WEBVTT - UNPACKED REALITY- AUSTRALIAN IDOL - IMOGEN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. They Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading on today's episode with Imagen, one of

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<v Speaker 1>the first eliminated singers from Australian Idol on Channel seven.

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<v Speaker 1>Twenty one years after Guy Sebastian pipped Shannonault become Australia's

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<v Speaker 1>first Idol, the International Starmaking reality TV Sensation has returned

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<v Speaker 1>to Channel seven and seven plus. And if you aren't

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<v Speaker 1>watching this series, then you're missing out because there is

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<v Speaker 1>some sensational talent a part of the Top twelve. Scott

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<v Speaker 1>Tweety did tell me that this was going to be

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<v Speaker 1>the toughest season of Australian Idol yet and with the

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<v Speaker 1>Top twelve losing two of the most talked about contestants

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<v Speaker 1>this year, I am getting the privilege of sitting down

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<v Speaker 1>with Imagen to get all the goss. We will unpack

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<v Speaker 1>why this season features the bottom two singing when the

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<v Speaker 1>votes have already been counted. Imagen will talk about her

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<v Speaker 1>friendship with fellow eliminated contestant Ripley and what they were

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<v Speaker 1>like backstage after their elimination. I will also ask about

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<v Speaker 1>Kyle Sandalance and what Imagen thinks of his judging style,

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<v Speaker 1>plus who Imagen thinks will win the competition, and which

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<v Speaker 1>Taylor Swift song was knocked back by producers. There's actually

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<v Speaker 1>so much to one pack with image in today, and

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<v Speaker 1>she is really generous with her time to sit back

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<v Speaker 1>and relax as we dive just that little bit deeper

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<v Speaker 1>into the world of Australian idol. I feel like starting

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<v Speaker 1>this off by saying, can you just sing some songs

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<v Speaker 1>for me?

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<v Speaker 2>Ah, Babs babe. Yeah, you know, That's what I've been

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<v Speaker 2>doing on.

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<v Speaker 1>The show, so absolutely. You know, I'm excited to talk

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<v Speaker 1>to you because I mean, I think not only do

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<v Speaker 1>I think you are a phenomenal artist, but I kind

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<v Speaker 1>of feel like I would get along with you very well.

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<v Speaker 1>I want to drink with you.

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<v Speaker 3>Yeah, yeah, I mean, I'd like to say we'd have

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<v Speaker 3>fun going out in town.

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<v Speaker 1>My sister texted me this morning as Edward yeah o'clock

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<v Speaker 1>and said to me, I've got to explain some six

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<v Speaker 1>degrees of separation that's going on here.

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<v Speaker 3>I literally, well, I called mass the last night and

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<v Speaker 3>that's how we piece this whole thing together, but go

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<v Speaker 3>for it.

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<v Speaker 1>I was going to say that version of Celene Dion

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<v Speaker 1>would have been really hard under any circumstances. Is it

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<v Speaker 1>much harder when you've got to sing in a save

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<v Speaker 1>me situation?

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<v Speaker 3>Well, I don't know, because it really wasn't like a

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<v Speaker 3>save me situation because.

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<v Speaker 2>The votes would have already been decided.

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<v Speaker 3>So like, I feel like, as soon as those doors opened,

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<v Speaker 3>I was like, look, there's nothing I can do, so

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<v Speaker 3>I've just got to like have a really good time

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<v Speaker 3>and put on a really good performance and just kind of,

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<v Speaker 3>I don't know, it was sort of like a relief

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<v Speaker 3>came over me, I feel like, which I think showed

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<v Speaker 3>in the performance because it came across as really strong.

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<v Speaker 1>Why are they making you do that when it's not

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<v Speaker 1>going to help the situation?

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<v Speaker 2>You know, I don't know. I don't know TV antics.

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<v Speaker 3>I guess I guess they want to give us like

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<v Speaker 3>one big send off in the end, so that like

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<v Speaker 3>it's sort of like, you know, Australia, this is the

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<v Speaker 3>people you've decided are in the bottom and it's on you.

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<v Speaker 1>So we get like a little concert for those four

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<v Speaker 1>people that are down in the bottom. But at the

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<v Speaker 1>same time. You know, I think a lot of people

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<v Speaker 1>were like, I think we just want to see the

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<v Speaker 1>person that leaves do their final song or need to

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<v Speaker 1>be a save me situation. So look, there's a lot

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<v Speaker 1>of conversations that seem to be happening today from behind

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<v Speaker 1>the scenes.

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<v Speaker 3>You know, it was kind of crazy, like seeing literally

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<v Speaker 3>like the floods of reaction on social media of people

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<v Speaker 3>just being like, what is going on?

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<v Speaker 2>Like me and Ripley in the bottom.

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<v Speaker 3>I think no one really expected, like even across production,

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<v Speaker 3>everyone was shocked.

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<v Speaker 1>Well, you're the two most popular people in my mind,

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<v Speaker 1>but I think that's what happened.

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<v Speaker 3>People think you're safe if they're like someone will vote

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<v Speaker 3>for them, But like, you're trying to vote for the

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<v Speaker 3>people that you're worried are going to get out.

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<v Speaker 2>You're not trying to vote for the people that you

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<v Speaker 2>think are going to go through.

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<v Speaker 1>You know that both of you have, you know, scared

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<v Speaker 1>the bejeezus out of the voters now, So I think

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<v Speaker 1>people need to pick up their phones and start voting.

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<v Speaker 1>Sometimes I think Marsha's a little over the top with

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<v Speaker 1>her antics when she's trying to explain that to the audience,

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<v Speaker 1>But I'm now that person. I'm like people like you're

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<v Speaker 1>going to lose your favorite artists.

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<v Speaker 2>Yeah.

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<v Speaker 3>Literally, it's like and it really comes down to like

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<v Speaker 3>a handful of votes at like every time. Like even

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<v Speaker 3>Ivana and TJ being at the bottom was kind of crazy.

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<v Speaker 3>Like it was USh shocking night for sure for everyone.

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<v Speaker 1>I'm in great television for I mean, the producer rubbing

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<v Speaker 1>their hands together and you know, it was exciting. I mean,

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<v Speaker 1>I have to say that I haven't screamed at my

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<v Speaker 1>TV in a long time. I think when TV got

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<v Speaker 1>up and run Away thinks it's in trouble with me.

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<v Speaker 1>How do you see yourself as an artist moving forward?

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<v Speaker 1>Because I got up this morning and did a deep

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<v Speaker 1>dive on your Instagram, and you know, I was so

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<v Speaker 1>impressed with your back catalog and sort of your journey

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<v Speaker 1>as an artist. Just listening to some of the music

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<v Speaker 1>you make at home and seeing some of the productions

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<v Speaker 1>that you've been a part of. You know, the question

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<v Speaker 1>that came to mind for me was who are you

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<v Speaker 1>as an artist? That to me is the question at

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<v Speaker 1>this point and everyone's question.

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<v Speaker 3>I think we got on the show to kind of

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<v Speaker 3>establish ourselves. I went to university for electronic music production.

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<v Speaker 3>So I'm a producer as well, and I make a

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<v Speaker 3>lot of my own tracks, and I'm a songwriter. I

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<v Speaker 3>do a lot of like R and B pop stuff,

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<v Speaker 3>which is really exciting. It's kind of strange, Like I

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<v Speaker 3>think the show took me on sort of the big

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<v Speaker 3>valid journey because it's that's obviously makes really good TV

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<v Speaker 3>and it's a really od this way of showing someone

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<v Speaker 3>like showing their abilities, if that makes sense. And the

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<v Speaker 3>stuff I make, obviously I still scream and yell and

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<v Speaker 3>wail in my music.

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<v Speaker 1>I said one of your songs this morning at Chapel

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<v Speaker 1>Off Chapel and I was playing it through the music

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<v Speaker 1>that's in my studio here this morning and it sounded amazing.

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<v Speaker 1>So anyone that's listening to this, you know, if you're

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<v Speaker 1>feeling really sad about image and leaving the competition, get

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<v Speaker 1>onto the Instagram, start listening to some of those tracks.

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<v Speaker 1>They're amazing.

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<v Speaker 3>Yeah, get on my Instagram. Jimmy spenlove Undercore. I've got

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<v Speaker 3>a catalog. I've got a long line of songs for

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<v Speaker 3>you guys to enjoy.

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<v Speaker 1>So what I thought might have happened, And by the way,

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<v Speaker 1>I'll ask you about Taylor Swift because I saw that

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<v Speaker 1>you went to the concert. But yeah, I wondered whether

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<v Speaker 1>or not a good Tailor Swift song might have been

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<v Speaker 1>appropriate at this point. You know, with all of the

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<v Speaker 1>Tailor Swift hype, there's song choices that you were suggesting

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<v Speaker 1>that suited you a little bit better, or that you

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<v Speaker 1>wanted to do that we didn't get a chance to see.

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<v Speaker 3>Oh, you know, there was like it's tricky with TV

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<v Speaker 3>because there's a lot of like red taping into crass

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<v Speaker 3>and getting songs approved and finding the copyright for everything.

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<v Speaker 3>I know some people like Party Week. Some of the

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<v Speaker 3>reactions was like I don't understand these song choices, and

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<v Speaker 3>it's literally like whatever we can get over the line

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<v Speaker 3>is what we end up having.

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<v Speaker 2>To work with.

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<v Speaker 1>But it makes a lot of more sense. It's like

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<v Speaker 1>when you go to a karaoke bar and it's the

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<v Speaker 1>one of those Vietnamese ones and they don't have all

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<v Speaker 1>the song choices and you've been dreaming about, you know,

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<v Speaker 1>pumping out your karaoke song and it's not there.

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<v Speaker 2>Yeah.

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<v Speaker 3>Literally, like, there are a few tracks that I desperately

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<v Speaker 3>wanted to do in the show. Oh, we really wanted

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<v Speaker 3>to do like Olivia Rodrigo Vampire at one point, which

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<v Speaker 3>would have been so sick. There's like a couple like

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<v Speaker 3>more kooky ones. We wanted to do some like more

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<v Speaker 3>covers of like male led songs and changing them up

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<v Speaker 3>a bit. There is a bunch of tracks that I

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<v Speaker 3>would be like, and even Tailor Swift. I'd put forward

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<v Speaker 3>like a million Tailorswift songs and they'd be like, we can't.

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<v Speaker 1>Yeah, what would have been the Taylor's Swift song. I mean,

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<v Speaker 1>I'm in a Swifty fever right now, So forgive me

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<v Speaker 1>for hammering this particular point. But kind of like you

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<v Speaker 1>know what your fantasy you know those Fantasy League things

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<v Speaker 1>that people have, you know, yeah, Fantasy League songs for

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<v Speaker 1>image and yeah right, so.

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<v Speaker 2>Okay, here's my thing.

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<v Speaker 3>So my one of my favorite talors of songs of

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<v Speaker 3>all time, which would not have worked for the show

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<v Speaker 3>is Last Great American Dynasty.

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<v Speaker 2>But I'm just putting it on the table. I love

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<v Speaker 2>that song so much, but I reckon for the trajectory

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<v Speaker 2>of the show.

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<v Speaker 3>I reckon, don't blame me, would have been a big hit,

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<v Speaker 3>you know, like something a bit darker. They sort of

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<v Speaker 3>on the show. They wanted me to kind of fill

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<v Speaker 3>a niche that was a bit more girl.

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<v Speaker 2>Next doory, which like I was.

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<v Speaker 3>Completely happy to do, but like it gets a little

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<v Speaker 3>tired to kind of continuously be sort of just like

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<v Speaker 3>pious and standing there and you know, being very happy

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<v Speaker 3>about everything. Some I always wanted to go like something

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<v Speaker 3>a bit darker, something a bit more interesting for me

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<v Speaker 3>to sink my teeth into. But like those kinds of

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<v Speaker 3>things don't always translate really well on TV, and you

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<v Speaker 3>don't want to do like such a hard switch that

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<v Speaker 3>your audience is going like, ah, what's going on?

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<v Speaker 2>This is not what I'm used to, you know.

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<v Speaker 3>So like I totally get the songs they picked for

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<v Speaker 3>me for the trajectory. I mean the last one this

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<v Speaker 3>moment on got me like Shania Twain's recognition, So I

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<v Speaker 3>was like fucking tickbox there.

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<v Speaker 2>Hello, like life moments.

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<v Speaker 3>You know, it's not even March and Shania Twain has

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<v Speaker 3>noticed me this year.

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<v Speaker 1>You know, twenty twenty four is going pretty well so far. Yeah,

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<v Speaker 1>I often say to people as well, you don't want

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<v Speaker 1>to win these things either, because then you're just slapped

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<v Speaker 1>with being the winner of that show. And Australia's tall

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<v Speaker 1>poppy syndrome might mean that we don't ever want to

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<v Speaker 1>see you again, do you know what I mean? That

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<v Speaker 1>seems to be a trend that happens in Australia where

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<v Speaker 1>you really got a chance to get a taste of

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<v Speaker 1>something quite mainstream and get to understand television a little

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<v Speaker 1>bit better. And I'm sure you're thinking, at the moment,

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<v Speaker 1>television is nowhere near as glamorous is what you'd originally

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<v Speaker 1>thought it was, do you know what I mean? Like

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<v Speaker 1>people were watching it at home, They're always like, oh God,

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<v Speaker 1>that looks so amazing. The photos are being taken and

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<v Speaker 1>I get the outfits and all the rest of it,

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<v Speaker 1>but behind the scenes it's very unnglamorous.

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<v Speaker 2>I think, oh completely, it's all smoke and mirrors.

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<v Speaker 3>Everyone's just like the amount of times I feel like

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<v Speaker 3>I've gotten like half naked backstage trying to put like

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<v Speaker 3>pull a driyce on or pull costumes on, and everyone's

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<v Speaker 3>like touching you and like doing your hair, are you

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<v Speaker 3>make up?

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<v Speaker 2>Or pullink spanks onto your body?

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<v Speaker 3>Like there's so many things you don't see or probably

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<v Speaker 3>probably for the best. There's a going joke in the

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<v Speaker 3>last show where wardrobe was like the first person who

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<v Speaker 3>can get changed to the fastest gets a prized like

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<v Speaker 3>like all that.

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<v Speaker 2>Kind of stuff that's happening backstage.

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<v Speaker 3>What's interesting to me is like a lot of the

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<v Speaker 3>backlash for the show is talking about how like pre

0:09:22.160 --> 0:09:24.960
<v Speaker 3>planned everything is. When you're going through it, it really

0:09:25.000 --> 0:09:27.240
<v Speaker 3>doesn't feel like that. It feels like things are moving

0:09:27.280 --> 0:09:29.800
<v Speaker 3>and changing all of the time. The trajectory of people's

0:09:29.840 --> 0:09:32.600
<v Speaker 3>stories are changing and moving, Like the Shania Twain thing.

0:09:32.640 --> 0:09:34.640
<v Speaker 3>For me was not a planned event at all, Like

0:09:34.720 --> 0:09:36.800
<v Speaker 3>no one expected that to happen, and we sort of

0:09:36.800 --> 0:09:38.600
<v Speaker 3>had to adapt as it happened.

0:09:39.000 --> 0:09:40.400
<v Speaker 2>Yeah, it's it's weird.

0:09:40.440 --> 0:09:42.960
<v Speaker 3>I think people think TV is such like a finished, beautiful,

0:09:42.960 --> 0:09:44.880
<v Speaker 3>perfect package, and when it gets to you, it is,

0:09:44.920 --> 0:09:47.120
<v Speaker 3>but there are so many little nitty gritty details that

0:09:47.160 --> 0:09:48.080
<v Speaker 3>have to happen before it.

0:09:48.160 --> 0:09:50.719
<v Speaker 1>Guys say that to people, you know, I think this

0:09:50.760 --> 0:09:53.000
<v Speaker 1>is a really good sort of a taste of all

0:09:53.040 --> 0:09:55.400
<v Speaker 1>of this for you, And I think that this experience

0:09:55.400 --> 0:09:58.200
<v Speaker 1>would have been great because you've got some amazing judges.

0:09:58.240 --> 0:10:00.160
<v Speaker 1>Like last year is a little bit dubious about the

0:10:00.160 --> 0:10:02.600
<v Speaker 1>way in which it came together. It felt a little contrived.

0:10:02.679 --> 0:10:06.120
<v Speaker 1>I sometimes don't like American judges or overseas judges judging

0:10:06.120 --> 0:10:09.719
<v Speaker 1>out Australian talent where I felt like this lineup, they

0:10:09.840 --> 0:10:13.720
<v Speaker 1>genuinely care and they're actually handing over valid information. I mean,

0:10:13.800 --> 0:10:16.000
<v Speaker 1>Kyle's outrageous, but that's exactly what people are going to

0:10:16.040 --> 0:10:18.320
<v Speaker 1>say when you get out of you know, when you're autist.

0:10:18.400 --> 0:10:20.760
<v Speaker 3>Anyway, that's the thing me and Ripley were talking about

0:10:20.760 --> 0:10:23.920
<v Speaker 3>it today. We were just like, if you know Kyle,

0:10:24.000 --> 0:10:27.560
<v Speaker 3>he'll say things, but he's usually right. He's just blunt

0:10:27.559 --> 0:10:30.480
<v Speaker 3>about it very much like this is my opinion, take

0:10:30.520 --> 0:10:32.680
<v Speaker 3>it or leave it. But also it's like you're on

0:10:32.720 --> 0:10:34.600
<v Speaker 3>a talent show, he's a judge, you should probably take

0:10:34.760 --> 0:10:35.640
<v Speaker 3>the advice, you know.

0:10:35.840 --> 0:10:38.439
<v Speaker 1>Being paid hundreds of millions of dollars for no reason. Yeah,

0:10:38.520 --> 0:10:40.120
<v Speaker 1>man has a gift, like you know.

0:10:40.240 --> 0:10:43.000
<v Speaker 2>An industry pro. You know, take whatever you can get,

0:10:43.040 --> 0:10:44.440
<v Speaker 2>even if he's even if he's being.

0:10:44.320 --> 0:10:46.800
<v Speaker 3>Harsh, like my last performance, he was pretty harsh with me,

0:10:46.880 --> 0:10:48.880
<v Speaker 3>but I like, I get it. It was like when

0:10:48.880 --> 0:10:51.400
<v Speaker 3>I finished that, I remember being like, oh that was messy,

0:10:51.679 --> 0:10:53.360
<v Speaker 3>and that was the first thing he picked up on

0:10:53.480 --> 0:10:54.400
<v Speaker 3>in not so many words.

0:10:54.440 --> 0:10:56.720
<v Speaker 1>I guess, did they give you any advice? Though, like

0:10:56.800 --> 0:10:58.920
<v Speaker 1>as in, when the show finished, did you get any

0:10:58.920 --> 0:11:01.400
<v Speaker 1>advice Once the lights go off and you know you've

0:11:01.400 --> 0:11:03.640
<v Speaker 1>been eliminated from this show, did you get any moments

0:11:03.640 --> 0:11:06.240
<v Speaker 1>with these three? And what was Can you share any

0:11:06.280 --> 0:11:06.760
<v Speaker 1>of that with me?

0:11:07.040 --> 0:11:09.240
<v Speaker 3>We sort of were like very much pulled off to

0:11:09.280 --> 0:11:10.600
<v Speaker 3>the side, but we got to have a chat with

0:11:10.679 --> 0:11:12.679
<v Speaker 3>Ricky Lee, which was really lovely and.

0:11:12.679 --> 0:11:14.120
<v Speaker 1>She gets it more than anyone.

0:11:14.200 --> 0:11:15.439
<v Speaker 2>She gets yeah completely.

0:11:15.559 --> 0:11:17.480
<v Speaker 3>She like pulled me and Rip aside and was just

0:11:17.520 --> 0:11:20.240
<v Speaker 3>like that was insane for started. She was like, I'm shocked.

0:11:20.280 --> 0:11:22.520
<v Speaker 3>Everyone's shocked. No one was expecting this. And she just

0:11:22.600 --> 0:11:25.559
<v Speaker 3>was like you have to now like use it, say

0:11:25.640 --> 0:11:28.360
<v Speaker 3>yes to everything, take everything that you can, every opportunity

0:11:28.400 --> 0:11:29.520
<v Speaker 3>that comes your way, Like.

0:11:29.480 --> 0:11:31.520
<v Speaker 2>This is the point now where like I feel like

0:11:31.559 --> 0:11:33.800
<v Speaker 2>going through the show is so much work.

0:11:33.800 --> 0:11:35.440
<v Speaker 3>It's a lot of early mornings, it's a lot of

0:11:35.480 --> 0:11:37.920
<v Speaker 3>long days, like twelve Like some people don't realize we're

0:11:37.920 --> 0:11:40.280
<v Speaker 3>on set for like twelve to seventeen hours sometimes like

0:11:40.600 --> 0:11:41.640
<v Speaker 3>long days.

0:11:41.760 --> 0:11:43.760
<v Speaker 2>And she was just sort of like, you know, this

0:11:43.800 --> 0:11:45.760
<v Speaker 2>is just the beginning. It's only going to get harder.

0:11:45.600 --> 0:11:47.760
<v Speaker 3>Work, but it's going to be more rewarding, which was

0:11:47.800 --> 0:11:49.440
<v Speaker 3>really lovely to hear from her.

0:11:49.720 --> 0:11:50.240
<v Speaker 2>It was great.

0:11:50.440 --> 0:11:52.880
<v Speaker 1>You know. What's also quite amazing is that you've bumped

0:11:52.880 --> 0:11:55.079
<v Speaker 1>out of the competition at the same time as someone

0:11:55.080 --> 0:11:58.200
<v Speaker 1>else who is also so well regarded. But if you

0:11:58.200 --> 0:12:01.040
<v Speaker 1>look at the company that you're keeping with, yeah, you know,

0:12:01.120 --> 0:12:03.679
<v Speaker 1>that sort of shows you how tough this competition is,

0:12:03.720 --> 0:12:05.120
<v Speaker 1>you know what I mean. It's like that old saying,

0:12:05.120 --> 0:12:06.320
<v Speaker 1>you know, if I'm going to get if I'm going

0:12:06.400 --> 0:12:08.280
<v Speaker 1>to get beaten, I get beaten by the best kind

0:12:08.280 --> 0:12:09.000
<v Speaker 1>of thing, you know.

0:12:09.000 --> 0:12:13.400
<v Speaker 3>Completely, and everyone is just like they're so different and

0:12:13.520 --> 0:12:16.760
<v Speaker 3>really really good at what they do. Like that's literally it.

0:12:16.760 --> 0:12:20.000
<v Speaker 3>It's a really difficult competition. And the tricky part now

0:12:20.040 --> 0:12:21.959
<v Speaker 3>is it is literally up to public boat. Like there

0:12:22.000 --> 0:12:24.520
<v Speaker 3>isn't as much control as like the show has, so

0:12:24.760 --> 0:12:27.640
<v Speaker 3>it is really up in the air at all times.

0:12:27.679 --> 0:12:30.280
<v Speaker 2>But when I sort of, you know, I got.

0:12:30.160 --> 0:12:33.360
<v Speaker 3>Eliminated and I'm like waiting in a corridor chatting to people, and.

0:12:33.280 --> 0:12:35.480
<v Speaker 2>I hear like Ripley in a separate room going.

0:12:35.760 --> 0:12:39.800
<v Speaker 3>Immagen hap here, you know, and we just like had

0:12:39.840 --> 0:12:41.240
<v Speaker 3>a bit of a cuddle and a bit of a

0:12:41.280 --> 0:12:43.000
<v Speaker 3>cry and it was like, I don't know, it was

0:12:43.040 --> 0:12:46.360
<v Speaker 3>weirdly validating because he is so impressive and so good.

0:12:46.679 --> 0:12:48.760
<v Speaker 3>It's kind of nice to go out together, you know,

0:12:49.000 --> 0:12:49.600
<v Speaker 3>as a team.

0:12:49.920 --> 0:12:51.520
<v Speaker 1>Well, I think the take home at the moment this

0:12:51.559 --> 0:12:53.760
<v Speaker 1>morning for across the fan base is that, you know,

0:12:53.800 --> 0:12:56.679
<v Speaker 1>the results on shows like this, like these singing competitions.

0:12:56.760 --> 0:12:58.280
<v Speaker 1>You know, it's taken us a long time to get

0:12:58.320 --> 0:13:01.040
<v Speaker 1>back to watching live and giving people such a short

0:13:01.120 --> 0:13:04.640
<v Speaker 1>time frame voting. And then when you look at the

0:13:04.640 --> 0:13:07.080
<v Speaker 1>fact that there's a lot of people watching a majority

0:13:07.080 --> 0:13:10.559
<v Speaker 1>of freeedoware television catch up, they're not voting. So yeah,

0:13:10.600 --> 0:13:14.520
<v Speaker 1>there's a few explanations that are quite broad when it

0:13:14.559 --> 0:13:17.080
<v Speaker 1>comes to the way on which these results shows are

0:13:17.120 --> 0:13:20.040
<v Speaker 1>being dictated. Because the sort of person that's going to

0:13:20.040 --> 0:13:22.160
<v Speaker 1>be home that's going to vote, you know, there's a

0:13:22.200 --> 0:13:24.280
<v Speaker 1>lot more things in line than when we saw a

0:13:24.320 --> 0:13:26.079
<v Speaker 1>Strain and Idol when it was first on television.

0:13:26.280 --> 0:13:29.319
<v Speaker 3>Yeah, and the audience is like, is very different as well.

0:13:29.600 --> 0:13:32.000
<v Speaker 3>It's one of those things I remember when it was

0:13:32.040 --> 0:13:35.600
<v Speaker 3>me and TJ, Like I just had a feeling that

0:13:35.640 --> 0:13:36.320
<v Speaker 3>it was going to be me.

0:13:36.480 --> 0:13:37.400
<v Speaker 2>I don't know what it is.

0:13:37.559 --> 0:13:40.400
<v Speaker 3>I like everyone I've talked to, because I've been chatting

0:13:40.400 --> 0:13:41.920
<v Speaker 3>to people who've been eliminated from the show.

0:13:41.960 --> 0:13:43.720
<v Speaker 2>They all say the same thing. It's like you just know.

0:13:44.120 --> 0:13:46.160
<v Speaker 2>It just comes over you and you're like, yeah.

0:13:46.000 --> 0:13:47.719
<v Speaker 1>It's me, this is the end.

0:13:47.840 --> 0:13:48.120
<v Speaker 2>Yeah.

0:13:48.200 --> 0:13:51.520
<v Speaker 1>I will tell you from doing reality TV that every

0:13:51.720 --> 0:13:54.520
<v Speaker 1>every week I thought I was I thought I'd been

0:13:54.559 --> 0:13:56.680
<v Speaker 1>told I was going home. So I do feel like

0:13:56.760 --> 0:13:59.640
<v Speaker 1>it's interesting when you hear other Reality TV contestants and

0:13:59.679 --> 0:14:02.400
<v Speaker 1>similar our environments go, oh, I knew it was me,

0:14:02.640 --> 0:14:04.040
<v Speaker 1>But I can tell you that I always thought it

0:14:04.080 --> 0:14:06.599
<v Speaker 1>was me every single week, you know what I mean? Yeah,

0:14:06.640 --> 0:14:09.079
<v Speaker 1>and I was wrong. And I also won't live as

0:14:09.080 --> 0:14:11.840
<v Speaker 1>long because it actually wasn't good for my central nervous

0:14:11.840 --> 0:14:12.480
<v Speaker 1>system either.

0:14:12.640 --> 0:14:15.480
<v Speaker 2>Oh yeah, I actually think I'm going to pass out.

0:14:15.559 --> 0:14:16.559
<v Speaker 2>I want to get back to my earn.

0:14:17.000 --> 0:14:18.800
<v Speaker 3>I'll need like at least a week and a half

0:14:18.920 --> 0:14:22.200
<v Speaker 3>to reset my nervous system. Oh, you're just like in

0:14:22.200 --> 0:14:24.280
<v Speaker 3>a slightly heightened state of survival.

0:14:23.920 --> 0:14:25.000
<v Speaker 2>Mode all the time.

0:14:25.280 --> 0:14:28.360
<v Speaker 3>It's really crazy, and you don't realize it until you

0:14:28.400 --> 0:14:30.280
<v Speaker 3>like get off set and you're like, oh.

0:14:31.600 --> 0:14:33.920
<v Speaker 1>God, you know, I want to ask you who you

0:14:33.920 --> 0:14:35.600
<v Speaker 1>think is going to win at this point.

0:14:36.320 --> 0:14:36.840
<v Speaker 2>I don't know.

0:14:37.040 --> 0:14:39.720
<v Speaker 1>I mean, like not best friend, competition because like, I'm

0:14:39.800 --> 0:14:42.480
<v Speaker 1>sure you've got people in there that's relationship based, but nay,

0:14:42.480 --> 0:14:44.520
<v Speaker 1>I've got a taste for the way the voting is happening.

0:14:44.840 --> 0:14:46.640
<v Speaker 1>They've got a taste, and you've got a front row

0:14:46.720 --> 0:14:48.960
<v Speaker 1>seat to all of this. I'd love to know your pick.

0:14:49.040 --> 0:14:50.880
<v Speaker 1>You're getting a million dollars if you get this right.

0:14:51.680 --> 0:14:54.160
<v Speaker 3>Look, I think me and Ripper on the same page.

0:14:54.200 --> 0:14:57.000
<v Speaker 3>I think it's like Dylan is the strongest at the moment.

0:14:57.240 --> 0:14:59.560
<v Speaker 3>I think he's got really good image going around. He's

0:14:59.560 --> 0:15:02.600
<v Speaker 3>also a lovely guy, so lovely to work with, and

0:15:02.640 --> 0:15:05.200
<v Speaker 3>an incredible vocalist. He has so many things going for

0:15:05.280 --> 0:15:08.640
<v Speaker 3>him at the moment. I think he's probably my top pick.

0:15:08.840 --> 0:15:10.560
<v Speaker 1>I think he's going to win. That's how I think

0:15:10.600 --> 0:15:12.320
<v Speaker 1>as well. This is how I knew we were going

0:15:12.360 --> 0:15:15.000
<v Speaker 1>to be friends, because I think the same Before you

0:15:15.080 --> 0:15:17.360
<v Speaker 1>go once, something I ask everyone is what is something

0:15:17.360 --> 0:15:19.400
<v Speaker 1>from behind the scenes, something that you know for people

0:15:19.480 --> 0:15:21.240
<v Speaker 1>at home that are watching this show they wouldn't get

0:15:21.240 --> 0:15:23.120
<v Speaker 1>a chance to see. Can you sort of peel back

0:15:23.160 --> 0:15:25.800
<v Speaker 1>the layers of Australian idol and share something Well, I

0:15:25.840 --> 0:15:26.200
<v Speaker 1>don't know.

0:15:27.400 --> 0:15:29.120
<v Speaker 3>I literally I think you hit the nail on the

0:15:29.120 --> 0:15:32.680
<v Speaker 3>head with it's not glamorous. It's really like like no

0:15:32.720 --> 0:15:35.320
<v Speaker 3>one's really holding your hand through this whole process. It's

0:15:35.360 --> 0:15:37.920
<v Speaker 3>you're getting poked and prodded the whole way through. You'll

0:15:37.960 --> 0:15:39.720
<v Speaker 3>be about to go on stage and someone will grab

0:15:39.760 --> 0:15:42.400
<v Speaker 3>you for like a little camera moment. You know, it's

0:15:42.520 --> 0:15:45.760
<v Speaker 3>it's really happening in the moment. And I think my

0:15:45.920 --> 0:15:49.320
<v Speaker 3>biggest takeaway is like now watching reality TV and you

0:15:49.320 --> 0:15:52.120
<v Speaker 3>watch people who kind of act really outrageously, You're like,

0:15:52.520 --> 0:15:54.360
<v Speaker 3>I completely understand how they would get to.

0:15:54.320 --> 0:15:57.160
<v Speaker 2>That point because it's so stressed and you've.

0:15:57.400 --> 0:15:59.960
<v Speaker 3>Been on like a thirteen hour shoot day and someone

0:16:00.040 --> 0:16:01.640
<v Speaker 3>pulls you aside and it's like, how are you going?

0:16:01.680 --> 0:16:04.080
<v Speaker 2>What's going on with that? Like you would just explode.

0:16:04.320 --> 0:16:07.040
<v Speaker 3>So my thing, I think to Peel Beckelle is is

0:16:07.080 --> 0:16:11.480
<v Speaker 3>literally like it's not polished everything. Everything is happening off

0:16:11.480 --> 0:16:13.360
<v Speaker 3>camera that you don't want to see, and it's just

0:16:13.560 --> 0:16:13.960
<v Speaker 3>that's just.

0:16:13.920 --> 0:16:14.520
<v Speaker 2>The way it is.

0:16:14.560 --> 0:16:16.720
<v Speaker 1>You know. Well, I'm in your audience. I just want

0:16:16.760 --> 0:16:19.080
<v Speaker 1>to say that, you know, I kind of tell you

0:16:19.080 --> 0:16:22.080
<v Speaker 1>how much I've listened to I have nothing of all

0:16:22.120 --> 0:16:24.040
<v Speaker 1>of the songs, Like I thought you did so well

0:16:24.240 --> 0:16:25.880
<v Speaker 1>and I can't wait to see what you do with this.

0:16:26.280 --> 0:16:28.800
<v Speaker 1>There's so much work that goes into this, and feel

0:16:28.800 --> 0:16:31.480
<v Speaker 1>free to contact people like Guy Sebastian, but also feel

0:16:31.480 --> 0:16:33.560
<v Speaker 1>free to contact people like Courtney Act who didn't even

0:16:33.640 --> 0:16:37.440
<v Speaker 1>make the top twelve is now an internationally recognized artist.

0:16:37.640 --> 0:16:41.640
<v Speaker 1>To these shows, there's so many people, and they will

0:16:41.640 --> 0:16:44.560
<v Speaker 1>tell you that the show was literally like an invitation,

0:16:44.960 --> 0:16:46.520
<v Speaker 1>and then now it's up to you as to how

0:16:46.560 --> 0:16:48.920
<v Speaker 1>you want to do that and think outside the box

0:16:49.120 --> 0:16:51.720
<v Speaker 1>because there's people out there that really want to hear you.

0:16:52.320 --> 0:16:52.600
<v Speaker 2>Yeah.

0:16:52.680 --> 0:16:54.840
<v Speaker 3>I think that's been the most incredible thing about this

0:16:55.080 --> 0:16:58.480
<v Speaker 3>is like the support. It's like really validating. Whenever you

0:16:58.520 --> 0:17:00.480
<v Speaker 3>step on one of these shows, you really put yourself

0:17:00.480 --> 0:17:03.480
<v Speaker 3>out there, and like, I've been lucky enough that people

0:17:03.560 --> 0:17:06.000
<v Speaker 3>like what I had to offer, and that's literally enough

0:17:06.040 --> 0:17:06.240
<v Speaker 3>for me.

0:17:06.640 --> 0:17:08.480
<v Speaker 1>I feel like I'm going to see you in musicals.

0:17:08.480 --> 0:17:10.159
<v Speaker 1>I feel like I'm going to see you in like

0:17:10.280 --> 0:17:12.600
<v Speaker 1>rock musicals. I feel like there's so much more that

0:17:12.800 --> 0:17:15.159
<v Speaker 1>you know. I'm looking looking forward to sitting there in

0:17:15.160 --> 0:17:17.000
<v Speaker 1>that row and looking at your name in one of

0:17:17.040 --> 0:17:19.600
<v Speaker 1>these books. You know so, and I think that's happening.

0:17:19.680 --> 0:17:21.840
<v Speaker 2>Thank you. I'm keen for it, Bring it on,