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Speaker 1: My Heart podcasts, hear more gold one on one point

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Speaker 1: seven podcasts.

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Speaker 2: Playlists, and listen live on the free iHeart app. Well

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Speaker 2: it's time for our podcast. Friend, what about this? What

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Speaker 2: a podcast we discussed Jambre Recreation Park.

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Speaker 3: There were you control the action. Yeah. Well they're having

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Speaker 3: a bit of trouble and they're trying to control their destiny.

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Speaker 2: In winter time they have to close, and they thought

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Speaker 2: we'll get this ginormous.

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Speaker 3: Car park which could fill a lot of cars.

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Speaker 2: So what they did is they managed to use it

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Speaker 2: as a car storage art for a particular car importer.

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Speaker 1: And then the council said, you don't have a DA

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Speaker 1: for that.

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Speaker 2: But they said, but no, but council, we do have

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Speaker 2: a DA because you made us get a DA when

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Speaker 2: we built the car park.

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Speaker 1: Apparently there's a difference between parking a car and storing

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Speaker 1: a car. Intriguing.

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Speaker 3: Yeah.

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Speaker 1: Also the pop test sums out bums out. We've got

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Speaker 1: a gholi recently saying I don't let the young girls

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Speaker 1: at the beach with all their bums out.

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Speaker 3: We put it to the pub test. The louver heist.

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Speaker 3: Everyone is talking.

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Speaker 1: About it, aren't they. What a lot went down and

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Speaker 1: just for all minutes. How did it happen? We'll talk

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Speaker 1: you through the details.

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Speaker 3: And the week that was. Jim My Rise, Jibba jabber

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Speaker 3: all coming up in the podcast The Miracle of Recording.

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Speaker 3: We had so many requests for them to do it again.

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Speaker 1: Mistress Amanda's miss Killer. Amanda doesn't work alone.

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Speaker 3: Friend making the tools of the train.

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Speaker 2: I've heard them describe him as a drunken idiot, the

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Speaker 2: legendary part.

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Speaker 1: Jonesy, Amanda the actress. Congratulations man, we're on the reading

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Speaker 1: right now. Josey and Amanda.

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Speaker 3: You're doing a great job.

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Speaker 4: Anyone but.

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Speaker 5: Good radio.

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Speaker 2: Sorry, but it's a tongue twist set and Amanda.

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Speaker 1: Time we're on there.

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Speaker 3: Tell me the money to you. Amanda, How are you today? Well?

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Speaker 1: How are you going?

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Speaker 3: I am great? I am great.

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Speaker 2: Someone came up to me yesterday and said, when's jim

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Speaker 2: y Ri's play on?

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Speaker 3: You got your full little I'm serious? Was at the

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Speaker 3: petrol station, okay, but I'm just praised for him.

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Speaker 2: It wasn't like it is the amount of times that

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Speaker 2: I don't mentioned when someone.

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Speaker 3: Comes OUs, g you're great, you know, and when does

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Speaker 3: that happen? What happens a lot?

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Speaker 1: Ryan's Show that I went to see. You didn't need

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Speaker 1: to before. I didn't even bother.

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Speaker 6: It's called the Kingdom of Fools Ship a fool like

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Speaker 6: a medieval play it is.

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Speaker 2: Isn't like one of those old school theater restaurants like

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Speaker 2: dirty dicks.

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Speaker 3: No, it's not dirty digs. You thought maybe serving up

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Speaker 3: a meal? Hear me out? Do you ever know of

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Speaker 3: dirty dicks? Not really theater restaurants. So you go along there?

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Speaker 3: What's the matter? Whye? Women in.

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Speaker 2: A long time ago Melbourne they love theater restaurants. They've

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Speaker 2: got a theater restaurant district in Melbourne.

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Speaker 1: Is Dracula still one?

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Speaker 3: Yeah, that's the Gold Coast and moved to Gold Coast.

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Speaker 2: I don't think people have time for theater restaurants anymore

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Speaker 2: until now.

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Speaker 3: So what you could do?

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Speaker 2: You could serve up You could serve up me comedy

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Speaker 2: and themed food. Yeah, you could have like may you

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Speaker 2: sup on my fine pork knuckle?

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Speaker 3: But I spent months writing this play.

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Speaker 6: Well, I don't want to turn into a restaurant.

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Speaker 4: People eating to provide the food, there's the thing.

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Speaker 3: So you could be up doing your play and serving

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Speaker 3: some chips.

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Speaker 4: You can get my dad to make the food.

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Speaker 3: Get John to make the food. Maybe that time he

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Speaker 3: cooked on the chicken.

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Speaker 1: Snitzles, had boys and everyone, and for the birthday twenty first.

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Speaker 3: I don't know how he did it. He's cooking nitzles.

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Speaker 7: You know.

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Speaker 1: One sad Yesterday I was suggesting a segment for the

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Speaker 1: show Pun Hour, and you said, Brendan, you didn't want

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Speaker 1: to do it. And you said, well, all right, come

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Speaker 1: up with a pun about Ryan's fringe festival show.

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Speaker 3: I've thought of one overnight. Twenty four hours later.

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Speaker 1: I know Ryan's fringe festival show. I bet it bangs.

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Speaker 3: I didn't get it.

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Speaker 1: Fringe bangs. The fringe is called bangs. Worse thing than

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Speaker 1: a world that was a good one.

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Speaker 3: I'd rather go and see Dirty Dicks. I've got a

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Speaker 3: pun for that too.

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Speaker 1: I can't keep on.

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Speaker 3: Dirty Dicks was great, and Ryan even here.

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Speaker 2: It was wine, women in song all night long, come

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Speaker 2: to Dirty Dicks.

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Speaker 3: And laugh along. No one laughed at I was.

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Speaker 2: I had a residency as a DJ, so they do

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Speaker 2: their bit and then afterwards everyone get up and dance

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Speaker 2: to my DJ music. And I used to quite regularly

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Speaker 2: just sit there and I thought, the day of this

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Speaker 2: show makes me laugh?

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Speaker 3: Is the day all. I will support it forever. I

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Speaker 3: never laughed laughed once I said that about this show.

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Speaker 1: I'm hurt.

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Speaker 3: Well, if you're doing your pun stuff, I know I'm hurt.

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Speaker 3: It was a good pun. We are going to do

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Speaker 3: whatever we can in our power to make your show

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Speaker 3: King's Kingdom or fools.

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Speaker 1: And also it was on, it was on for three

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Speaker 1: nights in Sydney. You didn't go and see it once.

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Speaker 3: I'm a busy man. I had stuff. But it's okay.

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Speaker 2: And now that the Jonesy Express is hooked up to

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Speaker 2: your wagon, you'll be on the way to the bright

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Speaker 2: lights of Adelaide and the Fringe Festival.

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Speaker 1: So when he said he was doing it in Sydney

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Speaker 1: and you couldn't be bothered, what has changed?

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Speaker 3: Not much? No, I was justusy that weekend.

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Speaker 6: Come on, I told you about it yesterday and you

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Speaker 6: were making fun of the whole thing. You say I

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Speaker 6: can put to show myself run around on stage holding

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Speaker 6: a balloon.

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Speaker 3: Well, someone actually came up to me the.

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Speaker 1: Do you just stay in the servo all day? What

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Speaker 1: are you doing that show that certainly doesn't bang action.

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Speaker 3: Pack show today? It's that's right.

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Speaker 1: No one appreciates you fravous are all doing separate shows

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Speaker 1: right now.

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Speaker 3: Okay, come on, let's get it back up life.

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Speaker 1: Let's get it back on. Jurassic I get a haircut

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Speaker 1: before you go to the fringe.

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Speaker 3: We okay, o, bravo, thank you.

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Speaker 1: I could listen to you talk about Dirty Dix all day.

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Speaker 2: Action Pack Shaturday is Friday five for your flash bag

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Speaker 2: makes its return.

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Speaker 3: Instagram is back as well.

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Speaker 2: And jim Y Right is going to do the place

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Speaker 2: of the week the week that was Jemi Rise Jibijabba.

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Speaker 3: Should I turn that into a fringe show as well?

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Speaker 3: Just do it? Brough and the Magnificent Seven. We can't

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Speaker 3: do anything. Do we do that?

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Speaker 1: According to the old proverb, to which European city to

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Speaker 1: all run on?

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Speaker 3: Let me you don't talk even over the question? Am

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Speaker 3: I allowed to be on the radio?

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Speaker 1: According to the old proverb to which European city to

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Speaker 1: all roads lead gem nation?

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Speaker 3: We have the Magnificent Seven for you are there are

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Speaker 3: seven questions? Could you go all the way and answer

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Speaker 3: all seven questions correctly? If you do that?

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Speaker 1: A man will say, when Ryan goes the fringe festival,

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Speaker 1: I'll tell you what his show. Bangs Bangs are a Fringe.

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Speaker 2: Yeah, I know it's going to be a great show,

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Speaker 2: your Ship of Fools. It'll be great, and I'm going

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Speaker 2: to do anything on my part.

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Speaker 6: You're doing this on purpose by calling it the wrong name.

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Speaker 6: It's a Kingdom of Full.

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Speaker 2: Have you thought about a name change to Jonesy and

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Speaker 2: then maybe you could have like a nautical theme.

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Speaker 1: You're the guy who said you could run around holding

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Speaker 1: a red balloon and it'd be a better show.

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Speaker 3: I'm going to That's why I no, I didn't say that.

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Speaker 3: I just said what I did say.

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Speaker 2: I thought he'd been selected by the Fringe Festival to

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Speaker 2: take his Kingdom of Full Kingdom of Fools to there,

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Speaker 2: but then he told me later that they're just taking

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Speaker 2: anyone said, and I garnered, well, what I could just

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Speaker 2: go there with a balloon in man red or otherwise

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Speaker 2: and just run around on the.

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Speaker 3: Stage And you said you can do that? Well, so,

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Speaker 3: so which would you rather see?

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Speaker 2: Well, maybe we should have a whip pole today, Ryan's

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Speaker 2: play a Kingdom of Fools or Jonesy running around on

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Speaker 2: the stage with a balloon. We can do a little

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Speaker 2: whippole there with rob of.

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Speaker 1: Will maybe we do a whippole of how mean is

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Speaker 1: jonesy and crushing people's spirit.

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Speaker 3: Rob, what would you rather see? Nev neither neither. I'm

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Speaker 3: not a play.

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Speaker 2: I'm glad that you've stopped talking about dirty dicks because

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Speaker 2: it was leaving a bad taste in my mouth?

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Speaker 3: Did you ever go to dirty Dick's? Rob?

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Speaker 8: I thought it was about.

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Speaker 1: That's the thing, Rob, Sorry, Jones doesn't appreciate puny do

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Speaker 1: when I've got my own pun show Rob. You are

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Speaker 1: welcome anytime.

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Speaker 8: Thank you very much, Amanda, I'll be honest.

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Speaker 3: You find it down the raid of the ABC.

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Speaker 1: Oh that's well anyway, let's keep going, Rob, you've made

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Speaker 1: an unpleasant for.

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Speaker 3: All of us.

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Speaker 2: According to the old proverb, which European city do all

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Speaker 2: roads lead to?

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Speaker 7: Rob?

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Speaker 1: Question two? In tradey slang, what's a chippy?

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Speaker 9: Yes?

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Speaker 3: Let's play covering?

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Speaker 1: This is a cover of which song?

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Speaker 6: Rob?

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Speaker 3: Now far asleep? And she was calling Ca Sma and

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Speaker 3: she's taking and Jack? Now, Rob, do you have any idea?

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Speaker 8: Absolutely not.

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Speaker 1: We all know the song, you just haven't heard the lyrics.

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Speaker 3: Song that way, Louisa is in Miranda. Let's see if

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Speaker 3: Louisa knows the yes.

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Speaker 1: Hello, Louisa, do you want me to read do you

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Speaker 1: want to hear of this again?

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Speaker 6: Yes?

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Speaker 10: It is now far asleep, and she was calling her

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Speaker 10: care well, haven't smoke.

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Speaker 2: Maybe I can be walking around on the stage with

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Speaker 2: the balloon.

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Speaker 3: To talk over the lyrics, Patree.

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Speaker 2: Sure Louis has worked it out already, Louis missed. I

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Speaker 2: just already worked it out during the museum heist in France.

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Speaker 3: You're aware of this, Louisa? Oh yes, I was really

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Speaker 3: Where were you when it happened?

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Speaker 11: I was watching TV.

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Speaker 1: Watch much of an alibi, Louis. It was I forget

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Speaker 1: I see you.

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Speaker 3: Just wait right, I can hear the jewels Jane.

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Speaker 2: Anyway, TV showed how quickly the thieves struck about how

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Speaker 2: long did it take them to break in? For you

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Speaker 2: to break in and steal the jewels and escape?

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Speaker 3: Louisa? Was it a two minutes, B four minutes or

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Speaker 3: c six minutes?

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Speaker 1: I think maybe six? No, it wasn't six minutes. Don't

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Speaker 1: try and put us off to the scene.

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Speaker 3: I think Luis's deliberately not answered that. Probably.

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Speaker 1: Question four, during the heist of the louver, how long

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Speaker 1: did it take to break in, steal the jewels and escape?

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Speaker 1: Two minutes or four minutes? I got a text from

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Speaker 1: my friends Suzanne, just like you said. I'm listening to

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Speaker 1: you and I can't believe Brennan was a DJ at

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Speaker 1: Dirty Dix. She said I worked there as a waitress,

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Speaker 1: or she says I was saving for an overseas trip

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Speaker 1: or a shock of a place. Ask him if he

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Speaker 1: remembers par't Cho Parmesan. He was a character in the

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Speaker 1: very awful show.

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Speaker 3: Parn't Joe Parmesan. That's right.

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Speaker 2: They had a bunch of alliteration there. I don't I

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Speaker 2: remember cleavage Kathy.

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Speaker 3: I think that was just my nickname.

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Speaker 1: What's her name was Kathy?

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Speaker 2: Because a lot of the wenches dirty Dicks someone more

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Speaker 2: endowed than bloody hell.

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Speaker 3: That was back in the day.

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Speaker 1: That's how life is, Brendan, That's how life is.

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Speaker 3: Do you what do you think people actually.

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Speaker 1: Complained when people?

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Speaker 3: Was you? People?

255
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Speaker 1: People?

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Speaker 3: Was you come to Dirty Dicks? For why movements on

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Speaker 3: conditions apply?

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Speaker 1: Wenches are allowed to not be voluminous. Wenches can be

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Speaker 1: any way they like, can they?

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Speaker 3: When I think of a wench. Let's get into the

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Speaker 3: Magnificent seven. Craig's in a relan.

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Speaker 1: Hello Craig, good morning, commander. How are you handling him.

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Speaker 1: He's weird today. I think he's going straight to hr

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Speaker 1: I think.

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Speaker 2: What about it's eighty stuff, that's that's you know.

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Speaker 1: Yeah, women's allowed to be different.

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Speaker 3: So that's why theater restaurants anymore. And it's a good thing.

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Speaker 1: We measure the men as they come in. Your's dirty dicks?

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Speaker 1: Yours isn't dirty enough?

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Speaker 3: What should it be? Brendan? What do you get your

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Speaker 3: panties and a bunch over this for?

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Speaker 1: It's question four for you, Craig. During the museum heist

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Speaker 1: in France at the Louver, CCTV showed how quickly the

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Speaker 1: thieves struck. They got in and out with the goods

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Speaker 1: in two minutes or four minutes, four minutes.

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Speaker 2: The brig is a prison typically found on Which form

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Speaker 2: of transport, Craig.

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Speaker 7: I think it's a ship?

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Speaker 1: This it is question six? We're powering through? Which karate

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Speaker 1: master is famous for the phrase wax on, wax off.

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Speaker 6: That's mister suky the out.

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Speaker 1: Of it's not mister s They all look the same

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00:12:57,644 --> 00:12:59,764
Speaker 1: to you, don't they.

284
00:13:00,764 --> 00:13:03,924
Speaker 3: I can't do this show with you or the karate guys.

285
00:13:04,164 --> 00:13:06,324
Speaker 2: You know, they look the same, They wear the same outfit.

286
00:13:07,284 --> 00:13:09,603
Speaker 2: How to tell them apart. What's your problem is?

287
00:13:09,684 --> 00:13:11,963
Speaker 3: Chris is in Mossman Oho.

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00:13:12,044 --> 00:13:15,604
Speaker 1: Chris morning, Chris, save us. We've gone off the rails

289
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Speaker 1: in horrific.

290
00:13:16,284 --> 00:13:19,644
Speaker 3: All the sense is look the same, that's true.

291
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Speaker 1: What was his name?

292
00:13:20,404 --> 00:13:21,964
Speaker 3: Who said wax and wakes off?

293
00:13:23,004 --> 00:13:24,444
Speaker 1: Oh that was mister Miaghi.

294
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Speaker 3: Yeah, thank you. Louis.

295
00:13:26,084 --> 00:13:29,404
Speaker 2: Vaton just announced they will be releasing a jar of

296
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Speaker 2: what for sale?

297
00:13:30,524 --> 00:13:31,804
Speaker 1: Fifteen hundred dollars for.

298
00:13:31,924 --> 00:13:36,524
Speaker 3: A jar of this stuff? It's fifteen hundred dollars for

299
00:13:36,564 --> 00:13:40,084
Speaker 3: a jar of Ntella. The hell does that happen? I've

300
00:13:40,084 --> 00:13:43,924
Speaker 3: only bought four but has just got the LV logo on.

301
00:13:43,964 --> 00:13:47,004
Speaker 1: It, so yeah, we're also it was just buying Natella.

302
00:13:47,844 --> 00:13:50,604
Speaker 2: Congratulations to you, Chris, You've won the jam packets all

303
00:13:50,684 --> 00:13:53,044
Speaker 2: coming away a double pass to revisit the glory days

304
00:13:53,164 --> 00:13:55,924
Speaker 2: of Disco in Disco never dies with the.

305
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Speaker 3: Sydney Symphony Orchestra.

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00:13:57,484 --> 00:13:59,364
Speaker 2: Two hundred and fifty dollars to spend, A price line,

307
00:13:59,564 --> 00:14:03,844
Speaker 2: Quality Health Vitamins or Australian own offered every day low prices,

308
00:14:03,884 --> 00:14:06,524
Speaker 2: A price line and Jonesie demandic caricatures fit the color

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Speaker 2: and some sandlor pencils.

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Speaker 3: Chris and he'd like to add. Oh that's fantastic. I'm

311
00:14:11,444 --> 00:14:13,444
Speaker 3: going to add the dirty dicks tonight. There you go

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00:14:13,564 --> 00:14:16,524
Speaker 3: for some wine women song and you'll take them anyway.

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Speaker 7: There.

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Speaker 2: You know we're in twenty twenty five, so you can't

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Speaker 2: complain about your wench.

316
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Speaker 3: That's true. This is where we're living. Whoa okay, whoa?

317
00:14:27,764 --> 00:14:29,604
Speaker 1: You know I want one with bigg bosoms.

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Speaker 3: Please get what's the matter with?

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Speaker 1: What do you think? Brendan, Chris?

320
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Speaker 3: Thank you?

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00:14:34,244 --> 00:14:35,764
Speaker 1: Carry on a bat you I'm doing to show you

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00:14:35,804 --> 00:14:39,604
Speaker 1: the team rest. Lots of things come up on our

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Speaker 1: show today. Yes, I'm waiting for hr to tap you.

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Speaker 3: On the show. Oh come on, don't be like that,

325
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Speaker 3: suns Out.

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Speaker 1: I don't even know if I can talk about this

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00:14:49,124 --> 00:14:51,324
Speaker 1: with you, suns Out, bums Out. We had a google

328
00:14:51,364 --> 00:14:54,404
Speaker 1: about a GHOULI about this beach where they were seeing

329
00:14:54,444 --> 00:14:57,644
Speaker 1: lots of pretty much full bot bot on the beach.

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Speaker 1: How do you feel about it?

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Speaker 3: Stop you stop? That made me have to be some

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00:15:01,964 --> 00:15:04,524
Speaker 3: sort of creep. No you do that? Some thoughts that

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00:15:04,604 --> 00:15:05,564
Speaker 3: might surprise.

334
00:15:05,164 --> 00:15:10,044
Speaker 4: You about this Jonesy and Amanda.

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Speaker 1: I enjoyed hands Brendan working with flowers, Idiotwich the German

336
00:15:18,084 --> 00:15:20,164
Speaker 1: Act is a big book of usable facts. Let me

337
00:15:20,244 --> 00:15:22,724
Speaker 1: flick to filt with flop on this day. In two

338
00:15:22,724 --> 00:15:25,964
Speaker 1: thousand and eight, Pink released so What You'll Know and

339
00:15:26,084 --> 00:15:30,484
Speaker 1: Adore Pink. But the song is actually used a sample

340
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Speaker 1: from a song You'd never guess. I'll give you a

341
00:15:33,364 --> 00:15:35,484
Speaker 1: million dollars, Brenn. And if you can guess a million dollars,

342
00:15:35,684 --> 00:15:37,244
Speaker 1: won't because you may have read this piece of paper

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Speaker 1: in front of you.

344
00:15:37,924 --> 00:15:41,164
Speaker 3: Now I just know musical knowledge. I actually know the answer.

345
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Speaker 3: Do you.

346
00:15:43,164 --> 00:15:43,964
Speaker 7: Do? You know? You do it?

347
00:15:44,324 --> 00:15:52,884
Speaker 3: On the right is this Yeah, you get to scambled?

348
00:15:52,884 --> 00:15:57,444
Speaker 3: A million dollars theme song from SpongeBob square Pants.

349
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Speaker 1: And another fun fact, the guy who wrote and produced

350
00:16:00,044 --> 00:16:03,364
Speaker 1: the SpongeBob SquarePants theme is the guy behind the behind

351
00:16:03,404 --> 00:16:10,124
Speaker 1: this song. Really so thanks to the two of them,

352
00:16:10,564 --> 00:16:12,924
Speaker 1: we have this banger that was released in two thousand

353
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Speaker 1: and eight.

354
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Speaker 3: Well it is a panger.

355
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Speaker 2: It's twenty to seven gold, one of one point seven

356
00:16:17,804 --> 00:16:23,324
Speaker 2: jung jam Nation. Yesterday we touched on the woes of

357
00:16:23,444 --> 00:16:26,724
Speaker 2: Jamboru Recreation Park where you control the action?

358
00:16:27,004 --> 00:16:29,124
Speaker 3: Were you controve? You have been on the toboggan before

359
00:16:29,204 --> 00:16:29,404
Speaker 3: you know?

360
00:16:29,684 --> 00:16:31,804
Speaker 1: I said, I often drive past here. I'm going to

361
00:16:31,844 --> 00:16:34,164
Speaker 1: the South coast and have a twinge of guilt that

362
00:16:34,244 --> 00:16:36,444
Speaker 1: I never took my children there because I couldn't be bothered.

363
00:16:36,484 --> 00:16:37,044
Speaker 3: We should do it now.

364
00:16:37,084 --> 00:16:37,924
Speaker 1: It'sposed to be great.

365
00:16:38,204 --> 00:16:40,004
Speaker 2: I love getting on the toboggan. I hate when I

366
00:16:40,044 --> 00:16:41,844
Speaker 2: get on the toboggan behind someone like you because you

367
00:16:41,924 --> 00:16:44,284
Speaker 2: go really slow. I like, have no brakes all the

368
00:16:44,324 --> 00:16:46,164
Speaker 2: way down the hill. It's such a great thing.

369
00:16:46,244 --> 00:16:49,444
Speaker 1: That is analogous of our friendship and the.

370
00:16:49,444 --> 00:16:51,364
Speaker 2: Whole thing about Jamberoo. It's been around for a long

371
00:16:51,444 --> 00:16:53,884
Speaker 2: time and it's really expanded, you know, in a world

372
00:16:53,924 --> 00:16:57,364
Speaker 2: where all those themes pasts gone have gone, Jambarou is

373
00:16:57,364 --> 00:16:58,524
Speaker 2: a shining beacon.

374
00:16:58,284 --> 00:17:00,964
Speaker 3: Absolutely, and it's such a great place.

375
00:17:01,244 --> 00:17:02,724
Speaker 2: I haven't been there for a long time. It's a

376
00:17:02,764 --> 00:17:05,043
Speaker 2: great place. But it's a seasonal place as well, because

377
00:17:05,043 --> 00:17:07,683
Speaker 2: a lot of their attractions are water based. You got

378
00:17:07,724 --> 00:17:11,004
Speaker 2: water slides like that. So it's closed during the winter months.

379
00:17:11,283 --> 00:17:13,964
Speaker 2: And I don't know what you know about water theme parks,

380
00:17:14,244 --> 00:17:15,964
Speaker 2: but they're expensive to run, yes, so.

381
00:17:16,004 --> 00:17:17,804
Speaker 1: You hope they make enough money in the summer to

382
00:17:17,884 --> 00:17:18,524
Speaker 1: tide them over.

383
00:17:18,804 --> 00:17:23,084
Speaker 2: So during the winter years, the Jamburu people said you

384
00:17:23,164 --> 00:17:26,844
Speaker 2: know what, We've got this massive car park and then

385
00:17:27,084 --> 00:17:30,524
Speaker 2: this Chinese company that makes the cars, the BYD people.

386
00:17:30,964 --> 00:17:34,484
Speaker 2: We've got a surplus of cars coming into Australia. You

387
00:17:34,564 --> 00:17:37,364
Speaker 2: know what, we'll rent your car park during the winter

388
00:17:37,444 --> 00:17:40,164
Speaker 2: buns and we can help you happy days. It's win

389
00:17:40,244 --> 00:17:43,564
Speaker 2: when when? But apparently no, you can't do that. You

390
00:17:43,644 --> 00:17:47,684
Speaker 2: can't do that because the council has an issue. You

391
00:17:47,764 --> 00:17:50,884
Speaker 2: can't store cars in a car park. You can park

392
00:17:50,924 --> 00:17:53,564
Speaker 2: them there, but you can't store them there. What's the

393
00:17:53,644 --> 00:17:56,084
Speaker 2: diff because they haven't got a DA, you see what's

394
00:17:56,124 --> 00:17:57,364
Speaker 2: the development application?

395
00:17:57,564 --> 00:17:57,604
Speaker 7: No?

396
00:17:57,764 --> 00:17:59,804
Speaker 1: But what are they saying? What if I want to

397
00:17:59,884 --> 00:18:01,964
Speaker 1: park it there? Like he's got long term parking at

398
00:18:01,964 --> 00:18:04,644
Speaker 1: the airport. What's difference between storage and park?

399
00:18:05,084 --> 00:18:05,404
Speaker 3: Ada?

400
00:18:05,564 --> 00:18:06,644
Speaker 1: But is there a time limit?

401
00:18:06,684 --> 00:18:07,564
Speaker 3: I've got to have a DA.

402
00:18:08,204 --> 00:18:09,924
Speaker 1: You just got to have So this isn't because they're

403
00:18:09,964 --> 00:18:12,523
Speaker 1: electric vehicles and there's some issue about putting all those.

404
00:18:14,484 --> 00:18:17,204
Speaker 2: I don't know, reading towards the green dream net zero

405
00:18:17,564 --> 00:18:18,964
Speaker 2: everyone should have electric car.

406
00:18:19,004 --> 00:18:21,044
Speaker 1: Which in which day a car park would be full

407
00:18:21,044 --> 00:18:21,283
Speaker 1: of the men.

408
00:18:21,404 --> 00:18:24,484
Speaker 3: This is a good litmus test. So anyway, the Jambero

409
00:18:24,524 --> 00:18:25,323
Speaker 3: of people did the right thing.

410
00:18:25,364 --> 00:18:28,803
Speaker 2: They got a DA because a council originally told them

411
00:18:28,844 --> 00:18:30,844
Speaker 2: to get a DA to build a car park.

412
00:18:30,844 --> 00:18:33,244
Speaker 3: That they insisted that they build many years ago.

413
00:18:33,884 --> 00:18:37,484
Speaker 2: Then the council said that they refused the DA because

414
00:18:37,524 --> 00:18:41,843
Speaker 2: the council's compliance officers warned parking the cars in its

415
00:18:41,924 --> 00:18:46,164
Speaker 2: car park was prohibited under the site's rural zoning.

416
00:18:47,524 --> 00:18:49,284
Speaker 1: So you can park a car there, but you can't

417
00:18:49,364 --> 00:18:52,364
Speaker 1: store a car. This is my point. When does parking

418
00:18:52,444 --> 00:18:54,563
Speaker 1: become storing? What's the time diff Well, they're not there

419
00:18:54,604 --> 00:18:56,484
Speaker 1: for a long time, but what's the time? There must

420
00:18:56,524 --> 00:18:59,803
Speaker 1: be a specific time diif that must be in the paperwork.

421
00:19:00,164 --> 00:19:00,684
Speaker 3: I don't know.

422
00:19:01,684 --> 00:19:04,284
Speaker 2: These are the people that are running our country. You've

423
00:19:04,284 --> 00:19:06,324
Speaker 2: got a business, you're trying to keep it a flow,

424
00:19:06,364 --> 00:19:09,724
Speaker 2: trying to make it, make it DA like they're just

425
00:19:09,804 --> 00:19:10,244
Speaker 2: a joke.

426
00:19:11,124 --> 00:19:13,484
Speaker 1: They built a big arc at the water for winter.

427
00:19:14,164 --> 00:19:15,124
Speaker 1: Put the cars in there.

428
00:19:15,284 --> 00:19:18,084
Speaker 3: There you go all queue up behind you and your cozy.

429
00:19:19,604 --> 00:19:20,523
Speaker 1: You're calling me an arc.

430
00:19:21,084 --> 00:19:22,684
Speaker 3: No, I'll que up. You know. That's the problem with

431
00:19:22,764 --> 00:19:24,924
Speaker 3: the theme parks. There's water theme parks. Yeah, you have

432
00:19:24,964 --> 00:19:27,004
Speaker 3: to walk around behind someone's bottom.

433
00:19:27,084 --> 00:19:28,884
Speaker 2: Well, if you're in front of someone, you go, you

434
00:19:28,964 --> 00:19:31,324
Speaker 2: know that's I'm at front, so I don't have to

435
00:19:31,364 --> 00:19:33,164
Speaker 2: look at someone's bum, but then the people behind you.

436
00:19:33,484 --> 00:19:34,484
Speaker 3: I'm in a good old feast.

437
00:19:34,644 --> 00:19:39,084
Speaker 1: Well, speaking of bums, warm weather people at the beach,

438
00:19:39,364 --> 00:19:41,084
Speaker 1: how do you feel about the full bought out which

439
00:19:41,124 --> 00:19:43,484
Speaker 1: seems to be the new trend or the old trend,

440
00:19:43,524 --> 00:19:44,484
Speaker 1: but people are arking up.

441
00:19:44,604 --> 00:19:46,404
Speaker 3: We had a goolie about this. We'll talk about that

442
00:19:46,484 --> 00:19:49,604
Speaker 3: next on gold yemm. Let's go on down to the

443
00:19:49,724 --> 00:19:53,004
Speaker 3: Jodjing Ban of Arms for the pub test and we

444
00:19:53,164 --> 00:19:56,324
Speaker 3: had a ghoulie the other day and we'll just have

445
00:19:56,484 --> 00:19:56,763
Speaker 3: that for you.

446
00:19:57,564 --> 00:19:59,804
Speaker 5: You know, gets my goolies now that we're back in

447
00:19:59,924 --> 00:20:02,324
Speaker 5: the warmer months, Oh my god, and the beach.

448
00:20:02,924 --> 00:20:06,444
Speaker 1: These geese string girls, what's going on? Keep it for home?

449
00:20:06,804 --> 00:20:07,084
Speaker 3: Bye.

450
00:20:08,324 --> 00:20:11,323
Speaker 1: This is a very interesting topic and there's a bit

451
00:20:11,364 --> 00:20:13,604
Speaker 1: of to and fro in people's opinions with this, and

452
00:20:13,684 --> 00:20:16,444
Speaker 1: a couple of counts people have complained to counsels saying

453
00:20:16,484 --> 00:20:22,004
Speaker 1: we need to ban these absolute dental floss g strings people.

454
00:20:22,124 --> 00:20:23,803
Speaker 1: As I said, we're trying to ban them t strings

455
00:20:25,164 --> 00:20:29,283
Speaker 1: being seen as offensive too revealing for public places. The

456
00:20:29,364 --> 00:20:31,964
Speaker 1: bums aren't offensive, but they are seen as revealing and

457
00:20:32,124 --> 00:20:34,364
Speaker 1: sort of sexualized whether you want it to be or not.

458
00:20:35,444 --> 00:20:38,484
Speaker 1: And other people have said, well, no, you're policing women's bodies.

459
00:20:39,044 --> 00:20:41,164
Speaker 1: Some people have said some females have said, I find

460
00:20:41,164 --> 00:20:45,484
Speaker 1: it uncomfortable. To be honest, it's extremely inappropriate around kids.

461
00:20:45,564 --> 00:20:49,123
Speaker 1: Might as well wear nothing. Others have said, mind your

462
00:20:49,164 --> 00:20:51,924
Speaker 1: own business. Where Australia where what you want. Other countries

463
00:20:51,964 --> 00:20:54,164
Speaker 1: have strict laws and we don't. We're better than that.

464
00:20:54,764 --> 00:20:57,484
Speaker 1: If your partner is opening at a bum, the problem

465
00:20:57,604 --> 00:21:01,284
Speaker 1: is your partner, not the bum. Where do you sit

466
00:21:01,364 --> 00:21:01,924
Speaker 1: with this, Brenda?

467
00:21:03,844 --> 00:21:04,484
Speaker 3: How do you like that?

468
00:21:04,604 --> 00:21:04,804
Speaker 2: Pard?

469
00:21:05,204 --> 00:21:06,604
Speaker 3: I spent a lot of time at the beach. I

470
00:21:06,644 --> 00:21:10,604
Speaker 3: don't even notice it anymore. I don't know. I'm aware

471
00:21:10,644 --> 00:21:12,564
Speaker 3: of it that I don't even notice it, and it's

472
00:21:12,644 --> 00:21:14,284
Speaker 3: I don't think it's a big deal. I don't see

473
00:21:14,364 --> 00:21:15,884
Speaker 3: the big deal. And I'm not saying that from some

474
00:21:16,004 --> 00:21:19,523
Speaker 3: sort of pervys to me. You'll see, Yeah, you just

475
00:21:19,604 --> 00:21:20,284
Speaker 3: see it a lot.

476
00:21:20,404 --> 00:21:21,804
Speaker 1: You know. I live at the beach too, and I

477
00:21:21,884 --> 00:21:22,644
Speaker 1: don't often go to.

478
00:21:22,924 --> 00:21:24,924
Speaker 2: You're you're part of the you're the part of the

479
00:21:25,724 --> 00:21:27,404
Speaker 2: harumphing about it, not rumping.

480
00:21:27,444 --> 00:21:29,603
Speaker 3: But I see girls. I think more women are offended

481
00:21:29,684 --> 00:21:31,884
Speaker 3: than by it. Than Blake. Maybe they are.

482
00:21:32,724 --> 00:21:35,684
Speaker 1: But when I walk with my sons, you know, up

483
00:21:35,724 --> 00:21:37,924
Speaker 1: and down the street, at all the shops and cafes

484
00:21:37,964 --> 00:21:39,884
Speaker 1: stuff like that, there'll be girls working walking like that

485
00:21:40,684 --> 00:21:43,444
Speaker 1: up and down the street and they don't The boys

486
00:21:43,484 --> 00:21:45,564
Speaker 1: don't notice it. Their generation are used to it. It's

487
00:21:45,604 --> 00:21:47,804
Speaker 1: the older guys are the ones going more. And maybe

488
00:21:47,844 --> 00:21:50,004
Speaker 1: it's the women. And I'm sitting having a coffee and

489
00:21:50,044 --> 00:21:52,884
Speaker 1: there's someone sitting standing up next to me at full bum.

490
00:21:54,524 --> 00:21:56,523
Speaker 1: I don't want to be prudish, I don't want to

491
00:21:56,524 --> 00:21:59,843
Speaker 1: be judgmental, but it is weird. It is weird.

492
00:22:01,964 --> 00:22:02,884
Speaker 3: Am I allowed to say that?

493
00:22:03,124 --> 00:22:03,523
Speaker 1: Not at lot?

494
00:22:03,564 --> 00:22:04,564
Speaker 3: You can say whatever you want.

495
00:22:04,684 --> 00:22:05,564
Speaker 1: Yeah, I don't know.

496
00:22:06,364 --> 00:22:08,283
Speaker 3: It's hard to say. I don't want to.

497
00:22:08,404 --> 00:22:11,564
Speaker 1: You know, these women's bodies, as they say, but this

498
00:22:11,724 --> 00:22:13,324
Speaker 1: is even away from the beach. But how do you

499
00:22:13,364 --> 00:22:16,124
Speaker 1: feel at the beach? Suns out, bums out? Does it

500
00:22:16,164 --> 00:22:16,964
Speaker 1: pass the pub test?

501
00:22:17,044 --> 00:22:24,043
Speaker 3: We would love to hear from you, Amanda podcast and Amanda.

502
00:22:24,084 --> 00:22:30,084
Speaker 2: With great sadness that I announced this noat you know TV?

503
00:22:30,684 --> 00:22:33,603
Speaker 3: Are we in a non ratings period? I don't think so. Well.

504
00:22:33,764 --> 00:22:34,164
Speaker 3: Why am I.

505
00:22:34,244 --> 00:22:36,803
Speaker 2: Watching RBT last night and it was a pre COVID

506
00:22:37,364 --> 00:22:38,484
Speaker 2: on Freeaway Channel nine.

507
00:22:38,484 --> 00:22:40,164
Speaker 3: I like him by watching free Aware, you know it

508
00:22:40,244 --> 00:22:41,404
Speaker 3: needs all the help it can get.

509
00:22:42,404 --> 00:22:43,484
Speaker 1: Why are they playing RBT?

510
00:22:44,004 --> 00:22:47,244
Speaker 2: It's pre covid RBT as well, because it actually had

511
00:22:47,244 --> 00:22:50,684
Speaker 2: a disclaimer and said this was filmed pre COVID because

512
00:22:50,964 --> 00:22:53,763
Speaker 2: during COVID when RBT would run, people would blow up

513
00:22:53,764 --> 00:22:56,124
Speaker 2: where they're wearing merse, where they're doing all this, So

514
00:22:56,324 --> 00:22:58,204
Speaker 2: it's a pre COVID. But I didn't have a story

515
00:22:58,244 --> 00:23:00,244
Speaker 2: about this guy. And he's hute though, and you kind

516
00:23:00,284 --> 00:23:02,083
Speaker 2: of root for him. A bit gets pulled up.

517
00:23:02,124 --> 00:23:05,684
Speaker 3: He's a bit anyone. And the cops say, have you

518
00:23:05,724 --> 00:23:08,084
Speaker 3: anything to drink? His nut? So he passes that test.

519
00:23:08,444 --> 00:23:12,924
Speaker 3: Have you are partaken in any illegal substances? And then

520
00:23:12,964 --> 00:23:13,843
Speaker 3: there's that pause.

521
00:23:14,764 --> 00:23:17,244
Speaker 2: I was at a party on the weekend and someone

522
00:23:17,324 --> 00:23:19,564
Speaker 2: had a joint and it just fell into my mouth.

523
00:23:20,124 --> 00:23:22,084
Speaker 3: So then they do the test on him for the

524
00:23:22,204 --> 00:23:26,204
Speaker 3: drugs and he comes up negative. No drugs. It's a good,

525
00:23:26,284 --> 00:23:30,964
Speaker 3: happy ending, that's right. And the cops they say, what

526
00:23:31,764 --> 00:23:35,044
Speaker 3: you've got a red pea plate? Yeah, man, well, aren't

527
00:23:35,044 --> 00:23:37,043
Speaker 3: you on your green peace? And they find him for that.

528
00:23:39,084 --> 00:23:42,484
Speaker 1: Determined to get something, come on you've bit your fingernails down.

529
00:23:42,604 --> 00:23:45,204
Speaker 3: You find for that. There was one rank bit though.

530
00:23:45,604 --> 00:23:48,204
Speaker 3: On the side of his door. There's these trails and

531
00:23:48,284 --> 00:23:49,804
Speaker 3: the cops said, what's that? And he that's what I

532
00:23:49,844 --> 00:23:50,684
Speaker 3: spit out me window.

533
00:23:52,804 --> 00:23:55,884
Speaker 12: I said, fine him for that. I said, taser him there, Yes,

534
00:23:56,164 --> 00:23:59,524
Speaker 12: fine him for that. Okay, So there's nothing unusual going

535
00:23:59,604 --> 00:24:02,964
Speaker 12: on far from his door. Unusual in TV, not that

536
00:24:03,084 --> 00:24:03,244
Speaker 12: I know.

537
00:24:03,484 --> 00:24:06,204
Speaker 1: I think we're in ratings The Golden Bachelor. He spits

538
00:24:06,204 --> 00:24:07,644
Speaker 1: out the window. People are loving it.

539
00:24:10,484 --> 00:24:13,604
Speaker 2: The pup taste is coming up today, suns out, bums out,

540
00:24:13,684 --> 00:24:14,404
Speaker 2: the latest beach?

541
00:24:14,484 --> 00:24:17,644
Speaker 3: Where are down? The beach has got everyone's eye again.

542
00:24:17,644 --> 00:24:18,604
Speaker 3: It would set everyone.

543
00:24:18,804 --> 00:24:23,524
Speaker 1: How are you feeling? We'll find out, jamsis man, God.

544
00:24:24,404 --> 00:24:25,763
Speaker 3: I want you to get on right now.

545
00:24:26,604 --> 00:24:30,524
Speaker 1: Taking please go to your windows, stick.

546
00:24:30,324 --> 00:24:31,484
Speaker 7: Your head on and yell.

547
00:24:35,644 --> 00:24:39,204
Speaker 3: Suns out, bums out. Today we had this from a ghoulie.

548
00:24:40,044 --> 00:24:41,284
Speaker 7: You know gets my ghoulies.

549
00:24:41,564 --> 00:24:44,044
Speaker 5: Now that we're back in the warmer months, Oh my god,

550
00:24:44,124 --> 00:24:47,644
Speaker 5: and the beach. These gee string girls. What's going on?

551
00:24:48,164 --> 00:24:51,324
Speaker 3: Keep it for home? Fine, female husy? What's going on?

552
00:24:52,204 --> 00:24:55,444
Speaker 1: Two schools have thought here obviously, people saying we live

553
00:24:55,484 --> 00:24:58,684
Speaker 1: in Australia. That's what Australia is. And how great is it?

554
00:24:58,924 --> 00:25:01,644
Speaker 1: We can wear anything. We do not police women's bodies.

555
00:25:02,084 --> 00:25:05,644
Speaker 1: Other people are saying it's just too much, these young

556
00:25:05,764 --> 00:25:09,523
Speaker 1: girls wearing next to nothing. Where do you put yourself?

557
00:25:09,644 --> 00:25:10,523
Speaker 3: Like, how would you.

558
00:25:10,644 --> 00:25:13,924
Speaker 1: Feel, Brendan if it was guys in g strings, not

559
00:25:14,204 --> 00:25:16,404
Speaker 1: just at the beach, but walking in cafes and stuff.

560
00:25:16,644 --> 00:25:19,604
Speaker 1: I would I sit down in a cafe near the

561
00:25:19,644 --> 00:25:22,444
Speaker 1: beach and someone standing next to me it's a raw

562
00:25:23,244 --> 00:25:23,844
Speaker 1: bare bum.

563
00:25:24,124 --> 00:25:26,284
Speaker 3: Yeah. Possibly if you go to a cafe, well.

564
00:25:26,924 --> 00:25:29,724
Speaker 1: I'm in the cafe. You're walking past and just standing

565
00:25:29,804 --> 00:25:31,564
Speaker 1: chatting to their friends and not far from the beach.

566
00:25:32,284 --> 00:25:33,564
Speaker 3: No, And I don't know.

567
00:25:33,724 --> 00:25:36,444
Speaker 1: Is it good that I'm jealous of these big pert bums.

568
00:25:36,844 --> 00:25:39,604
Speaker 1: I don't know, but I do think, oh my god.

569
00:25:39,444 --> 00:25:44,563
Speaker 3: Where do you look? It makes me a little uncomfortable sometimes,

570
00:25:44,604 --> 00:25:44,964
Speaker 3: I don't know.

571
00:25:45,004 --> 00:25:47,284
Speaker 2: Why see those old blakes walking around in their speedos

572
00:25:47,284 --> 00:25:49,444
Speaker 2: and they go a bit too far from the beach.

573
00:25:49,884 --> 00:25:54,444
Speaker 1: You know, if you have an old bloke, if it

574
00:25:54,524 --> 00:25:56,444
Speaker 1: was a young if it was a whole lot of

575
00:25:56,564 --> 00:26:01,964
Speaker 1: seventeen year old boys doing this with really scant g strings,

576
00:26:02,164 --> 00:26:03,164
Speaker 1: how would you feel I.

577
00:26:03,164 --> 00:26:05,404
Speaker 3: Don't know about that would be look like mikonos.

578
00:26:04,924 --> 00:26:08,364
Speaker 1: Then yeah, and that might make men feel differently about

579
00:26:08,404 --> 00:26:10,364
Speaker 1: this or is it women who feel strangely about this?

580
00:26:10,484 --> 00:26:14,164
Speaker 1: It makes me uncomfortable bear bums bums out? Is it

581
00:26:14,284 --> 00:26:15,164
Speaker 1: past the pub test?

582
00:26:15,844 --> 00:26:18,884
Speaker 11: I feel very uncomfortable when I see ladies with their

583
00:26:18,924 --> 00:26:22,283
Speaker 11: bums out, that includes my daughter who wears them. I'm

584
00:26:22,284 --> 00:26:25,284
Speaker 11: as far as I'm concerned. Sea strings or high cup

585
00:26:25,524 --> 00:26:28,484
Speaker 11: undies are meant for a garment that you wear going

586
00:26:28,524 --> 00:26:30,684
Speaker 11: out for an eating So to me, it doesn't part

587
00:26:30,724 --> 00:26:32,763
Speaker 11: of the pub test. Put your bums away, ladies.

588
00:26:32,964 --> 00:26:35,004
Speaker 8: I've got to everything fell on at north Borne boy

589
00:26:35,044 --> 00:26:38,644
Speaker 8: called breaking and I see there bums the last eighteen

590
00:26:38,724 --> 00:26:41,924
Speaker 8: years forgressively getting worse. But what I'm seeing is shifting.

591
00:26:42,324 --> 00:26:45,844
Speaker 8: Is they're wearing a seed through clothing over there, the

592
00:26:46,564 --> 00:26:50,004
Speaker 8: strings out, in my opinion, a lot better often being.

593
00:26:49,884 --> 00:26:52,404
Speaker 11: At their bum You said every day, it's been hapening

594
00:26:52,484 --> 00:26:55,004
Speaker 11: for a long time. I wear one, and there's so

595
00:26:55,604 --> 00:26:58,804
Speaker 11: young girls that don't wear them are making their causes

596
00:26:59,004 --> 00:27:01,564
Speaker 11: go up their bums to make it like a G string.

597
00:27:02,244 --> 00:27:03,083
Speaker 3: So let them wear them.

598
00:27:03,244 --> 00:27:04,244
Speaker 1: They're going to do it anyway.

599
00:27:04,444 --> 00:27:07,404
Speaker 4: While I was in a coffee shoppert Ashfield with a

600
00:27:07,524 --> 00:27:10,763
Speaker 4: ninety two year old warman and having lunch, and this

601
00:27:10,964 --> 00:27:11,763
Speaker 4: lady come along.

602
00:27:11,884 --> 00:27:13,044
Speaker 3: She would have been known more than.

603
00:27:13,044 --> 00:27:17,844
Speaker 11: About Heyday nineteen twenty. With her mum got to like

604
00:27:17,924 --> 00:27:19,884
Speaker 11: a pen So I've got everything.

605
00:27:20,004 --> 00:27:22,124
Speaker 3: You name it, and she's got a last point and

606
00:27:22,204 --> 00:27:24,084
Speaker 3: at me while I'm having lunch, and I said, would

607
00:27:24,084 --> 00:27:26,364
Speaker 3: you mind sitting down? They're rude.

608
00:27:27,084 --> 00:27:29,164
Speaker 11: I think if guys want to walk around down the

609
00:27:29,204 --> 00:27:31,964
Speaker 11: beach thinking that God's gifts with their shirts.

610
00:27:31,684 --> 00:27:33,204
Speaker 1: Off for women to look, let them do it.

611
00:27:33,284 --> 00:27:34,964
Speaker 6: And if the women want to walk around as long

612
00:27:35,004 --> 00:27:38,084
Speaker 6: as men aren't been pervy and blued, let them look.

613
00:27:38,244 --> 00:27:39,444
Speaker 11: I think there's nothing wrong with it.

614
00:27:39,724 --> 00:27:40,364
Speaker 3: No, it doesn't.

615
00:27:40,364 --> 00:27:42,124
Speaker 1: I'm going to go with Amanda on this one.

616
00:27:42,644 --> 00:27:44,684
Speaker 11: If you're on the beach, hang it all out.

617
00:27:44,804 --> 00:27:45,404
Speaker 3: I don't care.

618
00:27:45,484 --> 00:27:46,124
Speaker 7: I'm an old.

619
00:27:46,004 --> 00:27:48,363
Speaker 11: Topless girl in the day, but I don't want your

620
00:27:48,524 --> 00:27:50,684
Speaker 11: alf in my face. So when I'm having her coffee,

621
00:27:50,764 --> 00:27:51,523
Speaker 11: mine's the manners.

622
00:27:51,604 --> 00:27:55,084
Speaker 1: Put us a wrong on and do the beach thing.

623
00:27:55,244 --> 00:27:57,684
Speaker 9: Do the cafe thing, doesn't past a copest for me?

624
00:27:57,964 --> 00:27:59,364
Speaker 3: Break out the get away so wrong?

625
00:28:00,164 --> 00:28:03,603
Speaker 1: Yes, put it over your face, get away gamation.

626
00:28:03,884 --> 00:28:13,884
Speaker 4: I think we need this music, crazy Frog, the louver, theft.

627
00:28:14,324 --> 00:28:16,763
Speaker 1: It's intriguing and as you said the other day, Brendan,

628
00:28:16,844 --> 00:28:19,043
Speaker 1: part of you wants to because we've seen all these movies.

629
00:28:19,324 --> 00:28:21,484
Speaker 1: Part of you wants to lean into the.

630
00:28:21,524 --> 00:28:23,284
Speaker 3: Theater and go kind of want them to get away

631
00:28:23,324 --> 00:28:23,484
Speaker 3: with it.

632
00:28:23,604 --> 00:28:26,164
Speaker 1: Yeah, but you know, let's let they've done an incredible

633
00:28:26,244 --> 00:28:28,324
Speaker 1: job in plain sight, and that's how they got away

634
00:28:28,404 --> 00:28:32,123
Speaker 1: with it. We're learning more about it. Half an hour

635
00:28:32,204 --> 00:28:36,204
Speaker 1: after the museum opened, the robbers used a truck mounted

636
00:28:36,284 --> 00:28:38,684
Speaker 1: ladder and this isn't unusual in France. Apparently people live

637
00:28:38,684 --> 00:28:41,164
Speaker 1: in high rises so they use you know, these bucket

638
00:28:41,444 --> 00:28:43,724
Speaker 1: We call them a cherry picker on ladders to go

639
00:28:43,804 --> 00:28:48,004
Speaker 1: up and down, Like is it like a cherry, Yeah,

640
00:28:48,484 --> 00:28:51,684
Speaker 1: a cherry picker on a ladder. But also if you

641
00:28:51,764 --> 00:28:53,884
Speaker 1: saw this outside a museum. They went in the backside

642
00:28:53,924 --> 00:28:57,764
Speaker 1: of the museum, the bit that's on the Seine on

643
00:28:57,884 --> 00:29:01,844
Speaker 1: the river. But there's so many famous monuments that are

644
00:29:01,844 --> 00:29:04,044
Speaker 1: covered in scaffolding. Half the time you just assume that

645
00:29:04,164 --> 00:29:05,084
Speaker 1: works are being done.

646
00:29:05,404 --> 00:29:05,964
Speaker 3: So they wore.

647
00:29:06,124 --> 00:29:08,124
Speaker 1: In some descriptions they said they were wearing black and

648
00:29:08,204 --> 00:29:12,404
Speaker 1: others they said wearing high vis so they looked like workers.

649
00:29:12,444 --> 00:29:14,884
Speaker 1: There's a picture of one here. Look he's wearing he's

650
00:29:14,924 --> 00:29:19,044
Speaker 1: wearing a mask but still wearing high vis Onlookers just thought, yep,

651
00:29:19,164 --> 00:29:22,564
Speaker 1: work's going on at the louver. So it's being described

652
00:29:22,564 --> 00:29:25,324
Speaker 1: as one of the most daring robberies in modern history.

653
00:29:25,924 --> 00:29:29,044
Speaker 1: The jewels are estimated to be about one hundred and

654
00:29:29,084 --> 00:29:34,044
Speaker 1: fifty six million Australian dollars. So they wore their maintenance uniforms,

655
00:29:34,044 --> 00:29:36,084
Speaker 1: their visibility vests.

656
00:29:37,404 --> 00:29:37,964
Speaker 3: They used that.

657
00:29:38,604 --> 00:29:42,484
Speaker 1: They had a van that parked outside. The museum was open.

658
00:29:43,364 --> 00:29:46,204
Speaker 1: They went up to the second floor with that basket.

659
00:29:46,324 --> 00:29:48,884
Speaker 1: The lift the thing, so they tried to look like

660
00:29:49,004 --> 00:29:53,204
Speaker 1: delivery maintenance crew. They went up to the second floor

661
00:29:53,244 --> 00:29:55,764
Speaker 1: and they used an angle grinder to a window to

662
00:29:55,884 --> 00:29:59,124
Speaker 1: access the French Crown jewels. The entire thing took about

663
00:29:59,204 --> 00:30:02,404
Speaker 1: four minutes to get in use an angle grinder. Security

664
00:30:02,444 --> 00:30:05,204
Speaker 1: guards saw them, but their protocol, their training is to

665
00:30:05,284 --> 00:30:07,884
Speaker 1: make sure people are safe, so they followed their training

666
00:30:07,924 --> 00:30:09,204
Speaker 1: and escorted people from there.

667
00:30:09,244 --> 00:30:11,644
Speaker 3: Well, hang on, so they saw them break in with

668
00:30:11,764 --> 00:30:14,044
Speaker 3: the angle grinder, Yeah, well they and they went.

669
00:30:15,764 --> 00:30:20,524
Speaker 1: There's famous paintings around the wall, big long display cabinet

670
00:30:20,604 --> 00:30:22,844
Speaker 1: in the middle that had these famous, famous jewels and

671
00:30:22,844 --> 00:30:25,444
Speaker 1: these Poleonic jewels, and they use an angle grinder to

672
00:30:25,524 --> 00:30:26,084
Speaker 1: break in there.

673
00:30:26,164 --> 00:30:27,964
Speaker 2: This would have security been aware of what they were

674
00:30:28,004 --> 00:30:29,604
Speaker 2: doing or did they think they were doing maintenance?

675
00:30:29,684 --> 00:30:31,244
Speaker 1: No, no, no, they knew what was going on, but

676
00:30:31,364 --> 00:30:34,524
Speaker 1: their protocols would get humans out of the rooms.

677
00:30:35,684 --> 00:30:37,164
Speaker 3: Come on, well, that's what's happening.

678
00:30:37,244 --> 00:30:39,844
Speaker 1: What a security Yes, that's what the problem is. There

679
00:30:39,844 --> 00:30:43,564
Speaker 1: were security flaws and investigation undergrass is in trouble. There

680
00:30:43,644 --> 00:30:47,324
Speaker 1: was an adequate external surveillance, weak access, control of exterior walls,

681
00:30:47,364 --> 00:30:50,084
Speaker 1: possible understaffing. There's some rumors that it could be an

682
00:30:50,084 --> 00:30:52,804
Speaker 1: inside job because they knew that this bit wasn't covered

683
00:30:52,844 --> 00:30:57,724
Speaker 1: by CCTV, so it was hosted by Grand Dana. This

684
00:30:57,924 --> 00:31:02,604
Speaker 1: is a bit that wasn't wasn't seen, and so there

685
00:31:02,684 --> 00:31:04,964
Speaker 1: are some you think, how would anyone know that stuff?

686
00:31:05,524 --> 00:31:09,284
Speaker 1: What was stolen jewelry from the French Imperial War era

687
00:31:09,404 --> 00:31:11,204
Speaker 1: and they don't have that much, but during the Revolution

688
00:31:11,284 --> 00:31:14,044
Speaker 1: a lot of it was destroyed and so France is

689
00:31:14,124 --> 00:31:19,164
Speaker 1: very proud of these. As I said, Napoleonic jewelry that

690
00:31:19,684 --> 00:31:22,124
Speaker 1: Napoleon the First gave to his wife and various other

691
00:31:22,244 --> 00:31:25,324
Speaker 1: Napoleons have passed on to their queens, their wives. A

692
00:31:25,404 --> 00:31:28,404
Speaker 1: crown was dropped nearby and was damaged, but they sort

693
00:31:28,404 --> 00:31:30,884
Speaker 1: of lost it on the way. How casual is that.

694
00:31:32,044 --> 00:31:34,764
Speaker 1: So they're wondering where they've gone. One of the Dutch

695
00:31:34,924 --> 00:31:37,004
Speaker 1: artist story and has said the jewels are probably still

696
00:31:37,044 --> 00:31:40,204
Speaker 1: in France because there was some speculation have they been

697
00:31:40,524 --> 00:31:44,284
Speaker 1: stolen and will be purchased by just one of those

698
00:31:44,324 --> 00:31:46,044
Speaker 1: sort of history pervs who wants to keep it in

699
00:31:46,084 --> 00:31:46,564
Speaker 1: their own home.

700
00:31:46,644 --> 00:31:47,604
Speaker 3: So they'd all stay together.

701
00:31:48,004 --> 00:31:50,724
Speaker 1: Now they think probably what's going to happen, which is

702
00:31:50,804 --> 00:31:53,404
Speaker 1: the sadness of it, is that these beautiful pieces will

703
00:31:53,404 --> 00:31:56,924
Speaker 1: be broken down into individual bits and so they're unidentifiable

704
00:31:56,964 --> 00:32:00,004
Speaker 1: because the whole world is on high alert. They'd be

705
00:32:00,444 --> 00:32:03,284
Speaker 1: the jewels. The diamonds would be broken into smaller pieces

706
00:32:04,004 --> 00:32:05,924
Speaker 1: and sold on the black market, which means they won't

707
00:32:05,924 --> 00:32:08,324
Speaker 1: get as much for them, but they can sell them.

708
00:32:08,324 --> 00:32:10,444
Speaker 1: They'd still make millions and millions of dollars.

709
00:32:10,444 --> 00:32:14,644
Speaker 3: Straight down to La cash converters. I would love It's interesting.

710
00:32:14,724 --> 00:32:18,284
Speaker 1: I'm torn. I'd love to own a Napoleonic diamond.

711
00:32:18,364 --> 00:32:20,444
Speaker 2: We'll get down to the La cash convertse take that

712
00:32:20,524 --> 00:32:21,844
Speaker 2: surface skather that you've been trying to get.

713
00:32:21,804 --> 00:32:25,044
Speaker 1: Rid of, dreadful thievery. If one of them appeared on

714
00:32:25,084 --> 00:32:30,324
Speaker 1: my finger, I'd say say, nothing come out for Christmas.

715
00:32:30,484 --> 00:32:30,844
Speaker 3: Okay.

716
00:32:31,044 --> 00:32:34,364
Speaker 2: Well, if I how bad are the French security though

717
00:32:34,364 --> 00:32:35,724
Speaker 2: they just stand and watch it happen.

718
00:32:35,844 --> 00:32:39,524
Speaker 1: Well, they had their protocols to protect the people. I mean,

719
00:32:39,644 --> 00:32:41,524
Speaker 1: that's the hard thing. Do you choose a crown or

720
00:32:41,564 --> 00:32:42,004
Speaker 1: a human?

721
00:32:42,564 --> 00:32:44,484
Speaker 3: Choose the crown, That's what it is.

722
00:32:45,164 --> 00:32:46,244
Speaker 1: Well, this is Prince.

723
00:32:46,084 --> 00:32:47,764
Speaker 3: Harry's book coming up.

724
00:32:48,444 --> 00:32:50,324
Speaker 1: It was you like to go to ce just made

725
00:32:50,324 --> 00:32:51,284
Speaker 1: a very good reference.

726
00:32:51,284 --> 00:32:53,444
Speaker 2: Well, I said, la cash converts twice and you ignore

727
00:32:53,484 --> 00:32:54,884
Speaker 2: that twice yesterday.

728
00:32:55,284 --> 00:32:58,444
Speaker 3: If you've stolen from me, you've stolen from me. Let's

729
00:32:58,524 --> 00:33:00,404
Speaker 3: let's reap as.

730
00:33:00,084 --> 00:33:02,764
Speaker 1: Jonesy and Amanda pod.

731
00:33:06,084 --> 00:33:09,724
Speaker 3: You tell me you built a time machine. It's eight

732
00:33:09,804 --> 00:33:12,924
Speaker 3: miles four. You're got to see some sh.

733
00:33:14,004 --> 00:33:16,484
Speaker 1: Let's go back in time, back to the future. We've

734
00:33:16,524 --> 00:33:20,084
Speaker 1: got three questions here. Get question three right, you get

735
00:33:20,204 --> 00:33:22,044
Speaker 1: four tickets to see back to the future and one

736
00:33:22,084 --> 00:33:25,164
Speaker 1: thousand dollars walking around Money is said by Brendan Joe.

737
00:33:25,284 --> 00:33:27,444
Speaker 3: Did you do the homework I signed you last night?

738
00:33:27,524 --> 00:33:29,404
Speaker 3: What was it? Watch Back to the Future too.

739
00:33:30,324 --> 00:33:32,524
Speaker 1: No, sorry, I may have seen it.

740
00:33:32,684 --> 00:33:34,844
Speaker 3: I'm pad with this stuff. You know that tow with

741
00:33:35,004 --> 00:33:38,124
Speaker 3: me twiss me Okay, So it's an alternate universe.

742
00:33:38,324 --> 00:33:40,164
Speaker 1: Stop because if it's me already.

743
00:33:40,924 --> 00:33:45,004
Speaker 2: Ends up going back and changing the future, and the

744
00:33:45,084 --> 00:33:47,884
Speaker 2: future is different, all right, because what we do.

745
00:33:47,964 --> 00:33:50,804
Speaker 1: In life echoes in eternity. If you're mixing your movies now, No,

746
00:33:50,924 --> 00:33:54,524
Speaker 1: I'm just saying it's musical. Apparently is brilliant. Everyone who's

747
00:33:54,524 --> 00:33:57,244
Speaker 1: seen it says it's just absolutely great.

748
00:33:57,924 --> 00:33:59,724
Speaker 3: But you've got to be an enthusiast to play this.

749
00:34:00,044 --> 00:34:03,244
Speaker 2: Unlike people that I'm looking at right now, Amanda Jess

750
00:34:03,324 --> 00:34:05,564
Speaker 2: as in Penuth Jess, you would be a Back to

751
00:34:05,644 --> 00:34:07,604
Speaker 2: the Future enthusiast, I'm sure.

752
00:34:09,163 --> 00:34:09,964
Speaker 3: By Backs to the Fu.

753
00:34:09,964 --> 00:34:12,323
Speaker 11: Drove and watched it again last night in preparation for.

754
00:34:12,364 --> 00:34:14,804
Speaker 3: This We'll get ready. So it's so easy to watch it.

755
00:34:14,884 --> 00:34:15,643
Speaker 3: I love the third one.

756
00:34:15,683 --> 00:34:18,684
Speaker 2: I think one just watch it and all of a sudden,

757
00:34:18,844 --> 00:34:21,844
Speaker 2: what I find. I watched the first one, and.

758
00:34:21,844 --> 00:34:23,884
Speaker 3: Then all of a sudden and next minute I'm watching.

759
00:34:23,604 --> 00:34:25,243
Speaker 1: The third right becoming a Chinese meal.

760
00:34:25,364 --> 00:34:28,004
Speaker 3: Then I'm watching behind the scenes stuff and I'm so

761
00:34:28,204 --> 00:34:29,163
Speaker 3: into it. Well, let's get to.

762
00:34:29,204 --> 00:34:31,763
Speaker 1: Question one for you, Jess, I reckon, I know this one?

763
00:34:32,284 --> 00:34:34,643
Speaker 1: Which song in the movie by Huey Lewis and the

764
00:34:34,724 --> 00:34:39,004
Speaker 1: news was nominated for an Oscar and a Grammy The Parabler.

765
00:34:39,164 --> 00:34:39,884
Speaker 3: That's It's.

766
00:34:43,244 --> 00:34:44,404
Speaker 1: Brings you to question two.

767
00:34:44,484 --> 00:34:44,723
Speaker 7: Jess.

768
00:34:44,724 --> 00:34:46,884
Speaker 1: If you get question three right, you've got all the

769
00:34:46,924 --> 00:34:51,564
Speaker 1: package of prizes. Question two? Which character made this line famous?

770
00:34:51,724 --> 00:34:54,564
Speaker 3: Great Scott? Oh, I'm doc?

771
00:34:55,484 --> 00:34:56,524
Speaker 1: Does he have a surname?

772
00:34:56,684 --> 00:34:57,203
Speaker 3: Doc Brown?

773
00:34:57,324 --> 00:34:59,204
Speaker 1: Doctor Chris Brown?

774
00:34:59,284 --> 00:34:59,643
Speaker 3: That's right?

775
00:35:00,324 --> 00:35:00,964
Speaker 1: Question three?

776
00:35:01,123 --> 00:35:03,484
Speaker 3: This is where it is doctor Emma Brown. Jess is

777
00:35:03,524 --> 00:35:04,524
Speaker 3: a true enthusiast.

778
00:35:04,604 --> 00:35:08,123
Speaker 1: Okay, here we go. This is multiple choice. What's the

779
00:35:08,244 --> 00:35:11,004
Speaker 1: name of the hall where Marty travels back in time?

780
00:35:12,844 --> 00:35:14,724
Speaker 1: I'll give you Do you want the multiples or not?

781
00:35:14,924 --> 00:35:17,324
Speaker 3: I regaon Jess would get this without the multiples? Ess,

782
00:35:17,364 --> 00:35:19,404
Speaker 3: You're allowed to take the multiples if you want in

783
00:35:19,524 --> 00:35:23,004
Speaker 3: the past. No no, no, in the mall in the

784
00:35:23,084 --> 00:35:24,924
Speaker 3: past to give it the multiples. I think I'll give

785
00:35:24,924 --> 00:35:25,044
Speaker 3: you the.

786
00:35:25,084 --> 00:35:29,404
Speaker 1: Multiples multiple Is it a Twin Peaks Mall, B Twin

787
00:35:29,524 --> 00:35:34,804
Speaker 1: Pines Mall? See Westfield Twin Pines twin.

788
00:35:38,924 --> 00:35:39,324
Speaker 7: You know it?

789
00:35:39,524 --> 00:35:42,724
Speaker 2: You've done it, Jes, like you would you agree the

790
00:35:42,804 --> 00:35:45,604
Speaker 2: bit where so Doc has got the Dolory in it's

791
00:35:45,684 --> 00:35:49,123
Speaker 2: inside the back of his panteic truck. He's inside the car,

792
00:35:49,564 --> 00:35:51,484
Speaker 2: but he has to wait for Marty to come and

793
00:35:52,524 --> 00:35:54,884
Speaker 2: put the door down to get the car out to.

794
00:35:55,684 --> 00:35:56,684
Speaker 1: Raid the loner.

795
00:35:56,884 --> 00:35:58,924
Speaker 11: I heard you say that yesterday, and you're right.

796
00:35:59,204 --> 00:36:02,764
Speaker 3: How did they do that? How? How does it?

797
00:36:03,044 --> 00:36:05,844
Speaker 2: I don't understand who shut I know Einstein's a very

798
00:36:05,884 --> 00:36:08,084
Speaker 2: smart dog, but there's no way I could have shut

799
00:36:08,164 --> 00:36:09,284
Speaker 2: that door on the antic.

800
00:36:09,644 --> 00:36:13,163
Speaker 1: Oh come on to come on, please, I'm trying to do.

801
00:36:14,004 --> 00:36:15,964
Speaker 3: That's what I live with, jess this is where I live.

802
00:36:16,404 --> 00:36:17,764
Speaker 3: Congratulations to you, Jessica.

803
00:36:17,844 --> 00:36:20,284
Speaker 2: You've won the one thousand dollars plus four tickets to

804
00:36:20,324 --> 00:36:22,203
Speaker 2: see Back to the Future of the Musical. See Back

805
00:36:22,204 --> 00:36:24,203
Speaker 2: to the Future of the Musical live on stage at

806
00:36:24,204 --> 00:36:26,444
Speaker 2: the Sydney Lyric Theater. Take a ride back in time

807
00:36:26,604 --> 00:36:28,644
Speaker 2: and get your tickets today at Back to the Future

808
00:36:28,724 --> 00:36:30,964
Speaker 2: Musical dot com. Doda you jes have a great.

809
00:36:30,884 --> 00:36:31,604
Speaker 3: Night out on us.

810
00:36:32,364 --> 00:36:33,203
Speaker 6: Thank you so much.

811
00:36:33,204 --> 00:36:35,804
Speaker 1: I can't wait on another Yes, thank you.

812
00:36:38,524 --> 00:36:42,924
Speaker 3: Podcast. Weekend Ahead Sunny today looks nice over the weekend?

813
00:36:42,924 --> 00:36:44,244
Speaker 3: What are you doing here? You got the cozy on

814
00:36:44,324 --> 00:36:44,804
Speaker 3: this weekend.

815
00:36:45,364 --> 00:36:47,444
Speaker 1: The cosey my eight piece, but down on the beach

816
00:36:47,524 --> 00:36:50,284
Speaker 1: you might well wear an eight piece? Were my backless, frontless,

817
00:36:50,364 --> 00:36:51,683
Speaker 1: strapless eight piece?

818
00:36:51,844 --> 00:37:00,804
Speaker 3: The eight piece fee with extra giblet. Oh looks somew's

819
00:37:00,804 --> 00:37:01,203
Speaker 3: at the door?

820
00:37:03,164 --> 00:37:03,723
Speaker 5: How I there?

821
00:37:03,804 --> 00:37:04,964
Speaker 3: John Patrollers?

822
00:37:05,324 --> 00:37:06,804
Speaker 1: Oh wow, it's caushy.

823
00:37:07,004 --> 00:37:10,244
Speaker 3: I'm not happy with you. Bugga lug me? No, you

824
00:37:10,604 --> 00:37:14,804
Speaker 3: bag of lugs me. What's with all these nonsense impressions?

825
00:37:15,484 --> 00:37:17,684
Speaker 3: You know it's just a bit of fun. I thought

826
00:37:17,764 --> 00:37:20,484
Speaker 3: you were above all of that. What fun. Don't be

827
00:37:20,604 --> 00:37:24,044
Speaker 3: a smarty pants going for cheap things in a bid

828
00:37:24,164 --> 00:37:25,444
Speaker 3: to get more ratings.

829
00:37:25,604 --> 00:37:27,124
Speaker 1: I don't think it helps the ratings.

830
00:37:27,244 --> 00:37:29,484
Speaker 3: Oh your socks are mista? Okay?

831
00:37:29,644 --> 00:37:31,124
Speaker 1: Well are you being told off by Koshi?

832
00:37:31,324 --> 00:37:33,524
Speaker 3: Anyway, I've got to go and change those little mere

833
00:37:33,604 --> 00:37:35,084
Speaker 3: cat's cage that I'm working with.

834
00:37:35,604 --> 00:37:37,444
Speaker 1: Per way, you the same.

835
00:37:37,724 --> 00:37:38,964
Speaker 3: Take this piece of paper.

836
00:37:39,604 --> 00:37:43,444
Speaker 2: Hi there, it's doctor, right, Hi there, doctor, Let's have

837
00:37:43,524 --> 00:37:44,684
Speaker 2: a look at your butt button.

838
00:37:45,644 --> 00:37:48,803
Speaker 3: Good eye. It's Mike Whitney. Hi there, Mike.

839
00:37:49,044 --> 00:37:51,723
Speaker 1: How about a big fee Spaghinni.

840
00:37:51,244 --> 00:37:52,884
Speaker 3: And the old spaghetti factory.

841
00:37:53,364 --> 00:37:56,764
Speaker 1: And it's your Sidney down to watch a convict get flop?

842
00:37:57,244 --> 00:37:59,484
Speaker 3: That says all right, I'll go on the same car.

843
00:37:59,684 --> 00:38:01,884
Speaker 3: I've got a big tasmud. I can sit in the back.

844
00:38:03,164 --> 00:38:04,524
Speaker 3: It's nice to see those guys.

845
00:38:04,564 --> 00:38:07,123
Speaker 1: Okay, you know, for a while there for a number

846
00:38:07,123 --> 00:38:08,804
Speaker 1: of years, and I thought you did all those voices.

847
00:38:08,964 --> 00:38:12,444
Speaker 1: But hearing them all, seeing them all in the room together,

848
00:38:12,524 --> 00:38:16,564
Speaker 1: it dispels that I never hear that again.

849
00:38:16,924 --> 00:38:19,123
Speaker 3: What's wrong with you? What's wrong with you?

850
00:38:20,724 --> 00:38:20,884
Speaker 6: You know?

851
00:38:21,084 --> 00:38:25,924
Speaker 3: It's theater of the mind. If I was a magician,

852
00:38:26,404 --> 00:38:29,683
Speaker 3: If I was a magician, you'd be standing no, no, say,

853
00:38:30,204 --> 00:38:34,683
Speaker 3: they're the rabbits down there. That woman's hasn't been cut

854
00:38:34,764 --> 00:38:36,844
Speaker 3: in half anyway, everyone.

855
00:38:36,804 --> 00:38:38,724
Speaker 1: Because it's such a slight of ears that you just

856
00:38:38,804 --> 00:38:39,243
Speaker 1: gave us.

857
00:38:39,684 --> 00:38:44,643
Speaker 2: You're like a giant cold spoon following me around that management. Right,

858
00:38:44,804 --> 00:38:47,084
Speaker 2: it's good to see you road testing new ideas for

859
00:38:47,244 --> 00:38:48,404
Speaker 2: the new show next year.

860
00:38:48,964 --> 00:38:51,604
Speaker 3: Not all ideas can be winners. Case in point, who

861
00:38:51,684 --> 00:38:52,044
Speaker 3: do you do?

862
00:38:52,284 --> 00:38:52,804
Speaker 1: I agree?

863
00:38:53,364 --> 00:38:54,444
Speaker 3: Glad to see that's not.

864
00:38:54,604 --> 00:38:57,924
Speaker 2: Going to make it good, although it inspired Today's five

865
00:38:57,964 --> 00:39:00,284
Speaker 2: for your flash back Impression songs.

866
00:39:00,684 --> 00:39:03,044
Speaker 3: Impression songs Impression songs.

867
00:39:04,324 --> 00:39:11,524
Speaker 2: Okay, impression that's weird, Okay, I've got already all right, Well, yeah,

868
00:39:11,524 --> 00:39:12,404
Speaker 2: I think I've got one too.

869
00:39:12,564 --> 00:39:16,723
Speaker 3: Sounds like you've whooped your axe. That's what it says,

870
00:39:17,084 --> 00:39:19,604
Speaker 3: you know, it sounds like you whooped your ax.

871
00:39:19,684 --> 00:39:21,444
Speaker 1: Is what you just presented as a category room.

872
00:39:23,123 --> 00:39:25,723
Speaker 3: Oh that's not a rabbit, it's not even a real hat.

873
00:39:27,404 --> 00:39:30,604
Speaker 3: You're the worst assistant in the world and you're layer

874
00:39:30,724 --> 00:39:31,644
Speaker 3: tids on backwards.

875
00:39:32,244 --> 00:39:41,643
Speaker 1: Jamacious feast and Amanda's.

876
00:39:42,804 --> 00:39:43,564
Speaker 3: That's the impression.

877
00:39:43,604 --> 00:39:46,084
Speaker 2: I get ten questions sixty seconds on the clock. You

878
00:39:46,123 --> 00:39:47,724
Speaker 2: can pass if you don't know an answer. We'll come

879
00:39:47,764 --> 00:39:49,884
Speaker 2: back to that question of time permits. You get all

880
00:39:49,884 --> 00:39:52,643
Speaker 2: the questions right, Happy days one thousand dollars.

881
00:39:52,764 --> 00:39:55,123
Speaker 1: You can make it two thousand dollars by answering a

882
00:39:55,164 --> 00:39:57,204
Speaker 1: bonus question, but it's double or nothing.

883
00:39:57,404 --> 00:39:58,884
Speaker 3: Eloise is in Chroma.

884
00:39:59,004 --> 00:40:04,643
Speaker 1: Hello Eloise, Hi, Hi, you sound a little bit nervous waking.

885
00:40:06,004 --> 00:40:08,204
Speaker 11: To be honest, I'm most nervous that I'm about to

886
00:40:08,284 --> 00:40:11,164
Speaker 11: have to part at work. I'm going to be reversing

887
00:40:11,164 --> 00:40:12,244
Speaker 11: while trying to answer.

888
00:40:12,084 --> 00:40:13,764
Speaker 1: The question do you want to reverse park while we

889
00:40:13,844 --> 00:40:14,243
Speaker 1: wait here?

890
00:40:15,484 --> 00:40:15,643
Speaker 6: Oh?

891
00:40:16,284 --> 00:40:18,004
Speaker 1: Yes, I'm just gonn to pull over on the side

892
00:40:18,044 --> 00:40:20,844
Speaker 1: of the reverse parking under pressure.

893
00:40:21,123 --> 00:40:24,484
Speaker 2: Manerly will make small chit chat amongst each other while

894
00:40:24,524 --> 00:40:27,123
Speaker 2: you're doing this. Remember when we're on North Ryde and

895
00:40:27,204 --> 00:40:30,444
Speaker 2: that promotions lady used to come along and we'd guide

896
00:40:30,484 --> 00:40:31,844
Speaker 2: her in as she was base.

897
00:40:31,924 --> 00:40:33,924
Speaker 1: She was like from our studio. We'd phone her because

898
00:40:33,924 --> 00:40:35,564
Speaker 1: we could see her out the window and we'd say, no, you.

899
00:40:35,604 --> 00:40:36,484
Speaker 3: Can make it, you can make it.

900
00:40:36,604 --> 00:40:36,803
Speaker 1: Yeah.

901
00:40:36,884 --> 00:40:38,604
Speaker 3: She was a really good reverse park.

902
00:40:38,524 --> 00:40:40,684
Speaker 1: She was thanks to us. How are you going, Eloise?

903
00:40:41,284 --> 00:40:42,763
Speaker 3: All right, I'm on the side of the road.

904
00:40:43,724 --> 00:40:46,764
Speaker 1: All right, We've got ten questions, Eloise. We've got sixty seconds,

905
00:40:47,004 --> 00:40:47,604
Speaker 1: so you're ready.

906
00:40:47,644 --> 00:40:48,284
Speaker 3: You can focus.

907
00:40:49,524 --> 00:40:50,004
Speaker 1: I'm ready.

908
00:40:50,204 --> 00:40:50,484
Speaker 3: Okay.

909
00:40:50,804 --> 00:40:52,804
Speaker 1: If you don't know the answer, say passed. We might

910
00:40:52,884 --> 00:40:56,364
Speaker 1: have time to come back. All right, okay? Question number one?

911
00:40:56,884 --> 00:40:58,323
Speaker 1: What number comes after six?

912
00:40:59,324 --> 00:40:59,684
Speaker 3: Adam?

913
00:40:59,884 --> 00:41:02,964
Speaker 1: Question two? Dong is the currency used in which country?

914
00:41:04,604 --> 00:41:09,844
Speaker 1: Question three? What's the main veggie in sweet potato? Fries seato?

915
00:41:10,123 --> 00:41:10,723
Speaker 3: Question four?

916
00:41:10,924 --> 00:41:14,884
Speaker 1: A gander is the name of which male animal? Past

917
00:41:15,324 --> 00:41:18,004
Speaker 1: question three. The Kerigans are a family from which Australian

918
00:41:18,044 --> 00:41:22,524
Speaker 1: movie past Question six. Agronomy is the study.

919
00:41:22,244 --> 00:41:22,484
Speaker 6: Of what.

920
00:41:24,604 --> 00:41:28,163
Speaker 1: Ergonomics Now, agronomy is agriculture.

921
00:41:28,284 --> 00:41:30,604
Speaker 3: W Let's go back.

922
00:41:30,764 --> 00:41:36,324
Speaker 1: Don is used in Vietnam and again I think travel

923
00:41:36,404 --> 00:41:39,323
Speaker 1: more and maybe you need to go to the farm

924
00:41:39,364 --> 00:41:41,564
Speaker 1: because a gander is the name of a male goose.

925
00:41:42,123 --> 00:41:44,724
Speaker 6: And I never got that.

926
00:41:45,004 --> 00:41:47,644
Speaker 3: What about the Karrigan's the family from which Australian movie.

927
00:41:47,764 --> 00:41:48,684
Speaker 1: Tell them he's dreaming?

928
00:41:50,804 --> 00:41:53,404
Speaker 3: What's this? Good? Love? Always?

929
00:41:53,484 --> 00:41:55,404
Speaker 1: Thank you for playing and I hope you go about

930
00:41:55,444 --> 00:41:56,804
Speaker 1: your business card safely.

931
00:41:57,844 --> 00:41:58,123
Speaker 3: Thank you.

932
00:41:58,564 --> 00:42:00,684
Speaker 1: I just want to say hi to my friend Trish,

933
00:42:00,964 --> 00:42:03,163
Speaker 1: Tom and Devine.

934
00:42:03,204 --> 00:42:09,564
Speaker 3: Friends Tom and Devon, Well hello to them all. You

935
00:42:09,644 --> 00:42:10,524
Speaker 3: g that's a little gang.

936
00:42:10,604 --> 00:42:14,004
Speaker 2: I like the idea of Alois's possible Trish, Tom and

937
00:42:14,123 --> 00:42:15,124
Speaker 2: Devon and Eloise.

938
00:42:18,044 --> 00:42:20,404
Speaker 1: Anything you'd like to say, Brendan, No, that was I

939
00:42:20,484 --> 00:42:20,964
Speaker 1: was waiting for you.

940
00:42:22,244 --> 00:42:24,844
Speaker 3: I wondered something. Five for your flashbag is coming up,

941
00:42:24,884 --> 00:42:27,803
Speaker 3: and so impression songs and I have fresh and song.

942
00:42:27,884 --> 00:42:30,124
Speaker 3: I have picked the best song in the history of songs.

943
00:42:30,644 --> 00:42:32,564
Speaker 1: Okay, well I've got a great song too. We'll see

944
00:42:32,564 --> 00:42:44,323
Speaker 1: which one wins when we unleash them. Next podcast, Fight

945
00:42:45,244 --> 00:42:47,124
Speaker 1: for your Flashback.

946
00:42:46,604 --> 00:42:49,444
Speaker 3: Two songs, Enter one song Leaves Management wrote this morning.

947
00:42:49,284 --> 00:42:51,643
Speaker 2: It's good to see you road testing new ideas for

948
00:42:51,724 --> 00:42:55,803
Speaker 2: your new show next year. Not all ideas can be winners, true,

949
00:42:56,404 --> 00:42:58,284
Speaker 2: case in point, who do you do?

950
00:42:58,524 --> 00:42:59,444
Speaker 1: It was dreadful.

951
00:42:59,444 --> 00:43:01,444
Speaker 3: Glad to see that that's not going to make it?

952
00:43:01,524 --> 00:43:02,084
Speaker 3: What's wrong with it?

953
00:43:02,204 --> 00:43:03,004
Speaker 1: It was dreadful?

954
00:43:03,044 --> 00:43:03,803
Speaker 3: Are they deaf?

955
00:43:04,924 --> 00:43:06,404
Speaker 11: It's a great pleasure to talk to.

956
00:43:08,364 --> 00:43:09,004
Speaker 7: Radio me.

957
00:43:12,604 --> 00:43:15,123
Speaker 10: I love you, Jenny, get you.

958
00:43:16,484 --> 00:43:17,604
Speaker 11: You're a little dog too.

959
00:43:19,884 --> 00:43:24,564
Speaker 3: You have become young? Radio announces, Mmmm, entertainers, you must.

960
00:43:29,644 --> 00:43:31,324
Speaker 1: Its collapse?

961
00:43:31,404 --> 00:43:34,364
Speaker 3: Why is not that not coming through to the fruited plants?

962
00:43:34,884 --> 00:43:37,283
Speaker 3: Why management did write though?

963
00:43:37,404 --> 00:43:41,004
Speaker 2: Although it inspired today's five for your flashback impression song?

964
00:43:41,084 --> 00:43:43,964
Speaker 3: What going with impression songs? Do you want to go first?

965
00:43:44,004 --> 00:43:44,284
Speaker 3: All right?

966
00:43:44,284 --> 00:43:45,004
Speaker 1: Should I go first?

967
00:43:45,084 --> 00:43:47,243
Speaker 2: Maybe you should because my song is going to blow

968
00:43:47,244 --> 00:43:48,484
Speaker 2: you alls out of the water'd f to.

969
00:43:48,524 --> 00:43:51,884
Speaker 1: Show to you? Okay, your Brad Pitt? Don't impress me?

970
00:43:52,004 --> 00:43:52,123
Speaker 7: Man?

971
00:43:52,524 --> 00:43:58,724
Speaker 1: Here it comes to not fline. Know a few guess

972
00:43:58,764 --> 00:44:01,924
Speaker 1: who thought they were pretty smart? But you gotta be

973
00:44:02,084 --> 00:44:09,683
Speaker 1: in last down. Don't impress me. Guys patronizing?

974
00:44:10,084 --> 00:44:12,524
Speaker 3: And did you see that Tom Carter? You know Tom Cardi?

975
00:44:13,004 --> 00:44:14,604
Speaker 3: How do you check your butthole? Tom Cash?

976
00:44:15,764 --> 00:44:17,004
Speaker 1: I thought it was a fake AI.

977
00:44:17,244 --> 00:44:19,924
Speaker 3: No, he's doing a collab with TONI.

978
00:44:20,284 --> 00:44:21,123
Speaker 1: That's what I saw.

979
00:44:22,484 --> 00:44:24,444
Speaker 3: What have you got? You know?

980
00:44:25,164 --> 00:44:25,564
Speaker 6: Here we go?

981
00:44:26,524 --> 00:44:30,044
Speaker 3: In nineteen ninety seven, A star to believe? Who would

982
00:44:30,084 --> 00:44:31,643
Speaker 3: have believed? In nineteen ninety seven, a.

983
00:44:31,684 --> 00:44:35,163
Speaker 2: Scar rock band broke the music scene with a song

984
00:44:35,244 --> 00:44:37,643
Speaker 2: that they called The Impression that I Get.

985
00:44:37,804 --> 00:44:42,844
Speaker 3: I give you the mighty mighty boss takes. It's got

986
00:44:43,004 --> 00:44:48,244
Speaker 3: big brass, ever close changes close to folks.

987
00:44:53,164 --> 00:44:53,643
Speaker 7: I like this.

988
00:44:59,644 --> 00:45:02,684
Speaker 3: Let's impression and what it is. I'm not a coward,

989
00:45:02,764 --> 00:45:05,004
Speaker 3: but I've never been tested. How are you going to

990
00:45:05,084 --> 00:45:08,324
Speaker 3: go when stuff goes down? Well, let's see what's going

991
00:45:08,404 --> 00:45:09,204
Speaker 3: to go down today?

992
00:45:09,284 --> 00:45:11,643
Speaker 1: Give us a call thirteen fifty five twenty two, or

993
00:45:11,684 --> 00:45:14,004
Speaker 1: you can verte on our socials at Jones in Amanda.

994
00:45:14,484 --> 00:45:17,044
Speaker 1: What song for you passes the pub test man?

995
00:45:17,084 --> 00:45:18,844
Speaker 2: The match prize too is great, two hundred and fifty

996
00:45:18,884 --> 00:45:21,404
Speaker 2: bucks to spend it, Hurricanes, Grill go to it, GEM

997
00:45:22,204 --> 00:45:26,284
Speaker 2: five Fear Flashback and we are playing impression songs.

998
00:45:26,564 --> 00:45:35,004
Speaker 1: I've gone with this one that don't impresses men Garter.

999
00:45:36,404 --> 00:45:38,884
Speaker 3: She was on point with Brad Pitt. It's still relevant.

1000
00:45:40,964 --> 00:45:43,084
Speaker 1: She wrote that song in nineteen ninety eight and it

1001
00:45:43,204 --> 00:45:48,044
Speaker 1: still has touch points. Brad Pitt's touch points three what

1002
00:45:48,164 --> 00:45:48,564
Speaker 1: have you got?

1003
00:45:49,364 --> 00:45:51,123
Speaker 2: I've gone with the mighty money bus Zones and the

1004
00:45:51,164 --> 00:46:01,404
Speaker 2: impression that I get It explores the deeper, more somber

1005
00:46:01,484 --> 00:46:04,364
Speaker 2: themes of empathy, resilience, and mortality.

1006
00:46:04,604 --> 00:46:06,084
Speaker 1: You don't know really like scarm music.

1007
00:46:06,404 --> 00:46:08,444
Speaker 3: I love scarm I thought you didn't like it. I

1008
00:46:08,604 --> 00:46:10,724
Speaker 3: liked amusing Bill Niders.

1009
00:46:12,324 --> 00:46:14,684
Speaker 1: Yeah see, I'm raised was madness.

1010
00:46:15,204 --> 00:46:18,204
Speaker 2: Yeah, I like madness. Alex like big brass, I like

1011
00:46:18,564 --> 00:46:21,604
Speaker 2: double bass, like drums. Give us some like snappy dresses.

1012
00:46:21,364 --> 00:46:23,324
Speaker 1: Thirteen fifty five, twenty two. We can go to our

1013
00:46:23,364 --> 00:46:25,084
Speaker 1: socials at Jones and the Manda. Let's see what you

1014
00:46:25,164 --> 00:46:27,643
Speaker 1: want to hear. Josephine is with us, Hi, Josephine, fight

1015
00:46:27,724 --> 00:46:28,444
Speaker 1: for your flashback?

1016
00:46:29,844 --> 00:46:29,964
Speaker 4: Hi?

1017
00:46:30,244 --> 00:46:31,084
Speaker 3: How are you am?

1018
00:46:31,123 --> 00:46:32,764
Speaker 1: I vote is for Josie.

1019
00:46:33,123 --> 00:46:35,123
Speaker 2: I absolutely loved that song.

1020
00:46:35,444 --> 00:46:37,244
Speaker 3: All right, thanks well, sir, Josephine.

1021
00:46:37,564 --> 00:46:39,484
Speaker 1: Neville's in North Richmond. Fight for your flashback?

1022
00:46:39,564 --> 00:46:41,644
Speaker 3: Neville, Good morning guys.

1023
00:46:42,364 --> 00:46:45,123
Speaker 7: Jones is not a bad song, mate, but Amanda, you

1024
00:46:45,244 --> 00:46:48,044
Speaker 7: and Shunia are both hot and what your old.

1025
00:46:47,924 --> 00:46:48,723
Speaker 3: Living room days?

1026
00:46:49,084 --> 00:46:49,724
Speaker 11: Jones's not.

1027
00:46:51,444 --> 00:46:51,604
Speaker 6: Or not?

1028
00:46:51,724 --> 00:46:53,243
Speaker 3: I love it. We're doing a zoom.

1029
00:46:53,364 --> 00:46:56,124
Speaker 1: I wish you were. I wish you were our last call, Neville,

1030
00:46:56,164 --> 00:46:59,204
Speaker 1: thank you. Scott's with us, Hello, Scott, fight for your flashback.

1031
00:47:00,684 --> 00:47:02,283
Speaker 7: I'm going to have to go with Jamesie on this one.

1032
00:47:02,644 --> 00:47:06,163
Speaker 8: Unfortunately, Amanda, I do apologize, but in regards to the

1033
00:47:06,444 --> 00:47:08,484
Speaker 8: impressions Josie, I don't like it.

1034
00:47:10,964 --> 00:47:13,844
Speaker 1: If full Pauline hands and I don't like it.

1035
00:47:14,044 --> 00:47:14,684
Speaker 5: You don't like it.

1036
00:47:15,123 --> 00:47:15,924
Speaker 1: You're very polite.

1037
00:47:17,123 --> 00:47:20,924
Speaker 3: You secretly do no no, no, one's secretly no no,

1038
00:47:21,244 --> 00:47:23,884
Speaker 3: no no. Well it's pretty clear it's not coming to

1039
00:47:23,964 --> 00:47:24,804
Speaker 3: the Fruit of Plains.

1040
00:47:25,404 --> 00:47:28,084
Speaker 1: But anyway, thirteen fifty five twenty two, or go to

1041
00:47:28,123 --> 00:47:30,964
Speaker 1: our socials Jones and Amanda and cast your vote. Jonesy

1042
00:47:31,044 --> 00:47:33,764
Speaker 1: and Amanda podcast.

1043
00:47:42,324 --> 00:47:44,004
Speaker 3: Fight for your.

1044
00:47:44,004 --> 00:47:47,243
Speaker 2: Flashback two songs end to one song leaves management right

1045
00:47:47,284 --> 00:47:49,804
Speaker 2: this morning. It's good to see you road testing new

1046
00:47:49,884 --> 00:47:51,604
Speaker 2: ideas for your new show next year.

1047
00:47:51,924 --> 00:47:54,283
Speaker 3: Not all ideas can be winners. Case in point, who

1048
00:47:54,404 --> 00:47:54,764
Speaker 3: do you do?

1049
00:47:54,964 --> 00:47:55,604
Speaker 1: It was dreadful.

1050
00:47:55,724 --> 00:47:58,243
Speaker 3: Glad to see that that's not going to make it through.

1051
00:47:58,604 --> 00:48:00,203
Speaker 3: I disagree with them.

1052
00:48:00,324 --> 00:48:03,884
Speaker 8: Come on, it's a great pleasure to talk to people.

1053
00:48:04,604 --> 00:48:04,924
Speaker 7: Radio.

1054
00:48:05,604 --> 00:48:09,004
Speaker 8: Jones men, I.

1055
00:48:09,123 --> 00:48:11,924
Speaker 3: Love you, Jenny, get you mate.

1056
00:48:12,684 --> 00:48:13,844
Speaker 11: You're a little dog too.

1057
00:48:16,123 --> 00:48:20,564
Speaker 3: You have become young Radio announces Mmmm. Entertainers, you must

1058
00:48:26,123 --> 00:48:29,564
Speaker 3: gold dreadful anyway, Although.

1059
00:48:29,324 --> 00:48:32,564
Speaker 2: It inspired today's five few flashback impression songs, I've gone

1060
00:48:32,564 --> 00:48:34,123
Speaker 2: with the buddy Buddy bus Stones.

1061
00:48:35,324 --> 00:48:36,044
Speaker 3: The impression that.

1062
00:48:36,084 --> 00:48:41,124
Speaker 1: I get, I've gone miss banger Shania Twain.

1063
00:48:45,604 --> 00:48:47,764
Speaker 3: Let's see what you want to hear today? Raise in

1064
00:48:47,844 --> 00:48:48,604
Speaker 3: Warrington County.

1065
00:48:48,764 --> 00:48:49,564
Speaker 1: What's your flashback?

1066
00:48:49,684 --> 00:48:49,884
Speaker 3: Ray?

1067
00:48:51,084 --> 00:48:51,243
Speaker 8: Hi?

1068
00:48:51,404 --> 00:48:56,244
Speaker 7: Guys, good morning Amanda and jame Z loves you, but

1069
00:48:56,564 --> 00:48:59,444
Speaker 7: your choice of songs disagree with me most of the time.

1070
00:48:59,564 --> 00:49:02,484
Speaker 7: So Amanda Shania Twain is all yours?

1071
00:49:02,684 --> 00:49:03,044
Speaker 1: Unreal?

1072
00:49:03,164 --> 00:49:06,004
Speaker 3: Thank you? Ray? No this time no, he voted for me,

1073
00:49:06,164 --> 00:49:08,484
Speaker 3: but most of the time I didn't say right now. Oh,

1074
00:49:08,564 --> 00:49:09,964
Speaker 3: come on. Greg's in Laneka.

1075
00:49:10,084 --> 00:49:11,564
Speaker 1: Hello, Greg, fight for your flashback?

1076
00:49:13,004 --> 00:49:13,163
Speaker 7: Bhi.

1077
00:49:13,524 --> 00:49:14,123
Speaker 11: How's it going?

1078
00:49:17,684 --> 00:49:17,884
Speaker 6: Look?

1079
00:49:18,204 --> 00:49:20,004
Speaker 11: Anything to keep train off the radio?

1080
00:49:20,123 --> 00:49:23,283
Speaker 3: Memes Jones? He gets, Thank you, Greg. I don't agree

1081
00:49:23,284 --> 00:49:26,364
Speaker 3: with the sentiment. I love Shania Twain, but each.

1082
00:49:26,324 --> 00:49:27,723
Speaker 1: To their own, Each to their own.

1083
00:49:28,004 --> 00:49:30,164
Speaker 3: Amanda's inn ingle blas for your flashback, Amanda.

1084
00:49:31,724 --> 00:49:35,044
Speaker 11: I like Shanaia Twain, but that song is played all

1085
00:49:35,123 --> 00:49:35,484
Speaker 11: the time.

1086
00:49:35,604 --> 00:49:37,604
Speaker 8: It's got to be the mighty Mighty boss time.

1087
00:49:38,004 --> 00:49:39,763
Speaker 3: All right, thank you variety there.

1088
00:49:39,804 --> 00:49:42,604
Speaker 1: Amanda Eve is in Glenfield. Fight for your flashback?

1089
00:49:42,684 --> 00:49:46,163
Speaker 3: Eve? Good morning, guys, how are we thank you?

1090
00:49:47,084 --> 00:49:49,084
Speaker 11: That's good on voting for Amanda.

1091
00:49:49,324 --> 00:49:52,084
Speaker 1: All right, short and sweet Eve, thank you very much.

1092
00:49:52,924 --> 00:49:57,444
Speaker 1: Donald Sutherland back from the grave. Donald in Sutherland is

1093
00:49:57,524 --> 00:49:59,844
Speaker 1: going to announce our winner. Over to you, Donald, fight

1094
00:49:59,964 --> 00:50:03,763
Speaker 1: for your flashback. Good morning, John Dy and Amanda. Why

1095
00:50:03,924 --> 00:50:07,724
Speaker 1: does it have to be me, Amanda? You need a

1096
00:50:07,844 --> 00:50:12,964
Speaker 1: lasting impression, It's got to be Shania Tway. Well, we've

1097
00:50:13,004 --> 00:50:15,324
Speaker 1: lost Greg, but we've gained Donald Sutherland.

1098
00:50:16,444 --> 00:50:16,764
Speaker 3: Thank you.

1099
00:50:16,844 --> 00:50:20,164
Speaker 1: Everyone. Look at Jonesy's faces like he sucked a lemon.

1100
00:50:21,924 --> 00:50:22,364
Speaker 1: Let's hear it.

1101
00:50:22,484 --> 00:50:24,324
Speaker 2: Well, let's start here and no, double'll hear it in

1102
00:50:24,364 --> 00:50:26,684
Speaker 2: the next twenty minutes as well when it gets replayed

1103
00:50:26,684 --> 00:50:27,884
Speaker 2: every fifteen minutes.

1104
00:50:28,404 --> 00:50:40,964
Speaker 1: Twain En share Notion podcast time. Thanks to Miselle, Socks

1105
00:50:41,004 --> 00:50:43,524
Speaker 1: and Gravies, we have twenty thousand dollars for our favorite

1106
00:50:43,564 --> 00:50:44,163
Speaker 1: coolie of the year.

1107
00:50:44,204 --> 00:50:45,044
Speaker 3: What have we got today?

1108
00:50:45,804 --> 00:50:49,284
Speaker 9: What gets my coolies is when the washing machine says

1109
00:50:49,324 --> 00:50:52,964
Speaker 9: that it has five minutes left to finish the current cycle,

1110
00:50:53,804 --> 00:50:58,004
Speaker 9: yet fifteen minutes later you're still waiting for the cycle

1111
00:50:58,084 --> 00:51:01,324
Speaker 9: to finish. Why does it say it's got five minutes

1112
00:51:01,404 --> 00:51:05,884
Speaker 9: when really it doesn't have five minutes. It's unknown as

1113
00:51:05,924 --> 00:51:08,764
Speaker 9: to how long it has. That really gets cycle.

1114
00:51:08,964 --> 00:51:11,044
Speaker 1: I agree, I've stood for so long in the laundry

1115
00:51:11,084 --> 00:51:14,324
Speaker 1: is looking at it? What is there one? I think

1116
00:51:14,444 --> 00:51:15,484
Speaker 1: one minute, I'll wait.

1117
00:51:15,724 --> 00:51:17,364
Speaker 3: And don't get me started on the dryer.

1118
00:51:19,444 --> 00:51:21,404
Speaker 1: It's the same as the same, Yeah, it is what

1119
00:51:21,604 --> 00:51:22,964
Speaker 1: you mine doesn't have a timer.

1120
00:51:23,804 --> 00:51:26,123
Speaker 3: What is your dry It just does if I feel no, it.

1121
00:51:26,164 --> 00:51:30,364
Speaker 1: Does its senses when it's done. Whoa rich man's appliance

1122
00:51:30,524 --> 00:51:31,764
Speaker 1: is Brenda, get onto it.

1123
00:51:32,364 --> 00:51:34,564
Speaker 2: I'll just to hear the old hills hoist the mangle

1124
00:51:35,684 --> 00:51:37,644
Speaker 2: when I watched my wife put the stuff out of there.

1125
00:51:38,204 --> 00:51:40,524
Speaker 3: Take ages to dry out of the bad with the good.

1126
00:51:40,804 --> 00:51:43,364
Speaker 2: If you dipped out, you can always contact us by

1127
00:51:43,404 --> 00:51:45,284
Speaker 2: the iHeart radio.

1128
00:51:45,084 --> 00:51:50,044
Speaker 3: App jams seven. Hello there, it's jonesy Amanda.

1129
00:51:50,164 --> 00:51:52,203
Speaker 2: You know, jem y Rye has been working harder than

1130
00:51:52,244 --> 00:51:55,044
Speaker 2: a French security guard, not very and.

1131
00:51:55,123 --> 00:52:01,604
Speaker 3: He's come up with this Jen White rice. But I've

1132
00:52:01,684 --> 00:52:05,324
Speaker 3: got other fish to fry, Amanda.

1133
00:52:05,524 --> 00:52:08,763
Speaker 6: Top the list of the top five hundred radio broad

1134
00:52:08,964 --> 00:52:12,604
Speaker 6: past talent. Imagine where Jones you might have come if

1135
00:52:12,684 --> 00:52:13,604
Speaker 6: you worked in radio.

1136
00:52:13,764 --> 00:52:16,444
Speaker 10: Everything you say now to me is just better and

1137
00:52:16,564 --> 00:52:23,123
Speaker 10: better because you number one top big Cheese Numero Uno

1138
00:52:23,804 --> 00:52:25,004
Speaker 10: of all radio talent.

1139
00:52:25,123 --> 00:52:27,804
Speaker 1: That's right, and I'd like to be treated respectful.

1140
00:52:28,284 --> 00:52:30,323
Speaker 3: Of course. I don't know where I fit in this list.

1141
00:52:30,644 --> 00:52:32,203
Speaker 3: It's a good thing. I don't work in radio. It's

1142
00:52:32,204 --> 00:52:34,243
Speaker 3: a good thing. I have no talent, but look at

1143
00:52:34,284 --> 00:52:35,444
Speaker 3: you number one.

1144
00:52:36,204 --> 00:52:37,964
Speaker 1: No, I'm not good at blowing my own trumpet, but

1145
00:52:38,004 --> 00:52:40,924
Speaker 1: I'm really Stuart Stewart, can you blow trumpet?

1146
00:52:41,044 --> 00:52:42,204
Speaker 3: You blow Amanda's trumpet.

1147
00:52:43,404 --> 00:52:45,884
Speaker 8: Congratulations Amanda and Jonesy.

1148
00:52:46,684 --> 00:52:54,964
Speaker 3: Good morning Stewart, very very sensitive.

1149
00:52:56,444 --> 00:52:57,564
Speaker 1: Let's not make this awkward.

1150
00:52:57,804 --> 00:53:00,643
Speaker 6: The Golden Bachelor started on the Telly this week. You

1151
00:53:00,804 --> 00:53:03,684
Speaker 6: host Sam Armitage was on the show to talk about it.

1152
00:53:03,764 --> 00:53:05,643
Speaker 4: You still get butterflies when you see a man.

1153
00:53:05,684 --> 00:53:06,404
Speaker 1: You've got the hospital.

1154
00:53:06,804 --> 00:53:09,004
Speaker 3: You know, none of us prepare for getting on. I

1155
00:53:09,084 --> 00:53:10,804
Speaker 3: look in the mirror now, I think, how did this?

1156
00:53:11,164 --> 00:53:13,004
Speaker 1: How did I become forty nine? I still feel like

1157
00:53:13,044 --> 00:53:16,044
Speaker 1: I'm eighty, and you've still got all things that that stops.

1158
00:53:17,844 --> 00:53:21,244
Speaker 1: You'd hate to think that when you're that all that

1159
00:53:21,364 --> 00:53:24,684
Speaker 1: stuff dries up, because where's the fun. I use expressions

1160
00:53:24,764 --> 00:53:25,284
Speaker 1: like trying.

1161
00:53:29,084 --> 00:53:32,643
Speaker 6: The old golden BATCHI had many ladies to choose from,

1162
00:53:32,884 --> 00:53:35,244
Speaker 6: but they've got to do a lot of spade work, and.

1163
00:53:35,284 --> 00:53:38,203
Speaker 3: You've really got a jockey for the Bachelor's how you know.

1164
00:53:38,244 --> 00:53:43,364
Speaker 10: It's how competitive and awful, how awful Sonny made herself

1165
00:53:43,404 --> 00:53:44,524
Speaker 10: available to the Bachelor.

1166
00:53:44,644 --> 00:53:51,164
Speaker 1: I know some Korea South Korea, South Korea, not North Korea.

1167
00:53:51,364 --> 00:53:54,724
Speaker 3: Quick to make that distinction good Korea, not bad Korea.

1168
00:53:55,044 --> 00:53:55,844
Speaker 1: Good career move.

1169
00:53:56,123 --> 00:53:59,084
Speaker 6: Will Anderson gave us an insight on the so called

1170
00:53:59,324 --> 00:54:01,524
Speaker 6: crime wave that's plaguing Melbourne.

1171
00:54:01,684 --> 00:54:03,123
Speaker 11: Yeah, I mean it is true.

1172
00:54:03,444 --> 00:54:05,684
Speaker 7: You know, I've just think comedians out on there on

1173
00:54:05,764 --> 00:54:08,084
Speaker 7: the street robbing other comedians, stealing their jokes.

1174
00:54:08,964 --> 00:54:11,364
Speaker 3: Is going from town to like you're holding down.

1175
00:54:11,244 --> 00:54:12,764
Speaker 7: A Tommy little so.

1176
00:54:12,884 --> 00:54:15,004
Speaker 6: Yeah, I do think there is a lot of comedy

1177
00:54:15,044 --> 00:54:16,804
Speaker 6: crimes on the streets in Melbourne at the moment.

1178
00:54:17,123 --> 00:54:19,524
Speaker 3: How would Hughesy go? You get robbed by Hughsey?

1179
00:54:20,684 --> 00:54:21,323
Speaker 7: What do you got?

1180
00:54:23,884 --> 00:54:29,644
Speaker 3: Do you think he's holding a chainsaw to? Yeah, snake's alive.

1181
00:54:29,804 --> 00:54:31,204
Speaker 1: But if you don't behave yourself.

1182
00:54:34,444 --> 00:54:37,684
Speaker 6: I don't know if that impression was an inspiration for

1183
00:54:37,804 --> 00:54:40,244
Speaker 6: a segment you could feature when you go to the

1184
00:54:40,444 --> 00:54:43,604
Speaker 6: fruited planes of Drive Time Radio next year.

1185
00:54:43,804 --> 00:54:45,924
Speaker 1: So anyway, we want more of your ideas. I came

1186
00:54:46,044 --> 00:54:48,844
Speaker 1: up with pun hour you wanted to do?

1187
00:54:49,484 --> 00:54:49,924
Speaker 8: Do you do?

1188
00:54:51,123 --> 00:54:53,684
Speaker 1: Let's go back to the dark radio.

1189
00:54:53,844 --> 00:54:55,244
Speaker 3: Who do you? You only do.

1190
00:54:55,364 --> 00:54:58,964
Speaker 10: Doctor right, and neither doctor right passed away.

1191
00:54:59,324 --> 00:55:01,404
Speaker 1: Koh's not in the public eye anymoice.

1192
00:55:01,604 --> 00:55:07,684
Speaker 3: He is just about the you could say to my

1193
00:55:08,004 --> 00:55:10,844
Speaker 3: just I just indeed, I don't like this a man.

1194
00:55:11,084 --> 00:55:14,204
Speaker 10: I'm still doing the ads with those two little massupils.

1195
00:55:15,484 --> 00:55:20,404
Speaker 1: See how do I do one that isn't Doctor Wright,

1196
00:55:21,123 --> 00:55:22,884
Speaker 1: Caushi or Mike Whitney.

1197
00:55:23,524 --> 00:55:26,564
Speaker 3: Okay, do it? What about.

1198
00:55:28,364 --> 00:55:31,324
Speaker 1: I'm waiting stand in front of watch Watch.

1199
00:55:33,764 --> 00:55:34,484
Speaker 7: Why is it so?

1200
00:55:35,244 --> 00:55:37,564
Speaker 1: How old is Julie something? One dred and fifty eight million?

1201
00:55:38,604 --> 00:55:44,123
Speaker 3: Come on? So we open the phone lines for who

1202
00:55:44,324 --> 00:55:46,284
Speaker 3: do you do? Troy is with us?

1203
00:55:46,484 --> 00:55:49,924
Speaker 8: Hello Troy, it's a great pleasure to talk to and

1204
00:55:50,244 --> 00:55:55,444
Speaker 8: fro people using radio being judging men, get you.

1205
00:55:56,804 --> 00:55:58,084
Speaker 11: You're a little god too.

1206
00:56:00,004 --> 00:56:00,243
Speaker 3: Time.

1207
00:56:01,123 --> 00:56:04,123
Speaker 1: So the witch from Wizard of Ours Hailey over to you.

1208
00:56:04,484 --> 00:56:06,203
Speaker 11: Okay, I'm going to do kerm at the front.

1209
00:56:06,364 --> 00:56:13,804
Speaker 3: I can't give it to us. If you hadn't even said.

1210
00:56:13,644 --> 00:56:15,524
Speaker 1: It, I seriously wouldn't have guessed.

1211
00:56:16,164 --> 00:56:17,683
Speaker 3: I'm going to do the term at the frog. Hello,

1212
00:56:17,764 --> 00:56:18,683
Speaker 3: I'm Kermit the Frog.

1213
00:56:18,964 --> 00:56:19,884
Speaker 1: That's quite different.

1214
00:56:20,324 --> 00:56:23,724
Speaker 6: And Robert Erwin has set the dance floor on fire

1215
00:56:23,844 --> 00:56:27,244
Speaker 6: on Dancing with the Stars. People can't help but compare

1216
00:56:27,404 --> 00:56:31,044
Speaker 6: Jonesy's time on the Dancing show not with Robert but

1217
00:56:31,484 --> 00:56:32,204
Speaker 6: someone else.

1218
00:56:32,644 --> 00:56:36,364
Speaker 1: Robert does a whole of dancing solo, meaning meaning he

1219
00:56:36,444 --> 00:56:42,044
Speaker 1: doesn't have to hold cling onto his partner. She was

1220
00:56:42,123 --> 00:56:45,044
Speaker 1: turning herself inside out to gurn around you, to say.

1221
00:56:44,964 --> 00:56:47,004
Speaker 3: Look at it, look over here, look over here. This

1222
00:56:47,244 --> 00:56:49,204
Speaker 3: was the dance where you had to do bits on

1223
00:56:49,284 --> 00:56:52,243
Speaker 3: your own. Here we go. You did win nearly.

1224
00:56:58,804 --> 00:57:01,164
Speaker 1: You know what the hell that was too far since

1225
00:57:01,844 --> 00:57:06,724
Speaker 1: you actually got progressively, Benjamin Button, The dance world.

1226
00:57:08,964 --> 00:57:15,123
Speaker 6: In all that dancing sure does stink. This has been

1227
00:57:15,284 --> 00:57:17,124
Speaker 6: jen wy Rise Jibber Jabba.

1228
00:57:19,244 --> 00:57:21,884
Speaker 1: Recalling Facebook friend when's two andred fifty dollars a spent

1229
00:57:21,964 --> 00:57:24,404
Speaker 1: it Hurricanes grill. You can celebrate Melbourne Cup there with

1230
00:57:24,524 --> 00:57:25,484
Speaker 1: lots of bits and pieces.

1231
00:57:25,644 --> 00:57:28,124
Speaker 2: It's Friday fight for your flashback Today it was songs

1232
00:57:28,164 --> 00:57:29,724
Speaker 2: about impressions.

1233
00:57:29,644 --> 00:57:30,844
Speaker 1: Shania Twain with this.

1234
00:57:35,844 --> 00:57:38,764
Speaker 2: I was disappointed that my one, the mighty Buddy Boss

1235
00:57:38,804 --> 00:57:41,004
Speaker 2: Platoons the impression that I get didn't get up.

1236
00:57:42,124 --> 00:57:46,884
Speaker 1: Scott from Hazelbrook voted for you, but he wasn't sure

1237
00:57:46,884 --> 00:57:47,764
Speaker 1: about your impressions.

1238
00:57:48,484 --> 00:57:51,404
Speaker 7: Results of the impressions jet It.

1239
00:57:53,124 --> 00:57:55,164
Speaker 1: Is that him doing an impression of Pauline Hanson or

1240
00:57:55,204 --> 00:57:56,284
Speaker 1: did he just say those.

1241
00:57:57,844 --> 00:58:03,124
Speaker 3: There? And genius of Scott is that he's actually just

1242
00:58:03,404 --> 00:58:05,564
Speaker 3: dead pan. Do you see how that works?

1243
00:58:05,604 --> 00:58:06,924
Speaker 1: This is your Breens.

1244
00:58:08,404 --> 00:58:13,004
Speaker 3: Friday too. That is enough, is Brenius. The weekend is here,

1245
00:58:13,244 --> 00:58:14,364
Speaker 3: enjoy it and be safe.

1246
00:58:14,924 --> 00:58:18,204
Speaker 2: Coming up next, Hego has arrived twenty thousand dollars or

1247
00:58:18,284 --> 00:58:21,884
Speaker 2: a once in a lifetime holiday with Jimmy Barnes in Bali.

1248
00:58:22,044 --> 00:58:23,524
Speaker 1: Hey, Jimmy and Jane are on our show.

1249
00:58:23,604 --> 00:58:25,204
Speaker 3: Next, we've got a new cookbook out.

1250
00:58:25,204 --> 00:58:27,004
Speaker 1: Remember the last one? I loved it.

1251
00:58:27,164 --> 00:58:29,084
Speaker 3: I want them to make that sausage past that they

1252
00:58:29,164 --> 00:58:30,564
Speaker 3: made for us. Well, no, they've got a new one.

1253
00:58:30,604 --> 00:58:31,884
Speaker 3: Can we get them to cook some stuff or to

1254
00:58:31,964 --> 00:58:33,204
Speaker 3: kill them to cook some stuff for us?

1255
00:58:34,284 --> 00:58:35,524
Speaker 1: We're back tonight for germination.

1256
00:58:35,884 --> 00:58:38,884
Speaker 2: Yes, we will see you at six o'clock tonight. Look

1257
00:58:38,924 --> 00:58:40,284
Speaker 2: after yourself, a man to be safe.

1258
00:58:40,524 --> 00:58:43,324
Speaker 1: Oh I'm going to be going home with a Breenius brain.

1259
00:58:44,364 --> 00:58:46,964
Speaker 3: I feel like good day to you. Well, thank god,

1260
00:58:47,084 --> 00:58:47,564
Speaker 3: that's over.

1261
00:58:47,724 --> 00:58:51,204
Speaker 1: Good bite, good bite, wipe the.

1262
00:58:53,964 --> 00:58:54,244
Speaker 3: Catch.

1263
00:58:54,324 --> 00:58:57,564
Speaker 6: Jonesy and Amanda's podcast on the iHeart App or wherever

1264
00:58:57,604 --> 00:58:58,644
Speaker 6: you get your podcasts

1265
00:59:08,444 --> 00:59:11,484
Speaker 1: Catch up on what you've missed on the free iHeartRadio app.