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Speaker 1: Powered by They my radio app from ninety six air

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Speaker 1: VM to where Abbie You're listening today?

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Speaker 2: This is Clarzy and Lisa's podcast Coming up.

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Speaker 3: On the podcast, we took calls and which celebrity you

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Speaker 3: saw were doing something normal.

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Speaker 4: We delved into Clarsey's tragic music box looking at the

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Speaker 4: nineteen eighty one.

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Speaker 3: We caught up with a stunt man and had so

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Speaker 3: many questions with how to make it in wa and

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Speaker 3: San Desmond copped all of the questions.

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Speaker 4: Taylor Swift has become Forbes's richest female musician.

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Speaker 3: And Lisa's boots are on their last heels.

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Speaker 4: Perhaps celebrities doing stuff that us normal folks.

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Speaker 1: Exactly because it's so about much chat with Dan Warwick, Yeah,

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Speaker 1: the legendary deal on.

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Speaker 2: Warwick had this to say to.

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Speaker 4: Us that moment with Elton, John, Gladys Knight and Stevie

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Speaker 4: Wonder and that's what friends are for. How was it

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Speaker 4: getting them to collaborate with you? Was it hard or

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Speaker 4: were they? Did you make one phone call and they said, Dion,

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Speaker 4: I mean.

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Speaker 5: Yeah, basically, you know, I ran at Elton actually in

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Speaker 5: the grocery store.

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Speaker 4: That's good. Yeah, I'm shopping at the shop.

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Speaker 3: Famous people bumpet and famous people doing their grocery shopping

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Speaker 3: picking up carrots.

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Speaker 4: Yes, that's so cool, bumping into Elton in the supermarket,

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Speaker 4: so damn good. We want to ask you, have you

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Speaker 4: seen a celebrity, you know, at the supermarket or just

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Speaker 4: basically doing normal things, doing normal stuff, doing normal stuff.

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Speaker 3: I go for jopping off their dry clean Yeah, someboding. Yeah,

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Speaker 3: going to the ATM, which happened to me. I visited

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Speaker 3: the Old Man in Sydney about twenty years ago and

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Speaker 3: I went to a place called I was meeting for lunch.

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Speaker 3: He goes, let's go to Double Bay. And all I

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Speaker 3: knew about Double Bay was people called a double pay

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Speaker 3: and yeah, every second shot was a fancy, high brow

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Speaker 3: salon or a boutique. And I looked across and heard

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Speaker 3: this squeally noise and it was people, young girls, very

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Speaker 3: excited because at the ATM. Yeah, the a n's at ATM.

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Speaker 3: One el McPherson was either putting money in or taking

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Speaker 3: some cash out.

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Speaker 4: Don't reckon she was putting money in at the AM

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Speaker 4: cleary might be cash. I don't think she was putting

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Speaker 4: it in, didn't get I think she was taking a

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Speaker 4: few so.

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Speaker 3: I soon knew why the squeals were there because there's

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Speaker 3: this excitement and people asking it for photos and well macpherson,

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Speaker 3: that's pretty cool.

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Speaker 2: McPherson uses money.

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Speaker 3: Yeah, she's a human being, munchy. She wasn't Double Bay

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Speaker 3: checking out a double pay.

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Speaker 4: Yes, even have ATMs in double.

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Speaker 2: That was in the late nineties.

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Speaker 4: We're talking about when you see famous people doing regular stuff.

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Speaker 4: There's always a bit of a jolt. This is someone

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Speaker 4: you know squeezing the avocado next to you at the

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Speaker 4: supermarket and it turns out to be some of my

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Speaker 4: famous Christine in Canning Vale, so she was at SeaWorld

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Speaker 4: and San Diego. I hadn't had to just nip off

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Speaker 4: to the toilet walk smack bang into Jane Fonder.

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Speaker 2: That Jane Fonder was exiting the toilet.

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Speaker 4: Now, you don't expect Jane Fonder to even go to

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Speaker 4: the toilet.

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Speaker 3: So that was my sting moment, wasn't it? At the

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Speaker 3: radio station things walking out of the din Urinal I

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Speaker 3: was he went mate?

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Speaker 4: Did he wash his hands?

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Speaker 3: He washed his hands and it took him about four hours.

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Speaker 3: He did at Tantrick Styles. He's a very good hand washer.

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Speaker 2: Cherylie Clarkson h Cheryl.

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Speaker 6: Hello, Hello Lisa, Hello clas Welcome Cheryl.

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Speaker 2: What you go for?

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Speaker 4: Where did you see? What were they doing?

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Speaker 6: I saw Gordon Hendrix. He's a Elvis tribute artist and

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Speaker 6: he was in the bank in high Wickham.

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Speaker 4: Oh oh goodness me. Yeah.

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Speaker 6: He was sort of without the dark you know, I

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Speaker 6: have to be him, you know, with the sideboard and yeah,

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Speaker 6: he was just casually, casually dressed.

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Speaker 4: And that's the day.

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Speaker 6: A bit shocked when I said you Gordon Hendrick?

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Speaker 4: Did he say thank you very much? Cheryl?

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Speaker 2: Thank you very much. He took the money out.

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Speaker 6: I think he's a bit shocked when I recognize. Yeah, yeah,

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Speaker 6: he hasn't. He hasn't mazed for a little while because

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Speaker 6: of COVID and his last concert he had to cancel.

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Speaker 2: But it's very good, all right.

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Speaker 4: The sidebirds definitely give it away.

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Speaker 6: Yeah they dooars.

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Speaker 2: Yeah, yeah, that's cool. Loved it, Cheryl.

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Speaker 4: Although didn't they say for years that Elvis faked his death.

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Speaker 2: And was walking around.

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Speaker 4: I was stocking shelves in supermarkets and was.

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Speaker 2: In the i g A I think in West Leable,

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Speaker 2: something like that.

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Speaker 4: Carolyn and Willerton said in the UK in the eighties.

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Speaker 4: Watching a game of Village Cricket, Hobby went to the

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Speaker 4: loo and found himself at the urinal next to Michael

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Speaker 4: Parkins and well you would know where to look Parky.

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Speaker 4: And then park he heard his accent. I didn't know that.

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Speaker 4: I don't know what goes on at the urine all yeah,

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Speaker 4: but I didn't know there was chatting.

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Speaker 2: Goes on the urinal stays.

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Speaker 4: So anyway, Parky heard his accent and started talking about

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Speaker 4: the new lights at the Oh. Yeah, and they so

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Speaker 4: that they had a cricket chat.

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Speaker 3: Loved his cricket absolutely big time. He and John Major

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Speaker 3: love their love the cricket. It's get the doors that Sean.

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Speaker 4: Hey, here you go, hi Sean? Who was it?

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Speaker 7: I was playing a rose and corn?

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Speaker 4: Oh and what was he doing? A face and chip shop?

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Speaker 7: I was. I was actually over here up your life

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Speaker 7: on holidays and I was in Fredy Manchel and both

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Speaker 7: to the fish chip.

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Speaker 4: Shop for Orner and there he was. So yeah, I

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Speaker 4: had a really good competition with him.

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Speaker 7: My wife was a huge fan.

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Speaker 2: Captain Kim. But it was awesome. Yeah he's a very

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Speaker 2: friendly bloke.

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Speaker 4: Yeah he's awesome, but and he loves fish and chips.

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Speaker 4: He doesn't this to be true?

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Speaker 2: Yes, city chips and going the bakery and my place.

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Speaker 4: Yeah, thank sere fancy that walking into the fishing shot

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Speaker 4: a potato scallop as well?

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Speaker 2: Four or five in river Vale?

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Speaker 4: Hello, Hello, hey, going guy? Who'd you say?

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Speaker 6: What you got?

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Speaker 2: Go?

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Speaker 8: Brightwait? Going to get macas?

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Speaker 4: Oh?

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Speaker 8: Wait that I work it? And now hungry he'll go

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Speaker 8: and get macas or buy himself.

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Speaker 3: Yes, okay, didn't need a minder or anything to go

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Speaker 3: and get it for him.

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Speaker 8: The little things by d self.

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Speaker 4: We're getting maccas is a very personal thing. You don't

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Speaker 4: want anyone knowing just how many calories you can give me.

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Speaker 4: One guy to yourself.

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Speaker 3: I might have asked for a mcflurry and he might

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Speaker 3: have found it embarrassing that others around.

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Speaker 4: Did you see what he ordered?

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Speaker 9: No?

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Speaker 10: No, I was busy.

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Speaker 4: Thanks, that's getting macas.

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Speaker 2: I wonder I Daryl said I could eat a horse.

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Speaker 2: I'm so hungry. Maybe not.

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Speaker 4: Warret in mirror says he saw Ernie didn't go at

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Speaker 4: a boot juice in ocean Ki shopping center.

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Speaker 2: I was just getting getting a boost. How about this one?

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Speaker 4: Claire in Thornley says, my mother once told me when

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Speaker 4: she was young in Wales and the UK, she was

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Speaker 4: Christmas caroling and they knocked on the door of Missus Hopkins,

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Speaker 4: and Missus Hopkins called out for her son to come

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Speaker 4: and have a listen. Anthony, No, yes, please, yes, Anthony

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Speaker 4: Hopkins and he came out and he said, they all

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Speaker 4: had beautiful Welsh singing voices.

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Speaker 2: Oh no, that's a beauty.

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Speaker 4: That is a beauty.

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Speaker 2: Let's go to Willigi.

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Speaker 4: Get a Marie, Hi, hy Marie. What did you say?

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Speaker 4: Who did you see? What were they doing?

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Speaker 2: Drop a name for us.

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Speaker 8: I've got two names to drop in a twenty four

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Speaker 8: hour space of each other. Really, we were, really we

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Speaker 8: were in New York in twenty eighteen and we were

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Speaker 8: walking down this street and there is Alec.

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Speaker 11: Baldwin one morning in his ratty old shorts and T

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Speaker 11: shirt and joggers with two big escalade cars with his

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Speaker 11: brood of seven million children unloading the car with you know,

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Speaker 11: the help as well.

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Speaker 8: And then twenty four hours later we were on the

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Speaker 8: subway and Paul Rudd was sitting opposite.

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Speaker 3: Us, Paul funny Man, handsome. Yeah, that's a that's a

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Speaker 3: good get. What a double banger that was?

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Speaker 4: Yes, catching a train with everyone.

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Speaker 2: Else you hang around those big cities.

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Speaker 4: Yeah, that the New York could be good for that. Yeah,

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Speaker 4: like la yeah, yeah, thanks Marie, thanks by.

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Speaker 8: Thanking signs bye.

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Speaker 2: That's pretty cool.

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Speaker 4: Got to love that, especially of shopping to be unloaded

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Speaker 4: and ball needed to.

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Speaker 3: So many kids in such a Saint seven or something

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Speaker 3: in nine years.

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Speaker 4: Yeah, it's a lot.

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Speaker 2: That's a lot of stick.

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Speaker 4: Do you do the math? That doesn't matter up.

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Speaker 2: Yeah, and he can't afford.

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Speaker 4: Some of them were had by other people.

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Speaker 3: Yeah, he can't afford to, on their behalf have anything

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Speaker 3: better than the old sts on.

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Speaker 4: I mean, if you're having one already, don't you want

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Speaker 4: someone else to have one as well?

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Speaker 12: I mean I'm not sure. It's almost like a bit

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Speaker 12: of an addiction, baby addiction. It's a bit straight words probably, okay,

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Speaker 12: Sandra in Mindari, who did you see? What were they doing?

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Speaker 5: I saw Simon Baker and he was delivering his homegrown

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Speaker 5: excess of pumpkins to my workplace for all our stuff.

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Speaker 3: That's a good one. Mentalist with the pumpkins, eh.

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Speaker 4: I know, fourteen years.

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Speaker 5: Ago up in Lismore when I worked up there, very

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Speaker 5: good and I had to make conversation with him for

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Speaker 5: about twenty minutes. He was friends with my boss and

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Speaker 5: I had to make conversation with him. So he just

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Speaker 5: leant on my doorway of my office.

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Speaker 4: So casual.

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Speaker 3: Yeah, Sandra, was he as handsome as he was in

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Speaker 3: Devilwe's Brother?

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Speaker 7: Is he?

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Speaker 2: Very hell?

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Speaker 8: Hell?

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Speaker 2: Yeah?

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Speaker 4: Okay us twenty minutes of your love?

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Speaker 11: I know.

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Speaker 2: And I had photos of pumpkin.

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Speaker 11: I know.

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Speaker 2: He was just laurrently his pumpkin, not his dried fruit. Okay,

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Speaker 2: very good, very good, thank you with his hands.

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Speaker 4: Oh dear, that's great. Justin How did you say? What

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Speaker 4: were they doing?

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Speaker 7: Whitney Houston Whitney, Yeah, thirty years ago. It was down Scarborough.

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Speaker 7: I used to live in Scarborough, up in Scarborough, and

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Speaker 7: I was in the pizza shop across the road from

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Speaker 7: Observation City, the pizza shop there he plays by the sea, yep.

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Speaker 7: And it was quite late at night, probably eleven o'clock

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Speaker 7: or maybe after my sure email. Was in the shop

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Speaker 7: by myself and Whitney Houston walks in with two bodyguards.

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Speaker 13: Yes and ye, and I ordered a pizza and then

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Speaker 13: she asked if she could join me at the table,

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Speaker 13: and she told her bodyguards to go away.

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Speaker 7: So we had a pizza and had a chat. It's

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Speaker 7: pretty awesome.

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Speaker 4: That is awesome. I can't go past that year. Our

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Speaker 4: winter today cool Whitney Houston, pizza and y split it.

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Speaker 2: And then she said always love you.

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Speaker 7: Oh she was gorgeous.

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Speaker 4: Yeah she was.

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Speaker 2: Thanks justin Thank God your hand. I'm ready, you're ready

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Speaker 2: for the ke music.

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Speaker 4: Delving deep into the archives of the Perth music history

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Speaker 4: clesy Tragic music Box.

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Speaker 3: All right, okay, ready, yeah Tragic music Box meet music Box.

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Speaker 2: Today from nineteen eighty one.

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Speaker 4: Still such a fresh faced young thing.

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Speaker 2: Just a little thing, and you haven't changed.

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Speaker 3: Eighty one was the year English band Madness played a

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Speaker 3: gig at the Perth post Ball. After the assembled Skinheads

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Speaker 3: a couple of our school agreement. After the assembled Skinheads

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Speaker 3: from London Court, yeah exactly, because of London, they were

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Speaker 3: told to remove their bobber boots and line them up

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Speaker 3: in the foyer.

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Speaker 2: Do you reckon that went down? And of course Madness

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Speaker 2: literally ensued with the first fifteen rows of the seats

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Speaker 2: absolutely smash destroyed and the windows kicked in.

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Speaker 4: I did I didn't know it was has that been

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Speaker 4: asked to take off their.

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Speaker 2: Boots and line them up.

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Speaker 3: Gentlemen, if you can take your bother boots off and

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Speaker 3: line them up in the foyer.

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Speaker 4: So fun fun.

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Speaker 3: I don't know if it was a lot of fun

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Speaker 3: for the concert hall staff they were said to be at,

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Speaker 3: and a spokesperson for said concert hall staff said, this

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Speaker 3: has never happened when Silla Black or max Bygrave played

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Speaker 3: here in the past. On TV in nineteen eighty one, least,

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Speaker 3: we were watching a new Azie drama called a Country Practice,

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Speaker 3: Good Old Wander Valley, The Life of Times of Grizzard

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Speaker 3: Life and Times of Grizzly Adams from America that was

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Speaker 3: different and American heart throb Greg Evigan as a truck

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Speaker 3: driver named b J. McKay and his best friend was

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Speaker 3: a chimpanzee. You can't write this stuff, can you? Let

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Speaker 3: It was a chimpanzee. His name was Bear and it

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Speaker 3: was BJ and the bear.

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Speaker 4: Geeze.

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Speaker 6: Oh my god.

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Speaker 4: You know when you hear something that you haven't heard

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Speaker 4: forty years and it just feels like it was yesterday.

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Speaker 3: Beer, so bizarrek cheesy? What was hot in nineteen eety one? Well,

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Speaker 3: for some after doing some research, Cordroy Shorts, cord Roy shorts,

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Speaker 3: corn Roy shorts, spell Cordroy knickerbockers.

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Speaker 4: Yeah, I never liked nick Safari pants or shorts make

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Speaker 4: a decision.

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Speaker 3: Suits were still in me mentioned my dad Don Dunstan

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Speaker 3: from South Australia.

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Speaker 4: My dad had Safari suits in with the shorts, long

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Speaker 4: socks in a range of colors.

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Speaker 2: That's our hair and pants were big in nineteen the.

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Speaker 4: Book You've Done Something in Your Pants Really.

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Speaker 3: In October of eighty one, a young Australian band, former

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Speaker 3: of Perth in Excess, went to the next level with

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Speaker 3: their second album, Underneath the Colors, was produced by Aussie

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Speaker 3: rock legend Richie Clapton, and the songs were good. You

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Speaker 3: could tell that we're going to take on the work.

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Speaker 2: And they just.

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Speaker 3: There were some signs they had it in Spade Swagger

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Speaker 3: and the song in the Daily News, our afternoon paper

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Speaker 3: newspaper which you could buy from a kid in the

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Speaker 3: city who sounded just like that, ready for the bus.

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Speaker 2: Right home because you get in the bus.

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Speaker 3: I remember getting on the bus stuff to do some

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Speaker 3: work experience and all you'd see is in the pages

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Speaker 3: of the back in front page.

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Speaker 4: There were true yeah the editions that yeah man.

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Speaker 2: After newspaper and the kids.

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Speaker 3: Yeah, we'd be in the straight game daily news paper

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Speaker 3: and from the pages of the paper. Premier Sir Charles

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Speaker 3: court I said on this day the average member of

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Speaker 3: State Parliament wasn't paid enough. At twenty eight thousand dollars

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Speaker 3: a year. One it was a pretty handy wage. Okay,

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Speaker 3: eighty one got some rapid fire effects for you.

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Speaker 2: One. Trevor Chappel bold under arm, blame his brother.

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Speaker 4: Oh that was a moment.

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Speaker 2: In nineteen eighty one, Robert Redford was the hottest man

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Speaker 2: in Hollywood.

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Speaker 4: Yeah.

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Speaker 3: In nineteen eighty one, a medium house price in Mount

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Speaker 3: Lawley fifty four thousand bucks stopper. In nineteen eighty one,

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Speaker 3: Smiley Pasco was nine. How cutees that guess what he

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Speaker 3: was doing?

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Speaker 4: Smiley?

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Speaker 3: You how dotal Christmas and excited about Santa To wrap today,

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Speaker 3: Sticky Beak. In the box lease, we feature an album

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00:15:24,320 --> 00:15:26,840
Speaker 3: called Dare by English synth pop band The.

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Speaker 4: Humanly, one of the greatest albums of the early eighties.

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Speaker 3: Despite being the band's third album, was the first with

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Speaker 3: the new lineup led by frontman Philip Pokey, with a

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Speaker 3: more commercial sound in mind. Okie recruited a pair of

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Speaker 3: high school students, joe Ane Casseroll and Susan Saley's background singers,

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Speaker 3: and it just took off, joining the wave of UK

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Speaker 3: bands who were experimenting with synthesizers like Ultravox, depeche Mode

332
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Speaker 3: and spanned out Ballet, and this new technology help humanly

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00:15:51,000 --> 00:15:53,800
Speaker 3: hit the sweet spot with the album Dere did it did?

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Speaker 3: The first single, Love Action, went to number three in

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Speaker 3: the UK chart, number twelve here in Australia and we

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Speaker 3: fell in love with them and that album Yeah, the

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00:16:00,440 --> 00:16:02,400
Speaker 3: album right, I had the album just about wore it

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00:16:02,400 --> 00:16:04,400
Speaker 3: out with the white cover and the close up fight Yeah.

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00:16:04,800 --> 00:16:06,840
Speaker 3: Only months later the flood goes open with a single

340
00:16:06,920 --> 00:16:08,720
Speaker 3: called Don't You Want Me, raced to number one in

341
00:16:08,720 --> 00:16:11,480
Speaker 3: the UK and the US and they were off, off

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00:16:11,520 --> 00:16:13,640
Speaker 3: and racing. It was the biggest selling UK single of

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Speaker 3: eighty one, and the coverted Christmas number one. And of

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Speaker 3: course there's more to Dere than the two monster hits.

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00:16:19,240 --> 00:16:22,560
Speaker 3: The third single Open Your Heart, the menacing song seconds

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00:16:22,960 --> 00:16:25,400
Speaker 3: and they're pretty much ignored. First single the Sound of

347
00:16:25,440 --> 00:16:27,200
Speaker 3: the Crowd, and there was an instrumental called get Carter

348
00:16:27,280 --> 00:16:30,160
Speaker 3: which was great to start of track two or side

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00:16:30,200 --> 00:16:33,160
Speaker 3: to all help Dare Cell over six million copies worldwide,

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Speaker 3: and Philip Okie is still touring with his modern updated version.

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Speaker 3: I think one of the girls is still in the

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00:16:39,200 --> 00:16:41,240
Speaker 3: band for human Ak and his voice, it's the same

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Speaker 3: I saw him a.

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Speaker 2: Couple of years ago. Very good.

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Speaker 3: The Tragic Music Box from nineteen eighty one on ninety

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Speaker 3: six AFM, More Crazy.

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Speaker 4: More Lisa More podcast Soon.

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Speaker 2: They don't over there. Look you're on here.

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00:16:54,280 --> 00:16:54,960
Speaker 4: Yeah, I'm fine.

360
00:16:55,880 --> 00:16:57,560
Speaker 2: I was checking. You just walked in a bit strangely

361
00:16:57,640 --> 00:16:58,200
Speaker 2: when you came out.

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Speaker 4: That's because my shoe is a bit skew it bit

363
00:17:02,200 --> 00:17:06,199
Speaker 4: skew it. I have this favorite, as you know, of

364
00:17:06,359 --> 00:17:10,399
Speaker 4: purple boots. They are just the best because purple is

365
00:17:10,400 --> 00:17:12,920
Speaker 4: my favorite color and these are the best shade of purple.

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00:17:13,119 --> 00:17:14,520
Speaker 2: I have ever found.

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Speaker 4: And I love these shoes so much. And I've for

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00:17:19,800 --> 00:17:23,159
Speaker 4: the last few years they've been starting to fall apart

369
00:17:23,160 --> 00:17:26,719
Speaker 4: of them, and I've been to the cobbler about six times.

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00:17:26,800 --> 00:17:29,439
Speaker 4: The cobblers were cobbling and they've been like living on

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00:17:29,480 --> 00:17:33,439
Speaker 4: some kind of life support where we've been putting. The

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00:17:33,480 --> 00:17:37,000
Speaker 4: cobbler has been putting them back together, try to, you know,

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Speaker 4: sort of keep the heel.

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Speaker 2: Attacked, so no more cobbling. You can't put it on.

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Speaker 4: This morning, and I've thought, I think it's time you reckon.

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00:17:45,440 --> 00:17:48,159
Speaker 4: I think it's time to turn off the life support.

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00:17:48,240 --> 00:17:50,000
Speaker 3: Well, you know, I love purple and you can see

378
00:17:50,040 --> 00:17:51,680
Speaker 3: your face, you can see your reflection in them. They're

379
00:17:51,680 --> 00:17:52,200
Speaker 3: so shiny.

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00:17:52,359 --> 00:17:56,159
Speaker 4: I feel as though today I might do it. The

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Speaker 4: last day I can get away with it.

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00:17:58,160 --> 00:17:58,639
Speaker 2: Don't do it.

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00:17:58,840 --> 00:18:00,960
Speaker 4: And I'm only I'm only in them because I'm only

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00:18:01,080 --> 00:18:03,920
Speaker 4: here in the office where it's safe and going straight home.

385
00:18:03,960 --> 00:18:05,400
Speaker 4: If I wouldn't have worn them, if I was going

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00:18:05,440 --> 00:18:07,040
Speaker 4: to the shop or something afterwards, because.

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00:18:06,800 --> 00:18:08,159
Speaker 2: I might catch this.

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00:18:08,400 --> 00:18:11,240
Speaker 4: Yeah, you might walk your heel and go you know, you.

389
00:18:11,240 --> 00:18:12,440
Speaker 2: Might go flying lace at the girl.

390
00:18:13,160 --> 00:18:15,359
Speaker 4: But it won't be very souper. And I'm very impressed.

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Speaker 2: It's too sad. It can be sad.

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00:18:20,080 --> 00:18:23,959
Speaker 9: Okay, I know it be the last day for Lisa's

393
00:18:23,960 --> 00:18:25,760
Speaker 9: shoes because I saw that robbly heel this morning.

394
00:18:26,000 --> 00:18:30,719
Speaker 2: Sez bots, that's not helping, and that's just what they're doing.

395
00:18:31,280 --> 00:18:32,000
Speaker 2: You're just waking up.

396
00:18:32,400 --> 00:18:33,720
Speaker 4: That is not health.

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00:18:35,480 --> 00:18:38,000
Speaker 2: Beloved purple shiny purple boots.

398
00:18:37,680 --> 00:18:40,199
Speaker 4: Favorite boots in the world, look like they're on their

399
00:18:40,280 --> 00:18:43,960
Speaker 4: last word to maybe going to their maker, the bootmaker.

400
00:18:44,320 --> 00:18:45,480
Speaker 2: What time of the morning do you get up?

401
00:18:45,560 --> 00:18:48,639
Speaker 3: That's three thirty right, So I reckon this is caused

402
00:18:48,640 --> 00:18:51,320
Speaker 3: by you getting your boots on and clicking your heels

403
00:18:51,320 --> 00:18:52,520
Speaker 3: together to start your day.

404
00:18:53,080 --> 00:18:55,000
Speaker 2: Yes, you've done it too many times, I know.

405
00:18:55,080 --> 00:18:57,800
Speaker 4: And it's been day to day too. It'd seemed the

406
00:18:57,920 --> 00:19:00,119
Speaker 4: appropriate day that if they've got to go, they've got

407
00:19:00,160 --> 00:19:00,359
Speaker 4: to go.

408
00:19:00,560 --> 00:19:02,040
Speaker 9: Please do me a favorite and do what I do.

409
00:19:02,160 --> 00:19:03,720
Speaker 9: When you get rid of a bloody piece of clothing

410
00:19:03,760 --> 00:19:04,960
Speaker 9: and just say thank you for your service as you

411
00:19:05,080 --> 00:19:05,600
Speaker 9: drop it in the bin.

412
00:19:05,800 --> 00:19:08,000
Speaker 4: There will be some kind of ceramoniyes.

413
00:19:07,600 --> 00:19:08,400
Speaker 2: To be a ceremony.

414
00:19:08,560 --> 00:19:12,080
Speaker 4: They will have to be yeah, wine, it's going to.

415
00:19:12,119 --> 00:19:14,680
Speaker 2: Say a flag and a trumpet, but you go wine,

416
00:19:14,960 --> 00:19:15,320
Speaker 2: all right?

417
00:19:16,200 --> 00:19:20,440
Speaker 3: Lisas how to make it in wap this, I'll make

418
00:19:20,480 --> 00:19:21,000
Speaker 3: you a start.

419
00:19:21,359 --> 00:19:24,960
Speaker 4: Oh, we're very excited in you today because we've got

420
00:19:25,000 --> 00:19:28,879
Speaker 4: Sam Desmond, who is a stunt man. Good morning, and

421
00:19:28,920 --> 00:19:33,239
Speaker 4: you just came in through the door. I'm not going

422
00:19:33,280 --> 00:19:35,920
Speaker 4: to say I was disappointed, but maybe you'll leave through

423
00:19:35,960 --> 00:19:39,119
Speaker 4: the window. I had to know, Sam, it's very exciting

424
00:19:39,160 --> 00:19:40,920
Speaker 4: to have you in here as part of our series

425
00:19:40,960 --> 00:19:42,920
Speaker 4: that we've been, you know, diving down a rabbit hole,

426
00:19:42,960 --> 00:19:46,119
Speaker 4: because so much is happening here recently, and you've been

427
00:19:46,160 --> 00:19:48,080
Speaker 4: in the heart of it up in York being in

428
00:19:48,200 --> 00:19:52,399
Speaker 4: runt But I've never met a stunt man, and I thought,

429
00:19:52,440 --> 00:19:55,280
Speaker 4: what it must be such a conversation starter when you're

430
00:19:55,280 --> 00:19:56,600
Speaker 4: at a dinner party or whatever.

431
00:19:57,080 --> 00:19:58,359
Speaker 2: What do you do cool gig?

432
00:19:58,600 --> 00:20:01,040
Speaker 4: I'm in film, which is already a really cool answer,

433
00:20:01,080 --> 00:20:02,560
Speaker 4: and then I'm a stunt man.

434
00:20:03,320 --> 00:20:10,800
Speaker 14: That's right, it is. My missus usually takes over then, yeah, yeah,

435
00:20:10,880 --> 00:20:13,320
Speaker 14: that's right. You just back off a bit exactly. I

436
00:20:13,400 --> 00:20:15,639
Speaker 14: always get what's the most dangerous stunt that you have

437
00:20:16,640 --> 00:20:17,880
Speaker 14: full body, fire burned with.

438
00:20:17,920 --> 00:20:20,720
Speaker 3: No mask, just gel you get a ready made answer

439
00:20:20,880 --> 00:20:22,640
Speaker 3: that's pretty much the most dangerous.

440
00:20:22,680 --> 00:20:25,560
Speaker 14: And my favorite is a four story header, which is

441
00:20:25,840 --> 00:20:30,000
Speaker 14: headfirst into an airbag. Yes, story is high. Yeah, so

442
00:20:30,080 --> 00:20:31,560
Speaker 14: they are my two favorites.

443
00:20:31,800 --> 00:20:34,000
Speaker 2: What do you like with heights? You're okay, Yeah, I'm

444
00:20:34,000 --> 00:20:35,399
Speaker 2: pretty good man.

445
00:20:35,640 --> 00:20:35,880
Speaker 4: Yeah.

446
00:20:35,880 --> 00:20:37,560
Speaker 14: Well, when I was younger, I used to have a

447
00:20:37,600 --> 00:20:39,639
Speaker 14: bit of a fear, so I went skydiving.

448
00:20:40,880 --> 00:20:43,720
Speaker 2: Yeah, and I loved it, So I sorted it out.

449
00:20:43,680 --> 00:20:44,200
Speaker 4: Solved it.

450
00:20:44,560 --> 00:20:45,879
Speaker 2: Yeah, face the fears, head on.

451
00:20:45,960 --> 00:20:48,439
Speaker 4: Yeah, head on. As you said, when you did that

452
00:20:48,560 --> 00:20:51,000
Speaker 4: head on out of a four story do you remember

453
00:20:51,040 --> 00:20:52,320
Speaker 4: who it was you were doing that on?

454
00:20:52,400 --> 00:20:56,760
Speaker 14: Behalf of Oh that was for the training actually really yeah,

455
00:20:56,800 --> 00:20:58,959
Speaker 14: exactly at the stunt Academy in Queensland.

456
00:21:00,520 --> 00:21:02,440
Speaker 2: You want to go to get most of your training.

457
00:21:02,400 --> 00:21:03,919
Speaker 3: Yeah, because that's what they do at the shows, you know,

458
00:21:03,920 --> 00:21:05,720
Speaker 3: if you're going and see those shows in Anaheim or whatever.

459
00:21:05,920 --> 00:21:07,480
Speaker 14: That's right, they used to have it at the Wild

460
00:21:07,480 --> 00:21:11,600
Speaker 14: West in Yes, yeah, in Queensland, the studios there.

461
00:21:11,760 --> 00:21:14,760
Speaker 4: I tell us about the stunt Academy then, what I mean,

462
00:21:14,800 --> 00:21:17,880
Speaker 4: what was it like a day in you know, stunt school.

463
00:21:18,480 --> 00:21:21,359
Speaker 14: All sorts of stunt You get a taste of everything, yea,

464
00:21:21,680 --> 00:21:26,800
Speaker 14: from car hits to basic body control, high falls, fire burns,

465
00:21:27,760 --> 00:21:30,480
Speaker 14: how to land, how to land, that's the main main

466
00:21:30,520 --> 00:21:32,679
Speaker 14: thing you learn, Yeah, stat hurting yourself.

467
00:21:33,280 --> 00:21:34,800
Speaker 3: There was a time in the seventies and eighties it

468
00:21:34,800 --> 00:21:37,280
Speaker 3: was a guy called Buddy Joe Hooker was he was.

469
00:21:37,320 --> 00:21:39,919
Speaker 2: He was doing stunts for everything in Hollywood. He's still around,

470
00:21:40,119 --> 00:21:42,600
Speaker 2: he's still going though. Yeah, So did you have was

471
00:21:42,600 --> 00:21:45,120
Speaker 2: there anyone like him that you saw? And I thought

472
00:21:45,119 --> 00:21:46,000
Speaker 2: I would love to do that?

473
00:21:46,320 --> 00:21:50,119
Speaker 14: Well, Jackie Chan and Tom Cruise obviously they do, so

474
00:21:50,359 --> 00:21:51,360
Speaker 14: they're they're out there.

475
00:21:51,720 --> 00:21:51,960
Speaker 2: Yeah.

476
00:21:52,160 --> 00:21:55,720
Speaker 14: But Buddy Joe, Yeah, he's great at car crashes absolutely.

477
00:21:55,920 --> 00:21:56,600
Speaker 2: Yeah.

478
00:21:56,720 --> 00:21:59,119
Speaker 14: Death Proof was one of his movies with Quinton Tarantino,

479
00:21:59,200 --> 00:22:01,560
Speaker 14: and he did a multiple car rolls and landed on

480
00:22:01,560 --> 00:22:03,280
Speaker 14: the roof into the frame.

481
00:22:03,400 --> 00:22:05,080
Speaker 2: You see him on the credits on almost everything that

482
00:22:05,119 --> 00:22:07,879
Speaker 2: was coming out. A legend for sure, was that your

483
00:22:07,920 --> 00:22:08,560
Speaker 2: favorite thing to do?

484
00:22:08,680 --> 00:22:10,960
Speaker 4: Like car because you're a boy.

485
00:22:11,119 --> 00:22:14,240
Speaker 2: So I put on a farm in mid so you

486
00:22:14,240 --> 00:22:16,680
Speaker 2: were already doing it. I was cars, bikes, horses.

487
00:22:16,760 --> 00:22:18,560
Speaker 14: My sister always chucked me on a horse if she

488
00:22:18,600 --> 00:22:21,800
Speaker 14: couldn't couldn't break it in, so stummy for that.

489
00:22:22,440 --> 00:22:24,320
Speaker 2: My dad, Yeah, that's right.

490
00:22:24,840 --> 00:22:26,760
Speaker 14: Dad taught me how to drive a car backwards before

491
00:22:26,760 --> 00:22:28,480
Speaker 14: I could even the kettles.

492
00:22:28,080 --> 00:22:32,240
Speaker 4: Really right, Yeah, yes, What are some of the things

493
00:22:32,240 --> 00:22:32,920
Speaker 4: that you've been in?

494
00:22:34,119 --> 00:22:38,040
Speaker 14: Well, most recently Runt is out in cinemas right now

495
00:22:38,080 --> 00:22:40,760
Speaker 14: doing quite well. So I was actually lucky enough to

496
00:22:40,840 --> 00:22:43,679
Speaker 14: get a call and come back home to start as

497
00:22:43,760 --> 00:22:46,320
Speaker 14: location scout on the job right and then went into

498
00:22:46,400 --> 00:22:51,119
Speaker 14: production assistant for a few weeks into construction. I have

499
00:22:51,160 --> 00:22:53,520
Speaker 14: a backgrounding trade, so I was able to use that

500
00:22:53,560 --> 00:22:56,560
Speaker 14: in the industry as well, and then once filming started,

501
00:22:56,600 --> 00:22:59,920
Speaker 14: I went on to stunt assistant, safety assistant, and also

502
00:23:00,080 --> 00:23:01,760
Speaker 14: a couple of cameos on the film as well.

503
00:23:01,800 --> 00:23:04,440
Speaker 2: So yeah, that was very exciting.

504
00:23:06,200 --> 00:23:08,560
Speaker 4: But I mean building stuff, you just build stuff and

505
00:23:08,560 --> 00:23:11,680
Speaker 4: then jump off at the end of the day.

506
00:23:12,920 --> 00:23:16,960
Speaker 2: Had a big part in the windmill that right. Tell me.

507
00:23:16,960 --> 00:23:19,880
Speaker 3: I read once where Bert I read Burt Reynold's autobiography

508
00:23:19,920 --> 00:23:22,359
Speaker 3: and he had really bad damage to his face and

509
00:23:22,359 --> 00:23:24,400
Speaker 3: he had to reconstruct his jaw in his teeth because

510
00:23:24,400 --> 00:23:25,280
Speaker 3: they used to hit him.

511
00:23:25,160 --> 00:23:27,280
Speaker 2: With the bird's face. Yeah, Bert's face.

512
00:23:28,000 --> 00:23:29,439
Speaker 3: What he's taking a lot of those movies in the

513
00:23:29,520 --> 00:23:32,480
Speaker 3: eighties and that smoking the band and stuff. But from

514
00:23:32,520 --> 00:23:34,520
Speaker 3: those stunt chairs they used to use, that's what they

515
00:23:34,560 --> 00:23:37,000
Speaker 3: called them, meant to be collapsible breakaway. People used to

516
00:23:37,040 --> 00:23:39,400
Speaker 3: get really damaged by those, and he his life changed.

517
00:23:39,160 --> 00:23:39,600
Speaker 2: Because of it.

518
00:23:39,720 --> 00:23:39,960
Speaker 6: Yeah.

519
00:23:39,960 --> 00:23:42,280
Speaker 2: Well, safety has definitely changed a lot since.

520
00:23:42,359 --> 00:23:42,600
Speaker 4: Yeah.

521
00:23:42,880 --> 00:23:44,520
Speaker 3: Yeah, it was almost like they're a bit too tough

522
00:23:44,560 --> 00:23:46,040
Speaker 3: to chairs, yeah exactly.

523
00:23:47,880 --> 00:23:51,080
Speaker 14: So yeah, okay, yeah, exactly unless their phone made now

524
00:23:51,119 --> 00:23:53,440
Speaker 14: theys right, Okay, you can make props out of foam

525
00:23:53,480 --> 00:23:55,080
Speaker 14: and it looks you're going to be hit the right

526
00:23:55,080 --> 00:23:57,560
Speaker 14: way by these things exactly. Okay, that's right.

527
00:23:58,000 --> 00:24:00,399
Speaker 4: Sure is it a silly question to us if you

528
00:24:00,480 --> 00:24:01,760
Speaker 4: have been injured.

529
00:24:02,440 --> 00:24:04,440
Speaker 14: Most of the injuries I did was before I became

530
00:24:04,440 --> 00:24:06,960
Speaker 14: a stunt man. Oh okay, freestyle motocross and I broke

531
00:24:07,000 --> 00:24:09,600
Speaker 14: my wrist and located on my kneel at the same time.

532
00:24:09,760 --> 00:24:14,400
Speaker 14: And yeah, even when I was a fencing contractor him perfect, Yeah,

533
00:24:14,920 --> 00:24:16,679
Speaker 14: jumping off the top of the fence when I finished,

534
00:24:16,800 --> 00:24:19,320
Speaker 14: I broke a couple of ankles. So yeah, yeah, most

535
00:24:19,359 --> 00:24:22,840
Speaker 14: have happened before my stunt career, which is kind of interesting.

536
00:24:23,040 --> 00:24:26,120
Speaker 2: So just shows you how safe it is in the industry.

537
00:24:26,359 --> 00:24:28,520
Speaker 4: And most people on set, I mean, Tom Cruise is

538
00:24:28,520 --> 00:24:30,280
Speaker 4: the exception. Of course, he loves to do his own,

539
00:24:30,840 --> 00:24:33,199
Speaker 4: but most people on set more than happy to just

540
00:24:33,240 --> 00:24:35,800
Speaker 4: say you take it from here.

541
00:24:36,400 --> 00:24:41,320
Speaker 2: Yea, that's a bigerencely back out. Yeah, that's right. If

542
00:24:41,320 --> 00:24:44,119
Speaker 2: anything happens to them, then the film just stops completely.

543
00:24:44,240 --> 00:24:46,800
Speaker 14: Yeah, So we step in and take the hits and

544
00:24:46,920 --> 00:24:50,080
Speaker 14: especially yeah take the falls, and yeah, we're trained to

545
00:24:50,080 --> 00:24:51,040
Speaker 14: do it so well.

546
00:24:51,080 --> 00:24:52,840
Speaker 3: If I've been working on funding for ten years on

547
00:24:52,880 --> 00:24:55,560
Speaker 3: something on a project, which often happens or five years exactly,

548
00:24:55,600 --> 00:24:56,520
Speaker 3: I wanted to fall Yeah.

549
00:24:57,200 --> 00:25:00,320
Speaker 4: Actually, you probably hurt yourself less than the average person

550
00:25:00,320 --> 00:25:03,200
Speaker 4: because you do know how to fall over and things

551
00:25:03,240 --> 00:25:03,560
Speaker 4: like that.

552
00:25:03,800 --> 00:25:06,440
Speaker 2: Yeah, definitely helps in every day life.

553
00:25:06,600 --> 00:25:11,520
Speaker 4: It does help it everyday life home from the pub. Yeah,

554
00:25:12,080 --> 00:25:12,840
Speaker 4: I have a profession.

555
00:25:15,480 --> 00:25:17,440
Speaker 3: It always makes me overways curious because I'm a nerd

556
00:25:17,440 --> 00:25:19,280
Speaker 3: and I'm watching shows to see if you can pick

557
00:25:19,320 --> 00:25:21,160
Speaker 3: the stunt man and things or a stunt.

558
00:25:21,600 --> 00:25:22,480
Speaker 2: The crossover point.

559
00:25:22,560 --> 00:25:22,720
Speaker 8: Yeah.

560
00:25:22,760 --> 00:25:25,240
Speaker 3: Yeah, there's a movie called Face Off with Trevoltera and

561
00:25:25,680 --> 00:25:27,720
Speaker 3: Page Right and the stunt you can in the boats

562
00:25:27,760 --> 00:25:29,760
Speaker 3: you can pick the stuntman almost every time, but they're

563
00:25:29,840 --> 00:25:33,399
Speaker 3: very careful to make it blend and look perfect, doren't they.

564
00:25:33,680 --> 00:25:35,879
Speaker 10: You get critical when you're watching other productions you're not in.

565
00:25:36,480 --> 00:25:39,000
Speaker 10: You're watching so much now. I've always been a film lover,

566
00:25:39,119 --> 00:25:41,639
Speaker 10: so I can't get sucked into whatever I'm watching. But

567
00:25:41,800 --> 00:25:43,960
Speaker 10: there are times when it's like, oh, that's a stunt

568
00:25:43,960 --> 00:25:48,680
Speaker 10: man body size or the way they move. Yeah, there's

569
00:25:48,680 --> 00:25:49,280
Speaker 10: a lot of things.

570
00:25:49,600 --> 00:25:51,639
Speaker 14: There's a lot of acting that goes into stunts actually,

571
00:25:51,800 --> 00:25:55,080
Speaker 14: sort of absolutely, when you are doubling someone, you have

572
00:25:55,119 --> 00:25:57,760
Speaker 14: to move like them and obviously look like them is

573
00:25:57,840 --> 00:26:00,959
Speaker 14: up to wardrobe and makeup, but yeah, you know, but

574
00:26:01,119 --> 00:26:05,240
Speaker 14: also with stunts, you also get an opportunity to act

575
00:26:05,280 --> 00:26:07,760
Speaker 14: and do your own stunts, not just double other people.

576
00:26:07,840 --> 00:26:10,240
Speaker 14: So yeah, it which is what I did on Ront, was

577
00:26:10,280 --> 00:26:11,720
Speaker 14: I was my own character doing.

578
00:26:14,160 --> 00:26:16,480
Speaker 2: Even better. I'm a continuity nerd.

579
00:26:16,560 --> 00:26:18,479
Speaker 4: I like to watch the glass, you know, go up

580
00:26:18,480 --> 00:26:20,360
Speaker 4: and down in its liquid, or the ice cream that's

581
00:26:20,359 --> 00:26:23,159
Speaker 4: stripping and then it's not, And that would apply, I

582
00:26:23,200 --> 00:26:25,120
Speaker 4: guess apply a lot to the scenes where you come

583
00:26:25,160 --> 00:26:28,000
Speaker 4: in because they've got to find that moment where the

584
00:26:28,040 --> 00:26:30,200
Speaker 4: swap happens exactly. Yeah.

585
00:26:30,320 --> 00:26:32,879
Speaker 14: Well, one of my recent films was Late Night with

586
00:26:32,920 --> 00:26:37,399
Speaker 14: the Devil, which is a great Australian horror movie Kahnes Brothers. Yeah,

587
00:26:37,440 --> 00:26:40,000
Speaker 14: and I doubled one of the actors who was the

588
00:26:40,040 --> 00:26:44,320
Speaker 14: first death and his head spun around backwards and it

589
00:26:44,440 --> 00:26:44,879
Speaker 14: just happened.

590
00:26:45,080 --> 00:26:47,040
Speaker 2: So I had a green sock on my head and

591
00:26:47,200 --> 00:26:47,600
Speaker 2: I was.

592
00:26:50,720 --> 00:26:52,359
Speaker 14: The moment when you do watch it in the film,

593
00:26:52,400 --> 00:26:55,880
Speaker 14: it's like you can't tell it's completely seamless.

594
00:26:56,160 --> 00:26:58,680
Speaker 4: I've heard of a green screen for a green sock.

595
00:26:58,840 --> 00:27:00,760
Speaker 2: Yeah, mini screens.

596
00:27:00,600 --> 00:27:04,600
Speaker 4: Exactly what it was. A green screen was So how

597
00:27:04,640 --> 00:27:06,800
Speaker 4: excited are you for what's been happening in w WA

598
00:27:06,880 --> 00:27:10,000
Speaker 4: with the and we've got the Malaga Film Studios coming,

599
00:27:10,040 --> 00:27:12,160
Speaker 4: so a lot of that post production stuff that might

600
00:27:12,160 --> 00:27:14,200
Speaker 4: have had to go elsewhere can all be done here.

601
00:27:14,960 --> 00:27:18,080
Speaker 4: The industry is this is the happening time.

602
00:27:18,400 --> 00:27:19,200
Speaker 2: Yeah, definitely.

603
00:27:19,720 --> 00:27:22,480
Speaker 14: So hopefully it'll attract a lot more people back home

604
00:27:22,480 --> 00:27:24,320
Speaker 14: that have had to leave because a lot of us

605
00:27:24,320 --> 00:27:28,119
Speaker 14: stunties have to go over East and training room and

606
00:27:28,160 --> 00:27:31,640
Speaker 14: then we make our contacts in the East, so most

607
00:27:31,640 --> 00:27:33,040
Speaker 14: of the work happens over there for us.

608
00:27:33,080 --> 00:27:34,600
Speaker 2: So unless we can get.

609
00:27:34,480 --> 00:27:38,119
Speaker 14: Our foothold in here, you know, the work is fairly

610
00:27:38,160 --> 00:27:38,720
Speaker 14: slim picking.

611
00:27:38,800 --> 00:27:41,440
Speaker 4: And we're making all genres of movies now too, which

612
00:27:41,480 --> 00:27:44,000
Speaker 4: of course is you know where are you coming?

613
00:27:44,160 --> 00:27:47,360
Speaker 2: Definitely lots of comedy that usually has the most.

614
00:27:47,119 --> 00:27:47,720
Speaker 7: Stunts in it.

615
00:27:49,920 --> 00:27:54,040
Speaker 3: Yeah, like a car chase from some of the classic

616
00:27:54,080 --> 00:27:55,400
Speaker 3: movies out of Hollywood.

617
00:27:54,960 --> 00:27:57,080
Speaker 2: Particularly car chases. Yeah, they're the best.

618
00:27:57,600 --> 00:27:59,600
Speaker 3: The other thing about Malaga unless I mentioned Ala, it's

619
00:27:59,680 --> 00:28:02,960
Speaker 3: very excited, but Sounds Studios a great big structure, that

620
00:28:03,040 --> 00:28:05,560
Speaker 3: building out there, and that adds to it the versatility

621
00:28:05,800 --> 00:28:06,320
Speaker 3: of the venue.

622
00:28:06,320 --> 00:28:08,320
Speaker 14: Oh, definitely, there will be places for us to train

623
00:28:08,680 --> 00:28:12,879
Speaker 14: and versatility. Yeah, it would attract more people and more productions,

624
00:28:12,880 --> 00:28:16,160
Speaker 14: and yeah, hopefully they'll use more local cruis and.

625
00:28:16,400 --> 00:28:18,480
Speaker 3: Yeah, I want to see car chase of Alexander drive

626
00:28:19,000 --> 00:28:20,840
Speaker 3: into my lagger like the Blues Brothers.

627
00:28:21,600 --> 00:28:23,880
Speaker 4: I saw one recently, but I don't think it was sanctions.

628
00:28:27,119 --> 00:28:28,640
Speaker 4: Are there a lot? Is there a lot of work

629
00:28:28,680 --> 00:28:30,640
Speaker 4: for stunt people? If you know, for people are going,

630
00:28:30,680 --> 00:28:33,480
Speaker 4: I'm going to get in here into this industry somehow?

631
00:28:34,240 --> 00:28:36,000
Speaker 4: Is this a good angle to go?

632
00:28:36,400 --> 00:28:36,760
Speaker 2: Definitely?

633
00:28:36,840 --> 00:28:38,640
Speaker 14: Yeah, yeah, yeah, I mean if you're willing to put

634
00:28:38,640 --> 00:28:41,479
Speaker 14: in the hard yards for the training, yes, get the grading,

635
00:28:42,040 --> 00:28:45,360
Speaker 14: and then it's definitely pays off anything from driving cars

636
00:28:45,760 --> 00:28:49,720
Speaker 14: to fighting and stunts on film, big stunts like yeah, going.

637
00:28:49,480 --> 00:28:52,200
Speaker 2: Through a glass table with a green sock, with a

638
00:28:52,200 --> 00:28:53,000
Speaker 2: green sock in your head.

639
00:28:53,080 --> 00:28:55,360
Speaker 4: So what's your advice to someone thinking I'm going to

640
00:28:55,440 --> 00:28:57,479
Speaker 4: I'm going to make my move today.

641
00:28:57,640 --> 00:28:59,680
Speaker 14: The main thing is you need twelve months worth of

642
00:28:59,680 --> 00:29:01,840
Speaker 14: body control, so some sort.

643
00:29:01,640 --> 00:29:04,400
Speaker 2: Of fighting, martial arts, gymnastics.

644
00:29:04,480 --> 00:29:08,240
Speaker 14: Okay, that's definitely going to help you go towards your training,

645
00:29:08,920 --> 00:29:11,280
Speaker 14: and then six months with a stunt coordinator, which is

646
00:29:11,520 --> 00:29:14,240
Speaker 14: where most of us end up in Queensland training with

647
00:29:14,320 --> 00:29:17,440
Speaker 14: a coordinator and then once you've got your grading, then

648
00:29:17,440 --> 00:29:18,760
Speaker 14: you're able to work on films.

649
00:29:18,920 --> 00:29:21,680
Speaker 3: Yeah, okay, have you seen the Dev Patel movie that

650
00:29:21,760 --> 00:29:23,840
Speaker 3: came out this year called Monkey Monkey Man?

651
00:29:24,240 --> 00:29:27,560
Speaker 2: I haven't seen. That's brutal. It's like one long flight

652
00:29:27,600 --> 00:29:28,480
Speaker 2: scene for two hours.

653
00:29:28,720 --> 00:29:29,320
Speaker 4: One long fight.

654
00:29:29,800 --> 00:29:34,480
Speaker 9: Incredible, but it's like the Raid, right, okay, pretty full

655
00:29:34,520 --> 00:29:38,280
Speaker 9: on definitely, But some of the sequences in that obviously choreographed,

656
00:29:38,280 --> 00:29:42,120
Speaker 9: but it is quite at times ridiculously for sure.

657
00:29:43,640 --> 00:29:44,960
Speaker 4: Sam, thanks for coming in today.

658
00:29:45,120 --> 00:29:46,000
Speaker 2: I'm going to be a pleasure.

659
00:29:46,000 --> 00:29:48,360
Speaker 4: I'm looking for you out out of the green stock

660
00:29:48,440 --> 00:29:52,920
Speaker 4: now every movie that I see how to make it

661
00:29:52,960 --> 00:29:56,720
Speaker 4: in w way as a stunt man. Thank you, More

662
00:29:57,560 --> 00:30:00,480
Speaker 4: more Lisa More podcasts.

663
00:30:02,440 --> 00:30:06,719
Speaker 3: The Sure Report on ninety six AIRFM.

664
00:30:07,320 --> 00:30:11,720
Speaker 4: One year after officially becoming a billionaire, Taylor Swift's estimated

665
00:30:11,760 --> 00:30:14,000
Speaker 4: net worth has risen to one point six billion dollars

666
00:30:14,000 --> 00:30:17,960
Speaker 4: according to Forbes, making her the world's richest female musician,

667
00:30:18,040 --> 00:30:20,760
Speaker 4: surpassing Rihanna, who was in the top spot. And that's

668
00:30:20,800 --> 00:30:23,440
Speaker 4: one point six billion US so about two point three

669
00:30:23,520 --> 00:30:28,400
Speaker 4: billion Oussie dollars. Taylor's international eras tour is largely credited

670
00:30:28,400 --> 00:30:30,160
Speaker 4: for the Big Jump. She'll have done one hundred and

671
00:30:30,200 --> 00:30:32,680
Speaker 4: forty nine shows by the time that wraps up in December.

672
00:30:32,920 --> 00:30:35,400
Speaker 4: And for further more, to Swift is credit because credit

673
00:30:35,520 --> 00:30:38,920
Speaker 4: where credits to you Forbe says she's the first musician

674
00:30:39,440 --> 00:30:43,160
Speaker 4: to make the billionaire ranking primarily based on her songs

675
00:30:43,160 --> 00:30:45,760
Speaker 4: and performances. She's not flooding the market with perfume and

676
00:30:45,800 --> 00:30:47,960
Speaker 4: lip gloss. She's doing it just with.

677
00:30:48,000 --> 00:30:50,160
Speaker 2: Her music that the compound interest is working for it to.

678
00:30:50,440 --> 00:30:54,440
Speaker 4: Dolly Parton just announced she's personally donating one million dollars

679
00:30:54,440 --> 00:30:57,080
Speaker 4: from her own bank account, along with an additional one

680
00:30:57,160 --> 00:31:00,320
Speaker 4: million dollars from the Dollywood Foundation, to assist in LEAF

681
00:31:00,360 --> 00:31:04,160
Speaker 4: efforts after Hurricane Helene hit several southern US states last month,

682
00:31:04,160 --> 00:31:06,720
Speaker 4: including you know the state where Dolly's from. This is

683
00:31:06,760 --> 00:31:07,720
Speaker 4: why we love this woman.

684
00:31:07,800 --> 00:31:08,680
Speaker 2: Did she get any better?

685
00:31:09,600 --> 00:31:13,800
Speaker 4: She's just a lovely lady. Kiss is working on a

686
00:31:13,840 --> 00:31:17,040
Speaker 4: five part documentary about their end of the road farewell tour.

687
00:31:17,280 --> 00:31:19,560
Speaker 4: Paul Stanley announced the news while sharing a photo of

688
00:31:19,560 --> 00:31:23,320
Speaker 4: his wife being interviewed for it. And Jeff Goldblums Netflix

689
00:31:23,360 --> 00:31:27,240
Speaker 4: show Chaos, a Greek mythology comedy series, just premiered a

690
00:31:27,280 --> 00:31:31,280
Speaker 4: month ago, has already been canceled. Chaos starred Jeff as

691
00:31:31,320 --> 00:31:34,520
Speaker 4: the almighty Zeus, albeit in a modern day setting. The

692
00:31:34,600 --> 00:31:35,760
Speaker 4: reviews never were good.

693
00:31:35,760 --> 00:31:38,160
Speaker 2: Did you see the of it? No? I lasted fifteen minutes.

694
00:31:38,200 --> 00:31:40,880
Speaker 4: Yeah, the reviews were good. One said, Chaos fails to

695
00:31:40,960 --> 00:31:43,680
Speaker 4: delight because the narrative buckles under the weight of its

696
00:31:43,680 --> 00:31:44,320
Speaker 4: own ambition.

697
00:31:44,520 --> 00:31:46,400
Speaker 2: Yeah, that's pretty weird. Weird.

698
00:31:46,960 --> 00:31:49,480
Speaker 3: And by the way, Gene Simmons is jealous of Taylor Swift.

699
00:31:49,600 --> 00:31:52,120
Speaker 3: You know that, without even talking to absolutely, He's going.

700
00:31:54,240 --> 00:31:57,360
Speaker 4: When was it you were called up recently for jury duty?

701
00:31:57,800 --> 00:31:59,400
Speaker 2: Was a couple of months ago, months ago?

702
00:32:00,160 --> 00:32:02,600
Speaker 4: And I guess you know. You show up and for

703
00:32:02,720 --> 00:32:05,440
Speaker 4: the most part, most of the cases are going to

704
00:32:05,480 --> 00:32:10,240
Speaker 4: be fairly bog standard borderline boring that you have to do.

705
00:32:11,120 --> 00:32:14,800
Speaker 4: But then every now and then there's an absolute ripperer

706
00:32:15,360 --> 00:32:19,680
Speaker 4: gorka that you might have the fortune of being, you know,

707
00:32:19,880 --> 00:32:21,520
Speaker 4: on the jury for, and I reckon this would be

708
00:32:21,520 --> 00:32:23,360
Speaker 4: one of those cases. Have you met this Perth woman

709
00:32:23,760 --> 00:32:26,840
Speaker 4: Karen Sulkled, who was inspired by a movie to fake

710
00:32:26,880 --> 00:32:30,120
Speaker 4: her own death for a seven hundred thousand dollars insurance payout. Well,

711
00:32:30,120 --> 00:32:35,240
Speaker 4: Prosecutors have revealed how the plan unraveled. She faked her

712
00:32:35,280 --> 00:32:38,880
Speaker 4: own death for the hefty insurance payout, but became unstuck.

713
00:32:39,440 --> 00:32:43,200
Speaker 4: She was inspired by a movie to pretend to die

714
00:32:43,400 --> 00:32:46,440
Speaker 4: to try to secure more than seven hundred thousand dollars.

715
00:32:46,840 --> 00:32:48,960
Speaker 4: They're not saying what movie. The only one I can

716
00:32:48,960 --> 00:32:52,560
Speaker 4: think of where someone fakes their own death is that

717
00:32:52,840 --> 00:32:55,440
Speaker 4: Sleeping with the Enemy that Julia Roberts was in back,

718
00:32:55,440 --> 00:32:57,080
Speaker 4: and that was quite a while ago, though that was

719
00:32:57,640 --> 00:33:01,480
Speaker 4: in the nineties. There's a few where they've faked their disappearance,

720
00:33:01,600 --> 00:33:03,880
Speaker 4: like Gone Girl and things like that. Said, the Dead's

721
00:33:03,920 --> 00:33:05,600
Speaker 4: Sake was the Julia Roberts movie?

722
00:33:05,640 --> 00:33:07,959
Speaker 2: Did you say that one? The Thief's Wife and the Canoe?

723
00:33:08,040 --> 00:33:13,000
Speaker 2: The story of that John Such a bumbling fool. It

724
00:33:13,120 --> 00:33:15,400
Speaker 2: was a bumbling fool, very far well.

725
00:33:15,440 --> 00:33:18,880
Speaker 4: This woman, who previously pleaded guilty to gains benefit by

726
00:33:18,920 --> 00:33:21,360
Speaker 4: fraud and intended to fraud using a false record, faced

727
00:33:21,600 --> 00:33:24,760
Speaker 4: court again on Friday over her elaborate web of lies.

728
00:33:25,280 --> 00:33:28,840
Speaker 4: She almost got away with it, but prosecutors are revealed

729
00:33:28,880 --> 00:33:32,400
Speaker 4: how it did eventually unravel. She pretended to be her

730
00:33:32,400 --> 00:33:35,600
Speaker 4: ex partner when she claimed that she died in a

731
00:33:35,680 --> 00:33:39,320
Speaker 4: car crash in Broom in December. The court was told

732
00:33:39,360 --> 00:33:43,000
Speaker 4: she started a life insurance claim lodging falsified documents, including

733
00:33:43,000 --> 00:33:46,360
Speaker 4: a death certificate and the coroner's report, a week later

734
00:33:46,360 --> 00:33:48,920
Speaker 4: though the insurance. A week later, the insurance company paid

735
00:33:48,960 --> 00:33:51,720
Speaker 4: more than seven hundred grand into a bank account opened

736
00:33:51,800 --> 00:33:55,760
Speaker 4: in her ex partner's name, but when she moved some

737
00:33:55,880 --> 00:33:59,240
Speaker 4: of the money around, the bank flagged it a suspicious

738
00:33:59,320 --> 00:34:01,200
Speaker 4: and promptly froze the account.

739
00:34:01,240 --> 00:34:03,240
Speaker 2: So there's the problem. Start moving the.

740
00:34:03,200 --> 00:34:05,640
Speaker 4: Money, you start panicking. Then when you went and found

741
00:34:05,680 --> 00:34:07,280
Speaker 4: your account frozen, wouldn't.

742
00:34:06,920 --> 00:34:10,040
Speaker 2: You Absolutely, they're on to me. Oh that's horrible, isn't it.

743
00:34:10,080 --> 00:34:13,920
Speaker 4: Anyway, she visited a police station to certify her fake documents,

744
00:34:13,960 --> 00:34:18,600
Speaker 4: but after three visits, officers realized something was up and

745
00:34:18,680 --> 00:34:20,799
Speaker 4: she was arrested. I don't know that. If this was

746
00:34:20,840 --> 00:34:23,200
Speaker 4: me and I was having to go, I don't reckon.

747
00:34:23,239 --> 00:34:26,360
Speaker 4: I'd go there three times. No, I reckon, you know,

748
00:34:26,440 --> 00:34:30,040
Speaker 4: once my my account was frozen and I was heading

749
00:34:30,040 --> 00:34:32,120
Speaker 4: in there for a second time, I'd be off.

750
00:34:32,120 --> 00:34:34,960
Speaker 2: You're hitting the road. Would you have that out? She's

751
00:34:34,960 --> 00:34:36,399
Speaker 2: got fairly cut.

752
00:34:36,760 --> 00:34:38,760
Speaker 3: Please, I know it's seven hundred grand and the moment

753
00:34:38,800 --> 00:34:40,560
Speaker 3: that went into your account, you'd be going, or into

754
00:34:40,560 --> 00:34:43,000
Speaker 3: that account, you'd be going, I think I've got away

755
00:34:43,040 --> 00:34:43,239
Speaker 3: with this.

756
00:34:43,360 --> 00:34:45,800
Speaker 4: Oh yeah, I think I was not cut out for

757
00:34:45,840 --> 00:34:48,320
Speaker 4: a life of crime because I'd be too mustphinker.

758
00:34:48,360 --> 00:34:49,359
Speaker 2: Couldn't take it, do you reckon?

759
00:34:49,400 --> 00:34:53,799
Speaker 4: I'm just lying, Always be sorry. You know how you

760
00:34:53,840 --> 00:34:55,920
Speaker 4: get you get nervous, and yet you get a bit.

761
00:34:56,280 --> 00:34:57,480
Speaker 4: I would be living.

762
00:34:58,000 --> 00:35:01,080
Speaker 2: Never mentioned your speaker on the show again, thanks, So.

763
00:35:02,040 --> 00:35:04,200
Speaker 4: I'd always be on the edge of feeling like I

764
00:35:04,280 --> 00:35:05,680
Speaker 4: was going to be busted. I would be able to

765
00:35:05,760 --> 00:35:07,719
Speaker 4: enjoy it, enjoy my spoke.

766
00:35:07,560 --> 00:35:09,719
Speaker 3: Looking over your shoulder and going, oh, I want to

767
00:35:09,719 --> 00:35:11,319
Speaker 3: spend a bit of that money. But you're moving around

768
00:35:11,320 --> 00:35:13,480
Speaker 3: to other accounts with other names and all that. So

769
00:35:13,760 --> 00:35:14,640
Speaker 3: someone smelt a rat.

770
00:35:14,719 --> 00:35:18,239
Speaker 4: She admitted the idea to fake her own death came

771
00:35:18,280 --> 00:35:21,919
Speaker 4: from a movie, but never specified which one's that's that's

772
00:35:22,040 --> 00:35:22,439
Speaker 4: the question.

773
00:35:23,040 --> 00:35:23,320
Speaker 7: Writing.

774
00:35:24,200 --> 00:35:28,279
Speaker 4: Her defense called the plan an amateurish brain snap with

775
00:35:28,400 --> 00:35:31,359
Speaker 4: no thought to the consequences. Yeah, well, I mean that's

776
00:35:31,400 --> 00:35:32,680
Speaker 4: the standard defense.

777
00:35:32,360 --> 00:35:33,560
Speaker 2: For anything is right.

778
00:35:33,840 --> 00:35:35,920
Speaker 1: And when you lie, and you had start telling lies,

779
00:35:35,960 --> 00:35:38,200
Speaker 1: they have to be very elaborated. And that's what I

780
00:35:38,239 --> 00:35:40,040
Speaker 1: mean about it. I'm not cut out for it, because

781
00:35:40,080 --> 00:35:43,240
Speaker 1: once you go down that path you've.

782
00:35:43,000 --> 00:35:43,680
Speaker 4: Got to keep.

783
00:35:43,760 --> 00:35:46,080
Speaker 2: It's so much easier to just It's almost like you

784
00:35:46,120 --> 00:35:48,000
Speaker 2: need a diary to say who you've lied to and

785
00:35:48,040 --> 00:35:48,600
Speaker 2: what you've said.

786
00:35:49,239 --> 00:35:52,359
Speaker 4: God, no, I couldn't be bothered anyway. She was due

787
00:35:52,400 --> 00:35:56,279
Speaker 4: to be sentenced on Friday, but prosecutors didn't have the

788
00:35:56,400 --> 00:35:59,239
Speaker 4: exact amount she owed the insurance company, So once they

789
00:35:59,239 --> 00:36:02,440
Speaker 4: get that math taken care of, she'll be sentenced. And

790
00:36:02,480 --> 00:36:06,360
Speaker 4: she is staring down a penalty of seven years behind bars.

791
00:36:06,440 --> 00:36:08,880
Speaker 3: Yeah, and whether it's seven grand or seven hundred grand,

792
00:36:09,160 --> 00:36:11,360
Speaker 3: you know, like it makes me go, I could I

793
00:36:11,520 --> 00:36:13,640
Speaker 3: just I'm not People get to that. But it's a

794
00:36:13,719 --> 00:36:16,080
Speaker 3: very long brain snap too, because it's quite a long Yeah, exactly,

795
00:36:16,800 --> 00:36:17,800
Speaker 3: y lengthy snap.

796
00:36:18,000 --> 00:36:18,960
Speaker 2: Yeah, not good at all.

797
00:36:19,640 --> 00:36:22,560
Speaker 4: Crazy and Lisa ninety six am