WEBVTT - FULL SHOW: The Timothee Chalamet Lookalike Competition 🚶

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<v Speaker 1>Come on.

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<v Speaker 2>Fun day, everybody.

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<v Speaker 3>Welcome back again, everybody.

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<v Speaker 2>I am feeling so energized.

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<v Speaker 3>I am ready to have the best week of my life.

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<v Speaker 3>What happened? I don't know, really, Actually no, I do know.

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<v Speaker 4>I went away for one night out of I escaped

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<v Speaker 4>like the city, went to a really wholesome weekend, and

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<v Speaker 4>I've decided I think I want to be a trad wife.

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<v Speaker 3>I don't think you do. I think you just want

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<v Speaker 3>to live in the country. I don't think you want

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<v Speaker 3>to be a trad wife. The trad wife is like

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<v Speaker 3>it's trending on TikTok and Instagram.

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<v Speaker 4>It's like the people that dedicate their life to being

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<v Speaker 4>really like old school wholesome mothers, where they cook.

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<v Speaker 3>Everything by hand. The bread is by hand, and.

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<v Speaker 2>They would do the washing.

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<v Speaker 5>Let me tell you, Britt does not want to be

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<v Speaker 5>a tradwife. A trad wife is like a Mormon family

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<v Speaker 5>that's at home that's cooking and serving their husbandey and

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<v Speaker 5>collecting eggs and then making sour.

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<v Speaker 2>Dough like Nara Smith. Is that who it was from?

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<v Speaker 5>Tiktoky Ballerina Farm? Anyone know that one?

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<v Speaker 3>Well, now it's Britney's farm.

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<v Speaker 2>So what did you do this one.

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<v Speaker 4>I went away for a little stay and it was

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<v Speaker 4>like in the bush, it was like nothing around. There

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<v Speaker 4>was just like streams going past free range sixteen free

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<v Speaker 4>range chickens. And we made our own bread and baked

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<v Speaker 4>our bread, and whilst it was cooling, we went out

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<v Speaker 4>to get the fresh eggs that were still warm from

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<v Speaker 4>the chook's butt. Then we cooked those on. We got

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<v Speaker 4>our own honey from the bee hive, and I just

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<v Speaker 4>realized that I think I was made for that line.

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<v Speaker 2>And you got your phone out and posted it all

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<v Speaker 2>to Instagram.

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<v Speaker 5>And that's that's what tradwives do exactly, that's identical.

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<v Speaker 2>That's now.

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<v Speaker 5>You just need seven children and you'll be thoroughly well

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<v Speaker 5>into the trad right wife territory.

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<v Speaker 1>No.

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<v Speaker 3>Then I came home and had a frozen meal for dinner,

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<v Speaker 3>and I was like, that's not for me.

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<v Speaker 1>No, definitely not all right, Welcome to the show everyone,

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<v Speaker 1>I atle bit different vibe with tradwife Brittany today.

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<v Speaker 2>Joining us today. I can't of our times?

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<v Speaker 1>That is Tina Arena banger?

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<v Speaker 3>Is this song?

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<v Speaker 5>Yeah?

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<v Speaker 3>The only thing is going to make it more of

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<v Speaker 3>a banger is doing it again. A brand new version

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<v Speaker 3>of it.

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<v Speaker 2>This has changed, but listen, it's a little different. It's

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<v Speaker 2>a remix for the thirtieth anniversary.

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<v Speaker 1>Tina will tell us all about it. She's coming up next.

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<v Speaker 1>Pick Up put Down is on the way as well.

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<v Speaker 1>All the big discussion points of the weekend. Girls, you

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<v Speaker 1>need to decide if we keep talking about them or not.

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<v Speaker 1>And ray Gun. The Raygun conversation has found its way

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<v Speaker 1>back to mainstream media. She's done a bit of press

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<v Speaker 1>of the weekend. It's got people talking. Oh wait, that's

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<v Speaker 1>next on the pickup. Now, we know you were hanging

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<v Speaker 1>out with your friends this weekend. You had dinner with

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<v Speaker 1>your pals and all the discussion points at dinner.

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<v Speaker 3>Brittany was hanging out with some chickens.

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<v Speaker 1>Brittany was with chickens eating bread and discussions were being had.

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<v Speaker 1>That's why every Monday on the show, we did It

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<v Speaker 1>chick Can't pick Up, put Down Britain Laura are presented

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<v Speaker 1>with a news story from the weekend. They decide whether

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<v Speaker 1>or not it's worthy of being spoken about into the

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<v Speaker 1>week or whether we put it down and never speak

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<v Speaker 1>at it again.

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<v Speaker 2>Are we ready, ladies? Lots of news have you got

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<v Speaker 2>for us? Mis Jury pick up, put down.

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<v Speaker 1>Sia Sharona calling out male celebrities joking about self defense.

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<v Speaker 3>I'm not across this story?

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<v Speaker 6>What is it?

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<v Speaker 1>Si Sharona, and Irish actress she's been nominated for Oscars,

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<v Speaker 1>was on The Graham Norton Show where she called out

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<v Speaker 1>male celebs on the couch who were joking about self defense.

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<v Speaker 1>They were flippantly saying how easy self defense is, to

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<v Speaker 1>which then she said, well, yeah, I'm in hilarious.

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<v Speaker 2>You're not a woman. Haven't listened to the moment. It's

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<v Speaker 2>going very viral. Who's actually going to think about that?

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<v Speaker 1>Though?

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<v Speaker 3>Someone at text me I'm.

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<v Speaker 2>Not going to go phone. That's a very good point.

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<v Speaker 6>I like girls have to think about all the time,

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<v Speaker 6>am I right? Ladies?

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<v Speaker 4>And ovation it is the privilege that that shows the

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<v Speaker 4>men joking and laughing that they've never had to think

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<v Speaker 4>about that in their life.

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<v Speaker 3>We think about it every time we leave the house.

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<v Speaker 5>I had this conversation with my husband recently and I

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<v Speaker 5>was like, you will never know what it's like to

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<v Speaker 5>walk out of a shopping center and put your keys

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<v Speaker 5>in your hand with the intention of using them as

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<v Speaker 5>a joust to stab someone with. If someone jumps out

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<v Speaker 5>or like to like, you know, yeah with like obviously

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<v Speaker 5>it's not gonna work. It's not a great defense. But

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<v Speaker 5>I think every female out there has at some point

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<v Speaker 5>been like, Okay, what do I have? I'm going to

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<v Speaker 5>hold my keys like it's a weapon, just in case

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<v Speaker 5>something happens.

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<v Speaker 4>And pulling out walking with your phone always because you

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<v Speaker 4>either want to look like you're talking to someone, so

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<v Speaker 4>don't don't attack me now I'm on the phone to someone.

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<v Speaker 2>It's what the men were saying. They would never think

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<v Speaker 2>to pull out their phone.

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<v Speaker 5>It must be nice to live in a world where

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<v Speaker 5>you never have to think about those things.

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<v Speaker 3>And that's exactly what this proves.

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<v Speaker 2>All right, pick up, put down?

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<v Speaker 1>Timothy Chalomy crashing his own lookalike competition in New York City.

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<v Speaker 4>What pick it up?

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<v Speaker 6>I love this?

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<v Speaker 3>Pick it up?

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<v Speaker 2>Yeah, there's a photo in front of you. Girls, have

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<v Speaker 2>a look.

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<v Speaker 1>There's an annual Timothy challamey look like competition in New

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<v Speaker 1>York where men that are skinny, white with a raggedy

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<v Speaker 1>hair a real pubic mustache all join together in a

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<v Speaker 1>New York park and the prize is fifty dollars for

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<v Speaker 1>the most how a resemblance to Timothy Shalla Maye and

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<v Speaker 1>Timothy Today turned up at the event.

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<v Speaker 3>But imagine if it turned up and didn't win. Bitch,

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<v Speaker 3>you sounded like you didn't know a lot about this.

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<v Speaker 3>What do you mean You've been like, what's going on here?

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<v Speaker 2>Did you?

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<v Speaker 3>How long has it been going on for?

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<v Speaker 1>How much?

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<v Speaker 3>Do they win?

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<v Speaker 4>Oka?

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<v Speaker 1>Can I just say you'll never proved I'm the most

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<v Speaker 1>prepared person on this show.

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<v Speaker 2>You are?

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<v Speaker 3>Laurs just requestioned everything you already said.

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<v Speaker 2>What's okay? I guess we were kind of on a

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<v Speaker 2>hating man the start of.

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<v Speaker 3>Okay you know so much?

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<v Speaker 2>What was his name?

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<v Speaker 3>Have you ever had to hold your keys?

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<v Speaker 4>Yes?

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<v Speaker 2>I'm gay? You do you want to go into that nuance?

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<v Speaker 3>Good point? Anything else?

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<v Speaker 2>Yeah? I haven't read the story, all right? Pick up?

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<v Speaker 2>Put down? Dressing as ray Gun from the Olympics for Halloween?

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<v Speaker 6>What?

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<v Speaker 1>Pick it up? Yeah?

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<v Speaker 2>Pick it up?

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<v Speaker 3>We can talk about it.

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<v Speaker 4>Well, Halloween costumes these days, they don't refer to something

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<v Speaker 4>that's just scary, like anyone famous can be dressed up

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<v Speaker 4>as Halloween.

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<v Speaker 1>Yeah, ray Gun was the horrific Olympics breakdown hopping like

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<v Speaker 1>a kangaroo.

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<v Speaker 3>Which, to be fair, was particularly scary.

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<v Speaker 2>It was frightening, horrifying.

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<v Speaker 1>She did a feature in I Believe Stellar magazine over

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<v Speaker 1>the weekend and she said that if she reckons, if

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<v Speaker 1>she was a man, she would have been given the

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<v Speaker 1>Alarican title, and that more people would have rallied around

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<v Speaker 1>her performance at the Olympics, and that people brought her

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<v Speaker 1>down because she was a woman.

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<v Speaker 3>No, I don't know if I agree with that. I

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<v Speaker 3>agree with that, Oh, I don't know.

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<v Speaker 4>Hands down, women get trashed so much more.

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<v Speaker 5>Look, I agree with that, yes, but I don't agree

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<v Speaker 5>with the setting of it. I don't think anyone is

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<v Speaker 5>being considered Alarican for just giving it a crack at

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<v Speaker 5>the Olympics. It's the Olympics, Like people are there doing

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<v Speaker 5>their absolute best and being the best. Now, I reckon,

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<v Speaker 5>if a guy went and did that performance at the Olympics,

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<v Speaker 5>people would be like, oh, poor guy, Like he gave

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<v Speaker 5>it a go.

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<v Speaker 3>But because she's who she is, she got so much

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<v Speaker 3>more hate.

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<v Speaker 1>There's a lot of criticism towards her for not riding

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<v Speaker 1>the wave enough. There's criticism that she I mean, she

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<v Speaker 1>could have made so much money out of this.

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<v Speaker 3>Oh, I think she's riding the wave. Heard she's in

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<v Speaker 3>the front of stella.

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<v Speaker 4>If that's not ride waving, wave writing, if that is

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<v Speaker 4>not serving the chick.

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<v Speaker 3>That is Tina Arena, the icon, the Queen, Mitch.

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<v Speaker 4>I'm so much more excited to introduce her than you.

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<v Speaker 4>Sorry I took over you then, but yeah, I've been

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<v Speaker 4>looking forward to this interview for a couple of days now.

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<v Speaker 4>So the Queen herself, Tina Arena is on after the great.

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<v Speaker 2>Yeah, new music vertie is on from Shane's. She's joining

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<v Speaker 2>us next and.

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<v Speaker 1>By welcome back to the pickup britt Laura and Mitva

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<v Speaker 1>Monday afternoon or thanks to Chemist Warehouse, Hey head in,

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<v Speaker 1>you'll save more money every year on your regular medication

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<v Speaker 1>with discount of prescriptions in every store every day.

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<v Speaker 4>I am so excited to bring in today's guests someone

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<v Speaker 4>that when you grow up, Little Brittany was like, I'm

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<v Speaker 4>never going to get the chance to speak to this woman.

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<v Speaker 4>This is Australia's highest selling artist of all time ten

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<v Speaker 4>million albums worldwide. She has just released a new remix

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<v Speaker 4>of her nineteen ninety four hits I'm in Change.

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<v Speaker 2>Do you know who I'm talking about?

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<v Speaker 4>Tina Arena? I, Oh, what a moment this is you've

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<v Speaker 4>released an absolute new banger, a remix with Shouts of Chains.

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<v Speaker 4>Did you expect to ever replicate the success that you

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<v Speaker 4>had so long ago?

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<v Speaker 6>Well, the replication of the success is very different today

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<v Speaker 6>in terms of how we kind of view music and stuff.

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<v Speaker 6>But I didn't. I didn't really expect. I don't expect much.

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<v Speaker 3>You're going to get it, though, do you.

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<v Speaker 6>Much?

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<v Speaker 5>Do you feel different performing now in comparison to when

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<v Speaker 5>it first came out, Like getting up and performing this song,

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<v Speaker 5>does it feel different to you or does it have

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<v Speaker 5>a different meaning to it now?

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<v Speaker 4>Well?

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<v Speaker 6>I think it's a song that's always because it came

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<v Speaker 6>from such an honest place, and I think that the

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<v Speaker 6>subject matter of chains is something that I think is

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<v Speaker 6>completely identifiable for anybody. I always knew that the song

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<v Speaker 6>had great longevity because it's a very well written SONGA

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<v Speaker 6>it's pleasing to see that there's a new generation that

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<v Speaker 6>are enjoying it today. And I still enjoy seeing the

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<v Speaker 6>song because it takes a different shape all the time,

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<v Speaker 6>you know, And I'm much more comfortable performing today as

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<v Speaker 6>opposed to being in the nineties, where I perhaps was

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<v Speaker 6>much more insecure about my staff. You know, whilst everybody

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<v Speaker 6>was enjoying it. I was constantly questioning, so you know

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<v Speaker 6>that constant questioning now goes. It's like, you know what

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<v Speaker 6>it is, what it is, don't overthink it. Just have

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<v Speaker 6>a great time and pray to God that everybody else

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<v Speaker 6>has a good time.

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<v Speaker 1>People do I mean even the reception that you had

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<v Speaker 1>when you performed at the AFL Grand Final a few

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<v Speaker 1>weeks ago. Now with Katy Perry, I don't want to

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<v Speaker 1>ask about the performance because that was incredible.

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<v Speaker 2>We all agree.

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<v Speaker 1>I mean, stay that moment, it was amazing. But how

0:10:02.040 --> 0:10:03.839
<v Speaker 1>do you feel getting the call? I mean, when you

0:10:03.880 --> 0:10:06.200
<v Speaker 1>get the call from Katy Perry or Katy Perry's team,

0:10:06.280 --> 0:10:08.360
<v Speaker 1>does the you know, the Tina from Young Talent Time

0:10:08.360 --> 0:10:09.439
<v Speaker 1>when you were eight years old.

0:10:09.320 --> 0:10:11.760
<v Speaker 2>Go, what's going on? Why it's Katy Perry calling me?

0:10:12.120 --> 0:10:13.839
<v Speaker 2>That must be a crazy moment.

0:10:15.040 --> 0:10:19.480
<v Speaker 6>It was nice. Look, she's really great. She was asked

0:10:19.800 --> 0:10:23.320
<v Speaker 6>obviously to do the thing. She'd agreed. She's she has

0:10:23.760 --> 0:10:29.000
<v Speaker 6>a real affinity with Australians. She's actually her in a call,

0:10:29.520 --> 0:10:33.560
<v Speaker 6>her inner sanctum, her creative a musical sanctum are all Australians.

0:10:33.640 --> 0:10:38.839
<v Speaker 6>So it's very interesting. How yeah, how she's sort of

0:10:39.000 --> 0:10:44.280
<v Speaker 6>set up, so I think, sort of spiritually and certainly

0:10:44.360 --> 0:10:47.480
<v Speaker 6>from a sense of humor perspective, we're quite similar. We're

0:10:47.480 --> 0:10:51.640
<v Speaker 6>both scorpios, so we both work really hard, we both

0:10:51.679 --> 0:10:55.079
<v Speaker 6>have a sense of humor. She was really lovely. She

0:10:55.240 --> 0:10:58.360
<v Speaker 6>loved the song, wanted to wanted it to be a

0:10:58.440 --> 0:11:02.079
<v Speaker 6>part of her set, which I was really flatted because

0:11:02.080 --> 0:11:05.439
<v Speaker 6>she didn't have to, but she chose to. And I

0:11:05.559 --> 0:11:09.719
<v Speaker 6>think that that's incredibly gracious on her behalf, you know,

0:11:10.400 --> 0:11:13.120
<v Speaker 6>And we had a bloody great time. Tina.

0:11:13.200 --> 0:11:15.240
<v Speaker 5>You said before that you like at this space now

0:11:15.320 --> 0:11:17.559
<v Speaker 5>in life where you don't you don't care as much

0:11:17.600 --> 0:11:19.599
<v Speaker 5>about what people think, or you're able to kind of

0:11:19.720 --> 0:11:22.640
<v Speaker 5>just move beyond the space that you're in where you're

0:11:22.679 --> 0:11:23.760
<v Speaker 5>feeling more self conscious.

0:11:24.000 --> 0:11:26.559
<v Speaker 3>What changed for you? What gave you this new perspective?

0:11:28.320 --> 0:11:30.920
<v Speaker 6>What age gives you that perspective when you're in your

0:11:31.960 --> 0:11:35.280
<v Speaker 6>You know, I'm in my late fifties now, so you know,

0:11:35.480 --> 0:11:39.959
<v Speaker 6>if I don't start enjoying myself really looking at what

0:11:40.080 --> 0:11:42.520
<v Speaker 6>it is that I do and enjoying it, what is

0:11:42.600 --> 0:11:43.719
<v Speaker 6>the bloody purpose of it?

0:11:44.000 --> 0:11:44.200
<v Speaker 5>Right?

0:11:44.559 --> 0:11:48.439
<v Speaker 6>So I think that once you understand that it's not

0:11:48.600 --> 0:11:51.319
<v Speaker 6>your job to make everybody happy. It's your job to

0:11:51.440 --> 0:11:54.000
<v Speaker 6>do what it is that you do. And if people

0:11:54.160 --> 0:11:57.520
<v Speaker 6>come along and enjoy, enjoy that, that's terrific. And if

0:11:57.559 --> 0:12:01.079
<v Speaker 6>they don't, that's certainly fine as well. You know, I

0:12:01.200 --> 0:12:03.800
<v Speaker 6>think that it's at a certain point you've just got

0:12:03.880 --> 0:12:07.360
<v Speaker 6>to take stock of everything and understand that you do

0:12:07.520 --> 0:12:11.120
<v Speaker 6>what you do and as long as your intentions are good,

0:12:11.800 --> 0:12:13.320
<v Speaker 6>the rest who cares?

0:12:14.080 --> 0:12:16.640
<v Speaker 4>Tina, You were the first Australian to be awarded a

0:12:16.720 --> 0:12:18.880
<v Speaker 4>knighthood in France.

0:12:19.480 --> 0:12:22.560
<v Speaker 3>What what benefits do you get being like a night.

0:12:24.400 --> 0:12:24.600
<v Speaker 6>Flake?

0:12:24.640 --> 0:12:25.520
<v Speaker 2>Does it come with anything?

0:12:25.760 --> 0:12:25.960
<v Speaker 6>Zero?

0:12:27.760 --> 0:12:30.239
<v Speaker 3>Zero forgives you nothing, just a bit of a flat.

0:12:30.040 --> 0:12:32.960
<v Speaker 6>Big it's a big fat zero. Of course. It doesn't

0:12:33.000 --> 0:12:34.920
<v Speaker 6>put you at the top of the line. It doesn't

0:12:34.960 --> 0:12:38.480
<v Speaker 6>do anything. It's a it's a recognition. It's a lovely recognition.

0:12:40.080 --> 0:12:41.680
<v Speaker 6>But does it do anything for you know.

0:12:42.480 --> 0:12:45.719
<v Speaker 3>Not like less tax or anything. No payless tax, No

0:12:45.800 --> 0:12:47.520
<v Speaker 3>sneaking comes up in trivia.

0:12:48.400 --> 0:12:52.640
<v Speaker 6>Yeah, no, certainly not less tax stuff, that's for sure.

0:12:53.280 --> 0:12:53.400
<v Speaker 6>You know.

0:12:53.480 --> 0:12:53.880
<v Speaker 2>It's funny.

0:12:54.440 --> 0:12:56.000
<v Speaker 1>I watched like what's happening in the US at the

0:12:56.040 --> 0:12:58.760
<v Speaker 1>moment and you've got like Beyonce out about the election

0:12:58.960 --> 0:13:01.920
<v Speaker 1>ride and Beyonce speaking for Kamala. And when you get

0:13:01.960 --> 0:13:05.240
<v Speaker 1>to icon status in America, it's almost like, all of

0:13:05.280 --> 0:13:08.000
<v Speaker 1>a sudden, you have to speak on all issues. You've

0:13:08.000 --> 0:13:09.760
<v Speaker 1>got to speak on cultural issues, you've got to speak

0:13:09.760 --> 0:13:12.079
<v Speaker 1>on political issues. But in Australia you get to you

0:13:12.120 --> 0:13:14.480
<v Speaker 1>get to icon status like you have, and it's kind

0:13:14.520 --> 0:13:17.319
<v Speaker 1>of like leave them alone. You know, they don't have

0:13:17.400 --> 0:13:20.880
<v Speaker 1>to speak on anything. Yes, you're an idea a French night,

0:13:20.960 --> 0:13:22.920
<v Speaker 1>but also I'm more mean, do you ever feel pressured,

0:13:22.920 --> 0:13:25.079
<v Speaker 1>Tina to come out and speak on those political issues

0:13:25.120 --> 0:13:25.840
<v Speaker 1>here in Australia?

0:13:26.960 --> 0:13:29.400
<v Speaker 6>You know, not really? I mean everybody's sort of comments

0:13:29.440 --> 0:13:32.079
<v Speaker 6>about things today, because if we look at the state

0:13:32.160 --> 0:13:36.280
<v Speaker 6>of the world, there is certainly reason to be gravely concerned,

0:13:36.520 --> 0:13:42.040
<v Speaker 6>particularly with this collection. And I am I am. I

0:13:42.200 --> 0:13:46.360
<v Speaker 6>do pay attention to politics. I always have. I don't

0:13:46.400 --> 0:13:49.040
<v Speaker 6>know where that comes from. Maybe it's the maybe I

0:13:49.120 --> 0:13:52.679
<v Speaker 6>come from a household where politics was a subject at

0:13:52.720 --> 0:13:55.319
<v Speaker 6>the dinner table where we would talk things. I think

0:13:55.400 --> 0:13:59.520
<v Speaker 6>it's really important that people are aware of what's going on.

0:14:00.000 --> 0:14:04.679
<v Speaker 6>Can I a bit quiet? Please? Should? I think it's

0:14:04.760 --> 0:14:07.719
<v Speaker 6>important to know what is going on, because you know,

0:14:08.320 --> 0:14:13.080
<v Speaker 6>if America sneezes, we catch the pneumonia, and frankly, that's

0:14:13.320 --> 0:14:15.480
<v Speaker 6>very important. And you know, we are living in a

0:14:15.559 --> 0:14:20.200
<v Speaker 6>world where it's really clear now that people are being

0:14:20.320 --> 0:14:24.440
<v Speaker 6>censored for what it is that they say. I'm just

0:14:24.520 --> 0:14:28.960
<v Speaker 6>a citizen like anybody else. So where those elections go

0:14:29.480 --> 0:14:32.640
<v Speaker 6>and all of that they discuss is of course a

0:14:32.760 --> 0:14:35.560
<v Speaker 6>concern to me, like it's a concern to any of

0:14:35.880 --> 0:14:40.520
<v Speaker 6>anybody listening, right, So we do need to pay attention,

0:14:40.800 --> 0:14:42.000
<v Speaker 6>and I do pay attention.

0:14:42.400 --> 0:14:43.880
<v Speaker 1>Listen if you're just joining us on the pick up,

0:14:43.920 --> 0:14:46.280
<v Speaker 1>Tina Arena is here. She's got brand new music out,

0:14:46.320 --> 0:14:49.000
<v Speaker 1>She's doing a thirtith anniversary tour. All the details next.

0:14:49.040 --> 0:14:52.400
<v Speaker 1>She's staying with us after this on the pickup. Joining

0:14:52.480 --> 0:14:55.880
<v Speaker 1>us now is an Australian icon, ladies. Truly, this is

0:14:55.960 --> 0:14:57.520
<v Speaker 1>a Unix of change.

0:14:57.560 --> 0:15:00.600
<v Speaker 5>Good right, Yes, welcome back now, Tina. We were just

0:15:00.640 --> 0:15:02.800
<v Speaker 5>talking about it before the break. We're talking about some

0:15:02.880 --> 0:15:04.640
<v Speaker 5>things that are happening in the States, but you also

0:15:04.840 --> 0:15:09.280
<v Speaker 5>recently made a comment about how the music industry needs

0:15:09.360 --> 0:15:12.760
<v Speaker 5>an overhaul, and in reference particularly to what's happening with

0:15:12.880 --> 0:15:14.800
<v Speaker 5>p Didty at the moment, I mean, we're all across.

0:15:14.560 --> 0:15:16.040
<v Speaker 3>That right, it's crazy.

0:15:16.160 --> 0:15:19.440
<v Speaker 5>What is your experience of the music What was your

0:15:19.480 --> 0:15:22.160
<v Speaker 5>experience of the music scene and the music music What

0:15:22.400 --> 0:15:24.720
<v Speaker 5>was your experience of the music scene and the music

0:15:24.760 --> 0:15:27.520
<v Speaker 5>culture when it was at a tight look, it's not.

0:15:27.640 --> 0:15:34.320
<v Speaker 6>A it's not a particularly kind industry. There's an enormous

0:15:34.400 --> 0:15:38.600
<v Speaker 6>amount of manipulation and insecurity that goes on. It's a

0:15:38.720 --> 0:15:45.560
<v Speaker 6>system that's evolved with time to think less and less

0:15:45.680 --> 0:15:48.960
<v Speaker 6>of the people that are the creatives that create the art.

0:15:49.960 --> 0:15:55.320
<v Speaker 6>So it's really an important time for artists and the

0:15:55.440 --> 0:15:59.400
<v Speaker 6>public alike to be aware of a systemic that has

0:15:59.480 --> 0:16:01.480
<v Speaker 6>been in place just for a long time. It's run

0:16:01.560 --> 0:16:09.120
<v Speaker 6>in a particular fashion that's very inappropriate economically, spiritually, and

0:16:09.400 --> 0:16:12.800
<v Speaker 6>all of all of the above. I've you know, I

0:16:13.000 --> 0:16:15.320
<v Speaker 6>just I just call out the bullshit. I just can't.

0:16:15.360 --> 0:16:18.400
<v Speaker 6>I don't have the patience for it. I've always been

0:16:18.560 --> 0:16:21.880
<v Speaker 6>very honest about it. I started being honest about it

0:16:22.000 --> 0:16:24.920
<v Speaker 6>a long long time ago. And that's the way it is.

0:16:25.080 --> 0:16:29.960
<v Speaker 6>And I'm whilst this is unbelievably tragic what is going

0:16:30.040 --> 0:16:35.840
<v Speaker 6>on in the US if it enables the system to

0:16:36.000 --> 0:16:42.400
<v Speaker 6>be completely rethought, and I think it's time. Yeah, So

0:16:42.800 --> 0:16:46.080
<v Speaker 6>that's that's what I think. That's what I think. I mean,

0:16:46.120 --> 0:16:48.400
<v Speaker 6>I've seen a lot of stuff my day. It's not

0:16:48.560 --> 0:16:51.680
<v Speaker 6>worth getting into it. I think all of you have

0:16:53.240 --> 0:16:56.280
<v Speaker 6>a vivid enough imagination of the kind of stuff that

0:16:56.360 --> 0:16:59.360
<v Speaker 6>goes on as a as as a woman. Now I

0:16:59.520 --> 0:17:03.000
<v Speaker 6>sort of go, okay, well, here are my boundaries, here

0:17:03.120 --> 0:17:06.800
<v Speaker 6>are my rules. If you like them to you don't

0:17:07.040 --> 0:17:09.560
<v Speaker 6>like them, that's fine too. But I don't want to

0:17:09.600 --> 0:17:11.480
<v Speaker 6>be a part of any of that. I've never been

0:17:11.520 --> 0:17:13.440
<v Speaker 6>a part of it. I'm not interested, but I do

0:17:13.600 --> 0:17:14.240
<v Speaker 6>know what goes on.

0:17:14.680 --> 0:17:17.560
<v Speaker 4>Well, speaking of economically, which you just said, I just

0:17:17.640 --> 0:17:20.800
<v Speaker 4>read something wild. Lily Allen just came out saying that

0:17:20.960 --> 0:17:24.919
<v Speaker 4>she makes more money off her feet only fans than

0:17:24.960 --> 0:17:28.720
<v Speaker 4>she does from her eight million streams a month on Spotify.

0:17:28.560 --> 0:17:30.080
<v Speaker 2>Which is insane and gorgeous.

0:17:30.160 --> 0:17:32.080
<v Speaker 3>She must have a lot of subscribers and only fans

0:17:32.119 --> 0:17:33.320
<v Speaker 3>then no.

0:17:33.400 --> 0:17:35.120
<v Speaker 4>But it's just insane because a lot of people sign

0:17:35.359 --> 0:17:37.680
<v Speaker 4>only is she or only.

0:17:37.720 --> 0:17:38.600
<v Speaker 3>Only for her feet?

0:17:38.760 --> 0:17:39.600
<v Speaker 6>Only for her feet?

0:17:39.880 --> 0:17:43.080
<v Speaker 4>She puts like she does get pedicures, has nice sandals

0:17:43.119 --> 0:17:43.840
<v Speaker 4>and makes a bang.

0:17:44.040 --> 0:17:45.879
<v Speaker 3>She Well, she's saying she makes more of that.

0:17:46.440 --> 0:17:48.200
<v Speaker 4>But I think a lot of people sign their life away.

0:17:48.240 --> 0:17:52.679
<v Speaker 4>But Tina, your thirtieth anniversary to Don't Ask is coming up.

0:17:52.680 --> 0:17:56.320
<v Speaker 4>You've got some special guests and some special little surprises

0:17:56.359 --> 0:17:56.800
<v Speaker 4>along the way.

0:17:56.880 --> 0:17:59.120
<v Speaker 3>Can you quickly tell us about who you're bringing along

0:17:59.200 --> 0:17:59.359
<v Speaker 3>with you?

0:18:00.440 --> 0:18:04.000
<v Speaker 6>Well, Richard Marx is my international guest, which I'm really

0:18:04.119 --> 0:18:07.440
<v Speaker 6>excited about, so he'll have an opportunity to play his music,

0:18:07.440 --> 0:18:11.919
<v Speaker 6>which has always been successful in Australia. There's also Darryl

0:18:11.960 --> 0:18:17.440
<v Speaker 6>broith Waite, Kate so Brhina is playing, Southern Sons will

0:18:17.480 --> 0:18:22.399
<v Speaker 6>be playing nineteen twenty seven, will be playing. Wow. I

0:18:22.600 --> 0:18:25.440
<v Speaker 6>just and myself. I just think it's a really interesting

0:18:25.560 --> 0:18:27.480
<v Speaker 6>lineup of people. So I think it's going to be

0:18:27.520 --> 0:18:28.480
<v Speaker 6>a fantastic day.

0:18:29.119 --> 0:18:30.720
<v Speaker 3>Yeah, absolutely, Tina.

0:18:30.760 --> 0:18:33.240
<v Speaker 5>Can I just say it's so incredibly refreshing to speak

0:18:33.280 --> 0:18:36.680
<v Speaker 5>to someone who has been in the absolute upper echelons

0:18:36.760 --> 0:18:39.440
<v Speaker 5>of Australian stardom when it comes to the industry that

0:18:39.480 --> 0:18:42.280
<v Speaker 5>you're in, and how humble you are and how you

0:18:42.359 --> 0:18:44.440
<v Speaker 5>speak about it and all the lessons that you've learned

0:18:44.440 --> 0:18:46.639
<v Speaker 5>along the way, It really is such a I mean,

0:18:46.840 --> 0:18:47.719
<v Speaker 5>I've enjoyed this so much.

0:18:47.760 --> 0:18:49.440
<v Speaker 3>It's such a beautiful perspective that you have.

0:18:50.320 --> 0:18:53.080
<v Speaker 6>Thank you Thank you so much. I really appreciate it.

0:18:53.400 --> 0:18:55.960
<v Speaker 6>I'm not into smoke and mirrors. I'm just not.

0:18:56.520 --> 0:18:57.120
<v Speaker 3>No, you can tell.

0:18:57.400 --> 0:19:00.240
<v Speaker 6>I kind of look at it like, my job is

0:19:01.080 --> 0:19:06.240
<v Speaker 6>to be truthful to myself and to the public. My

0:19:06.440 --> 0:19:08.800
<v Speaker 6>job isn't to give them any more bullshit. They've got

0:19:08.920 --> 0:19:12.280
<v Speaker 6>enough bullshit on their plates. So I just I keep it.

0:19:12.440 --> 0:19:14.520
<v Speaker 1>I keep it as it is, and that is why

0:19:14.640 --> 0:19:17.840
<v Speaker 1>she's one of the times that is. Tina Arena, thank

0:19:17.880 --> 0:19:19.800
<v Speaker 1>you so much for joining us this afternoon.

0:19:19.480 --> 0:19:19.960
<v Speaker 2>On the pickup.

0:19:20.280 --> 0:19:23.240
<v Speaker 6>Thank you so much. Guys, keep having fun and keep

0:19:23.359 --> 0:19:24.080
<v Speaker 6>keeping it real.