1 00:00:00,480 --> 00:00:03,800 Speaker 1: The Rocky Horror Show is on at Crown Theater until 2 00:00:03,920 --> 00:00:07,680 Speaker 1: August the twenty six. You can get tickets through Ticketmaster 3 00:00:08,560 --> 00:00:12,239 Speaker 1: and getting into the Frankenfurter Heels is David, Butdellery joins us. 4 00:00:12,240 --> 00:00:13,880 Speaker 2: Now, good morning, good. 5 00:00:13,640 --> 00:00:16,080 Speaker 3: Morning, Good to talk to you, David. How are you well? Yeah, 6 00:00:16,079 --> 00:00:17,680 Speaker 3: I'm very well, very excited to be here. 7 00:00:17,920 --> 00:00:19,960 Speaker 2: This is the fiftieth anniversary tour. 8 00:00:20,840 --> 00:00:25,119 Speaker 1: Now, did you first see Rocky Horror on stage? Or 9 00:00:25,160 --> 00:00:28,360 Speaker 1: did you first see the Rocky Horror Picture Show? 10 00:00:29,040 --> 00:00:30,920 Speaker 3: A lovely distinction, because somebody don't know. 11 00:00:30,960 --> 00:00:33,040 Speaker 1: So how many times people call it the Picture Show 12 00:00:33,080 --> 00:00:33,520 Speaker 1: on stage? 13 00:00:33,560 --> 00:00:35,240 Speaker 2: It's like, you know, you don't get it. 14 00:00:35,360 --> 00:00:37,920 Speaker 3: Even my family says Dave, my brother's touring with the 15 00:00:38,000 --> 00:00:40,040 Speaker 3: Rocky Horror Picture Show. 16 00:00:39,880 --> 00:00:44,160 Speaker 2: No, I'm not well, that was, of course, Tim Curry. 17 00:00:44,360 --> 00:00:48,880 Speaker 3: Yes, of course, the legend Legends, the King, here's the King. Yeah. 18 00:00:48,920 --> 00:00:51,760 Speaker 3: My first exposure was in nineteen seventy I'm going to 19 00:00:51,840 --> 00:00:55,279 Speaker 3: say six, al right, seven, okay, so the film had 20 00:00:55,320 --> 00:00:56,920 Speaker 3: been out already for a while. The film was made 21 00:00:56,920 --> 00:00:59,920 Speaker 3: in seventy three, and I was a teenager. 22 00:00:59,520 --> 00:01:03,160 Speaker 2: You're I was going to say, but. 23 00:01:03,120 --> 00:01:05,680 Speaker 3: I was definitely a teenager and went to the local 24 00:01:05,720 --> 00:01:08,480 Speaker 3: cinema for a midnight show. My friend said, you have 25 00:01:08,560 --> 00:01:12,279 Speaker 3: to make some toast and bring some toilet toilet paper rolls, 26 00:01:12,319 --> 00:01:16,400 Speaker 3: and and and a newspaper for the rain spray bottle, 27 00:01:16,440 --> 00:01:17,640 Speaker 3: all this stuff where you said, we used to have 28 00:01:17,680 --> 00:01:20,440 Speaker 3: all this gear and it was great fun, great fun. 29 00:01:20,520 --> 00:01:25,040 Speaker 3: I never dreamed that one day actually be donning the heels. 30 00:01:25,080 --> 00:01:27,720 Speaker 1: So you weren't looking at it thinking I'm going to 31 00:01:27,760 --> 00:01:30,200 Speaker 1: be on stage one day, I'm going to be on 32 00:01:30,200 --> 00:01:30,560 Speaker 1: the stage. 33 00:01:31,120 --> 00:01:34,280 Speaker 3: But must have been your bit. Yeah, it's incredible. Well, 34 00:01:34,360 --> 00:01:37,080 Speaker 3: you know, things like that always influenced you, but you 35 00:01:37,120 --> 00:01:38,360 Speaker 3: don't realize till years later. 36 00:01:38,520 --> 00:01:43,119 Speaker 4: Yeah, yes, said the we're teenager. Let's be honest, mate, 37 00:01:43,120 --> 00:01:44,880 Speaker 4: life was a teenage runing around is eighty, wasn't he. 38 00:01:44,959 --> 00:01:47,240 Speaker 3: At that stage in the Yeah. 39 00:01:47,319 --> 00:01:49,360 Speaker 4: As far as the live show is concerned, you get 40 00:01:49,400 --> 00:01:51,920 Speaker 4: the feeling it's set. Yeah, Richard, do you think that 41 00:01:52,000 --> 00:01:55,080 Speaker 4: material this, this show could be entertaining and have people 42 00:01:55,120 --> 00:01:57,760 Speaker 4: having fun forever. It's timeless, isn't it. 43 00:01:57,800 --> 00:01:59,520 Speaker 3: I really do think this is one of the shows 44 00:01:59,560 --> 00:02:02,080 Speaker 3: that's going to be playing for eons, until until there's 45 00:02:02,120 --> 00:02:04,960 Speaker 3: no no more man on Earth. This show will be 46 00:02:05,040 --> 00:02:05,720 Speaker 3: running well. 47 00:02:05,600 --> 00:02:07,720 Speaker 1: You don't say to people don't see a rocky horror show, 48 00:02:07,760 --> 00:02:08,800 Speaker 1: and they go, oh, I've seen it. 49 00:02:09,320 --> 00:02:11,200 Speaker 2: That's not what It's never what you hear. But it 50 00:02:11,240 --> 00:02:12,200 Speaker 2: doesn't matter if. 51 00:02:12,040 --> 00:02:16,480 Speaker 1: You say, well, I can see last Blue in the 52 00:02:16,480 --> 00:02:18,880 Speaker 1: face anyway. But you know there are some things, you know, 53 00:02:19,000 --> 00:02:22,000 Speaker 1: like the notebook or something I've said, although that's just open. 54 00:02:21,800 --> 00:02:24,520 Speaker 2: On Broadway, you know I've seen it. I don't really 55 00:02:24,560 --> 00:02:24,960 Speaker 2: want to say. 56 00:02:25,320 --> 00:02:29,359 Speaker 3: Quite up on your musical theaters a wheelhouse here. 57 00:02:29,440 --> 00:02:31,800 Speaker 1: Oh my goodness, this is my greatest disappointment that I 58 00:02:31,840 --> 00:02:36,480 Speaker 1: got singing. Speaking of singing, Nicholas Hammond from the Sound 59 00:02:36,520 --> 00:02:40,200 Speaker 1: of Music is in because he lives here and we're 60 00:02:40,320 --> 00:02:41,000 Speaker 1: very happy to. 61 00:02:40,960 --> 00:02:41,640 Speaker 2: Have him here. 62 00:02:41,960 --> 00:02:46,120 Speaker 1: He is the narrator, which is a very important part 63 00:02:46,200 --> 00:02:46,640 Speaker 1: of the show. 64 00:02:46,760 --> 00:02:49,080 Speaker 3: Yes, yes, yes, And and while so many people know 65 00:02:49,160 --> 00:02:52,640 Speaker 3: him as Friedrich from The Sons, the Eldest Son, what 66 00:02:52,800 --> 00:02:54,880 Speaker 3: a lot of people don't know, which blows my mind 67 00:02:55,000 --> 00:02:58,000 Speaker 3: is that he is the original Spider Man. He's the 68 00:02:58,120 --> 00:03:03,120 Speaker 3: very first seventy eight, seventy nine, the first television series 69 00:03:03,120 --> 00:03:05,800 Speaker 3: that was ever made. The song that we all know 70 00:03:05,919 --> 00:03:09,760 Speaker 3: Spider Man Spider mat that was written whatever in his show. 71 00:03:10,720 --> 00:03:11,840 Speaker 2: Wow, cool, is that. 72 00:03:11,760 --> 00:03:14,400 Speaker 3: What a great get that money? Working with Spider Man. 73 00:03:14,720 --> 00:03:15,240 Speaker 2: Very cool. 74 00:03:15,440 --> 00:03:17,960 Speaker 4: Yeah, take spidering senses and all the rest of it. 75 00:03:18,040 --> 00:03:21,239 Speaker 3: And he's and he's great. He's absolutely great in the show. Yeah. Yeah. 76 00:03:21,280 --> 00:03:26,000 Speaker 3: He many narrators they appear as themselves when they're doing 77 00:03:26,000 --> 00:03:29,480 Speaker 3: the show. He approaches it as a proper actor because 78 00:03:29,480 --> 00:03:32,760 Speaker 3: he is such yes, and and he's just fantastic, you know, 79 00:03:32,960 --> 00:03:34,519 Speaker 3: gnarly old narrator with it. 80 00:03:34,960 --> 00:03:37,440 Speaker 1: Well we last saw him once upon a time in Hollywood, 81 00:03:37,600 --> 00:03:41,880 Speaker 1: you know, yeah, Tarantino, So he's quite wrong. He's very versatile. 82 00:03:42,000 --> 00:03:44,840 Speaker 1: You couldn't, you know, pigeonhole him into that sound amazing. 83 00:03:45,200 --> 00:03:47,720 Speaker 4: Yeah, Hi David, I'll just got a question for everyone listening, 84 00:03:48,120 --> 00:03:51,040 Speaker 4: No question, just talk, because anyone could listen at that 85 00:03:51,080 --> 00:03:55,560 Speaker 4: voice all night. Find you have that that timber of 86 00:03:55,560 --> 00:03:57,320 Speaker 4: that kind of voices. Were you told as a young 87 00:03:57,360 --> 00:03:57,920 Speaker 4: man that you have that? 88 00:03:58,320 --> 00:04:00,800 Speaker 3: I did? I was. It was the bane of my 89 00:04:00,840 --> 00:04:02,480 Speaker 3: existence for quite a few years. 90 00:04:02,840 --> 00:04:03,720 Speaker 2: Yeah. 91 00:04:04,040 --> 00:04:06,240 Speaker 3: Well you can imagine an eight year old, a nine 92 00:04:06,280 --> 00:04:08,760 Speaker 3: year old whose voice is lower than your dad's. It's 93 00:04:08,800 --> 00:04:16,480 Speaker 3: kind of ridiculous Christmas time. So I was always I 94 00:04:16,520 --> 00:04:19,599 Speaker 3: was always teased and ridiculed and called Froggy and whatever else. 95 00:04:20,600 --> 00:04:20,760 Speaker 1: Yeah. 96 00:04:20,880 --> 00:04:23,080 Speaker 3: Yeah, in fact, there was there was a teacher. Oh 97 00:04:23,120 --> 00:04:26,240 Speaker 3: bless her. I shouldn't be naming the dead, but miss 98 00:04:26,360 --> 00:04:29,520 Speaker 3: mss Turner. She is my favorite teacher, honestly until this 99 00:04:29,640 --> 00:04:32,880 Speaker 3: day in third grade when I asked a question and 100 00:04:32,920 --> 00:04:34,960 Speaker 3: I said, miss Turner, and she turned from the board 101 00:04:35,000 --> 00:04:39,400 Speaker 3: and said yes, and the whole room started laughing, and 102 00:04:39,480 --> 00:04:42,640 Speaker 3: I remember just shrinking into my chair and thinking, well, 103 00:04:42,720 --> 00:04:46,160 Speaker 3: forget it, I'm just not talking anymore. Wrong. That lasted 104 00:04:46,160 --> 00:04:48,360 Speaker 3: a while, but not long I heard the last laugh. 105 00:04:49,440 --> 00:04:50,120 Speaker 3: Here we are. 106 00:04:50,839 --> 00:04:53,839 Speaker 1: Didn't here we are? Indeed, you're a three time Olivia 107 00:04:54,000 --> 00:04:56,760 Speaker 1: Award winner. You won for Jerry Spring of the Opera 108 00:04:58,080 --> 00:04:58,760 Speaker 1: in the Heights. 109 00:04:59,000 --> 00:04:59,680 Speaker 2: So amazing. 110 00:05:00,720 --> 00:05:04,560 Speaker 1: He's going to be an Egot and Juliet and Juliette. 111 00:05:04,760 --> 00:05:06,680 Speaker 2: Is there any of those? Yes? 112 00:05:06,720 --> 00:05:12,320 Speaker 1: And Juliet And does any of them, like especially mean 113 00:05:12,360 --> 00:05:13,360 Speaker 1: more than the other. 114 00:05:13,360 --> 00:05:16,920 Speaker 3: Or oh gosh, you know, I just have to say, 115 00:05:16,960 --> 00:05:19,680 Speaker 3: each one is so special in its own way. The 116 00:05:20,240 --> 00:05:23,080 Speaker 3: first one Jerry Springer. Do you guys know Jerry Springer 117 00:05:23,120 --> 00:05:23,719 Speaker 3: the Opera? 118 00:05:23,960 --> 00:05:24,159 Speaker 1: Yeah? 119 00:05:24,240 --> 00:05:27,280 Speaker 3: Yeah, it was a worldwide phenomenon. I was getting calls 120 00:05:27,320 --> 00:05:29,440 Speaker 3: from all over the world, what is this thing you're doing, 121 00:05:30,279 --> 00:05:34,000 Speaker 3: and I have thanked the gentleman who wrote it because 122 00:05:34,400 --> 00:05:37,239 Speaker 3: to this day it's my calling card. I have never 123 00:05:37,440 --> 00:05:40,160 Speaker 3: ever gone into an audition where they didn't say from 124 00:05:40,200 --> 00:05:42,080 Speaker 3: the other side of the table, oh my god, I 125 00:05:42,080 --> 00:05:45,000 Speaker 3: saw you as the Devil and Jerry Springer, So you 126 00:05:45,040 --> 00:05:47,320 Speaker 3: know that's that's a huge step up for any actor. 127 00:05:47,600 --> 00:05:50,120 Speaker 3: Usually you're going into an audition thinking how can I 128 00:05:50,160 --> 00:05:52,320 Speaker 3: get them to notice me, to remember who I am. 129 00:05:52,360 --> 00:05:55,280 Speaker 3: I am young enough and to walk in and they're 130 00:05:55,320 --> 00:05:58,719 Speaker 3: already a fan because of that show. I am forever grateful, 131 00:05:59,120 --> 00:06:01,560 Speaker 3: So that one's I'd have to say a pretty special one. 132 00:06:01,560 --> 00:06:02,159 Speaker 2: Thank you, Jered. 133 00:06:02,279 --> 00:06:02,799 Speaker 3: Incredible. 134 00:06:03,120 --> 00:06:05,360 Speaker 4: We've had a couple of that performers in here, of 135 00:06:06,080 --> 00:06:08,080 Speaker 4: liked men who have told us about things going on 136 00:06:08,160 --> 00:06:11,200 Speaker 4: in theater whilst they're on stage. Yes, unfortunately they're both 137 00:06:11,400 --> 00:06:14,000 Speaker 4: the last two. We have mentioned strange happenings. And it's 138 00:06:14,000 --> 00:06:15,919 Speaker 4: not boring things like mobile phones going off, because that 139 00:06:15,960 --> 00:06:19,360 Speaker 4: happens way too often, but that people have had fights, 140 00:06:19,480 --> 00:06:21,760 Speaker 4: physical fights in crowds and now it doesn't happen to 141 00:06:21,960 --> 00:06:24,640 Speaker 4: of course, but have you mots of the most bizarre 142 00:06:24,640 --> 00:06:26,640 Speaker 4: thing that's happened whilst you've been on stage, that you. 143 00:06:26,720 --> 00:06:29,840 Speaker 3: Have been on stage, gosh, well, I hate to say, 144 00:06:29,839 --> 00:06:32,479 Speaker 3: they're not always nice things. You know, you hear us 145 00:06:32,520 --> 00:06:34,919 Speaker 3: during the audience and you realize someone's you know, having 146 00:06:34,920 --> 00:06:37,440 Speaker 3: a heart attack and ambulance is on its wad, and 147 00:06:37,480 --> 00:06:40,159 Speaker 3: you're thinking, do I keep going? Do it? Do I stop? 148 00:06:40,200 --> 00:06:42,599 Speaker 3: What do we do? We always stop? Of course? Yeah? 149 00:06:42,720 --> 00:06:43,800 Speaker 3: Do I be less definition? 150 00:06:43,920 --> 00:06:44,040 Speaker 4: Right? 151 00:06:44,920 --> 00:06:48,160 Speaker 3: Yes? There's also things that happened to us backstage, which 152 00:06:48,880 --> 00:06:52,520 Speaker 3: of a more lighthearted nature, but still quite dramatic. I 153 00:06:53,200 --> 00:06:57,320 Speaker 3: was running on my way to the finale the whatever 154 00:06:57,360 --> 00:06:59,840 Speaker 3: happened to Fay And there's a certain place in this 155 00:07:00,040 --> 00:07:03,120 Speaker 3: we after run backstage, and everyone's been told steer clear, 156 00:07:03,320 --> 00:07:04,800 Speaker 3: Dave's got a run to get up on the moon 157 00:07:04,839 --> 00:07:08,680 Speaker 3: fast enough. And one day somebody forgot and was walking 158 00:07:08,800 --> 00:07:12,760 Speaker 3: looking down at her mobile phone. Yeah, my face connected 159 00:07:12,800 --> 00:07:15,960 Speaker 3: with her head and I broke my nose. Broke my 160 00:07:16,080 --> 00:07:19,520 Speaker 3: nose right there, right before the finale, and I went on. 161 00:07:19,640 --> 00:07:22,480 Speaker 3: They said, Dave, you can't go on. Yeah, I said, 162 00:07:22,520 --> 00:07:23,840 Speaker 3: that's my music, get out of the way. 163 00:07:23,960 --> 00:07:27,760 Speaker 1: Of course, singing with a broken nose, yeah be a 164 00:07:27,800 --> 00:07:28,840 Speaker 1: little challenging. 165 00:07:29,000 --> 00:07:32,960 Speaker 3: Well, actually, you know, there was the whole the whole time. Yeah, 166 00:07:33,080 --> 00:07:35,360 Speaker 3: I had red gloves on, so I kept wiping it away. 167 00:07:35,680 --> 00:07:37,320 Speaker 3: Thank god. You know improvisation. 168 00:07:37,840 --> 00:07:42,600 Speaker 1: Wow, is there a dream role that you have yet 169 00:07:42,640 --> 00:07:44,119 Speaker 1: to tick off your backet list? 170 00:07:44,520 --> 00:07:47,560 Speaker 3: Gosh, I don't know. You know, it's been such a 171 00:07:48,440 --> 00:07:51,880 Speaker 3: such a great thing to always be creating roles. It's 172 00:07:52,120 --> 00:07:55,120 Speaker 3: it's it's a very different animal when you're you're stepping 173 00:07:55,120 --> 00:07:57,800 Speaker 3: into someone else's shoes and you're trying to recreate the 174 00:07:57,800 --> 00:08:01,200 Speaker 3: greatness that that one person originally had. So I've been 175 00:08:01,240 --> 00:08:04,880 Speaker 3: lucky enough, you know, things like a Juliette and shows 176 00:08:04,920 --> 00:08:08,080 Speaker 3: like that where I've created things from scratch. I suppose 177 00:08:08,360 --> 00:08:10,400 Speaker 3: one from the from the Ages would be Man of 178 00:08:10,480 --> 00:08:16,040 Speaker 3: La Mancha. I have always wanted to play don Quixote, really, Yeah. 179 00:08:16,080 --> 00:08:18,400 Speaker 3: The only problem is that it's usually a toll don 180 00:08:18,480 --> 00:08:21,880 Speaker 3: Quixote and a short Cervantes. Yeah. I'm more likely to 181 00:08:21,920 --> 00:08:25,720 Speaker 3: play Servantes, you know, I'm only by Yeah, well doesn't. 182 00:08:25,480 --> 00:08:28,480 Speaker 1: Mean people are you know, switching up Sirrho and all 183 00:08:28,520 --> 00:08:29,040 Speaker 1: sorts of things. 184 00:08:29,880 --> 00:08:34,880 Speaker 3: That's great, you remember Sirho. Yes, that's a good show too. Yeah. Yeah, 185 00:08:34,880 --> 00:08:36,240 Speaker 3: there's a lot of things out there that I could 186 00:08:36,240 --> 00:08:38,600 Speaker 3: still do. The clock is ticking, babe. Yeah. 187 00:08:38,679 --> 00:08:40,840 Speaker 1: And if not now, I mean now is the time? 188 00:08:42,920 --> 00:08:44,960 Speaker 1: Kiote short? 189 00:08:47,200 --> 00:08:49,520 Speaker 3: How do David? 190 00:08:49,559 --> 00:08:51,319 Speaker 4: We say footage on line because there's so much social 191 00:08:51,320 --> 00:08:54,040 Speaker 4: media now of the stage door and people waiting for 192 00:08:54,040 --> 00:08:55,560 Speaker 4: the stars to come out. Are you're a fan of 193 00:08:55,840 --> 00:08:58,760 Speaker 4: such connection? Would you rather be in previews or whatever? 194 00:08:59,040 --> 00:09:01,600 Speaker 3: Well? That's you know, it goes, it goes up and down. 195 00:09:01,640 --> 00:09:05,760 Speaker 3: For me. I find that the more I the longer 196 00:09:05,800 --> 00:09:08,160 Speaker 3: I'm in the business, the more shy I get about 197 00:09:08,200 --> 00:09:12,120 Speaker 3: catch things. And so sometimes it gets a little bit uncomfortable, 198 00:09:12,440 --> 00:09:15,920 Speaker 3: especially with Rocky Horror people, you know, because in London 199 00:09:17,400 --> 00:09:21,600 Speaker 3: it's customary to start drinking at noon before you're showing 200 00:09:21,720 --> 00:09:25,120 Speaker 3: hard okay, okay, So we'd have people showing up who 201 00:09:25,120 --> 00:09:27,520 Speaker 3: were quite off their heads, and you know they're not 202 00:09:27,600 --> 00:09:29,360 Speaker 3: the best to deal with after the show, Yah, when 203 00:09:29,360 --> 00:09:30,760 Speaker 3: you're tired and you just want to go home. 204 00:09:31,000 --> 00:09:33,320 Speaker 2: But it's not driving mistakes. 205 00:09:32,760 --> 00:09:36,360 Speaker 3: No, no. But here in Perth people have been just lovely, yeah, 206 00:09:36,400 --> 00:09:38,480 Speaker 3: waiting out there to respect loves. 207 00:09:38,240 --> 00:09:40,440 Speaker 1: Rocky Horror, Yeah, I get it. I don't know what 208 00:09:40,440 --> 00:09:42,280 Speaker 1: it is about this town and Rocky Horror show. 209 00:09:42,400 --> 00:09:45,679 Speaker 4: We love it, Yeah, something about it and everybody does, 210 00:09:45,720 --> 00:09:46,280 Speaker 4: and it's stange. 211 00:09:46,280 --> 00:09:48,040 Speaker 3: I don't want to autographs anymore so much. I want 212 00:09:48,040 --> 00:09:51,000 Speaker 3: to always always the self. It's still I keep my 213 00:09:51,080 --> 00:09:54,400 Speaker 3: sharper at the ready. Yeah sharpy, someone's old school. 214 00:09:54,600 --> 00:09:58,280 Speaker 1: Yeah well it's on a Crown Theater until August twenty sixth. 215 00:09:58,320 --> 00:10:00,800 Speaker 1: I would suggest you get in quick to ticket Master 216 00:10:00,880 --> 00:10:02,679 Speaker 1: to get your tickets because this show, as we said, 217 00:10:02,800 --> 00:10:04,000 Speaker 1: is always so popular. 218 00:10:04,360 --> 00:10:05,439 Speaker 2: Lovely to meet you, David. 219 00:10:05,480 --> 00:10:07,520 Speaker 3: Well, thank you, and I want to give a shout 220 00:10:07,520 --> 00:10:10,120 Speaker 3: out to the cast because place this is. And I 221 00:10:10,160 --> 00:10:11,880 Speaker 3: know people say this all the time, but I've done 222 00:10:11,920 --> 00:10:14,840 Speaker 3: a lot of rocky horrors. This is the finest cast 223 00:10:14,920 --> 00:10:17,800 Speaker 3: I have ever worked with. Honestly that every single one 224 00:10:17,840 --> 00:10:18,520 Speaker 3: of them is a gym. 225 00:10:18,640 --> 00:10:19,840 Speaker 2: I love Hi Price. 226 00:10:20,120 --> 00:10:22,400 Speaker 4: Yeah, it's wonderful. I just need to change your voice message. 227 00:10:22,760 --> 00:10:25,880 Speaker 4: I'll message on my phone David, I forget Thanks man, 228 00:10:26,200 --> 00:10:27,800 Speaker 4: I'm so glad to catch up with you. 229 00:10:28,040 --> 00:10:28,360 Speaker 3: Thank you