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Speaker 1: Podcasting now. Yeah, so Woods, amazingly you convinced a stranger

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Speaker 1: that you should be able to use their toilet.

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Speaker 2: Yea.

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Speaker 3: And I don't want to give away too much here,

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Speaker 3: but I mean, pretty pretty ballsy from me, wasn't it.

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Speaker 3: You know I was ran out there on the streets

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Speaker 3: knocking on random doors.

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Speaker 4: You'll hear the suspect you gave me two minutes.

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Speaker 3: Yeah, And listening to it was like watching an episode

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Speaker 3: of twenty four with Keith.

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Speaker 4: Well, he ever goes to the toilet? By the way,

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Speaker 4: if you ever watched the show twenty four, like when

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Speaker 4: when does he we?

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Speaker 1: I think that's just a thing in movies, man the

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Speaker 1: waster shot. But yeah, no, listen to that. You'll hear

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Speaker 1: that yours at the moment that he actually farts in

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Speaker 1: there bathroom as well, is just that's not fair? Special

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Speaker 1: ended that Mark Mark Billy Billingham guys. He he was

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Speaker 1: a security guard for Angeline Jolie, for Brad pet for

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Speaker 1: Sean Pen for Tom Cruise, for Russell Crowe. He's got

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Speaker 1: some wild stories about looking after those guys. So you're

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Speaker 1: going to hear him on here as well. I'm not

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Speaker 1: sure whether we're going to play the gear about the

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Speaker 1: hem's words and the fines. I'm not sure are we

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Speaker 1: going to play that.

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Speaker 4: Yeah, we're getting nods from outside, aggressive nods from out.

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Speaker 1: Yeah, you normally knock out the bad bits. I just

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Speaker 1: thought that was gonna.

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Speaker 2: I thought that was a pretty good bit.

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Speaker 3: We only knock out what these bits. Apparently that was

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Speaker 3: very clear last week. If you didn't hear me much

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Speaker 3: last week, apparently I was off. And actually, this bit's

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Speaker 3: definitely going to be in this show. If you don't

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Speaker 3: know what a phrase sexual is, then this is a

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Speaker 3: must listen. This is just the most extraordinary condition a condition.

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Speaker 1: Yeah. Yeah, it seems like, don't give.

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Speaker 4: Me away too much.

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Speaker 3: It's basically the idea that you will stop finding someone

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Speaker 3: sexually around. It was not being sexually aroused by someone

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Speaker 3: the more you like them.

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Speaker 1: Yeah, so the.

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Speaker 3: First time you sleep with them, it's great. And if

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Speaker 3: you care about them, yeah, you no longer want to

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Speaker 3: sleep with them.

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Speaker 1: Fascinating gears. Imagine that absolutely fascinating stuff, guys. I mean,

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Speaker 1: through that conversation we also talk about guys getting bedroom

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Speaker 1: nerves and failing to perform in inverted commas. And yeah,

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Speaker 1: I'm gonna be honest one of the chicks that called up.

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Speaker 1: I was like, you can't be annoyed to a guy

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Speaker 1: for that.

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Speaker 4: But you can understand nervous.

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Speaker 3: Now you can understand they're annoyed because that's their insecurities

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Speaker 3: they're projecting, going like you're not attracted to me and

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Speaker 3: I have.

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Speaker 1: To give Then once you understand that they're nervous, like,

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Speaker 1: how can you be angry at them?

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Speaker 4: I think it's hard.

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Speaker 1: It's like when a child abuses you. You're like, you're

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Speaker 1: a kid.

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Speaker 4: You know when a child what you.

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Speaker 1: Know, like when a child says something very honest.

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Speaker 3: To you, Yeah, I give it to them back bloody earth,

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Speaker 3: I do lock them up if you want to pay

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Speaker 3: them get a hose in the face.

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Speaker 1: Anyway, Guys, that was that. That is actually a bloody

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Speaker 1: interesting chat. To enjoy that. If you can't listen to

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Speaker 1: the full podcast and push, we'll make one of those

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Speaker 1: little mini numbers where you can just get that by itself.

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Speaker 1: We're going to get out of it.

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Speaker 4: Enjoy guys.

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Speaker 1: Who go and whill is Fudboddy doesn't care what else? Okay, listen, listen,

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Speaker 1: listen what we have. I honestly think one of the

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Speaker 1: most interesting guests we have ever had, arguably the hardest

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Speaker 1: person we've ever had on this show as well. Have

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Speaker 1: a listen to who this is.

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Speaker 4: Our next guest has been a bodyguard to the best.

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Speaker 4: Now it's time he talks to the rest.

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Speaker 1: Formerly in the essays, he's undertook hundreds of.

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Speaker 3: Missions around the world, doing things ranging from reducted do

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Speaker 3: as well as.

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Speaker 5: All of that, he's been a bodyguard to the stars,

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Speaker 5: looking after Angelina, Joli, Brad Pitt, Tom Cruise, and the

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Speaker 5: Gladiator himself reducted.

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Speaker 1: He may have been trained to resist interrogation, but can

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Speaker 1: he resist will and Wood. He's ill researched for plant questioning.

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Speaker 6: Please welcome to the show, the bodyguard himself, Mark Billy Brilliant.

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Speaker 1: Yeah, Mark Billy William Welcome.

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Speaker 7: That's the best introduction I've ever heard.

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Speaker 1: Ah, that's good, mate, that's pretty I suppose. I mean,

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Speaker 1: I mean, given the people that you've been looking after,

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Speaker 1: you're probably used to them getting very big introductions and

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Speaker 1: you sort of just stand there and eyeball the crowd

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Speaker 1: looking for somebody hiding a revolver.

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Speaker 7: Yeah, that's me, the little sweeper at the back. Mate,

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Speaker 7: that didn't do anything but working silent.

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Speaker 3: That's me. And to name a few of those names here, Billy,

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Speaker 3: I mean, gee whiz. We've got Angelina, Joeline brad Pitt,

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Speaker 3: We've got Sean Penn, We've got Russell Crowe, We've got

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Speaker 3: Tom Cruise, we've got Kate Moss. Now I'm a big

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Speaker 3: Russell Crowe fan. Can I ask you Mark, what was

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Speaker 3: Russell like?

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Speaker 7: Russell was the same? I mean, Russell didn't need looking

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Speaker 7: at What's a big old f dude? He can look

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Speaker 7: after himself. The thing with Russell was I used to

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Speaker 7: spend more time stopping him trying to start a fight

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Speaker 7: than anybody trying stop was awesome. Man, Were you all good?

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Speaker 4: Were you there, Billy during his phone throwing escapades?

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Speaker 7: Oh my god, I wish you had a bastment.

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Speaker 6: But I was.

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Speaker 7: I was like before I was in London. And I'm

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Speaker 7: probably after blame for his yes, because I think that

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Speaker 7: night we end up staying a little bit longer in Manchester,

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Speaker 7: drinking a little bit more than next day through to

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Speaker 7: New York and that situation after you know, and you know, so.

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Speaker 1: There we go.

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Speaker 3: You are behind Russell Crow throwing the phone because you

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Speaker 3: got him too damn drunk the night before.

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Speaker 7: A little bit more to it than I blame myself.

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Speaker 1: Wow.

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Speaker 3: Right, So I can't ask you, Billy, I mean, these

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Speaker 3: big celebrities, and we don't have to go into specific

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Speaker 3: because obviously you know you're you're you're a man of

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Speaker 3: your would and.

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Speaker 1: I've got another specific i'd like to ask.

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Speaker 4: Okay, I can, yeah, ask you specific.

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Speaker 1: One more specific. Sorry, Mark, I know you must get

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Speaker 1: really pissed off with this bradon Angelina. Spent most of

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Speaker 1: your time with them, looking after them, and I know

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Speaker 1: you're pretty like, you know, close confidant with them, well trusted,

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Speaker 1: et cetera. Family secrets. Were you on the scene, because

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Speaker 1: I've they hooked up at the Mister and Missus Smith movie.

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Speaker 1: Were you across the were you with them across what

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Speaker 1: was going on with them when their relationship was still

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Speaker 1: relatively secret?

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Speaker 7: Yeah? No, No, I mean I joined just after they

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Speaker 7: really got together, maybe probably a year after Mister and

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Speaker 7: Missus Smith. Yeah, she went on to do a film

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Speaker 7: called Wanted and he anyway, So I joined him after that,

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Speaker 7: So it was it was still in the early days

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Speaker 7: of that relationship, you know. So it was a good

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Speaker 7: time for me. It was a good time. It's a

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Speaker 7: good relationship. It was a good time to work with them.

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Speaker 1: And was your number one job. It was your number

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Speaker 1: one job in that situation. Just making sure that Jennifer

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Speaker 1: Anderson wasn't coming down the next street, No.

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Speaker 7: I try to make sure she was there.

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Speaker 4: Would have made it more entertaining.

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Speaker 1: The fascinating guest with us right now, and Mark Billy Billingham.

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Speaker 1: This book is se Judy Guard to the Stars, Sean Penn,

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Speaker 1: Angelina and Brawan. I had a long time in there,

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Speaker 1: as well as Tom Cruise. So we're asking a whole

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Speaker 1: bunch of stories about these people.

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Speaker 4: Would that's right?

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Speaker 3: Mark, And I wanted to ask you, mate, these big

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Speaker 3: celebrities that you do look after or have looked after,

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Speaker 3: what is the hardest part about looking after it?

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Speaker 7: Don't ma, And people don't even think about it. It's

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Speaker 7: the same image. You have to look after their personal image,

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Speaker 7: you know, because of course there's a physical for of

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Speaker 7: course as the other. And I'll give you an example

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Speaker 7: of this, right, I mean, Andie's such an eye profile

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Speaker 7: and she and God bless them that they were all

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Speaker 7: good people. And I guess every single day they do

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Speaker 7: something for charity or some big meeting on wherever it was,

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Speaker 7: and we'd go to New York. Let's say we're coming

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Speaker 7: in New York. And then she'd have a meeting at

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Speaker 7: the United Nations late in the afternoon and they asked,

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Speaker 7: you'd like a coffee in the back of the car,

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Speaker 7: blah blah, and then all of a sudden, you know,

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Speaker 7: you know, the car had jerk because it's running front

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Speaker 7: of the road, or we have to drive this way

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Speaker 7: or that way. For me as a bodyguard, I have

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Speaker 7: to kind of always be one step ahead and always

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Speaker 7: have like a space clothes in the car, this that

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Speaker 7: the other's that one thing will ruin the whole day. Image, right,

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Speaker 7: you know, she's got an image, and she's not an

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Speaker 7: image sort of person. He's a lovely person. But but

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Speaker 7: unfortunately the world we're living that people want to be

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Speaker 7: a gossip one of yours want to do, you know,

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Speaker 7: so she steps out with all the nice white dress

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Speaker 7: and toffeel down the front of it. It's just what

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Speaker 7: they want. They're com some ridiculous stories they do, because

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Speaker 7: the end of the day, it's all like those wrong

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Speaker 7: the other one who takes it in the neck, and

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Speaker 7: they don't really have a go, but they're in a

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Speaker 7: bad mood. If they're in a bad mood, you're in

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Speaker 7: a bad mood. There's always a threat of some sort

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Speaker 7: going on top of it.

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Speaker 1: So Mark in terms of like intense situations then, because

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Speaker 1: I know you've worked with lots of big celebs, but

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Speaker 1: you've also been an SAS soldier for you know, nearly

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Speaker 1: thirty years. What's a tougher situation like an SAS you know,

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Speaker 1: inten hostage situation or trying to convince the world that

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Speaker 1: Tom Cruise is more than four foot tall.

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Speaker 7: Trying to convince the world Tom's taller, because I mean,

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Speaker 7: that's just get away from some ship.

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Speaker 1: Did you just have some phone books that you just

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Speaker 1: prop him up on every now and then invisible phone

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Speaker 1: books that you had to put under his fee because

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Speaker 1: he is tiny?

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Speaker 7: Well you say that, I thought the saying, but you know,

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Speaker 7: when I met him, I was like, I was shocked.

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Speaker 7: He actually isn't that small. I don't know why he

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Speaker 7: does look that small on TV, and because all his

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Speaker 7: chicks always twice the bloody size and that's why, I ya,

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Speaker 7: it's actually not small. He's actually not And then again,

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Speaker 7: a lovely blog to work I had them.

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Speaker 3: Look at Mark, a true professional. He's still hiding the

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Speaker 3: fact that Tom Cruise is four foot tall.

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Speaker 4: You're never off the.

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Speaker 1: Clock market.

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Speaker 3: Now, mate, we should we should also talk about your

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Speaker 3: new book, mate. I'm just intrigued by the title of

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Speaker 3: the book, kill or Capture.

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Speaker 7: I can make. But I'll tell you what you're the

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Speaker 7: first and all this actually it's been I've just changed

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Speaker 7: the title because we've kind of been persuaded. It's called

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Speaker 7: it's now called call to Kill, not kill, or catch

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Speaker 7: call to kill the same stuff. It's kind of a

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Speaker 7: jack which you come type. But what I will tell

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Speaker 7: you is it's all based on real stuff that I've done, seen,

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Speaker 7: been there, done it, Janes places, names and all. It's mate,

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Speaker 7: if you get a chance to read it, let me

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Speaker 7: I'd love to know what you think. I like it.

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Speaker 7: I wrote it and I love it because I'm actually

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Speaker 7: into the because it was a two book deal, a

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Speaker 7: second book and what we're on about chapter three the

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Speaker 7: second but we just follows on from that. But amazing,

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Speaker 7: it's a great But I think it's a great book.

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Speaker 7: I'm going to say about anyway, So I wrote it,

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Speaker 7: But I'll get to do you guys and if you

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Speaker 7: don't like it, I will make you disapear.

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Speaker 1: Oh, Mark, thanks so much for joining us. Mate, Mark William,

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Speaker 1: former military celebrity bodyguard, s a S presenter as well.

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Speaker 1: I'm sure you would have seen him on the TVs. Mark,

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Speaker 1: thanks much for joining us.

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Speaker 3: A new book, Call to Kill, Call Call to Kill,

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Speaker 3: and the second book in the run I believe is

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Speaker 3: called Tom Cruise is actually tall, so we look forward

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Speaker 3: to that one as well.

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Speaker 1: Talking fray sexuals, well, I don't know if that music

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Speaker 1: is all that pertinent here, because a pray sexual, if

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Speaker 1: you're wondering to yourself, what the hell is that? Will Well,

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Speaker 1: I was wondering myself the same thing. Someone who is

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Speaker 1: a phrase sexual is someone who when they start liking someone,

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Speaker 1: so when they start getting into the person they're seeing,

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Speaker 1: they want to have sex less.

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Speaker 4: Pretty debilitating, isn't it?

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Speaker 1: Interesting stuff? I mean, I don't rectually know the psychology

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Speaker 1: behind if you are a pray sexual third in one

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Speaker 1: O six five. I'd actually love to hear from you,

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Speaker 1: just to know a little bit more. I think it's

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Speaker 1: absolutely fascinating.

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Speaker 3: But isn't that it just seems so like counterintuitive for

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Speaker 3: for for someone and obviously it's a it would be

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Speaker 3: a really tough condition to have. But the idea that

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Speaker 3: when you actually genuinely start liking someone that you then

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Speaker 3: no longer want to get intimate with that person, yeah, wild,

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Speaker 3: it's in. I mean. I read a bit of an

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Speaker 3: article on phrase sexuality or phrase sexualism, whatever the alternative

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Speaker 3: way to call it is, and they talked about how

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Speaker 3: that that's you've got something in your mind which makes

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Speaker 3: you not want to sleep with your sister or a relative,

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Speaker 3: and you really care about that person, they say, with

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Speaker 3: a phrase sexual something gets cross there, something gets cross there.

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Speaker 3: When you start really caring about someone you you are

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Speaker 3: you are disgusted by sleeping with them.

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Speaker 4: Yeah, because you're not supposed to do it. With it

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Speaker 4: with the sisters, you got to care that that's it.

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Speaker 1: Yeah, right, Well, look what I what I couldn't I

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Speaker 1: can't relate to that. But what I could relate to

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Speaker 1: On the other hand, I'm not sure if this is

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Speaker 1: anywhere near the same ballpark is in the past. Traditionally,

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Speaker 1: when I have really liked someone in the first few

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Speaker 1: times that I was with them, not being able to.

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Speaker 4: Perform Yes, And I think everyone knows what you mean

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Speaker 4: by that.

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Speaker 1: Yes, obviously purely a male thing, but obviously physiologically, if

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Speaker 1: you're going to paddle up Coochie Creek, you need the

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Speaker 1: clock to be said to midnight.

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Speaker 3: And it's funny, isn't it, because that's often that happens

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Speaker 3: when you do really care. Yes, I really like the

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Speaker 3: person of pressure on yourself.

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Speaker 1: Yes, And often you know the person you're with, or

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Speaker 1: you know when you're with the guy. You know whether

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Speaker 1: you're a guy or a woman. Your response is always all.

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Speaker 1: The response to me has often been don't worry what

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Speaker 1: happens all the time, But I mean, does it? Does

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Speaker 1: it happen all the time? Are other people like that?

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Speaker 7: Do you think?

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Speaker 6: I mean?

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Speaker 1: You and I might be a good sample size.

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Speaker 4: I think that.

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Speaker 3: I think the problem is that men don't really talk

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Speaker 3: about It's good that we're talking about it right now,

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Speaker 3: but it's pretty much the last thing a guy wants.

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Speaker 4: To talk about.

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Speaker 1: It's pretty emasculating, isn't it. I struggled to I couldn't

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Speaker 1: get it done. I couldn't resurrect the bishop.

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Speaker 4: You've got a lot of words for describing it.

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Speaker 1: It's good, well, but it's a really tough thing to know.

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Speaker 1: I actually wouldn't mind hearing. I mean, this is this

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Speaker 1: is kind of where I want to go with this

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Speaker 1: because I feel like it is something that's not spoken

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Speaker 1: about all the time. Third and one, I six five.

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Speaker 1: If you've been with a guy before and I and

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Speaker 1: and maybe having a couple of times, maybe having a

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Speaker 1: few times, and he said to you and it just

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Speaker 1: it just wasn't firing. He couldn't stiff in the bark

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Speaker 1: on the plumb tree. Does that?

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Speaker 4: Does that?

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Speaker 1: Is that a turn off?

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Speaker 8: Yeah?

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Speaker 4: What's your reaction to that? What is your genuine response

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Speaker 4: to that?

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Speaker 3: Because your will's right, it's it's opened my hand up

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Speaker 3: and said it happened to me before. And you always

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Speaker 3: get the hey, you don't worry about it, But truly,

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Speaker 3: you never really know what happens.

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Speaker 1: It happened around two like I've been with you know

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Speaker 1: girls before where you know I couldn't spike the hot

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Speaker 1: dog and you know that Captain Ice two or three

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Speaker 1: times in a row, and you know I couldn't awake

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Speaker 1: the silent flut. And at that stage she was just like,

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Speaker 1: g whiz, well, maybe you're not into me, no matter

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Speaker 1: what you say.

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Speaker 3: And that's fair, that's fair enough for a female to

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Speaker 3: feel that way. Yeah, yeah, like they're going to feel

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Speaker 3: insecure about it.

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Speaker 1: Attractor to me, Well, he's just lying to me. So

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Speaker 1: the kids I want to do thirty one and six five.

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Speaker 1: First of all, if you are a phrase sexual, love

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Speaker 1: to hear from you, I reckon. That's pretty interesting. But

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Speaker 1: second of all, third and one I six five, if

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Speaker 1: a guy can't turn it on in the moment, what

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Speaker 1: does that say about him? Got an interesting question for

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Speaker 1: you guys, certainly something that's not spoken about a lot.

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Speaker 1: Third and one I six five are you afray sexual?

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Speaker 1: And again, music's obviously didn't listen to me this first time, Joe,

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Speaker 1: that's not the right music. Because a phrase sexual is

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Speaker 1: someone that once they start liking some someone, they want

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Speaker 1: to have less of.

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Speaker 4: That just sends extraordinary and debilitating.

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Speaker 1: Pretty fascinating stuff. But look, so if you are a

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Speaker 1: phrase sexual, love to hear from you. But the thing

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Speaker 1: that Woody and I could relate to with this is

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Speaker 1: something that guys definitely don't talk about a lot. But

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Speaker 1: when you really like someone as a guy, often you

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Speaker 1: do struggle to turn on the lightsaber.

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Speaker 3: Well, you get a performance anxiety because because you actually

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Speaker 3: do really care about how you go. You put a

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Speaker 3: lot of pressure on yourself and that's a bit counterintuitive to.

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Speaker 1: Well, if you want to have gland to gland combat, well,

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Speaker 1: not something that you can that you can actually engage

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Speaker 1: in when when that's not happening. So look for one

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Speaker 1: O six five guys is the phone number, And I

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Speaker 1: think it's a good thing to talk about it. I

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Speaker 1: would love to hear. I mean, obviously, as two heterosexuals,

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Speaker 1: we haven't been on the end of being the other

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Speaker 1: person who's witnessed the disappointment. Sure, so I want to

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Speaker 1: hear from people who obviously have been with guys before

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Speaker 1: the guy or girl what is actually because for me,

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Speaker 1: I've said that two girls two or three times in

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Speaker 1: a row. Hey, look because I really like you and

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Speaker 1: had actually struggled three times. I remember at the end

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Speaker 1: of the third ones just like, well are you lying

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Speaker 1: to me? Like what does it mean? Does it are

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Speaker 1: you disappointed? Does it hurt their chances? Do you take

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Speaker 1: it personally if you're on the receiving end of that?

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Speaker 1: And as I said, I think this is good for

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Speaker 1: guys to hear. So let's go to Renee. Rene. You

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Speaker 1: think it's insulting, Hi yes, I do.

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Speaker 5: I've been with my partner for one year now. And

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Speaker 5: when we actually started seeing each other, the first time

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Speaker 5: we got close like that, he failed to perform and

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Speaker 5: he kind of made the excuse, Oh, I'm just on

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Speaker 5: pain killers. I've hurt my shoulders for that's that's why.

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Speaker 5: And then the second time, same issue. He couldn't perform either,

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Speaker 5: and he kept apologizing and I had to stop and

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Speaker 5: asked him. I was like, look, not gonna lie. I

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Speaker 5: am extremely insulted. You find me attraction.

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Speaker 2: Like me?

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Speaker 5: And he said he's like, no, I find you that

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Speaker 5: hot nut it down, but I can't. It's just not

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Speaker 5: happening because I'm really really nervous. And then I'm coming again.

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Speaker 9: Didn't happen, Yeah, And that was kind of it.

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Speaker 5: I was like, oh, I just I feel really insulted

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Speaker 5: because here I am exposing myself. You're telling me that

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Speaker 5: it's because of that reason. But it's not like that anymore.

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Speaker 5: We finally got comfortable with each other. But from a

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Speaker 5: girl's point of view, so insult oh that is.

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Speaker 1: Just the wrong response.

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Speaker 5: You're hold enough.

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Speaker 1: Well, I hope we can live this in the bud now,

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Speaker 1: because that's the last that's the last way you feel.

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Speaker 3: You can understand as the guy here, I'm going like, oh,

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Speaker 3: it's the worst, and you can say it because that

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Speaker 3: makes it worse. But you can understand how a female

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Speaker 3: feels that way.

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Speaker 1: Yeah, well kind of. But like I'm telling you right now,

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Speaker 1: even if you do feel that way, don't tell the

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Speaker 1: dude that it's gonna make it worse. Let's go to Esan. Esan. Uh,

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Speaker 1: you've been in the situation where a bloke can't set

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Speaker 1: the clock to midnight. What's the response from you?

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Speaker 3: Silent treatment does not work, Ethan, You've got to say

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Speaker 3: something after that. Let's go to Victoria.

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Speaker 1: Victoria, Victoria, we're talking about, Yeah, guys not performing and

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Speaker 1: just what the response is, how you go about it.

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Speaker 1: It's happened to you.

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Speaker 10: Yeah, look, it's happened to me. It's happened to me

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Speaker 10: on two different like occasions. You know, we really really

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Speaker 10: liked each other and it just didn't want to happen,

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Speaker 10: saying the same thing like it happens with girls, tunes

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Speaker 10: like we just can't get.

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Speaker 2: So.

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Speaker 10: Does that mean that we don't like the guy.

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Speaker 1: No, it just means that just like a guy get nervous. Yeah,

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Speaker 1: but Victoria you've got a lovely like there's no you know.

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Speaker 1: But the analogy I learnt to use is when a

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Speaker 1: dog's happy, it wags its tail, right, there's no denying

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Speaker 1: that the dog's happy. Same with guys, like there's there's

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Speaker 1: something visible that happens in order for you guys to

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Speaker 1: you know, get to the next level so you can

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Speaker 1: see it on us at least you guys can. Well,

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Speaker 1: I hate to say it. I feel like this happens

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Speaker 1: a lot, though, I don't know.

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Speaker 10: How do you hide the Sahara desert.

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Speaker 7: Victoria?

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Speaker 4: Not too bad?

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Speaker 1: That is very good. People have got that. Now it's

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Speaker 1: got Vanessa because look all this chat started out with

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Speaker 1: the term pray sexual, which is actually somebody who doesn't

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Speaker 1: want to have sex the more they like someone. Yes,

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00:20:42,680 --> 00:20:44,600
Speaker 1: similar to the bloke thing not getting on but not

435
00:20:44,680 --> 00:20:47,159
Speaker 1: quite right. But Vanessa is a phrase sexual. So Vanessa,

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Speaker 1: welcome to the show. Thanks for calling.

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Speaker 7: Hi, Vice.

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Speaker 8: How you going?

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00:20:52,040 --> 00:20:54,160
Speaker 4: Can you run us through? What is it like being

440
00:20:54,200 --> 00:20:54,919
Speaker 4: a phrase sexual?

441
00:20:55,640 --> 00:20:55,760
Speaker 3: Oh?

442
00:20:56,000 --> 00:21:00,600
Speaker 8: Unbelievably confusing? So I'm being honest. Thing for some of

443
00:21:00,640 --> 00:21:04,120
Speaker 8: the things people have actually spoken about previously on your show.

444
00:21:04,240 --> 00:21:08,400
Speaker 8: Just then they all talk about performance anxiety and that's

445
00:21:08,440 --> 00:21:10,600
Speaker 8: what's causing the issue, and I can tell you it

446
00:21:10,760 --> 00:21:13,720
Speaker 8: has absolutely nothing to do with that. It is just

447
00:21:13,960 --> 00:21:18,199
Speaker 8: like your body has a no reaction to sexual them.

448
00:21:18,200 --> 00:21:20,879
Speaker 8: I allowed to say that way, but yeah, reaction to

449
00:21:21,080 --> 00:21:24,480
Speaker 8: the activity happening, and my whole life every time, Like

450
00:21:24,560 --> 00:21:26,440
Speaker 8: I find it much easier to have a one night

451
00:21:26,520 --> 00:21:29,359
Speaker 8: stand with a guy than it is to actually hold

452
00:21:29,520 --> 00:21:32,280
Speaker 8: my partner's hands. So as time goes on, my relationships

453
00:21:32,359 --> 00:21:34,840
Speaker 8: basically work as Benjamin button and go and reverse.

454
00:21:35,080 --> 00:21:38,600
Speaker 4: Oh my, wow, do you explain that to someone?

455
00:21:38,640 --> 00:21:40,800
Speaker 3: So if you haven't, like Venessa, if you had an

456
00:21:40,800 --> 00:21:42,919
Speaker 3: amazing first date with someone, you didn't sleep with them,

457
00:21:42,960 --> 00:21:45,119
Speaker 3: and as you said, the first time is good, what

458
00:21:45,320 --> 00:21:47,840
Speaker 3: do you then say? You know, as you're starting to

459
00:21:47,920 --> 00:21:49,480
Speaker 3: care for them or like them, what do you tell them?

460
00:21:50,320 --> 00:21:54,920
Speaker 8: I have developed almost every excuse underneath the sun, you know,

461
00:21:54,960 --> 00:21:58,959
Speaker 8: because it takes so much to understand this for yourself,

462
00:21:59,080 --> 00:21:59,760
Speaker 8: like what's going on?

463
00:22:00,119 --> 00:22:00,600
Speaker 3: To explain it?

464
00:22:00,800 --> 00:22:03,600
Speaker 8: Like how do I explain it to someone else if

465
00:22:03,640 --> 00:22:05,720
Speaker 8: I don't even know? And I only discovered the word

466
00:22:05,800 --> 00:22:08,080
Speaker 8: praisexual a year and a half ago and it was

467
00:22:08,200 --> 00:22:13,440
Speaker 8: like a light bulb wet. But like basically the only

468
00:22:13,480 --> 00:22:15,920
Speaker 8: way I can ever explain it to a heterosexual is

469
00:22:16,119 --> 00:22:20,159
Speaker 8: you know, could you ever find yourself sexually attracted to

470
00:22:20,240 --> 00:22:23,440
Speaker 8: a dude when push came to shots? You know, see

471
00:22:24,359 --> 00:22:27,119
Speaker 8: you could find someone sthetically attracted me and connected to them.

472
00:22:27,200 --> 00:22:29,800
Speaker 8: But that moment comes, you're just not gonna You're not

473
00:22:29,840 --> 00:22:30,560
Speaker 8: going to sleep?

474
00:22:31,359 --> 00:22:31,520
Speaker 6: Is that?

475
00:22:31,760 --> 00:22:33,760
Speaker 1: Yeah?

476
00:22:33,880 --> 00:22:34,040
Speaker 7: Yeah?

477
00:22:34,160 --> 00:22:34,320
Speaker 5: Yeah?

478
00:22:35,080 --> 00:22:39,280
Speaker 1: Wow Vanessa? You so you're with someone now, Vanessa? No, No,

479
00:22:40,880 --> 00:22:43,320
Speaker 1: to constantly reinvent, like, is there any way that they

480
00:22:43,359 --> 00:22:45,800
Speaker 1: could come in with like a full prosthetic mask on

481
00:22:46,320 --> 00:22:48,120
Speaker 1: and just pretend to be someone else?

482
00:22:49,600 --> 00:22:50,480
Speaker 8: I've never tried it.

483
00:22:50,720 --> 00:22:55,040
Speaker 1: Maybe ideas, get one of those glasses with the pistage

484
00:22:55,280 --> 00:23:01,320
Speaker 1: or call you back to my own thanks to the

485
00:23:01,359 --> 00:23:04,360
Speaker 1: core man, Thanksally, Honestly, that's brilliant fun call Matt, thank

486
00:23:04,400 --> 00:23:08,960
Speaker 1: you well, it's pretty wild stuff. James Corden got himself

487
00:23:09,040 --> 00:23:13,320
Speaker 1: a surprise guest on Carpool Karaoke Prince Harry.

488
00:23:13,840 --> 00:23:17,359
Speaker 4: Well, like it was like bus pool karaoke man.

489
00:23:17,440 --> 00:23:18,760
Speaker 1: He should have thrown that up in the brain. Stop

490
00:23:19,200 --> 00:23:19,399
Speaker 1: used that.

491
00:23:19,520 --> 00:23:21,760
Speaker 3: No, no, no, because they he got Harry on one

492
00:23:21,760 --> 00:23:24,480
Speaker 3: of those top decker bussy things to go around la.

493
00:23:24,680 --> 00:23:25,080
Speaker 1: That's right.

494
00:23:25,400 --> 00:23:27,120
Speaker 4: He'd never been on a bus before Harry.

495
00:23:27,040 --> 00:23:29,560
Speaker 1: Well, no, no, he hadn't never been in a bus.

496
00:23:29,760 --> 00:23:31,880
Speaker 4: Top deck bus in LA half listened to these things.

497
00:23:32,040 --> 00:23:35,600
Speaker 1: Yeah, so he'd never been a topic by I had

498
00:23:35,720 --> 00:23:37,400
Speaker 1: never seen La because he's been lockdown the whole time.

499
00:23:37,480 --> 00:23:39,440
Speaker 1: So it was actually it worked out with actually amazing video.

500
00:23:39,440 --> 00:23:43,120
Speaker 1: They're getting pretty good number, similar to our most recent video.

501
00:23:43,119 --> 00:23:44,159
Speaker 1: I think they've got ten million in.

502
00:23:44,160 --> 00:23:46,400
Speaker 4: The first two hours. It's good numbers on Instagram.

503
00:23:46,520 --> 00:23:46,720
Speaker 1: Yeah.

504
00:23:46,800 --> 00:23:47,000
Speaker 7: Yeah.

505
00:23:47,520 --> 00:23:51,200
Speaker 1: But anyway, they go to a house effectively, and Harry

506
00:23:51,800 --> 00:23:54,840
Speaker 1: just asks if he can use the toilet.

507
00:23:55,800 --> 00:23:58,320
Speaker 7: I'm actually dying for a peek. Can I use your

508
00:23:58,359 --> 00:24:01,640
Speaker 7: bathroom for Can I hang on? I've had a cod

509
00:24:02,359 --> 00:24:03,160
Speaker 7: you're going for a week.

510
00:24:08,280 --> 00:24:10,440
Speaker 1: And then the chick like they're just filming there. The

511
00:24:10,520 --> 00:24:12,359
Speaker 1: chick's like, yeah, sure, you can use the toilet if

512
00:24:12,359 --> 00:24:14,760
Speaker 1: you like, and he just goes in and use the bathroom,

513
00:24:15,359 --> 00:24:19,520
Speaker 1: which is obviously something that would only happen if you're

514
00:24:19,520 --> 00:24:19,920
Speaker 1: a prince.

515
00:24:20,280 --> 00:24:23,639
Speaker 4: Disagree, What do you mean? I disagree? What do you

516
00:24:23,840 --> 00:24:24,000
Speaker 4: I think?

517
00:24:24,040 --> 00:24:25,880
Speaker 3: I think it probably helped that he was Prince Harry,

518
00:24:25,880 --> 00:24:27,560
Speaker 3: because who's saying no to Prince Harry. But if you

519
00:24:27,640 --> 00:24:30,639
Speaker 3: was out to any stranger's house, any stranger's house here

520
00:24:30,680 --> 00:24:32,399
Speaker 3: in Australia, they will let you use their toilet.

521
00:24:32,760 --> 00:24:35,159
Speaker 4: It would be barbaric of a person not to let

522
00:24:35,240 --> 00:24:36,119
Speaker 4: you use their toilet.

523
00:24:37,080 --> 00:24:39,399
Speaker 1: I disagree. I disagree. You're not you're not. You need

524
00:24:39,440 --> 00:24:42,600
Speaker 1: to use the toilet. You don't need to borrow an

525
00:24:42,600 --> 00:24:46,080
Speaker 1: EpiPen because you've got an anaphylactic reaction, like you're not dying.

526
00:24:46,240 --> 00:24:50,280
Speaker 4: Holding a week can lead to some pretty dire health consequences.

527
00:24:50,960 --> 00:24:54,200
Speaker 1: It's a person's right. It is a person's right to

528
00:24:54,440 --> 00:24:57,240
Speaker 1: deny somebody to enter their house. Yeah, it's particularly particularly

529
00:24:57,240 --> 00:24:58,359
Speaker 1: if someone needs to use a toilet.

530
00:24:58,400 --> 00:25:00,800
Speaker 3: It's there right. But they're a bad and if they don't.

531
00:25:00,920 --> 00:25:03,040
Speaker 3: If someone knocked on my door and said, I'm really sorry,

532
00:25:03,040 --> 00:25:05,680
Speaker 3: I'm busting to God. Yeah, please help yourself. Do you

533
00:25:05,760 --> 00:25:08,760
Speaker 3: want a coffee, I'd be good. I'd be good about it.

534
00:25:09,600 --> 00:25:12,960
Speaker 1: The only reason that I'm sorry for everyone that wanted

535
00:25:12,960 --> 00:25:14,880
Speaker 1: to hear us talk about more Joams Scott and Prince Area.

536
00:25:14,920 --> 00:25:16,320
Speaker 1: But you need to be held account for these things.

537
00:25:16,520 --> 00:25:20,840
Speaker 1: The only reason that Harry gets to use a stranger's toilet.

538
00:25:20,880 --> 00:25:23,240
Speaker 1: I need you can see this for me, is because

539
00:25:23,359 --> 00:25:24,160
Speaker 1: he's Prince Harry.

540
00:25:24,320 --> 00:25:27,480
Speaker 3: No I'm not gonna conceive there. I could walk up

541
00:25:27,520 --> 00:25:29,359
Speaker 3: to any stranger's house anywhere, knock on the door and

542
00:25:29,359 --> 00:25:30,840
Speaker 3: say can I he's your toilet, and then say yeah,

543
00:25:30,880 --> 00:25:33,040
Speaker 3: no worries, Okay, let's do it. Well, okay, we're doing

544
00:25:33,040 --> 00:25:33,520
Speaker 3: it after the show.

545
00:25:33,600 --> 00:25:34,399
Speaker 1: Now, we'll do it right now.

546
00:25:34,760 --> 00:25:36,320
Speaker 4: I don't even got time to do it now, yeah,

547
00:25:36,359 --> 00:25:36,480
Speaker 4: we do.

548
00:25:37,160 --> 00:25:40,320
Speaker 11: It's gonna take you up three minutes right downstairs. Well,

549
00:25:40,359 --> 00:25:42,159
Speaker 11: we are in a residential street here, sir, I've never

550
00:25:42,200 --> 00:25:47,439
Speaker 11: saw we're I promise you can go down. You got

551
00:25:47,520 --> 00:25:48,200
Speaker 11: three minutes long.

552
00:25:48,320 --> 00:25:50,160
Speaker 3: If I knock on the door next to this station

553
00:25:50,680 --> 00:25:52,200
Speaker 3: right now and say can I use the toilet?

554
00:25:52,400 --> 00:25:53,520
Speaker 4: They will let me use their toilet?

555
00:25:53,600 --> 00:25:56,880
Speaker 1: Okay? And if not, what if they're not there, well,

556
00:25:57,000 --> 00:25:57,920
Speaker 1: I'll go to the next door.

557
00:25:58,800 --> 00:26:01,439
Speaker 4: Give me, give me three houses. One of them if

558
00:26:01,480 --> 00:26:03,240
Speaker 4: they're home, we'll say, yes, use my toilet.

559
00:26:03,440 --> 00:26:05,680
Speaker 1: I'll give you a total of two minutes. Fine, easy,

560
00:26:05,880 --> 00:26:09,080
Speaker 1: two minutes to use some stranger's toilet downstairs. Doing this now, yes,

561
00:26:09,119 --> 00:26:10,800
Speaker 1: score my mobile, and then you about to hear the

562
00:26:10,800 --> 00:26:12,680
Speaker 1: whole thing. Okay, all right, I'll see on the other side.

563
00:26:13,119 --> 00:26:14,640
Speaker 1: You're an idiot, but I love you for it because

564
00:26:14,640 --> 00:26:16,480
Speaker 1: this is a good gear. Welcome to the show.

565
00:26:16,560 --> 00:26:20,239
Speaker 6: WOS, thank you, thanks for that random applause. Well I've

566
00:26:20,280 --> 00:26:22,720
Speaker 6: got a friendly face. I've got a very friendly face.

567
00:26:23,040 --> 00:26:25,040
Speaker 6: I don't see why some wouldn't let me use their toilet.

568
00:26:25,080 --> 00:26:26,560
Speaker 6: So I'm down here on a street just around the

569
00:26:26,600 --> 00:26:28,959
Speaker 6: corner from the station. I'm just going to start knocking

570
00:26:30,200 --> 00:26:32,399
Speaker 6: and then you'll hear one of the greatest wheez to

571
00:26:32,480 --> 00:26:33,680
Speaker 6: ever occur on Australian radio.

572
00:26:33,720 --> 00:26:36,840
Speaker 1: Okay, so just to give this a bit of well theater,

573
00:26:37,080 --> 00:26:38,800
Speaker 1: and I'm going to give you a two minute timer.

574
00:26:39,400 --> 00:26:42,359
Speaker 1: A two minute timer, well, Prince Harry, Prince Harry is

575
00:26:42,440 --> 00:26:43,720
Speaker 1: one from one, so.

576
00:26:44,119 --> 00:26:46,040
Speaker 12: Yeah, okay, well I'll also be one from one. When

577
00:26:46,080 --> 00:26:48,680
Speaker 12: does the does the timer stop when I'm in the

578
00:26:48,800 --> 00:26:50,200
Speaker 12: house or when does the timer stop?

579
00:26:50,320 --> 00:26:52,600
Speaker 1: No, you've got to use their toilet. The timer stops

580
00:26:52,640 --> 00:26:55,440
Speaker 1: when I hear I'm sorry to say this, everybody listening

581
00:26:55,520 --> 00:26:56,920
Speaker 1: right now, but the time is going to stop when

582
00:26:56,920 --> 00:26:59,679
Speaker 1: I hear youin on urinin bowl no.

583
00:27:00,359 --> 00:27:01,360
Speaker 12: Wan, I get stay right.

584
00:27:01,600 --> 00:27:02,760
Speaker 7: I'm going to get stage.

585
00:27:02,960 --> 00:27:06,000
Speaker 1: Your issue of your issue. I did that is I

586
00:27:06,160 --> 00:27:06,879
Speaker 1: did back to that.

587
00:27:08,840 --> 00:27:12,760
Speaker 2: Da right now, go rock frock.

588
00:27:14,480 --> 00:27:14,880
Speaker 11: As a dog.

589
00:27:15,000 --> 00:27:19,200
Speaker 2: I'll go the as a scary tool. Okay, I'm bringing

590
00:27:19,240 --> 00:27:19,679
Speaker 2: the bell.

591
00:27:22,040 --> 00:27:26,120
Speaker 1: Jeers. I didn't take into account bell ringing time. You're

592
00:27:26,160 --> 00:27:27,760
Speaker 1: at a minute forty five already.

593
00:27:28,920 --> 00:27:29,640
Speaker 8: Right here you going?

594
00:27:29,880 --> 00:27:32,280
Speaker 12: And I see I was just wanting to fucking use

595
00:27:32,320 --> 00:27:32,880
Speaker 12: your bathroom.

596
00:27:34,000 --> 00:27:35,960
Speaker 10: I probably rather than in the house.

597
00:27:36,640 --> 00:27:39,160
Speaker 12: That's no way, that's so fine, that's so fine, Thank

598
00:27:39,200 --> 00:27:42,879
Speaker 12: you though, Okay, I'll got okay, okay, none once she

599
00:27:43,160 --> 00:27:44,240
Speaker 12: was not getting at all.

600
00:27:45,480 --> 00:27:47,520
Speaker 7: Okay, so half till the door.

601
00:27:49,359 --> 00:27:50,440
Speaker 1: Don't go through the open door.

602
00:27:50,720 --> 00:27:51,160
Speaker 12: What are you doing?

603
00:27:51,359 --> 00:27:56,160
Speaker 1: Knock them knock? You got a minute left?

604
00:27:56,600 --> 00:27:57,360
Speaker 12: Hello, here you going.

605
00:27:58,200 --> 00:27:59,679
Speaker 7: I'm feeling them recording this is there?

606
00:27:59,680 --> 00:28:00,920
Speaker 12: Ay, check I could use your bathroom.

607
00:28:02,920 --> 00:28:05,320
Speaker 7: Okay, no, no, ros Dolph have a lovely day.

608
00:28:06,480 --> 00:28:08,000
Speaker 12: That's also that's also no.

609
00:28:08,119 --> 00:28:09,159
Speaker 2: And the door flay that was no.

610
00:28:09,200 --> 00:28:13,280
Speaker 12: One door flame, that was no. I think I'm done.

611
00:28:13,640 --> 00:28:14,280
Speaker 6: This is something.

612
00:28:14,440 --> 00:28:18,400
Speaker 7: I'm done with this rush. You need to wait as well.

613
00:28:20,200 --> 00:28:23,800
Speaker 12: Okay, hey mate, hey you going? Do you mind if

614
00:28:23,800 --> 00:28:28,720
Speaker 12: I use your bathroom? I was just really really good

615
00:28:28,760 --> 00:28:30,960
Speaker 12: go to the bathroom, and I'm I'm filming and recording this.

616
00:28:31,040 --> 00:28:31,639
Speaker 7: If that's okay?

617
00:28:32,920 --> 00:28:36,640
Speaker 2: Yeah, all right, yeah, okay, okay, thanks so much, thank

618
00:28:36,720 --> 00:28:37,639
Speaker 2: so Well, yeah.

619
00:28:37,600 --> 00:28:41,440
Speaker 7: I'll just it'll be very very brief. Sorry, where's your bathroom?

620
00:28:43,440 --> 00:28:47,880
Speaker 2: Okay, yeah, okay, beautiful home.

621
00:28:50,320 --> 00:29:02,400
Speaker 1: You've got twenty seconds. I've got twenty seconds. Eleven and seven.

622
00:29:10,960 --> 00:29:16,440
Speaker 11: Wow, extraordinary shocking to hear on the radio.

623
00:29:16,640 --> 00:29:20,320
Speaker 1: Really ambrasive gear. But it didn't prove a point. Well

624
00:29:20,440 --> 00:29:24,000
Speaker 1: we get out of there, mates, Wow, Prince Harry cop

625
00:29:24,120 --> 00:29:27,479
Speaker 1: some of that. Anybody can use anyone's toilet public.

626
00:29:27,880 --> 00:29:28,880
Speaker 7: Thanks so much, mate.

627
00:29:29,680 --> 00:29:32,000
Speaker 1: Wo's you got five minutes to get out of there.

628
00:29:32,000 --> 00:29:33,760
Speaker 1: I'll see you back in the studio. Bro. Good like

629
00:29:33,920 --> 00:29:38,600
Speaker 1: getting out of there. Ye are either Luke Hemsworth or

630
00:29:38,760 --> 00:29:43,920
Speaker 1: Jacob Fines of your family? Strange question, woulds? I know

631
00:29:44,000 --> 00:29:45,760
Speaker 1: it's a strange question. I want to explain myself here.

632
00:29:46,160 --> 00:29:48,200
Speaker 1: Yesterday or on Friday last week, you and I were

633
00:29:48,200 --> 00:29:52,440
Speaker 1: talking about the Fines brothers. So there's Rafe Fines.

634
00:29:52,680 --> 00:29:53,680
Speaker 4: I used to think it was Ralph.

635
00:29:54,160 --> 00:29:56,040
Speaker 1: Thought it was Ralph spelled Ralph. You're entitled to call

636
00:29:56,120 --> 00:29:56,440
Speaker 1: him Ralph.

637
00:29:56,520 --> 00:29:56,640
Speaker 7: Yah.

638
00:29:56,680 --> 00:29:58,520
Speaker 1: Yeah, I mean, in fact, he's an absolute nob If

639
00:29:58,520 --> 00:30:01,120
Speaker 1: he pulls you up, spell it Ralph, you say it

640
00:30:01,280 --> 00:30:05,040
Speaker 1: Ray anyway, Ralph finds he's Voldemort and Harry Potter films.

641
00:30:05,400 --> 00:30:08,560
Speaker 1: His brother Joseph is in Shakespeare in Love, he's in

642
00:30:08,640 --> 00:30:13,720
Speaker 1: Elizabeth and they're both very famous actors. And we found

643
00:30:13,760 --> 00:30:17,120
Speaker 1: out on Friday that they've actually got another brother called Jacob.

644
00:30:17,200 --> 00:30:21,240
Speaker 1: So he's the third brother who's not a famous actor,

645
00:30:21,360 --> 00:30:21,840
Speaker 1: but does this.

646
00:30:22,800 --> 00:30:25,520
Speaker 4: The actor Ralph Fines famously played Voldemort.

647
00:30:25,840 --> 00:30:26,719
Speaker 1: Brother's famous as well.

648
00:30:26,800 --> 00:30:28,680
Speaker 4: His brother's definitely not famous. He runs a nude beach

649
00:30:28,760 --> 00:30:29,240
Speaker 4: in Norfolk.

650
00:30:30,680 --> 00:30:33,000
Speaker 1: I don't think he's that there's two Fines brothers, though

651
00:30:33,000 --> 00:30:33,680
Speaker 1: they're both actors.

652
00:30:34,120 --> 00:30:37,720
Speaker 4: There's obviously a third awful brother who just runs a.

653
00:30:39,440 --> 00:30:42,400
Speaker 3: We actually went on there. He named his nude beach

654
00:30:42,560 --> 00:30:46,400
Speaker 3: after one of Jacob's movies. It's called William Shakespeare Nudist Beach,

655
00:30:46,840 --> 00:30:48,840
Speaker 3: and his brother Joseph is in Shakespeare in Love.

656
00:30:48,880 --> 00:30:51,000
Speaker 4: That's right, right, It gets worse.

657
00:30:51,120 --> 00:30:54,360
Speaker 1: Like he didn't called Voldemort nude beach. No one would go,

658
00:30:56,440 --> 00:30:59,720
Speaker 1: come on, I love it. Cheap little gag to start

659
00:30:59,760 --> 00:31:03,480
Speaker 1: the Show's very good. Now as we're talking more about this,

660
00:31:03,480 --> 00:31:04,800
Speaker 1: we're doing about the Fines brothers. So you've got the

661
00:31:04,880 --> 00:31:08,160
Speaker 1: very two famous brothers. You got Ralph, you got Joseph,

662
00:31:08,400 --> 00:31:10,200
Speaker 1: and then you've got Jacob, who runs the Nude Beach

663
00:31:10,280 --> 00:31:14,600
Speaker 1: in Norfolk. Norfolk, there's another very famous family where there

664
00:31:14,640 --> 00:31:20,840
Speaker 1: are three brothers and the third brother is not so prominent.

665
00:31:21,280 --> 00:31:23,640
Speaker 1: We've got Chris Hemsworth.

666
00:31:23,440 --> 00:31:25,600
Speaker 4: Four, one of the biggest actors in the world.

667
00:31:25,760 --> 00:31:31,400
Speaker 1: Luke Camsworth the Hunky Games. You said Luke, Luke was

668
00:31:31,520 --> 00:31:34,200
Speaker 1: Luke would have been chumped with the slip. And then

669
00:31:34,240 --> 00:31:38,120
Speaker 1: we've got Luke Luke Hamsworth, who's the third brother, who's

670
00:31:38,200 --> 00:31:41,720
Speaker 1: very well known for well, I mean he did a

671
00:31:41,760 --> 00:31:42,720
Speaker 1: bit of in Westworld.

672
00:31:45,160 --> 00:31:49,840
Speaker 9: Yes, not sure who you're supposed to be loyal.

673
00:31:49,680 --> 00:31:52,040
Speaker 3: To a world like that.

674
00:31:53,480 --> 00:31:59,120
Speaker 1: There he was, that was good gear, that was good gear.

675
00:31:59,400 --> 00:32:04,720
Speaker 1: But the reality is they are very much on the

676
00:32:04,840 --> 00:32:07,280
Speaker 1: outside from the big dogs in the family.

677
00:32:07,680 --> 00:32:07,880
Speaker 4: Yeah.

678
00:32:07,960 --> 00:32:10,760
Speaker 3: Well, I'd actually say I think he's close to Liam

679
00:32:10,840 --> 00:32:13,200
Speaker 3: in my opinion as far as credits go. Liam hasn't

680
00:32:13,240 --> 00:32:15,360
Speaker 3: done that much, but he had a huge, high profile

681
00:32:15,400 --> 00:32:18,760
Speaker 3: relationship with Miley, so he's very well known. Yes, Luke, Yeah,

682
00:32:19,320 --> 00:32:22,000
Speaker 3: definitely not as well like I saw. I saw Luke

683
00:32:22,040 --> 00:32:25,360
Speaker 3: in bar and Bay recently the holidays. No one was

684
00:32:25,400 --> 00:32:27,760
Speaker 3: going up to it. He was could just go about

685
00:32:27,760 --> 00:32:29,680
Speaker 3: his own business in the supermarket, which he would love.

686
00:32:30,040 --> 00:32:32,320
Speaker 1: He would reckon, I reckon, he'd be pumped when he

687
00:32:32,360 --> 00:32:34,800
Speaker 1: gets pulled up. I mean there's little moments every day

688
00:32:34,800 --> 00:32:37,160
Speaker 1: and he's like, wow, maybe somebody knew me.

689
00:32:37,240 --> 00:32:38,160
Speaker 4: I should have got a selfie.

690
00:32:38,160 --> 00:32:39,400
Speaker 1: He should have if he would have loved it.

691
00:32:39,520 --> 00:32:40,280
Speaker 4: I feel bad now.

692
00:32:40,440 --> 00:32:42,280
Speaker 1: Anyway. Look, here's what I want to ask for everybody,

693
00:32:42,320 --> 00:32:45,080
Speaker 1: because I think these people exist within siblings and it's

694
00:32:45,160 --> 00:32:47,800
Speaker 1: nothing to be ashamed of. There's normal people out there.

695
00:32:48,560 --> 00:32:52,760
Speaker 1: Your siblings obviously don't need to be like famous, but

696
00:32:53,000 --> 00:32:55,200
Speaker 1: they can be substantially better than you would.

697
00:32:55,240 --> 00:32:57,520
Speaker 3: You say you're the Luke Hemsworth of your family. Wow,

698
00:32:57,640 --> 00:32:59,520
Speaker 3: And sorry, I don't mean to be offensive here, but

699
00:32:59,640 --> 00:33:02,560
Speaker 3: all you all siblings are doctors and lawyers, very very

700
00:33:02,600 --> 00:33:04,920
Speaker 3: impressive people. And you just did a bit on live

701
00:33:05,040 --> 00:33:07,160
Speaker 3: radio about me taking a WI in a stranger's house.

702
00:33:07,560 --> 00:33:11,200
Speaker 3: So I just don't know where you sit there with

703
00:33:11,320 --> 00:33:12,080
Speaker 3: your family.

704
00:33:12,160 --> 00:33:15,960
Speaker 1: Then Yeah, sure I'm the Jacob Fines or Luke Kemsworth

705
00:33:16,000 --> 00:33:16,600
Speaker 1: in my family.

706
00:33:18,000 --> 00:33:18,440
Speaker 4: Oh got that?

707
00:33:18,560 --> 00:33:20,400
Speaker 1: And they're okay. They're out there, guys, And I want

708
00:33:20,440 --> 00:33:22,480
Speaker 1: you guys feel very comfortable to call the show. The

709
00:33:22,600 --> 00:33:27,200
Speaker 1: question is essentially, have you got high flying family? Are

710
00:33:27,280 --> 00:33:29,600
Speaker 1: you either Luke Kemsworth or Jacob Fines of that family.

711
00:33:29,840 --> 00:33:32,160
Speaker 3: Melissa, you're calling up to say that you think you're

712
00:33:32,160 --> 00:33:33,680
Speaker 3: the Luke Hemsworth of your family?

713
00:33:34,640 --> 00:33:35,360
Speaker 9: Absolutely?

714
00:33:35,880 --> 00:33:38,840
Speaker 1: Okay, how came? How come? Melissa? Whether other siblings do,

715
00:33:38,960 --> 00:33:39,560
Speaker 1: let's start with that.

716
00:33:39,640 --> 00:33:40,200
Speaker 2: What are you doing?

717
00:33:41,360 --> 00:33:44,760
Speaker 9: One of my brothers has his own company, One of

718
00:33:44,840 --> 00:33:49,160
Speaker 9: my sisters is an incredible dancer. The other one has

719
00:33:49,280 --> 00:33:51,840
Speaker 9: self taught herself and the guitar.

720
00:33:52,160 --> 00:33:52,480
Speaker 1: Wow.

721
00:33:52,720 --> 00:33:55,560
Speaker 9: And when my parents talk about me, they just say,

722
00:33:55,800 --> 00:33:56,880
Speaker 9: are you the teacher?

723
00:33:57,560 --> 00:33:57,760
Speaker 1: Oh?

724
00:33:58,320 --> 00:34:02,240
Speaker 3: Just the teacher that hurts the Do you have something, though, Melissa,

725
00:34:02,280 --> 00:34:04,239
Speaker 3: that you've got over him? Like Luke Hemsworth, He's got

726
00:34:04,280 --> 00:34:06,480
Speaker 3: the calves, he's got his calves, he's got Westworld.

727
00:34:07,280 --> 00:34:07,840
Speaker 4: What have you got?

728
00:34:08,719 --> 00:34:08,759
Speaker 1: So?

729
00:34:09,040 --> 00:34:11,719
Speaker 9: I do dancing with my sister, but my mum will

730
00:34:11,760 --> 00:34:14,560
Speaker 9: tell me straight up that she watched my sister over

731
00:34:14,680 --> 00:34:15,760
Speaker 9: me when we dance together.

732
00:34:16,080 --> 00:34:18,640
Speaker 4: Ah, so wow, you don't have nothing?

733
00:34:19,280 --> 00:34:19,480
Speaker 7: Yeah?

734
00:34:19,960 --> 00:34:25,319
Speaker 1: Thanks the call. This just sounds like an absolute bitch

735
00:34:25,360 --> 00:34:28,560
Speaker 1: of a mum. I mean, really that is intense.

736
00:34:28,600 --> 00:34:30,520
Speaker 4: Get around the worst one I know at least.

737
00:34:30,719 --> 00:34:33,000
Speaker 1: Yeah, Jenna is called on thirty one and sixty five.

738
00:34:33,080 --> 00:34:36,040
Speaker 1: Jenny or the Jacob Fines or the Luke Hemsworth of

739
00:34:36,120 --> 00:34:36,560
Speaker 1: your fan.

740
00:34:37,920 --> 00:34:38,480
Speaker 7: Yes, I.

741
00:34:41,120 --> 00:34:43,160
Speaker 1: Sorry, mate, you just dropped out there far away again

742
00:34:43,239 --> 00:34:43,480
Speaker 1: for me.

743
00:34:43,960 --> 00:34:47,640
Speaker 5: Oh sorry. My brother is a neighbor's actor and I'm

744
00:34:47,760 --> 00:34:48,000
Speaker 5: just an.

745
00:34:48,040 --> 00:34:51,320
Speaker 4: I'd been as sister, who's your who's your brother on

746
00:34:51,400 --> 00:34:52,000
Speaker 4: neighbors there.

747
00:34:51,920 --> 00:34:53,800
Speaker 12: Jenna, he's Curtis.

748
00:34:53,920 --> 00:34:56,080
Speaker 7: He's the new one, the copular implant.

749
00:34:56,400 --> 00:34:59,480
Speaker 4: Not that impressive, Curtis, Fine, don't worry about it.

750
00:35:01,000 --> 00:35:02,759
Speaker 3: I mean, if it was you know, if it was

751
00:35:02,840 --> 00:35:05,160
Speaker 3: Carl Kennedy, don' top to Carl, I'd go, well, jeez,

752
00:35:05,200 --> 00:35:13,560
Speaker 3: you know, it's good on your cat.

753
00:35:13,960 --> 00:35:17,560
Speaker 1: What Alex on thirty one and six five were talking

754
00:35:17,560 --> 00:35:20,000
Speaker 1: about being the least impressive member of your family. What

755
00:35:20,080 --> 00:35:20,920
Speaker 1: have you got for us now?

756
00:35:21,600 --> 00:35:23,839
Speaker 2: Well, I don't know if I'm depends who you ask

757
00:35:23,920 --> 00:35:26,880
Speaker 2: about being the least impressive, but I'm My parents are accounting.

758
00:35:27,320 --> 00:35:29,719
Speaker 2: My sister runs one of the boundsmen news. He's a

759
00:35:29,760 --> 00:35:31,880
Speaker 2: venue manager. And I told my parents I want to

760
00:35:31,920 --> 00:35:36,040
Speaker 2: juggle and ride unicycles. I don't think that's what they

761
00:35:36,239 --> 00:35:37,320
Speaker 2: kind of had in mind for me.

762
00:35:37,680 --> 00:35:39,600
Speaker 4: No, how's it going for you, though, Alex?

763
00:35:40,560 --> 00:35:42,560
Speaker 2: I reckon it's fantastic.

764
00:35:42,960 --> 00:35:43,759
Speaker 1: Okay, Well that's it.

765
00:35:44,960 --> 00:35:47,040
Speaker 2: I'm absolutely living the dream, but I still don't think

766
00:35:47,080 --> 00:35:50,680
Speaker 2: that's kind of their ideals like job for.

767
00:35:50,800 --> 00:35:53,560
Speaker 1: Me, but does don't worry about that, man, I'm sure

768
00:35:53,600 --> 00:35:55,680
Speaker 1: you've got like we're just talking before. I mean of

769
00:35:57,000 --> 00:35:59,719
Speaker 1: the other brothers. So Luke Kemsworth's got his west World

770
00:35:59,760 --> 00:36:04,520
Speaker 1: and his calves, Jacob Fines has got a nude bitch

771
00:36:04,600 --> 00:36:07,080
Speaker 1: in Norfolk? Is there anything else that you kind of

772
00:36:07,120 --> 00:36:08,800
Speaker 1: you know, you can hang your hat on outside of

773
00:36:08,840 --> 00:36:10,080
Speaker 1: the unicycling and the juggling.

774
00:36:10,880 --> 00:36:17,800
Speaker 2: My swallow swords and eat fighter more things to impress

775
00:36:17,840 --> 00:36:18,280
Speaker 2: the parents.

776
00:36:19,600 --> 00:36:21,560
Speaker 4: You can swallow a sword very good.

777
00:36:23,520 --> 00:36:25,080
Speaker 1: Out see what you're hearing.

778
00:36:25,320 --> 00:36:28,560
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