1 00:00:00,320 --> 00:00:01,920 Speaker 1: Willy podcasting. 2 00:00:02,279 --> 00:00:06,080 Speaker 2: Now Will, I'm about to cold call Australia's number one 3 00:00:06,120 --> 00:00:07,880 Speaker 2: selling artist on the ARIA charts. 4 00:00:08,119 --> 00:00:11,800 Speaker 3: The question probably asking is why, And that's because. 5 00:00:11,560 --> 00:00:13,640 Speaker 1: We know I'm not Actually you did a business deal. 6 00:00:15,400 --> 00:00:18,000 Speaker 3: Sorry, I'm stealing it Sunday you are. 7 00:00:18,560 --> 00:00:21,000 Speaker 4: You're probably wondering why, and that's because I'm putting on 8 00:00:21,000 --> 00:00:24,640 Speaker 4: a live from the porch extravaganza, all thanks to Roughie, 9 00:00:24,720 --> 00:00:27,200 Speaker 4: Rustic Foods Delicious Meals made Easy. 10 00:00:27,200 --> 00:00:29,360 Speaker 3: If you've missed any of this though, and listen to this. 11 00:00:29,880 --> 00:00:32,800 Speaker 5: Over the holidays, wood he signed a deal without will 12 00:00:33,080 --> 00:00:35,760 Speaker 5: to have five celebrities perform over a week on his 13 00:00:35,840 --> 00:00:39,560 Speaker 5: front porch. In true Woody style, he had no one 14 00:00:39,640 --> 00:00:43,440 Speaker 5: locked in until now. First call from the boys went 15 00:00:43,479 --> 00:00:47,720 Speaker 5: to international superstar comedian Ross Noble obviously. 16 00:00:47,440 --> 00:00:49,599 Speaker 1: Might have said a bit of fine tuning, but can 17 00:00:49,640 --> 00:00:50,479 Speaker 1: we pencil. 18 00:00:50,159 --> 00:00:51,600 Speaker 3: You went to go and perform on the porch. 19 00:00:51,840 --> 00:00:54,560 Speaker 5: When you see a fine tuning, does that mean doing 20 00:00:54,680 --> 00:01:00,200 Speaker 5: absolutely no work on my part whatsoever? Nath Valvoux was 21 00:01:00,240 --> 00:01:03,400 Speaker 5: reluctant to perform because he said he was busy. I 22 00:01:03,440 --> 00:01:07,800 Speaker 5: had a kmart delivery today, so there is some stuff 23 00:01:07,880 --> 00:01:08,319 Speaker 5: going on. 24 00:01:09,640 --> 00:01:14,479 Speaker 1: You just proved that there really is nothing going on and. 25 00:01:14,400 --> 00:01:15,839 Speaker 3: You'll be here on the porch. 26 00:01:16,040 --> 00:01:19,039 Speaker 5: Would he then try to get a singing dog, But 27 00:01:19,200 --> 00:01:21,720 Speaker 5: fortunately for you Australia, Will said. 28 00:01:21,520 --> 00:01:26,040 Speaker 3: No, Wow, is that it? 29 00:01:28,480 --> 00:01:30,880 Speaker 1: Wow Wood? 30 00:01:30,880 --> 00:01:32,959 Speaker 5: He calls a singing superstar? 31 00:01:34,720 --> 00:01:37,360 Speaker 2: That is right for O guy, I have got the 32 00:01:37,480 --> 00:01:41,520 Speaker 2: number of Australia's number one selling artist on the Aria 33 00:01:41,680 --> 00:01:44,280 Speaker 2: chance I'm gonna do something very wrong right after this 34 00:01:44,400 --> 00:01:46,920 Speaker 2: next song, I'm just going to cold call them and 35 00:01:46,920 --> 00:01:48,840 Speaker 2: I'm going to put it to them in a label. 36 00:01:48,960 --> 00:01:50,680 Speaker 4: I'm avoiding the manager. I'm just going to put it 37 00:01:50,680 --> 00:01:52,400 Speaker 4: to him. Do you want to perform live on me porch? 38 00:01:52,520 --> 00:01:54,960 Speaker 1: Beforehand, we're going to tell them that they're live on 39 00:01:55,080 --> 00:01:57,480 Speaker 1: radio because I can't let me preheat the other we're 40 00:01:57,480 --> 00:01:59,600 Speaker 1: breaking the codes there, Woods, we're breaking the code. 41 00:01:59,640 --> 00:02:03,920 Speaker 3: Seali break couple of rules. No, you don't. You don't 42 00:02:03,960 --> 00:02:05,520 Speaker 3: have to break. You don't have to break the rules 43 00:02:05,520 --> 00:02:07,120 Speaker 3: all the more for that matter, fine. 44 00:02:06,880 --> 00:02:08,880 Speaker 1: We'll call them up next first thing, Hey mate, you're 45 00:02:08,919 --> 00:02:09,720 Speaker 1: live on radio. 46 00:02:10,800 --> 00:02:16,560 Speaker 2: Podcasting now next week Will this kicks off Will woodies. 47 00:02:18,360 --> 00:02:24,000 Speaker 5: To check Robie Rushing Foods. 48 00:02:23,320 --> 00:02:29,760 Speaker 2: Australia's greatest performers live from the porch performing for you guys. 49 00:02:29,760 --> 00:02:34,840 Speaker 2: We've already got international comedian Ross Noble, Australian Premier comedian 50 00:02:34,919 --> 00:02:35,520 Speaker 2: Nith Valvo. 51 00:02:35,720 --> 00:02:38,200 Speaker 3: He's going to be popping to the porch. That sounds good. 52 00:02:38,240 --> 00:02:40,399 Speaker 3: Popping on the porch, that sounds bad. 53 00:02:40,400 --> 00:02:43,040 Speaker 4: Actually he won't be popping on the porch anyway, we'll 54 00:02:43,040 --> 00:02:45,440 Speaker 4: move on, but basically we'll. 55 00:02:45,280 --> 00:02:46,880 Speaker 3: We're looking for the third act. I'm looking for my 56 00:02:46,960 --> 00:02:47,880 Speaker 3: third act, and. 57 00:02:48,280 --> 00:02:55,480 Speaker 2: So that sounds bad, excitingly excitingly will I've got the number. 58 00:02:55,560 --> 00:02:57,520 Speaker 4: I'm not gonna say how I got the number, because 59 00:02:57,880 --> 00:02:59,799 Speaker 4: quite frankly, it's a bit wrong to get numbers of 60 00:03:00,000 --> 00:03:00,760 Speaker 4: everybody's this way. 61 00:03:00,800 --> 00:03:03,200 Speaker 2: But I've got the number of the number one selling 62 00:03:03,280 --> 00:03:04,880 Speaker 2: artists on the ARIA charts. 63 00:03:05,639 --> 00:03:07,840 Speaker 4: Yea. And I've found that just not going to the 64 00:03:07,880 --> 00:03:10,079 Speaker 4: label and not going to their manager is a much 65 00:03:10,080 --> 00:03:11,519 Speaker 4: better way of securing acts. 66 00:03:11,560 --> 00:03:16,080 Speaker 1: So but not condoned at all, of course, of course not. 67 00:03:16,160 --> 00:03:16,880 Speaker 3: I never condone. 68 00:03:17,200 --> 00:03:19,359 Speaker 1: A lot of people would say that you're taking advantage 69 00:03:19,440 --> 00:03:21,440 Speaker 1: of the fact that a lot of these people are desperate. 70 00:03:21,200 --> 00:03:23,800 Speaker 4: Right now, Well, that's that have been put to me, 71 00:03:23,800 --> 00:03:24,760 Speaker 4: and now I feel a bit guilty. 72 00:03:24,760 --> 00:03:27,079 Speaker 3: But hey, I've got the number, so I'm still gonna go. 73 00:03:27,120 --> 00:03:29,680 Speaker 3: It's all things the rappy, raustic foods, guys, delicious meals 74 00:03:29,720 --> 00:03:32,200 Speaker 3: made easy. But here we go. We've got the number there, 75 00:03:32,200 --> 00:03:34,040 Speaker 3: let's let's let's let's have it go. I can't want 76 00:03:34,080 --> 00:03:34,320 Speaker 3: to see you. 77 00:03:34,360 --> 00:03:34,840 Speaker 4: This is. 78 00:03:39,760 --> 00:03:41,080 Speaker 6: Hello? Uh? 79 00:03:41,120 --> 00:03:41,280 Speaker 1: Hi? 80 00:03:41,440 --> 00:03:42,760 Speaker 3: Is that is that Anthony Khaliar? 81 00:03:42,840 --> 00:03:45,400 Speaker 6: There could be who's speaking? 82 00:03:45,920 --> 00:03:49,680 Speaker 3: Uh? This is? This is Woody from Will and Woody. 83 00:03:50,120 --> 00:03:55,520 Speaker 4: We we know each other where we're buds, old friends. 84 00:03:55,600 --> 00:03:59,400 Speaker 3: Yeah great, perfect, I'm good. I'm really really good. I'm 85 00:03:59,400 --> 00:04:01,320 Speaker 3: actually here with them with Will as well. 86 00:04:01,720 --> 00:04:04,920 Speaker 6: Get I Anthony, Hey, Bry, why are you susting me? 87 00:04:05,840 --> 00:04:06,040 Speaker 3: Yeah? 88 00:04:06,200 --> 00:04:08,920 Speaker 1: No, well again Wards, we've got to tell him that 89 00:04:08,960 --> 00:04:09,680 Speaker 1: he's on radio. 90 00:04:09,960 --> 00:04:12,440 Speaker 3: Sorry, that's legal. Yeah, you're on radio. 91 00:04:13,440 --> 00:04:15,880 Speaker 6: Thanks, yep. Good. Let me just scull that last last 92 00:04:15,920 --> 00:04:16,840 Speaker 6: VOD girls having ye. 93 00:04:19,240 --> 00:04:20,479 Speaker 3: Perfect? Perfect? 94 00:04:21,480 --> 00:04:23,920 Speaker 4: Can I ask you mate? It sounds like you're sculling Vodkana? 95 00:04:23,960 --> 00:04:24,720 Speaker 4: Which is interesting? 96 00:04:24,880 --> 00:04:26,360 Speaker 3: Is that? Is that how you're dealing with the tough 97 00:04:26,400 --> 00:04:27,599 Speaker 3: times at the moment, Anthony? 98 00:04:28,160 --> 00:04:30,560 Speaker 6: Absolutely, the only thing that's going to be through sixteen 99 00:04:30,600 --> 00:04:32,360 Speaker 6: years and the biz and look at me, I'm unemployed 100 00:04:32,400 --> 00:04:34,120 Speaker 6: all of a sudden, so I'm just sleeping through it. 101 00:04:36,279 --> 00:04:39,400 Speaker 4: Well, here's the thing, Anthony, I've got some amazing news 102 00:04:39,640 --> 00:04:42,280 Speaker 4: because you're no longer unemployed. 103 00:04:42,279 --> 00:04:45,760 Speaker 6: Mate, really, okay, are you getting me a kick on 104 00:04:45,800 --> 00:04:47,200 Speaker 6: your radio show? Because that would be. 105 00:04:47,160 --> 00:04:49,640 Speaker 3: Eight Yes, yes, I absolutely am. 106 00:04:49,640 --> 00:04:51,760 Speaker 4: But not only on our radio show, you are also 107 00:04:51,880 --> 00:04:54,599 Speaker 4: going to be one of the headline acts on the 108 00:04:54,800 --> 00:04:58,520 Speaker 4: Live from the Porch extravaganza, all thanks to Ruffy Rustic Foods, 109 00:04:58,880 --> 00:05:01,200 Speaker 4: which is just going to be huge, Astralia's greatest performers 110 00:05:01,200 --> 00:05:09,040 Speaker 4: coming together on my front porch. Yourself short, you're the 111 00:05:09,080 --> 00:05:10,840 Speaker 4: number one selling artists on the ARIA charts. 112 00:05:10,839 --> 00:05:12,960 Speaker 3: We all know it, Anthony, You're a superstar. 113 00:05:13,279 --> 00:05:14,359 Speaker 6: Than for stroking the ego. 114 00:05:14,440 --> 00:05:17,120 Speaker 3: Yeah, you're welcome, You're welcome. 115 00:05:18,040 --> 00:05:21,440 Speaker 4: So I guess this comes down to the thin edge 116 00:05:21,480 --> 00:05:22,080 Speaker 4: of the wedge. 117 00:05:22,480 --> 00:05:24,920 Speaker 6: So you want me to come to your place and 118 00:05:24,960 --> 00:05:27,080 Speaker 6: literally sing on your porch? 119 00:05:28,000 --> 00:05:30,799 Speaker 3: Yeah that's it. Yeah, that's it. Yeah, Yeah, that's that's 120 00:05:30,839 --> 00:05:31,480 Speaker 3: exactly right. 121 00:05:32,520 --> 00:05:34,720 Speaker 6: The lowest of low venues I've ever performed. 122 00:05:38,960 --> 00:05:42,080 Speaker 3: Yes, sure the location seemed like a bit of a 123 00:05:42,080 --> 00:05:42,520 Speaker 3: low point. 124 00:05:42,560 --> 00:05:45,520 Speaker 4: But you know we'll be streaming to thousands of people, 125 00:05:45,520 --> 00:05:46,080 Speaker 4: won't we will? 126 00:05:46,520 --> 00:05:49,440 Speaker 1: Well yeah, well hope hopefully there'd be hopeful there'll be 127 00:05:49,480 --> 00:05:50,320 Speaker 1: a few thousand there. 128 00:05:50,880 --> 00:05:51,239 Speaker 3: I think. 129 00:05:51,440 --> 00:05:53,200 Speaker 1: I think what he was misleading when he said we're 130 00:05:53,200 --> 00:05:56,520 Speaker 1: bringing you out of unemployment right, Well, were like you're 131 00:05:56,520 --> 00:05:58,920 Speaker 1: doing You're doing a gig. I'll take it. 132 00:05:59,040 --> 00:05:59,640 Speaker 6: I'll take it. 133 00:06:01,880 --> 00:06:02,880 Speaker 5: Wow, I'll be there. 134 00:06:03,040 --> 00:06:05,400 Speaker 6: However, I feel as though, if I'm going to do this, 135 00:06:05,880 --> 00:06:09,800 Speaker 6: I need something in return, just a little bit, because 136 00:06:09,839 --> 00:06:17,080 Speaker 6: that's the way that I work. I'm a wompording all 137 00:06:17,080 --> 00:06:17,640 Speaker 6: the toilet paper. 138 00:06:17,680 --> 00:06:18,640 Speaker 3: Weren't you Anthony Klaire? 139 00:06:19,400 --> 00:06:24,599 Speaker 6: No, that was my mum and dad. But no, I'm 140 00:06:24,720 --> 00:06:26,960 Speaker 6: usually like at this time of the year. I'm actually 141 00:06:27,040 --> 00:06:30,880 Speaker 6: usually in la at this time, so I'm actually missing 142 00:06:30,920 --> 00:06:33,000 Speaker 6: that a little bit. So I'm thinking, if I'm going 143 00:06:33,080 --> 00:06:35,120 Speaker 6: to do this, one of my one of my favorite 144 00:06:35,160 --> 00:06:39,240 Speaker 6: pastimes is hitting up happy hour on Santa Monica Boulevard 145 00:06:39,279 --> 00:06:42,279 Speaker 6: in West Hollywood. So I thought, well, I'm thinking right 146 00:06:42,320 --> 00:06:44,280 Speaker 6: now at the top of my head, maybe I need 147 00:06:44,279 --> 00:06:47,080 Speaker 6: a podium dancer, Like, maybe I need a West Hollywood 148 00:06:47,120 --> 00:06:48,080 Speaker 6: podium dancer. 149 00:06:49,120 --> 00:06:50,560 Speaker 3: As I'm performing. 150 00:06:50,200 --> 00:06:53,520 Speaker 4: Well and perfect, you are more than going to bring 151 00:06:53,560 --> 00:06:54,440 Speaker 4: your own performer. 152 00:06:54,839 --> 00:06:59,520 Speaker 3: You can do whatever. You're like, tailor mate. 153 00:07:00,240 --> 00:07:01,960 Speaker 6: Who's got the better moves out of the two of you? 154 00:07:02,120 --> 00:07:02,280 Speaker 5: Well? 155 00:07:05,000 --> 00:07:06,800 Speaker 1: Are you applied to be on Dancing with the Stars 156 00:07:06,839 --> 00:07:07,320 Speaker 1: this year. 157 00:07:07,400 --> 00:07:10,320 Speaker 3: I mean, he was short listened to the Real. 158 00:07:10,160 --> 00:07:13,200 Speaker 1: Dirty Dancing on Channel seven, I mean, and the Real 159 00:07:13,240 --> 00:07:14,120 Speaker 1: for Monty as well. 160 00:07:14,240 --> 00:07:16,360 Speaker 6: So okay, we done. This is this is this is 161 00:07:16,360 --> 00:07:19,120 Speaker 6: literally your audition. Then I'll bring the l a tan 162 00:07:19,200 --> 00:07:24,960 Speaker 6: in a can and I'll organized with your people to 163 00:07:25,080 --> 00:07:29,240 Speaker 6: organize a bit of a podium I reckon we have 164 00:07:29,320 --> 00:07:32,400 Speaker 6: a bit of a podium dance like La Soul West 165 00:07:32,400 --> 00:07:33,200 Speaker 6: Hollywood style. 166 00:07:33,480 --> 00:07:39,280 Speaker 3: Well, I'm singing, deal, deal, wait, deal, one question. 167 00:07:39,880 --> 00:07:42,560 Speaker 4: So what's the outfit of one of these podium go 168 00:07:42,560 --> 00:07:43,160 Speaker 4: go dances? 169 00:07:44,040 --> 00:07:45,400 Speaker 6: You will soon find out. 170 00:07:45,440 --> 00:07:52,800 Speaker 2: Boy, all right, deal, it's a deal mate, well wagon. 171 00:07:53,080 --> 00:07:56,680 Speaker 1: I'm happy with this, fantastic, looking forward to it. 172 00:07:57,080 --> 00:07:58,559 Speaker 6: Not wait, I cannot wait. 173 00:08:00,240 --> 00:08:01,480 Speaker 3: Thanks for going on the show. 174 00:08:01,320 --> 00:08:03,400 Speaker 6: Man, all right, we'll see you through. 175 00:08:03,760 --> 00:08:06,960 Speaker 1: See what you're hearing. 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