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Speaker 1: Happy Wednesday. It's the jam Nation Podcast with Jonesy.

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Speaker 2: Demanda Murray, the original Red Wiggle, joined us. He's got

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Speaker 2: a new band. He is about to go on the

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Speaker 2: road again. He's a very nice man.

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Speaker 1: Out about his guitar collection.

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Speaker 2: He's got a lot, hasn't he.

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Speaker 1: He's got something like fifty guitars.

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Speaker 2: We discussed the eck list. A woman has satirically put

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Speaker 2: together an eck list, a list of things that give

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Speaker 2: her the ick factor about men. Jonesy had an unusual

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Speaker 2: take on a lot of them.

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Speaker 1: Well, you know, I agree with what she was saying.

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Speaker 2: Tribal drum is beating for the lengths she went to

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Speaker 2: for a nap.

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Speaker 3: Speaking of ike shorts at work, do they pass the

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Speaker 3: pub test?

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Speaker 2: We catch up with Eleana Dockicch. She's got a new

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Speaker 2: book called Fearless. It's extraordinary how she's come back from

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Speaker 2: the upbringing she had with her father, Demir Dokicch. This

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Speaker 2: book is all about her recovery and lessons she's learned

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Speaker 2: along the way.

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Speaker 3: I like nothing more than reading the public service announcements

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Speaker 3: in the newspaper, and yesterday I struck gold with this one.

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Speaker 1: Abandoned cars at Sydney Airport.

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Speaker 2: All of that's ahead of you on the podcast right now.

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Speaker 1: That a miracle of recording. We have so many requests

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Speaker 1: for them to do it.

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Speaker 4: Again, Mistress Amanda and ms Keller.

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Speaker 5: Amanda doesn't work alone.

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Speaker 2: Friend is in a broom making the tools of the train.

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Speaker 3: I've heard them describe him as a drunken idiot.

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Speaker 1: The legendary part.

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Speaker 6: Jonesy, Amanda the actress.

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Speaker 2: Congratulations, we're ready right now. Josey and Amanda.

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Speaker 1: You're doing a great job. Anyone but see giant now

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Speaker 1: the time to hear good radio.

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Speaker 7: Sorry but it's a tangy twist set and Amanda, Shoot Timy.

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Speaker 8: We're on the air of the Morning to you, missus, Munta,

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Speaker 8: how are you?

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Speaker 1: I'm groovy to you.

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Speaker 2: We're heading into some warm weather this week and everyone goes, oh,

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Speaker 2: that's nice. Winters are everything? Actually, did we have a winter?

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Speaker 2: But be prepared because the warm weather is bringing out

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Speaker 2: venomous snakes. There's always a downside, isn't there.

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Speaker 1: Do you get the snakes around your place?

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Speaker 2: I don't think so. Have you got snakes at your place?

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Speaker 9: No?

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Speaker 1: Got lizards and stuff.

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Speaker 2: Well, the warm of that average winter has triggered an

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Speaker 2: early start to snake season. So the snakes are waking

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Speaker 2: up searching. Well, do they hypernate? No, But they they

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Speaker 2: go slow, don't they? In winter? They never go slow.

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Speaker 2: The union gets onto it. Then they come out looking

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Speaker 2: for food, for water, for breeding mates. And their increased

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Speaker 2: movements have prompted a surgeon. Calls to rescue services by

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Speaker 2: increased by twenty percent last month than they normally have

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Speaker 2: at this time of year. And it's not just little

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Speaker 2: you know, big dumb pythons and stuff that don't do anything. Pythons,

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Speaker 2: red belly, black snakes.

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Speaker 1: We're sitting on a red rock.

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Speaker 2: Eastern brown snakes, death added. I don't even know we

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Speaker 2: had death add Yes, tiger snakes.

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Speaker 1: Yeah.

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Speaker 2: So they're saying, keep your grass cut low, keep your

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Speaker 2: yard tidy, because if you've got stuff lying around, and

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Speaker 2: that's where they will hide and enjoy.

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Speaker 1: Keep a rake handy in case you said, Ricky.

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Speaker 2: Ricky, how did that go? I was closed my eyes

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Speaker 2: while you tell it.

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Speaker 1: Ricky, Ricky, Ricky.

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Speaker 3: He had a ten foot dicky and he showed it

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Speaker 3: to the lady next door. She thought it was a snake.

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Speaker 3: She hit it with the rake and now it's only

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Speaker 3: four foot four, which is still quite substantial.

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Speaker 2: Dickie, would you phone rescue services for that?

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Speaker 1: Get the local snake guy out next week? Again, kept going, mate,

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Speaker 1: you haven't caught it yet.

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Speaker 2: I'm trying to do some kind of public service announcement.

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Speaker 2: And you go to a school limerick that you like

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Speaker 2: to tell once a week.

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Speaker 1: I do. It does come out a bit. My dream

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Speaker 1: is the kids recite that at school. What did you

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Speaker 1: learn today? Action packed show your later. Doggie's going to

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Speaker 1: be joining us.

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Speaker 2: She wrote a book a couple of years ago where

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Speaker 2: she told the story of her upbringing with her very

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Speaker 2: abusive father, and it shocked us and shamed us because

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Speaker 2: we'd all known he was a nutbag, but we all

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Speaker 2: kind of thought it was quirky as opposed to seeing

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Speaker 2: and maybe we should have done something about seeing how

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Speaker 2: harmful this was to his daughter. She's written a new

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Speaker 2: book we're going to talk to today about how she's

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Speaker 2: rebuilt her life since then, and they've been setbacks too,

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Speaker 2: but about resilience and the lessons she's learned along the way.

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Speaker 2: She's an amazing person.

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Speaker 3: An amazing person two thousand dollars with the Instagram and

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Speaker 3: we can't do anything until we do the magnificent seven?

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Speaker 2: How long was Ricky Ricky in the Wizard of Oz?

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Speaker 2: What was the scarecrow in search of gen Nation?

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Speaker 3: We have for you the magnificent seven seven questions? Can

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Speaker 3: you go all the way and answer all seven questions correctly?

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Speaker 3: If you do that, Amanda.

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Speaker 2: Will say, well, what will I say? Brendan? You give

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Speaker 2: me something because I don't have a single thought in

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Speaker 2: my head.

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Speaker 1: You got a new jacket today, I have.

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Speaker 2: Thank you you didn't notice? And I said, I've got

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Speaker 2: a new jacket.

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Speaker 1: It looks like a lot of the other jackets you have.

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Speaker 2: You are talking like my husband, and I don't like

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Speaker 2: it one little bit.

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Speaker 1: It looks like I'll you like.

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Speaker 2: This, and you'll say don't you already own that? I say,

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Speaker 2: how dah you? Doesn't that computer you bought look like

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Speaker 2: the other computer you own? Oh? The nights fly by

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Speaker 2: at my house?

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Speaker 3: Remember that time Harley with the camera and I said,

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Speaker 3: I said what that cost? And he said our seven

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Speaker 3: hundred dollars. I said, gee, that's good value. And he

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Speaker 3: looked at me and went, yeah, oh yeah. You went

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Speaker 3: what nothing?

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Speaker 2: Nothing, nothing, nothing, dear.

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Speaker 1: But it's about any questions? Seven? Right? Linda is with

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Speaker 1: us from Pimball.

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Speaker 2: Hello, Linda, good morning, question.

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Speaker 10: Number one up here today?

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Speaker 1: How are you going with that?

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Speaker 2: All right? Sure were burning again this morning. Yeah.

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Speaker 1: One wonders of the toll that it takes on the

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Speaker 1: old respiratory.

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Speaker 2: He's got some lung stuff going on. He's coughing his

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Speaker 2: guts out. It's highly annoying. Time to be patient when

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Speaker 2: you're seeing zone coughing their guts out.

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Speaker 1: You're finished with that mate.

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Speaker 2: In the Wizard of Oz, Linda, what was a scarecrow

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Speaker 2: in search of great I'm going to find it here today.

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Speaker 1: What are you talking about?

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Speaker 2: You know exactly what I'm talking about. This is a

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Speaker 2: brain free zone and we like it that way.

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Speaker 1: Yeah, that's a little bit I called for, is it?

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Speaker 1: At this time?

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Speaker 2: I use your brain here just as a paperweight.

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Speaker 1: Okay, I thought it was a penholder. It pet Cemetery

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Speaker 1: and Kujo are horror novels written by which author? Linda?

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Speaker 2: Oh, I don't pick the big the guy who writes

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Speaker 2: some big scary books. He recently.

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Speaker 3: Recently played the song Mumbo number five so often it

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Speaker 3: drove his wife crazy. He said, if you play that

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Speaker 3: one more time, I'm going to leave.

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Speaker 2: What she should have done is done what his character

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Speaker 2: in Misery did and put a piece of time to

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Speaker 2: a bed, put a piece of block between his ankles

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Speaker 2: and hobble him. Am I the only one thinking?

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Speaker 1: Because she was going to leave him?

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Speaker 2: Yeah? But that would that would make him stop doing it.

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Speaker 3: I put it to you that I think missus King

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Speaker 3: just wanted to leave Stephen. So it's like if you

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Speaker 3: put on a shirt today, I'm going to leave you.

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Speaker 2: And three, Linda, this is a I who am I?

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Speaker 6: Idea?

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Speaker 2: This is an AI version of the Beach Boys? But

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Speaker 2: what song are they singing? It's not their own?

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Speaker 3: Yeah, they were looking at him.

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Speaker 11: Around that's good, so good?

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Speaker 2: A no, no, but that's that's the Beach Boys and

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Speaker 2: that's the that's the tune. But what lyrics are they saying?

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Speaker 1: Around? Around?

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Speaker 2: But they're singing a different song? Do you know what

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Speaker 2: the song is? It's not one of theirs.

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Speaker 1: No, So, Linda, we need some more. Let let's hear

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Speaker 1: it again?

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Speaker 2: And looking at her so good?

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Speaker 1: It's great? Do you know the answer to that? Thirteen

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Speaker 1: W s F M. Very Good.

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Speaker 2: Sam Podcast The Magnificent Center Rup to question three, it's

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Speaker 2: a I who am I? Yes, idea, we know this

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Speaker 2: is a beach Boys versions is ai beach Boys and

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Speaker 2: they're singing to the tune of a beach Boys song.

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Speaker 2: But what's the song?

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Speaker 1: Have a listening.

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Speaker 12: Him.

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Speaker 2: Let's see if Tony and Alawa knows what that song is. Hi, Tony,

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Speaker 2: Hi guys. Next time, what's the song the beach Boys

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Speaker 2: are singing?

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Speaker 13: This would be flow Raider Baby golul.

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Speaker 11: Yes, yeah, what I think of Tom Crew is at

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Speaker 11: the end of topic thunders.

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Speaker 2: Is it this song?

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Speaker 1: Yeah?

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Speaker 2: Question four for you Tony's muliple choice. What's the upcoming

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Speaker 2: version of the iPhone? Is it a iPhone fourteen? B

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Speaker 2: iPhone fifteen? And yes, cryptically see iPhone sixteen. What's the

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Speaker 2: new version going to be?

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Speaker 5: Jesus, what number will we up to?

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Speaker 13: I think it's fifteen.

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Speaker 2: It is fifteen, and for the first time in ten years,

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Speaker 2: there's talk that there'll be a new charging system. Of course,

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Speaker 2: so you have to buy a new charge, so none

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Speaker 2: of your existing charges will work with you by that.

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Speaker 1: That's right. I bet you it's got a new camera.

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Speaker 2: So you can photograph your coffee with eight cameras.

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Speaker 3: Well done, apple, well done? Which animal is known for

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Speaker 3: building dams across streams.

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Speaker 2: Tony, Mmmm, fevers feavers question six. You'ren Udson was a

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Speaker 2: Danish architect famous for designing which Australian landmark. It's true

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Speaker 2: did as design thing on?

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Speaker 13: He did the Sydney Harbour Bridge or the Opera House.

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Speaker 14: I'll go to the Opera House.

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Speaker 2: Ye chosen?

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Speaker 3: Correct, It's tough thing to do with the harbor Bridge

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Speaker 3: that was before his time, but he did the Sydney

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Speaker 3: Opera House.

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Speaker 1: Elena Dockic is known for which sport?

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Speaker 13: Oh, she's a tennis place.

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Speaker 1: She is on the show today as well. Tony. This

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Speaker 1: is a bit of a doddal for you.

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Speaker 3: Congratulations you won the jam pack a family passed to

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Speaker 3: the Hunter Valley Wildlife Park. Get thirty dollars off family

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Speaker 3: tickets online by the way, two tickets to the West

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Speaker 3: Gold Cake Bake and Switch Show Taste, Discover and Shop

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Speaker 3: on the twenty second of the twenty fourth September at

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Speaker 3: the Sydney Showground and Josie Nomadicaracter choose feld Cohen as

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Speaker 3: the Saura pencils.

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Speaker 1: Tony, is there anything you would like to add to this?

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Speaker 10: Oh?

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Speaker 13: I've got a sweet tooth, so I'm going to enjoy this.

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Speaker 2: I think that'd be great. I'd like to go to that.

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Speaker 2: I think it's going to be amazing. I love baiting

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Speaker 2: and sweet Seas.

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Speaker 1: Your voice went a little high there at.

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Speaker 2: The end, and he's it's allowed to celebrate.

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Speaker 1: Do you celebrate, Tony like nobody's business.

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Speaker 5: Okay, thank you so much.

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Speaker 13: Guys really appreciate it.

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Speaker 2: Thanks Tony, Jonesy and Amanda jem based.

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Speaker 3: Podcast Something through the Jermanac Our Big Book of Musical

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Speaker 3: Facts on this day. In nineteen eighty sixty, commun Adds

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Speaker 3: released their cover version of Don't Leave Me This Way.

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Speaker 2: Who was the original?

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Speaker 3: It was originally done in nineteen seventy five by Harold

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Speaker 3: Melvin and the Blue Notes.

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Speaker 1: Do you remember them?

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Speaker 2: No?

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Speaker 1: You know it was pretty much similar as a bit slower.

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Speaker 2: But I bet the voice was higher in the new one.

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Speaker 1: Oh yeah, of course. Jimmy, he's got the He's got

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Speaker 1: the high.

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Speaker 2: Boy, Jimmy Somerville is had his name, Tommy Somerville.

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Speaker 3: It was like that thing where a guy's busking in

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Speaker 3: the backstreets of somewhere and then Jimmy comes along and

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Speaker 3: just joins in on the song. It's so cool, so

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Speaker 3: cool anyway, the Communist. This was the their biggest and

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Speaker 3: only hit. Unfortunately the only hit. Yeah, they didn't have

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Speaker 3: any time to make up any more hits because the

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Speaker 3: duo only asked three years. The band broke up in

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Speaker 3: nineteen eighty eight.

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Speaker 2: But Jimmy's still famous. I see him on social media

258
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Speaker 2: and things.

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Speaker 3: He's still Jimmy went on to have a successful solo career.

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Speaker 3: The other guy, Richard Coles, he fell on hard times and.

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Speaker 2: Didn't he go to Newcastle taking coals to Newcastle.

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Speaker 3: No, became a radio presenter, And that's a that's a

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Speaker 3: hiding to note.

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Speaker 2: That's what we've never heard of.

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Speaker 1: It knows that. So that's pretty much what happened to

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Speaker 1: the common arts. But we've always got this jam nation.

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Speaker 2: There's a satire account called Miss Double Bay. It's run

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Speaker 2: by a woman called Claudia Burssel, and she's just put

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Speaker 2: out a fifty point list of the ultimate ick about men.

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Speaker 1: Oh this is good.

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Speaker 2: The ick factor is something. It's not a red flag,

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Speaker 2: it's not as big as a red flag, but the

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Speaker 2: sight of it me. I've seen a whole lot of

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Speaker 2: stuff on social media of women posting even their partners.

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Speaker 2: One guy walking around the house in his little sockets

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Speaker 2: and posted with the music behind it. You look so

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Speaker 2: dumb right now. So it's just a slight I about it.

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Speaker 2: But the list is very funny him and see how

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Speaker 2: you feel.

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Speaker 1: See how I go on this list.

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Speaker 2: This is her ick list. Remember she's satirical. There is

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Speaker 2: a satirical account. So don't at me taste testing ice

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Speaker 2: cream with a baby spoon.

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Speaker 1: Definitely, I even eating an ice cream.

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Speaker 3: A man can't eat an ice cream because you just

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Speaker 3: don't look like a man.

287
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Speaker 1: You gotta do it. You've got to chomp into that thing.

288
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Speaker 1: You can't see there licking.

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Speaker 2: It, meaning you have to use your teeth on an

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Speaker 2: ice cream, bite into it.

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Speaker 1: You've got to eat it like the Solo man would

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Speaker 1: drink a lemon.

293
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Speaker 2: Solo isn't going to go very well this list because

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Speaker 2: these are very subtle things. And I don't think you

295
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Speaker 2: understand subtlety.

296
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Speaker 3: I'm just saying you won't see me eating an ice

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Speaker 3: cream in public, okay, really, I do it very discreet.

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Speaker 3: Applying lip balm, Yeah yeah, that's so weak.

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Speaker 2: What do you use lip to barm every day?

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Speaker 1: Yeah?

301
00:14:10,760 --> 00:14:11,880
Speaker 2: Getting off a chairlift?

302
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Speaker 1: Yeah? Yeah, what do you mean? Well? I worked down

303
00:14:16,320 --> 00:14:17,960
Speaker 1: on the snow. Yeah, when you get off a chairlift,

304
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Speaker 1: you've got to be manly about it.

305
00:14:19,800 --> 00:14:21,920
Speaker 3: You got to get up like you're a ski instructor,

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Speaker 3: to get your two poles in one hand.

307
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Speaker 1: And you get off there and you just what.

308
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Speaker 2: If it's the first time you've ever been on a chairlift?

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Speaker 1: Practice somewhere else, practice at home. So practice at home. Yeah,

310
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Speaker 1: practice a.

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Speaker 2: Chairlift is an anxiety causing enough. This is like, you know,

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Speaker 2: you never see baby magpies. You just see grown up magpies.

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Speaker 2: Is this like you have to instantly know how to

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Speaker 2: get off a chairlift?

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Speaker 1: Yeah?

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Speaker 2: Speaking of magpies, what about men being tacked by a magpie?

317
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Speaker 3: The lamest thing of the world. You see a guy

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Speaker 3: getting picked by a magpie?

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Speaker 2: So it's okay for a woman to be pickpie.

320
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Speaker 1: Ye a woman, you go up, poor lady, But a guy,

321
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Speaker 1: what's wrong with you? Mate?

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Speaker 2: Have you ever been swooped on? I'll never lie in

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Speaker 2: your life being swooped.

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Speaker 3: On in my life because magpies, no, no, what not

325
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Speaker 3: to mess with me?

326
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Speaker 2: I keep forgetting on working with the rock. What about this?

327
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Speaker 2: Where's a fitness first backpack with his suit?

328
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Speaker 1: Yes? Backpack guys? You know unless you're a terrorist. You know,

329
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Speaker 1: when they.

330
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Speaker 2: Get into a pool with board shorts and they fill

331
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Speaker 2: up with water, that is true. You could be Tom Hardy.

332
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Speaker 2: You could be the sexiest guy in the world and

333
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Speaker 2: the big like Nappy's inflating.

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Speaker 1: That's so good.

335
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Speaker 2: When they can't find somewhere to put their bag in

336
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Speaker 2: the overhead locker on a plane.

337
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Speaker 3: Definitely so so ick when you see a guy and

338
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Speaker 3: he's going, on, where am I going to put my stuff?

339
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Speaker 3: Because men, by and large, we that's where we rock

340
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Speaker 3: in the world of stuff.

341
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Speaker 1: Is storing and moving baggage and stuff like that.

342
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Speaker 2: So if you can't find a.

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Speaker 1: Speak, you're not a man.

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00:15:51,920 --> 00:15:55,840
Speaker 2: Wow, you're tough. Waiting for the green light before crossing the.

345
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Speaker 1: Road, just just charge across the road.

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Speaker 2: Drinking from a bubbler, I don't know.

347
00:16:01,800 --> 00:16:04,880
Speaker 3: Yeah, actually yeah, I don't drink from a bubbler, but you.

348
00:16:04,840 --> 00:16:10,280
Speaker 2: Know, yeah, drinking sippy yogurt, yeah, and you cooled any

349
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Speaker 2: yogurt drinks. Tries to start a conger line on a

350
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Speaker 2: night out, Nah, No, I don't like women who do it.

351
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Speaker 1: All right, Mark and Mitch from the block, Then that's it.

352
00:16:20,200 --> 00:16:22,320
Speaker 2: Sonny's on the back of the neck that's.

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Speaker 1: An odd one, mate. Yeah, and sonny's on the top

354
00:16:24,880 --> 00:16:26,040
Speaker 1: of your forehead. I've got a mate.

355
00:16:26,080 --> 00:16:28,360
Speaker 3: He's like, he's got a Neanderthal skull, so it just

356
00:16:28,400 --> 00:16:29,680
Speaker 3: sits on his forehead.

357
00:16:29,520 --> 00:16:31,560
Speaker 2: Right, what came first? The skull of the glass?

358
00:16:32,120 --> 00:16:34,160
Speaker 1: How do you do that? And he guess, I don't know.

359
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Speaker 2: Just on the back of the head.

360
00:16:36,960 --> 00:16:40,040
Speaker 1: That's for Yeah, not yet, that's it.

361
00:16:40,320 --> 00:16:42,720
Speaker 2: Okay, we might put this up on our socials today

362
00:16:42,760 --> 00:16:45,040
Speaker 2: and if you have something you'd like to add to this.

363
00:16:45,640 --> 00:16:47,480
Speaker 2: Running for the bus that's another one.

364
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Speaker 1: I don't think so.

365
00:16:49,400 --> 00:16:50,320
Speaker 2: I don't think that's.

366
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Speaker 1: It running because men don't catch the bus.

367
00:16:53,840 --> 00:16:55,800
Speaker 2: Men men don't catch a bus.

368
00:16:55,840 --> 00:16:56,440
Speaker 1: They don't.

369
00:16:56,680 --> 00:16:58,920
Speaker 3: And if you do, you've just screened about it. And

370
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Speaker 3: you don't run for the bus. The bus waits for you.

371
00:17:02,800 --> 00:17:05,760
Speaker 2: That's it, Brendan. The phone's ringing the nineteen eighties.

372
00:17:05,800 --> 00:17:09,400
Speaker 1: You're on the phone. Men don't catch a busy catch

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Speaker 1: I love public trads.

374
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Speaker 2: I find it attractive when public trans Yes, I do, really, Yeah,

375
00:17:14,640 --> 00:17:17,240
Speaker 2: I do really because I think they're environmentally conscious and

376
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Speaker 2: they're doing the right thing.

377
00:17:18,320 --> 00:17:19,960
Speaker 3: I just do it discreetly. If you're going to catch

378
00:17:19,960 --> 00:17:21,720
Speaker 3: the bus, you do it discreetly.

379
00:17:22,080 --> 00:17:23,040
Speaker 2: So no one can see.

380
00:17:23,080 --> 00:17:24,560
Speaker 3: Yeah, and if you're going to run for the bus,

381
00:17:24,720 --> 00:17:27,639
Speaker 3: run like Mel Gibson in lethal Weapon, like running for

382
00:17:27,640 --> 00:17:28,159
Speaker 3: your life.

383
00:17:28,320 --> 00:17:30,399
Speaker 1: Don't run like like you do.

384
00:17:31,240 --> 00:17:32,080
Speaker 2: I've seen you run.

385
00:17:33,440 --> 00:17:35,159
Speaker 1: What do you mean? I run great?

386
00:17:35,640 --> 00:17:39,720
Speaker 2: I run great. Remember. Remember we've decided that Bill Shorton

387
00:17:39,760 --> 00:17:41,840
Speaker 2: lost the election because the way he ran, he looked

388
00:17:41,880 --> 00:17:44,320
Speaker 2: like he's been chased by a monster. He ran with

389
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Speaker 2: the flat of his feet.

390
00:17:45,560 --> 00:17:47,280
Speaker 3: He did, and then he got all upset when we

391
00:17:47,280 --> 00:17:49,080
Speaker 3: brought it up to him. I was worried about his

392
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Speaker 3: art support.

393
00:17:52,280 --> 00:17:52,800
Speaker 2: Now that's it.

394
00:17:52,920 --> 00:17:56,000
Speaker 1: We've got no support. That's great.

395
00:17:56,840 --> 00:18:00,880
Speaker 2: Amanda's shim Notion podcast. Hey have a listen to this.

396
00:18:02,359 --> 00:18:03,200
Speaker 1: Split Ends.

397
00:18:03,840 --> 00:18:06,440
Speaker 2: Oh that's sorry, Yes, that is Split Ends. I see red,

398
00:18:06,440 --> 00:18:08,159
Speaker 2: I see red. I see Red likes to welcome the

399
00:18:08,160 --> 00:18:10,879
Speaker 2: Red Wig, the original Red Wiggle. But yes I have

400
00:18:11,040 --> 00:18:14,040
Speaker 2: Hello Murray Cook, how I What I was hoping to

401
00:18:14,080 --> 00:18:17,399
Speaker 2: do was to start with, have a listen to this, dumb.

402
00:18:21,960 --> 00:18:24,199
Speaker 1: Oh this is the band with soul Movers and this

403
00:18:24,359 --> 00:18:24,760
Speaker 1: is done?

404
00:18:24,880 --> 00:18:28,399
Speaker 2: What that's right? Soul Movers is the brainschild of Murray

405
00:18:28,440 --> 00:18:31,960
Speaker 2: Cook and Murray This sounds amazing. You're about to take

406
00:18:32,000 --> 00:18:32,920
Speaker 2: this band on the road.

407
00:18:33,080 --> 00:18:35,440
Speaker 6: Yeah, yeah, we've already started done, We've done a few

408
00:18:35,480 --> 00:18:39,360
Speaker 6: shows already and we're in Newcastle next week and yeah,

409
00:18:39,480 --> 00:18:42,840
Speaker 6: it's been great new album out on the road again.

410
00:18:43,640 --> 00:18:46,080
Speaker 1: You can't keep me away. How many guitars do you

411
00:18:46,119 --> 00:18:48,399
Speaker 1: have now? Fifty fifty?

412
00:18:48,440 --> 00:18:49,560
Speaker 6: Yeah, I think something like that.

413
00:18:49,640 --> 00:18:51,800
Speaker 2: Do you know them all? Like you said today, I

414
00:18:51,800 --> 00:18:54,760
Speaker 2: feel like stroking that one.

415
00:18:55,240 --> 00:18:55,440
Speaker 1: Yeah.

416
00:18:55,560 --> 00:18:57,280
Speaker 6: Well, yeah, I have a lot of them out on

417
00:18:57,400 --> 00:18:59,520
Speaker 6: stands so that you know, I can just pick one up.

418
00:18:59,520 --> 00:19:02,320
Speaker 3: And because you've got it, you've got to have them out.

419
00:19:02,359 --> 00:19:04,200
Speaker 3: If you have got them stashed away.

420
00:19:04,119 --> 00:19:06,800
Speaker 6: Yeah, they're not. Yeah, there's no point having them.

421
00:19:06,920 --> 00:19:10,200
Speaker 3: Yeah, it's quite satisfying to see a collection of guitars

422
00:19:10,240 --> 00:19:10,919
Speaker 3: just all together.

423
00:19:11,400 --> 00:19:12,480
Speaker 1: Do you have bass guitars?

424
00:19:12,560 --> 00:19:16,560
Speaker 6: Yeah, yeah, I've got bass guitars and mandolins and lap

425
00:19:16,600 --> 00:19:17,919
Speaker 6: steels and pedal steels.

426
00:19:17,960 --> 00:19:19,879
Speaker 1: Also, what about the double neck guitar.

427
00:19:20,359 --> 00:19:21,359
Speaker 6: I'm not really into that.

428
00:19:21,440 --> 00:19:23,000
Speaker 1: No, I just think it's too much.

429
00:19:23,080 --> 00:19:24,080
Speaker 6: Yeah, it's too much for me.

430
00:19:25,000 --> 00:19:26,879
Speaker 1: I just feel there's just come on, dude.

431
00:19:27,520 --> 00:19:30,040
Speaker 3: And there was a point I think like led Zeppelin

432
00:19:30,240 --> 00:19:32,760
Speaker 3: went a bit crazy with then they had the triple neck.

433
00:19:32,880 --> 00:19:35,160
Speaker 6: Oh yeah, yeah, And I think Rick Nelson from Cheap

434
00:19:35,200 --> 00:19:36,679
Speaker 6: Treeck had one with seven necks.

435
00:19:37,000 --> 00:19:42,000
Speaker 1: Really that was just a gimmick. Swans too much.

436
00:19:42,000 --> 00:19:44,560
Speaker 2: It's too much so with Movers and shape the Sole Movers.

437
00:19:44,760 --> 00:19:46,800
Speaker 2: Tell us about how the Sole Movers came about.

438
00:19:47,200 --> 00:19:50,720
Speaker 6: Yeah, Well, originally Lizzie Mack, who's the singer, actually formed

439
00:19:50,720 --> 00:19:53,359
Speaker 6: it many years ago with Dennis Tech who was in

440
00:19:53,440 --> 00:19:55,679
Speaker 6: Radio bird Men, who some of your listeners might remember.

441
00:19:56,520 --> 00:20:00,399
Speaker 6: There were a couple and they did one album and

442
00:20:00,440 --> 00:20:03,200
Speaker 6: then they broke up and and and then I came

443
00:20:03,240 --> 00:20:06,680
Speaker 6: across the album and I'd seen Lizzie in venues and

444
00:20:07,119 --> 00:20:08,960
Speaker 6: just seeing bands and stuff. She's really tall and so

445
00:20:09,040 --> 00:20:11,040
Speaker 6: am I, so you know, you could see each other

446
00:20:11,160 --> 00:20:13,680
Speaker 6: across the room. And but I didn't know she's saying,

447
00:20:13,720 --> 00:20:17,399
Speaker 6: and I got hold of this album and she's like

448
00:20:17,440 --> 00:20:20,240
Speaker 6: a really great singer. So so I just got in

449
00:20:20,280 --> 00:20:22,560
Speaker 6: contact and said, let's put the Soul Movers back together,

450
00:20:22,600 --> 00:20:26,360
Speaker 6: and and we've done. This is our fourth album together. Yeah,

451
00:20:26,400 --> 00:20:28,639
Speaker 6: and it's been great. It's a really great experience. And

452
00:20:29,440 --> 00:20:31,280
Speaker 6: this one we're kind of the most happy with it.

453
00:20:31,359 --> 00:20:34,280
Speaker 6: As musicians always say about their most recent.

454
00:20:34,000 --> 00:20:36,320
Speaker 2: Album, it's it kind of country bluesy. How do you

455
00:20:36,359 --> 00:20:36,840
Speaker 2: describe it.

456
00:20:36,960 --> 00:20:39,800
Speaker 6: Yeah, well, you know, people sometimes think it's the soul mover,

457
00:20:39,880 --> 00:20:42,240
Speaker 6: so it must be all soul. But it's more about

458
00:20:42,240 --> 00:20:45,040
Speaker 6: moving the soul than actual soul music. But there's there's

459
00:20:45,040 --> 00:20:48,200
Speaker 6: a lot of souls. Yeah, there's some country tinges. There's

460
00:20:48,320 --> 00:20:51,800
Speaker 6: dumb Luck is kind of the bit stonesy. So we've

461
00:20:52,080 --> 00:20:54,119
Speaker 6: preempted their new their new didn't she?

462
00:20:54,359 --> 00:20:54,439
Speaker 12: Just?

463
00:20:55,119 --> 00:20:57,919
Speaker 1: Do you like their new song? I don't mind her

464
00:20:58,840 --> 00:21:01,360
Speaker 1: technically Shade. It's a little cliche, but I think it's good.

465
00:21:01,760 --> 00:21:03,560
Speaker 6: I think the I just I think I like the

466
00:21:03,600 --> 00:21:05,760
Speaker 6: idea of it more than anything. That they're still doing stuff,

467
00:21:05,760 --> 00:21:08,879
Speaker 6: and you know, like that's pretty inspiring for older musicians

468
00:21:08,920 --> 00:21:11,960
Speaker 6: that Nick Jag is at eighty or eighty one or something.

469
00:21:12,200 --> 00:21:13,360
Speaker 6: You know, it's still doing it.

470
00:21:13,440 --> 00:21:15,720
Speaker 2: I know you're a giant music fan and people report

471
00:21:15,760 --> 00:21:18,840
Speaker 2: seeing you at all kinds of music at all venues

472
00:21:18,880 --> 00:21:22,840
Speaker 2: all over the place. Do you still get recognized as Marao?

473
00:21:22,840 --> 00:21:24,600
Speaker 2: I know, if you're not wearing the red, people still

474
00:21:24,640 --> 00:21:25,280
Speaker 2: know who you are.

475
00:21:25,440 --> 00:21:29,760
Speaker 6: Yeah, especially if it's older people and young people. You know,

476
00:21:29,840 --> 00:21:32,080
Speaker 6: over the last few years, the twenty somethings who grew

477
00:21:32,160 --> 00:21:35,480
Speaker 6: up with us recognized me everywhere people call out in

478
00:21:35,480 --> 00:21:39,000
Speaker 6: the street, but mostly they're really nice, and you know, yeah,

479
00:21:39,600 --> 00:21:42,439
Speaker 6: they really are, and you know it's because it's a

480
00:21:42,480 --> 00:21:46,240
Speaker 6: positive thing. You know that the interactions is usually pretty positive.

481
00:21:46,240 --> 00:21:48,080
Speaker 1: You're not going to get a crazy fan though, like

482
00:21:48,280 --> 00:21:50,480
Speaker 1: really not really nice. There's not much for that.

483
00:21:51,000 --> 00:21:52,399
Speaker 2: And are you looking forward to going back on the

484
00:21:52,440 --> 00:21:54,360
Speaker 2: road because there was so much trouble with the Wiggles,

485
00:21:54,359 --> 00:21:56,320
Speaker 2: so much travel involved. I know that that probably was

486
00:21:56,359 --> 00:21:57,119
Speaker 2: quite overwhelming.

487
00:21:57,240 --> 00:21:58,840
Speaker 6: Yeah, it was, and that's part of the reason why

488
00:21:59,040 --> 00:22:02,480
Speaker 6: I retired from performing with them. But this is much

489
00:22:02,520 --> 00:22:05,240
Speaker 6: more manageable. We usually to do weekends, you know, and

490
00:22:05,240 --> 00:22:06,600
Speaker 6: then we're home for most of the week.

491
00:22:06,440 --> 00:22:08,400
Speaker 2: And old people's tour it's kindless.

492
00:22:08,680 --> 00:22:10,520
Speaker 6: It's kind of the way most people too these days.

493
00:22:10,760 --> 00:22:12,600
Speaker 6: There's not you know, in the eighties when I was

494
00:22:12,600 --> 00:22:14,400
Speaker 6: growing up, it was, you know, six nights a week,

495
00:22:14,440 --> 00:22:16,840
Speaker 6: people were playing. But that doesn't happen very much anymore,

496
00:22:16,840 --> 00:22:18,800
Speaker 6: excepted here in the Wiggles exactly.

497
00:22:19,240 --> 00:22:21,840
Speaker 3: I think of a g Wiggles songs because I remember

498
00:22:21,840 --> 00:22:24,800
Speaker 3: seeing you guys in Woollongong in nineteen ninety three.

499
00:22:24,880 --> 00:22:25,760
Speaker 1: This is the early days.

500
00:22:26,000 --> 00:22:28,960
Speaker 3: It's a trestle table and my son who's now thirty one,

501
00:22:29,200 --> 00:22:31,400
Speaker 3: going along look at these blakes and to see how

502
00:22:31,440 --> 00:22:34,399
Speaker 3: far you've come. But a man and I were just

503
00:22:34,400 --> 00:22:37,520
Speaker 3: talking about our favorite Wiggles song, Amanda You've gone.

504
00:22:37,640 --> 00:22:39,640
Speaker 2: Oh, this is my favorite one, this one Hot Potato.

505
00:22:39,760 --> 00:22:42,800
Speaker 1: Yeah, Potato Potato, which I think is a bit of it.

506
00:22:42,800 --> 00:22:43,639
Speaker 1: It's a bit of a single.

507
00:22:43,720 --> 00:22:45,480
Speaker 2: Really, it's a single.

508
00:22:45,480 --> 00:22:49,040
Speaker 1: Well, it's not an album trainer. I feel like the

509
00:22:49,040 --> 00:22:49,760
Speaker 1: Wiggles stuff.

510
00:22:50,160 --> 00:22:52,960
Speaker 6: It's not a deep cutter potato.

511
00:22:53,640 --> 00:22:54,119
Speaker 2: I love this.

512
00:22:55,480 --> 00:22:57,800
Speaker 1: Didn't Greggs forget the lyrics to Hot Potato?

513
00:22:58,000 --> 00:23:01,679
Speaker 6: Yeah he did once. Yeah, there's like eight words in it.

514
00:23:02,040 --> 00:23:03,200
Speaker 2: He must be a terrible cook.

515
00:23:04,320 --> 00:23:06,719
Speaker 3: My my favorite one is the album track it's Wags

516
00:23:06,760 --> 00:23:12,240
Speaker 3: the Dogs, Dogs.

517
00:23:13,240 --> 00:23:16,040
Speaker 2: I be songs Still in your DNA Murray, because when

518
00:23:16,040 --> 00:23:18,639
Speaker 2: my kids grew up and we'd say to them, remember this,

519
00:23:18,760 --> 00:23:21,320
Speaker 2: remember this, because they've been so deep into it, and

520
00:23:21,320 --> 00:23:23,560
Speaker 2: it's like puff the magic, drag drag, and it had

521
00:23:23,560 --> 00:23:25,480
Speaker 2: started to go a little and I was horrified, Is

522
00:23:25,520 --> 00:23:26,959
Speaker 2: it still in you so richly?

523
00:23:27,680 --> 00:23:28,280
Speaker 1: Yeah it is.

524
00:23:28,560 --> 00:23:31,280
Speaker 6: It's It's funny because a lot of the people who

525
00:23:31,440 --> 00:23:35,360
Speaker 6: interact with us, people on the autismic spectrum, and they're

526
00:23:35,359 --> 00:23:39,520
Speaker 6: still really into the wheels as adults, but they know everything.

527
00:23:39,840 --> 00:23:42,560
Speaker 6: And I sometimes get messages from one guy in particular

528
00:23:42,600 --> 00:23:44,600
Speaker 6: and he says, so, Mary, do you remember in that

529
00:23:44,720 --> 00:23:46,560
Speaker 6: video blah blah blah you did this?

530
00:23:46,960 --> 00:23:48,880
Speaker 1: Why did you do that? And I'm like, I don't

531
00:23:48,920 --> 00:23:52,919
Speaker 1: even remember them. I was out of my mind. Well,

532
00:23:52,920 --> 00:23:53,639
Speaker 1: because we did.

533
00:23:53,520 --> 00:23:56,000
Speaker 6: So much, and we did so many songs. There are

534
00:23:56,000 --> 00:23:57,960
Speaker 6: some songs if we didn't play them live very much,

535
00:23:58,240 --> 00:23:59,360
Speaker 6: I don't even remember them.

536
00:23:59,480 --> 00:24:03,320
Speaker 3: I remember I used to write for a magazine, Live

537
00:24:03,359 --> 00:24:05,679
Speaker 3: to Ride magazine. I still actually have just recently started

538
00:24:05,720 --> 00:24:08,240
Speaker 3: riding for them, and we go on this big bike ride,

539
00:24:08,600 --> 00:24:11,000
Speaker 3: taking all these bikes out with all these bikey guys,

540
00:24:11,359 --> 00:24:12,960
Speaker 3: and I was riding along and in my head would

541
00:24:12,960 --> 00:24:16,440
Speaker 3: swim like a fish for about fifty to see.

542
00:24:16,280 --> 00:24:18,560
Speaker 2: The vision from the outside and then to go to

543
00:24:18,640 --> 00:24:22,600
Speaker 2: your brain and what was happening. Yeah, but it is

544
00:24:22,640 --> 00:24:24,800
Speaker 2: such an amazing legacy, and you're so loved and you're

545
00:24:24,840 --> 00:24:26,520
Speaker 2: such a great musician, which is why I'm sure people

546
00:24:26,600 --> 00:24:28,760
Speaker 2: want to check out for Soul Movers.

547
00:24:28,520 --> 00:24:30,600
Speaker 1: The Sole Movers and dumb Luck check it out.

548
00:24:30,800 --> 00:24:33,760
Speaker 3: And also you'll see Murray Cook performing there with one

549
00:24:33,760 --> 00:24:34,920
Speaker 3: of his fifty guitars.

550
00:24:35,040 --> 00:24:36,720
Speaker 1: Yes, that's right, Yeah, and it is.

551
00:24:37,000 --> 00:24:39,760
Speaker 6: It's interesting with the Wiggles legacy. As you say, we

552
00:24:39,800 --> 00:24:41,240
Speaker 6: get a lot of young people come along to the

553
00:24:41,280 --> 00:24:43,720
Speaker 6: shows who are just interested in what I'm what I'm doing,

554
00:24:43,880 --> 00:24:47,000
Speaker 6: but they stick around because and you know, I'm older.

555
00:24:47,040 --> 00:24:49,280
Speaker 6: But we have a real multi generational band. We've got

556
00:24:49,840 --> 00:24:52,600
Speaker 6: some of them members born in the sixties, seventies, eighties,

557
00:24:52,880 --> 00:24:53,560
Speaker 6: and nineties.

558
00:24:53,840 --> 00:24:55,760
Speaker 2: Sounds like a radio station sixties.

559
00:24:57,400 --> 00:25:01,040
Speaker 3: Quite the demo. I go to sole Mover's band dot com. Murray,

560
00:25:01,280 --> 00:25:03,520
Speaker 3: thank you for joining us, say of the rest of

561
00:25:03,560 --> 00:25:03,920
Speaker 3: the chapter.

562
00:25:05,600 --> 00:25:13,200
Speaker 15: There it is, I love it, jem Jam Nations, free

563
00:25:13,240 --> 00:25:18,280
Speaker 15: money instance, and Amanda's.

564
00:25:19,560 --> 00:25:19,760
Speaker 1: Here.

565
00:25:19,760 --> 00:25:22,399
Speaker 3: It is ten questions, sixty seconds on the clock. You

566
00:25:22,440 --> 00:25:24,159
Speaker 3: can pass if you don't know an answer. We'll come

567
00:25:24,200 --> 00:25:25,879
Speaker 3: back to that question of time permits. If you get

568
00:25:25,880 --> 00:25:28,679
Speaker 3: all the questions right. One thousand dollars is yours.

569
00:25:28,720 --> 00:25:30,560
Speaker 2: You can go with a thousand dollars. But we might

570
00:25:30,760 --> 00:25:32,600
Speaker 2: tempt you. We might put on our tempting pants and

571
00:25:32,640 --> 00:25:34,000
Speaker 2: see if you want to play double or nothing.

572
00:25:34,480 --> 00:25:35,360
Speaker 1: We haven't got there lately.

573
00:25:35,400 --> 00:25:38,080
Speaker 3: I've been a little bit disappointed. Maybe Rob of Orang

574
00:25:38,160 --> 00:25:39,680
Speaker 3: Park will change everything today.

575
00:25:39,800 --> 00:25:45,200
Speaker 2: Hi, Rob, Rob, Hello, Rob, well ten questions all wait,

576
00:25:45,280 --> 00:25:48,520
Speaker 2: you you have sixty seconds. We always say pass if

577
00:25:48,520 --> 00:25:51,720
Speaker 2: you're not sure, because we usually have time to come back. Okay, yeah,

578
00:25:51,760 --> 00:25:54,400
Speaker 2: let's go. All right, Rob, good luck because it begins now.

579
00:25:54,600 --> 00:25:59,480
Speaker 2: Question one? How many months are in spring? Question two?

580
00:25:59,520 --> 00:26:04,320
Speaker 2: What color is a ten dollar note? Question three? Duffel,

581
00:26:04,480 --> 00:26:11,159
Speaker 2: tote and shoulder are types of what jackets? You can

582
00:26:11,200 --> 00:26:13,080
Speaker 2: have a Duffel coat, but the other ones were tote

583
00:26:13,119 --> 00:26:13,680
Speaker 2: and shoulder.

584
00:26:13,720 --> 00:26:14,800
Speaker 1: Their bags.

585
00:26:17,680 --> 00:26:24,199
Speaker 2: Had I could see while you, I feel, damn it,

586
00:26:25,960 --> 00:26:28,400
Speaker 2: one hundred bucks to be getting on with. But our

587
00:26:28,480 --> 00:26:29,359
Speaker 2: plops there it is.

588
00:26:29,560 --> 00:26:32,720
Speaker 1: That's what happens gem.

589
00:26:34,240 --> 00:26:36,880
Speaker 2: With the ols that you and I do. We do

590
00:26:37,080 --> 00:26:38,960
Speaker 2: like to have a nap in the afternoon, don't we.

591
00:26:39,200 --> 00:26:41,640
Speaker 2: I guard that fiercely if I can. If I've got

592
00:26:41,640 --> 00:26:45,160
Speaker 2: other commitments, that's one thing. But if I'm just at home,

593
00:26:46,080 --> 00:26:48,760
Speaker 2: I will make sure I have a sleep. But there's

594
00:26:48,800 --> 00:26:52,240
Speaker 2: nothing that's quite as tiring as having young kids. It

595
00:26:52,440 --> 00:26:56,600
Speaker 2: might be different for guys too, there's that bone tired

596
00:26:56,720 --> 00:26:58,280
Speaker 2: you get when your kids are little.

597
00:26:58,359 --> 00:27:02,040
Speaker 3: I think it's harder for women than the guys with that,

598
00:27:02,119 --> 00:27:04,880
Speaker 3: because you've had the child and you've got that maternal.

599
00:27:05,160 --> 00:27:08,320
Speaker 3: I'm not saying that we're not maternal either, but you're

600
00:27:08,359 --> 00:27:10,480
Speaker 3: closer to it. That makes any sense.

601
00:27:10,640 --> 00:27:14,080
Speaker 2: Well, I just think that, and this isn't just anecdotal.

602
00:27:14,160 --> 00:27:16,240
Speaker 2: The evidence shows that women are still doing the majority

603
00:27:16,280 --> 00:27:17,879
Speaker 2: of stuff at home, all of that stuff. So if

604
00:27:17,880 --> 00:27:19,480
Speaker 2: you've got a job and you've got a family at home,

605
00:27:19,600 --> 00:27:22,560
Speaker 2: you're still doing the bulk of the domestic stuff, shopping,

606
00:27:22,600 --> 00:27:26,080
Speaker 2: the cooking, all that, the thinking. Thinking. That's exhausting. But

607
00:27:26,160 --> 00:27:29,600
Speaker 2: I saw some tiktoks recently of the lengths people men

608
00:27:29,640 --> 00:27:32,080
Speaker 2: and women are going to to get a nap. I

609
00:27:32,119 --> 00:27:34,920
Speaker 2: saw one woman. This really made me laugh. She said.

610
00:27:34,960 --> 00:27:37,199
Speaker 2: It's a picture of her with her eyes closed on

611
00:27:37,240 --> 00:27:39,159
Speaker 2: a couch and her kids are sitting in front of

612
00:27:39,160 --> 00:27:41,960
Speaker 2: her with notepads on the lying on the ground. She said,

613
00:27:41,960 --> 00:27:44,639
Speaker 2: I told my kids to draw me sleeping so I

614
00:27:44,680 --> 00:27:47,000
Speaker 2: could take a nap. Brilliant.

615
00:27:47,160 --> 00:27:47,800
Speaker 1: That's great.

616
00:27:47,840 --> 00:27:49,720
Speaker 2: And there was this guy who's got a T shirt

617
00:27:49,760 --> 00:27:52,399
Speaker 2: on and on the back of it is printed a

618
00:27:52,440 --> 00:27:56,040
Speaker 2: little racetrack for matchbox cars, and he's lying on the

619
00:27:56,080 --> 00:27:59,760
Speaker 2: couch face down and his kids are running the cars

620
00:28:00,119 --> 00:28:04,479
Speaker 2: over the track. So he's getting a backtickle and a nap.

621
00:28:04,720 --> 00:28:05,640
Speaker 1: I'm going to get one of those.

622
00:28:05,920 --> 00:28:07,320
Speaker 2: I want one of those too.

623
00:28:07,480 --> 00:28:09,199
Speaker 1: So my kids are in their twenties, can you.

624
00:28:09,240 --> 00:28:11,000
Speaker 2: Make Can you come over and scratch my back?

625
00:28:11,040 --> 00:28:12,560
Speaker 1: It would look weird if I just got other people's

626
00:28:12,640 --> 00:28:13,000
Speaker 1: kids to.

627
00:28:12,920 --> 00:28:14,000
Speaker 2: Do it, Yeah, it would look god.

628
00:28:14,359 --> 00:28:14,560
Speaker 1: Yeah.

629
00:28:14,880 --> 00:28:18,600
Speaker 2: But sometimes when your kids are little and you're exhausted

630
00:28:18,800 --> 00:28:21,520
Speaker 2: at length, you will go to to have a nap.

631
00:28:21,640 --> 00:28:24,080
Speaker 1: Yeah, sleeping in cars, do all that sort.

632
00:28:23,920 --> 00:28:26,280
Speaker 2: Of Yeah, doing all that kind of stuff. Sneaking in

633
00:28:26,359 --> 00:28:27,160
Speaker 2: a sneaky nap.

634
00:28:27,240 --> 00:28:29,880
Speaker 3: What about this years ago when I was on when

635
00:28:29,920 --> 00:28:31,159
Speaker 3: I won Dancing with the Stars.

636
00:28:31,200 --> 00:28:33,440
Speaker 2: You remember that, Well, you don't because you didn't.

637
00:28:33,440 --> 00:28:38,000
Speaker 3: Twenty thirteen Tina Arena, she had this little dressing room

638
00:28:38,040 --> 00:28:40,440
Speaker 3: thing because she's kind of a big deal, and she'd

639
00:28:40,480 --> 00:28:42,520
Speaker 3: go and have a sleep in there. I'd be just tired,

640
00:28:42,520 --> 00:28:45,120
Speaker 3: because you know what the dancing show they said, you only.

641
00:28:44,960 --> 00:28:47,240
Speaker 1: Need to do two hours of practice a day, And

642
00:28:47,280 --> 00:28:48,840
Speaker 1: you think, oh, yeah, I could learn two hours, and

643
00:28:48,880 --> 00:28:50,840
Speaker 1: you learn German in two hours a day. But it's

644
00:28:50,880 --> 00:28:52,680
Speaker 1: not that. It's a lie. It goes for eight hours.

645
00:28:52,760 --> 00:28:55,880
Speaker 2: And also when the filming takes place, you're there early

646
00:28:55,960 --> 00:28:58,320
Speaker 2: because you have to rehearse and then you have to

647
00:28:58,320 --> 00:28:59,920
Speaker 2: get ready, and then your film says.

648
00:28:59,680 --> 00:29:03,720
Speaker 1: A lot got a dicking around, and so anyway.

649
00:29:03,480 --> 00:29:05,920
Speaker 2: I was saved the dicking around to the floor, dance floor,

650
00:29:05,960 --> 00:29:07,120
Speaker 2: and I think that was the main thing.

651
00:29:07,280 --> 00:29:08,840
Speaker 1: Saying this to Tina. And she said, just come and

652
00:29:08,880 --> 00:29:11,280
Speaker 1: sleep in my dressing room, said she would sleep on

653
00:29:11,320 --> 00:29:13,240
Speaker 1: the lounge, and I would sleep on the floor next

654
00:29:13,240 --> 00:29:15,640
Speaker 1: to her, and no one because you know what Tina's like,

655
00:29:15,800 --> 00:29:18,000
Speaker 1: no one would go near us. So I'd have a

656
00:29:18,120 --> 00:29:21,520
Speaker 1: very great sleep for two hours with Tina arena.

657
00:29:21,440 --> 00:29:26,640
Speaker 2: Big afternoon snooze. So you hid behind the power of Tina.

658
00:29:26,400 --> 00:29:28,280
Speaker 3: Behind the power, and there was a sign on her door,

659
00:29:28,320 --> 00:29:30,680
Speaker 3: do not disturb Tina's asleep.

660
00:29:30,720 --> 00:29:32,200
Speaker 1: So I was cashing in on that.

661
00:29:32,560 --> 00:29:34,320
Speaker 2: Well, the tribal drum is going to beat for the

662
00:29:34,440 --> 00:29:36,160
Speaker 2: lengths she went to for a nap.

663
00:29:36,440 --> 00:29:40,560
Speaker 8: This isable this is better than at home, George Costanza

664
00:29:40,600 --> 00:29:43,880
Speaker 8: when he had that little bed under his des facious

665
00:29:44,200 --> 00:29:47,880
Speaker 8: the tribal drummers beating lengths you went to for a nap.

666
00:29:48,200 --> 00:29:51,200
Speaker 1: This is this is better than home.

667
00:29:51,600 --> 00:29:54,360
Speaker 3: George Castando sands have got a bed build under his

668
00:29:54,440 --> 00:29:55,040
Speaker 3: office desk.

669
00:29:55,120 --> 00:29:57,360
Speaker 2: All the woman I saw who told her kids to

670
00:29:57,480 --> 00:29:59,960
Speaker 2: draw her sleeping, so she had to take a nap.

671
00:30:00,360 --> 00:30:00,960
Speaker 1: That is such.

672
00:30:01,000 --> 00:30:02,880
Speaker 2: And the guy who got a t shirt with a

673
00:30:02,880 --> 00:30:07,200
Speaker 2: little Matchbox Car track on the back of it, so

674
00:30:07,240 --> 00:30:09,600
Speaker 2: he would lie face down and the kids would just

675
00:30:09,720 --> 00:30:12,080
Speaker 2: trace the good would that feel?

676
00:30:12,160 --> 00:30:13,880
Speaker 1: That would be the greatest thing he had a sleep

677
00:30:13,880 --> 00:30:15,720
Speaker 1: and a tickle. I want one of those.

678
00:30:16,000 --> 00:30:17,760
Speaker 3: My kids are too old, and I coun't do with

679
00:30:17,800 --> 00:30:19,160
Speaker 3: other people's kids because that would just.

680
00:30:19,080 --> 00:30:22,400
Speaker 2: Look weird, wouldn't Bob? A job comes around? Draw on

681
00:30:22,440 --> 00:30:22,800
Speaker 2: the back?

682
00:30:24,960 --> 00:30:27,840
Speaker 3: They come back from their time machine from the seventies,

683
00:30:28,760 --> 00:30:29,720
Speaker 3: Sarah's joined us.

684
00:30:29,720 --> 00:30:34,360
Speaker 2: Hello Sarah, Hi, guys, what did you What lengths did

685
00:30:34,360 --> 00:30:35,320
Speaker 2: you go to for a nap?

686
00:30:37,360 --> 00:30:40,560
Speaker 14: So my kids have my son has a PlayStation and

687
00:30:40,600 --> 00:30:44,000
Speaker 14: my daughter has an iPad, and we actually have a

688
00:30:44,040 --> 00:30:46,880
Speaker 14: time limits of how long they can be on the

689
00:30:46,880 --> 00:30:49,479
Speaker 14: iPad and the PlayStation, and they're quite strict with it.

690
00:30:50,800 --> 00:30:53,680
Speaker 14: But I work from home, so they know how quite

691
00:30:53,760 --> 00:30:57,600
Speaker 14: important my meetings are when I'm on them. And one

692
00:30:57,680 --> 00:31:01,560
Speaker 14: day I had just the worst day. I was really tired.

693
00:31:02,120 --> 00:31:04,000
Speaker 14: So I actually told my kids that they can play

694
00:31:04,040 --> 00:31:06,680
Speaker 14: their PlayStation and the iPad for as long as they want,

695
00:31:06,720 --> 00:31:09,720
Speaker 14: as long as they're really quiet and leave mommy alone

696
00:31:10,360 --> 00:31:12,480
Speaker 14: at the meeting that she's in and I had a nap.

697
00:31:13,200 --> 00:31:14,400
Speaker 1: Yeah, it's great.

698
00:31:14,960 --> 00:31:16,800
Speaker 2: Yeah, that's the way to do it. I think it's

699
00:31:16,840 --> 00:31:19,120
Speaker 2: great to limit your kids on the electronics until it

700
00:31:19,120 --> 00:31:22,240
Speaker 2: doesn't suit you. You say, how about I give you

701
00:31:22,280 --> 00:31:24,160
Speaker 2: another couple of hours.

702
00:31:23,640 --> 00:31:27,760
Speaker 3: And mixed messages coming there? Mum, use my brain, But

703
00:31:27,800 --> 00:31:29,120
Speaker 3: now what you want me to use it all day?

704
00:31:29,240 --> 00:31:32,920
Speaker 1: I'm in a meeting Sarah Jason's joined us.

705
00:31:32,960 --> 00:31:34,480
Speaker 2: I Jason, what lengths did you go to?

706
00:31:35,960 --> 00:31:37,640
Speaker 13: It's pretty chaotic in my household.

707
00:31:37,720 --> 00:31:42,360
Speaker 5: So when I go and get have a nap, I

708
00:31:42,480 --> 00:31:44,160
Speaker 5: tell the wife I'm going to Bunnings.

709
00:31:44,520 --> 00:31:45,880
Speaker 6: I've got a pillow in the back of the car.

710
00:31:45,960 --> 00:31:47,200
Speaker 13: Or I drive the Bunnings and I go and have

711
00:31:47,200 --> 00:31:48,320
Speaker 13: a sleep in the back of the car.

712
00:31:49,480 --> 00:31:51,280
Speaker 2: Can'd be interesting to look at how many men are

713
00:31:51,240 --> 00:31:55,200
Speaker 2: asleep in their cars at Bunnings. I reckon, that's probably

714
00:31:55,200 --> 00:31:56,920
Speaker 2: a thing. Yeah, yeah, yeah, yeah.

715
00:31:57,080 --> 00:31:59,719
Speaker 3: And you just lie on the back seat of your

716
00:31:59,720 --> 00:32:01,520
Speaker 3: card Jason, what do you recline the seat?

717
00:32:01,600 --> 00:32:02,000
Speaker 16: Yeah?

718
00:32:02,160 --> 00:32:03,800
Speaker 13: No, no, I've got a pillow in the back, So

719
00:32:03,920 --> 00:32:05,720
Speaker 13: I just told that's only a little pillow.

720
00:32:05,680 --> 00:32:06,120
Speaker 1: Put in there.

721
00:32:06,240 --> 00:32:07,880
Speaker 13: No, one's never asked about it, so I can get

722
00:32:07,880 --> 00:32:10,040
Speaker 13: away with it, and and I usually go in for

723
00:32:10,080 --> 00:32:12,160
Speaker 13: a little boy something anyway, So yeah.

724
00:32:12,280 --> 00:32:15,240
Speaker 2: It's when we come over with a giant pillow crease

725
00:32:15,280 --> 00:32:15,760
Speaker 2: on your face.

726
00:32:15,920 --> 00:32:18,280
Speaker 3: Everyone knows Bunnings is like the bub to Triangle. You

727
00:32:18,320 --> 00:32:20,240
Speaker 3: might just go there for a light bulb and you'll

728
00:32:20,280 --> 00:32:21,240
Speaker 3: be in there for six hours.

729
00:32:21,280 --> 00:32:23,120
Speaker 2: Yeah, me to see, wouldn't it check the other cars

730
00:32:23,120 --> 00:32:24,360
Speaker 2: being there and see who's asleep?

731
00:32:24,960 --> 00:32:31,600
Speaker 4: Jonesy and Amanda jam vasis podcast for Instructure.

732
00:32:32,760 --> 00:32:33,200
Speaker 3: Turn it on.

733
00:32:34,960 --> 00:32:37,760
Speaker 1: Hello there the lens you went to for a nap?

734
00:32:37,800 --> 00:32:40,440
Speaker 1: This is what the tribal drama's beating for its belable.

735
00:32:40,960 --> 00:32:42,200
Speaker 1: This is better than my bad at home.

736
00:32:43,320 --> 00:32:45,680
Speaker 2: This was kicked off when I saw a woman who

737
00:32:46,080 --> 00:32:48,800
Speaker 2: told her kids to draw her sleeping. Yeah, so she

738
00:32:48,840 --> 00:32:50,720
Speaker 2: could take a nap. That's a clever one.

739
00:32:50,880 --> 00:32:53,760
Speaker 3: I remember when that time we gate crashed two GB's

740
00:32:53,800 --> 00:32:57,000
Speaker 3: officers for some reason. We'd had a few drinks and

741
00:32:57,040 --> 00:32:59,680
Speaker 3: we went into Alan Jones's office and he had a

742
00:32:59,680 --> 00:33:02,320
Speaker 3: little little recliner bed in there.

743
00:33:02,360 --> 00:33:04,040
Speaker 2: It came out of the wall, came out of the wall.

744
00:33:04,080 --> 00:33:05,680
Speaker 1: It was like something that a Maxwell smart.

745
00:33:05,800 --> 00:33:07,600
Speaker 2: I don't think i'd be able to sleep in the office.

746
00:33:07,640 --> 00:33:11,440
Speaker 2: I wouldn't relax enough to not off I don't think.

747
00:33:11,840 --> 00:33:13,640
Speaker 2: One of the callers before said he goes to Bunnings

748
00:33:13,680 --> 00:33:16,240
Speaker 2: and sleeps in the car even when the kids are little.

749
00:33:16,280 --> 00:33:17,960
Speaker 2: And I was so desperate for a sleep. I have

750
00:33:18,080 --> 00:33:20,720
Speaker 2: to be in a safe, secure place to go to sleep.

751
00:33:21,000 --> 00:33:21,200
Speaker 13: Yeah.

752
00:33:21,400 --> 00:33:23,680
Speaker 2: On a plane, I'm always anxious. My mouth will hang open.

753
00:33:24,480 --> 00:33:27,600
Speaker 2: So you know that's not comfortable either, You know when

754
00:33:27,640 --> 00:33:28,560
Speaker 2: you find yourself with it.

755
00:33:28,680 --> 00:33:30,880
Speaker 3: Ah, yeah, and everyone's walking past you because you're up

756
00:33:30,880 --> 00:33:32,960
Speaker 3: the front of the plane and everyone's I think there's

757
00:33:32,960 --> 00:33:33,680
Speaker 3: that Amanda Keller.

758
00:33:33,720 --> 00:33:35,960
Speaker 1: Look at that that gob open.

759
00:33:37,040 --> 00:33:38,200
Speaker 2: None of those things are true.

760
00:33:38,280 --> 00:33:40,800
Speaker 1: By the way, is that the jet noise? Oh no,

761
00:33:40,880 --> 00:33:44,239
Speaker 1: it's just Amanda. Viggy has joined us.

762
00:33:44,280 --> 00:33:46,640
Speaker 2: Well, Viggy, what least did you go to for a name?

763
00:33:47,200 --> 00:33:47,320
Speaker 12: Hi?

764
00:33:49,080 --> 00:33:50,840
Speaker 5: Back in the day, I used to work at the

765
00:33:50,880 --> 00:33:53,600
Speaker 5: bank and they used to have these.

766
00:33:53,760 --> 00:33:55,640
Speaker 13: Rows and rows and rows of.

767
00:33:57,160 --> 00:34:03,880
Speaker 5: Filing filing cabinets from feeling to the form and after

768
00:34:04,000 --> 00:34:06,720
Speaker 5: big weekend, me and my girlfriend and realize that no

769
00:34:06,800 --> 00:34:09,680
Speaker 5: one would go with these at the end of them,

770
00:34:09,800 --> 00:34:14,160
Speaker 5: So we got ourselves a donner and some pillows. We

771
00:34:14,280 --> 00:34:17,280
Speaker 5: set up a little nook. We find the file cabinets

772
00:34:17,280 --> 00:34:20,759
Speaker 5: like on the bottom and would share it and have

773
00:34:20,840 --> 00:34:23,560
Speaker 5: a little nap after a big weekend to take the

774
00:34:23,600 --> 00:34:26,680
Speaker 5: morning shift for the afternoon shift, and then we make

775
00:34:26,719 --> 00:34:28,919
Speaker 5: sure we make each other up. We could get it job.

776
00:34:30,440 --> 00:34:32,160
Speaker 1: Both of you didn't sleep at the same time.

777
00:34:32,200 --> 00:34:34,240
Speaker 2: But were you supposed to be working at the time.

778
00:34:35,440 --> 00:34:38,040
Speaker 1: Yeah, you're working for a bank.

779
00:34:38,239 --> 00:34:40,560
Speaker 3: There's a lot of a lot of carrying clipboards around

780
00:34:40,600 --> 00:34:41,879
Speaker 3: and you know, not doing much.

781
00:34:41,920 --> 00:34:44,719
Speaker 1: Am I right there, VICKI, Yeah, I know.

782
00:34:44,680 --> 00:34:45,279
Speaker 13: We did a lot.

783
00:34:45,440 --> 00:34:46,560
Speaker 5: We were just more productive.

784
00:34:47,400 --> 00:34:49,439
Speaker 3: But if you're going to do that and you've got

785
00:34:49,880 --> 00:34:53,520
Speaker 3: an accomplice, one has to sleep, one is awake to

786
00:34:53,560 --> 00:34:55,480
Speaker 3: watch over the other one flight attendance.

787
00:34:55,520 --> 00:34:57,480
Speaker 2: On those long flights, they go and have a little sleep.

788
00:34:57,480 --> 00:34:59,040
Speaker 1: They've got one of those they're going to pie, you

789
00:34:59,040 --> 00:35:01,120
Speaker 1: know the baggage. He's got a pod that you can

790
00:35:01,160 --> 00:35:01,960
Speaker 1: go in and have a sleep.

791
00:35:01,960 --> 00:35:03,680
Speaker 2: It'd be weird and you wake up and they've got

792
00:35:03,719 --> 00:35:06,120
Speaker 2: crazy pillow hair and they look worse than you do.

793
00:35:06,960 --> 00:35:09,720
Speaker 1: The pilot on the plane.

794
00:35:10,480 --> 00:35:15,520
Speaker 2: Thank you, Vicky. Hello Adam, Hello, good morning, Hello Adam.

795
00:35:15,560 --> 00:35:17,400
Speaker 2: What lengths did you go to for a nap?

796
00:35:17,840 --> 00:35:21,600
Speaker 13: Well, we have four kids under ten years old, and

797
00:35:21,640 --> 00:35:24,160
Speaker 13: we've done a very inventive way to get a couple

798
00:35:24,239 --> 00:35:28,640
Speaker 13: extra hours sleep every morning. As kids are very messy

799
00:35:28,640 --> 00:35:30,960
Speaker 13: with toys every morning and all throughout the house. We

800
00:35:31,040 --> 00:35:33,640
Speaker 13: tell the kids that. We tell the kids as soon

801
00:35:33,719 --> 00:35:36,360
Speaker 13: as me and my fiance wake up, we all have

802
00:35:36,440 --> 00:35:38,880
Speaker 13: to clean up the house so not one of them

803
00:35:38,880 --> 00:35:41,600
Speaker 13: will be loud or disruptive every morning, so we get

804
00:35:41,600 --> 00:35:44,160
Speaker 13: that extra couple of hours sleeping, especially on the weekend.

805
00:35:44,800 --> 00:35:45,640
Speaker 2: That's brilliant.

806
00:35:45,719 --> 00:35:48,360
Speaker 3: How long has parenting been around for And this is

807
00:35:48,400 --> 00:35:50,360
Speaker 3: the first time I've ever heard this gene.

808
00:35:50,400 --> 00:35:52,040
Speaker 2: They know if they wake you up, they have to

809
00:35:52,080 --> 00:35:53,440
Speaker 2: tie up all their toys.

810
00:35:54,160 --> 00:35:54,960
Speaker 13: Exactly right.

811
00:35:55,680 --> 00:35:57,160
Speaker 2: That is genius, Adam.

812
00:35:57,800 --> 00:36:00,600
Speaker 13: Especially when we wake up like early starts throughout the

813
00:36:00,640 --> 00:36:03,200
Speaker 13: week for work. We always get that extra a couple

814
00:36:03,239 --> 00:36:05,920
Speaker 13: of hours sleeping on a Saturday or Funday. Especially who

815
00:36:06,040 --> 00:36:08,160
Speaker 13: doesn't want to wake up early on Sunday morning?

816
00:36:08,200 --> 00:36:11,439
Speaker 1: You know that is you got four kids. That's old

817
00:36:11,440 --> 00:36:12,240
Speaker 1: school as well.

818
00:36:12,920 --> 00:36:15,920
Speaker 2: Exactly right, Well done, Adam, You've just wanted that's a

819
00:36:15,960 --> 00:36:17,120
Speaker 2: public service announcement.

820
00:36:17,200 --> 00:36:17,319
Speaker 5: Right.

821
00:36:17,560 --> 00:36:19,400
Speaker 1: You don't want to spend time in bed any longer.

822
00:36:19,440 --> 00:36:20,759
Speaker 1: We don't want more kids do we.

823
00:36:20,760 --> 00:36:23,000
Speaker 13: Add them exactly right?

824
00:36:24,000 --> 00:36:27,320
Speaker 2: Just save it for sleeping, just for sleeping.

825
00:36:27,920 --> 00:36:32,280
Speaker 11: Thank you mate, It's great Jonesy podcast.

826
00:36:32,680 --> 00:36:34,759
Speaker 1: Let's get on down to the judgy. The matter ramps

827
00:36:34,800 --> 00:36:37,479
Speaker 1: for the pub test today. Shorts at work?

828
00:36:37,560 --> 00:36:38,440
Speaker 2: This old chestnut?

829
00:36:38,520 --> 00:36:39,160
Speaker 1: Does it pass them?

830
00:36:39,280 --> 00:36:41,840
Speaker 2: Maybe? I don't want to see your chestnuts? What's happened here?

831
00:36:42,040 --> 00:36:47,560
Speaker 2: Is it happens every time of year? We're having seeing

832
00:36:47,600 --> 00:36:51,399
Speaker 2: heat waves right across the northern hemisphere. We're coming into

833
00:36:51,400 --> 00:36:54,719
Speaker 2: a very hot summer. Should men be allowed to wear

834
00:36:54,760 --> 00:36:57,600
Speaker 2: shorts at work? And people those men.

835
00:36:57,600 --> 00:36:59,000
Speaker 1: Were allowed to wear shorts at work?

836
00:36:59,360 --> 00:37:02,440
Speaker 2: Well, well, well do you like it? And well in

837
00:37:02,480 --> 00:37:05,000
Speaker 2: a workplace like for example, I don't think we're all

838
00:37:05,200 --> 00:37:07,160
Speaker 2: I don't. I mean we work in a different kind

839
00:37:07,160 --> 00:37:09,280
Speaker 2: of sphere to say, our sales departments.

840
00:37:08,880 --> 00:37:12,480
Speaker 1: We're wearing the rock and roll business man. But would would.

841
00:37:12,320 --> 00:37:16,480
Speaker 2: People who sell radio airtime our sales department? Would they

842
00:37:16,480 --> 00:37:18,040
Speaker 2: be allowed to wear shorts? I don't think they can

843
00:37:18,080 --> 00:37:19,360
Speaker 2: if they're seeing clients, they wouldn't be.

844
00:37:19,320 --> 00:37:22,400
Speaker 3: Allowed to have seventies geography teachers showing up in shorts?

845
00:37:22,400 --> 00:37:25,200
Speaker 2: See why is it bad? But why could girls can

846
00:37:25,239 --> 00:37:29,200
Speaker 2: wear short skirts? Girls can do whatever? Well, That's one

847
00:37:29,200 --> 00:37:31,600
Speaker 2: of the comments that's being made here saying, is it

848
00:37:31,680 --> 00:37:34,000
Speaker 2: unfair that girls can get wear whatever they like? Is

849
00:37:34,000 --> 00:37:36,439
Speaker 2: this because the men who make the decisions are happy

850
00:37:36,480 --> 00:37:37,879
Speaker 2: to see a leg in the office, but don't want

851
00:37:37,880 --> 00:37:38,560
Speaker 2: to see men's leg.

852
00:37:38,680 --> 00:37:39,719
Speaker 1: It's about men's leg.

853
00:37:39,760 --> 00:37:42,000
Speaker 3: I just don't think you take guys seriously in shorts.

854
00:37:43,160 --> 00:37:45,040
Speaker 3: Have you seen a copper, for example? In shorts?

855
00:37:45,040 --> 00:37:47,960
Speaker 1: I just go, yeah, okay, mate, good on you really? Yeah,

856
00:37:48,719 --> 00:37:51,600
Speaker 1: you know shorts. Tradees can wear shorts, Yes.

857
00:37:51,960 --> 00:37:54,000
Speaker 2: You take a trade seriously, but not a policeman short.

858
00:37:54,080 --> 00:37:56,319
Speaker 3: Radies have to wear shorts are on the site. That's

859
00:37:56,440 --> 00:37:58,640
Speaker 3: that's a given. Paul Huygen used to pay the Harbor

860
00:37:58,640 --> 00:38:00,880
Speaker 3: Bridge in shorts. You just can wear shorts.

861
00:38:00,880 --> 00:38:03,239
Speaker 1: What about naval dudes shirts when they're on the show.

862
00:38:03,360 --> 00:38:05,680
Speaker 2: So man who just walk work in the office and

863
00:38:05,680 --> 00:38:08,759
Speaker 2: aren't necessarily out having to schmooze clients and things. People

864
00:38:08,800 --> 00:38:11,240
Speaker 2: who's work and work, they're going about their daily business

865
00:38:11,440 --> 00:38:12,080
Speaker 2: in an office.

866
00:38:12,160 --> 00:38:13,360
Speaker 1: I think you can they wear shorts.

867
00:38:13,560 --> 00:38:16,200
Speaker 3: If you come in here, no one will take you seriously.

868
00:38:16,280 --> 00:38:17,840
Speaker 3: We had a boss here that used to wear shorts.

869
00:38:17,920 --> 00:38:18,880
Speaker 3: Remember that that Keiwi.

870
00:38:18,880 --> 00:38:20,600
Speaker 1: You guys a nice fellow, but you never took him

871
00:38:20,600 --> 00:38:23,000
Speaker 1: seriously because he's wearing shorts. Can't talk to you, mate?

872
00:38:23,000 --> 00:38:23,640
Speaker 1: What are your kid?

873
00:38:24,239 --> 00:38:25,960
Speaker 2: How do I take that? Wasn't why we didn't take

874
00:38:26,000 --> 00:38:26,520
Speaker 2: him seriously.

875
00:38:27,880 --> 00:38:30,239
Speaker 1: You can't take direction from someone in.

876
00:38:30,200 --> 00:38:32,200
Speaker 2: This day and age, when people are choosing between working

877
00:38:32,239 --> 00:38:33,880
Speaker 2: at home and coming back to the office. Should we

878
00:38:33,920 --> 00:38:34,560
Speaker 2: be amending this.

879
00:38:35,640 --> 00:38:37,479
Speaker 3: Look, I'm not the arbiter of what I'm not saying

880
00:38:37,520 --> 00:38:39,280
Speaker 3: to you. It's a free country. You can wear shorts

881
00:38:39,280 --> 00:38:41,200
Speaker 3: in here if you want. But what I'm saying if

882
00:38:41,239 --> 00:38:43,680
Speaker 3: you're going to give me direction or some sort of

883
00:38:43,719 --> 00:38:45,640
Speaker 3: advice and you're wearing shirts, ok, you're good on your

884
00:38:45,719 --> 00:38:47,759
Speaker 3: champ That's my take on that.

885
00:38:47,840 --> 00:38:50,719
Speaker 2: How do you feel shorts at work? Does it pass

886
00:38:50,760 --> 00:38:51,360
Speaker 2: the pub test?

887
00:38:51,560 --> 00:38:52,160
Speaker 1: Gem Nation?

888
00:38:52,840 --> 00:38:55,680
Speaker 2: At nineteen years of age, our next guest was ranked

889
00:38:55,680 --> 00:38:58,359
Speaker 2: fourth in the world of tennis, and while we watched

890
00:38:58,400 --> 00:39:01,120
Speaker 2: that journey of success in her bought on the sidelines,

891
00:39:01,160 --> 00:39:04,240
Speaker 2: we also witnessed her father's bad tempo. What we didn't

892
00:39:04,320 --> 00:39:06,600
Speaker 2: know and we should have known, was how bad it

893
00:39:06,640 --> 00:39:09,840
Speaker 2: really was. In twenty seventeen, she shared the level of

894
00:39:09,880 --> 00:39:11,560
Speaker 2: abuse she had to endure at the hands of a

895
00:39:11,640 --> 00:39:15,680
Speaker 2: dad Demre Dockage with the best selling memoir called Unbreakable. Well,

896
00:39:15,719 --> 00:39:19,040
Speaker 2: now Lena Dockitch has released a new book called Fearless,

897
00:39:19,440 --> 00:39:23,920
Speaker 2: Finding the Power to Thrive, and she joins us now Elena, Hello.

898
00:39:24,360 --> 00:39:25,719
Speaker 10: Hi, thank you for having me.

899
00:39:25,920 --> 00:39:28,200
Speaker 3: And it's great to talk to you again, because last

900
00:39:28,239 --> 00:39:31,160
Speaker 3: time we spoke, when you had the first book out, Unbreakable,

901
00:39:32,120 --> 00:39:35,080
Speaker 3: it was like a real sort of I guess revelation

902
00:39:35,239 --> 00:39:38,160
Speaker 3: for you. And now you're coming out through the other

903
00:39:38,200 --> 00:39:39,440
Speaker 3: side of this with this book.

904
00:39:40,239 --> 00:39:41,439
Speaker 10: Yeah, yeah, pretty much.

905
00:39:42,640 --> 00:39:42,879
Speaker 13: Yeah.

906
00:39:42,960 --> 00:39:49,360
Speaker 10: Unbreakable obviously was yeah, really my life story, my biography,

907
00:39:49,440 --> 00:39:53,319
Speaker 10: my memoir, and something that has changed my life. I

908
00:39:53,440 --> 00:39:56,040
Speaker 10: literally say that a day that Unbreakable came out is

909
00:39:56,080 --> 00:39:59,279
Speaker 10: the best day of my life. I was able to

910
00:39:59,680 --> 00:40:00,960
Speaker 10: just re you share my story.

911
00:40:01,680 --> 00:40:03,839
Speaker 2: You know, you're very honest in the book about how

912
00:40:03,960 --> 00:40:07,640
Speaker 2: recovery isn't linear and the fact that you were able

913
00:40:07,640 --> 00:40:10,920
Speaker 2: to break away from your family, that life can still

914
00:40:10,920 --> 00:40:13,080
Speaker 2: be hard. You talk about very honestly about the end

915
00:40:13,080 --> 00:40:17,200
Speaker 2: of a twenty year relationship, about how the trolls on

916
00:40:17,280 --> 00:40:19,720
Speaker 2: social media, and how you're trying to use your skill

917
00:40:19,800 --> 00:40:22,960
Speaker 2: set to try and still make your way through these

918
00:40:23,000 --> 00:40:24,640
Speaker 2: hard things.

919
00:40:24,760 --> 00:40:30,360
Speaker 10: Absolutely not all it's not all upwards and positive. And

920
00:40:30,400 --> 00:40:34,440
Speaker 10: I don't think anything in life is. I've discovered that

921
00:40:34,560 --> 00:40:37,239
Speaker 10: as an athlete, as a tennis player, you don't always win.

922
00:40:37,840 --> 00:40:40,279
Speaker 10: There are ups and downs. Life is the same, and

923
00:40:41,360 --> 00:40:43,960
Speaker 10: I think it always kind of will be. You go

924
00:40:44,120 --> 00:40:47,279
Speaker 10: through ups and downs, and I think it's important to

925
00:40:48,040 --> 00:40:50,439
Speaker 10: know that, to realize that, to know that it's all

926
00:40:50,480 --> 00:40:52,120
Speaker 10: not all sunshine and rainbows.

927
00:40:52,239 --> 00:40:55,040
Speaker 2: Why do you think people are so harsh on social media.

928
00:40:55,080 --> 00:40:56,799
Speaker 2: I'm not on Facebook or any of those things, but

929
00:40:56,840 --> 00:41:00,160
Speaker 2: I do have Instagram and I read through Twitter. You

930
00:41:00,200 --> 00:41:02,200
Speaker 2: do such a great job as a tennis commentator, but

931
00:41:02,239 --> 00:41:04,760
Speaker 2: you attract a lot of a lot of the trolls.

932
00:41:04,800 --> 00:41:05,440
Speaker 2: Why is that?

933
00:41:06,640 --> 00:41:09,800
Speaker 10: I think in general, look, when you're in the public eye,

934
00:41:10,040 --> 00:41:13,120
Speaker 10: everyone is allowed to have an opinion, and that's okay.

935
00:41:13,520 --> 00:41:15,879
Speaker 10: I think social media brings something else to it when

936
00:41:15,960 --> 00:41:21,120
Speaker 10: someone can just write something behind a keyboard, and I

937
00:41:21,160 --> 00:41:23,480
Speaker 10: don't know very often how people can even think of

938
00:41:23,520 --> 00:41:26,759
Speaker 10: some of those things, let alone write them. And I

939
00:41:26,800 --> 00:41:30,120
Speaker 10: always just turn the conversation around, go, well what if

940
00:41:30,680 --> 00:41:36,600
Speaker 10: your sister or your daughter, or your mother, father doesn't matter,

941
00:41:37,560 --> 00:41:38,560
Speaker 10: got something like that.

942
00:41:39,120 --> 00:41:42,360
Speaker 3: Well, you said that around's allowed to have their opinion, sure,

943
00:41:42,400 --> 00:41:44,040
Speaker 3: but they can really keep it to themselves.

944
00:41:44,080 --> 00:41:46,120
Speaker 1: I think with social media, I think that.

945
00:41:46,200 --> 00:41:48,160
Speaker 3: When people say you're allowed to have your opinion, when

946
00:41:48,280 --> 00:41:50,400
Speaker 3: I put something out on social media, I'm not asking

947
00:41:50,400 --> 00:41:52,440
Speaker 3: for an opinion. I'm not even asking for your comment.

948
00:41:52,760 --> 00:41:54,759
Speaker 3: It's like we did this radio show. When we do

949
00:41:54,800 --> 00:41:57,080
Speaker 3: the radio show, we don't have someone say, well I

950
00:41:57,080 --> 00:41:59,000
Speaker 3: don't agree with what you just said then, and if

951
00:41:59,080 --> 00:42:01,799
Speaker 3: they do, they yell it out into the ether. And

952
00:42:01,840 --> 00:42:05,600
Speaker 3: I think that's the real thing about social media.

953
00:42:05,880 --> 00:42:08,400
Speaker 10: It is. Look, but in a way, are you allowed

954
00:42:08,440 --> 00:42:12,520
Speaker 10: to write something to someone? Absolutely? Look, do we have

955
00:42:12,560 --> 00:42:16,279
Speaker 10: a block button? We do, and trust me, I use

956
00:42:16,320 --> 00:42:20,040
Speaker 10: it as well. But I have often said, look, I

957
00:42:20,080 --> 00:42:22,840
Speaker 10: am not out here hurting anyone. I am actually trying

958
00:42:22,880 --> 00:42:25,640
Speaker 10: to do something good with my platform on social media,

959
00:42:25,719 --> 00:42:27,719
Speaker 10: and on top of that, even sometimes using it as

960
00:42:27,760 --> 00:42:30,440
Speaker 10: a creative space, like I love photography, for example, So

961
00:42:30,560 --> 00:42:33,760
Speaker 10: if I, you know, post some pictures that I find

962
00:42:33,840 --> 00:42:37,160
Speaker 10: really nice it things like that, I should not be

963
00:42:37,600 --> 00:42:40,520
Speaker 10: judged for that, and nobody else should as well. But

964
00:42:40,920 --> 00:42:43,440
Speaker 10: I don't think it's as simple as blocking people. We

965
00:42:43,480 --> 00:42:46,359
Speaker 10: shouldn't have to do that. I'm not hurting anyone here

966
00:42:46,400 --> 00:42:51,080
Speaker 10: at all. So yeah, look, is it okay? No, it's not.

967
00:42:51,239 --> 00:42:53,719
Speaker 10: Can we stop every single person in the world from

968
00:42:54,160 --> 00:42:57,879
Speaker 10: writing something negative? We can't. But that's why I think

969
00:42:57,920 --> 00:43:00,160
Speaker 10: it's important to call it out. And I put some

970
00:43:00,200 --> 00:43:05,240
Speaker 10: of those comments out and posted them and show people

971
00:43:05,360 --> 00:43:08,080
Speaker 10: what I get, and it's changed. I actually get apologies

972
00:43:08,160 --> 00:43:10,960
Speaker 10: from people that have written that to me, so it

973
00:43:10,960 --> 00:43:11,840
Speaker 10: actually changes.

974
00:43:11,960 --> 00:43:13,720
Speaker 1: Have you ever had an apology from your father?

975
00:43:15,480 --> 00:43:20,799
Speaker 10: No, I haven't. I haven't. I've tried to reconcile with

976
00:43:20,880 --> 00:43:23,879
Speaker 10: him at one stage years and years ago, but it's

977
00:43:23,880 --> 00:43:29,640
Speaker 10: not possible. I think ultimately, no matter what you go through,

978
00:43:29,680 --> 00:43:31,480
Speaker 10: I think with your family or your parents, you kind

979
00:43:31,480 --> 00:43:33,920
Speaker 10: of feel like maybe you can get to a stage

980
00:43:33,920 --> 00:43:37,200
Speaker 10: where things can change and you can have a relationship.

981
00:43:37,440 --> 00:43:39,960
Speaker 10: But no, I don't. I think when someone isn't even

982
00:43:39,960 --> 00:43:43,120
Speaker 10: able to say sorry, or when they actually think that

983
00:43:43,280 --> 00:43:46,640
Speaker 10: they did everything right and in fact, in his words,

984
00:43:46,640 --> 00:43:48,719
Speaker 10: he will do it all over again, that's where you

985
00:43:48,760 --> 00:43:50,839
Speaker 10: draw the line. Especially as you get older, you need

986
00:43:50,880 --> 00:43:54,320
Speaker 10: to get that toxicity out of your life. So yeah, no,

987
00:43:54,320 --> 00:43:59,279
Speaker 10: no apology, and that's okay for me. It really it's

988
00:43:59,280 --> 00:44:02,319
Speaker 10: time to move on, to leave that aside and I'm

989
00:44:02,360 --> 00:44:06,480
Speaker 10: actually trying to change generational abuse and the way they

990
00:44:06,760 --> 00:44:09,719
Speaker 10: was and that's my fight now, and that's what I

991
00:44:09,719 --> 00:44:10,600
Speaker 10: want our legacy to be.

992
00:44:10,800 --> 00:44:14,440
Speaker 3: Well, Eleni, you're leaving a great legacy. This book is fantastic.

993
00:44:14,480 --> 00:44:17,879
Speaker 3: Fearless is out now from all good bookstores. You, lady dog,

994
00:44:18,120 --> 00:44:19,040
Speaker 3: thank you for joining us.

995
00:44:19,600 --> 00:44:21,319
Speaker 10: Thank you and thank you. You guys were there for

996
00:44:21,360 --> 00:44:24,279
Speaker 10: me as well with Unbreakable. We're now also. I love

997
00:44:24,320 --> 00:44:25,879
Speaker 10: having a chat with you, so thank you so much.

998
00:44:26,000 --> 00:44:28,520
Speaker 2: Thank you. Anytime I feel us, you really are and

999
00:44:28,560 --> 00:44:28,960
Speaker 2: thank you.

1000
00:44:29,239 --> 00:44:30,239
Speaker 10: Thank you, appreciate it.

1001
00:44:30,239 --> 00:44:37,120
Speaker 1: Thank you, and mind that gem Nations when gone.

1002
00:44:37,200 --> 00:44:38,600
Speaker 13: I want you to get on right now.

1003
00:44:38,719 --> 00:44:40,280
Speaker 2: I'm taking pleasing.

1004
00:44:40,440 --> 00:44:43,799
Speaker 15: Now, go in your windows, open, sit your head on a.

1005
00:44:43,840 --> 00:44:49,719
Speaker 1: Yell, hell down to the Jonesy. The matter of arms

1006
00:44:49,719 --> 00:44:52,279
Speaker 1: for the pub test today? Shorts at work? Does it

1007
00:44:52,320 --> 00:44:53,160
Speaker 1: pass the pub test?

1008
00:44:53,200 --> 00:44:55,240
Speaker 2: We live in a hot climate, we have hot summers.

1009
00:44:55,280 --> 00:44:58,080
Speaker 2: Girls can wear anything they like. It's within reason to work.

1010
00:44:58,120 --> 00:45:01,520
Speaker 2: But it still seems that men in many workplaces aren't

1011
00:45:01,600 --> 00:45:03,080
Speaker 2: encouraged or allowed to wear shorts.

1012
00:45:03,080 --> 00:45:03,800
Speaker 1: Do you feel about it?

1013
00:45:03,880 --> 00:45:09,160
Speaker 2: They can get nice dress shorts, now shorts shorts?

1014
00:45:10,560 --> 00:45:11,480
Speaker 1: That's wrong with you?

1015
00:45:11,600 --> 00:45:14,200
Speaker 2: It's not for you. But guys can look good in

1016
00:45:14,280 --> 00:45:14,840
Speaker 2: dress shorts.

1017
00:45:14,840 --> 00:45:17,879
Speaker 3: I just find you know, if you're got to put

1018
00:45:17,920 --> 00:45:20,480
Speaker 3: an air of authority out there.

1019
00:45:20,960 --> 00:45:22,960
Speaker 1: No one's going to take you seriously. If you're wearing shirts,

1020
00:45:23,080 --> 00:45:25,000
Speaker 1: what are you see? It's true, you see a copper

1021
00:45:25,040 --> 00:45:27,000
Speaker 1: in shorts. You got good on your mate, that's all

1022
00:45:27,000 --> 00:45:27,439
Speaker 1: well and.

1023
00:45:27,360 --> 00:45:29,480
Speaker 2: Good, and suddenly you're tasered to do it doesn't matter.

1024
00:45:30,000 --> 00:45:32,880
Speaker 3: While I'm being tasered and losing control of my bowels,

1025
00:45:33,560 --> 00:45:35,120
Speaker 3: at least I'm not wearing shorts.

1026
00:45:35,520 --> 00:45:36,800
Speaker 2: You're harsh, Brenda.

1027
00:45:36,880 --> 00:45:38,960
Speaker 1: I'm just that's this is not your thing.

1028
00:45:39,040 --> 00:45:41,400
Speaker 3: And when I was a kid at school, you wear shorts,

1029
00:45:41,480 --> 00:45:43,319
Speaker 3: and then you progress to high school and you got

1030
00:45:43,320 --> 00:45:45,680
Speaker 3: to wear long pants and that's stuck with me.

1031
00:45:46,160 --> 00:45:47,600
Speaker 2: And also you ride a bike so you have to

1032
00:45:47,640 --> 00:45:49,560
Speaker 2: wear kevlar every day. But if you came into work

1033
00:45:49,600 --> 00:45:52,160
Speaker 2: here and say, and if you didn't have to face

1034
00:45:52,160 --> 00:45:53,320
Speaker 2: the public, which you don't.

1035
00:45:53,120 --> 00:45:55,520
Speaker 3: Wear shirts on the weekend. And when I'm in Jonesy time,

1036
00:45:55,600 --> 00:45:56,280
Speaker 3: yeah for sure.

1037
00:45:56,719 --> 00:45:59,239
Speaker 2: But when I'm working, when you're not in Jonesy time,

1038
00:45:59,360 --> 00:46:00,480
Speaker 2: I'm not in time.

1039
00:46:00,480 --> 00:46:01,960
Speaker 1: When I'm on the factory floor.

1040
00:46:01,760 --> 00:46:05,040
Speaker 2: Here, Shorts at work, even dress shorts Brendan. Just the

1041
00:46:05,120 --> 00:46:07,400
Speaker 2: face you pulled when I said the words do they

1042
00:46:07,440 --> 00:46:08,400
Speaker 2: pass the pub test?

1043
00:46:12,600 --> 00:46:14,360
Speaker 13: No way, don't go back to that.

1044
00:46:14,400 --> 00:46:17,560
Speaker 5: Look at the seventies with the shorts the long stops.

1045
00:46:17,640 --> 00:46:18,560
Speaker 13: That was terrible.

1046
00:46:20,239 --> 00:46:23,279
Speaker 7: I do deliveries on all over Sydney and on a

1047
00:46:23,360 --> 00:46:25,640
Speaker 7: nice warm day is off and into the bay.

1048
00:46:26,040 --> 00:46:27,080
Speaker 2: Passes the pub test.

1049
00:46:27,239 --> 00:46:29,279
Speaker 10: If they're don't aware it, they have to match it

1050
00:46:29,440 --> 00:46:32,759
Speaker 10: or care with the high thought overstocked. Hey, we had

1051
00:46:32,800 --> 00:46:34,239
Speaker 10: to put up with it in the eighties they had

1052
00:46:34,280 --> 00:46:34,759
Speaker 10: to put up with.

1053
00:46:34,800 --> 00:46:36,640
Speaker 13: The trip out it. Of course, the past the pub

1054
00:46:36,680 --> 00:46:39,040
Speaker 13: tests as long as they're not too tight. You meachine,

1055
00:46:39,040 --> 00:46:42,040
Speaker 13: we were nice shortsleves, shirt on, white socks and seedals

1056
00:46:42,200 --> 00:46:42,920
Speaker 13: looks terrific.

1057
00:46:43,040 --> 00:46:45,400
Speaker 9: Of course, shorts past the pub test. I used to

1058
00:46:45,480 --> 00:46:49,160
Speaker 9: work for a particular railway company in Sydney. Women were

1059
00:46:49,200 --> 00:46:52,120
Speaker 9: allowed to wear skirts, but men weren't allowed to wear shorts.

1060
00:46:52,280 --> 00:46:54,520
Speaker 9: And in summer I got told I wasn't allowed to

1061
00:46:54,680 --> 00:46:57,280
Speaker 9: so I went down to the uniform store, got myself

1062
00:46:57,280 --> 00:46:59,759
Speaker 9: a skirt, worked around wearing a skirt all day with

1063
00:46:59,840 --> 00:47:02,480
Speaker 9: him forty eight hours. Men were allowed to wear shorts.

1064
00:47:02,640 --> 00:47:04,479
Speaker 13: You know what, We've got a lot of ki cares

1065
00:47:04,480 --> 00:47:06,240
Speaker 13: for these days and it's because we're.

1066
00:47:06,040 --> 00:47:08,040
Speaker 16: Wearing too much kit because I put it away.

1067
00:47:08,080 --> 00:47:09,120
Speaker 5: We don't really need to.

1068
00:47:09,000 --> 00:47:11,200
Speaker 1: To put it away unless you're a tracke or a

1069
00:47:11,280 --> 00:47:12,360
Speaker 1: trade or a build up.

1070
00:47:13,200 --> 00:47:16,200
Speaker 2: I think here when you say Pete wearing it with sandals,

1071
00:47:16,239 --> 00:47:18,480
Speaker 2: I don't think that looks going to come back anytime soon.

1072
00:47:18,640 --> 00:47:25,440
Speaker 2: Long socks and sandals anytime as you're a German tourist podcast.

1073
00:47:25,680 --> 00:47:27,920
Speaker 1: I love the public notice in the newspaper.

1074
00:47:28,280 --> 00:47:30,080
Speaker 3: You know what do you normally get with this put

1075
00:47:30,120 --> 00:47:32,520
Speaker 3: an apology because they have mispriced some.

1076
00:47:32,600 --> 00:47:35,600
Speaker 2: Small goods, or the front page that someone's accused of

1077
00:47:35,600 --> 00:47:38,920
Speaker 2: pedophilia and their page five are very small public anouncements,

1078
00:47:40,000 --> 00:47:41,040
Speaker 2: small mouth apology.

1079
00:47:41,200 --> 00:47:45,080
Speaker 3: Yeah, this one caught my eye yesterday. Abandoned vehicles at

1080
00:47:45,160 --> 00:47:48,719
Speaker 3: Sydney Airport and it's a it's a list of all

1081
00:47:48,760 --> 00:47:51,520
Speaker 3: the cars that have been abandoned in the car park.

1082
00:47:52,000 --> 00:47:53,239
Speaker 2: Really, how many are there?

1083
00:47:53,280 --> 00:47:56,839
Speaker 1: There's a lot, there's ninety eight of them.

1084
00:47:57,600 --> 00:47:59,560
Speaker 2: And how do they know they're abandoned? And people just

1085
00:47:59,560 --> 00:48:01,040
Speaker 2: don't on holiday.

1086
00:48:00,760 --> 00:48:02,200
Speaker 3: They just sit there for ages. You were going to

1087
00:48:02,200 --> 00:48:05,040
Speaker 3: the airport. I remember one time I like packing my

1088
00:48:05,040 --> 00:48:06,719
Speaker 3: motorbike there because you can do it for free, and

1089
00:48:06,760 --> 00:48:09,040
Speaker 3: you nick out. I don't tell anyone I told you

1090
00:48:09,080 --> 00:48:11,239
Speaker 3: that shit. But there was a motorbike sitting there, so

1091
00:48:11,320 --> 00:48:13,840
Speaker 3: old Kawasaki said, z ah thing, And ID been.

1092
00:48:13,680 --> 00:48:16,000
Speaker 1: Sitting there for for years. It looked like I had

1093
00:48:16,000 --> 00:48:18,040
Speaker 1: been sitting there for years. I thought, that's a shame.

1094
00:48:18,040 --> 00:48:18,959
Speaker 1: That's a good old bike.

1095
00:48:19,360 --> 00:48:21,600
Speaker 3: And then I came back to the airport, probably five

1096
00:48:21,680 --> 00:48:24,319
Speaker 3: years later, and there it was still just sitting there.

1097
00:48:24,360 --> 00:48:26,000
Speaker 2: Why would someone abandon them?

1098
00:48:26,080 --> 00:48:28,600
Speaker 1: Who knows? It's like the story of the Mary Celeste.

1099
00:48:28,840 --> 00:48:33,600
Speaker 3: Remember that story the old sailboat disappears off Nantucket.

1100
00:48:33,640 --> 00:48:36,400
Speaker 2: No, it doesn't disappear. They found it. Everyone on the

1101
00:48:36,400 --> 00:48:39,800
Speaker 2: boat was and they found like meals on plates and

1102
00:48:39,840 --> 00:48:41,160
Speaker 2: things like everyone just a band and.

1103
00:48:41,680 --> 00:48:43,960
Speaker 1: A pipe smoking away. Where did the crew go?

1104
00:48:44,200 --> 00:48:47,319
Speaker 2: But what is the story? Why would someone abandon a

1105
00:48:47,360 --> 00:48:47,839
Speaker 2: car there?

1106
00:48:47,960 --> 00:48:50,759
Speaker 3: I'd say, Johnny backpacker has brought the car and then

1107
00:48:51,000 --> 00:48:54,279
Speaker 3: nicked off back home to wherever. But why not sell

1108
00:48:54,320 --> 00:48:56,880
Speaker 3: it because it's probably not worth anything. So I was

1109
00:48:56,920 --> 00:48:58,960
Speaker 3: looking at some of these cars. For example, what piqued

1110
00:48:58,960 --> 00:49:02,280
Speaker 3: my interest there's a whole statesman in there, old statesmen,

1111
00:49:02,360 --> 00:49:03,720
Speaker 3: and you know they don't make.

1112
00:49:03,600 --> 00:49:05,799
Speaker 1: Those things anymore, and that's just sitting there.

1113
00:49:05,680 --> 00:49:07,240
Speaker 2: Abandon so it'd be worth something.

1114
00:49:07,480 --> 00:49:09,759
Speaker 3: Well, I try to look up the registration plate because

1115
00:49:09,800 --> 00:49:13,040
Speaker 3: I've got my RTA thing, my Roads and Maritime Service,

1116
00:49:13,080 --> 00:49:14,520
Speaker 3: so you can type in a number plate, you can.

1117
00:49:14,680 --> 00:49:16,680
Speaker 2: So they've listed all these cars saying if this is yours,

1118
00:49:16,680 --> 00:49:18,600
Speaker 2: come and collect it. It's got the number plates and everything.

1119
00:49:18,680 --> 00:49:18,839
Speaker 11: Yeah.

1120
00:49:18,880 --> 00:49:21,080
Speaker 3: So, and I was looking at the Holden Statesman. The

1121
00:49:21,120 --> 00:49:24,800
Speaker 3: plate was invalid, so it's probably gone way past regio

1122
00:49:25,320 --> 00:49:27,399
Speaker 3: where they've recirculated the plate. But there were some other

1123
00:49:27,440 --> 00:49:30,120
Speaker 3: cars in there, like a Toyota Camri. I checked out

1124
00:49:30,120 --> 00:49:32,919
Speaker 3: the REGI of that, so that expired in twenty twenty one.

1125
00:49:33,400 --> 00:49:35,320
Speaker 3: But it's got two hundred and sixty eight thousand k's

1126
00:49:35,360 --> 00:49:37,000
Speaker 3: on the clock, so it's could been to the moon

1127
00:49:37,040 --> 00:49:39,160
Speaker 3: and back. There's no point in getting that car back,

1128
00:49:39,239 --> 00:49:39,920
Speaker 3: is what I'm saying.

1129
00:49:40,200 --> 00:49:43,240
Speaker 2: So people wouldn't even sold it for parts. So maybe

1130
00:49:43,239 --> 00:49:46,600
Speaker 2: these people, as you're saying, as Johnny backpacker, what about Johnny,

1131
00:49:47,000 --> 00:49:48,719
Speaker 2: just go and dump your car. If you want to

1132
00:49:48,800 --> 00:49:51,000
Speaker 2: dump a car, would you just leave it at the airport?

1133
00:49:51,040 --> 00:49:53,040
Speaker 1: Well, you you car anyway? Can you set the number

1134
00:49:53,040 --> 00:49:54,239
Speaker 1: plate off and that's it.

1135
00:49:54,840 --> 00:49:55,680
Speaker 2: But there's surveillance.

1136
00:49:55,880 --> 00:49:57,080
Speaker 1: The castle has to go and get it.

1137
00:49:57,080 --> 00:49:58,520
Speaker 3: See if you've got a car on the street and

1138
00:49:58,560 --> 00:50:01,600
Speaker 3: it's registered, you can where for as long as it once.

1139
00:50:01,760 --> 00:50:03,560
Speaker 2: Do you know what this tells me about the airport here?

1140
00:50:03,600 --> 00:50:07,319
Speaker 2: It's so expensive to park there and yet there's no

1141
00:50:07,440 --> 00:50:09,840
Speaker 2: level of surveillance. What if there's a dead body I

1142
00:50:09,920 --> 00:50:13,040
Speaker 2: watched too many British police dramas recently. What if there's

1143
00:50:13,040 --> 00:50:15,160
Speaker 2: a dead body in the boot of the car and

1144
00:50:15,200 --> 00:50:17,319
Speaker 2: it's been there for years and no one has even

1145
00:50:17,440 --> 00:50:20,360
Speaker 2: checked as to whether it's red whether it's been dumped,

1146
00:50:20,360 --> 00:50:23,160
Speaker 2: whether the red jo's gone, any of that stuff. So

1147
00:50:23,200 --> 00:50:25,440
Speaker 2: they are are so keen to take your money. But

1148
00:50:25,600 --> 00:50:29,800
Speaker 2: what about the security of these abandoned cars.

1149
00:50:29,560 --> 00:50:32,040
Speaker 1: All these cars, there's a poors Quayne in there.

1150
00:50:32,280 --> 00:50:33,839
Speaker 2: Why wouldn't that be unresulted.

1151
00:50:34,560 --> 00:50:36,400
Speaker 1: So it's run out of regio and it's just sitting

1152
00:50:36,440 --> 00:50:36,759
Speaker 1: in there.

1153
00:50:36,960 --> 00:50:38,640
Speaker 2: Is that sort of some drug thing for all.

1154
00:50:38,520 --> 00:50:40,640
Speaker 1: Felicity of Double Bay. You can't pay this is where

1155
00:50:40,680 --> 00:50:41,000
Speaker 1: that is.

1156
00:50:41,120 --> 00:50:43,920
Speaker 2: Jeff told me you left it.

1157
00:50:45,480 --> 00:50:46,239
Speaker 1: Well, let's have a look.

1158
00:50:46,280 --> 00:50:48,600
Speaker 3: So so what they do is they have to They

1159
00:50:48,600 --> 00:50:50,840
Speaker 3: can't just go and sell these cars, So the airport

1160
00:50:50,840 --> 00:50:52,280
Speaker 3: has to put a public service announcement.

1161
00:50:52,320 --> 00:50:53,440
Speaker 2: Oh is this a precursor to that?

1162
00:50:53,480 --> 00:50:55,080
Speaker 1: You think, yeah, so they put that out there.

1163
00:50:55,120 --> 00:50:58,480
Speaker 3: So I'm just looking through there for the aforementioned statesman.

1164
00:50:58,840 --> 00:51:00,400
Speaker 3: Or there's a nice there's a couple of cooda is

1165
00:51:00,400 --> 00:51:02,560
Speaker 3: in there, modus. I wouldn't mind get picked up a screw.

1166
00:51:02,600 --> 00:51:04,319
Speaker 2: So this is stage one. They say this is your

1167
00:51:04,360 --> 00:51:07,399
Speaker 2: car come and collected, but you wouldn't because imagine the parking.

1168
00:51:07,040 --> 00:51:09,520
Speaker 1: Fee at hiking. And I'm just doing some maths.

1169
00:51:09,640 --> 00:51:11,839
Speaker 2: Oh no, I thought I could smell burning rock.

1170
00:51:11,920 --> 00:51:12,960
Speaker 1: So I've got one of the girls here to do

1171
00:51:13,040 --> 00:51:13,399
Speaker 1: the mask.

1172
00:51:13,520 --> 00:51:15,840
Speaker 3: So the average per day for parking is seventy dollars

1173
00:51:15,880 --> 00:51:18,319
Speaker 3: a day, so per year will cost you twenty five

1174
00:51:18,360 --> 00:51:20,600
Speaker 3: thousand dollars. For five years that would be one hundred

1175
00:51:20,600 --> 00:51:22,960
Speaker 3: and twenty seven seven hundred and fifty dollars.

1176
00:51:23,000 --> 00:51:24,839
Speaker 2: So if you put your hand up to climb one

1177
00:51:24,840 --> 00:51:26,839
Speaker 2: of those cars park in.

1178
00:51:26,800 --> 00:51:30,480
Speaker 3: The silver to add a Camri with a billion k's

1179
00:51:30,520 --> 00:51:32,000
Speaker 3: on it, it's going to cost you one hundred and

1180
00:51:32,040 --> 00:51:34,520
Speaker 3: twenty seven thousand dollars to get that back. Having said that,

1181
00:51:34,560 --> 00:51:38,480
Speaker 3: I was just reading this bit. Any unpaid parking fees

1182
00:51:38,560 --> 00:51:40,040
Speaker 3: capped at five hundred dollars.

1183
00:51:40,440 --> 00:51:43,080
Speaker 1: Oh, that's pretty cheap for the airport.

1184
00:51:43,239 --> 00:51:45,520
Speaker 2: So this is stage one, Stage two will be suddenly

1185
00:51:45,560 --> 00:51:47,800
Speaker 2: they're all for sale, apart from the ones the airport

1186
00:51:47,840 --> 00:51:48,239
Speaker 2: staff won.

1187
00:51:48,480 --> 00:51:50,120
Speaker 1: Yeah, yeah, yeah, So that's.

1188
00:51:50,080 --> 00:51:52,880
Speaker 2: Alan Joyce is collecting the camera or was it the kNN.

1189
00:51:52,600 --> 00:51:55,040
Speaker 3: The kN is getting that back and I'm just looking

1190
00:51:55,040 --> 00:52:00,520
Speaker 3: at the coals apology for some incorrectly priced yogurt.

1191
00:52:00,600 --> 00:52:04,879
Speaker 2: How many k's were on that the show? Yesterday we

1192
00:52:04,920 --> 00:52:08,520
Speaker 2: spoke with Zoe. She's nine years old. Her mum, Triciad

1193
00:52:08,520 --> 00:52:11,040
Speaker 2: emailed us saying that she wanted to dress as both

1194
00:52:11,080 --> 00:52:14,440
Speaker 2: of us for her walkathon for her school at St

1195
00:52:14,480 --> 00:52:18,239
Speaker 2: Aidan's Primary School, and her mom said, we've got to

1196
00:52:18,280 --> 00:52:20,320
Speaker 2: choose ones. She said, well, I'm a girl addresses Amanda.

1197
00:52:20,320 --> 00:52:21,799
Speaker 2: And we said, well, you know, maybe we can make

1198
00:52:21,840 --> 00:52:24,279
Speaker 2: this work where she dresses as both of us. We

1199
00:52:24,320 --> 00:52:26,359
Speaker 2: spoke to her yesterday and we said we'd come up

1200
00:52:26,360 --> 00:52:29,960
Speaker 2: with some ideas. We have sent a stylist to Zoe's

1201
00:52:29,960 --> 00:52:33,239
Speaker 2: house because the walkathon is today, so why don't we

1202
00:52:33,239 --> 00:52:36,000
Speaker 2: talk to Lauren, the stylist who's at Zoe's house.

1203
00:52:36,239 --> 00:52:37,439
Speaker 1: House of Lauren.

1204
00:52:37,200 --> 00:52:41,040
Speaker 2: From the House of Lauren to see what outfit we've

1205
00:52:41,040 --> 00:52:44,120
Speaker 2: come up with for Zoe. Hi, Lauren, I like good

1206
00:52:44,160 --> 00:52:48,640
Speaker 2: Morning to buy Good Morning so very well. So Jones

1207
00:52:48,719 --> 00:52:50,680
Speaker 2: at one point said we should get an outfit that

1208
00:52:50,800 --> 00:52:54,280
Speaker 2: was half and half verticals up and down.

1209
00:52:54,239 --> 00:52:55,520
Speaker 1: Two face from Batman.

1210
00:52:55,680 --> 00:52:56,520
Speaker 2: Yeah, I thought that.

1211
00:52:56,719 --> 00:52:59,040
Speaker 16: Two faces from Batman. Well, Zoe kind of didn't know

1212
00:52:59,080 --> 00:53:02,520
Speaker 16: what that was. Guess what, Jonesy, We have gone a

1213
00:53:02,640 --> 00:53:05,520
Speaker 16: half and a half for both you and Amanda.

1214
00:53:05,800 --> 00:53:06,959
Speaker 2: So tell us what you've got.

1215
00:53:07,920 --> 00:53:11,040
Speaker 16: So we've got Amanda vibes on the bottom. We've got

1216
00:53:11,080 --> 00:53:15,600
Speaker 16: a really funky silver sneaker. We've gone like a tote

1217
00:53:15,800 --> 00:53:19,640
Speaker 16: kind of pants, really funky white leg pants with Zoe's

1218
00:53:19,680 --> 00:53:23,200
Speaker 16: favorite colors, a little bit of pink, yellow, purple, and

1219
00:53:23,239 --> 00:53:25,720
Speaker 16: I'm pretty sure you love those colors to them, of course.

1220
00:53:25,760 --> 00:53:29,040
Speaker 3: And those pants comfortable, Lauren, because a Manda likes comfortable pants.

1221
00:53:29,120 --> 00:53:32,880
Speaker 2: Absolutely copy thought and we can tell that Lawrence.

1222
00:53:32,880 --> 00:53:34,600
Speaker 16: We're not to go with a denim jean.

1223
00:53:35,000 --> 00:53:38,279
Speaker 2: No, that's right, tell you a styles because you've used

1224
00:53:38,280 --> 00:53:43,279
Speaker 2: the word jean and trouser and I think pant so

1225
00:53:43,800 --> 00:53:45,160
Speaker 2: and what's the top then.

1226
00:53:45,200 --> 00:53:48,120
Speaker 16: Top here, we've got to represent you both but Jonesy,

1227
00:53:48,160 --> 00:53:52,520
Speaker 16: you will love this. The leather jacket, and is it

1228
00:53:52,600 --> 00:53:54,720
Speaker 16: a Brando style jacket?

1229
00:53:55,280 --> 00:53:59,400
Speaker 2: Absolutely, Malon Brando.

1230
00:54:00,000 --> 00:54:02,080
Speaker 16: We bought it at Zara. We got it at Zara.

1231
00:54:02,160 --> 00:54:03,120
Speaker 2: Oh, that's going to be good.

1232
00:54:03,160 --> 00:54:06,040
Speaker 16: It's super cute. We'll send you a photo of that one.

1233
00:54:06,160 --> 00:54:09,600
Speaker 16: We've also got a helmet, so Zoe had a helmet

1234
00:54:09,680 --> 00:54:15,920
Speaker 16: representing your motorbike. And underneath we've got a Brenda T shirt.

1235
00:54:15,960 --> 00:54:18,200
Speaker 16: So on the back it says sponsored by Jones and

1236
00:54:18,200 --> 00:54:21,759
Speaker 16: Amanda with WSFM on the front. Zoe's here with me

1237
00:54:21,840 --> 00:54:25,120
Speaker 16: now and she's so so excited. How excited a Zoe?

1238
00:54:26,440 --> 00:54:30,320
Speaker 16: They excited and she's ready to go, and Amanda a

1239
00:54:30,400 --> 00:54:32,680
Speaker 16: last little bit of you hanging on her chest. She's

1240
00:54:32,680 --> 00:54:36,440
Speaker 16: got a gorgeous silver piece of jewelry. It looks almost

1241
00:54:36,480 --> 00:54:39,800
Speaker 16: like a tear drop, all brilliant. She's so happy.

1242
00:54:39,840 --> 00:54:41,640
Speaker 1: And Zoe's going to be walking with this helmet on.

1243
00:54:42,000 --> 00:54:43,120
Speaker 2: Yeah, that's heavy.

1244
00:54:43,400 --> 00:54:45,920
Speaker 16: She's going to walk with her helmet on, and her

1245
00:54:46,000 --> 00:54:48,000
Speaker 16: mom's going to be down there cheering for her and

1246
00:54:48,040 --> 00:54:49,160
Speaker 16: getting a few shirts.

1247
00:54:50,080 --> 00:54:51,920
Speaker 1: Great, Zoey, this is great.

1248
00:54:52,080 --> 00:54:55,120
Speaker 2: Well, the walkathon is today, and we might catch up

1249
00:54:55,120 --> 00:54:57,359
Speaker 2: with Zoe tomorrow to see how she felt, to see

1250
00:54:57,360 --> 00:55:00,560
Speaker 2: how it went, just to get the vibe on whether

1251
00:55:00,640 --> 00:55:03,719
Speaker 2: people were rocking the Jonesy and Amanda outfit on.

1252
00:55:03,719 --> 00:55:06,120
Speaker 3: Zoo and you realize, because she's representing me as the

1253
00:55:06,160 --> 00:55:08,879
Speaker 3: top half, that means that only sense and wise things

1254
00:55:08,920 --> 00:55:09,560
Speaker 3: will come out.

1255
00:55:09,400 --> 00:55:11,440
Speaker 2: Of her mouth and she'll probably wear the pants representing

1256
00:55:11,480 --> 00:55:12,319
Speaker 2: me on the waist down.

1257
00:55:14,120 --> 00:55:17,799
Speaker 16: I hope not. Zoie wants to say, I'm big thank

1258
00:55:17,880 --> 00:55:20,720
Speaker 16: you to Jonesy and Amanda and she loves you both.

1259
00:55:20,800 --> 00:55:24,799
Speaker 16: So you Zoe, Yeah, the bet Jo She's ready to

1260
00:55:24,800 --> 00:55:26,280
Speaker 16: go to school. Thank you again.

1261
00:55:26,680 --> 00:55:28,759
Speaker 2: Thanks Lauren, have a great day, Zoe. We'll talk to

1262
00:55:28,800 --> 00:55:30,000
Speaker 2: you tomorrow.

1263
00:55:30,440 --> 00:55:36,799
Speaker 4: Jonesy and Amanda Gemvason podcast.

1264
00:55:36,080 --> 00:55:45,080
Speaker 17: People live like Jen y Y. You would like to

1265
00:55:45,160 --> 00:55:47,640
Speaker 17: do that? Jm y Rye is giving back.

1266
00:55:47,719 --> 00:55:49,960
Speaker 1: That's what it's all about. This is giving me.

1267
00:55:50,160 --> 00:55:52,520
Speaker 2: Okay, thank you. If you'd like to live like geny Rye,

1268
00:55:52,560 --> 00:55:53,120
Speaker 2: give us a call.

1269
00:55:53,200 --> 00:55:58,440
Speaker 18: Now Sucks and Amanda's gem Notion podcast.

1270
00:56:04,320 --> 00:56:06,320
Speaker 2: My Juice fox Straws called all Mushroom.

1271
00:56:06,600 --> 00:56:08,319
Speaker 1: I say it's a great day because Jim y ry

1272
00:56:08,520 --> 00:56:10,480
Speaker 1: just loves giving back. You know what I am to

1273
00:56:10,520 --> 00:56:12,920
Speaker 1: you people? What I'm like a Pinyada.

1274
00:56:13,040 --> 00:56:15,480
Speaker 12: That's what I've realized, and you just keep hitting me

1275
00:56:15,680 --> 00:56:16,920
Speaker 12: until all my stuff comes down.

1276
00:56:17,000 --> 00:56:19,280
Speaker 2: Well, we filled you with the lollies in the first place,

1277
00:56:19,320 --> 00:56:21,040
Speaker 2: so it's quite an accurate.

1278
00:56:21,080 --> 00:56:22,480
Speaker 1: Thing, although you're a showbag.

1279
00:56:22,840 --> 00:56:23,640
Speaker 2: What's it mean?

1280
00:56:23,840 --> 00:56:25,040
Speaker 1: Full of Sophie's in?

1281
00:56:25,800 --> 00:56:29,960
Speaker 2: Hi, Sophie, Hi, very well. We've had mixed fortunes with

1282
00:56:30,000 --> 00:56:32,000
Speaker 2: this during the week. Some people have won thing, some

1283
00:56:32,040 --> 00:56:35,200
Speaker 2: people have won nothing. The idea is that Ryan has

1284
00:56:35,280 --> 00:56:38,439
Speaker 2: a whole a stack of stuff He's going to read

1285
00:56:38,480 --> 00:56:40,960
Speaker 2: out to you. When it's something that you want and

1286
00:56:40,960 --> 00:56:44,399
Speaker 2: where you want to stop, you say stop. Then don't

1287
00:56:44,440 --> 00:56:46,680
Speaker 2: necessarily go up in order. They go all over the

1288
00:56:46,719 --> 00:56:49,439
Speaker 2: place in terms of value. But you've got to say

1289
00:56:49,480 --> 00:56:52,040
Speaker 2: stop before Ryan's mum comes in and blows up.

1290
00:56:54,080 --> 00:56:55,440
Speaker 1: Okay, you make the work.

1291
00:56:55,920 --> 00:56:57,440
Speaker 2: Yeah, so you don't want to hear that because that

1292
00:56:57,480 --> 00:57:00,960
Speaker 2: means you've blown it. All right, you're ready to play, Sophie.

1293
00:57:01,320 --> 00:57:03,280
Speaker 2: We're gonna take this money off him, all right, Okay,

1294
00:57:03,680 --> 00:57:08,040
Speaker 2: proud of yourself, Sophie, here we go.

1295
00:57:12,239 --> 00:57:18,760
Speaker 12: Oh yeah, great prize, a Whoopee cushion, an OPII and

1296
00:57:18,880 --> 00:57:19,840
Speaker 12: nail polish pack.

1297
00:57:20,120 --> 00:57:22,280
Speaker 1: You can have that. That is all yours.

1298
00:57:27,120 --> 00:57:29,320
Speaker 2: Three hundred dollars skin clinic voucher.

1299
00:57:30,200 --> 00:57:35,440
Speaker 1: Stop stop wow, clinic voucher.

1300
00:57:35,560 --> 00:57:37,280
Speaker 2: That's pretty good, Sophie.

1301
00:57:37,880 --> 00:57:38,840
Speaker 1: What else would have you.

1302
00:57:39,400 --> 00:57:40,880
Speaker 2: Let's see where else he would have gone?

1303
00:57:41,440 --> 00:57:42,240
Speaker 1: This is dumb.

1304
00:57:42,280 --> 00:57:44,080
Speaker 12: How about you finish this and you can have my

1305
00:57:44,160 --> 00:57:47,600
Speaker 12: old car battery from my broken down Yundai I thirty.

1306
00:57:47,840 --> 00:57:50,160
Speaker 1: It's a good battery.

1307
00:57:52,240 --> 00:57:56,400
Speaker 2: Our roar and store a taronga zoo.

1308
00:57:56,840 --> 00:58:03,360
Speaker 12: A double passed to kiss okay boom, crying.

1309
00:58:03,480 --> 00:58:04,080
Speaker 1: Like the work.

1310
00:58:04,240 --> 00:58:06,439
Speaker 2: And that's where it would have ended. If you've done

1311
00:58:06,440 --> 00:58:09,040
Speaker 2: well with that, You've done well through to dollar skin

1312
00:58:09,360 --> 00:58:11,200
Speaker 2: clinic voucher. Well done, Sophie.

1313
00:58:11,640 --> 00:58:12,280
Speaker 10: Thank you.

1314
00:58:12,320 --> 00:58:15,840
Speaker 1: Now if you looked in a mirror.

1315
00:58:15,600 --> 00:58:18,120
Speaker 2: Mate, it's quite clear as a little bit.

1316
00:58:18,000 --> 00:58:20,760
Speaker 10: Better something, I mean something.

1317
00:58:20,760 --> 00:58:22,640
Speaker 13: It's not every day you can ring up and get through.

1318
00:58:22,760 --> 00:58:23,920
Speaker 1: Exactly, Sophie.

1319
00:58:23,960 --> 00:58:24,600
Speaker 2: Well done.

1320
00:58:24,800 --> 00:58:25,640
Speaker 1: That's the spirit.

1321
00:58:25,720 --> 00:58:38,640
Speaker 2: Play again tomorrow, ye jam Nation twenty thousand dollars. That's

1322
00:58:38,680 --> 00:58:40,840
Speaker 2: what where I have on off of our favorite ghoulie

1323
00:58:40,960 --> 00:58:44,280
Speaker 2: of the year. Just have to go to the iHeartRadio app,

1324
00:58:44,320 --> 00:58:46,040
Speaker 2: press the microphone record your ghoulie.

1325
00:58:46,920 --> 00:58:47,520
Speaker 1: What have we got?

1326
00:58:48,320 --> 00:58:49,520
Speaker 2: By Jones and Amanda.

1327
00:58:49,760 --> 00:58:51,680
Speaker 18: What gets my girl is is when you know you

1328
00:58:51,760 --> 00:58:54,840
Speaker 18: need petrol you're down to quarter of her tank. You're

1329
00:58:54,880 --> 00:58:56,920
Speaker 18: going to put the petrol in, and the bowser just

1330
00:58:57,040 --> 00:59:00,520
Speaker 18: continuously clicks itself off and off. As the it's full,

1331
00:59:00,640 --> 00:59:02,920
Speaker 18: you sit and let it rest for a few seconds,

1332
00:59:03,280 --> 00:59:06,560
Speaker 18: and it continuously does it. That's what gets my earliest.

1333
00:59:06,600 --> 00:59:08,760
Speaker 1: Why does it do that over sensitive nozzle?

1334
00:59:09,160 --> 00:59:11,080
Speaker 2: Do you have to read a poetry or something? I

1335
00:59:11,160 --> 00:59:11,960
Speaker 2: love you, I love you.

1336
00:59:12,040 --> 00:59:15,360
Speaker 1: I can't, I'm going back to diesel. What else?

1337
00:59:16,120 --> 00:59:18,680
Speaker 7: What gets mine, girlies is when you start a new

1338
00:59:18,760 --> 00:59:21,160
Speaker 7: job and you work with somebody for the first time,

1339
00:59:21,840 --> 00:59:25,400
Speaker 7: and I introduced themselves as Bill, So all day you

1340
00:59:25,480 --> 00:59:29,640
Speaker 7: go around calling him Bill, talking to other employees saying

1341
00:59:29,640 --> 00:59:32,960
Speaker 7: how good Bill is, only to find out his name

1342
00:59:33,040 --> 00:59:36,480
Speaker 7: is Phil. It makes you look like an absolute idiot.

1343
00:59:37,320 --> 00:59:39,280
Speaker 2: Gets at least it happened at the end of the day.

1344
00:59:39,400 --> 00:59:41,200
Speaker 2: Sometimes it can go months years.

1345
00:59:41,320 --> 00:59:44,680
Speaker 3: I surf with a girl called Belinda for years, and

1346
00:59:44,720 --> 00:59:47,120
Speaker 3: we'd see each other probably about three times a week

1347
00:59:47,160 --> 00:59:50,200
Speaker 3: out in the survey Belinda, I'd started calling a belly, Hey, Belly,

1348
00:59:50,280 --> 00:59:50,920
Speaker 3: how age you go?

1349
00:59:51,040 --> 00:59:51,200
Speaker 14: Hey?

1350
00:59:51,280 --> 00:59:53,760
Speaker 1: Go good? One day we're just together, just out there,

1351
00:59:53,800 --> 00:59:55,720
Speaker 1: and she says, you know, my name is not Belinda.

1352
00:59:55,800 --> 00:59:57,800
Speaker 1: Oh no, what is it.

1353
00:59:57,800 --> 01:00:00,040
Speaker 2: It's nicole and you've been calling it out belly. I

1354
01:00:00,080 --> 01:00:02,240
Speaker 2: hate belly, which no woman was to hear when she's

1355
01:00:02,280 --> 01:00:04,480
Speaker 2: in a cozy she's.

1356
01:00:04,360 --> 01:00:06,960
Speaker 1: A wetsuit girl. But yeah, for years I said, what

1357
01:00:07,160 --> 01:00:07,920
Speaker 1: didn't you saying it?

1358
01:00:08,040 --> 01:00:08,160
Speaker 14: Well?

1359
01:00:08,240 --> 01:00:10,080
Speaker 1: Too much time at a last said too much time

1360
01:00:10,120 --> 01:00:10,800
Speaker 1: at pasted.

1361
01:00:11,320 --> 01:00:13,800
Speaker 2: Yeah, it's a big etiquette breach, I know, with the.

1362
01:00:13,720 --> 01:00:14,400
Speaker 1: Bad with the good.

1363
01:00:14,440 --> 01:00:16,600
Speaker 3: If you dipped out, you can always contact us via

1364
01:00:16,600 --> 01:00:17,919
Speaker 3: the iHeartRadio app.

1365
01:00:17,960 --> 01:00:19,040
Speaker 1: It's three to nine.

1366
01:00:20,560 --> 01:00:22,880
Speaker 2: Our favorite caller, email or Facebook friend. When's three hundred

1367
01:00:22,880 --> 01:00:25,360
Speaker 2: dollars to spend at Chemist's Warehouse? Hurry into Chemist's Warehouse.

1368
01:00:25,400 --> 01:00:28,640
Speaker 2: Celebrate Footy finals with their Footy Finals. Half priced vitamin sale.

1369
01:00:28,680 --> 01:00:29,720
Speaker 1: Better have some Fireman?

1370
01:00:31,280 --> 01:00:34,160
Speaker 2: Was it riber flavor? Thimon and iron stuck up on

1371
01:00:34,200 --> 01:00:36,400
Speaker 2: all your favorite vitamins. Be quick because it ends September

1372
01:00:36,440 --> 01:00:36,880
Speaker 2: twenty four.

1373
01:00:36,920 --> 01:00:39,080
Speaker 1: You get that jonesy demand of tetail on eighteenth birthday?

1374
01:00:39,080 --> 01:00:39,760
Speaker 1: Caring as well.

1375
01:00:39,760 --> 01:00:41,760
Speaker 2: I saw a woman on TikTok who said that she

1376
01:00:41,840 --> 01:00:44,320
Speaker 2: got her children to draw her while she slept. So

1377
01:00:44,440 --> 01:00:46,240
Speaker 2: I'm just going to take a little nap. You draw me,

1378
01:00:46,480 --> 01:00:49,480
Speaker 2: Genie perfect. Another guy wore a T shirt with roads

1379
01:00:49,520 --> 01:00:52,200
Speaker 2: all over on the back the little matchbox cars went around.

1380
01:00:52,240 --> 01:00:53,320
Speaker 1: I want to do that with my kids.

1381
01:00:53,720 --> 01:00:55,400
Speaker 2: Well, your kids are in their thirty I can't deal.

1382
01:00:55,360 --> 01:00:57,080
Speaker 1: With other people's kids because it would look weird.

1383
01:00:57,120 --> 01:00:58,880
Speaker 2: He lay on his stomach, took a nap while they

1384
01:00:58,960 --> 01:01:01,640
Speaker 2: played cars on his back, the travel drums beating for

1385
01:01:02,080 --> 01:01:03,760
Speaker 2: the lengths she went to for a nap.

1386
01:01:04,040 --> 01:01:05,400
Speaker 12: This is unbelievable.

1387
01:01:05,800 --> 01:01:07,040
Speaker 1: This is better than home.

1388
01:01:07,440 --> 01:01:08,720
Speaker 2: He's Adam from Mount Drewett.

1389
01:01:09,240 --> 01:01:12,040
Speaker 13: If you'll say, have four kids under ten years old,

1390
01:01:12,040 --> 01:01:14,360
Speaker 13: and we've found down a very inventive way to get

1391
01:01:14,360 --> 01:01:17,160
Speaker 13: a couple extra hours sleep every morning. As kids are

1392
01:01:17,280 --> 01:01:20,240
Speaker 13: very unnssy with toys every morning and all throughout the house.

1393
01:01:20,320 --> 01:01:22,160
Speaker 13: We tell the kids as soon as me and my

1394
01:01:22,280 --> 01:01:24,400
Speaker 13: fiance wake up, we will have to clean up the

1395
01:01:24,440 --> 01:01:26,840
Speaker 13: house so not one of them will be loud or

1396
01:01:26,880 --> 01:01:29,000
Speaker 13: disruptive every morning, so we get that extra couple of

1397
01:01:29,040 --> 01:01:30,960
Speaker 13: hours sleeping, especially on the weekend.

1398
01:01:31,440 --> 01:01:34,800
Speaker 2: How genius is that the minute mom and dad are up,

1399
01:01:34,960 --> 01:01:36,640
Speaker 2: we're cleaning up this house. So they just let you

1400
01:01:36,680 --> 01:01:37,560
Speaker 2: sleep for hours.

1401
01:01:37,560 --> 01:01:38,840
Speaker 1: Four kids, you know what they're doing?

1402
01:01:39,080 --> 01:01:43,720
Speaker 2: What sleeping, Brendan, They're sleeping right au t That's enough.

1403
01:01:43,760 --> 01:01:46,040
Speaker 2: I fills up. Next, we are back tonight for jam Nation.

1404
01:01:46,200 --> 01:01:48,919
Speaker 1: Good Days, well, thank god, that's sober.

1405
01:01:49,040 --> 01:01:52,640
Speaker 5: Good bite, good bite wipe.

1406
01:01:53,680 --> 01:01:54,280
Speaker 2: From You're right.

1407
01:01:54,320 --> 01:01:57,320
Speaker 4: You can catch Jonesy and Amanda's podcast on the iHeartRadio

1408
01:01:57,400 --> 01:02:01,640
Speaker 4: app or wherever you get your podcasts, while change ch

1409
01:02:02,360 --> 01:02:11,320
Speaker 4: Change Chan podcast catch up on what you've missed on

1410
01:02:11,360 --> 01:02:13,000
Speaker 4: the free iHeartRadio app