1 00:00:00,520 --> 00:00:02,520 Speaker 1: Let Me tell You a Story on. 2 00:00:02,800 --> 00:00:06,280 Speaker 2: Time Clearsy releases the story behind the song. 3 00:00:06,559 --> 00:00:10,360 Speaker 1: The song in question today is in the Air Tonight. 4 00:00:10,720 --> 00:00:14,960 Speaker 1: It was Phil Collins' debut solo single, and it was 5 00:00:15,040 --> 00:00:19,239 Speaker 1: released as the lead single from Collins' debut solo album, 6 00:00:19,320 --> 00:00:23,120 Speaker 1: Face Value all the Way back in January nineteen eighty one. 7 00:00:23,360 --> 00:00:25,640 Speaker 2: Because he had his name, his reputation as the drummer 8 00:00:25,680 --> 00:00:27,800 Speaker 2: and then singer of course with Genesis before that, and 9 00:00:27,880 --> 00:00:28,400 Speaker 2: he went solo. 10 00:00:28,680 --> 00:00:32,840 Speaker 1: So In the E to Night reached number one in Austria, Germany, Switzerland, 11 00:00:32,920 --> 00:00:36,000 Speaker 1: and Sweden, number two in Canada, and the top ten 12 00:00:36,120 --> 00:00:39,080 Speaker 1: in Australia, New Zealand and several other European territories that 13 00:00:39,159 --> 00:00:42,000 Speaker 1: reached number nineteen in the United States. In the e 14 00:00:42,080 --> 00:00:46,240 Speaker 1: Tonight is one of Collins's best known hits, often cited 15 00:00:46,280 --> 00:00:50,239 Speaker 1: as his signature song, and is especially famous for its 16 00:00:50,360 --> 00:00:51,080 Speaker 1: drum break. 17 00:00:51,240 --> 00:00:54,200 Speaker 3: The sound was different from many other records that was 18 00:00:54,240 --> 00:00:58,680 Speaker 3: around at the time. Drums really normally were recorded and 19 00:00:58,720 --> 00:01:02,560 Speaker 3: acousticbly perfect surroundings, you know, that was the way you 20 00:01:02,600 --> 00:01:06,039 Speaker 3: know studios were built. But there was a studio in 21 00:01:06,080 --> 00:01:09,320 Speaker 3: London called the Townhouse which had this stone room and 22 00:01:09,360 --> 00:01:12,920 Speaker 3: that's where I'd recorded with Peter Gabriel. You know, I 23 00:01:13,040 --> 00:01:14,959 Speaker 3: was his drummer for a little while when he couldn't 24 00:01:15,000 --> 00:01:18,760 Speaker 3: afford American musicians. So he invited me to play on 25 00:01:18,800 --> 00:01:21,400 Speaker 3: some tracks on that album, which was his third album, 26 00:01:21,840 --> 00:01:24,319 Speaker 3: and there was a song called Intruder on that which 27 00:01:24,400 --> 00:01:28,800 Speaker 3: was basically my drum part and a song he adapted 28 00:01:28,840 --> 00:01:31,240 Speaker 3: to fit it. But I fell in love with the 29 00:01:31,280 --> 00:01:33,959 Speaker 3: engineer who got this sound. So when I did my 30 00:01:34,040 --> 00:01:36,960 Speaker 3: solo album, I know, got together with him and we 31 00:01:37,000 --> 00:01:39,840 Speaker 3: did face value together. So when we did in the 32 00:01:39,840 --> 00:01:42,319 Speaker 3: Air Tonight, you know, we got set up set up 33 00:01:42,360 --> 00:01:44,360 Speaker 3: in the in the live room and I was playing 34 00:01:45,040 --> 00:01:51,360 Speaker 3: from and he was getting the sound. And then when 35 00:01:51,400 --> 00:01:55,080 Speaker 3: we came to record, I did a drum fill into 36 00:01:55,120 --> 00:01:59,200 Speaker 3: my intro and that film was and and d Ad 37 00:01:59,200 --> 00:02:02,080 Speaker 3: and that, and we thought that sounds good. 38 00:02:02,200 --> 00:02:04,320 Speaker 2: It's a fil Even bad drummers can. 39 00:02:04,240 --> 00:02:06,840 Speaker 1: Play, no word play, it's a drum fill. 40 00:02:07,400 --> 00:02:09,720 Speaker 2: It's a fill drum we loved and it ended up 41 00:02:09,720 --> 00:02:12,400 Speaker 2: on the Cabriad with the guy in the gorilla suit playing. 42 00:02:13,680 --> 00:02:17,919 Speaker 1: Yeah the inspiration. Collins wrote the song amid the grief 43 00:02:18,000 --> 00:02:22,680 Speaker 1: he felt after divorcing his first wife Andrea Bertarelli in 44 00:02:22,800 --> 00:02:25,720 Speaker 1: nineteen eighty. In an interview in twenty sixteen, he said, 45 00:02:25,720 --> 00:02:28,639 Speaker 1: of the song's lyrics, I wrote the lyrics spontaneously. I'm 46 00:02:28,639 --> 00:02:30,560 Speaker 1: not quite sure what the song is about, but there 47 00:02:30,600 --> 00:02:32,960 Speaker 1: was a lot of anger, a lot of despair, and 48 00:02:33,040 --> 00:02:36,000 Speaker 1: a lot of frustration. But there are also a lot 49 00:02:36,040 --> 00:02:40,400 Speaker 1: of urban legends. We've all heard the myths about this song, 50 00:02:40,480 --> 00:02:43,960 Speaker 1: the main one being that story that the lyrics are 51 00:02:44,040 --> 00:02:48,200 Speaker 1: based on an incident where someone drowned and someone was 52 00:02:48,280 --> 00:02:51,440 Speaker 1: close enough to help save the victim but did not 53 00:02:52,360 --> 00:02:55,800 Speaker 1: say help, while Collins, who was too far away to help, 54 00:02:56,120 --> 00:02:57,400 Speaker 1: looked on right and. 55 00:02:57,360 --> 00:03:01,040 Speaker 2: Knew everything and it was supposedly roughly docum it around that. Yeah. 56 00:03:01,120 --> 00:03:04,200 Speaker 1: See he had this discussion with Jimmy Kimmel on his 57 00:03:04,280 --> 00:03:04,880 Speaker 1: tonight show. 58 00:03:05,080 --> 00:03:06,200 Speaker 2: Yeah, is this true? 59 00:03:06,240 --> 00:03:07,680 Speaker 1: That this is what happens? Is when I heard you 60 00:03:07,720 --> 00:03:09,920 Speaker 1: were you were on your outside at night. 61 00:03:09,800 --> 00:03:12,720 Speaker 2: And there's a dot, you saw somebody saw someone drowning, 62 00:03:13,000 --> 00:03:16,360 Speaker 2: and he didn't yeah, and he let him drown. He 63 00:03:16,400 --> 00:03:18,200 Speaker 2: let him drown, and you go and you watched the 64 00:03:18,240 --> 00:03:21,360 Speaker 2: man basically murder somebody. And then so instead of calling 65 00:03:21,360 --> 00:03:24,880 Speaker 2: the authorities, you invited the man stranger. 66 00:03:24,480 --> 00:03:27,560 Speaker 3: To your concert and then shone the lights on him. 67 00:03:27,680 --> 00:03:30,120 Speaker 2: He showed, yes, you shone a light at him, and 68 00:03:30,200 --> 00:03:31,840 Speaker 2: you say, in the earth. Then you go, I know 69 00:03:31,880 --> 00:03:34,880 Speaker 2: what you did, buddy, Oh my god. 70 00:03:35,320 --> 00:03:37,720 Speaker 1: Okay, that is the best story I've ever heard. 71 00:03:37,560 --> 00:03:38,400 Speaker 2: Of it I know. 72 00:03:38,480 --> 00:03:40,360 Speaker 3: Unfortunately none of it is true. 73 00:03:42,520 --> 00:03:43,560 Speaker 2: What you know. 74 00:03:45,040 --> 00:03:47,760 Speaker 3: I was just pissed off, you know, I was angry 75 00:03:48,480 --> 00:03:51,400 Speaker 3: at what. Well, you know, you go through a divorce 76 00:03:51,480 --> 00:03:55,960 Speaker 3: and you know, sometimes it's like I love you, I 77 00:03:56,000 --> 00:03:58,640 Speaker 3: love you, love you, don't hang out, don't and then 78 00:03:58,680 --> 00:04:03,080 Speaker 3: it's like, well yeah, and then of course that's when 79 00:04:03,160 --> 00:04:04,839 Speaker 3: a song like in the Air Tonight comes out. There's 80 00:04:04,840 --> 00:04:06,360 Speaker 3: obviously a lot of anger in there. 81 00:04:06,640 --> 00:04:08,280 Speaker 2: Well, yes, a bit of anger. He's written a lot 82 00:04:08,280 --> 00:04:11,720 Speaker 2: of love songs and break up once with Jimmy fallon there. 83 00:04:12,320 --> 00:04:15,760 Speaker 1: So the myth went that he then spotted the guy 84 00:04:15,800 --> 00:04:20,520 Speaker 1: at a concert in the audience, and the audience even 85 00:04:21,560 --> 00:04:24,599 Speaker 1: references in his song Stan where he talks about you 86 00:04:24,640 --> 00:04:26,559 Speaker 1: know the song by Phil Collins in the Air Tonight, 87 00:04:26,600 --> 00:04:28,280 Speaker 1: about that guy who could have saved that other guy 88 00:04:28,279 --> 00:04:30,440 Speaker 1: from drowning but didn't. Then Phil saw it all Then 89 00:04:30,480 --> 00:04:32,880 Speaker 1: at a show we found him. 90 00:04:31,880 --> 00:04:36,080 Speaker 2: It's so bizartically. This wasn't about that, No, no, it wasn't. 91 00:04:36,240 --> 00:04:38,039 Speaker 2: But the song got even bigger and it was on 92 00:04:38,080 --> 00:04:40,720 Speaker 2: the pilot of Miami Vice, the old Crockett and Tubs. 93 00:04:41,839 --> 00:04:44,040 Speaker 2: Remember that, almost the whole song on there. And it's 94 00:04:44,040 --> 00:04:46,800 Speaker 2: funny how eventually Phil ended up acting. Because Phil was 95 00:04:46,800 --> 00:04:48,919 Speaker 2: a bit of a child actor, he ended up acting 96 00:04:48,920 --> 00:04:52,599 Speaker 2: on an episode of Miami Vice. But I used it 97 00:04:52,640 --> 00:04:54,240 Speaker 2: was one of the first times a song, that popul 98 00:04:54,279 --> 00:04:56,080 Speaker 2: rock song had been used almost in its entire in 99 00:04:56,360 --> 00:04:58,440 Speaker 2: the TV show. Well that's a groundbreaker. 100 00:04:58,480 --> 00:04:59,880 Speaker 1: It's not. It's not a short one. 101 00:05:00,120 --> 00:05:03,040 Speaker 2: It's not. It's not what a classic Phil Collins the 102 00:05:03,120 --> 00:05:04,000 Speaker 2: story behind the Cune