1 00:00:00,200 --> 00:00:04,120 Speaker 1: If you're listening to Will and Woody, Yeah, there's going 2 00:00:04,200 --> 00:00:04,920 Speaker 1: to be some weirdness. 3 00:00:05,040 --> 00:00:09,000 Speaker 2: I think so. So I have brought along an impartial judge. 4 00:00:09,640 --> 00:00:14,040 Speaker 2: Arguably the foundation of judging music in Australia. The name 5 00:00:14,040 --> 00:00:16,439 Speaker 2: of the face that everybody would associate with that it's 6 00:00:16,480 --> 00:00:20,840 Speaker 2: and Dicko Dixon. Welcome dick O. 7 00:00:21,360 --> 00:00:25,400 Speaker 3: Hello boys. I'm very excited. I haven't had any fresh 8 00:00:25,440 --> 00:00:26,320 Speaker 3: meat in a few years. 9 00:00:29,040 --> 00:00:32,239 Speaker 2: He's brutal, still brutal. I love it, Dicko, Well you 10 00:00:32,280 --> 00:00:33,800 Speaker 2: heard all that. Mate. Woods wants to be part of 11 00:00:33,800 --> 00:00:35,760 Speaker 2: the quartet. I think feels being really nice to Mills 12 00:00:35,760 --> 00:00:37,239 Speaker 2: and I. We don't think you should he should be in. 13 00:00:37,520 --> 00:00:40,800 Speaker 2: We need an impartial judge. I know you've been preparing 14 00:00:41,040 --> 00:00:43,000 Speaker 2: and singing a lot. You're willing to sing a couple 15 00:00:43,040 --> 00:00:43,760 Speaker 2: of songs for Dicko. 16 00:00:44,200 --> 00:00:46,360 Speaker 1: Absolutely. I mean Dicko has already heard me sing a 17 00:00:46,440 --> 00:00:48,320 Speaker 1: fair But we're in the jungle together, dick I I 18 00:00:48,400 --> 00:00:50,920 Speaker 1: used to sing about getting wood every day. 19 00:00:51,320 --> 00:00:55,320 Speaker 3: Yeah, that was a little bit disturbing. It wasn't a 20 00:00:55,320 --> 00:00:58,600 Speaker 3: barbershop quartet either. You will fit well in a barbershop 21 00:00:58,680 --> 00:01:02,319 Speaker 3: quartet because being a next private schoolboy, you've got your 22 00:01:02,320 --> 00:01:03,200 Speaker 3: own straw boater. 23 00:01:06,920 --> 00:01:07,320 Speaker 2: What song? 24 00:01:07,920 --> 00:01:09,960 Speaker 1: First song I'd like to do because I just feel 25 00:01:10,000 --> 00:01:11,560 Speaker 1: like you guys need to see me my best. And 26 00:01:11,600 --> 00:01:13,280 Speaker 1: this is one of the hardest songs to sing. It's 27 00:01:13,319 --> 00:01:14,960 Speaker 1: Whitney Houston. I Will Always love you. 28 00:01:18,080 --> 00:01:22,399 Speaker 2: Oh yeah, oh no, hating it. 29 00:01:22,880 --> 00:01:24,319 Speaker 1: Thoughts on song selection to go. 30 00:01:25,959 --> 00:01:27,920 Speaker 3: You've gone for the high board straight off. 31 00:01:28,760 --> 00:01:31,479 Speaker 1: Apparently we need a falsetto within the quartet. So there's 32 00:01:31,480 --> 00:01:33,080 Speaker 1: the countertenor that high part. 33 00:01:33,319 --> 00:01:35,200 Speaker 2: Yeah, we are lacking that. So that's the role he'es 34 00:01:35,200 --> 00:01:37,480 Speaker 2: auditioning for. So it makes sense. Okay, here we go. 35 00:01:37,600 --> 00:01:40,600 Speaker 2: Oh my god, this is obviously the start with that backing. 36 00:01:40,959 --> 00:01:41,400 Speaker 1: Here we go. 37 00:01:44,319 --> 00:01:45,200 Speaker 3: You can't love me? 38 00:01:53,440 --> 00:02:10,480 Speaker 1: Fam shoot stay, ah would be you're so go, please go. 39 00:02:12,280 --> 00:02:18,160 Speaker 1: I know I think of you every step of the. 40 00:02:19,480 --> 00:02:22,240 Speaker 2: Come on, you can do it? 41 00:02:22,639 --> 00:02:24,320 Speaker 3: Here goes and. 42 00:02:26,160 --> 00:02:33,040 Speaker 2: No, well, I mean I got high. 43 00:02:33,160 --> 00:02:36,040 Speaker 1: You did get that note. You got the note. So Phil, 44 00:02:36,400 --> 00:02:39,119 Speaker 1: if you can control it, I think you're in Thank you. 45 00:02:40,560 --> 00:02:43,120 Speaker 1: This is all about this is a bad potential. 46 00:02:43,200 --> 00:02:43,760 Speaker 2: What do you think? 47 00:02:44,320 --> 00:02:46,080 Speaker 3: I think, Houston? We have a problem. 48 00:02:50,120 --> 00:02:51,000 Speaker 1: Can I do one more right? 49 00:02:51,080 --> 00:02:53,400 Speaker 2: We'll go to a side on the other side. But 50 00:02:53,560 --> 00:02:56,200 Speaker 2: his audition to get into The barbershop continues on the 51 00:02:56,240 --> 00:02:59,120 Speaker 2: other side, with Tico judging the contest. It's will and 52 00:02:59,160 --> 00:03:00,440 Speaker 2: what are you having to go? Master? 53 00:03:00,760 --> 00:03:05,400 Speaker 1: Is hear more of the Boys on the Full Show podcast, 54 00:03:05,560 --> 00:03:09,160 Speaker 1: all on the iHeartRadio app, oh, wherever you get your podcast.