1 00:00:00,440 --> 00:00:02,560 Speaker 1: Nothing coming about this man joining us now. 2 00:00:02,720 --> 00:00:04,760 Speaker 2: I am one of the people. Though I am. 3 00:00:05,480 --> 00:00:06,720 Speaker 1: He's a person of the people. 4 00:00:07,480 --> 00:00:11,720 Speaker 3: Lawrence Mooney in town for the Fringe festival. Gosh, you've 5 00:00:11,760 --> 00:00:14,280 Speaker 3: been coming to town for the comedy festivals of Fringe 6 00:00:14,320 --> 00:00:16,239 Speaker 3: and everything for years. 7 00:00:16,440 --> 00:00:18,720 Speaker 2: I have Lisa. It's nice to see you both. 8 00:00:19,400 --> 00:00:21,840 Speaker 4: But we were just reflecting on how far back I've gone, 9 00:00:21,920 --> 00:00:24,320 Speaker 4: and we've trot a long road together. 10 00:00:24,440 --> 00:00:25,240 Speaker 2: Over a decade. 11 00:00:25,400 --> 00:00:28,880 Speaker 4: And every time I come to Perth, I get on 12 00:00:28,920 --> 00:00:32,480 Speaker 4: the plane and I said to myself, don't don't drink 13 00:00:32,520 --> 00:00:36,960 Speaker 4: on the plane. It's a long flight. You'll be bothering 14 00:00:37,040 --> 00:00:38,839 Speaker 4: people having to get up to go to the toilet. 15 00:00:39,200 --> 00:00:42,159 Speaker 4: You'll get to Perth, you'll be blott over and you'll 16 00:00:42,200 --> 00:00:46,680 Speaker 4: be a real gass cake to someone and problematic. And 17 00:00:46,720 --> 00:00:51,479 Speaker 4: sure enough I was, yeah, how came you were? I 18 00:00:51,560 --> 00:00:55,800 Speaker 4: came off that plane and it came in hot I 19 00:00:55,960 --> 00:00:59,000 Speaker 4: saw a guy eating a pear and I turned in. 20 00:00:59,040 --> 00:01:04,120 Speaker 4: You know when you're a bit bit you know, tipsy, 21 00:01:04,400 --> 00:01:04,640 Speaker 4: and you. 22 00:01:05,160 --> 00:01:07,040 Speaker 2: Become a you become a cop. 23 00:01:07,120 --> 00:01:09,959 Speaker 4: All of a sudden, you're you're in charge, and this 24 00:01:10,000 --> 00:01:11,840 Speaker 4: guy's eating Paari said, you won't be able to bring 25 00:01:11,880 --> 00:01:14,600 Speaker 4: that in mate quarantine laws. He goes, yeah, but I'm 26 00:01:14,600 --> 00:01:16,080 Speaker 4: going to eat it, And I said, put it in 27 00:01:16,160 --> 00:01:16,600 Speaker 4: the bean. 28 00:01:16,600 --> 00:01:20,280 Speaker 1: Champ, very strict. 29 00:01:20,480 --> 00:01:23,440 Speaker 2: Mind your own business. And did he really? 30 00:01:23,760 --> 00:01:26,240 Speaker 4: His wife goes, mind your own business. I said, it 31 00:01:26,360 --> 00:01:29,800 Speaker 4: is my business. I'm a farmer, so I've moved to 32 00:01:29,880 --> 00:01:33,080 Speaker 4: the country. Not only am I a policeman, now I've 33 00:01:33,160 --> 00:01:36,160 Speaker 4: decided that I'm also a farmer. I don't even know 34 00:01:36,200 --> 00:01:39,279 Speaker 4: whether there's an exotic disease that can be carried on pears. 35 00:01:39,920 --> 00:01:43,480 Speaker 4: If you're a pair farmer, give us a call, tell 36 00:01:43,560 --> 00:01:44,319 Speaker 4: us about you know. 37 00:01:44,560 --> 00:01:47,440 Speaker 1: The better safe than sorry, though, absolutely. 38 00:01:47,120 --> 00:01:49,480 Speaker 4: And normally there's the woman with a little beagle ware 39 00:01:49,760 --> 00:01:50,480 Speaker 4: to back me up. 40 00:01:50,720 --> 00:01:52,440 Speaker 2: She was nowhere to be seen. It was a bit 41 00:01:52,520 --> 00:01:54,160 Speaker 2: late and I'm doing their heavy lifting. 42 00:01:54,160 --> 00:01:58,400 Speaker 4: Department of Agriculture come on and all of a sudden, 43 00:01:58,440 --> 00:02:00,720 Speaker 4: it's like you have had too many of these little bottles. 44 00:02:00,800 --> 00:02:03,200 Speaker 2: Mate, go and have a lie down. And his wife 45 00:02:03,200 --> 00:02:06,600 Speaker 2: had a crack too. But I'm looking for your badget. 46 00:02:06,920 --> 00:02:09,800 Speaker 2: I was deep undercover. I really stuck up on them. 47 00:02:10,280 --> 00:02:11,400 Speaker 2: Look like that gall. 48 00:02:14,440 --> 00:02:18,160 Speaker 4: Probably why is that galops working for the Demarta culture? 49 00:02:18,720 --> 00:02:23,160 Speaker 4: Because I had I've also got glasses like him. From 50 00:02:23,720 --> 00:02:28,959 Speaker 4: the hangover Midron business mate just eating a put. 51 00:02:30,200 --> 00:02:31,000 Speaker 1: Just tell me your laugh. 52 00:02:32,320 --> 00:02:35,040 Speaker 2: He didn't finish it. I heard that. I heard that 53 00:02:35,520 --> 00:02:35,880 Speaker 2: put him. 54 00:02:35,880 --> 00:02:39,280 Speaker 1: He's lost his appeal for them. 55 00:02:40,280 --> 00:02:42,679 Speaker 4: The doors you go through like you're going through the 56 00:02:42,800 --> 00:02:53,280 Speaker 4: Get Smart one three, I just hear. 57 00:02:53,200 --> 00:02:56,959 Speaker 2: Them, don't don't. 58 00:02:57,240 --> 00:02:59,320 Speaker 4: And then I hear the very heavy clunk of a 59 00:02:59,360 --> 00:03:02,239 Speaker 4: half eaten hair hitting the top of that silver bin. 60 00:03:02,480 --> 00:03:03,000 Speaker 2: It just goes. 61 00:03:03,960 --> 00:03:09,120 Speaker 4: It's like, yeah, mate, missed it by that. Actually Agent 62 00:03:09,200 --> 00:03:14,160 Speaker 4: thirteen was in the bin. So so I'm. 63 00:03:13,960 --> 00:03:15,880 Speaker 2: Thinking, when you have the fruit, when you eat the fruit, 64 00:03:15,919 --> 00:03:17,720 Speaker 2: when you're a problem with you two in public. 65 00:03:19,720 --> 00:03:23,280 Speaker 4: If it's some kind of tapeworm in the pair, then 66 00:03:23,320 --> 00:03:24,520 Speaker 4: it's it's in Perth. 67 00:03:24,840 --> 00:03:27,639 Speaker 3: Yeah, okay, so yeah, possibly the greatest show of all time. 68 00:03:31,800 --> 00:03:36,520 Speaker 4: And he's always he always regrets. I hate this, Max 69 00:03:37,520 --> 00:03:40,240 Speaker 4: just doesn't he Yeah, I gotta I gotta get a 70 00:03:40,280 --> 00:03:40,880 Speaker 4: new career. 71 00:03:41,800 --> 00:03:42,640 Speaker 2: And we all say that. 72 00:03:44,400 --> 00:03:50,360 Speaker 4: Omie and what about his arch enemy Gropo the chaos 73 00:03:51,480 --> 00:03:54,480 Speaker 4: robot and himI is such a nice robot. 74 00:03:54,160 --> 00:03:57,600 Speaker 2: Because he works for control. It's like, grop I want 75 00:03:57,600 --> 00:03:58,600 Speaker 2: to be friends. 76 00:03:58,280 --> 00:04:01,280 Speaker 4: With you girlpol kill Homi. 77 00:04:01,320 --> 00:04:03,560 Speaker 2: He's like, oh, and so they have to fire. He 78 00:04:03,640 --> 00:04:08,480 Speaker 2: was programmed by, Yes, we don't hear, but we digress. 79 00:04:08,880 --> 00:04:12,160 Speaker 2: We must do, and that's all we've got time for. 80 00:04:12,560 --> 00:04:14,160 Speaker 2: Nice to see you guys. 81 00:04:13,960 --> 00:04:17,040 Speaker 1: About dead set Country work in progress. 82 00:04:17,160 --> 00:04:18,919 Speaker 2: You've got to be very careful how you say the 83 00:04:18,920 --> 00:04:19,720 Speaker 2: title of that show. 84 00:04:19,960 --> 00:04:24,320 Speaker 4: Yeah, I feel this is why you chose it. 85 00:04:24,320 --> 00:04:25,720 Speaker 1: I could have said bush. 86 00:04:28,000 --> 00:04:32,760 Speaker 3: Tree, change, deep in the bush, something you could emphaside. 87 00:04:34,279 --> 00:04:38,799 Speaker 4: Well, there's so many naughty little double entendres for the country, 88 00:04:38,839 --> 00:04:43,120 Speaker 4: isn't that. And you often hear journalists who have obviously 89 00:04:43,120 --> 00:04:47,120 Speaker 4: said to themselves, make sure you pronounce country correctly, and 90 00:04:47,160 --> 00:04:51,560 Speaker 4: they hesitate on the first syllable and they say it twice, 91 00:04:52,040 --> 00:04:55,480 Speaker 4: and you go, you've caught yourself thought out. 92 00:04:55,400 --> 00:04:59,800 Speaker 1: The worst thing you can do absolutely. 93 00:05:00,040 --> 00:05:02,239 Speaker 2: A truck and a dog, and you into Wayne Jennings, 94 00:05:02,240 --> 00:05:05,800 Speaker 2: Now what's going on? Yeah, I am listening to country. 95 00:05:05,960 --> 00:05:07,800 Speaker 2: It's huge moment and I. 96 00:05:07,720 --> 00:05:11,160 Speaker 4: Am loving country music. And I've gone full back catalog 97 00:05:12,080 --> 00:05:17,680 Speaker 4: listening to Glenn Campbell's Which Guitar Alignment, And it's such 98 00:05:17,680 --> 00:05:21,040 Speaker 4: a beautiful song. And where most men do their crying 99 00:05:21,160 --> 00:05:24,160 Speaker 4: is in the car. And that will get you right 100 00:05:24,360 --> 00:05:27,880 Speaker 4: in the solar plexus, that song because there's a it's 101 00:05:27,880 --> 00:05:32,560 Speaker 4: a it's a love song, and he says I need 102 00:05:32,600 --> 00:05:35,159 Speaker 4: you more than want you, and you think, oh, that's 103 00:05:35,200 --> 00:05:37,640 Speaker 4: a harsh thing to say to someone, and then he says, 104 00:05:37,640 --> 00:05:43,120 Speaker 4: but I want you for all time. And because no 105 00:05:43,839 --> 00:05:47,440 Speaker 4: man believes that they are worthy of love, here's something 106 00:05:47,480 --> 00:05:49,560 Speaker 4: for the ladies out there. No man Some of those 107 00:05:49,560 --> 00:05:54,280 Speaker 4: ones on TikTok too. 108 00:05:52,560 --> 00:05:54,680 Speaker 1: Some of the younger ones think they're worthy of a lot. 109 00:05:55,240 --> 00:05:59,159 Speaker 4: Yeah, are they fish holding men? My friends are on 110 00:05:59,200 --> 00:06:02,120 Speaker 4: the apps and it's amazing how many men are holding the. 111 00:06:03,839 --> 00:06:04,080 Speaker 3: Yeah. 112 00:06:04,520 --> 00:06:08,640 Speaker 2: And what is the message there? I don't know because 113 00:06:08,640 --> 00:06:17,600 Speaker 2: I've never or is it me got boat? Me? Never 114 00:06:17,800 --> 00:06:27,000 Speaker 2: see you? But when see you have fish, and that's 115 00:06:27,400 --> 00:06:28,920 Speaker 2: that the hunter gatherer is not. 116 00:06:31,839 --> 00:06:34,680 Speaker 4: I think I've actually become more attractive to my wife 117 00:06:34,880 --> 00:06:37,720 Speaker 4: since we've moved to the country, because out of necessity, 118 00:06:37,760 --> 00:06:40,920 Speaker 4: you've got to do things for yourself. Like we had 119 00:06:41,120 --> 00:06:44,000 Speaker 4: a mob of kangaroos in the paddock with the horses, 120 00:06:44,279 --> 00:06:48,000 Speaker 4: and a young Joey jumps over and hits the electric 121 00:06:48,040 --> 00:06:51,839 Speaker 4: fence and it's fine. They don't get really hurt. I've 122 00:06:51,839 --> 00:06:54,480 Speaker 4: touched the electric fence a lot of time. It's it's 123 00:06:54,839 --> 00:06:58,760 Speaker 4: it's a weird but not altogether unpleasant feeling. And you think, 124 00:07:00,120 --> 00:07:03,760 Speaker 4: like the electric fence smell. Yeah, it's only a matter 125 00:07:03,800 --> 00:07:06,800 Speaker 4: of time. Once a man has used something for its 126 00:07:06,800 --> 00:07:10,080 Speaker 4: given purpose, then he finds another use for it. Anyway, 127 00:07:10,160 --> 00:07:13,760 Speaker 4: the kangaroo jumps into the electric fence and mayhem ensues. 128 00:07:13,920 --> 00:07:17,760 Speaker 2: It just goes, what the hell is? It just starts 129 00:07:17,840 --> 00:07:20,480 Speaker 2: jumping towards the rest of the family. They split. 130 00:07:20,840 --> 00:07:24,040 Speaker 4: The only person and I'll call them the people in 131 00:07:24,080 --> 00:07:27,680 Speaker 4: the paddock that's got any pause is the bull kangaroo 132 00:07:27,760 --> 00:07:29,800 Speaker 4: standing there like any bloke in a country town, just 133 00:07:29,840 --> 00:07:32,200 Speaker 4: with his army, just yea holding a fish, look like, 134 00:07:32,440 --> 00:07:35,680 Speaker 4: what are you looking at, dickhead? And then the next 135 00:07:35,680 --> 00:07:39,440 Speaker 4: species to go crazy with the horses because they are fear, 136 00:07:40,040 --> 00:07:41,200 Speaker 4: five hundred kilos of. 137 00:07:41,120 --> 00:07:45,400 Speaker 2: Fear on four hoofs. They get spooked. Cho this is chaos. 138 00:07:45,440 --> 00:07:47,880 Speaker 4: And I'm standing there as the mist is rising and 139 00:07:48,000 --> 00:07:53,880 Speaker 4: sunbeams are breaking through the trees. I'm weeping to Glenn Campbell. 140 00:07:54,800 --> 00:07:59,360 Speaker 4: I'm thinking about interfering with an electric fence. And anyway, 141 00:07:59,400 --> 00:08:02,240 Speaker 4: so I've got to fix the electric fence because you can't. 142 00:08:02,000 --> 00:08:03,720 Speaker 2: Keep calling the rural contractor. 143 00:08:04,120 --> 00:08:06,160 Speaker 4: Because the rural contractor will turn up and go, oh, 144 00:08:06,160 --> 00:08:07,680 Speaker 4: you got some trees down over there. 145 00:08:07,680 --> 00:08:08,920 Speaker 2: You've got a BlackBerry problem, you. 146 00:08:08,960 --> 00:08:11,160 Speaker 4: Got some serrated tuss Oh you do what that guy? 147 00:08:11,640 --> 00:08:14,880 Speaker 4: That guy, Yeah, you can make your pair in the 148 00:08:14,920 --> 00:08:19,280 Speaker 4: bit champ. And you know that the rural contractor is 149 00:08:19,920 --> 00:08:22,880 Speaker 4: billing by Google too. It's like, I I only got 150 00:08:22,880 --> 00:08:25,760 Speaker 4: one pay out, it's nearly done. 151 00:08:25,800 --> 00:08:28,840 Speaker 2: So you want to burn and everything that day? Yeah, 152 00:08:28,880 --> 00:08:29,320 Speaker 2: that's right. 153 00:08:29,760 --> 00:08:32,319 Speaker 4: So I learned how to do slip knots and tie 154 00:08:32,360 --> 00:08:36,800 Speaker 4: the electric fence the party. I did a Google tutorial, 155 00:08:36,840 --> 00:08:37,440 Speaker 4: which we all do. 156 00:08:37,559 --> 00:08:39,360 Speaker 2: Now, how do I open this? How do I turn 157 00:08:39,440 --> 00:08:39,720 Speaker 2: that up? 158 00:08:40,200 --> 00:08:43,880 Speaker 4: Google YouTube tutorial? Teach me how to get the battery 159 00:08:43,880 --> 00:08:44,880 Speaker 4: out of my carkeets? 160 00:08:48,800 --> 00:08:50,720 Speaker 1: You can't work it out, don't you remember when I 161 00:08:50,720 --> 00:08:51,720 Speaker 1: first it's. 162 00:08:51,600 --> 00:08:54,439 Speaker 2: What I escape for him? There is it? Yeah? 163 00:08:54,480 --> 00:08:56,760 Speaker 4: And then you find out, oh you push that button 164 00:08:56,760 --> 00:08:58,280 Speaker 4: and the key comes around and you're sticking to the 165 00:08:58,280 --> 00:08:59,640 Speaker 4: bottom and the whole thing unfolded. 166 00:08:59,640 --> 00:09:02,040 Speaker 1: It's like supposed to know nothing else? 167 00:09:02,600 --> 00:09:06,480 Speaker 2: Was it in the teas and seas? Don't once you know? 168 00:09:06,559 --> 00:09:10,000 Speaker 2: You know? So I fixed the fence as my wife's like, 169 00:09:10,960 --> 00:09:14,679 Speaker 2: you're pretty handy around here, that's impressive. You're pretty handy 170 00:09:14,679 --> 00:09:15,839 Speaker 2: around here, aren't you missed her? 171 00:09:16,160 --> 00:09:19,120 Speaker 4: And we're speaking in sudden accents a lot too. Yeah, 172 00:09:19,200 --> 00:09:22,960 Speaker 4: I'm role playing Billy Bob Thorn. I love Billy Bob. 173 00:09:23,000 --> 00:09:27,959 Speaker 4: He's pretty, isn't Billy Bob sexy? And I applaud Billy 174 00:09:28,000 --> 00:09:32,839 Speaker 4: Bob mentally because he he was with Angelina and they 175 00:09:32,840 --> 00:09:34,400 Speaker 4: did the vials of blood as. 176 00:09:34,240 --> 00:09:35,480 Speaker 2: An exchange of their love. 177 00:09:35,960 --> 00:09:38,400 Speaker 4: And then and then he got out before the whole 178 00:09:38,440 --> 00:09:43,920 Speaker 4: thing blew up into seventeen children from thirty five countries. 179 00:09:44,200 --> 00:09:46,560 Speaker 2: Yes, yeah, she's trying to get them. 180 00:09:46,679 --> 00:09:50,320 Speaker 4: And then yeah, and now now she's taking Brad's vineyard 181 00:09:50,440 --> 00:09:50,800 Speaker 4: off him. 182 00:09:51,040 --> 00:09:53,880 Speaker 2: Oh, poor Brad Pitt. We should put the hat around 183 00:09:53,920 --> 00:09:54,400 Speaker 2: for him. 184 00:09:54,559 --> 00:09:56,520 Speaker 1: Yeah. 185 00:09:57,200 --> 00:10:00,320 Speaker 4: So yeah, that's the Country in short, and just a 186 00:10:00,360 --> 00:10:02,600 Speaker 4: message for the folk out there. If you think about 187 00:10:02,600 --> 00:10:05,000 Speaker 4: coming into Perth with a pair, if you're listening to 188 00:10:05,080 --> 00:10:07,920 Speaker 4: us online, think again, because I'll be down to the airport. 189 00:10:09,360 --> 00:10:12,160 Speaker 4: You're going to be hanging around thirty little bottles, just 190 00:10:12,200 --> 00:10:14,920 Speaker 4: telling you exactly how the wind blows, all right. 191 00:10:15,480 --> 00:10:15,880 Speaker 1: Well. 192 00:10:16,400 --> 00:10:20,680 Speaker 3: Dead Set Country work in progress, is at Lenott's Lounge 193 00:10:20,720 --> 00:10:24,360 Speaker 3: in Northbridge from tonight until February nine. Tickets are available 194 00:10:24,400 --> 00:10:26,160 Speaker 3: through Fringe world dot com dot au. 195 00:10:26,320 --> 00:10:28,600 Speaker 1: It's been a pleasure to have you this. 196 00:10:28,559 --> 00:10:31,480 Speaker 4: Morning's always a pleasure, never mature, and it's nice to 197 00:10:31,520 --> 00:10:33,240 Speaker 4: be in studio this time. 198 00:10:33,400 --> 00:10:33,760 Speaker 1: That's right. 199 00:10:33,800 --> 00:10:35,400 Speaker 2: We got all about it. Well, you were walking around 200 00:10:35,440 --> 00:10:36,760 Speaker 2: liz Key and we're going where is he? 201 00:10:36,880 --> 00:10:37,080 Speaker 3: Yeah? 202 00:10:37,400 --> 00:10:40,160 Speaker 4: Down, I was down in the Murray Street Mall, the 203 00:10:40,200 --> 00:10:41,240 Speaker 4: world's biggest open air. 204 00:10:43,400 --> 00:10:45,319 Speaker 2: Yeah, you can eat that apple. I'm going to do. 205 00:10:45,360 --> 00:10:46,760 Speaker 4: You know what I'm going to do today. I'm really 206 00:10:46,760 --> 00:10:48,319 Speaker 4: going to have a real Perth. I'm going to go 207 00:10:48,360 --> 00:10:49,960 Speaker 4: down and have the Bell Tower experience. 208 00:10:50,000 --> 00:10:55,160 Speaker 1: And now you're talking to the Beltower when you think 209 00:10:55,200 --> 00:10:56,360 Speaker 1: of Richard Court when you're there. 210 00:10:56,280 --> 00:11:00,240 Speaker 4: Mate, the bell Tower. I went online to find out 211 00:11:00,240 --> 00:11:01,160 Speaker 4: why the bell Tower? 212 00:11:01,720 --> 00:11:02,640 Speaker 2: Why the bell Tower? 213 00:11:03,160 --> 00:11:04,680 Speaker 4: And the first thing that came up was the Bell 214 00:11:04,720 --> 00:11:07,720 Speaker 4: Tower Experience and it said jump the queue on the 215 00:11:07,720 --> 00:11:08,880 Speaker 4: Bell Tower Experience. 216 00:11:09,400 --> 00:11:12,120 Speaker 2: Huge que and I thought, surely not. 217 00:11:12,240 --> 00:11:14,559 Speaker 4: There's a little cafe down there, little boat house. It's 218 00:11:14,559 --> 00:11:19,040 Speaker 4: a now cafe lovely and there was people. There was 219 00:11:19,080 --> 00:11:22,000 Speaker 4: a lot of Bell Tower people. So they come to 220 00:11:22,040 --> 00:11:23,640 Speaker 4: Perth and they go, what should we do? Go to 221 00:11:23,640 --> 00:11:24,240 Speaker 4: the bell Tower? 222 00:11:24,559 --> 00:11:27,360 Speaker 2: It does? It does say what else is there to 223 00:11:27,440 --> 00:11:30,200 Speaker 2: do in Perth if the bell tower. 224 00:11:30,040 --> 00:11:32,360 Speaker 4: Is some kind of attraction, if there's a queue of 225 00:11:32,360 --> 00:11:36,320 Speaker 4: more than two one of those fairest wheels like Yeah, London, 226 00:11:36,679 --> 00:11:39,160 Speaker 4: well Melbourne, Melbourne had one. 227 00:11:39,400 --> 00:11:40,640 Speaker 2: It was a shocker. 228 00:11:42,920 --> 00:11:47,840 Speaker 4: It cracked on Black Saturday, and then they had to 229 00:11:47,880 --> 00:11:50,200 Speaker 4: have Japanese engineers coming to have a look at the 230 00:11:50,240 --> 00:11:54,920 Speaker 4: crack to literally reinvent the wheel. And it's stationary for 231 00:11:55,080 --> 00:12:03,880 Speaker 4: three years. Massive your wheel, And in that time, the 232 00:12:04,040 --> 00:12:09,120 Speaker 4: Chinese built a three hundred kilometer railway line that hovers 233 00:12:09,120 --> 00:12:10,400 Speaker 4: on its electric track. 234 00:12:10,840 --> 00:12:13,160 Speaker 2: From you know, Nanjing to. 235 00:12:14,640 --> 00:12:17,240 Speaker 4: Yeah, and in the same amount of time Melbourne can't 236 00:12:17,240 --> 00:12:18,200 Speaker 4: even get their wheel going. 237 00:12:18,360 --> 00:12:21,280 Speaker 2: And if you're on the wheel, what you get a 238 00:12:21,360 --> 00:12:26,119 Speaker 2: view of is docklands and an industrial area. It's just horrific. 239 00:12:26,480 --> 00:12:29,160 Speaker 4: And then the wheel became a thing on Facebook to 240 00:12:29,280 --> 00:12:35,800 Speaker 4: go up in the wheel and become intimate with your partner, 241 00:12:36,080 --> 00:12:38,280 Speaker 4: and they became a thing and people would be photographing 242 00:12:38,320 --> 00:12:43,160 Speaker 4: themselves and putting up on Facebook, and family families didn't 243 00:12:43,160 --> 00:12:45,559 Speaker 4: want to get into the wheel anymore because the young 244 00:12:45,640 --> 00:12:50,480 Speaker 4: folk had been in there desecrating the wheel. So they 245 00:12:50,640 --> 00:12:54,520 Speaker 4: shut the wheel down because it just became the Shags Wheel. 246 00:12:54,679 --> 00:12:59,440 Speaker 2: We can't have nice things, they say, look what you 247 00:12:59,520 --> 00:13:00,000 Speaker 2: do to them. 248 00:13:00,120 --> 00:13:01,080 Speaker 1: Miss Up to the Toys. 249 00:13:01,679 --> 00:13:06,360 Speaker 2: The Mile High Crack Club, Thank you for coming in.