1 00:00:00,480 --> 00:00:05,160 Speaker 1: The Rolling Stones Review is Rolling into Perth, starring Text Perkins, 2 00:00:05,160 --> 00:00:09,520 Speaker 1: Steve Kilby, Sarah McLeod and Adelita, September thirteen at the 3 00:00:09,560 --> 00:00:11,200 Speaker 1: Glorious Asta Theater. 4 00:00:11,880 --> 00:00:13,000 Speaker 2: Text Perkins is with us. 5 00:00:13,039 --> 00:00:17,760 Speaker 1: Now, good morning, Lisa Clary, you going very well. 6 00:00:17,800 --> 00:00:20,959 Speaker 2: Welcome Now this thank you sounds awesome. 7 00:00:21,040 --> 00:00:23,759 Speaker 1: The Rolling Stones Review is a full blown rock and 8 00:00:23,840 --> 00:00:29,440 Speaker 1: roll spectacle, starting with the seminal Sticky Fingers album that's 9 00:00:29,480 --> 00:00:31,600 Speaker 1: going to be the first half of the show. Widely 10 00:00:31,600 --> 00:00:34,160 Speaker 1: considered one of the Stones's best albums, twenty six million 11 00:00:34,200 --> 00:00:38,600 Speaker 1: copies worldwide. I think anytime anything kicks off with the 12 00:00:38,640 --> 00:00:42,920 Speaker 1: opening notes of brown Sugar, you know you've got something 13 00:00:42,960 --> 00:00:43,640 Speaker 1: good ahead of you. 14 00:00:45,120 --> 00:00:49,400 Speaker 3: Well, yes, Sticky Fingers. The reason that I was lured 15 00:00:49,440 --> 00:00:53,559 Speaker 3: into this in the beginning was the Sticky Fingers is 16 00:00:53,600 --> 00:00:56,720 Speaker 3: my favorite, not only Stones albums, It might be my 17 00:00:56,800 --> 00:00:58,000 Speaker 3: favorite album of all time. 18 00:00:58,040 --> 00:01:00,160 Speaker 2: Oh my god, that is a big call. Tip that 19 00:01:00,320 --> 00:01:01,080 Speaker 2: is high praise. 20 00:01:01,600 --> 00:01:03,160 Speaker 3: Depending on my mood, of course. 21 00:01:03,520 --> 00:01:05,360 Speaker 4: Absolutely that's amazing, But. 22 00:01:06,040 --> 00:01:09,600 Speaker 3: Now it's it's fascinated me from from a child. It 23 00:01:09,640 --> 00:01:13,679 Speaker 3: was one of the earliest cultural references that I had 24 00:01:13,720 --> 00:01:17,759 Speaker 3: to be the seed a darker side of life, right 25 00:01:18,280 --> 00:01:23,759 Speaker 3: album that album is just dripping with sex and drugs 26 00:01:24,680 --> 00:01:28,000 Speaker 3: and roll. As a young child, I was, it was 27 00:01:28,080 --> 00:01:29,520 Speaker 3: very curious yea. 28 00:01:30,200 --> 00:01:34,040 Speaker 2: And I mean the album cover just is amazing. 29 00:01:34,440 --> 00:01:37,360 Speaker 3: Indeed, my brother had one of the original albums which 30 00:01:37,400 --> 00:01:40,800 Speaker 3: had an actual zipper, Oh my god, cool, and the 31 00:01:41,120 --> 00:01:43,920 Speaker 3: sleeve was yeah, he pulled it out and then it 32 00:01:44,080 --> 00:01:45,640 Speaker 3: was a man in underpants. 33 00:01:45,280 --> 00:01:47,800 Speaker 4: Yes, yeah, yeah, because he's still. 34 00:01:47,520 --> 00:01:50,240 Speaker 3: Got the copy, which is not Mick Jagger, no. 35 00:01:50,120 --> 00:01:55,400 Speaker 1: No, no, it's a stunt underpanties man stunt growing. 36 00:01:56,440 --> 00:01:59,639 Speaker 3: It was one of Andy Warhol design that record covers. 37 00:02:00,200 --> 00:02:01,840 Speaker 3: One of his is one of. 38 00:02:01,800 --> 00:02:06,880 Speaker 4: His models, yes, which few in the factory there. 39 00:02:07,240 --> 00:02:07,480 Speaker 3: Yeah. 40 00:02:07,560 --> 00:02:11,520 Speaker 4: Absolutely. It takes always that question, mate, Do you have 41 00:02:11,560 --> 00:02:12,960 Speaker 4: a favorite child from the album? 42 00:02:13,080 --> 00:02:13,320 Speaker 3: Is there? 43 00:02:13,440 --> 00:02:15,160 Speaker 4: And is it this? You've got a favorite song from 44 00:02:15,160 --> 00:02:17,079 Speaker 4: the album? Is it the best one to sing too? 45 00:02:17,080 --> 00:02:20,880 Speaker 3: For? You know, my favorite song from the album is 46 00:02:21,000 --> 00:02:25,000 Speaker 3: Moonlight mile right, yep, And I do get to sing 47 00:02:25,040 --> 00:02:30,520 Speaker 3: it without a leader's look. It's more my favorite to 48 00:02:30,560 --> 00:02:33,120 Speaker 3: listen to than to sing. It tough to sing, really, 49 00:02:36,040 --> 00:02:39,560 Speaker 3: but things like there's also things like system Morphine, which 50 00:02:40,919 --> 00:02:47,519 Speaker 3: just just it's quite chilling, really authenticity. And then there's 51 00:02:47,880 --> 00:02:52,480 Speaker 3: but I did sing other tracks like Sway Yep, which 52 00:02:52,560 --> 00:02:56,040 Speaker 3: is the second song on the album, and another one 53 00:02:56,080 --> 00:03:02,920 Speaker 3: called I Got the Blues, which has an incredible keyboard solo. Yeah. 54 00:03:03,440 --> 00:03:08,640 Speaker 3: But the musicians that are playing the music is, oh. 55 00:03:08,560 --> 00:03:10,000 Speaker 2: It's a red backing band. 56 00:03:10,040 --> 00:03:15,880 Speaker 3: It's a band, and they're sort of almost like nerds. Yes, yeah, 57 00:03:16,040 --> 00:03:18,880 Speaker 3: rock and roll nerds just for the details. They get 58 00:03:19,000 --> 00:03:23,000 Speaker 3: all the details right, yeah, you know, you know, especially 59 00:03:23,320 --> 00:03:27,639 Speaker 3: the guitar players and the keyboard player. It's yeah, it's 60 00:03:27,760 --> 00:03:31,519 Speaker 3: it's the finest exact details that they get the music right. 61 00:03:32,240 --> 00:03:33,160 Speaker 3: It's very impressive. 62 00:03:33,320 --> 00:03:36,080 Speaker 1: So you will are you all for on stage at 63 00:03:36,120 --> 00:03:38,040 Speaker 1: the same time, It's not like it's not like the 64 00:03:38,040 --> 00:03:39,960 Speaker 1: three tenors. You're not coming out one one at a 65 00:03:40,000 --> 00:03:42,800 Speaker 1: time and doing a song the. 66 00:03:42,880 --> 00:03:46,200 Speaker 3: Very the very final finale. I think we all will 67 00:03:46,200 --> 00:03:50,400 Speaker 3: all come out together, okay, right, which will probably the 68 00:03:50,720 --> 00:03:54,000 Speaker 3: stones most famous song if you could probably guess what 69 00:03:54,040 --> 00:03:54,640 Speaker 3: that might have been. 70 00:04:01,840 --> 00:04:04,040 Speaker 1: Don't give it away, do you know what? You're not 71 00:04:04,200 --> 00:04:06,119 Speaker 1: my favorite rolling Stone song? 72 00:04:06,240 --> 00:04:07,280 Speaker 3: Handle myself. 73 00:04:08,040 --> 00:04:09,320 Speaker 2: You handle that one yourself. 74 00:04:09,720 --> 00:04:13,920 Speaker 1: My favorite rolling Stone song is Memory Motel, which Memory 75 00:04:13,960 --> 00:04:17,800 Speaker 1: Motel from Black and Blue. That is my absolute second 76 00:04:17,800 --> 00:04:20,000 Speaker 1: half of the show is other stuff. 77 00:04:21,920 --> 00:04:26,520 Speaker 3: It's a collection of highlights of the Stones from sixties 78 00:04:26,520 --> 00:04:29,520 Speaker 3: and seventies and a little bit of the eighties. And 79 00:04:30,640 --> 00:04:33,240 Speaker 3: now that we've got Steve Kilby on board, he's taking 80 00:04:33,279 --> 00:04:39,280 Speaker 3: it into some very interesting places. He's kind of handling 81 00:04:39,360 --> 00:04:44,920 Speaker 3: these more psychedelic sixties kind of stuff of the Stones. Okay, 82 00:04:45,200 --> 00:04:48,839 Speaker 3: I believe that's given too much. Ways, he's chosen to 83 00:04:48,880 --> 00:04:54,640 Speaker 3: do two Thousand Light Years from Home. Wow, that so yeah, 84 00:04:55,279 --> 00:04:57,200 Speaker 3: which is a full on psychedelic Yeah. 85 00:04:57,320 --> 00:05:01,599 Speaker 4: Yeah, it's more a piece to Brian's territory. Yeah, Brian 86 00:05:01,720 --> 00:05:05,800 Speaker 4: James Keith. You can't have Stones without Keith for a 87 00:05:05,880 --> 00:05:08,960 Speaker 4: human riff and having Jack Houst and your Bad Loves 88 00:05:08,960 --> 00:05:10,520 Speaker 4: and they played with the Whitlams as well, and meeting 89 00:05:10,560 --> 00:05:13,760 Speaker 4: the Bad Loves days. He is great because there's only 90 00:05:13,800 --> 00:05:15,800 Speaker 4: one key for Riches. It doesn't go over the top. 91 00:05:15,839 --> 00:05:18,279 Speaker 4: He is just Keith. It's all about the feel and 92 00:05:18,320 --> 00:05:19,120 Speaker 4: the melody, isn't it. 93 00:05:19,240 --> 00:05:19,440 Speaker 2: Well? 94 00:05:19,480 --> 00:05:21,719 Speaker 3: As I say, these guys get it, get the music 95 00:05:21,800 --> 00:05:26,039 Speaker 3: so right. It's not just an approximation now, as I said, 96 00:05:26,040 --> 00:05:32,960 Speaker 3: they're they're almost they're almost obsessively nerdish on the der's good, 97 00:05:33,160 --> 00:05:34,280 Speaker 3: which is great, but. 98 00:05:34,200 --> 00:05:36,640 Speaker 1: They make the best actual musicians, don't they the ones 99 00:05:36,640 --> 00:05:39,479 Speaker 1: that are nerdy, not the ones with the sticky fingers. 100 00:05:42,000 --> 00:05:45,960 Speaker 3: When you're putting on a tribute show to a particular album. Yes, 101 00:05:46,200 --> 00:05:50,120 Speaker 3: and people want to hear that album. Yeah, done correctly, 102 00:05:51,600 --> 00:05:54,680 Speaker 3: it's I mean vocally it's a bit of an interpretation 103 00:05:54,880 --> 00:05:57,120 Speaker 3: because none of us are Mick Jagon. 104 00:05:57,279 --> 00:05:57,479 Speaker 4: Yeah. 105 00:05:57,920 --> 00:06:02,840 Speaker 3: Music wise it's spot on. Yeah, you can't argue with 106 00:06:02,880 --> 00:06:03,640 Speaker 3: the details there. 107 00:06:03,839 --> 00:06:05,360 Speaker 4: I know what you made. I would never have thought 108 00:06:05,400 --> 00:06:07,040 Speaker 4: being a Steely Dan freak, I would going to see 109 00:06:07,080 --> 00:06:09,520 Speaker 4: a Steely Dan tribute act. But there was these brilliant 110 00:06:09,600 --> 00:06:11,800 Speaker 4: musicos in Perth to show Friends restaurant few years ago, 111 00:06:11,920 --> 00:06:16,840 Speaker 4: and their meticulous attention to detail was incredible. So really 112 00:06:16,839 --> 00:06:18,800 Speaker 4: in the years was really in the years, you know 113 00:06:18,839 --> 00:06:21,480 Speaker 4: what I'm saying, So help they're very nerdy. 114 00:06:21,720 --> 00:06:24,760 Speaker 3: I think you're going to if we're going to present 115 00:06:25,680 --> 00:06:29,640 Speaker 3: an honor a particular piece of work, then yeah, I 116 00:06:29,680 --> 00:06:32,720 Speaker 3: think you've really got to pay attention to those details, 117 00:06:33,040 --> 00:06:33,960 Speaker 3: which fans know. 118 00:06:34,440 --> 00:06:36,480 Speaker 4: Yes, true and they want to year. 119 00:06:37,360 --> 00:06:40,000 Speaker 1: So we referred to it as rolling into Perth. It 120 00:06:40,080 --> 00:06:42,640 Speaker 1: is you know, it's a review. How is it being 121 00:06:42,680 --> 00:06:46,400 Speaker 1: on the road with these this lot pretty good. 122 00:06:46,800 --> 00:06:49,720 Speaker 3: The whole thing's been spread out, so it's hasn't been 123 00:06:49,800 --> 00:06:55,320 Speaker 3: like a grinding tour. Oh okay, it's been sort of separated, 124 00:06:55,360 --> 00:07:00,159 Speaker 3: but by three weeks weekend of gigs and then three 125 00:07:00,200 --> 00:07:04,599 Speaker 3: weeks doing other stuff, right, I mean the last thing 126 00:07:04,720 --> 00:07:07,560 Speaker 3: we did was the Munday Monday bash out in your 127 00:07:07,600 --> 00:07:12,000 Speaker 3: Broken Hill well and this enormous concert in the middle 128 00:07:12,000 --> 00:07:15,520 Speaker 3: of the desert, and that was amazing. 129 00:07:16,880 --> 00:07:19,680 Speaker 4: I can imagine here. You're not going off there unreal. 130 00:07:21,680 --> 00:07:23,560 Speaker 1: On another note, I was on a road trip the 131 00:07:23,600 --> 00:07:26,440 Speaker 1: other weekend Text and one of the things that got 132 00:07:26,440 --> 00:07:29,520 Speaker 1: me through the long, lonely road was listening to Text 133 00:07:29,520 --> 00:07:33,640 Speaker 1: and the Lady Boys. Again, it is so good on 134 00:07:33,680 --> 00:07:35,280 Speaker 1: a road trip. Is there going to be any. 135 00:07:35,120 --> 00:07:35,480 Speaker 2: More of that? 136 00:07:37,840 --> 00:07:40,160 Speaker 3: I always threatened it, threaten it. 137 00:07:40,400 --> 00:07:42,960 Speaker 1: There's so many songs, so many songs that you've yet 138 00:07:42,960 --> 00:07:43,480 Speaker 1: to tackle. 139 00:07:44,400 --> 00:07:44,720 Speaker 2: I know. 140 00:07:45,080 --> 00:07:48,680 Speaker 3: Yeah, Look, if you could give me, give me a few, 141 00:07:53,920 --> 00:07:56,040 Speaker 3: you could come on board and produce the album. 142 00:07:56,120 --> 00:08:00,600 Speaker 1: Okay, all right, there's the office late boys. 143 00:08:00,800 --> 00:08:03,640 Speaker 3: One of the. 144 00:08:04,440 --> 00:08:09,120 Speaker 4: She'll be She'll be right, You'll be right, yes, down, 145 00:08:09,480 --> 00:08:11,880 Speaker 4: I should be thinking, she's Trevor Horn want producing. 146 00:08:15,040 --> 00:08:16,520 Speaker 3: We're going to karaoke bars. 147 00:08:16,680 --> 00:08:22,400 Speaker 2: Yeah, taking notes of fun examples. No serious. 148 00:08:22,440 --> 00:08:25,200 Speaker 1: If no one's ever heard these, they should, they should 149 00:08:25,200 --> 00:08:27,400 Speaker 1: do themselves a favor, all right, Lisa. 150 00:08:27,440 --> 00:08:29,920 Speaker 3: When I come to Perth, well, well we'll go out 151 00:08:30,080 --> 00:08:33,920 Speaker 3: karaoke planning the new Lady Boys album. 152 00:08:34,000 --> 00:08:36,160 Speaker 2: Okay, I reckon, you're all right? 153 00:08:37,120 --> 00:08:41,360 Speaker 3: Well, actually what is happening? Yes, for true, for real? 154 00:08:41,600 --> 00:08:47,360 Speaker 3: Yes is a new Cruel Sea album stip and a 155 00:08:47,520 --> 00:08:52,960 Speaker 3: new Beat and a new Beef album God featuring all 156 00:08:53,040 --> 00:08:54,760 Speaker 3: your favorite person editions. 157 00:08:54,880 --> 00:08:55,760 Speaker 4: Yeah. 158 00:08:56,320 --> 00:09:02,560 Speaker 3: Yeah, James Baker borisuitic wicked. So they're all both already 159 00:09:02,600 --> 00:09:04,120 Speaker 3: recorded and that will come out. 160 00:09:05,240 --> 00:09:06,520 Speaker 2: Is the best news ever. 161 00:09:07,360 --> 00:09:10,199 Speaker 4: He's a trooper, always against the against the odds and 162 00:09:10,240 --> 00:09:11,200 Speaker 4: rest of times. James in. 163 00:09:14,000 --> 00:09:16,080 Speaker 3: Seventy now he's got chances. 164 00:09:16,280 --> 00:09:19,000 Speaker 4: Yeah, he's still he's still going, still doing it. 165 00:09:19,960 --> 00:09:21,920 Speaker 3: I just wanted to say, Brock and Roll is good 166 00:09:21,920 --> 00:09:22,160 Speaker 3: for you. 167 00:09:22,360 --> 00:09:23,960 Speaker 4: Yes, absolutely cool. 168 00:09:25,200 --> 00:09:27,679 Speaker 1: In the meantime, while we await those are two new 169 00:09:27,760 --> 00:09:32,120 Speaker 1: albums September thirteen at the Asta Theater. Tickets are on 170 00:09:32,160 --> 00:09:35,120 Speaker 1: sale of course. Now, thank you for chatting to us 171 00:09:35,120 --> 00:09:35,680 Speaker 1: this morning. 172 00:09:36,720 --> 00:09:39,040 Speaker 3: It's been a pleasure, always a pleasure talking to you too. 173 00:09:39,320 --> 00:09:39,720 Speaker 2: Thank you. 174 00:09:40,000 --> 00:09:42,720 Speaker 4: Text Perkins in his new producer Lisa, Maxi and Shure. 175 00:09:43,679 --> 00:09:45,120 Speaker 2: I'll start working on my list. 176 00:09:45,800 --> 00:09:56,800 Speaker 4: Thanks, you've got my number. Why you won't sleep? Spray 177 00:09:56,840 --> 00:09:59,439 Speaker 4: have missed for studio I