1 00:00:00,080 --> 00:00:04,800 Speaker 1: The Travelers is a new Australian movie shot very close 2 00:00:04,840 --> 00:00:07,640 Speaker 1: to home, and I do mean very close to where 3 00:00:07,640 --> 00:00:11,840 Speaker 1: we are right now. It's in cinemas on the ninth 4 00:00:11,880 --> 00:00:16,880 Speaker 1: of October and it stars Brian Brown, Luke Bracy, Nicholas 5 00:00:16,920 --> 00:00:20,080 Speaker 1: Hammond and Susie Porter, who joins us now. 6 00:00:20,480 --> 00:00:23,040 Speaker 2: Welcome, Thank you, Russell, thank you for having me. 7 00:00:23,000 --> 00:00:25,560 Speaker 1: Or should I say welcome back because you spend a 8 00:00:25,600 --> 00:00:26,520 Speaker 1: bit of time here. 9 00:00:26,640 --> 00:00:29,960 Speaker 2: I have spent. I was actually talking this morning. I 10 00:00:30,040 --> 00:00:33,160 Speaker 2: think this is the third film I've done in Perth 11 00:00:33,280 --> 00:00:36,520 Speaker 2: over the years. So yeah, it's lovely to be back. 12 00:00:36,600 --> 00:00:39,520 Speaker 1: There's a lot of movie production happening over this part 13 00:00:39,560 --> 00:00:42,159 Speaker 1: of the world at the moment, which is very, very exciting. 14 00:00:42,320 --> 00:00:44,240 Speaker 2: I think it is very exciting when we're talking about 15 00:00:44,280 --> 00:00:47,760 Speaker 2: that this morning as well, about the studios and getting 16 00:00:47,840 --> 00:00:52,960 Speaker 2: those up and running and having a real great injection 17 00:00:53,440 --> 00:00:55,680 Speaker 2: for the film industry for in Perth, which is great 18 00:00:55,680 --> 00:00:59,400 Speaker 2: for all the crews that work here. It is cheaper, 19 00:01:00,200 --> 00:01:03,000 Speaker 2: the weather's so good, it's just a great place to 20 00:01:03,080 --> 00:01:03,720 Speaker 2: make movies. 21 00:01:03,880 --> 00:01:09,039 Speaker 1: Yeah. So The Travelers is filmed basically a little bit 22 00:01:09,040 --> 00:01:12,319 Speaker 1: in Perth, a little bit in Fremantle, and much of 23 00:01:12,360 --> 00:01:15,319 Speaker 1: it out in the Avon Valley and it just the 24 00:01:15,360 --> 00:01:19,200 Speaker 1: Avon Valley just comes up so beautifully on the big screen. 25 00:01:19,560 --> 00:01:22,640 Speaker 1: It is wonderful to see our home up on the 26 00:01:22,640 --> 00:01:25,000 Speaker 1: big screen because you don't always get to see that. 27 00:01:25,440 --> 00:01:26,399 Speaker 2: No, a lot of. 28 00:01:26,360 --> 00:01:29,840 Speaker 1: Stuff is international or it's filmed over East. So to 29 00:01:29,880 --> 00:01:31,800 Speaker 1: be able to go in there and say I live there, 30 00:01:31,920 --> 00:01:32,720 Speaker 1: I've been there, I know. 31 00:01:32,959 --> 00:01:36,040 Speaker 2: And I could imagine people who live in York as well, 32 00:01:36,360 --> 00:01:39,160 Speaker 2: you know, with so much stuff being shot there. Yes, 33 00:01:39,400 --> 00:01:42,679 Speaker 2: it's just yeah, it's always a thrill to see your 34 00:01:42,760 --> 00:01:44,960 Speaker 2: local area up on the screen. 35 00:01:45,240 --> 00:01:47,880 Speaker 1: The Travelers just shot there. A Runt was another movie 36 00:01:47,920 --> 00:01:50,640 Speaker 1: that was shot there only about a year ago. So 37 00:01:51,160 --> 00:01:53,800 Speaker 1: it's very exciting times. So tell us a little bit 38 00:01:53,880 --> 00:01:58,200 Speaker 1: about The Travelers. Written and directed by Bruce Beresford, Yes, 39 00:01:58,720 --> 00:02:02,800 Speaker 1: who has a long run of credit. It's a very 40 00:02:02,880 --> 00:02:06,280 Speaker 1: very successful man. We're talking driving Miss Daisy black Robe 41 00:02:06,560 --> 00:02:08,520 Speaker 1: Break Him a Rant, which is one of the all 42 00:02:08,560 --> 00:02:12,520 Speaker 1: time classic Australian movies. Tell us a little bit about 43 00:02:12,560 --> 00:02:13,120 Speaker 1: the movie. 44 00:02:13,320 --> 00:02:17,560 Speaker 2: I would describe the movie as the character of Luke Bracey. 45 00:02:18,040 --> 00:02:24,160 Speaker 2: He works overseas in opera and basically our mother gets sick, 46 00:02:24,280 --> 00:02:26,760 Speaker 2: so we're brother and sister and our father is Brian 47 00:02:27,320 --> 00:02:31,440 Speaker 2: and so he summons back to Australia and it's what 48 00:02:31,639 --> 00:02:33,280 Speaker 2: unfolds once he gets. 49 00:02:33,080 --> 00:02:35,920 Speaker 1: Back two very different worlds for a start, a small 50 00:02:35,960 --> 00:02:41,200 Speaker 1: Australian country town to the opera houses of Europe. So 51 00:02:41,240 --> 00:02:43,960 Speaker 1: there's a culture clash right there that is being dealt with. 52 00:02:44,200 --> 00:02:47,440 Speaker 2: Yeah. Yeah, And I think you know a lot of 53 00:02:47,480 --> 00:02:52,440 Speaker 2: people will have, you know, aging parents, parents dying. You know, 54 00:02:52,520 --> 00:02:56,440 Speaker 2: it's a real part of life that I don't see 55 00:02:56,639 --> 00:03:00,200 Speaker 2: often explored in film really, So I think it's it's 56 00:03:00,240 --> 00:03:05,240 Speaker 2: just such a beautiful nod to that to family and 57 00:03:05,360 --> 00:03:06,480 Speaker 2: connection with family. 58 00:03:07,240 --> 00:03:11,280 Speaker 1: It's, like you say, it's something that everybody will confront, 59 00:03:11,400 --> 00:03:13,480 Speaker 1: so everybody can relate to it when they see the 60 00:03:13,480 --> 00:03:14,760 Speaker 1: story in the cinema. 61 00:03:14,919 --> 00:03:15,720 Speaker 2: Yeah, definitely. 62 00:03:15,960 --> 00:03:21,359 Speaker 1: So you play the sister and Brian Brown plays the father. Yea, 63 00:03:22,120 --> 00:03:25,560 Speaker 1: and he lives a very different life, shall we say 64 00:03:25,600 --> 00:03:28,959 Speaker 1: to his son who comes back to visit and is 65 00:03:29,000 --> 00:03:32,520 Speaker 1: a little bit aghast at what he finds. How would 66 00:03:32,560 --> 00:03:37,160 Speaker 1: you describe the relationship between father and son and sister 67 00:03:37,440 --> 00:03:39,520 Speaker 1: as well in this movie? 68 00:03:39,680 --> 00:03:42,920 Speaker 2: Well, look, I think all three of them are very different, 69 00:03:43,400 --> 00:03:47,240 Speaker 2: and Luke's character is different. In the family that he 70 00:03:47,520 --> 00:03:50,720 Speaker 2: chose to move away from the city and explore different 71 00:03:50,960 --> 00:03:54,560 Speaker 2: different parts. My character is happy to stay locally and 72 00:03:54,680 --> 00:03:58,280 Speaker 2: raise a family and I work in it and have 73 00:03:58,360 --> 00:04:01,400 Speaker 2: the connection with dad. But it's also, yeah, how would 74 00:04:01,400 --> 00:04:05,440 Speaker 2: I describe it? Three very different people having to maneuver 75 00:04:05,680 --> 00:04:09,600 Speaker 2: how the future looks for all three of them, because 76 00:04:09,640 --> 00:04:13,240 Speaker 2: also younger family members. You know that we're there to 77 00:04:13,360 --> 00:04:17,120 Speaker 2: look after our elderly parents, but also to have their 78 00:04:17,200 --> 00:04:20,480 Speaker 2: own life as well. It's a fine balance, I think. 79 00:04:20,600 --> 00:04:23,599 Speaker 1: So does that kind of a culture difference as well. 80 00:04:24,000 --> 00:04:26,680 Speaker 1: And you say that you stay but if I remember 81 00:04:26,760 --> 00:04:30,160 Speaker 1: rightly in the movie, you're in Albany. 82 00:04:30,040 --> 00:04:32,400 Speaker 2: I am in a different spot. Yeah, so I sort. 83 00:04:32,200 --> 00:04:34,359 Speaker 1: Of stay low the place that we can all relate to. 84 00:04:34,839 --> 00:04:37,920 Speaker 2: Yeah, I stay locally. I didn't go to Europe, but yes, 85 00:04:38,120 --> 00:04:40,760 Speaker 2: I need you know, my character talks about getting on 86 00:04:40,839 --> 00:04:43,680 Speaker 2: with her life as well of having husband and a 87 00:04:43,720 --> 00:04:47,480 Speaker 2: couple of young kids at school, and yeah, having to 88 00:04:47,839 --> 00:04:49,640 Speaker 2: get on with that. But I think that that is 89 00:04:49,680 --> 00:04:53,560 Speaker 2: a dilemma that a lot of people face. Like my 90 00:04:53,720 --> 00:04:56,640 Speaker 2: mum who's eighty one. Now, I mean she's in good health, 91 00:04:56,680 --> 00:04:59,520 Speaker 2: but she lives in Newcastle, and there's one sister who 92 00:04:59,560 --> 00:05:01,840 Speaker 2: lives in new Castle and the rest of us either 93 00:05:01,880 --> 00:05:05,720 Speaker 2: Melbourne or Sydney, so it's a very similar Yeah, that 94 00:05:05,760 --> 00:05:08,839 Speaker 2: we kind of go, well we would move up to 95 00:05:08,920 --> 00:05:14,120 Speaker 2: Newcastle or also my husband his father's in Newcastle in England, 96 00:05:14,480 --> 00:05:16,960 Speaker 2: so that's another thing that we sort of talk about 97 00:05:17,000 --> 00:05:19,800 Speaker 2: as like the time do you move over there for it? 98 00:05:19,920 --> 00:05:24,000 Speaker 2: You know, time being to help with that transition. It is. Yeah, 99 00:05:24,040 --> 00:05:26,599 Speaker 2: it's a really well everyone you know, if they have 100 00:05:26,680 --> 00:05:30,040 Speaker 2: their parents alive, people have that experience. 101 00:05:30,040 --> 00:05:32,840 Speaker 1: It's something that everyone gets to has to wrestle with. 102 00:05:33,120 --> 00:05:35,520 Speaker 1: As we said before, the film written and directed by 103 00:05:35,560 --> 00:05:38,320 Speaker 1: Bruce Beresford, what was it. Have you worked with him before? 104 00:05:38,880 --> 00:05:41,039 Speaker 2: I have? Do you know what? I've been lucky enough. 105 00:05:41,080 --> 00:05:43,239 Speaker 2: This is my third film with Bruce. 106 00:05:43,480 --> 00:05:44,039 Speaker 1: He likes you. 107 00:05:44,920 --> 00:05:49,160 Speaker 2: Yeah, look, I feel just I'm really grateful that I've 108 00:05:49,360 --> 00:05:51,480 Speaker 2: I got to work with him. He's such a beautiful 109 00:05:51,520 --> 00:05:53,880 Speaker 2: man and such a gentleman. But as you said, like 110 00:05:53,960 --> 00:05:57,520 Speaker 2: he's a real legend and he's worked not. 111 00:05:57,480 --> 00:06:00,400 Speaker 1: Just in Australia, We're talking worldwide. This man is around 112 00:06:00,440 --> 00:06:00,920 Speaker 1: the world. 113 00:06:01,040 --> 00:06:03,880 Speaker 2: So I first met Bruce when I did Paradise Road. 114 00:06:03,960 --> 00:06:06,600 Speaker 2: It was my first year out of drama school, and 115 00:06:06,760 --> 00:06:10,359 Speaker 2: that was set in a prison of war camp and 116 00:06:10,400 --> 00:06:13,080 Speaker 2: it was about a women's choir through that and that 117 00:06:13,720 --> 00:06:17,240 Speaker 2: was a beautiful film. And many years later he spoke 118 00:06:17,279 --> 00:06:20,360 Speaker 2: about Ladies in Black when we were filming Paradise Road, 119 00:06:20,400 --> 00:06:22,599 Speaker 2: but it took a long time to actually fund the 120 00:06:22,640 --> 00:06:25,080 Speaker 2: film and get it up, so instead of me playing 121 00:06:25,120 --> 00:06:27,039 Speaker 2: one of the younger girls, I ended up being cast 122 00:06:27,080 --> 00:06:30,520 Speaker 2: as one of the moms. So I did Ladies in 123 00:06:30,640 --> 00:06:35,160 Speaker 2: Black with him in twenty seventeen, and then now there's 124 00:06:35,320 --> 00:06:38,599 Speaker 2: in twenty twenty twenty five. Of course you filmed it 125 00:06:39,680 --> 00:06:43,480 Speaker 2: twenty four So look, I feel, yeah, just really privileged 126 00:06:43,520 --> 00:06:46,960 Speaker 2: to have been able to work with him so many times. 127 00:06:47,040 --> 00:06:50,320 Speaker 1: And we feel privileged that he decided to pick Perth, 128 00:06:50,440 --> 00:06:53,719 Speaker 1: Freemantle and the Avon Valley to film, Yeah, the movie 129 00:06:53,720 --> 00:06:56,320 Speaker 1: in because it's a great advertisement for this part of 130 00:06:56,360 --> 00:06:58,159 Speaker 1: the world it is, and also for Perth. 131 00:06:58,400 --> 00:07:01,880 Speaker 2: You know, you can get hilly kind of areas around York, 132 00:07:01,920 --> 00:07:05,680 Speaker 2: but then you've got the beautiful beaches, you've got Margaret River, 133 00:07:05,920 --> 00:07:10,320 Speaker 2: You've got you've just got everything here and no humidity either, 134 00:07:10,960 --> 00:07:13,600 Speaker 2: so you know, and the light is so beautiful. We're 135 00:07:13,600 --> 00:07:17,080 Speaker 2: talking about that this morning. The light here is so beautiful. 136 00:07:17,280 --> 00:07:20,520 Speaker 1: So all directors who are listening, this is a great 137 00:07:20,560 --> 00:07:22,760 Speaker 1: spot ll come and make movies. Yeah, and I think 138 00:07:22,760 --> 00:07:23,800 Speaker 1: that's so many reasons. 139 00:07:23,920 --> 00:07:25,880 Speaker 2: Yeah, and I think that's what's a really good idea 140 00:07:25,920 --> 00:07:28,200 Speaker 2: to have, you know, get those studios up and running, 141 00:07:28,240 --> 00:07:32,000 Speaker 2: which is they're meant to be next year. That it 142 00:07:32,120 --> 00:07:35,040 Speaker 2: is just great for the film community here. 143 00:07:35,080 --> 00:07:37,400 Speaker 1: There's a lot of anticipation for it. Do you have 144 00:07:37,600 --> 00:07:39,920 Speaker 1: any other projects on the go that you're working on 145 00:07:40,000 --> 00:07:41,880 Speaker 1: at the moment, anything in the pipeline. 146 00:07:41,920 --> 00:07:45,800 Speaker 2: Well, I just finished doing The Artful Dodger for Disney 147 00:07:45,800 --> 00:07:48,600 Speaker 2: Plus and Luke was in that, so we actually did 148 00:07:48,600 --> 00:07:51,360 Speaker 2: the last two jobs together beautiful Luke Bracy, so that 149 00:07:51,560 --> 00:07:52,880 Speaker 2: was pretty cool. 150 00:07:53,000 --> 00:07:56,520 Speaker 1: So yeah, well we look forward to seeing that. But now, 151 00:07:56,880 --> 00:07:59,240 Speaker 1: as of the ninth of October, we need to see 152 00:07:59,240 --> 00:08:02,560 Speaker 1: you in The Trap tras Brian Brown and Luke Bracey 153 00:08:02,640 --> 00:08:06,080 Speaker 1: and Nicholas Hammond and the Beauty of Western Australia on 154 00:08:06,160 --> 00:08:09,120 Speaker 1: the big screen. Absolutely, it's a great movie. Thank you 155 00:08:09,120 --> 00:08:12,200 Speaker 1: for dropping by, thanks for talking, and we look forward 156 00:08:12,240 --> 00:08:14,600 Speaker 1: to seeing you on Disney Plus. 157 00:08:14,680 --> 00:08:16,240 Speaker 2: Yes, The Artful Dodger