1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,120 --> 00:00:07,920 Speaker 2: How about this Halifax is Back. It was a hit 3 00:00:08,039 --> 00:00:12,480 Speaker 2: series of the nineteen nineties. Twenty years later, Rebecca Gibney 4 00:00:12,560 --> 00:00:16,680 Speaker 2: reprises her role in as Jane Halifax to tell us more. 5 00:00:17,000 --> 00:00:18,920 Speaker 1: She joins us now, Hello, Rebecca. 6 00:00:19,239 --> 00:00:20,759 Speaker 3: Hello love, how are you? 7 00:00:21,120 --> 00:00:23,400 Speaker 1: I'm very well? Are you in lockdown in a hotel? 8 00:00:23,440 --> 00:00:25,120 Speaker 1: I was looking at your insta what's going on? 9 00:00:25,160 --> 00:00:30,160 Speaker 3: I am I'm king it. I'm stuck in I'm stuck 10 00:00:30,200 --> 00:00:34,160 Speaker 3: at a lovely quarantine hotel and I'm doing okay. 11 00:00:34,200 --> 00:00:39,280 Speaker 1: I one day day Oh, that's the giveaway razy. 12 00:00:40,560 --> 00:00:42,239 Speaker 3: I think it's day fight because a. 13 00:00:42,159 --> 00:00:44,080 Speaker 4: Lot of people say the idea of being in a 14 00:00:44,120 --> 00:00:46,920 Speaker 4: hotel quarantine, we'd be good, but if you're just trapped 15 00:00:46,920 --> 00:00:49,560 Speaker 4: inside one like a Formula one or an ibis or something, 16 00:00:49,600 --> 00:00:50,440 Speaker 4: they'll be dreadful. 17 00:00:51,040 --> 00:00:54,240 Speaker 3: Yeah. Look, I've got opening windows, so that's good. And 18 00:00:54,320 --> 00:00:56,280 Speaker 3: I'm actually allowed to go down to the grass for 19 00:00:56,360 --> 00:00:58,840 Speaker 3: ten minutes when I booked time in, so on Wednesday 20 00:00:58,880 --> 00:01:02,920 Speaker 3: I get to go outside Gnute. But they're lovely. They're 21 00:01:02,920 --> 00:01:05,080 Speaker 3: so lovely. They ring and they check on me and 22 00:01:05,120 --> 00:01:07,440 Speaker 3: they knock on my door, and you know, ask if 23 00:01:07,440 --> 00:01:09,880 Speaker 3: I'm all right, So I'm doing very well. 24 00:01:09,959 --> 00:01:11,520 Speaker 1: It's like being in Whitworth or something. 25 00:01:12,920 --> 00:01:14,640 Speaker 3: It's a little more it's a little more delubrious. 26 00:01:15,560 --> 00:01:18,120 Speaker 2: Well, tell us about what's happened to Jane. How was 27 00:01:18,200 --> 00:01:20,000 Speaker 2: she in the last twenty years. 28 00:01:20,760 --> 00:01:23,319 Speaker 3: Well, she's given up working for the police force. I 29 00:01:23,319 --> 00:01:26,320 Speaker 3: think she's suffered panic attacks a nightmare, so she's given 30 00:01:26,360 --> 00:01:29,679 Speaker 3: that up. And she's a professor at a university. She's 31 00:01:29,720 --> 00:01:32,080 Speaker 3: got a lovely partner who makes guitars, and she's got 32 00:01:32,080 --> 00:01:34,680 Speaker 3: a step daughter, and she lives in a bayside suburban 33 00:01:34,720 --> 00:01:38,400 Speaker 3: Melbourne and life's pretty good until something happens that forces 34 00:01:38,400 --> 00:01:43,279 Speaker 3: her back onto the do the Killer. Something devastating happens 35 00:01:43,280 --> 00:01:47,640 Speaker 3: to her in the opening episode. 36 00:01:46,400 --> 00:01:49,080 Speaker 4: And as a professor, do you wear glasses and percha 37 00:01:49,120 --> 00:01:51,400 Speaker 4: them on your nose and look over the top of them, because. 38 00:01:51,160 --> 00:01:54,960 Speaker 3: That's what she's always worn, glasses. So yes, the glasses 39 00:01:54,960 --> 00:01:57,240 Speaker 3: are back, as are the Hugo Boss suits and the 40 00:01:57,280 --> 00:02:01,559 Speaker 3: Amani And it's very nice. Karla Van Patty, how. 41 00:02:01,400 --> 00:02:05,000 Speaker 2: Did you personally feel about taking on the role again, 42 00:02:05,080 --> 00:02:06,800 Speaker 2: Was it like a comfortable pair of shoes. 43 00:02:07,800 --> 00:02:11,919 Speaker 3: Well, they're not very comfort because they are very fancy. No, 44 00:02:12,080 --> 00:02:14,560 Speaker 3: it was actually. Look, I loved it. I've always loved 45 00:02:14,560 --> 00:02:17,720 Speaker 3: this character because she was strong and complex and flawed, 46 00:02:17,760 --> 00:02:20,080 Speaker 3: and she was the first forensic psychiatrist ever portrayed on 47 00:02:20,080 --> 00:02:22,920 Speaker 3: television anywhere in the world. Really was ahead of his time. 48 00:02:23,040 --> 00:02:24,919 Speaker 3: So to be able to step back into the shoes 49 00:02:24,919 --> 00:02:26,840 Speaker 3: of that character as an older woman, it was a 50 00:02:26,840 --> 00:02:27,560 Speaker 3: gift really. 51 00:02:28,560 --> 00:02:31,560 Speaker 2: So you're also an executive producer on this, So do 52 00:02:31,639 --> 00:02:34,200 Speaker 2: you get to script be pashing off scenes for yourself? 53 00:02:36,760 --> 00:02:39,720 Speaker 3: Well, yes, no, no, there's none of that. Oh actually 54 00:02:39,720 --> 00:02:40,000 Speaker 3: there was. 55 00:02:40,919 --> 00:02:42,280 Speaker 1: Here we go, Yeah, this is. 56 00:02:43,760 --> 00:02:45,480 Speaker 3: No, but I'm very I was very involved in the 57 00:02:45,480 --> 00:02:48,079 Speaker 3: scripting process and the casting obviously, and the edits and 58 00:02:48,160 --> 00:02:49,600 Speaker 3: stuff like that. It was great to be part of 59 00:02:49,600 --> 00:02:52,160 Speaker 3: a team creating something like this because we had a 60 00:02:52,200 --> 00:02:55,000 Speaker 3: really good budget on this show and it shows, I 61 00:02:55,040 --> 00:02:57,919 Speaker 3: mean on screen that Melbourne just looks a million dollars. 62 00:02:57,919 --> 00:02:59,400 Speaker 3: It could be New York. It looks amazing. 63 00:02:59,400 --> 00:03:01,160 Speaker 4: Because how much does it cost to make a show 64 00:03:01,280 --> 00:03:01,960 Speaker 4: like Halifax. 65 00:03:02,360 --> 00:03:03,800 Speaker 3: I'm not allowed to tell you, but this is a 66 00:03:03,919 --> 00:03:06,000 Speaker 3: very give me a for an Australian. 67 00:03:06,280 --> 00:03:09,400 Speaker 4: What about a ballparky, you know, more than a dollar, 68 00:03:09,760 --> 00:03:10,880 Speaker 4: be more than a mill. 69 00:03:11,160 --> 00:03:11,960 Speaker 3: Quite a few meals. 70 00:03:12,000 --> 00:03:16,840 Speaker 2: Wow, this show has a big part in your life too, 71 00:03:16,880 --> 00:03:18,960 Speaker 2: because this is originally where you met your husband. 72 00:03:19,800 --> 00:03:22,760 Speaker 3: That is absolutely actually I was. I met him on 73 00:03:22,800 --> 00:03:26,240 Speaker 3: the set of Major Jabinski's show dog Woman, and we 74 00:03:26,520 --> 00:03:28,720 Speaker 3: kind of shook hands and he looked away and I 75 00:03:28,720 --> 00:03:30,160 Speaker 3: went on, he's really kid, and then we didn't see 76 00:03:30,160 --> 00:03:32,520 Speaker 3: each other again until he was a production designer on 77 00:03:32,520 --> 00:03:35,160 Speaker 3: Halifax and I pursued him doggedly. 78 00:03:35,920 --> 00:03:39,320 Speaker 1: I shook more than hands second time around. Yeah, well, 79 00:03:39,360 --> 00:03:40,480 Speaker 1: you were pitching a bit of WU. 80 00:03:41,080 --> 00:03:42,800 Speaker 4: What would be like to have WU pitched to you 81 00:03:42,840 --> 00:03:43,680 Speaker 4: by Rebecca Given? 82 00:03:43,760 --> 00:03:44,920 Speaker 1: How can it be delightful? 83 00:03:46,080 --> 00:03:48,040 Speaker 3: Yeah? I did woom a little bit. We were married 84 00:03:48,080 --> 00:03:49,160 Speaker 3: about a year and a half later. 85 00:03:49,360 --> 00:03:51,000 Speaker 4: You're a quick worker. You don't muck around. 86 00:03:52,520 --> 00:03:54,280 Speaker 1: I know a good cat when I see way, and 87 00:03:54,320 --> 00:03:55,000 Speaker 1: he does too. 88 00:03:55,280 --> 00:03:57,560 Speaker 4: Is straight in there? Well, it's always great to talk 89 00:03:57,600 --> 00:04:00,400 Speaker 4: to you. Rebecca Halifax A return a rite s pred 90 00:04:00,400 --> 00:04:03,040 Speaker 4: me us tonight at eight forty five on nine. I 91 00:04:03,160 --> 00:04:04,000 Speaker 4: like that time as well. 92 00:04:04,000 --> 00:04:05,800 Speaker 1: Eight forty five it's the new eight thirty. 93 00:04:05,880 --> 00:04:08,520 Speaker 3: That's the new A thirty, the new thirty. I'm using 94 00:04:08,600 --> 00:04:09,080 Speaker 3: maybe eight. 95 00:04:09,040 --> 00:04:12,000 Speaker 1: Forty oh early, I'm going to get in early. 96 00:04:12,040 --> 00:04:13,680 Speaker 4: Just In case, well, have a word to Scott cam 97 00:04:13,760 --> 00:04:14,440 Speaker 4: to wrap it up. 98 00:04:15,040 --> 00:04:17,839 Speaker 3: Yeah, wrap it up. Make sure you got your kapa ready, yeah, 99 00:04:17,920 --> 00:04:19,040 Speaker 3: get your cup you ready? 100 00:04:19,120 --> 00:04:21,120 Speaker 1: Looking forward to it. Nice to talk to you as always, 101 00:04:21,160 --> 00:04:25,440 Speaker 1: beg you too. Thank you, Bye, Jonesy and Amanda. Good 102 00:04:25,440 --> 00:04:26,880 Speaker 1: morning one point seven. 103 00:04:27,000 --> 00:04:27,320 Speaker 3: Tell you