot of variables you could you're so freely

0:14:39.480 --> 0:14:41.680
<v Speaker 1>giving away your narrative and letting other people have that

0:14:41.760 --> 0:14:44.120
<v Speaker 1>in their hands. But at the very core of who

0:14:44.160 --> 0:14:47.280
<v Speaker 1>you are, no matter who you no matter how you play

0:14:47.320 --> 0:14:50.400
<v Speaker 1>good or bad, the audience will see through. They will

0:14:50.400 --> 0:14:53.440
<v Speaker 1>connect to you. Yeah, and that currency is much more

0:14:53.480 --> 0:14:57.440
<v Speaker 1>powerful and viable in a long game than just being

0:14:57.600 --> 0:14:59.600
<v Speaker 1>a big character in one season of Survivor.

0:14:59.760 --> 0:15:02.440
<v Speaker 2>Yeah, I think you're right. I think you're right, and

0:15:02.600 --> 0:15:05.960
<v Speaker 2>I you know, I think that maybe for up and

0:15:05.960 --> 0:15:09.920
<v Speaker 2>coming players, maybe that's a good lesson. You know, try and.

0:15:09.760 --> 0:15:11.880
<v Speaker 1>Though Geordie, it depends. Maybe you just want to be

0:15:12.000 --> 0:15:16.000
<v Speaker 1>on Survivor. Maybe you just want to have the Survivor showbag,

0:15:16.080 --> 0:15:18.400
<v Speaker 1>and you know you've got that for life, and you

0:15:18.400 --> 0:15:20.360
<v Speaker 1>can go back and undo the Survivor showback and go

0:15:20.400 --> 0:15:22.320
<v Speaker 1>through it and tell your friends. Maybe that's all.

0:15:22.240 --> 0:15:25.720
<v Speaker 2>You You're right. Everyone's different, everyone's got a different idea

0:15:26.080 --> 0:15:28.240
<v Speaker 2>is about what they want from their life. But you know,

0:15:28.440 --> 0:15:31.080
<v Speaker 2>I guess for me personally, I can only speak from

0:15:31.160 --> 0:15:34.480
<v Speaker 2>personal experience and my own personal opinion. You know, there

0:15:34.520 --> 0:15:38.479
<v Speaker 2>is much more going on in our world outside of Survivors,

0:15:38.520 --> 0:15:40.360
<v Speaker 2>so you've got to think past it, you know. And

0:15:40.880 --> 0:15:43.960
<v Speaker 2>sure that doesn't mean don't get involved and don't put

0:15:44.000 --> 0:15:47.520
<v Speaker 2>your whole heart into Survivor. Like I gave everything I

0:15:47.560 --> 0:15:49.840
<v Speaker 2>had to the game. You know, when you're out there,

0:15:49.840 --> 0:15:52.080
<v Speaker 2>you've got to you've got to rip in. But but

0:15:52.120 --> 0:15:54.800
<v Speaker 2>that doesn't mean compromising who you are as a person.

0:15:55.080 --> 0:15:58.400
<v Speaker 2>That doesn't mean Yeah, that doesn't mean saying lines or

0:15:58.720 --> 0:16:01.840
<v Speaker 2>acting or playing your character. Don't play a character. Just

0:16:01.880 --> 0:16:03.880
<v Speaker 2>go out there and be yourself and give it everything

0:16:03.880 --> 0:16:04.600
<v Speaker 2>you've got.

0:16:04.600 --> 0:16:04.840
<v Speaker 1>You know.

0:16:04.960 --> 0:16:07.840
<v Speaker 2>And that's still living out a Survivor dream.

0:16:08.360 --> 0:16:11.480
<v Speaker 1>Well, it's because you know, if you are just playing

0:16:11.520 --> 0:16:13.920
<v Speaker 1>lines and you are leaning into a character, you're only

0:16:13.960 --> 0:16:15.600
<v Speaker 1>as good as the last line that you had.

0:16:15.920 --> 0:16:18.560
<v Speaker 2>So it's very true.

0:16:18.600 --> 0:16:20.640
<v Speaker 1>You may have a couple of episodes where you don't

0:16:20.680 --> 0:16:22.720
<v Speaker 1>know that you haven't had time to script or something,

0:16:22.840 --> 0:16:26.320
<v Speaker 1>or come out with something of a doozy. People go, ah,

0:16:26.440 --> 0:16:28.680
<v Speaker 1>have you watched the vival last two episodes? Oh Simon,

0:16:28.720 --> 0:16:30.200
<v Speaker 1>you know he's not as good as what he was,

0:16:30.280 --> 0:16:34.160
<v Speaker 1>you know, it dissipates very quickly. I was going to say,

0:16:34.200 --> 0:16:36.160
<v Speaker 1>you know, there's a lot of idols again at play

0:16:36.280 --> 0:16:38.680
<v Speaker 1>and if you read the commentary board, everyone's like, I

0:16:38.680 --> 0:16:40.760
<v Speaker 1>hate that there's so many idols in Australia, where I

0:16:40.800 --> 0:16:45.320
<v Speaker 1>actually think this season we've seen an amazing use of idols.

0:16:45.480 --> 0:16:48.040
<v Speaker 1>But what are your thoughts with this? Do you enjoy

0:16:48.040 --> 0:16:50.120
<v Speaker 1>a season of Survival with a lot of idols or

0:16:50.160 --> 0:16:52.200
<v Speaker 1>do you think that we are using too many of them?

0:16:52.280 --> 0:16:54.520
<v Speaker 2>Oh? Look, I think it's great. Most of the time,

0:16:54.560 --> 0:16:56.800
<v Speaker 2>there are two in play on each beach, you know,

0:16:56.920 --> 0:16:59.240
<v Speaker 2>after a certain amount of time, they're both released into

0:16:59.280 --> 0:17:02.960
<v Speaker 2>the wild, you know, And personally, I think that's a

0:17:02.960 --> 0:17:04.920
<v Speaker 2>good thing. It's always been a part of the game

0:17:05.240 --> 0:17:11.560
<v Speaker 2>and for me, they're an opportunity to enhance the game,

0:17:11.960 --> 0:17:15.600
<v Speaker 2>not hinder. They're there to enhance, and I think they

0:17:15.720 --> 0:17:18.600
<v Speaker 2>played a good, a positive role in this seat.

0:17:18.800 --> 0:17:21.560
<v Speaker 1>Yeah. I think in some seasons though, it felt like, oh,

0:17:21.560 --> 0:17:24.080
<v Speaker 1>we can't lose this storyline, we can't lose this character,

0:17:24.200 --> 0:17:25.840
<v Speaker 1>so we're just going to put an idol right in

0:17:25.880 --> 0:17:28.399
<v Speaker 1>front of them and the audience goes, oh no and

0:17:28.400 --> 0:17:31.000
<v Speaker 1>slaps the head and goes this is too orchestrated. We

0:17:31.080 --> 0:17:33.359
<v Speaker 1>I feel like with this season, it's not the case.

0:17:33.400 --> 0:17:36.479
<v Speaker 1>It's not like they're just being used to save certain characters. Man,

0:17:36.520 --> 0:17:38.800
<v Speaker 1>we've just lost you. You're like the Ricky Lee moment

0:17:38.840 --> 0:17:45.800
<v Speaker 1>of survivor losing at this point, Ricky Lee, every episode,

0:17:45.800 --> 0:17:48.200
<v Speaker 1>I have my non negotiables on people that you can't

0:17:48.200 --> 0:17:52.040
<v Speaker 1>go home, you know. And I didn't even feel like

0:17:52.160 --> 0:17:53.800
<v Speaker 1>you in the tribal. You were sitting there and you

0:17:53.840 --> 0:17:55.679
<v Speaker 1>were like, I'm just here to enjoy myself, and I

0:17:55.720 --> 0:17:57.560
<v Speaker 1>was like, I'm just here to enjoy myself. There's no

0:17:57.600 --> 0:18:00.119
<v Speaker 1>way Jeordie's going home. And then when you went home,

0:18:00.160 --> 0:18:02.400
<v Speaker 1>I kept waiting for the camera to turn around and

0:18:02.520 --> 0:18:04.639
<v Speaker 1>you to be shipped off to Hell Whole Island or

0:18:04.680 --> 0:18:07.359
<v Speaker 1>wherever it was going to be. And the fact that

0:18:07.400 --> 0:18:09.119
<v Speaker 1>you went home and it rolled into the promo for

0:18:09.160 --> 0:18:11.680
<v Speaker 1>the next episode, I was like, what the fuck's going

0:18:11.720 --> 0:18:13.760
<v Speaker 1>on now? Like the Ricky Lay moment.

0:18:15.119 --> 0:18:17.959
<v Speaker 2>Oh made I know, I know it's a bit like that,

0:18:18.080 --> 0:18:20.440
<v Speaker 2>but you know, on the Idols thing and on people

0:18:20.480 --> 0:18:22.800
<v Speaker 2>going home and people being saying, look, I'd like to

0:18:22.840 --> 0:18:25.639
<v Speaker 2>think I'm a survivor purist, you know, I'd like to

0:18:25.680 --> 0:18:27.639
<v Speaker 2>think that there's not too much of that going on,

0:18:27.960 --> 0:18:30.240
<v Speaker 2>and a lot of it is, and i'd like to

0:18:30.240 --> 0:18:33.560
<v Speaker 2>think that all of it is by chance, you know,

0:18:33.760 --> 0:18:37.479
<v Speaker 2>and these things just happen. Yeah, I think that's as

0:18:37.520 --> 0:18:38.240
<v Speaker 2>far as I'll take that.

0:18:39.320 --> 0:18:40.959
<v Speaker 1>What about I know, you can't really say too much

0:18:40.960 --> 0:18:42.880
<v Speaker 1>without making it sound like you know, you're big noting

0:18:42.880 --> 0:18:44.399
<v Speaker 1>yourself or anything like I can't of get it. But

0:18:44.640 --> 0:18:46.919
<v Speaker 1>you know, there's also so much commentary about, you know,

0:18:46.960 --> 0:18:49.639
<v Speaker 1>the camera time and the pieces to camera that everyone gets.

0:18:49.840 --> 0:18:52.080
<v Speaker 1>I mean, you had a bunch of camera times throughout

0:18:52.119 --> 0:18:55.480
<v Speaker 1>the season, but that doesn't necessarily mean you're safe. Is

0:18:55.560 --> 0:18:58.919
<v Speaker 1>there any methodology behind the process of you know, how

0:18:59.000 --> 0:19:01.280
<v Speaker 1>much screen time people a get and those pieces to cameras.

0:19:01.480 --> 0:19:05.800
<v Speaker 2>That's interesting, to be honest. It becomes about the storyline,

0:19:05.920 --> 0:19:10.800
<v Speaker 2>and so it's not necessarily about who's going home who's staying. Like,

0:19:11.400 --> 0:19:13.800
<v Speaker 2>there are a lot of people who have made it

0:19:13.880 --> 0:19:17.400
<v Speaker 2>this far and haven't had a lot on camera, and

0:19:17.440 --> 0:19:20.560
<v Speaker 2>you know, that's not necessarily down to how far they

0:19:20.600 --> 0:19:23.080
<v Speaker 2>make it or how influential they are in the game.

0:19:23.200 --> 0:19:25.480
<v Speaker 2>It comes down to the storyline and how they want

0:19:25.520 --> 0:19:27.399
<v Speaker 2>that to be shaped. You know that comes down to

0:19:27.440 --> 0:19:29.920
<v Speaker 2>the editing and production, and they do a good job

0:19:29.920 --> 0:19:31.320
<v Speaker 2>of it. I think they do a good job of it,

0:19:31.400 --> 0:19:36.080
<v Speaker 2>trying to accurately as best they can and also simplify it.

0:19:36.280 --> 0:19:38.159
<v Speaker 2>What a lot of people don't understand is there are

0:19:38.160 --> 0:19:41.000
<v Speaker 2>a lot more complexities, a lot more details that get

0:19:41.080 --> 0:19:45.000
<v Speaker 2>left out, a lot of conversations that aren't shown because

0:19:45.000 --> 0:19:48.080
<v Speaker 2>it has to be kept simple and keep the storyline

0:19:48.160 --> 0:19:50.439
<v Speaker 2>down the straight and narrow so that people can follow

0:19:50.440 --> 0:19:52.840
<v Speaker 2>and understand. While there are a lot of people that

0:19:52.880 --> 0:19:55.199
<v Speaker 2>I'm sure we go, oh, give us the complexities, give

0:19:55.280 --> 0:19:59.120
<v Speaker 2>us the detail. For the average Joe Blow might go, oh,

0:19:59.160 --> 0:20:01.360
<v Speaker 2>this is too confusing, I don't know, switch it over

0:20:01.400 --> 0:20:01.800
<v Speaker 2>to maps.

0:20:01.840 --> 0:20:05.439
<v Speaker 1>The best producers that I know are so good at

0:20:05.480 --> 0:20:07.119
<v Speaker 1>this sort of stuff, and one of them said to

0:20:07.119 --> 0:20:09.800
<v Speaker 1>me recently, it always has to speak to clarity of

0:20:09.840 --> 0:20:12.920
<v Speaker 1>the storyline, you know, and if you can speak to clarity,

0:20:12.960 --> 0:20:15.760
<v Speaker 1>it helps the audience. So as a player, if anyone's

0:20:15.800 --> 0:20:17.480
<v Speaker 1>listening to this and they're going to go into a show,

0:20:17.680 --> 0:20:19.840
<v Speaker 1>if you've signed up to survivor, speak to clarity of

0:20:19.920 --> 0:20:22.159
<v Speaker 1>the storyline that you're there, because that's how you're going

0:20:22.200 --> 0:20:24.680
<v Speaker 1>to be seen. You could have an amazing conversation about

0:20:24.720 --> 0:20:26.639
<v Speaker 1>something personal that happened to you in your life off

0:20:26.680 --> 0:20:29.000
<v Speaker 1>the side of the beach and it do you know

0:20:29.040 --> 0:20:29.359
<v Speaker 1>what I mean?

0:20:29.440 --> 0:20:31.200
<v Speaker 2>Like, yeah, that's right.

0:20:31.400 --> 0:20:33.280
<v Speaker 1>Whoop? Do you do? Your audience is, you know, only

0:20:33.320 --> 0:20:35.119
<v Speaker 1>the cast survivor on the beach and a couple of

0:20:35.119 --> 0:20:38.560
<v Speaker 1>camera crew, But you are talking to the show. If

0:20:38.600 --> 0:20:42.200
<v Speaker 1>you are talking to the narratives anyway, I'm getting You're right, You.

0:20:42.160 --> 0:20:44.040
<v Speaker 2>Are right, you bang on. Yeah, you've got to be

0:20:44.040 --> 0:20:46.320
<v Speaker 2>clear and if you're up to date with what's happening

0:20:46.400 --> 0:20:48.439
<v Speaker 2>in the game at that time. If you if you

0:20:48.560 --> 0:20:51.240
<v Speaker 2>are on top of it and you can clearly convey

0:20:51.640 --> 0:20:54.760
<v Speaker 2>and portray what is happening, they're going to want to

0:20:54.840 --> 0:20:55.960
<v Speaker 2>ask you more questions.

0:20:56.080 --> 0:20:58.040
<v Speaker 1>Yeah, well we're going to struggle. Now, we will struggle.

0:20:58.880 --> 0:21:01.080
<v Speaker 1>Just before I let you go, one quick question was

0:21:01.080 --> 0:21:04.400
<v Speaker 1>your relationship with George? You know, would you have been

0:21:04.440 --> 0:21:07.119
<v Speaker 1>able to salvage that relationship with George because what he

0:21:07.160 --> 0:21:09.399
<v Speaker 1>did to you at that tribal council was fucked? But

0:21:10.560 --> 0:21:12.399
<v Speaker 1>how would that have played it? We've been robbed of

0:21:12.520 --> 0:21:14.560
<v Speaker 1>the end of that story. How would that have played

0:21:14.600 --> 0:21:15.240
<v Speaker 1>out in your mind?

0:21:15.359 --> 0:21:18.480
<v Speaker 2>Yeah? Look, it was a tricky one at that point

0:21:18.480 --> 0:21:21.080
<v Speaker 2>in time. You know, even after that tribal council, they

0:21:21.080 --> 0:21:23.080
<v Speaker 2>were they were being a bit of hard work around

0:21:23.080 --> 0:21:24.960
<v Speaker 2>the camp. So I think if it was to come

0:21:24.960 --> 0:21:28.560
<v Speaker 2>to another tribal council before tribeslop, it would have been

0:21:28.600 --> 0:21:30.639
<v Speaker 2>interesting to see those two go head to head. They

0:21:30.640 --> 0:21:33.480
<v Speaker 2>were still having at it, but you know, having the

0:21:33.520 --> 0:21:38.400
<v Speaker 2>tribes swap play out. George and I had maintained a relationship.

0:21:38.440 --> 0:21:41.600
<v Speaker 2>We'd realize that moving forward, because of the numbers, we

0:21:41.600 --> 0:21:44.240
<v Speaker 2>were going to have to work together, and I think

0:21:44.320 --> 0:21:47.040
<v Speaker 2>that showed in George and Shanee. There is no way

0:21:47.040 --> 0:21:50.919
<v Speaker 2>Shanne would have handed that idle over without George's permission. True,

0:21:50.800 --> 0:21:53.439
<v Speaker 2>you know, so we would have always come back together

0:21:53.520 --> 0:21:56.040
<v Speaker 2>at some point. But he can do anything at any time.

0:21:56.160 --> 0:21:59.080
<v Speaker 2>He doesn't always think through things fully.

0:21:59.400 --> 0:22:02.160
<v Speaker 1>I don't think as much as people realize. Everyone that's

0:22:02.160 --> 0:22:03.840
<v Speaker 1>come on the podcast normally asked them are behind the

0:22:03.880 --> 0:22:05.600
<v Speaker 1>scenes secret which you know we're not allowed to really do,

0:22:05.640 --> 0:22:07.040
<v Speaker 1>even though I've kind of dipped into that a little

0:22:07.040 --> 0:22:08.800
<v Speaker 1>bit today. But I was going to ask you when

0:22:08.840 --> 0:22:10.919
<v Speaker 1>you left the competition, who did you think was the

0:22:10.960 --> 0:22:13.040
<v Speaker 1>most likely to win? Not what you know now, but

0:22:13.119 --> 0:22:15.040
<v Speaker 1>as you walk out of the tribal council.

0:22:16.000 --> 0:22:19.480
<v Speaker 2>Likely to win, it's a tricky one of the returnees.

0:22:19.520 --> 0:22:21.480
<v Speaker 2>I would have thought Seannie would have had a good shot.

0:22:21.520 --> 0:22:24.280
<v Speaker 2>I think she's super intelligent and she makes great decisions.

0:22:24.560 --> 0:22:27.520
<v Speaker 1>And then everyone, instead of asking some other questions, I've

0:22:27.560 --> 0:22:30.080
<v Speaker 1>just been saying would you come back again? Of course

0:22:30.119 --> 0:22:33.000
<v Speaker 1>you would, because everyone would. But I feel like for you,

0:22:33.640 --> 0:22:36.560
<v Speaker 1>it wouldn't be another season of Heroes versus Villain or

0:22:36.560 --> 0:22:38.600
<v Speaker 1>a tagline like that. I feel like the only time

0:22:38.600 --> 0:22:40.800
<v Speaker 1>we would see you come back to Survivor was if

0:22:40.840 --> 0:22:43.840
<v Speaker 1>it was a World Challenge, you know, it was that.

0:22:43.960 --> 0:22:46.359
<v Speaker 2>Huge Yeah, yeah, yeah, it'd have to be a big deal.

0:22:46.840 --> 0:22:47.840
<v Speaker 2>It would have to be a big deal.

0:22:47.880 --> 0:22:50.359
<v Speaker 1>We couldn't see it come back with another We couldn't

0:22:50.359 --> 0:22:52.760
<v Speaker 1>see another promo for the Joker, just in another series,

0:22:52.880 --> 0:22:55.760
<v Speaker 1>you know, which is like, I don't know, Underdogs versus

0:22:56.040 --> 0:22:57.920
<v Speaker 1>you know, the Deck of Cards whatever, you know what

0:22:57.920 --> 0:22:58.200
<v Speaker 1>I mean?

0:23:00.000 --> 0:23:01.800
<v Speaker 2>Everyone wants to see that. You don't want to see that.

0:23:01.840 --> 0:23:03.520
<v Speaker 2>I don't want to see that. The audience doesn't want

0:23:03.520 --> 0:23:05.600
<v Speaker 2>to see that. I think you're right, I think it

0:23:05.640 --> 0:23:08.359
<v Speaker 2>would be it would be something pretty cool, you know,

0:23:09.040 --> 0:23:12.320
<v Speaker 2>any opportunity is a great opportunity with Survivor, and I'm

0:23:12.400 --> 0:23:15.720
<v Speaker 2>very grateful and I would of course be honored. I'd

0:23:15.760 --> 0:23:16.240
<v Speaker 2>be honored.

0:23:16.440 --> 0:23:19.959
<v Speaker 1>Yeah, well, I have the Jordi show bag, and I

0:23:19.960 --> 0:23:22.919
<v Speaker 1>think so fantastic on the show. I look forward to

0:23:23.240 --> 0:23:24.240
<v Speaker 1>following your story.

0:23:24.480 --> 0:23:27.479
<v Speaker 2>That's lovely. Thank you, Ben. I appreciate that, you know,

0:23:27.640 --> 0:23:30.840
<v Speaker 2>And in the end, I guess that's what matters, doesn't it.

0:23:30.920 --> 0:23:36.560
<v Speaker 2>You know, Sure, money, money is great, but I think yeah,

0:23:36.680 --> 0:23:38.880
<v Speaker 2>character beats strategy any day.

0:23:39.119 --> 0:23:41.400
<v Speaker 1>A great chat with Jordy and a good warm up

0:23:41.400 --> 0:23:43.840
<v Speaker 1>for things to come. With my next guest, let's bring

0:23:43.880 --> 0:23:46.119
<v Speaker 1>Benjamin Law into the pod. I hope you get some

0:23:46.119 --> 0:23:48.840
<v Speaker 1>really fun exclusives in this chat, and I hope you

0:23:48.920 --> 0:23:52.919
<v Speaker 1>enjoyed this episode. Hi, Benjamin Law. I'm very excited to

0:23:52.920 --> 0:23:55.000
<v Speaker 1>be unpacking this season of Survivor with you.

0:23:55.240 --> 0:23:56.960
<v Speaker 3>I'm stokes that I get to do this with you,

0:23:57.000 --> 0:23:59.520
<v Speaker 3>Benjamin Lorris, because I feel like you caught me at

0:23:59.600 --> 0:24:02.720
<v Speaker 3>birth and death right like before everything started, and now

0:24:02.760 --> 0:24:05.320
<v Speaker 3>that I'm the shriveled husk on the other side of

0:24:05.320 --> 0:24:08.920
<v Speaker 3>my tribal council, You've seen my whole journey.

0:24:09.200 --> 0:24:11.520
<v Speaker 1>I really have it. It was amazing to have that

0:24:11.600 --> 0:24:14.200
<v Speaker 1>chat with you before to sort of get your ideas

0:24:14.560 --> 0:24:17.800
<v Speaker 1>on how the experience must have been versus how you've

0:24:17.800 --> 0:24:21.240
<v Speaker 1>watched it on television. I mean, they're very different experiences.

0:24:21.280 --> 0:24:23.680
<v Speaker 1>So we're gonna get something different from you today. If

0:24:23.680 --> 0:24:25.920
<v Speaker 1>people have listened to that first chat, I'm sure.

0:24:25.880 --> 0:24:29.720
<v Speaker 3>Yeah, absolutely, no, well observed it is. It is a

0:24:29.840 --> 0:24:32.240
<v Speaker 3>very different experience, and you've probably experienced this as well,

0:24:32.240 --> 0:24:35.360
<v Speaker 3>which is like your experience of being in there versus

0:24:35.400 --> 0:24:37.720
<v Speaker 3>the narrative that comes out. But I have to say

0:24:37.800 --> 0:24:41.239
<v Speaker 3>in a good way, like obviously the show's edited, you

0:24:41.280 --> 0:24:43.320
<v Speaker 3>know where, we've got cameras on us twenty four hours

0:24:43.359 --> 0:24:46.880
<v Speaker 3>a day, So to actually craft something like the Shakespearean

0:24:47.119 --> 0:24:50.800
<v Speaker 3>Greek tragedy level like myth that we saw last night

0:24:50.840 --> 0:24:54.360
<v Speaker 3>at my tribal, it's like props to the editors because

0:24:54.680 --> 0:24:57.320
<v Speaker 3>obviously I had my own experience. But to see that,

0:24:57.760 --> 0:25:01.720
<v Speaker 3>you know, the cookie idols shoved in Simon's lovely but

0:25:02.400 --> 0:25:05.720
<v Speaker 3>to Sean's hands, to Flick's hands, then her her use

0:25:05.800 --> 0:25:07.320
<v Speaker 3>it and for me to see it, and I'm the

0:25:07.359 --> 0:25:09.679
<v Speaker 3>only one who who could have told her what it

0:25:09.720 --> 0:25:13.399
<v Speaker 3>actually is except Flick, for whatever inexplicable reason doesn't trust me.

0:25:14.040 --> 0:25:20.680
<v Speaker 3>It's just claw face inducing TV in the most delicious way.

0:25:20.920 --> 0:25:23.880
<v Speaker 3>So yeah, I'm a comedy writer and what I saw

0:25:23.960 --> 0:25:26.000
<v Speaker 3>last night was pure comedy.

0:25:26.119 --> 0:25:28.240
<v Speaker 1>I'm happy that you're laughing at it, because that's the

0:25:28.240 --> 0:25:30.440
<v Speaker 1>better way to see it. But you know, in relation

0:25:30.960 --> 0:25:33.840
<v Speaker 1>to how you thought this would go versus how it went,

0:25:34.200 --> 0:25:34.919
<v Speaker 1>how do you feel?

0:25:35.359 --> 0:25:39.320
<v Speaker 3>It's really interesting to talk about expectations versus reality, especially

0:25:39.320 --> 0:25:42.399
<v Speaker 3>when you're going into something that you've never done before

0:25:42.400 --> 0:25:45.639
<v Speaker 3>and into a habitat to which you don't ostensibly belong.

0:25:45.760 --> 0:25:50.080
<v Speaker 3>You know, like I'm an inner city kind of person

0:25:50.200 --> 0:25:52.560
<v Speaker 3>involved in arts and media to uses my brain, like

0:25:52.640 --> 0:25:55.480
<v Speaker 3>to put me out outdoors for this law, and like,

0:25:55.520 --> 0:25:59.159
<v Speaker 3>obviously I was reticent, but one of the things I

0:25:59.200 --> 0:26:01.040
<v Speaker 3>didn't expect was how how much I kind of loved

0:26:01.040 --> 0:26:02.760
<v Speaker 3>that aspect of it. Like I kind of loved being

0:26:02.760 --> 0:26:05.040
<v Speaker 3>outdoors and getting kind of gross. I mean, I didn't

0:26:05.080 --> 0:26:06.919
<v Speaker 3>love the mosquitoes. I didn't love the fact that my

0:26:07.040 --> 0:26:10.840
<v Speaker 3>flesh started rotting. Other than that that was quite fine.

0:26:11.320 --> 0:26:14.679
<v Speaker 3>When I went in there and I clocked my fellow

0:26:14.840 --> 0:26:18.080
<v Speaker 3>tribe mates, especially on the heroes, and like, wow, that's

0:26:18.119 --> 0:26:22.159
<v Speaker 3>an asset in a way. These jacked dudes who are

0:26:22.160 --> 0:26:24.840
<v Speaker 3>going to push through all of these challenges. That's going

0:26:24.920 --> 0:26:26.600
<v Speaker 3>to keep me safe for quite a while. But your

0:26:26.600 --> 0:26:29.960
<v Speaker 3>assets also your liabilities, and I'm like, it also means

0:26:29.960 --> 0:26:32.400
<v Speaker 3>that I'm on the outer in my own tribe and

0:26:32.440 --> 0:26:36.800
<v Speaker 3>that's really really tough. And when I clocked that, I thought, Look,

0:26:36.840 --> 0:26:40.040
<v Speaker 3>if I make it through this show and I'm not

0:26:40.320 --> 0:26:42.920
<v Speaker 3>say first boot, you know, the first one voted out,

0:26:43.080 --> 0:26:45.639
<v Speaker 3>then everything else is a bonus. And then when I

0:26:45.680 --> 0:26:48.000
<v Speaker 3>think of everything that I've gone through, like winning to

0:26:48.240 --> 0:26:52.359
<v Speaker 3>puzzle challenges, introducing Osland to Survivor with page and using

0:26:52.520 --> 0:26:56.560
<v Speaker 3>Australian sign language between a challenge, they have been really

0:26:56.600 --> 0:27:01.520
<v Speaker 3>like wonderful moments in a series of admittedly muliation after humiliation,

0:27:01.720 --> 0:27:05.080
<v Speaker 3>but other than that, I'm really stoked at how things

0:27:05.080 --> 0:27:08.439
<v Speaker 3>have panned out. You can't go into this game with

0:27:08.480 --> 0:27:10.720
<v Speaker 3>too many expectations. You need to be surprised.

0:27:11.040 --> 0:27:13.840
<v Speaker 1>Well, your analogy of the meat tray is iconic and

0:27:13.920 --> 0:27:16.400
<v Speaker 1>we'll go down in Australian Survivor history. I mean, you'd

0:27:16.440 --> 0:27:19.119
<v Speaker 1>have to be happy with that contribution to this series

0:27:19.160 --> 0:27:22.280
<v Speaker 1>because it's the footnote that just keeps being used.

0:27:22.480 --> 0:27:27.640
<v Speaker 3>Well, finally, you mentioned that Ben because obviously the meat train,

0:27:27.760 --> 0:27:29.280
<v Speaker 3>you though, I've been called the meat tray, but they

0:27:29.280 --> 0:27:31.720
<v Speaker 3>didn't know that I had given them cuts of meat

0:27:32.080 --> 0:27:35.000
<v Speaker 3>as well. That has now taken off to the point

0:27:35.040 --> 0:27:40.160
<v Speaker 3>where it's actually David Zach Zacharakis's birthday today, So Zach's birthday.

0:27:40.440 --> 0:27:43.280
<v Speaker 3>And what I've discovered through Zaka and his girlfriend who

0:27:43.320 --> 0:27:46.159
<v Speaker 3>have now hung out with, is that the name, at

0:27:46.240 --> 0:27:48.479
<v Speaker 3>least for him, has stuck. Like he is known as

0:27:48.560 --> 0:27:52.359
<v Speaker 3>Backstrap to his mates, to his lovely partner Amy, like

0:27:52.560 --> 0:27:56.120
<v Speaker 3>the fact that I have introduced a nickname into his

0:27:56.200 --> 0:27:59.600
<v Speaker 3>domestic relationship and his friendship circle. Like, I'm pretty proud

0:27:59.640 --> 0:27:59.800
<v Speaker 3>of it.

0:28:00.880 --> 0:28:02.560
<v Speaker 1>I yelled that one out before you said it, and

0:28:02.600 --> 0:28:04.640
<v Speaker 1>I was sitting next to my partner and he was like,

0:28:04.920 --> 0:28:07.240
<v Speaker 1>how did you know? And I'm like, come on, look

0:28:07.280 --> 0:28:10.200
<v Speaker 1>at him. He is bad the lamb Backstrap, Like it's

0:28:10.280 --> 0:28:12.480
<v Speaker 1>just that's who he is, you know, He's all that

0:28:12.600 --> 0:28:13.800
<v Speaker 1>bad delicious.

0:28:14.119 --> 0:28:17.440
<v Speaker 3>Yeah. Favorite.

0:28:17.680 --> 0:28:19.640
<v Speaker 1>You know you said to me before the show started

0:28:19.920 --> 0:28:23.720
<v Speaker 1>that you thought that, you know, heroes may do villainous things.

0:28:23.960 --> 0:28:27.320
<v Speaker 1>Were there times that you felt like you behaved villainous

0:28:27.440 --> 0:28:29.119
<v Speaker 1>or maybe in a way that you might not in

0:28:29.119 --> 0:28:29.760
<v Speaker 1>the real world.

0:28:30.080 --> 0:28:32.280
<v Speaker 3>Are you kidding? Did you see me throw Shany under

0:28:32.320 --> 0:28:35.760
<v Speaker 3>the bus with no regrets or no hesitation whatsoever. I'm

0:28:35.800 --> 0:28:39.000
<v Speaker 3>just like, ah, Shani, forgive me, but today you're low

0:28:39.080 --> 0:28:42.160
<v Speaker 3>hanging fruit, and I know I'm at the bottom. But

0:28:42.280 --> 0:28:45.160
<v Speaker 3>at the same time, I do think that the narrative

0:28:45.360 --> 0:28:49.800
<v Speaker 3>that Shani was like a complete victim who didn't know

0:28:49.800 --> 0:28:52.800
<v Speaker 3>what was going on at that tribal is kind of

0:28:53.000 --> 0:28:56.479
<v Speaker 3>unfair towards Shanny because she was playing in the She

0:28:56.520 --> 0:28:58.040
<v Speaker 3>was playing the game out there in a way that

0:28:58.080 --> 0:29:01.560
<v Speaker 3>I actually really respect. So two of my favorite Shiny memories. One,

0:29:01.680 --> 0:29:03.920
<v Speaker 3>We're on a hammock together and I was like, dude,

0:29:04.120 --> 0:29:05.760
<v Speaker 3>there are five of us on the bottom. It's going

0:29:05.840 --> 0:29:09.160
<v Speaker 3>to be me next, but soon after it will be you, Jerry, Haley,

0:29:09.160 --> 0:29:12.760
<v Speaker 3>and Nina. Right, and you've got these four strong meat tray.

0:29:12.960 --> 0:29:15.720
<v Speaker 3>And one of the things that doesn't translate well enough

0:29:15.720 --> 0:29:18.840
<v Speaker 3>into TV, I think, is how close Flick and Page

0:29:18.840 --> 0:29:21.880
<v Speaker 3>are to each other and to the meat tray. Page

0:29:21.880 --> 0:29:24.640
<v Speaker 3>and Flick are already talking about getting matching tattoos. By

0:29:24.640 --> 0:29:26.800
<v Speaker 3>this stage, I'm pretty sure Page has been invited to

0:29:26.840 --> 0:29:31.640
<v Speaker 3>Flick's wedding. The meat tray are absolutely enamored with Page,

0:29:31.680 --> 0:29:35.760
<v Speaker 3>and Page is absolutely worshiping of the meatray in, you know,

0:29:35.800 --> 0:29:39.560
<v Speaker 3>for reasons that are quite obvious. So that tight six

0:29:39.680 --> 0:29:42.120
<v Speaker 3>versus US five. I was collaborating with Shiny, saying, hey,

0:29:42.120 --> 0:29:44.719
<v Speaker 3>we need to make a move, like, are you in

0:29:44.800 --> 0:29:47.680
<v Speaker 3>on this? Also, people are watching us talk now just laugh.

0:29:47.720 --> 0:29:49.840
<v Speaker 3>You're an amazing actor. Laugh like I've said something funny.

0:29:50.000 --> 0:29:53.440
<v Speaker 3>And she was bringing it in a way. I was like,

0:29:53.680 --> 0:29:56.240
<v Speaker 3>oh my god, you were really good at this. But

0:29:56.440 --> 0:30:00.000
<v Speaker 3>then when it was clear that Shiny probably wasn't worth

0:30:00.000 --> 0:30:04.040
<v Speaker 3>working with me for several reasons, I got that instinct.

0:30:04.480 --> 0:30:07.040
<v Speaker 3>My second favorite memory of her is we're just about

0:30:07.080 --> 0:30:09.240
<v Speaker 3>to go into that tribal and she's standing in front

0:30:09.240 --> 0:30:11.480
<v Speaker 3>of me with her torch and I'm standing behind her

0:30:11.520 --> 0:30:14.239
<v Speaker 3>with my torch, and she just looks to me and

0:30:14.280 --> 0:30:16.600
<v Speaker 3>she just grabs my arm and she gives it a

0:30:16.640 --> 0:30:21.840
<v Speaker 3>lovely squeeze, as if to say everything's going to be okay, Ben, beautiful,

0:30:21.920 --> 0:30:24.680
<v Speaker 3>meaningful look, and I give her squeeze back, you know,

0:30:24.720 --> 0:30:28.120
<v Speaker 3>conveying exactly the same thing. Each of us in that

0:30:28.400 --> 0:30:32.440
<v Speaker 3>moment privately planning to write down the other person's name

0:30:32.520 --> 0:30:35.160
<v Speaker 3>and annihilate the living hell out of them. And in

0:30:35.200 --> 0:30:38.360
<v Speaker 3>that way, I say respect to Shanny, because you know,

0:30:38.920 --> 0:30:40.880
<v Speaker 3>there was a part of me that felt really, really bad.

0:30:40.880 --> 0:30:42.520
<v Speaker 3>I'm just like, oh my god, I'm just throwing this

0:30:42.600 --> 0:30:45.280
<v Speaker 3>poor innocent victim under the bus. Shani is not a victim,

0:30:45.400 --> 0:30:48.960
<v Speaker 3>and she is not not playing. She is playing out there,

0:30:49.080 --> 0:30:50.880
<v Speaker 3>and I was just like, yeah, you wrote my name down.

0:30:50.880 --> 0:30:54.000
<v Speaker 3>Props Todio, but also sorry, here comes on going traffic.

0:30:54.040 --> 0:30:56.320
<v Speaker 1>He's the apology. Now, you know, the Idle clue was

0:30:56.400 --> 0:30:59.640
<v Speaker 1>interesting because you never thought it was a real idol,

0:30:59.680 --> 0:31:03.600
<v Speaker 1>while Simon immediately did you know, what did you think

0:31:03.640 --> 0:31:07.520
<v Speaker 1>of Simon's Adam and c that that disc was an idol?

0:31:07.760 --> 0:31:09.800
<v Speaker 3>I watched that and I thought, there, but for the

0:31:09.840 --> 0:31:13.680
<v Speaker 3>grace of God, go I because you know that it's something,

0:31:13.720 --> 0:31:16.000
<v Speaker 3>but you don't know what it is. And I guess

0:31:16.000 --> 0:31:18.000
<v Speaker 3>the only way I got out of that Scott Free

0:31:18.520 --> 0:31:22.360
<v Speaker 3>was I treated it almost like a maths exam in

0:31:22.400 --> 0:31:24.120
<v Speaker 3>high school. You know, like in math exams you need

0:31:24.160 --> 0:31:26.680
<v Speaker 3>to show you're working out. And so when I'm like,

0:31:26.680 --> 0:31:28.960
<v Speaker 3>I've got this thing, and then I'm like what is it?

0:31:29.240 --> 0:31:31.560
<v Speaker 3>And I'm like, I think it's an idol, but maybe

0:31:31.560 --> 0:31:33.840
<v Speaker 3>it's not. It doesn't come with instruct Idols have always

0:31:33.880 --> 0:31:36.479
<v Speaker 3>come with instructions. Maybe this is a trick, Maybe this

0:31:36.520 --> 0:31:40.080
<v Speaker 3>is a cause you need to start voicing out things

0:31:40.120 --> 0:31:42.640
<v Speaker 3>because you know the game's there to trick you along

0:31:42.720 --> 0:31:46.240
<v Speaker 3>the way. It's never going to be straightforward. And coming

0:31:46.560 --> 0:31:49.400
<v Speaker 3>from the bottom of my tribe and knowing that everyone's

0:31:49.440 --> 0:31:52.160
<v Speaker 3>out to get me, I don't assume that easy breaks

0:31:52.200 --> 0:31:54.640
<v Speaker 3>are coming my way. I know there are booby traps

0:31:54.680 --> 0:31:58.320
<v Speaker 3>throughout this entire game, and I'm like, I just don't

0:31:58.400 --> 0:32:00.320
<v Speaker 3>think this is an idol, because if it is, that

0:32:00.400 --> 0:32:02.840
<v Speaker 3>came way too easily. Do you know what I mean?

0:32:03.480 --> 0:32:04.680
<v Speaker 1>I think it was clever of you. I mean, I

0:32:04.720 --> 0:32:06.360
<v Speaker 1>didn't think it was an idol when I saw him

0:32:06.400 --> 0:32:08.000
<v Speaker 1>get that out. I didn't see the letter. I mean,

0:32:08.040 --> 0:32:09.640
<v Speaker 1>I'm pretty what.

0:32:09.640 --> 0:32:11.680
<v Speaker 3>Did you know it was? Or do you have any theories?

0:32:11.680 --> 0:32:12.760
<v Speaker 3>At that stage, I.

0:32:12.720 --> 0:32:15.680
<v Speaker 1>Thought it would be that people would well for some reason,

0:32:15.680 --> 0:32:17.400
<v Speaker 1>my brain lied to me, and I thought someone else

0:32:17.400 --> 0:32:19.840
<v Speaker 1>had already found it before you did, or before Simon did.

0:32:19.840 --> 0:32:21.280
<v Speaker 1>And I thought there might have been three of them

0:32:21.360 --> 0:32:24.200
<v Speaker 1>that had surfaced somehow, and I thought maybe the three

0:32:24.240 --> 0:32:26.720
<v Speaker 1>of them will put together. It may lead to you

0:32:26.720 --> 0:32:29.720
<v Speaker 1>getting a you know, a fast pass to the final three.

0:32:30.160 --> 0:32:31.240
<v Speaker 3>Oh interesting.

0:32:31.560 --> 0:32:33.280
<v Speaker 1>You know, I thought that there was something more to it,

0:32:33.320 --> 0:32:35.800
<v Speaker 1>but I certainly did not think it was an idol.

0:32:36.200 --> 0:32:38.480
<v Speaker 1>And that's why, even when Flick had it, I thought,

0:32:38.640 --> 0:32:40.640
<v Speaker 1>you know, she could have burnt that idol in front

0:32:40.680 --> 0:32:43.520
<v Speaker 1>of everyone in that final and the tribal counsel that

0:32:43.560 --> 0:32:46.000
<v Speaker 1>you went home, and everyone wouldn't have had the chance

0:32:46.040 --> 0:32:49.440
<v Speaker 1>for j LP to say it wasn't real. She would

0:32:49.440 --> 0:32:52.280
<v Speaker 1>have just burnt it and done that on good authority.

0:32:52.360 --> 0:32:55.120
<v Speaker 1>And you could have also then followed her and thrown

0:32:55.160 --> 0:32:58.160
<v Speaker 1>it in the fire in good authority, and then maybe Matt,

0:32:58.320 --> 0:33:01.600
<v Speaker 1>you know, God bless you, and Turf would have gone home.

0:33:01.920 --> 0:33:04.320
<v Speaker 1>So I thought that, you know, I mean, when you're

0:33:04.320 --> 0:33:06.520
<v Speaker 1>a viewer at home, and you would know this because

0:33:06.560 --> 0:33:08.400
<v Speaker 1>now you've been a viewer and now you've been in

0:33:08.440 --> 0:33:12.080
<v Speaker 1>the show. These two things have very different relationships. But

0:33:12.560 --> 0:33:15.080
<v Speaker 1>that's how I thought could have played out and would

0:33:15.080 --> 0:33:16.040
<v Speaker 1>have made good television.

0:33:16.480 --> 0:33:21.160
<v Speaker 3>Yeah, well, look, I think the outcome that did pan

0:33:21.280 --> 0:33:25.880
<v Speaker 3>out with Flick playing the fake idol and me knowing

0:33:26.040 --> 0:33:28.560
<v Speaker 3>that it wasn't and I'm the only person who could

0:33:28.560 --> 0:33:31.680
<v Speaker 3>have told her, like I thought that was just deliciously

0:33:32.200 --> 0:33:35.080
<v Speaker 3>yetted it like, of course it wasn't plotted because we

0:33:35.080 --> 0:33:37.239
<v Speaker 3>were just muddling our way through it. But I'm like,

0:33:37.560 --> 0:33:41.360
<v Speaker 3>you can not engineer a more hilarious plot line over

0:33:41.480 --> 0:33:44.320
<v Speaker 3>Like I think four or five episodes like that, that

0:33:44.440 --> 0:33:46.400
<v Speaker 3>butt crack idol traveled far.

0:33:47.000 --> 0:33:48.560
<v Speaker 1>How hot was that butt crack? By the way, at

0:33:48.560 --> 0:33:51.200
<v Speaker 1>that particular point, just that bit there, I was like, no,

0:33:51.280 --> 0:33:53.040
<v Speaker 1>wonder They put it on the ad for the next episode,

0:33:53.080 --> 0:33:54.920
<v Speaker 1>so we got to watch it three times I think

0:33:54.920 --> 0:33:57.280
<v Speaker 1>by the time it was all over. But it's very attractive.

0:33:58.480 --> 0:33:59.400
<v Speaker 2>But some people.

0:33:59.600 --> 0:34:02.040
<v Speaker 3>ASTI Survivor is the gayest show on TV, even if

0:34:02.080 --> 0:34:07.480
<v Speaker 3>it is coded gay. That moment between Jeordi and Simon

0:34:07.560 --> 0:34:10.000
<v Speaker 3>is the most hilariously homo erotic thing I've seen TV

0:34:10.160 --> 0:34:11.320
<v Speaker 3>in a really long time.

0:34:11.520 --> 0:34:14.600
<v Speaker 1>You're an Australian Survivor fan, and you have obviously watched

0:34:14.600 --> 0:34:16.359
<v Speaker 1>the show and would have seen a lot of these

0:34:16.400 --> 0:34:19.200
<v Speaker 1>players before. Who were you the most shocked to be

0:34:19.280 --> 0:34:22.400
<v Speaker 1>playing with that they were different to how you expected.

0:34:22.760 --> 0:34:26.719
<v Speaker 3>Oh, that's such an interesting question. Look, Shannon Guss, who

0:34:26.760 --> 0:34:29.320
<v Speaker 3>is like a Survivor expert, she often says, you can't

0:34:29.320 --> 0:34:32.600
<v Speaker 3>play the game as anyone as yourself. And I remember George.

0:34:32.960 --> 0:34:34.839
<v Speaker 3>We had a bit of an exchange out there. There

0:34:34.880 --> 0:34:37.239
<v Speaker 3>was interesting tension between George and I that didn't quite

0:34:37.280 --> 0:34:40.120
<v Speaker 3>convey to the TV, but George did sit me down

0:34:40.160 --> 0:34:41.920
<v Speaker 3>and he said, Ben, one of the things you've got

0:34:41.960 --> 0:34:44.719
<v Speaker 3>to realize is who you are in the game is

0:34:44.760 --> 0:34:46.960
<v Speaker 3>who you are in real life. And I actually do

0:34:47.160 --> 0:34:50.359
<v Speaker 3>think he's got a really strong point there, because you

0:34:50.400 --> 0:34:53.600
<v Speaker 3>can't keep a mask up for very long out there.

0:34:54.000 --> 0:34:57.640
<v Speaker 3>And even George, who's such a big character, that is

0:34:58.040 --> 0:35:00.799
<v Speaker 3>him on the island, and you know, I've hung out

0:35:00.800 --> 0:35:02.520
<v Speaker 3>with Georgian in real life. That's kind of him in

0:35:02.560 --> 0:35:06.560
<v Speaker 3>real life, Like he is a big, bold character who's

0:35:06.719 --> 0:35:12.600
<v Speaker 3>full of gameplay, big declarations, and an incredible political mind.

0:35:13.080 --> 0:35:15.879
<v Speaker 3>And so I think, if anything, I was probably more

0:35:15.880 --> 0:35:18.520
<v Speaker 3>surprised by the fact that who I expected them to

0:35:18.560 --> 0:35:23.000
<v Speaker 3>be kind of matched my reality when I actually interacted

0:35:23.000 --> 0:35:25.920
<v Speaker 3>with them. I was really looking forward to playing with Haley.

0:35:26.000 --> 0:35:28.440
<v Speaker 3>We were really tired out there on the island, really

0:35:28.480 --> 0:35:32.320
<v Speaker 3>looking forward to playing with Nina. We remain close outside

0:35:32.360 --> 0:35:34.160
<v Speaker 3>of the game, even though she tried to murder me

0:35:34.239 --> 0:35:37.839
<v Speaker 3>several times, which is just hilarious. We both understand it's

0:35:37.880 --> 0:35:40.200
<v Speaker 3>a game. But Nina also fed me key bits of

0:35:40.280 --> 0:35:42.960
<v Speaker 3>intel at key moments so I could help save myself,

0:35:43.239 --> 0:35:44.520
<v Speaker 3>which was really appreciated.

0:35:44.640 --> 0:35:46.640
<v Speaker 1>But the one thing I felt was that I felt

0:35:46.680 --> 0:35:48.640
<v Speaker 1>like we didn't get enough of an explanation as to

0:35:48.719 --> 0:35:51.719
<v Speaker 1>why the Heroes tribe didn't seem to bond with you.

0:35:52.080 --> 0:35:54.600
<v Speaker 3>It's interesting there's been a few theories as to why,

0:35:54.680 --> 0:35:57.799
<v Speaker 3>because I think a lot of audience members share a

0:35:57.840 --> 0:36:01.120
<v Speaker 3>little bit of your battlement around that. So one is

0:36:01.160 --> 0:36:04.040
<v Speaker 3>obviously making a fake idol in front of everyone, and

0:36:04.080 --> 0:36:06.160
<v Speaker 3>by that stage, I realized my stocks were so low.

0:36:06.239 --> 0:36:09.360
<v Speaker 3>But Page had found this animal skull in the woods. Shanni,

0:36:09.440 --> 0:36:11.640
<v Speaker 3>I noticed, was really good at braiding. The three of

0:36:11.719 --> 0:36:14.880
<v Speaker 3>us kind of like started this fake idol project together,

0:36:15.080 --> 0:36:18.600
<v Speaker 3>And my recollection of Island time was we were like,

0:36:18.680 --> 0:36:20.520
<v Speaker 3>oh my god, let's do this thing together. How can

0:36:20.560 --> 0:36:21.879
<v Speaker 3>we make it better? How can we make it better?

0:36:21.920 --> 0:36:24.640
<v Speaker 3>Once we get to tribe swap, I'm so hero strong.

0:36:24.719 --> 0:36:28.680
<v Speaker 3>Let's pass it to whoever has the fewest tribe members

0:36:28.800 --> 0:36:31.760
<v Speaker 3>original hero tribe members and use this thing as a weapon.

0:36:32.080 --> 0:36:34.560
<v Speaker 3>And so I'm not sure if that actually made people

0:36:34.640 --> 0:36:37.920
<v Speaker 3>genuinely scared of me, or whether they were seeking something

0:36:37.920 --> 0:36:41.239
<v Speaker 3>to confirm biases or hunches they already had about me.

0:36:41.600 --> 0:36:43.560
<v Speaker 3>It is interesting. I know, Nina on the other side

0:36:43.560 --> 0:36:45.840
<v Speaker 3>of the game told me, dude, we were just really

0:36:45.880 --> 0:36:48.520
<v Speaker 3>scared of you, like we were paranoid around you because

0:36:48.560 --> 0:36:50.840
<v Speaker 3>you seemed smart. And I have to laugh at that,

0:36:50.880 --> 0:36:52.560
<v Speaker 3>because I guess I am smart in some ways. But

0:36:52.600 --> 0:36:54.560
<v Speaker 3>I felt like on the island, I was the most

0:36:54.840 --> 0:36:57.480
<v Speaker 3>basic bitch, you know. I was just like, please don't

0:36:57.560 --> 0:36:59.520
<v Speaker 3>hurt me. I just really want to help win challenges.

0:36:59.520 --> 0:37:01.440
<v Speaker 3>I don't want to be a liability to this tribe.

0:37:01.560 --> 0:37:03.600
<v Speaker 3>You want some rice, you want some coconut? Here, it

0:37:03.680 --> 0:37:04.840
<v Speaker 3>is here, it is. You want me to feel your

0:37:04.840 --> 0:37:06.080
<v Speaker 3>water bottles like there.

0:37:06.040 --> 0:37:07.960
<v Speaker 1>Was Maybe it was too in your face though, Ben

0:37:08.080 --> 0:37:11.080
<v Speaker 1>like maybe it was two may Well put together. You know, look,

0:37:11.120 --> 0:37:13.520
<v Speaker 1>I think, I mean, I still think of those sorts

0:37:13.520 --> 0:37:16.640
<v Speaker 1>of things in all reality shows. You know, you have

0:37:16.719 --> 0:37:19.360
<v Speaker 1>to be able to help people improve that you have

0:37:19.360 --> 0:37:22.120
<v Speaker 1>a worth in the game without making it look like

0:37:22.160 --> 0:37:24.600
<v Speaker 1>you're doing it just to have people like you. Yeah,

0:37:24.600 --> 0:37:26.560
<v Speaker 1>it could be hard. I assume there might have been

0:37:26.600 --> 0:37:29.520
<v Speaker 1>sorts of conversations that you're having with them that was

0:37:29.600 --> 0:37:32.279
<v Speaker 1>unsettling them, you know, I mean maybe putting out out

0:37:32.320 --> 0:37:34.000
<v Speaker 1>there or talking about what it is that you do

0:37:34.200 --> 0:37:37.239
<v Speaker 1>might have been intimidating to them because of your intelligence.

0:37:37.680 --> 0:37:41.400
<v Speaker 3>I also think I'm just a really different proposition to

0:37:41.440 --> 0:37:43.520
<v Speaker 3>a lot of people on the island as well, like

0:37:44.560 --> 0:37:49.160
<v Speaker 3>you know, race, size, sexuality, Like there are a lot

0:37:49.160 --> 0:37:51.640
<v Speaker 3>of people in my tribe who are very similar and

0:37:51.680 --> 0:37:53.200
<v Speaker 3>you see them ban to each other, and I think

0:37:53.239 --> 0:37:58.200
<v Speaker 3>in extreme circumstances, you do flock to safety and familiarity,

0:37:58.280 --> 0:38:01.319
<v Speaker 3>and I'm a bit more of an unfa familiar, untested

0:38:01.360 --> 0:38:04.400
<v Speaker 3>presence to probably a lot of people on the tribe.

0:38:04.480 --> 0:38:06.600
<v Speaker 3>And I'm not saying that accounts to everything, but I

0:38:06.640 --> 0:38:09.279
<v Speaker 3>know that even with myself. You know, I got really

0:38:09.280 --> 0:38:12.799
<v Speaker 3>tight with Hailey because we come from an academic background.

0:38:13.040 --> 0:38:15.360
<v Speaker 3>We read some like we not just read similar books,

0:38:15.400 --> 0:38:17.480
<v Speaker 3>we'd read exactly the same novel in the lead up

0:38:17.880 --> 0:38:20.759
<v Speaker 3>to shooting the show, like that's just spooky. So of

0:38:20.800 --> 0:38:24.160
<v Speaker 3>course we had a lot to talk about, and we're

0:38:24.160 --> 0:38:28.600
<v Speaker 3>not massive physical threats, so we kind of bonded together there.

0:38:28.640 --> 0:38:31.719
<v Speaker 3>But when you are playing as a bit of an outsider,

0:38:31.760 --> 0:38:34.399
<v Speaker 3>it's a bit of catch twenty two because you don't

0:38:34.400 --> 0:38:37.719
<v Speaker 3>want to emphasize the things that make you different. You

0:38:37.800 --> 0:38:40.640
<v Speaker 3>want to go that extra mile to prove that you

0:38:41.840 --> 0:38:43.640
<v Speaker 3>are like them. And the way that I tried to

0:38:43.680 --> 0:38:47.960
<v Speaker 3>bridge that was through helpfulness and through humor. But obviously

0:38:48.040 --> 0:38:51.160
<v Speaker 3>that didn't work. But that's usually how I approach things

0:38:51.160 --> 0:38:53.279
<v Speaker 3>in life, and like I said before, you can't really

0:38:53.320 --> 0:38:54.920
<v Speaker 3>play the game as anyone but yourself.

0:38:55.160 --> 0:38:57.399
<v Speaker 1>One of the interesting things that was said online, though,

0:38:57.480 --> 0:38:59.839
<v Speaker 1>was that if one of the Meat Trait had made

0:38:59.880 --> 0:39:02.400
<v Speaker 1>that idol, had been making a fake idol themselves, it

0:39:02.400 --> 0:39:05.280
<v Speaker 1>would have been celebrated. It may have come across differently.

0:39:05.520 --> 0:39:07.360
<v Speaker 1>I'm not sure if you saw any of that conversation,

0:39:07.440 --> 0:39:09.960
<v Speaker 1>but do you think that it would have been celebrated

0:39:10.000 --> 0:39:12.719
<v Speaker 1>differently and looked at differently if it was one of

0:39:12.719 --> 0:39:13.200
<v Speaker 1>the meat Tray.

0:39:13.320 --> 0:39:15.480
<v Speaker 3>Oh look, we'll never know. But what I do know

0:39:15.640 --> 0:39:18.080
<v Speaker 3>is things like, look, I overbid at the ouction. I

0:39:18.080 --> 0:39:20.799
<v Speaker 3>don't even remember overbidding. I think that's less strategic and

0:39:20.840 --> 0:39:24.000
<v Speaker 3>more about me being bad at maths, but that immediately

0:39:24.000 --> 0:39:27.640
<v Speaker 3>caused suspicion for me, Whereas I think at least one

0:39:27.680 --> 0:39:29.879
<v Speaker 3>person on the New Villains tribe one of the meat

0:39:29.880 --> 0:39:33.840
<v Speaker 3>Tray overbid on their reward and that was celebrated. So

0:39:33.920 --> 0:39:35.960
<v Speaker 3>I think, you know, none of us go into the

0:39:35.960 --> 0:39:38.799
<v Speaker 3>game neutral. All of us go with different kinds of

0:39:39.080 --> 0:39:42.160
<v Speaker 3>social currency in the game. And I guess I could

0:39:42.160 --> 0:39:44.640
<v Speaker 3>go into the game, you know, knowing how to start

0:39:44.640 --> 0:39:47.480
<v Speaker 3>a conversation with anyone. Being an interviewer like yourself, you

0:39:47.560 --> 0:39:50.040
<v Speaker 3>have to bring that to the game. But other people

0:39:50.120 --> 0:39:54.560
<v Speaker 3>have the advantages of being, you know, immediately someone you

0:39:54.600 --> 0:39:56.239
<v Speaker 3>look up to, like I don't have much hype, But

0:39:56.239 --> 0:39:58.440
<v Speaker 3>if you've got hype, people are literally looking up to

0:39:58.840 --> 0:40:02.040
<v Speaker 3>like immediately they see you like a leader and do

0:40:02.160 --> 0:40:04.719
<v Speaker 3>not want to play against you. And also you flock

0:40:04.760 --> 0:40:06.239
<v Speaker 3>to where the strength is, like I don't have that

0:40:06.280 --> 0:40:09.319
<v Speaker 3>physical strength. My whole thing, especially in that phase of

0:40:09.320 --> 0:40:12.160
<v Speaker 3>the game, is please do not be a liability to

0:40:12.280 --> 0:40:15.040
<v Speaker 3>these athletes, like, do not be the one who stacks it.

0:40:15.239 --> 0:40:18.400
<v Speaker 3>Don't be the one who gets hospitalized poor Jackie and George.

0:40:19.000 --> 0:40:22.520
<v Speaker 3>Just be the one who can be helpful and funny

0:40:22.560 --> 0:40:26.120
<v Speaker 3>out there while also hopefully proving your worth with the

0:40:26.239 --> 0:40:29.680
<v Speaker 3>challenges which I think you know two puzzle challenges and

0:40:29.760 --> 0:40:32.040
<v Speaker 3>being instrumental to solving them. I was just like, well,

0:40:32.040 --> 0:40:34.480
<v Speaker 3>hopefully have proven my worth. Hopefully I have proved my worth,

0:40:34.640 --> 0:40:35.320
<v Speaker 3>but no dice.

0:40:35.560 --> 0:40:37.359
<v Speaker 1>Well, just quickly before we move off that though, how

0:40:37.360 --> 0:40:37.880
<v Speaker 1>did you know that?

0:40:37.920 --> 0:40:38.360
<v Speaker 2>The Like?

0:40:38.400 --> 0:40:40.640
<v Speaker 1>That was interesting that someone was like he knew that

0:40:40.680 --> 0:40:42.600
<v Speaker 1>what an idol looked like, you know, he knew that

0:40:42.640 --> 0:40:46.239
<v Speaker 1>it was green this year, Meena, I said that, yeah,

0:40:46.239 --> 0:40:47.960
<v Speaker 1>And I thought that was a really interesting thing for

0:40:48.000 --> 0:40:50.239
<v Speaker 1>her to say at that point, because how did you

0:40:50.320 --> 0:40:52.280
<v Speaker 1>know that that? I mean, you were building an idol

0:40:52.280 --> 0:40:53.800
<v Speaker 1>that looked exactly the same as the others.

0:40:53.880 --> 0:40:56.640
<v Speaker 3>How did that happen? Is I genuinely didn't know what

0:40:56.680 --> 0:40:59.360
<v Speaker 3>an idol looked like because every season the looks of

0:40:59.440 --> 0:41:00.400
<v Speaker 3>the idle change.

0:41:00.600 --> 0:41:00.880
<v Speaker 1>They do.

0:41:01.080 --> 0:41:03.360
<v Speaker 3>All I knew was like, if we make something that

0:41:03.440 --> 0:41:06.239
<v Speaker 3>looks convincingly like an idol, and we just happened to

0:41:06.280 --> 0:41:08.680
<v Speaker 3>have this green stone on our bag, and like, rip

0:41:08.719 --> 0:41:11.400
<v Speaker 3>off that stone, turn it into the idol, wrap it

0:41:11.480 --> 0:41:13.560
<v Speaker 3>up with a skull. I know how to do arts

0:41:13.560 --> 0:41:16.920
<v Speaker 3>and crafts, shiny braid, give me the skull flick. You

0:41:16.960 --> 0:41:19.120
<v Speaker 3>found something in the woods, let's add it to it. Like,

0:41:19.640 --> 0:41:21.920
<v Speaker 3>I didn't know what an idol looked like at that stage,

0:41:22.000 --> 0:41:24.680
<v Speaker 3>So it's interesting that they leapt to that conclusion that

0:41:24.760 --> 0:41:25.279
<v Speaker 3>I did.

0:41:25.400 --> 0:41:27.120
<v Speaker 1>I thought it was clever. I thought it was clever

0:41:27.160 --> 0:41:29.759
<v Speaker 1>that they did. When you do a social experiment like this,

0:41:30.360 --> 0:41:33.160
<v Speaker 1>you do you do hear contestants say, you know, this

0:41:33.200 --> 0:41:35.799
<v Speaker 1>feels a lot like high school? You know? Was that

0:41:36.120 --> 0:41:38.239
<v Speaker 1>the case for you? And? Well, I guess how did

0:41:38.280 --> 0:41:41.640
<v Speaker 1>it feel being back at school as an LGBTO warrior

0:41:41.719 --> 0:41:44.239
<v Speaker 1>like yourself in twenty twenty three, Because no offense to

0:41:44.280 --> 0:41:47.280
<v Speaker 1>you and I, but we went to school many years ago.

0:41:47.840 --> 0:41:51.719
<v Speaker 3>Yeah, yeah, yeah, yeah, many many years ago. Well look,

0:41:52.239 --> 0:41:54.400
<v Speaker 3>and to that point, I think after Jerry, I might

0:41:54.440 --> 0:41:56.680
<v Speaker 3>have been the second oldest person on the heroes tribe.

0:41:56.719 --> 0:41:59.040
<v Speaker 3>So it does show you, like I also had an

0:41:59.080 --> 0:42:01.160
<v Speaker 3>age gap that I needed to bridge with the other

0:42:01.200 --> 0:42:02.120
<v Speaker 3>contestants too.

0:42:02.520 --> 0:42:04.759
<v Speaker 1>But was it like high school? And did the LGBTI

0:42:04.880 --> 0:42:05.920
<v Speaker 1>factor come into play?

0:42:06.239 --> 0:42:09.359
<v Speaker 3>I don't think the queenness necessarily came into play. I mean,

0:42:09.400 --> 0:42:13.920
<v Speaker 3>certainly the talk there was pretty heterosexual, and you want

0:42:13.960 --> 0:42:16.880
<v Speaker 3>to be able to talk about sex, but you're also

0:42:16.960 --> 0:42:19.640
<v Speaker 3>aware that your conversations of sex are going to be

0:42:19.640 --> 0:42:22.400
<v Speaker 3>pretty confronting, like queer sex is just confronting to a

0:42:22.440 --> 0:42:24.400
<v Speaker 3>lot of straight people. You don't get to have those

0:42:24.719 --> 0:42:28.120
<v Speaker 3>conversations like the way the men talked about women out

0:42:28.120 --> 0:42:31.360
<v Speaker 3>there is something that I haven't encountered since high school actually,

0:42:31.719 --> 0:42:35.720
<v Speaker 3>and so I couldn't quite find a foothold. It's like, yeah,

0:42:35.920 --> 0:42:38.680
<v Speaker 3>tits like I'm not like I can't do that. I'm

0:42:38.719 --> 0:42:44.040
<v Speaker 3>not that person. So that was challenging. But I don't

0:42:44.080 --> 0:42:47.400
<v Speaker 3>think it's like sexuality was like necessarily the main.

0:42:47.760 --> 0:42:49.840
<v Speaker 1>It just was more curious, Ben, because I was thinking

0:42:49.840 --> 0:42:51.839
<v Speaker 1>about it in the sense of this is a real

0:42:51.880 --> 0:42:54.120
<v Speaker 1>social experiment and you are putting people back into a

0:42:54.160 --> 0:42:57.279
<v Speaker 1>situation where we as humans fall into line like we

0:42:57.560 --> 0:42:59.880
<v Speaker 1>you know, we mimic things that have happened in our

0:42:59.880 --> 0:43:03.279
<v Speaker 1>lie before. And I wondered whether or not Survivor in

0:43:03.320 --> 0:43:06.000
<v Speaker 1>twenty twenty three represents what it would be like to

0:43:06.040 --> 0:43:07.879
<v Speaker 1>be in school in twenty twenty three.

0:43:08.080 --> 0:43:09.800
<v Speaker 3>Well, it reminded me what it was like to be

0:43:09.880 --> 0:43:13.040
<v Speaker 3>in high school in nineteen ninety nine, which is to say,

0:43:14.360 --> 0:43:18.040
<v Speaker 3>you know, jock's rule, and these are lovely jocks by

0:43:18.040 --> 0:43:19.560
<v Speaker 3>the way, I love them and I get along with

0:43:19.600 --> 0:43:22.960
<v Speaker 3>them outside of the game, but it does mean that

0:43:23.080 --> 0:43:25.360
<v Speaker 3>you are on the outer and you need to find

0:43:25.480 --> 0:43:29.640
<v Speaker 3>other crafty or as others would say, shifty ways of

0:43:29.680 --> 0:43:35.200
<v Speaker 3>making sure that you survive another another day. And sometimes desperate,

0:43:35.480 --> 0:43:38.840
<v Speaker 3>desperate situations call for desperate means. And I was just like, well,

0:43:39.160 --> 0:43:40.840
<v Speaker 3>if you think I'm shifty, I'll give you something to

0:43:40.880 --> 0:43:43.040
<v Speaker 3>really think that I'm shifty about. But to that point,

0:43:43.120 --> 0:43:45.560
<v Speaker 3>I hadn't I hadn't actually done anything that should have

0:43:45.560 --> 0:43:48.920
<v Speaker 3>portrayed trust or made me question made them question my judgment.

0:43:48.960 --> 0:43:52.319
<v Speaker 3>But I do think when you're so conspicuously different, you know,

0:43:52.440 --> 0:43:57.799
<v Speaker 3>I'm obviously such a different person, it's natural and expected

0:43:58.360 --> 0:44:01.200
<v Speaker 3>and it's not an unfamiliar John to me to have

0:44:01.360 --> 0:44:04.600
<v Speaker 3>people immediately be a little bit more cautious around you.

0:44:04.920 --> 0:44:06.680
<v Speaker 1>If there was more series of the Family Law, we

0:44:06.719 --> 0:44:09.160
<v Speaker 1>could easily see you and survivor.

0:44:09.840 --> 0:44:11.560
<v Speaker 3>Family Law season seventeen.

0:44:11.920 --> 0:44:13.960
<v Speaker 1>Yeah, and how do you write that on how.

0:44:15.440 --> 0:44:18.360
<v Speaker 3>Well, there's way more material than what we saw on

0:44:18.400 --> 0:44:20.640
<v Speaker 3>the screen. So and that's it's all here.

0:44:21.360 --> 0:44:22.719
<v Speaker 1>I'll catch up with you for a drink for that

0:44:22.719 --> 0:44:25.560
<v Speaker 1>because I want to know. But we're talking very PG

0:44:26.760 --> 0:44:29.759
<v Speaker 1>exit interview style of conversation. You know, you would have

0:44:29.800 --> 0:44:31.840
<v Speaker 1>brought a lot of new viewers to this series, and

0:44:31.880 --> 0:44:34.239
<v Speaker 1>I saw that a lot online, people saying they came

0:44:34.280 --> 0:44:36.200
<v Speaker 1>to the show because of you, you know, But I

0:44:36.239 --> 0:44:38.840
<v Speaker 1>wanted to know about your inner circle and what they thought,

0:44:39.120 --> 0:44:41.080
<v Speaker 1>because I imagine that a lot of you're in a circle,

0:44:41.880 --> 0:44:45.520
<v Speaker 1>you know, reality TV is outside of their bubble. What

0:44:45.560 --> 0:44:47.480
<v Speaker 1>did they think of Australian Survivor.

0:44:47.719 --> 0:44:51.080
<v Speaker 3>It's so interesting, you say. That's quite perceptive because a

0:44:51.120 --> 0:44:53.400
<v Speaker 3>lot of people in my life are either like me

0:44:53.560 --> 0:44:56.320
<v Speaker 3>who love pop culture and actually take it quite seriously,

0:44:56.440 --> 0:44:59.279
<v Speaker 3>you know. In a way my PhD thesis, which sounds

0:44:59.320 --> 0:45:01.680
<v Speaker 3>so lofty phg theisis but it was kind of about

0:45:01.680 --> 0:45:05.520
<v Speaker 3>pop culture really and representation. So I love marrying those

0:45:05.520 --> 0:45:08.120
<v Speaker 3>two things. I love to think deeply about shows like

0:45:08.160 --> 0:45:11.480
<v Speaker 3>Survivor because I think, like you say, they represent aspects

0:45:11.480 --> 0:45:13.879
<v Speaker 3>of the real world, like high school or the work

0:45:13.960 --> 0:45:16.719
<v Speaker 3>or the modern workplace or your neighborhood. And I think

0:45:16.760 --> 0:45:20.480
<v Speaker 3>Survivors also a deeply intellectual game. It's about politics and

0:45:20.560 --> 0:45:24.640
<v Speaker 3>striking deals and strategy and maths, and so a lot

0:45:24.640 --> 0:45:26.160
<v Speaker 3>of my friends who are watching it with me for

0:45:26.160 --> 0:45:28.239
<v Speaker 3>the first time. In fact, the bunch of friends I

0:45:28.280 --> 0:45:30.960
<v Speaker 3>was watching it with last night, which is my my

0:45:31.120 --> 0:45:34.000
<v Speaker 3>tribal episode, most of them had never seen an episode

0:45:34.120 --> 0:45:38.760
<v Speaker 3>before and they were completely fascinated by it drew really

0:45:38.880 --> 0:45:42.040
<v Speaker 3>strong kind of conclusions, had very strong opinions. I ran

0:45:42.080 --> 0:45:45.080
<v Speaker 3>into another friend recently, Jared, who said he'd never watched

0:45:45.080 --> 0:45:48.680
<v Speaker 3>an episode of Survivor before and very hilariously equipped, and

0:45:48.680 --> 0:45:52.279
<v Speaker 3>now it's become my entire personality. I think people are

0:45:52.320 --> 0:45:56.640
<v Speaker 3>surprised that a reality TV, a reality competition TV show

0:45:57.080 --> 0:46:00.480
<v Speaker 3>can be so smart. And for my screen in writing

0:46:00.520 --> 0:46:03.359
<v Speaker 3>friends who might not work in reality TV, but they

0:46:03.360 --> 0:46:06.520
<v Speaker 3>work in drama in comedy, they're like, Wow, the drama

0:46:06.560 --> 0:46:09.400
<v Speaker 3>in this is incredible. And I think that's testament to

0:46:09.880 --> 0:46:14.759
<v Speaker 3>the producers and the editors of Survivor. They are the heroes,

0:46:14.880 --> 0:46:18.920
<v Speaker 3>the real heroes of this show in finding out. Okay,

0:46:19.040 --> 0:46:21.440
<v Speaker 3>this is a really good thread this week, let's follow

0:46:21.480 --> 0:46:25.360
<v Speaker 3>this thread hard. We've got a protagonist, we've got an obstacle,

0:46:25.440 --> 0:46:28.680
<v Speaker 3>and we've got an enemy, and we've got complications around them.

0:46:29.080 --> 0:46:31.240
<v Speaker 3>If you saw everything that happened out there on the island,

0:46:31.320 --> 0:46:34.480
<v Speaker 3>it would be like how I experienced it, which is

0:46:34.520 --> 0:46:39.520
<v Speaker 3>an absolute hot mess all about hot messes. But you know,

0:46:39.760 --> 0:46:43.120
<v Speaker 3>that's that's not a TV show. That's just you know,

0:46:43.280 --> 0:46:45.280
<v Speaker 3>CCTV footage.

0:46:45.239 --> 0:46:46.799
<v Speaker 1>You know. But that's the interesting thing. If you're going

0:46:46.840 --> 0:46:48.480
<v Speaker 1>to be on television these days and have a show

0:46:48.520 --> 0:46:50.440
<v Speaker 1>as good as this, You've got to be really smart.

0:46:50.520 --> 0:46:53.520
<v Speaker 1>You've got to make this tight. You know, you go

0:46:53.600 --> 0:46:56.520
<v Speaker 1>back to seeing what reality TV look like two decades

0:46:56.520 --> 0:46:58.560
<v Speaker 1>ago in the You need to be fast, you need

0:46:58.560 --> 0:47:00.520
<v Speaker 1>to be sharp, and you need to take people on

0:47:00.600 --> 0:47:03.680
<v Speaker 1>a much faster journey than just allowing people to be

0:47:03.920 --> 0:47:04.840
<v Speaker 1>in a glass box.

0:47:05.120 --> 0:47:07.640
<v Speaker 3>Yeah, this isn't as epic for a reason. You script

0:47:07.800 --> 0:47:10.960
<v Speaker 3>epic stories, and this is what we've got for heroes

0:47:11.000 --> 0:47:11.680
<v Speaker 3>versus villains.

0:47:11.800 --> 0:47:14.120
<v Speaker 1>Well, the casting is brain just before you go, I've

0:47:14.120 --> 0:47:16.520
<v Speaker 1>been asking people, We're not what you know now, but

0:47:16.680 --> 0:47:19.160
<v Speaker 1>you know, when you left the tribal council that night,

0:47:19.360 --> 0:47:21.800
<v Speaker 1>who did you think was going to win Survivor twenty

0:47:21.840 --> 0:47:22.359
<v Speaker 1>twenty three?

0:47:22.600 --> 0:47:25.480
<v Speaker 3>Oh well, who I think will win and who I

0:47:25.480 --> 0:47:28.120
<v Speaker 3>hope will win might be two different answers, but we'll

0:47:28.160 --> 0:47:28.440
<v Speaker 3>take it.

0:47:29.920 --> 0:47:30.080
<v Speaker 1>Well.

0:47:30.120 --> 0:47:33.480
<v Speaker 3>Actually, in some ways I could see Nina winning, and

0:47:33.560 --> 0:47:36.879
<v Speaker 3>I would love for her to win too. She's got

0:47:36.880 --> 0:47:38.600
<v Speaker 3>a great story to tell her mother one as a

0:47:38.640 --> 0:47:42.120
<v Speaker 3>villain in Samoa. Nina's now at twenty two days, which

0:47:42.160 --> 0:47:44.240
<v Speaker 3>is when she was injured and out of the challenge,

0:47:44.280 --> 0:47:45.880
<v Speaker 3>and I'm a big fan of Nina.

0:47:46.000 --> 0:47:48.080
<v Speaker 1>Okay, I'll take that. I love that. And then would

0:47:48.080 --> 0:47:50.560
<v Speaker 1>you ever go back? And if you did go back,

0:47:50.719 --> 0:47:52.880
<v Speaker 1>is there a way in which you would see a

0:47:52.920 --> 0:47:54.560
<v Speaker 1>theme suitable enough for you to return?

0:47:54.800 --> 0:47:56.560
<v Speaker 3>So come back, I'd have to get it past my

0:47:57.000 --> 0:48:00.160
<v Speaker 3>mother and my boyfriend, who both don't want the hospital

0:48:00.520 --> 0:48:02.279
<v Speaker 3>and think I was very lucky to get through this

0:48:02.360 --> 0:48:06.000
<v Speaker 3>season without having done so.

0:48:04.840 --> 0:48:06.360
<v Speaker 1>So that's a negative ghost writer.

0:48:06.680 --> 0:48:09.600
<v Speaker 3>They may look. I'm very persuasive, especially if I've got

0:48:09.600 --> 0:48:10.640
<v Speaker 3>an idol around my neck.

0:48:10.840 --> 0:48:12.799
<v Speaker 1>That's the closest I've ever had to know, though. I've

0:48:12.800 --> 0:48:14.880
<v Speaker 1>been asking everyone as they've come out, and you know,

0:48:14.880 --> 0:48:17.759
<v Speaker 1>everyone's like, dude's got me back on there, and I'm like, wow,

0:48:17.800 --> 0:48:20.719
<v Speaker 1>so I was like crack cocaine. But yeah, I think

0:48:20.719 --> 0:48:23.960
<v Speaker 1>that's the closest for someone saying no.

0:48:23.200 --> 0:48:26.719
<v Speaker 3>No, oh, it's just I need to think about it.

0:48:29.000 --> 0:48:30.920
<v Speaker 3>Love the game. Though I love the game. My immediate

0:48:31.000 --> 0:48:32.359
<v Speaker 3>instinct is, what.

0:48:32.320 --> 0:48:34.360
<v Speaker 1>If the personal trainer said to you when we first chatted,

0:48:34.400 --> 0:48:36.080
<v Speaker 1>you said that the personal trainer didn't know you were

0:48:36.080 --> 0:48:38.880
<v Speaker 1>going into Survivor, but trained you like an athlete. Do

0:48:39.040 --> 0:48:42.799
<v Speaker 1>they have any what's the word for it that Were

0:48:42.800 --> 0:48:45.080
<v Speaker 1>they proud of you in there, thinking that they trained you?

0:48:45.160 --> 0:48:47.480
<v Speaker 1>What was What do they think of your time in there? Oh?

0:48:47.520 --> 0:48:49.839
<v Speaker 3>I think they're just very pleased that my rotator cuff

0:48:49.920 --> 0:48:50.680
<v Speaker 3>is still attacked.

0:48:53.000 --> 0:48:54.520
<v Speaker 1>You were fantastic. I'm sure I'll see you.

0:48:55.080 --> 0:48:57.200
<v Speaker 3>Take good care, let's later