1 00:00:00,480 --> 00:00:03,760 Speaker 1: Ben Elton is bringing his Authentic Stupidity Tour to the 2 00:00:03,800 --> 00:00:05,080 Speaker 1: Ask the Theater March thirteen. 3 00:00:05,120 --> 00:00:09,079 Speaker 2: Tickets gone sole Tuesday through Ticketmaster and Ben Elton is 4 00:00:09,160 --> 00:00:09,760 Speaker 2: joining us now. 5 00:00:09,760 --> 00:00:12,960 Speaker 3: Good morning Ben, Hello, nice to be back. Nice. 6 00:00:14,000 --> 00:00:19,520 Speaker 2: The show is called Authentic Stupidity. You fear the greatest 7 00:00:19,600 --> 00:00:21,400 Speaker 2: threat with face right now is not AI. 8 00:00:21,560 --> 00:00:25,680 Speaker 4: It's as Yeah, I mean, that's just a little archived 9 00:00:26,320 --> 00:00:29,320 Speaker 4: people who know me, and it's been forty four years 10 00:00:29,320 --> 00:00:31,480 Speaker 4: of stand up comedy and in my first Eusie gigs 11 00:00:31,520 --> 00:00:33,040 Speaker 4: back in eighty six, so. 12 00:00:32,960 --> 00:00:35,400 Speaker 3: There's been a long haul and people know I always 13 00:00:35,400 --> 00:00:37,080 Speaker 3: bring a new show and I don't normally give it 14 00:00:37,120 --> 00:00:40,120 Speaker 3: a title. It's just called Ben Out and Live. But 15 00:00:39,360 --> 00:00:42,640 Speaker 3: if any of my tours could have been called Authentic 16 00:00:42,680 --> 00:00:46,920 Speaker 3: Stupidity because basically that's what I think good comedy does. 17 00:00:46,960 --> 00:00:52,040 Speaker 3: I think it interrogates the essential absurdity of existence in 18 00:00:52,120 --> 00:00:54,560 Speaker 3: it's every form, from the minw tie to the vast 19 00:00:54,640 --> 00:00:57,080 Speaker 3: and global, and that's what I always do. But yeah, 20 00:00:57,120 --> 00:00:59,960 Speaker 3: the AI thing gave me that little extra push because 21 00:01:00,160 --> 00:01:02,800 Speaker 3: you know, everybody has been banging on about what an 22 00:01:02,800 --> 00:01:06,240 Speaker 3: existential threat it is to our to our very being. 23 00:01:06,480 --> 00:01:10,600 Speaker 3: You know, it's replaced us effectively. And they say it's 24 00:01:10,640 --> 00:01:12,640 Speaker 3: the greatest threat we've ever faced, and of course I 25 00:01:12,640 --> 00:01:15,000 Speaker 3: couldn't resist thing. I think the greatest threat we've face 26 00:01:15,080 --> 00:01:17,080 Speaker 3: is an artificial intelligence, but the same one we have 27 00:01:17,160 --> 00:01:21,000 Speaker 3: always faced, which is authentic stupidity, not lead that we've 28 00:01:21,000 --> 00:01:25,480 Speaker 3: allowed a bunch of unelected, unaccountable, tax avoiding billionaires floating 29 00:01:25,520 --> 00:01:28,160 Speaker 3: in their yachts off Malibu or blasting off in their 30 00:01:28,240 --> 00:01:32,200 Speaker 3: private phallic symbol space shifts up into space. Yeah, to 31 00:01:32,360 --> 00:01:35,320 Speaker 3: develop technology that's going to put us all out of work. 32 00:01:35,319 --> 00:01:37,560 Speaker 3: I mean, if a terrorist went on the telly and 33 00:01:37,600 --> 00:01:40,800 Speaker 3: announced in ten years we will have made you redundant, 34 00:01:40,920 --> 00:01:45,199 Speaker 3: we will literally we'd activate the sas quick sharp. Because 35 00:01:45,240 --> 00:01:48,080 Speaker 3: it's a bunch of billionaires, we go, oh, well, you know, 36 00:01:48,080 --> 00:01:49,280 Speaker 3: at least it's going to be able to write a 37 00:01:49,280 --> 00:01:50,080 Speaker 3: new Beetles song. 38 00:01:50,160 --> 00:01:54,360 Speaker 5: You know, it's like, not just write the song, but 39 00:01:54,400 --> 00:01:57,000 Speaker 5: do the vocal as well, which terrifies that. 40 00:01:57,600 --> 00:01:59,880 Speaker 1: I'm laughing, but I'm a bit crying as well. 41 00:02:04,360 --> 00:02:07,640 Speaker 3: It was a James Bond plot, you know, yeah, a 42 00:02:07,720 --> 00:02:10,160 Speaker 3: good James Bond plot. But you know, and of course 43 00:02:10,200 --> 00:02:11,960 Speaker 3: the people are pointed out, must could make a good 44 00:02:12,120 --> 00:02:15,799 Speaker 3: James Bond villain. This is for real. You know, this 45 00:02:15,919 --> 00:02:18,520 Speaker 3: is for real anyway. But you know I'm seeing the 46 00:02:18,560 --> 00:02:23,040 Speaker 3: funny side because of in hard times and difficult times, 47 00:02:23,120 --> 00:02:25,239 Speaker 3: we all need a laugh and that's what I'm delivering. 48 00:02:25,280 --> 00:02:26,799 Speaker 6: And I'm doing a hundred dates here. 49 00:02:26,639 --> 00:02:33,000 Speaker 3: In the Wow in order to. 50 00:02:28,240 --> 00:02:33,720 Speaker 7: Be super shape. But we bumped into it all work. 51 00:02:34,320 --> 00:02:36,519 Speaker 5: Speaking of AI, we worked an old work made of 52 00:02:36,560 --> 00:02:38,600 Speaker 5: ours is in advertising and marketing. Yesterday he said he 53 00:02:38,680 --> 00:02:40,840 Speaker 5: had a whole lot of work on and then all 54 00:02:40,840 --> 00:02:43,040 Speaker 5: of a sudden AI took over. And maybe they're just 55 00:02:43,080 --> 00:02:45,080 Speaker 5: pressing the button to get the copy written, which is 56 00:02:45,360 --> 00:02:47,000 Speaker 5: pretty pretty sad, but it's really affected. 57 00:02:47,040 --> 00:02:50,280 Speaker 7: He's he's work world. Sometimes it's had to fight. 58 00:02:51,240 --> 00:02:53,760 Speaker 3: And will it Yeah, And of course the big question is, 59 00:02:53,800 --> 00:02:55,520 Speaker 3: you know, could it could it do my job? You know, 60 00:02:55,960 --> 00:02:57,000 Speaker 3: couldn't do you know. 61 00:02:57,000 --> 00:02:59,959 Speaker 8: Leonard McCartney's job. I mean that has yet to be seen. 62 00:03:00,280 --> 00:03:04,000 Speaker 8: I mean I can't I can't believe it. I can't 63 00:03:04,040 --> 00:03:06,680 Speaker 8: believe that just by feeding all the old Beatles songs 64 00:03:06,680 --> 00:03:09,359 Speaker 8: into a machine, it could write a brilliant new Beatles song, 65 00:03:09,560 --> 00:03:11,920 Speaker 8: probably a good pastiche but then the Ruffles was a 66 00:03:11,919 --> 00:03:16,200 Speaker 8: great Passidge yeah, Eric Idol and Neil Innis wrote that 67 00:03:16,600 --> 00:03:17,080 Speaker 8: in a week. 68 00:03:18,080 --> 00:03:20,000 Speaker 3: I don't know. Look, it is scary. I don't talk 69 00:03:20,080 --> 00:03:22,400 Speaker 3: much about AI. I do do a riff on it 70 00:03:22,440 --> 00:03:24,919 Speaker 3: because it's you know, it's interesting, and I always I 71 00:03:25,000 --> 00:03:27,720 Speaker 3: always based my material on stuff I find interesting. But 72 00:03:27,760 --> 00:03:29,160 Speaker 3: then of course I go on to do what I 73 00:03:29,200 --> 00:03:33,920 Speaker 3: always do, which is unpack the essential smallness, vulnerability, and 74 00:03:33,960 --> 00:03:37,160 Speaker 3: silliness of being alive, starting with myself. My wife started 75 00:03:37,160 --> 00:03:39,560 Speaker 3: claiming that she's the biggest target of my routine, but 76 00:03:39,600 --> 00:03:43,280 Speaker 3: she's not. She comes off really lightly. I'm the biggest target. 77 00:03:44,440 --> 00:03:47,560 Speaker 2: You were last heuring in twenty twenty one. It doesn't 78 00:03:47,960 --> 00:03:50,240 Speaker 2: sound like a long time ago, but in comedy years. 79 00:03:50,240 --> 00:03:53,920 Speaker 2: At the moment, comedy is I find changing so quickly. 80 00:03:54,720 --> 00:03:57,640 Speaker 2: How do you feel about the landscape of comedy and 81 00:03:57,680 --> 00:04:01,920 Speaker 2: the you know, the things that comedians I can't do anymore? 82 00:04:01,920 --> 00:04:04,760 Speaker 3: Well, I don't know. There's some I mean, look, there 83 00:04:04,800 --> 00:04:07,000 Speaker 3: is there is a certain new puritanism in the air, 84 00:04:07,040 --> 00:04:09,119 Speaker 3: and it is coming from the left rather than the right. 85 00:04:09,160 --> 00:04:11,920 Speaker 3: I mean, I don't think me oh yeah, canceled. In fact, 86 00:04:12,040 --> 00:04:14,080 Speaker 3: most famous comedians in the world are the ones that 87 00:04:14,120 --> 00:04:16,840 Speaker 3: are complaining about the possibility of being canceled. I mean 88 00:04:16,880 --> 00:04:20,800 Speaker 3: on their Netflix specials and in their ten thousand so 89 00:04:21,160 --> 00:04:23,400 Speaker 3: I mean, I think in academia there is a problem 90 00:04:23,440 --> 00:04:28,120 Speaker 3: with a sort of new Orwellian thought crime police out 91 00:04:28,120 --> 00:04:31,200 Speaker 3: there on the net, insisting that everybody agrees with exactly 92 00:04:31,240 --> 00:04:34,080 Speaker 3: their new interpretation of anything they want to talk about. 93 00:04:34,240 --> 00:04:35,840 Speaker 3: I think there is a problem, but I don't think 94 00:04:35,839 --> 00:04:39,680 Speaker 3: it's in comedy. But even if it was, it wouldn't 95 00:04:40,880 --> 00:04:43,599 Speaker 3: it wouldn't worry me because I've always plugged my own parah. 96 00:04:43,640 --> 00:04:45,279 Speaker 3: I don't know what comedy is like at the moment. 97 00:04:45,320 --> 00:04:47,840 Speaker 3: I don't watch Netflix comedy specials. I don't watch other 98 00:04:47,880 --> 00:04:50,080 Speaker 3: stand up comedies. The only the actually stand up I'm 99 00:04:50,080 --> 00:04:54,279 Speaker 3: interested in me, Yeah, because I do it from material 100 00:04:54,360 --> 00:04:56,159 Speaker 3: I do it. I mean, that's not me being arrogant. 101 00:04:56,160 --> 00:04:59,680 Speaker 3: That's like, you know, that's you know, I'm I'm I'm 102 00:04:59,720 --> 00:05:02,760 Speaker 3: a and when I'm a comedian on stage, I'm delivering. 103 00:05:02,960 --> 00:05:05,400 Speaker 3: You know, there's this phrase gen z use stand in 104 00:05:05,440 --> 00:05:07,919 Speaker 3: your truth. Well, that's what I'm doing on stage, So 105 00:05:08,720 --> 00:05:10,400 Speaker 3: you know it's not an arrogance. I just to me 106 00:05:10,920 --> 00:05:13,600 Speaker 3: other stand up comments, it's not my favorite form of entertainment. 107 00:05:13,600 --> 00:05:17,000 Speaker 3: I'd rather watch a drama or play, or indeed a sitcom. 108 00:05:17,160 --> 00:05:20,040 Speaker 3: Band up, I don't. I don't really find it that attractive. 109 00:05:20,080 --> 00:05:23,840 Speaker 3: I do mine as a kind of stream of personal, 110 00:05:24,279 --> 00:05:27,560 Speaker 3: personal outrage and delight. You know, it's a very personal thing, 111 00:05:27,600 --> 00:05:30,480 Speaker 3: my standard, and no one else could do my materipate. 112 00:05:30,440 --> 00:05:33,000 Speaker 5: And I'm sure therapeutic at times as well. You're got 113 00:05:33,000 --> 00:05:33,720 Speaker 5: to get it out there. 114 00:05:33,960 --> 00:05:43,800 Speaker 3: Yeah, kind of my wife again might have who needs 115 00:05:43,839 --> 00:05:45,719 Speaker 3: therapy on the whole. 116 00:05:45,720 --> 00:05:50,320 Speaker 2: Cathley, As someone who has made a lot of television yourself, 117 00:05:50,360 --> 00:05:52,839 Speaker 2: I'm curious, what is the last thing that you watched 118 00:05:52,880 --> 00:05:53,560 Speaker 2: and enjoyed. 119 00:05:54,400 --> 00:05:57,279 Speaker 3: I just watched. I don't think it's made it to 120 00:05:57,839 --> 00:06:00,880 Speaker 3: Australia yet, but I'm watching her like an hour Itellian 121 00:06:01,000 --> 00:06:03,520 Speaker 3: night because I get I come off stage about ten fifteen, 122 00:06:03,600 --> 00:06:06,599 Speaker 3: and you know, I'm not drinking while I'm doing gigs, 123 00:06:06,640 --> 00:06:08,680 Speaker 3: because you know, I'm sixty five and I have to 124 00:06:08,680 --> 00:06:11,760 Speaker 3: look after myself on the road now. And Sophie was 125 00:06:11,800 --> 00:06:13,560 Speaker 3: with me for the first three weeks, but I've been 126 00:06:13,560 --> 00:06:15,880 Speaker 3: on my own for the last six or seven, so 127 00:06:15,920 --> 00:06:18,000 Speaker 3: I've been watching an hour each night. I've watched the 128 00:06:18,040 --> 00:06:21,280 Speaker 3: thing called The Rivals. You know, the Jilly Cooper novel 129 00:06:21,279 --> 00:06:23,960 Speaker 3: from the eighties. There has been this great, big, splashy 130 00:06:24,040 --> 00:06:28,440 Speaker 3: New Disney adaptation. It's it's really good. It's good. But 131 00:06:28,880 --> 00:06:34,120 Speaker 3: what they used to call a bonkbuster, bonk buster. 132 00:06:33,920 --> 00:06:34,599 Speaker 6: You know, it's all. 133 00:06:34,640 --> 00:06:38,440 Speaker 3: You know, it's all it's sort of like Benny Hilbert drama. 134 00:06:38,520 --> 00:06:41,600 Speaker 3: Rather it's for fun. So I just you know, the 135 00:06:41,720 --> 00:06:44,600 Speaker 3: Jilly Cooper sort of sex and sex and snobbery and 136 00:06:44,920 --> 00:06:47,760 Speaker 3: intrigue in the Dropshire novel from the eighties. 137 00:06:48,480 --> 00:06:51,320 Speaker 7: Yeah, fun be all doctors. 138 00:06:51,520 --> 00:06:57,160 Speaker 3: Yeah, yeah, it's the eight anyway, he's always good at 139 00:06:57,200 --> 00:06:59,000 Speaker 3: everything he does. So that was the thing I watched 140 00:06:59,000 --> 00:07:02,560 Speaker 3: this week. Oh gosh, I can't even remember I've been 141 00:07:02,600 --> 00:07:06,680 Speaker 3: I've been watching. I actually watched them. I rewatched some 142 00:07:06,839 --> 00:07:12,360 Speaker 3: of Succession because I liked it. I don't, you know, 143 00:07:12,640 --> 00:07:14,840 Speaker 3: on the whole, I watched a lot of documentaries. You know, 144 00:07:15,040 --> 00:07:17,960 Speaker 3: as I say, not not necessarily comedy by any means. Yeah, 145 00:07:18,200 --> 00:07:19,760 Speaker 3: but you know I like to read a book. 146 00:07:19,880 --> 00:07:22,960 Speaker 5: Yeah, me too, Ben, you talk about Succession, I mean 147 00:07:23,000 --> 00:07:25,440 Speaker 5: I literally had withdrawal symptoms after it finished. 148 00:07:25,480 --> 00:07:27,480 Speaker 7: You don't want it to finish? How did you feel 149 00:07:27,960 --> 00:07:29,040 Speaker 7: you go back and watched it again. 150 00:07:29,120 --> 00:07:29,720 Speaker 3: I loved it. 151 00:07:30,040 --> 00:07:32,200 Speaker 9: No, I like the first series, only you know, I 152 00:07:32,280 --> 00:07:34,360 Speaker 9: guess I didn't couldn't find You know that thing when 153 00:07:34,360 --> 00:07:36,480 Speaker 9: you're scrolling through Netflix and there's two hundred shows you 154 00:07:36,480 --> 00:07:38,800 Speaker 9: haven't seen and you can't be bothered to watch anything, 155 00:07:39,240 --> 00:07:43,080 Speaker 9: yet you watched something you watched already. 156 00:07:43,600 --> 00:07:45,800 Speaker 10: I love Succession. I actually, to be honest, I was 157 00:07:45,920 --> 00:07:48,360 Speaker 10: I thought it was right to finish. I thought it 158 00:07:48,400 --> 00:07:50,880 Speaker 10: had become a bit repetitive if you don't this other 159 00:07:50,920 --> 00:07:53,960 Speaker 10: people's work. Jesse is such a genius and he's done 160 00:07:54,040 --> 00:07:55,840 Speaker 10: so well. I think he can just about handle that. 161 00:07:55,880 --> 00:07:58,080 Speaker 3: I mean, it was a work of true greatness. But 162 00:07:58,160 --> 00:08:00,960 Speaker 3: I thought the Roys went on that circle. 163 00:08:01,320 --> 00:08:03,840 Speaker 6: Yeah, I thought, okay, well, I think we can just 164 00:08:03,920 --> 00:08:06,800 Speaker 6: let it, let them lie for a bit now, you 165 00:08:06,840 --> 00:08:09,680 Speaker 6: know that with the endlessly like the greatest crisis the 166 00:08:09,720 --> 00:08:11,960 Speaker 6: company has ever faced is being a ride at oh 167 00:08:12,000 --> 00:08:13,600 Speaker 6: and now we're on our way to the next greatest 168 00:08:13,600 --> 00:08:14,800 Speaker 6: company crisis. 169 00:08:14,840 --> 00:08:16,960 Speaker 3: It was great. It's a great show. And he did 170 00:08:17,000 --> 00:08:19,960 Speaker 3: peak show as well, and he's a great, great, great talent. 171 00:08:20,880 --> 00:08:22,640 Speaker 1: Speaking of you know, you like to read. 172 00:08:23,280 --> 00:08:27,080 Speaker 2: You're obviously very busy at the moment, but we likely 173 00:08:27,200 --> 00:08:30,440 Speaker 2: to have another book maybe in the near after that future. 174 00:08:30,600 --> 00:08:33,280 Speaker 3: Well, i'd love to write a new novel. I haven't 175 00:08:33,280 --> 00:08:36,240 Speaker 3: written one since the crisis night. You know, I write 176 00:08:36,280 --> 00:08:39,960 Speaker 3: them all in Fremantle, you know, I mean years now. Yeah, 177 00:08:40,040 --> 00:08:43,000 Speaker 3: and you know it's a beautiful place to write. I can, 178 00:08:43,160 --> 00:08:44,959 Speaker 3: you know, sit in my study and then I can 179 00:08:44,960 --> 00:08:47,120 Speaker 3: be on the Swan River on my paddle board in 180 00:08:47,320 --> 00:08:49,400 Speaker 3: three minutes. So it is a lovely way to I 181 00:08:49,440 --> 00:08:51,960 Speaker 3: mean sometimes when I'm slepping around, you know, I'm playing. 182 00:08:52,280 --> 00:08:56,640 Speaker 3: You know, I'm doing Belfast tomorrow and I've been doing 183 00:08:56,679 --> 00:08:59,160 Speaker 3: Doublin the Night afterwards, then Live Liverpool, then Left so 184 00:08:59,200 --> 00:09:01,199 Speaker 3: I'm doing six seven nights on the trot then one 185 00:09:01,280 --> 00:09:04,199 Speaker 3: night off and I do think what I could be 186 00:09:04,240 --> 00:09:11,640 Speaker 3: writing a novel. Yeah, I love the road as well, 187 00:09:11,679 --> 00:09:13,520 Speaker 3: but yeah, I will get I'd love to think I'll 188 00:09:13,520 --> 00:09:15,360 Speaker 3: write in your novel, but you know, I don't ever 189 00:09:15,440 --> 00:09:18,600 Speaker 3: do anything until until I feel like doing it. I 190 00:09:18,600 --> 00:09:20,600 Speaker 3: won't plan I'll write a novel next year because if 191 00:09:20,720 --> 00:09:22,760 Speaker 3: I don't have an idea, I won't write it. So 192 00:09:23,360 --> 00:09:25,560 Speaker 3: you know, I'm only on the road because I felt 193 00:09:26,120 --> 00:09:29,160 Speaker 3: a genuine urgely so to become a to get back 194 00:09:29,200 --> 00:09:31,880 Speaker 3: to stand up. You know, it's what I want to do. 195 00:09:31,960 --> 00:09:34,000 Speaker 3: I'm really lucky I've been able to spend my whole 196 00:09:34,000 --> 00:09:36,559 Speaker 3: career because I've had enough success, you know, to make 197 00:09:36,600 --> 00:09:39,080 Speaker 3: a decent living and to be able to, you know, 198 00:09:39,160 --> 00:09:41,240 Speaker 3: get something published when I want to, or book a 199 00:09:41,320 --> 00:09:43,959 Speaker 3: tour when I want. So it's a huge privilege, and 200 00:09:43,960 --> 00:09:46,240 Speaker 3: that means I can, for conchuse so you can, honestly, 201 00:09:46,280 --> 00:09:47,680 Speaker 3: even if you don't like what I can do, you 202 00:09:47,720 --> 00:09:51,040 Speaker 3: can honestly anything I do. I think, I think it's brilliant. 203 00:09:51,360 --> 00:09:56,200 Speaker 3: Sometimes retrospectively I realized perhaps I overstated the case. But 204 00:09:56,320 --> 00:09:58,800 Speaker 3: at the time, everything I've done I've always thought was 205 00:09:58,800 --> 00:09:59,800 Speaker 3: the best thing I ever did. 206 00:10:00,080 --> 00:10:02,560 Speaker 2: Where you know, I've always thought you you're some kind 207 00:10:02,600 --> 00:10:06,840 Speaker 2: of nostrodamus character because you you predict. 208 00:10:06,360 --> 00:10:08,520 Speaker 1: Things just that little bit before they happen. 209 00:10:08,600 --> 00:10:10,560 Speaker 2: And I think of you every Tuesday in the office 210 00:10:10,559 --> 00:10:13,079 Speaker 2: at the moment, because half the people work from home 211 00:10:13,240 --> 00:10:15,800 Speaker 2: half the time, but Tuesdays the day they come into 212 00:10:15,880 --> 00:10:17,360 Speaker 2: the office, and I always look around, I think, oh, 213 00:10:17,400 --> 00:10:19,839 Speaker 2: it's a physy cough today. 214 00:10:21,160 --> 00:10:22,280 Speaker 4: That was blind faith. 215 00:10:22,559 --> 00:10:23,679 Speaker 1: Wasn't that a physy cough? 216 00:10:24,360 --> 00:10:30,360 Speaker 3: Whether that would blind me yeah, your physical office. Yeah, 217 00:10:30,400 --> 00:10:33,120 Speaker 3: a physical I did that fifteen years ago. 218 00:10:33,200 --> 00:10:34,480 Speaker 7: I forgot you did. 219 00:10:34,520 --> 00:10:38,079 Speaker 1: That's why I say you are nostra dummers. There was 220 00:10:38,200 --> 00:10:40,760 Speaker 1: so much faith has come true. 221 00:10:41,120 --> 00:10:43,280 Speaker 3: Yeah, it's lovely because that one, you know, I didn't 222 00:10:43,280 --> 00:10:46,839 Speaker 3: really it didn't become a particularly It was a bubble 223 00:10:46,880 --> 00:10:49,319 Speaker 3: as long as all my novels. I'm happy to stay too. 224 00:10:49,360 --> 00:10:53,600 Speaker 3: But it wasn't particularly. No, I must have my mum's 225 00:10:53,600 --> 00:10:55,640 Speaker 3: favorite one. She's gone now, but that was my that 226 00:10:55,760 --> 00:11:01,120 Speaker 3: was her favorite. Express Certainly there's lot of tattoo bottoms 227 00:11:01,120 --> 00:11:05,480 Speaker 3: on display. Was early and early early and on that. 228 00:11:05,679 --> 00:11:08,600 Speaker 3: We see a lot of tattoo bottoms on display these days. 229 00:11:09,880 --> 00:11:12,880 Speaker 3: So yeah, no, it's not. Honestly, it's lovely that you 230 00:11:12,880 --> 00:11:16,840 Speaker 3: look back on that every Tuesday. 231 00:11:17,760 --> 00:11:19,280 Speaker 7: She just mentioned it in the office to be quite 232 00:11:19,320 --> 00:11:21,000 Speaker 7: regular again it up. 233 00:11:21,320 --> 00:11:24,400 Speaker 3: Well, I'm very pleased if it's sending anyone to watch 234 00:11:25,160 --> 00:11:30,880 Speaker 3: read the novel I remember. Yeah, yeah, great West Australian. 235 00:11:31,400 --> 00:11:33,439 Speaker 1: Yeah, I recommend that to anyone. 236 00:11:33,960 --> 00:11:34,400 Speaker 3: It is. 237 00:11:36,400 --> 00:11:39,600 Speaker 2: We we look forward to seeing authentic stupidity. I think 238 00:11:40,200 --> 00:11:42,760 Speaker 2: as a species we're probably generally a bit thick. That's 239 00:11:42,800 --> 00:11:45,200 Speaker 2: while we have the Darwin Awards it's going to be 240 00:11:45,200 --> 00:11:48,480 Speaker 2: the Asta Theater March thirteen. Tickets on out November twelve 241 00:11:48,559 --> 00:11:51,160 Speaker 2: through Ben Elton dot live or live Nation dot com 242 00:11:51,200 --> 00:11:53,720 Speaker 2: dot au. Ben can't wait to see you back in 243 00:11:53,760 --> 00:11:54,760 Speaker 2: town taking. 244 00:11:54,520 --> 00:11:56,800 Speaker 3: Free So good to speak to you guys. 245 00:11:57,800 --> 00:12:00,240 Speaker 7: We'll buy your coffee of Genos next you go. 246 00:12:01,760 --> 00:12:02,160 Speaker 3: Down there. 247 00:12:03,600 --> 00:12:04,720 Speaker 1: What a lovely man. 248 00:12:04,880 --> 00:12:07,240 Speaker 7: You triggered him to them. That was great because he 249 00:12:07,280 --> 00:12:09,040 Speaker 7: hadn't thought about that. It's very very cool. 250 00:12:09,720 --> 00:12:10,720 Speaker 1: I love his book. 251 00:12:10,800 --> 00:12:13,240 Speaker 7: Yeah, absolutely really loved him