WEBVTT - Alex Mavrodakis - LOVE ISLAND AUSTRALIA - Executive Producer

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast past week that line. Welcome back,

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<v Speaker 1>guys to TV Reload. As you may know, my name

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<v Speaker 1>is Benjamin Norris, and this is your podcast to get

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<v Speaker 1>all the inside goss on the popular TV shows that

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<v Speaker 1>you may be watching from around the world. Underniably, our

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<v Speaker 1>TV sets are still a major part of our home entertainment,

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<v Speaker 1>and yet very little is known about how our favorite

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<v Speaker 1>shows get made. So each episode I've been finding guests

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<v Speaker 1>the wanna dive just that little bit deeper into the

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<v Speaker 1>shows that they've been currently making, so that you can

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<v Speaker 1>hear all their exclusive stories and gain access to the

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<v Speaker 1>biggest names in Australian television. I want to thank you

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<v Speaker 1>for downloading or subscribing to this podcast however you've found it.

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<v Speaker 1>I love hearing your feedback, so make sure you leave

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<v Speaker 1>On today's podcast, I have Alex Maveridiks, who has proven

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<v Speaker 1>to be my most popular guest on TV Reload. I

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<v Speaker 1>actually have lost count of the amount of times that

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<v Speaker 1>he has appeared on the podcast. And while you would

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<v Speaker 1>be forgiven for thinking that we would have nothing left

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<v Speaker 1>to talk about I'm here to tell you you are wrong.

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<v Speaker 1>This is his best chat yet, As he probably already

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<v Speaker 1>have guessed, he would be here to promote one of

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<v Speaker 1>his shows, and this time it is Love Island Australia,

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<v Speaker 1>which is returning for its fifth series on Monday night

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<v Speaker 1>on Channel nine. I can tell you right now that

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<v Speaker 1>the series five eras theme is perfection and swifty fans,

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<v Speaker 1>you'll know what I mean, and the men and women

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<v Speaker 1>are absolutely hotter than ever, and you know that Alex

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<v Speaker 1>will hammer that point home every single time that he

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<v Speaker 1>has a new show to promote. However, the best part

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<v Speaker 1>about Alex and I getting together is not just the

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<v Speaker 1>genuine banter, but the mind boggling stories that no other

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<v Speaker 1>executive producer would dare to tell. He is absolutely the

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<v Speaker 1>essence of what this podcast stands for and the benchmark

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<v Speaker 1>for all guests to hold themselves against. We are going

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<v Speaker 1>to talk about the casting of three particular Islanders, which

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<v Speaker 1>happened by a mistake but sets up the most explosive

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<v Speaker 1>storyline that the show has ever seen. We will talk

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<v Speaker 1>nudity on freeedoware channels from Uncut to up Late and Yes,

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<v Speaker 1>Jamie's two thousand and six trousers, snack get to mention.

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<v Speaker 1>And what I have to say about that is if

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<v Speaker 1>you know, you know, I will find out about the

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<v Speaker 1>secret global Council of Love Island executive producers and how

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<v Speaker 1>they get together and share their secrets to make this

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<v Speaker 1>show better and better every year. Plus you're going to

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<v Speaker 1>get plenty of exclusives from behind the scenes of Love

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<v Speaker 1>Island Australia, which is starting this Monday night premiers on

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<v Speaker 1>nine Now, dropping at six pm Eastern Standard Time, and

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<v Speaker 1>it's on every Monday to Thursday. And I just want

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<v Speaker 1>to say, let's welcome Alex Menvererdyke's back to the podcast.

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<v Speaker 1>And I really do hope you enjoy this very exclusive

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<v Speaker 1>and very naughty chat about Love Island Australia. How are

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<v Speaker 1>you you will?

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<v Speaker 2>Yes? And very well?

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<v Speaker 1>What's more surprising that we're still friends or that I'm

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<v Speaker 1>still with my partner Ben? What surprises you more?

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<v Speaker 2>I they're both pretty pretty ridiculous. I mean, you know

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<v Speaker 2>long lolds on both of those things in twenty twelve.

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<v Speaker 1>Yeah, yeah, I would have thought by now that you'd

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<v Speaker 1>somehow gotten rid of me.

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<v Speaker 2>That way, you may still go you still be of

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<v Speaker 2>use to me. So you know that's still around.

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<v Speaker 1>Well that's what you've got to do, right, But another

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<v Speaker 1>series of Love Island is dropping this week, which is

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<v Speaker 1>very exciting, and the Internet has been clogged with excitement.

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<v Speaker 1>Finmal celebrity, get me out of here with Robert Irwin.

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<v Speaker 1>But you must be elated with this kind of success, right.

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<v Speaker 2>Oh Look, I love both this show, so I am.

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<v Speaker 2>I'm so so lucky. Look I'm all said, it fell

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<v Speaker 2>into my lap. But you know, you know I get

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<v Speaker 2>to make Love Island, you know, I mean, I just

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<v Speaker 2>love the show so much. It is so stupid, and

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<v Speaker 2>you know, like I'm doing the screenings for this current

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<v Speaker 2>series every morning at the moment, so you know, I'm

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<v Speaker 2>probably I'm going to be what fifteen episodes ahead of

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<v Speaker 2>the general public, you know, as Jarla cuts them, and

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<v Speaker 2>I'm pissing myself laughing every single morning. It is the

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<v Speaker 2>best way to start the day. I just I just

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<v Speaker 2>think it's the best show. And I'm a celebrity. I mean,

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<v Speaker 2>you know, I'm about to make my tenth seasons of

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<v Speaker 2>that season of that and sometimes I think, God, can

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<v Speaker 2>I even come up with another trial where they've got

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<v Speaker 2>to be electrocuted and get covered in snakes and fall

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<v Speaker 2>and jump off flip. But then when you get over there,

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<v Speaker 2>it just feels so different every year, you know. And

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<v Speaker 2>I mean that is the great thing about these two shows.

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<v Speaker 2>And any EP will tell you this, you know, So

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<v Speaker 2>I'm not telling anything you I haven't heard before. But

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<v Speaker 2>it's such a different vibe every single year because it's

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<v Speaker 2>a completely different cast, so we can get away with

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<v Speaker 2>doing you know, the same things over again. It feels

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<v Speaker 2>completely different, Like you know, this season of love Al

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<v Speaker 2>I'm talking about love aland more specifically, this season of

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<v Speaker 2>Love Island feels so much different to season four, which

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<v Speaker 2>of course is a fantastically successful series and loved it,

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<v Speaker 2>but it just feels so different because the vibe is

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<v Speaker 2>so incredibly different and the characters are just so much more.

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<v Speaker 2>I mean, I don't just watch it. You're gonna love it, guys.

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<v Speaker 1>I just for the first fifteen minutes. That's all I

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<v Speaker 1>tell people to do. To watch this new series because

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<v Speaker 1>it's so addictive.

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<v Speaker 2>I mean, it gets off and running very quickly. And

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<v Speaker 2>you know, at Wall of love Land is always hard

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<v Speaker 2>truth be told because you've got to show ten backstories,

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<v Speaker 2>you know. I mean, how many reality backstories have we

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<v Speaker 2>all watched you know, Hi, I'm Johnny and I'm this,

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<v Speaker 2>that and the other, and I'm here to step on

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<v Speaker 2>toes and blah blah blah blah blah, And how do

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<v Speaker 2>you keep making them different every single time? And we've

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<v Speaker 2>got to go back to a big brother. I mean,

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<v Speaker 2>you know, you know what was your backstory? What was

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<v Speaker 2>your headline? Can you even remember it?

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<v Speaker 1>I can tell you that painted me out. I think

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<v Speaker 1>I said I'm the bitchiest person you'll ever meet, Like

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<v Speaker 1>it was a sizzle reel of the nastiest gay person

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<v Speaker 1>you've ever come across.

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<v Speaker 2>That was when you were allowed. In twenty twelve, we

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<v Speaker 2>were still allowed to call gay people nasty without being canceled.

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<v Speaker 1>Now it's a given, it's a given.

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<v Speaker 2>I remember back then saying to Chris, this guy is

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<v Speaker 2>a cartoon character. I actually I remember using those words.

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<v Speaker 2>Just remember saying Ben is a cartoon character. He is

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<v Speaker 2>the cartoon baddie and you sort of were really, let's

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<v Speaker 2>be honest.

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<v Speaker 1>Eleven years later, Alex, eleven years later, and I still

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<v Speaker 1>get all the TV villains writing to me as soon

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<v Speaker 1>as their series finishes, asking for advice. But I enjoy it.

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<v Speaker 1>I love talking to these people that have been played

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<v Speaker 1>as as long as they're the PG villain, like, they

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<v Speaker 1>haven't done anything too sinister. They've kind of acted up

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<v Speaker 1>to what I enjoy villains do well.

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<v Speaker 2>I mean, you know, I'm a spoiler alert. I'm going

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<v Speaker 2>to say that someone who is a little bit of

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<v Speaker 2>a villain does very well in this series of Love On. Anyway,

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<v Speaker 2>going back to what I was saying episode one of

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<v Speaker 2>Love Island, I'm going to go from Tangents all night right.

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<v Speaker 1>I love it.

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<v Speaker 2>Episode one of Love On. It's not hard watch. It's

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<v Speaker 2>a bloody easy watch. It's a fantastic episode, of course

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<v Speaker 2>it is. You know, all the good stuff happens, and

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<v Speaker 2>you meet new characters and you get all the stepping

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<v Speaker 2>forward of Sophie hilarious in it. But you've got to

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<v Speaker 2>get through ten backstories and you've got to get through

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<v Speaker 2>a very big format point, which is who's going to

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<v Speaker 2>couple up with who? And what are they going to

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<v Speaker 2>do this year? And oh my god, they've changed that

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<v Speaker 2>with the villa and that takes five segments, you know,

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<v Speaker 2>to do to unpackle that stuff. And it's only when

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<v Speaker 2>you get to the end of episode one and into

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<v Speaker 2>episodes two and three where everyone starts getting it on

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<v Speaker 2>with each other and everyone starts hating each other and

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<v Speaker 2>all that beautiful reality TV stuff starts happening. But look,

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<v Speaker 2>it's a great first step. I'm glum. Look, I know

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<v Speaker 2>you haven't seen it properly yet, but you're gonna like it.

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<v Speaker 1>I'm gonna love it. How hard is it? Though you

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<v Speaker 1>kind of touched on this before, but I think it's

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<v Speaker 1>a really important thing. How hard is it to keep

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<v Speaker 1>long running shows like these, you know, current and on

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<v Speaker 1>trend because you know, there's such a fickle nature these days,

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<v Speaker 1>and we see shows come and go, they try and

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<v Speaker 1>relaunch and come up with new ideas. But you're working

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<v Speaker 1>on two shows that are past five season like it's madness.

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<v Speaker 1>How do you do that? How do you keep audiences?

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<v Speaker 1>You kind of touch on a bit, but I want

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<v Speaker 1>to know a little bit more than just refreshing the characters.

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<v Speaker 1>There's got to be more to it.

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<v Speaker 2>I'll tell you what. Never ages? Okay, being funny never

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<v Speaker 2>gets old, all right? You could go back and watch

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<v Speaker 2>the two Ronnie's, Monty Python's, The Paul Hogan Show, you know,

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<v Speaker 2>go back to Bloody Charlie Chaplin and custard pies and faces.

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<v Speaker 2>It's still funny. It doesn't matter how many times you

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<v Speaker 2>do it. If you can keep your con tent funny

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<v Speaker 2>and if you keep your audience laughing, it never ages.

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<v Speaker 2>With Love Island, I'll tell you what else doesn't get old.

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<v Speaker 2>Sexy people, because people have been shagging each other since

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<v Speaker 2>the time. That is literally the reason we are here.

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<v Speaker 2>Sexy doesn't get old. Funny doesn't get old.

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<v Speaker 1>With honor Bowyerism, Voyeurism also doesn't get.

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<v Speaker 2>Hold, doesn't get old, It doesn't get on. You know,

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<v Speaker 2>how many times have we caught ourselves up trees with

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<v Speaker 2>binoculars looking into windows.

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<v Speaker 1>I don't know, Alex, how many times?

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<v Speaker 2>No. Vorism doesn't get old. And celebrit you know, revealing,

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<v Speaker 2>you know, revealing secrets about celebrities never gets old, even

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<v Speaker 2>if you know about them. You know, that's how you

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<v Speaker 2>keep it fresh. Can I come up with twenty different

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<v Speaker 2>trials from a celebrity every single year? Absolutely not, you

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<v Speaker 2>know you just I mean, yes, I could, but they're

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<v Speaker 2>just going to start getting ridiculous. You know, we will

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<v Speaker 2>do the Viper Room every year. You know, we will

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<v Speaker 2>do some eating trials every single year. We will send

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<v Speaker 2>them up a cliff every single year because it works.

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<v Speaker 2>So you know what the point in changing everything? You

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<v Speaker 2>just changed? You changed sixty percent of the show, and

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<v Speaker 2>you stick with the ones that work.

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<v Speaker 1>If you go too far with that, you'll end up

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<v Speaker 1>killing one of those celebrities. So I'm kind of happy

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<v Speaker 1>that you know you stick into some basics there.

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<v Speaker 2>Absolutely, well, that's the last thing we want to do.

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<v Speaker 2>Safety first every single time.

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<v Speaker 1>How did you go like planning this series? And the

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<v Speaker 1>reason I'm asking you this is because I can imagine

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<v Speaker 1>because I know the team of people you work with,

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<v Speaker 1>they're all amazing, they're all geniuses. How did you go

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<v Speaker 1>throwing ideas around? And can you tease me with anything

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<v Speaker 1>that didn't quite make the cut? Did you have any

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<v Speaker 1>ideas that you were going to try and put into

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<v Speaker 1>this series that got scrapped?

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<v Speaker 2>Yes, okay, I'm going to tease you with this. So

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<v Speaker 2>we had an idea. It was my idea, and Josie

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<v Speaker 2>kind of liked it, and some other people probably liked

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<v Speaker 2>me and said they liked it. But anyway, the idea

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<v Speaker 2>was we were going to get a UK Islander, a female,

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<v Speaker 2>and she was going to be a British spy and

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<v Speaker 2>we were going to call it Double Low Heaven. The

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<v Speaker 2>idea was that the girl was going to come in

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<v Speaker 2>whilst the other girls were out on a beach day

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<v Speaker 2>or something and flirt outrageously with the boys. Possibly she

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<v Speaker 2>would have had a near piece in and we were

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<v Speaker 2>going to be feeding her what to say and what

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<v Speaker 2>to do. That was the That was the working idea.

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<v Speaker 2>So we went looking for a UK female islander. We

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<v Speaker 2>did some googling, we did some watching. We called a

0:10:16.640 --> 0:10:19.440
<v Speaker 2>couple of them, you know, we DMed a few of them.

0:10:19.760 --> 0:10:23.320
<v Speaker 2>Lucinda got back to us, so Jose and I zoomed Lucinder.

0:10:23.360 --> 0:10:26.120
<v Speaker 2>We knew nothing about her. Pultsy was the really girl.

0:10:26.240 --> 0:10:28.560
<v Speaker 2>That's all we knew about her. This is Lucinda Strafford,

0:10:28.559 --> 0:10:30.920
<v Speaker 2>who you were all going to do very well, very shortly.

0:10:31.120 --> 0:10:33.600
<v Speaker 2>She arrived at episode one of this series. Jose and

0:10:33.600 --> 0:10:39.760
<v Speaker 2>I zoomed her, and within about four minutes we realized

0:10:39.800 --> 0:10:44.079
<v Speaker 2>that my idea was shit and it wasn't going to

0:10:44.200 --> 0:10:46.880
<v Speaker 2>work unless you had an actress. And you can't just

0:10:46.960 --> 0:10:48.400
<v Speaker 2>ask a girl to go in there and you know,

0:10:48.840 --> 0:10:51.240
<v Speaker 2>be that along with the boys, and blah blah blah, blah,

0:10:51.240 --> 0:10:53.760
<v Speaker 2>but we loved her so much, like she was so

0:10:53.840 --> 0:10:59.439
<v Speaker 2>infectiously incredible, so funny, so beautiful, so desperate for a boyfriend.

0:10:59.559 --> 0:11:02.240
<v Speaker 2>Like you know where people are only there for the followers,

0:11:02.360 --> 0:11:04.000
<v Speaker 2>and you know, sure, we can take a bit of that,

0:11:04.240 --> 0:11:07.079
<v Speaker 2>but this girl desperately wanted a girl.

0:11:06.960 --> 0:11:08.840
<v Speaker 1>That boy close to being a bunny boil at.

0:11:09.200 --> 0:11:11.720
<v Speaker 2>Yeah, And we were like, do you know what my

0:11:11.840 --> 0:11:13.559
<v Speaker 2>idea is? Ship, But let's just put it in a

0:11:13.600 --> 0:11:15.800
<v Speaker 2>villa anyway, And so we pitched a channel on and

0:11:15.840 --> 0:11:16.960
<v Speaker 2>they saw what we saw and.

0:11:18.360 --> 0:11:20.160
<v Speaker 1>They said, yes, but that primo would have been good

0:11:20.200 --> 0:11:22.480
<v Speaker 1>because I could see the bra as the zeros and

0:11:22.480 --> 0:11:24.120
<v Speaker 1>then you just put the seven next to it, right,

0:11:24.120 --> 0:11:25.959
<v Speaker 1>that would have been good, not bad.

0:11:26.040 --> 0:11:27.600
<v Speaker 2>Or maybe we'll go for it again next time.

0:11:28.760 --> 0:11:30.800
<v Speaker 1>I just need a little finessing, a little workshopping.

0:11:31.000 --> 0:11:34.440
<v Speaker 2>Yeah, we'll just delete this section of the podcast, not

0:11:34.520 --> 0:11:36.920
<v Speaker 2>go with it anyway. Now, something else the next time.

0:11:36.920 --> 0:11:38.840
<v Speaker 2>But they that's something that didn't make the cart and

0:11:38.840 --> 0:11:40.719
<v Speaker 2>that's how that's how Lucinder got in there. It was

0:11:40.760 --> 0:11:43.280
<v Speaker 2>a stupid idea that never made it. I'm going to

0:11:43.320 --> 0:11:46.439
<v Speaker 2>open my can of coke. You're going to hear as.

0:11:46.080 --> 0:11:48.160
<v Speaker 1>I've edited out the can of coke being opened on

0:11:48.240 --> 0:11:50.760
<v Speaker 1>every podcast. This is episode four for you. This is

0:11:50.800 --> 0:11:53.600
<v Speaker 1>podcast Christmas for me. By the way, Alex, every time

0:11:53.640 --> 0:11:55.559
<v Speaker 1>you come on it is my Christmas.

0:11:55.679 --> 0:11:58.960
<v Speaker 2>I feel like I need to say something outrageous. Was

0:11:59.080 --> 0:12:00.559
<v Speaker 2>the fourth time we've done so. I feel like I

0:12:00.640 --> 0:12:02.600
<v Speaker 2>need to be like, hey, I've had a threesome with

0:12:02.679 --> 0:12:04.040
<v Speaker 2>Sophie Mung and Julian Moore.

0:12:04.920 --> 0:12:06.960
<v Speaker 1>No the Sophie Monk. Oh yeah, there we go, Sophie Monk,

0:12:07.040 --> 0:12:09.000
<v Speaker 1>Julia Morris. It's like you put Sony Krueger in there,

0:12:09.000 --> 0:12:12.840
<v Speaker 1>but she's no longer working for you.

0:12:13.000 --> 0:12:14.160
<v Speaker 2>Daily Mail, there's your headlong.

0:12:14.400 --> 0:12:16.680
<v Speaker 1>I remember once I interviewed someone and you text me

0:12:16.720 --> 0:12:19.160
<v Speaker 1>afterwards and you said, I know you just interviewed this person.

0:12:19.240 --> 0:12:21.320
<v Speaker 1>What's the Daily Mail headline? And I said, I don't

0:12:21.320 --> 0:12:23.360
<v Speaker 1>think I had one. I think you wrote back and said,

0:12:23.640 --> 0:12:29.080
<v Speaker 1>what's the point. What's the point of having them on

0:12:29.080 --> 0:12:33.040
<v Speaker 1>the podcast anyway? Well, is there a way that you

0:12:33.080 --> 0:12:37.160
<v Speaker 1>can communicate with like the other Love Island franchisees, because

0:12:37.200 --> 0:12:38.520
<v Speaker 1>I remember back in the day, there was like a

0:12:38.559 --> 0:12:41.800
<v Speaker 1>Big Brother headquarters or a summer camp that you all

0:12:41.840 --> 0:12:45.120
<v Speaker 1>get together and switch ideas around. Does that kind of

0:12:45.160 --> 0:12:48.040
<v Speaker 1>stuff happen for this franchise. Can you all get together

0:12:48.080 --> 0:12:49.040
<v Speaker 1>and swap ideas?

0:12:49.400 --> 0:12:52.319
<v Speaker 2>Yes, there is, In all honesty, we just watch each

0:12:52.320 --> 0:12:54.520
<v Speaker 2>other seasons now. I mean you know that. I remember

0:12:54.520 --> 0:12:56.920
<v Speaker 2>going to the Big Brother conference in Amsterdam way back

0:12:56.960 --> 0:12:59.360
<v Speaker 2>before your season even I think there must have been twenty eleven,

0:12:59.400 --> 0:13:03.000
<v Speaker 2>and it was literally Lucky United Nations. It was sixty

0:13:03.040 --> 0:13:06.280
<v Speaker 2>odd producers sitting around a massive table with their little

0:13:06.280 --> 0:13:08.400
<v Speaker 2>flags in front of them. It was like, use are

0:13:08.480 --> 0:13:11.280
<v Speaker 2>the tasks that we have done in Sweden and we

0:13:11.400 --> 0:13:13.520
<v Speaker 2>think it worked really well. The money that used to

0:13:13.559 --> 0:13:16.800
<v Speaker 2>be around in you know, flying their executives around the

0:13:16.800 --> 0:13:19.640
<v Speaker 2>world possibly to come back with three, you know, three

0:13:19.679 --> 0:13:22.480
<v Speaker 2>task ideas, that shit just doesn't fly anymore. I mean,

0:13:22.520 --> 0:13:24.439
<v Speaker 2>you know, there is a Love Island conference that people

0:13:24.480 --> 0:13:27.680
<v Speaker 2>do share ideas. I liked, I really liked a couple

0:13:27.679 --> 0:13:30.240
<v Speaker 2>of things. America did this this time their most recent series,

0:13:30.240 --> 0:13:32.560
<v Speaker 2>and they've got Love Island Games about to launch now,

0:13:32.600 --> 0:13:34.960
<v Speaker 2>which is a complete different way of doing the format.

0:13:35.040 --> 0:13:37.320
<v Speaker 2>The UK are about to do Love Island All Stars.

0:13:37.640 --> 0:13:40.800
<v Speaker 2>People are doing. It's at that stage of the franchise

0:13:40.800 --> 0:13:43.600
<v Speaker 2>now where people are starting to do stuff away from

0:13:43.679 --> 0:13:46.080
<v Speaker 2>the norm. You know, same thing happened with Big Brother

0:13:46.160 --> 0:13:46.960
<v Speaker 2>way back in the day.

0:13:47.000 --> 0:13:48.640
<v Speaker 1>I'm going to ask you two quick questions on this

0:13:48.800 --> 0:13:52.520
<v Speaker 1>because I just thought of them. Which contestants are so

0:13:52.720 --> 0:13:55.719
<v Speaker 1>for Love Island Games? Were you happy with the Australian

0:13:55.720 --> 0:13:57.600
<v Speaker 1>people that were picked to be a part of that?

0:13:57.880 --> 0:13:59.920
<v Speaker 2>Well, I suggested them Humby, you know, I suggested that.

0:14:00.760 --> 0:14:04.640
<v Speaker 2>So it was the American execs messaged me and they

0:14:04.760 --> 0:14:07.000
<v Speaker 2>told me about the show. I was like, great, and

0:14:07.000 --> 0:14:09.960
<v Speaker 2>they're like, who's your Australian picks? And I probably went

0:14:10.000 --> 0:14:12.480
<v Speaker 2>back with a list of on and say maybe twelve

0:14:12.559 --> 0:14:15.280
<v Speaker 2>to fourteen people that I know would have been great,

0:14:15.880 --> 0:14:19.120
<v Speaker 2>and they ended up using all five and I think

0:14:19.120 --> 0:14:19.880
<v Speaker 2>they only use four.

0:14:20.360 --> 0:14:21.880
<v Speaker 1>Do you think they picked the right ones? But they're

0:14:21.880 --> 0:14:23.320
<v Speaker 1>the ones you would have picked to do something like

0:14:23.360 --> 0:14:24.080
<v Speaker 1>that if you were the EB.

0:14:24.560 --> 0:14:27.080
<v Speaker 2>They've been released somebody, Yes they have so, yes, they

0:14:27.160 --> 0:14:29.200
<v Speaker 2>used to. They use Callum and Jess from season four,

0:14:29.240 --> 0:14:31.640
<v Speaker 2>who I absolutely would have you know, I put them

0:14:31.640 --> 0:14:35.000
<v Speaker 2>forward and they're brilliant. They are in it from the start.

0:14:35.040 --> 0:14:37.400
<v Speaker 2>So I've been seen up to episode ten of Love

0:14:37.440 --> 0:14:40.080
<v Speaker 2>on Games, so I can't tell you beyond then. I

0:14:40.120 --> 0:14:42.080
<v Speaker 2>know they ended up using Mitch and Tina, and I

0:14:42.080 --> 0:14:43.800
<v Speaker 2>think this is all public domain, so I'm pretty sure

0:14:43.800 --> 0:14:44.360
<v Speaker 2>I can talk about this.

0:14:44.440 --> 0:14:45.840
<v Speaker 1>No, No, those names are out the fie. I don't

0:14:45.840 --> 0:14:47.600
<v Speaker 1>think we know how far they go, but the names

0:14:47.600 --> 0:14:49.000
<v Speaker 1>are out, so I think we're pretty safe.

0:14:49.160 --> 0:14:51.280
<v Speaker 2>So Callum and Jess are in there, and they are

0:14:51.440 --> 0:14:54.440
<v Speaker 2>absolutely fantastic. You know they were brilliant picks Mitch and

0:14:54.440 --> 0:14:57.040
<v Speaker 2>Tina that you'd have them in any reality TV show anywhere.

0:14:57.560 --> 0:15:00.880
<v Speaker 2>I know that they looked at ca I looked at

0:15:01.200 --> 0:15:02.040
<v Speaker 2>Josh Packham.

0:15:02.360 --> 0:15:04.480
<v Speaker 1>I think they flew Cassidy over there. I know someone

0:15:04.520 --> 0:15:07.040
<v Speaker 1>has flown over there and didn't want to do the

0:15:07.040 --> 0:15:09.680
<v Speaker 1>extended lockdown or something, and they had to fly them back.

0:15:09.680 --> 0:15:11.000
<v Speaker 1>I remember there was a bit of I don't know

0:15:11.040 --> 0:15:11.960
<v Speaker 1>if you heard that, Goss.

0:15:12.240 --> 0:15:15.480
<v Speaker 2>I think Cassidy was over there, and I'm not sure

0:15:15.480 --> 0:15:17.240
<v Speaker 2>about the detail of why she didn't end up in

0:15:17.280 --> 0:15:19.280
<v Speaker 2>the show, but I think, God Cassidy would be one

0:15:19.280 --> 0:15:20.480
<v Speaker 2>of our best Islanders. Everyone.

0:15:20.600 --> 0:15:22.480
<v Speaker 1>This is the second part of the question, Alex is

0:15:22.520 --> 0:15:25.040
<v Speaker 1>All Stars for this show? Please tell me that in

0:15:25.080 --> 0:15:27.000
<v Speaker 1>All Stars is next season, because I need to see

0:15:27.000 --> 0:15:30.400
<v Speaker 1>Cassidy back on my screen. She is my favorite Islander.

0:15:30.400 --> 0:15:34.040
<v Speaker 1>Of all time. She was so crazy but yet so engaging.

0:15:34.320 --> 0:15:35.640
<v Speaker 1>I don't think i'd be friends with her in the

0:15:35.680 --> 0:15:38.520
<v Speaker 1>real world, but she was the best. I just and

0:15:38.520 --> 0:15:39.680
<v Speaker 1>she needs to do All Stars.

0:15:39.880 --> 0:15:43.760
<v Speaker 2>Yeah, she's great reality talent and I just think she's fantastic. Look,

0:15:44.080 --> 0:15:45.880
<v Speaker 2>I'm going to say the same thing about All Stars

0:15:45.880 --> 0:15:47.960
<v Speaker 2>as I always said about Big Brother All Stars, and

0:15:48.040 --> 0:15:49.520
<v Speaker 2>I was proved right.

0:15:49.480 --> 0:15:51.640
<v Speaker 1>I have to say, but absolutely you were correct.

0:15:51.960 --> 0:15:55.040
<v Speaker 2>Yp Did you know what it did? It's very hard

0:15:55.080 --> 0:15:57.120
<v Speaker 2>to ask people to be as amazing as they were

0:15:57.200 --> 0:15:59.840
<v Speaker 2>the first time round. I would always favor a kind

0:15:59.840 --> 0:16:05.040
<v Speaker 2>of virgins versus veterans type SCENARIOO where you have like

0:16:05.120 --> 0:16:09.680
<v Speaker 2>maybe half and half or something. I'm very interested to

0:16:09.680 --> 0:16:12.360
<v Speaker 2>see how the UK one goes, and I'm very interested

0:16:12.360 --> 0:16:14.760
<v Speaker 2>to see how Love alland Games goes. I'd, you know,

0:16:14.920 --> 0:16:17.600
<v Speaker 2>always let the two countries with the most money, or

0:16:17.640 --> 0:16:20.240
<v Speaker 2>either the UK and the US, go and either make

0:16:20.280 --> 0:16:22.480
<v Speaker 2>it amazing or fuck it up first, and then we

0:16:22.560 --> 0:16:24.840
<v Speaker 2>will do whichever one works. That's how we do it

0:16:24.840 --> 0:16:27.840
<v Speaker 2>in Australia, go and go and let someone else fuck

0:16:27.920 --> 0:16:28.480
<v Speaker 2>it up first.

0:16:28.600 --> 0:16:31.080
<v Speaker 1>Different markets, though Alex Lake is in Do you know

0:16:31.280 --> 0:16:33.800
<v Speaker 1>I think that All Stars does not work in Australia.

0:16:33.840 --> 0:16:36.360
<v Speaker 1>And I also think we are in some ways getting

0:16:36.480 --> 0:16:38.560
<v Speaker 1>close to the end of some of these celebrity shows.

0:16:38.600 --> 0:16:41.040
<v Speaker 1>I'm a Celebrity start at so I think it's still safe,

0:16:41.320 --> 0:16:44.000
<v Speaker 1>but some of these other franchises, like like as in

0:16:44.040 --> 0:16:45.640
<v Speaker 1>some of these other celebrity ones, it's wearing a little

0:16:45.640 --> 0:16:46.080
<v Speaker 1>bit thin.

0:16:46.280 --> 0:16:49.200
<v Speaker 2>As the most Celebrity version did or right didn't it?

0:16:49.200 --> 0:16:51.600
<v Speaker 1>And I think they've just announced another series They're going

0:16:51.640 --> 0:16:52.320
<v Speaker 1>to do another one.

0:16:52.440 --> 0:16:55.440
<v Speaker 2>You see. That's as the as the person in charge

0:16:55.440 --> 0:16:57.920
<v Speaker 2>of On with Celebrity, that's tough for me because that's

0:16:57.960 --> 0:17:00.640
<v Speaker 2>just taken another sixteen celebs off the market. And trust me,

0:17:02.120 --> 0:17:04.800
<v Speaker 2>you've made nine seasons of on SLEB and you're trying

0:17:04.840 --> 0:17:08.719
<v Speaker 2>to find fourteen or sixteen people to do the tenth season.

0:17:09.080 --> 0:17:11.000
<v Speaker 1>Alex, do you know as well as I do that

0:17:11.080 --> 0:17:13.720
<v Speaker 1>all the celebrities that were on Amazing Race, they were

0:17:13.880 --> 0:17:17.400
<v Speaker 1>all from your shows. Everyone on Amazing Race had done

0:17:17.600 --> 0:17:20.080
<v Speaker 1>I'm a Celebrity, or they've been on Love Island, or

0:17:20.080 --> 0:17:22.480
<v Speaker 1>they've been on one of your shows. It was hilarious.

0:17:23.760 --> 0:17:25.520
<v Speaker 1>They're mining your products, is what I should say.

0:17:25.760 --> 0:17:27.639
<v Speaker 2>They are doing with me what I'm doing with the

0:17:27.720 --> 0:17:29.680
<v Speaker 2>UK in the US, so like, let's see if Alex

0:17:29.880 --> 0:17:33.520
<v Speaker 2>fucks them up first, and if he doesn't, we'll use them.

0:17:34.119 --> 0:17:36.399
<v Speaker 1>These people still do these shows after working with you.

0:17:36.480 --> 0:17:40.399
<v Speaker 1>I still always think that that is your magic because

0:17:40.440 --> 0:17:42.440
<v Speaker 1>so many people I know who've been on reality shows

0:17:42.480 --> 0:17:44.280
<v Speaker 1>and never do it again, and they say that they

0:17:44.280 --> 0:17:46.960
<v Speaker 1>wouldn't do it again because they don't trust the producers.

0:17:47.400 --> 0:17:49.840
<v Speaker 1>And here you are. You've I think if you ring

0:17:49.920 --> 0:17:52.320
<v Speaker 1>anyone that's been on any of your shows, you probably

0:17:52.359 --> 0:17:54.399
<v Speaker 1>count on one hand the people that would say.

0:17:54.320 --> 0:17:58.680
<v Speaker 2>No, come there would be one hand. I can definitely

0:17:58.720 --> 0:18:00.639
<v Speaker 2>think a few that didn't love it, but not not

0:18:00.840 --> 0:18:01.120
<v Speaker 2>you know.

0:18:01.359 --> 0:18:04.200
<v Speaker 1>That's the Daily Mail headline, Alex, who's somebody who would

0:18:04.200 --> 0:18:06.040
<v Speaker 1>say no to coming back on one of your shirts?

0:18:06.119 --> 0:18:07.600
<v Speaker 2>Absolutely not telling you.

0:18:07.520 --> 0:18:12.680
<v Speaker 1>That I love setting you up for this come on, but.

0:18:12.760 --> 0:18:14.480
<v Speaker 2>Look, thank you for saying that, and that's nice. I look,

0:18:14.680 --> 0:18:17.480
<v Speaker 2>you know, I'm just honest with them. I mean, you know,

0:18:17.520 --> 0:18:19.359
<v Speaker 2>it's like I was with you before Big Brother. You know,

0:18:19.400 --> 0:18:22.040
<v Speaker 2>I haven't said that your Big Brother was my first

0:18:22.760 --> 0:18:25.560
<v Speaker 2>EP gig, so you know, I probably made more mistakes

0:18:25.560 --> 0:18:28.040
<v Speaker 2>in that season. Having said that, everybody from that season

0:18:28.080 --> 0:18:30.399
<v Speaker 2>I think still likes me. It's hard because I you know,

0:18:30.400 --> 0:18:32.159
<v Speaker 2>I'm Facebook friends with everyone and I follow over on

0:18:32.240 --> 0:18:35.560
<v Speaker 2>in Instagram, et cetera. But if you add up all

0:18:35.600 --> 0:18:38.400
<v Speaker 2>of the reality people that I've had on Big Brother

0:18:38.600 --> 0:18:42.240
<v Speaker 2>twenty twelve, Big Brother twenty thirteen, Big Brother twenty fourteen,

0:18:42.720 --> 0:18:46.040
<v Speaker 2>nine seasons of One the celeb that's nine. That's twelve,

0:18:46.240 --> 0:18:50.679
<v Speaker 2>five seasons of Love Ireland. That's seventeen reality seasons with

0:18:50.800 --> 0:18:53.159
<v Speaker 2>an average of fifteen on each. And I'm going to

0:18:53.160 --> 0:18:57.120
<v Speaker 2>grab my phone really really quickly go to the calculator

0:18:57.160 --> 0:19:01.880
<v Speaker 2>app and go seventeen time fifteen and this is conservative.

0:19:02.160 --> 0:19:06.640
<v Speaker 2>That's two hundred and fifty five people that have been

0:19:06.760 --> 0:19:11.320
<v Speaker 2>through the Villa, the Jungle, the Big Brother House under

0:19:11.320 --> 0:19:13.880
<v Speaker 2>my watchers EP. And that means that I've done two

0:19:14.000 --> 0:19:16.679
<v Speaker 2>hundred and fifty five last rights chats, which is you know,

0:19:16.720 --> 0:19:19.800
<v Speaker 2>what we call the final kind of honesty chat that

0:19:19.880 --> 0:19:22.000
<v Speaker 2>I have with everybody before they go in, and that

0:19:22.160 --> 0:19:24.520
<v Speaker 2>is the chat where I think, I say, listen, you know,

0:19:24.880 --> 0:19:27.439
<v Speaker 2>if you go in there with a wide open brain

0:19:27.800 --> 0:19:29.680
<v Speaker 2>and say, do you know what the worst thing that

0:19:29.720 --> 0:19:31.840
<v Speaker 2>can happen here is a great story for the grandkids,

0:19:31.840 --> 0:19:34.000
<v Speaker 2>And I'll be out in a couple of days and

0:19:34.040 --> 0:19:36.000
<v Speaker 2>the best thing that happens here is Australia is going

0:19:36.000 --> 0:19:36.879
<v Speaker 2>to fall in love with me and I'm going to

0:19:36.880 --> 0:19:39.240
<v Speaker 2>make a million dollars at this. The reality is something

0:19:39.240 --> 0:19:42.199
<v Speaker 2>in between those two things is going to happen. And

0:19:42.280 --> 0:19:44.440
<v Speaker 2>that's it. That's what this is. You know, this is

0:19:44.480 --> 0:19:47.280
<v Speaker 2>an adventure. This is fun, That's what this is. You

0:19:47.320 --> 0:19:49.800
<v Speaker 2>know we won't cut you loose afterwards. You know, we

0:19:49.840 --> 0:19:52.000
<v Speaker 2>will make sure you're okay, and yadda yadda, And we

0:19:52.040 --> 0:19:55.119
<v Speaker 2>always choose people that are psychologically robust enough to be

0:19:55.160 --> 0:19:57.600
<v Speaker 2>watched twenty four hours a day. Other word, we wouldn't

0:19:57.600 --> 0:19:58.920
<v Speaker 2>be doing our due diligence.

0:19:59.400 --> 0:20:01.240
<v Speaker 1>I think no one wants to watch me twenty four

0:20:01.240 --> 0:20:03.040
<v Speaker 1>hours a day now that I'm forty three. I think

0:20:03.080 --> 0:20:05.600
<v Speaker 1>everyone's happy with my clothes on on a podcast where

0:20:05.600 --> 0:20:06.240
<v Speaker 1>they can't see me.

0:20:06.480 --> 0:20:09.160
<v Speaker 2>Yeah, of one hundred percent on. You know, I've seen

0:20:09.200 --> 0:20:12.000
<v Speaker 2>you in very compromising situations because I didn't have to

0:20:12.040 --> 0:20:14.479
<v Speaker 2>watch you for twenty four hours a day, and some

0:20:14.480 --> 0:20:15.879
<v Speaker 2>stuff you just can't unsee me.

0:20:16.200 --> 0:20:19.080
<v Speaker 1>I just remember thinking I got Stockholm syndrome from working

0:20:19.119 --> 0:20:21.720
<v Speaker 1>with you, because I remember that chat that you had

0:20:21.760 --> 0:20:24.960
<v Speaker 1>with me, and it just made me addicted to wanting

0:20:25.000 --> 0:20:26.840
<v Speaker 1>to impress you do you know what I mean? Like

0:20:26.880 --> 0:20:29.359
<v Speaker 1>where you're obsessed with your captor. So there's got to

0:20:29.400 --> 0:20:32.040
<v Speaker 1>be something in there, something of a skill set that

0:20:32.119 --> 0:20:36.040
<v Speaker 1>you can impose that kind of pressure or psychology onto

0:20:36.080 --> 0:20:36.679
<v Speaker 1>these people.

0:20:37.000 --> 0:20:38.439
<v Speaker 2>I mean, I don't know how I respond to that

0:20:38.480 --> 0:20:40.119
<v Speaker 2>other than to say that I think I feel like

0:20:40.160 --> 0:20:43.520
<v Speaker 2>we're working together, Like we want the show to rpe, right,

0:20:43.920 --> 0:20:46.480
<v Speaker 2>we want it's great for both of us. If the

0:20:46.520 --> 0:20:50.000
<v Speaker 2>show rates, I get my recommissioned bonus and you know,

0:20:50.680 --> 0:20:51.560
<v Speaker 2>fame and fortune.

0:20:51.600 --> 0:20:53.560
<v Speaker 1>You know, so living on the canals and the Gold

0:20:53.640 --> 0:20:56.679
<v Speaker 1>Coast like I'm living on the GC. Yeah, anyway, we

0:20:56.720 --> 0:20:58.320
<v Speaker 1>need to get back to Love Island. People be like,

0:20:58.359 --> 0:21:00.879
<v Speaker 1>shut up, and Love Island has this twist, right, So

0:21:00.880 --> 0:21:03.359
<v Speaker 1>you've got this villain era is basically what people are

0:21:03.359 --> 0:21:05.440
<v Speaker 1>seeing to sort of launch the show sort of.

0:21:05.600 --> 0:21:07.480
<v Speaker 2>There is Villainias. That's that's the one that's been in

0:21:07.480 --> 0:21:08.679
<v Speaker 2>the promo. So I tell you the.

0:21:08.680 --> 0:21:10.240
<v Speaker 1>Promo, But that's what I mean, Like that's what you've

0:21:10.280 --> 0:21:14.159
<v Speaker 1>teased everyone. How is the villain era going to work? Like?

0:21:14.200 --> 0:21:15.800
<v Speaker 1>What does that bring to the show?

0:21:16.000 --> 0:21:18.240
<v Speaker 2>Okay, so it's more than just villain era. It's it's

0:21:18.359 --> 0:21:21.520
<v Speaker 2>eras full stop. So we looked at the basically, when

0:21:21.560 --> 0:21:24.560
<v Speaker 2>we were starting the creative for Love Island season five,

0:21:24.840 --> 0:21:27.720
<v Speaker 2>it was when everyone was waiting online for nine hours

0:21:27.720 --> 0:21:30.639
<v Speaker 2>for Taylor Swift tickets. It was that month that was

0:21:30.680 --> 0:21:34.960
<v Speaker 2>like the headline in Australia. People bloody, you know, drinking

0:21:35.040 --> 0:21:38.000
<v Speaker 2>nine cups of coffee and staring at us spinning wheel

0:21:38.080 --> 0:21:40.520
<v Speaker 2>when trying desperately trying to book Taylor Swift tickets, and

0:21:40.560 --> 0:21:43.639
<v Speaker 2>her tour was called the Era's Tour. We were like,

0:21:43.840 --> 0:21:45.639
<v Speaker 2>there's something in this because all the cool kids are

0:21:45.640 --> 0:21:48.880
<v Speaker 2>saying eras right errors, however, you want to say, there's

0:21:48.960 --> 0:21:50.440
<v Speaker 2>the Aussie Simpson era.

0:21:50.320 --> 0:21:52.919
<v Speaker 1>The accent, Yeah, yeah, I get it wrong, Potato potato.

0:21:53.359 --> 0:21:55.359
<v Speaker 2>And then we hit the road on the casting tour

0:21:55.840 --> 0:21:57.879
<v Speaker 2>and pretty much, you know, I'm going to say one

0:21:57.920 --> 0:22:00.359
<v Speaker 2>in five people were saying, I'm in my gloss era,

0:22:00.560 --> 0:22:04.120
<v Speaker 2>I'm in my fuck girl era, I'm in my I

0:22:04.119 --> 0:22:06.960
<v Speaker 2>don't give a shit era, I'm in my healing era,

0:22:07.200 --> 0:22:09.760
<v Speaker 2>I'm in my this era. And we're Josie and I

0:22:09.840 --> 0:22:13.360
<v Speaker 2>and Jalla, and you know, then the network we kept

0:22:13.359 --> 0:22:15.920
<v Speaker 2>catching each other's eyes and going, there's another one, there's

0:22:15.960 --> 0:22:17.920
<v Speaker 2>another one. So when we went in to pitch the

0:22:18.680 --> 0:22:21.240
<v Speaker 2>you know, the new creative to Channel nine because they

0:22:21.280 --> 0:22:23.479
<v Speaker 2>always ask you what's different this year, and we go,

0:22:24.480 --> 0:22:27.800
<v Speaker 2>you know, there's hot people. You know, what's different this year,

0:22:27.840 --> 0:22:30.560
<v Speaker 2>and we go, this year, we're doing eras. It's all

0:22:30.600 --> 0:22:33.520
<v Speaker 2>about you know, Taylor Swift started. So this is what

0:22:33.560 --> 0:22:35.600
<v Speaker 2>we've done, and it's quite smart. I think we've broken

0:22:35.640 --> 0:22:38.360
<v Speaker 2>the series down into era. So it starts episode one.

0:22:38.680 --> 0:22:43.280
<v Speaker 2>They start in their spicy era. Okay, spicy, the spiciest challenges,

0:22:43.800 --> 0:22:47.040
<v Speaker 2>spicy games, lots of you know, spicy things happen, and

0:22:47.080 --> 0:22:51.359
<v Speaker 2>then it goes into the vibe era, which is where, okay,

0:22:51.560 --> 0:22:54.320
<v Speaker 2>we've got through all the spiciest stuff. Now it's trying

0:22:54.359 --> 0:22:56.080
<v Speaker 2>to work out if the person you're with is the one,

0:22:56.080 --> 0:22:59.800
<v Speaker 2>and we start throwing in more bombs and testing their relationships.

0:23:00.200 --> 0:23:03.119
<v Speaker 2>Then it gets to villain Eia. No villainea is just

0:23:03.160 --> 0:23:09.120
<v Speaker 2>an easy way of saying we're gonna be real wankers.

0:23:07.680 --> 0:23:11.280
<v Speaker 1>That I just love that, and that's like you do

0:23:11.359 --> 0:23:13.240
<v Speaker 1>that in a way and all the series. But it's

0:23:13.240 --> 0:23:15.760
<v Speaker 1>like when you make them say savage things about each

0:23:15.760 --> 0:23:17.760
<v Speaker 1>other in front of each other like that is just

0:23:17.920 --> 0:23:19.639
<v Speaker 1>gold television. I love it.

0:23:19.720 --> 0:23:22.840
<v Speaker 2>So we did some pretty full on stuff and villain Eia,

0:23:22.920 --> 0:23:27.320
<v Speaker 2>you know, like some brutal dumpings, you know, some brutal

0:23:27.359 --> 0:23:31.040
<v Speaker 2>ways of bringing people in. It's proper noisy. You know.

0:23:31.240 --> 0:23:33.439
<v Speaker 2>We were supposed to do it for like six or

0:23:33.480 --> 0:23:35.400
<v Speaker 2>seven days. I think we ended up doing it about

0:23:35.520 --> 0:23:38.879
<v Speaker 2>fourteen because every single thing we did it was like,

0:23:38.920 --> 0:23:41.640
<v Speaker 2>oh well that's that's still Villainiera, and then from villain

0:23:41.680 --> 0:23:43.439
<v Speaker 2>Eia it then goes into something else here and then

0:23:43.480 --> 0:23:43.960
<v Speaker 2>out to get in.

0:23:44.080 --> 0:23:46.119
<v Speaker 1>I just I'm sold. I'm sold all the eras as

0:23:46.160 --> 0:23:47.840
<v Speaker 1>soon as you said Taylor Swift and you know the

0:23:47.840 --> 0:23:51.280
<v Speaker 1>Swifties out there as well, You've just accessed an entire

0:23:51.680 --> 0:23:54.639
<v Speaker 1>demographic bigger than any other demographic in the world, you

0:23:54.720 --> 0:23:55.200
<v Speaker 1>know what I mean.

0:23:55.480 --> 0:23:58.560
<v Speaker 2>Look, anyone who's got the passion and the dedication to

0:23:58.600 --> 0:24:01.080
<v Speaker 2>sit on a website for half a day trying to

0:24:01.080 --> 0:24:04.000
<v Speaker 2>get a ticket from half a mile away to see

0:24:04.240 --> 0:24:08.360
<v Speaker 2>you know, a pin prick dancing around. They're the sort

0:24:08.359 --> 0:24:09.560
<v Speaker 2>of people I won't watching my show.

0:24:09.920 --> 0:24:12.040
<v Speaker 1>By the way, I'm in my Dorito's era, which I've

0:24:12.080 --> 0:24:13.720
<v Speaker 1>really got to get myself out of. I can tell

0:24:13.720 --> 0:24:15.200
<v Speaker 1>you that much. Right now, I don't think that'll be

0:24:15.240 --> 0:24:18.040
<v Speaker 1>happening because no one's eating a fucking dorito wearing bathers

0:24:18.040 --> 0:24:21.000
<v Speaker 1>and bikinis, which makes me ask you this question. I

0:24:21.040 --> 0:24:23.800
<v Speaker 1>always think this in the first episode, how do you

0:24:23.840 --> 0:24:26.040
<v Speaker 1>know that all these people's bodies look that great? So

0:24:26.040 --> 0:24:28.000
<v Speaker 1>in the audition room, do you make them all put

0:24:28.040 --> 0:24:31.280
<v Speaker 1>on their bathers? Like, how do you know that they're

0:24:31.280 --> 0:24:33.800
<v Speaker 1>going to be confident enough to be basically in the

0:24:33.920 --> 0:24:35.920
<v Speaker 1>nickers for the entire series.

0:24:35.720 --> 0:24:38.600
<v Speaker 2>When they come to the auditions, they bring their swimmers

0:24:38.600 --> 0:24:41.440
<v Speaker 2>with them, so they come into us. So okay, So

0:24:41.480 --> 0:24:44.480
<v Speaker 2>there's a couple of rounds it back to day with

0:24:44.480 --> 0:24:47.440
<v Speaker 2>you guys. Clearly it wasn't about bodies in Big Brother years,

0:24:47.440 --> 0:24:50.119
<v Speaker 2>but now it's fairly n So okay, love old audition.

0:24:51.000 --> 0:24:53.399
<v Speaker 2>You turn up, you have you know, a kind of

0:24:53.560 --> 0:24:56.040
<v Speaker 2>a chat, a big, a prolonged chat with like the

0:24:56.080 --> 0:24:58.440
<v Speaker 2>series producer and a couple of other cast and producers.

0:24:58.560 --> 0:25:01.880
<v Speaker 2>Then they come through to myus and Joe CDPs and

0:25:02.440 --> 0:25:05.119
<v Speaker 2>someone from the network Jaala comes to the Brisbane ones,

0:25:05.200 --> 0:25:07.159
<v Speaker 2>you know, blah blah blah blah. We took Tailor Demir

0:25:07.200 --> 0:25:09.160
<v Speaker 2>to the perth ones last year, I think, or maybe

0:25:09.200 --> 0:25:12.560
<v Speaker 2>the year before kind of remember. Anyway, once they come

0:25:12.640 --> 0:25:15.200
<v Speaker 2>through us, because it's really awkward and a bit bloody

0:25:15.200 --> 0:25:17.560
<v Speaker 2>weinsteiners if you go right now, get your kid off

0:25:17.560 --> 0:25:19.720
<v Speaker 2>and spin around so that. But they then go in

0:25:20.040 --> 0:25:23.119
<v Speaker 2>to a to one of our aps, so basically a

0:25:23.119 --> 0:25:26.000
<v Speaker 2>photographerone who's great at taking photos and there's a lovely

0:25:26.080 --> 0:25:28.359
<v Speaker 2>backdrop and they and then they take some photos and

0:25:28.359 --> 0:25:30.359
<v Speaker 2>the swimmers just like any model would do.

0:25:30.560 --> 0:25:32.400
<v Speaker 1>Can you imagine if you did that back in the day,

0:25:32.480 --> 0:25:35.120
<v Speaker 1>like Chris Blackburn? Imagine if back in the day there

0:25:35.119 --> 0:25:37.560
<v Speaker 1>it's just you and Chris Blackburn and just getting sheerers

0:25:37.600 --> 0:25:40.440
<v Speaker 1>to walk in and there. But he'd be arrested.

0:25:40.880 --> 0:25:43.600
<v Speaker 2>Yeah, we absolutely would. We would have been canceled. Ages.

0:25:45.480 --> 0:25:48.040
<v Speaker 1>Do people this year live up? Have they lived up

0:25:48.080 --> 0:25:49.840
<v Speaker 1>to their audition? Because do you know what I have

0:25:49.880 --> 0:25:52.320
<v Speaker 1>to say is like I get scared for people. You know,

0:25:52.480 --> 0:25:55.520
<v Speaker 1>do people come in and promise the world and then

0:25:55.680 --> 0:25:58.560
<v Speaker 1>turn up into the villa and then turn into someone different?

0:25:58.640 --> 0:26:01.359
<v Speaker 1>Like does that happen to you each year? Where someone

0:26:01.720 --> 0:26:04.600
<v Speaker 1>over the over promises in their audition every year?

0:26:04.640 --> 0:26:07.400
<v Speaker 2>Because people are getting more savvy about how to how

0:26:07.440 --> 0:26:10.879
<v Speaker 2>to audition for reality TV shows. There's something on Reddit.

0:26:11.080 --> 0:26:12.359
<v Speaker 2>I don't know if you're familiar with it, if you

0:26:12.480 --> 0:26:14.000
<v Speaker 2>go looking for it, and there's no way I'd be

0:26:14.000 --> 0:26:15.720
<v Speaker 2>able to find it quick to tell you about now.

0:26:16.640 --> 0:26:18.639
<v Speaker 2>One of the people that auditioned this year told me

0:26:18.640 --> 0:26:21.159
<v Speaker 2>about it. There's like a whole community of want to

0:26:21.200 --> 0:26:24.000
<v Speaker 2>be reality stars that's on Reddit, and it's like, this

0:26:24.080 --> 0:26:26.320
<v Speaker 2>is what you say, this is how you walk into

0:26:26.359 --> 0:26:28.560
<v Speaker 2>the room, this is what you know. They're watching you

0:26:28.600 --> 0:26:30.680
<v Speaker 2>from the second you you know, they must think we've

0:26:30.680 --> 0:26:32.879
<v Speaker 2>got millions of dollars, you know, because one of them said, yeah,

0:26:32.680 --> 0:26:34.680
<v Speaker 2>you know, they've got a cameras set up in the

0:26:34.760 --> 0:26:38.399
<v Speaker 2>in the lobby, and you know they have all that

0:26:38.440 --> 0:26:40.440
<v Speaker 2>are in the bathrooms at the same time. You know,

0:26:40.480 --> 0:26:42.600
<v Speaker 2>it's like, mate, do you have you seen what our

0:26:42.600 --> 0:26:43.159
<v Speaker 2>budgets are?

0:26:43.200 --> 0:26:43.280
<v Speaker 1>Like?

0:26:43.320 --> 0:26:45.720
<v Speaker 2>You know, we're lucky to have four people, you know, and.

0:26:45.760 --> 0:26:48.200
<v Speaker 1>They're just sitting there with your finger sandwiches. There's nothing

0:26:48.240 --> 0:26:50.440
<v Speaker 1>in dec in it about it. The budgets died.

0:26:50.680 --> 0:26:52.680
<v Speaker 2>But there's a whole community of this is what you say,

0:26:52.720 --> 0:26:54.320
<v Speaker 2>this is what you do. So you know, the more

0:26:54.359 --> 0:26:56.679
<v Speaker 2>people share this information. The fact of the matter is

0:26:57.119 --> 0:26:59.680
<v Speaker 2>you've got to past the talk test. It doesn't matter

0:26:59.760 --> 0:27:03.200
<v Speaker 2>if you looked like bloody. I mean, it doesn't know

0:27:03.240 --> 0:27:05.120
<v Speaker 2>if you look like a Roman statue. In fact, we've

0:27:05.119 --> 0:27:09.520
<v Speaker 2>held we've thrown Roman statues out. We did this year.

0:27:09.680 --> 0:27:12.200
<v Speaker 2>This guy walked in this year and he was the

0:27:12.240 --> 0:27:13.919
<v Speaker 2>best looking man I've ever seen in my life. And

0:27:13.960 --> 0:27:16.480
<v Speaker 2>I genuinely mean that. If I wasn't so rapidly heterosexual,

0:27:16.640 --> 0:27:18.320
<v Speaker 2>would I would have asked him out immediately?

0:27:19.600 --> 0:27:21.760
<v Speaker 1>Why did he look feminine? That's trying to work out.

0:27:22.280 --> 0:27:22.760
<v Speaker 1>He thought he was.

0:27:24.880 --> 0:27:28.000
<v Speaker 2>Chiseled. This man had that. I mean, he was just

0:27:28.280 --> 0:27:30.480
<v Speaker 2>the perfect looking man. He was, you know, he was

0:27:30.880 --> 0:27:34.159
<v Speaker 2>masculine but not too blokey. He was built but not

0:27:34.240 --> 0:27:38.360
<v Speaker 2>too bulky. You know, he was just the best looking man.

0:27:38.359 --> 0:27:41.080
<v Speaker 2>And the girls like, oh my god, the poor bastard

0:27:41.359 --> 0:27:43.919
<v Speaker 2>could not string two words together. And there is no

0:27:44.040 --> 0:27:47.560
<v Speaker 2>point when you've got ninety minutes in some instances of

0:27:47.600 --> 0:27:51.159
<v Speaker 2>TV to make in twenty four hours, putting someone like

0:27:51.200 --> 0:27:52.960
<v Speaker 2>that on television, because you know they're not going to

0:27:53.040 --> 0:27:54.560
<v Speaker 2>last you. And yes, the girls are going to go

0:27:54.600 --> 0:27:57.280
<v Speaker 2>gaga for them, but if they can't talk, there is

0:27:57.320 --> 0:27:58.920
<v Speaker 2>no point in putting them on the show, So I

0:27:58.960 --> 0:28:00.880
<v Speaker 2>want to get that story out because people so they'll

0:28:00.920 --> 0:28:02.879
<v Speaker 2>just put the hottest people in that we don't we

0:28:02.920 --> 0:28:03.720
<v Speaker 2>know but want to.

0:28:03.960 --> 0:28:06.280
<v Speaker 1>I want someone who talks like Sylvester Stallone in the

0:28:06.280 --> 0:28:09.159
<v Speaker 1>first Rocky movie. Just someone really hot that's like burh

0:28:09.200 --> 0:28:13.240
<v Speaker 1>and like drawl comes out. Although last year you had

0:28:13.640 --> 0:28:17.880
<v Speaker 1>massive success with bringing Al Perks in from mass and

0:28:18.040 --> 0:28:22.400
<v Speaker 1>this year you've decided to leverage some more unfinished maths business.

0:28:22.800 --> 0:28:26.199
<v Speaker 1>What can you tell me about Abbi and Kiara that

0:28:26.359 --> 0:28:28.720
<v Speaker 1>teases us what I'm talking about but doesn't give the

0:28:28.720 --> 0:28:29.320
<v Speaker 1>whole thing away.

0:28:29.560 --> 0:28:33.720
<v Speaker 2>Okay, So, first of all, First Site is the most expected,

0:28:33.840 --> 0:28:36.399
<v Speaker 2>the most successful show on the nine network. We were

0:28:36.440 --> 0:28:39.040
<v Speaker 2>on the nine network, and so when we see an opportunity,

0:28:39.160 --> 0:28:41.520
<v Speaker 2>of course we can take it. Al Perkins was fantastic

0:28:41.520 --> 0:28:44.000
<v Speaker 2>for us. Last year. We went to Perth and we

0:28:44.080 --> 0:28:46.840
<v Speaker 2>met this girl called Kira. I hadn't seen that season

0:28:46.840 --> 0:28:48.280
<v Speaker 2>A Married at First Sight because I was in Africa

0:28:48.320 --> 0:28:50.400
<v Speaker 2>making on a slib. I believe when it was on

0:28:50.480 --> 0:28:53.320
<v Speaker 2>air there was some reason. I just basically missed all

0:28:53.360 --> 0:28:56.720
<v Speaker 2>of the hoopla and everyone else has gone nuts. That's

0:28:56.800 --> 0:28:59.760
<v Speaker 2>Bronte sister, and we didn't go we didn't go. You know,

0:29:00.120 --> 0:29:02.280
<v Speaker 2>it wasn't a direct casting thing. You know people ask

0:29:02.320 --> 0:29:04.640
<v Speaker 2>every year do you go scouting around instagrams and ask

0:29:04.680 --> 0:29:07.120
<v Speaker 2>people on audition? YEP, of course we do. You know,

0:29:07.160 --> 0:29:09.640
<v Speaker 2>there's no secret in that. We didn't do this with that.

0:29:09.720 --> 0:29:11.800
<v Speaker 2>With Kira, she just turned up at the audition and

0:29:11.800 --> 0:29:14.120
<v Speaker 2>everyone's like, oh my god, that's bronches work great. Talk

0:29:14.160 --> 0:29:17.960
<v Speaker 2>to her. She was bloody fantastic. She's the best resting

0:29:18.040 --> 0:29:21.120
<v Speaker 2>bitch face I've ever seen in my life. She looks

0:29:21.160 --> 0:29:24.280
<v Speaker 2>like she hates the world because she's actually thinking nice

0:29:24.280 --> 0:29:27.600
<v Speaker 2>thoughts at the same time as anyway, So so Kira

0:29:27.840 --> 0:29:31.120
<v Speaker 2>was pretty much okay. She's gorgeous, she's great talent, she's

0:29:31.160 --> 0:29:33.800
<v Speaker 2>got you know, a math's link. She would have got

0:29:33.880 --> 0:29:35.800
<v Speaker 2>some sort of following. People would think she's a boss

0:29:35.800 --> 0:29:38.240
<v Speaker 2>bitch because she's called out, you know, some bloke on

0:29:38.280 --> 0:29:40.720
<v Speaker 2>americith first site. So she's she goes straight onto the

0:29:40.760 --> 0:29:43.040
<v Speaker 2>wall and like, you know, she's probably gonna get in.

0:29:43.160 --> 0:29:45.520
<v Speaker 2>We didn't go to Sydney. I think it was, Yes,

0:29:45.560 --> 0:29:49.200
<v Speaker 2>it was Sydney, and this girl Abby walks in and

0:29:49.480 --> 0:29:53.360
<v Speaker 2>she's like, you know, I've been on the Bachelor's and

0:29:53.560 --> 0:29:55.960
<v Speaker 2>you know, like, oh, yeah, you know, and I also

0:29:56.200 --> 0:29:59.360
<v Speaker 2>obviously she's gorgeous, and then she starts talking about you know,

0:29:59.440 --> 0:30:01.719
<v Speaker 2>and there was this thing where I, you know, I

0:30:01.720 --> 0:30:04.560
<v Speaker 2>was with this guy and he then went on maths

0:30:04.560 --> 0:30:07.480
<v Speaker 2>and I was shagging him beforehand, I was shagging him afterwards,

0:30:07.520 --> 0:30:09.680
<v Speaker 2>and there was all this drama and people are like

0:30:09.800 --> 0:30:12.760
<v Speaker 2>nutching me under the desk, going that's the chick that

0:30:13.080 --> 0:30:16.920
<v Speaker 2>you know. So people had to pull all the bits

0:30:16.960 --> 0:30:18.760
<v Speaker 2>together for me. But when we went into channel and

0:30:18.960 --> 0:30:21.560
<v Speaker 2>he said, hey, we've got Bronzie's sister Kira. Oh, we

0:30:21.680 --> 0:30:24.040
<v Speaker 2>got this girl Abby who was with Harrison before and

0:30:24.120 --> 0:30:29.400
<v Speaker 2>they've just gone and before we you know like, I'm

0:30:29.800 --> 0:30:30.440
<v Speaker 2>I don't know, you can.

0:30:30.320 --> 0:30:32.080
<v Speaker 1>Tell me to cut this out, but you know it'd

0:30:32.120 --> 0:30:34.920
<v Speaker 1>be linked to me somehow that those girls were in consideration.

0:30:35.040 --> 0:30:37.240
<v Speaker 1>I rang you and I was because I don't know.

0:30:37.480 --> 0:30:40.959
<v Speaker 1>I mean, it's it's it's such such juicy content. So

0:30:41.000 --> 0:30:43.440
<v Speaker 1>many people must have been talking it's so amazing, but

0:30:43.720 --> 0:30:47.440
<v Speaker 1>it is some of the best casting. And it blows

0:30:47.520 --> 0:30:49.600
<v Speaker 1>my mind that you didn't go and find those women,

0:30:49.720 --> 0:30:51.960
<v Speaker 1>that these women were already auditioning and that's how you

0:30:51.960 --> 0:30:54.080
<v Speaker 1>put it together. It blows my mind.

0:30:54.560 --> 0:30:57.680
<v Speaker 2>It goes one step further than that, because then someone

0:30:57.720 --> 0:30:59.920
<v Speaker 2>we did approach. We've been chasing this guy called Read

0:31:00.080 --> 0:31:04.280
<v Speaker 2>for a couple of years, male model, gorgeous from Perth,

0:31:04.400 --> 0:31:08.720
<v Speaker 2>moved to the coast. We did our entire casting tour,

0:31:08.800 --> 0:31:10.400
<v Speaker 2>and we were happy with the boys we had, and

0:31:10.400 --> 0:31:14.360
<v Speaker 2>then finally this lazy bastard called Read replies to one

0:31:14.440 --> 0:31:16.440
<v Speaker 2>of the producers DMS and goes, yeah, I'm up for

0:31:16.480 --> 0:31:20.160
<v Speaker 2>a chat. He came to my house and I auditioned

0:31:20.200 --> 0:31:24.760
<v Speaker 2>him in my kitchen and he told me, oh, yeah,

0:31:24.920 --> 0:31:27.760
<v Speaker 2>I slept with this girl from Maths. And I was like, oh, yeah,

0:31:27.760 --> 0:31:33.240
<v Speaker 2>which one He's gone? And I've got my face. I've

0:31:33.280 --> 0:31:36.800
<v Speaker 2>got to not like smile because I already know that

0:31:36.960 --> 0:31:41.880
<v Speaker 2>Kira's in the cast, and I'm like, holy.

0:31:41.640 --> 0:31:44.720
<v Speaker 1>Shit, Alex, I just picture you looking past him and

0:31:44.840 --> 0:31:47.600
<v Speaker 1>thinking I can afford an extension on this property now

0:31:48.280 --> 0:31:50.320
<v Speaker 1>on the basis of this thing alone.

0:31:51.200 --> 0:31:52.920
<v Speaker 2>So not only did we have that, we've got Read

0:31:52.960 --> 0:31:56.240
<v Speaker 2>as well. So it's like and honestly, this wasn't us

0:31:56.520 --> 0:31:59.440
<v Speaker 2>twizzling out stars and working out how to be how

0:31:59.480 --> 0:32:02.320
<v Speaker 2>to make this. It fell in our lap. Yeah, just

0:32:02.880 --> 0:32:05.680
<v Speaker 2>fill in our laps and so look, we'll take all

0:32:05.720 --> 0:32:09.640
<v Speaker 2>the accolades. And it's it's great telling. Yeah, it's brilliant.

0:32:09.680 --> 0:32:13.080
<v Speaker 2>I mean it's just it's just delicious and good. Yeah,

0:32:13.120 --> 0:32:15.880
<v Speaker 2>I won't spoil it. It's you know, it's great.

0:32:16.160 --> 0:32:18.600
<v Speaker 1>How can producers control some of those elements though, Like,

0:32:18.640 --> 0:32:21.800
<v Speaker 1>you know, are there ways to make the islanders, you know,

0:32:21.880 --> 0:32:24.320
<v Speaker 1>to get maximum drama, Like let's just say you filmed

0:32:24.360 --> 0:32:27.240
<v Speaker 1>for a whole day and coincidentally, all of these absolutely

0:32:27.280 --> 0:32:29.920
<v Speaker 1>amazing talk test people with the best bodies in the

0:32:29.960 --> 0:32:32.880
<v Speaker 1>world don't deliver. I remember in like Big Brother, I

0:32:32.880 --> 0:32:34.760
<v Speaker 1>think you used to send in like way too much

0:32:34.760 --> 0:32:36.720
<v Speaker 1>sugar or booze. I can't I can't remember. It's been

0:32:36.760 --> 0:32:40.320
<v Speaker 1>eleven years. But with Love Island, do you feed them catnip?

0:32:40.520 --> 0:32:42.520
<v Speaker 1>Do you put her horny goat weeed in any of

0:32:42.560 --> 0:32:44.040
<v Speaker 1>their food? Like? What do you need to do?

0:32:44.480 --> 0:32:47.760
<v Speaker 2>I'm going to touch some wood here because I believe

0:32:47.800 --> 0:32:49.760
<v Speaker 2>in the five seasons of Love On that we have

0:32:49.800 --> 0:32:52.480
<v Speaker 2>made in Australia, we haven't had that situation that we've

0:32:52.520 --> 0:32:56.640
<v Speaker 2>absolutely had boring days. Love On is not a drinking show.

0:32:57.440 --> 0:33:00.680
<v Speaker 2>You know, they are allowed to units of alcohol every

0:33:00.760 --> 0:33:02.880
<v Speaker 2>day because you don't look great when you're drunk, and

0:33:02.920 --> 0:33:04.960
<v Speaker 2>you make stupid decisions when you're drunk, and they sleep

0:33:04.960 --> 0:33:08.360
<v Speaker 2>in a bed together, so we've got to be red

0:33:08.400 --> 0:33:10.760
<v Speaker 2>hot like that. Some of them, like literally have no

0:33:10.800 --> 0:33:13.400
<v Speaker 2>alcohol at all. And you can ask anyone who's ever

0:33:13.400 --> 0:33:15.600
<v Speaker 2>been the love on Villa, they have never been drunk.

0:33:16.040 --> 0:33:18.520
<v Speaker 2>You know, two glass of wine over a long period

0:33:18.560 --> 0:33:21.400
<v Speaker 2>of time tops, so that tactics out the window. Energy

0:33:21.480 --> 0:33:24.680
<v Speaker 2>drinks have been known to go in. But probably more

0:33:24.760 --> 0:33:28.000
<v Speaker 2>so than that is the year standard beach rev up,

0:33:28.160 --> 0:33:30.960
<v Speaker 2>which sort of involves one of us going into the

0:33:30.960 --> 0:33:34.600
<v Speaker 2>beach hut and saying, hey, we're making a TV show here,

0:33:34.640 --> 0:33:38.520
<v Speaker 2>and today you have sun baked, had a swim and

0:33:38.560 --> 0:33:42.160
<v Speaker 2>eaten some toasties. Go out there and make some fucking television.

0:33:42.320 --> 0:33:44.240
<v Speaker 1>Oh my god, I love it. I just imagine their

0:33:44.240 --> 0:33:46.200
<v Speaker 1>faces as well. Like you know, that is a good

0:33:46.200 --> 0:33:48.200
<v Speaker 1>way because the type of people will apply and the

0:33:48.240 --> 0:33:51.160
<v Speaker 1>type of people that go on these shows, they want content,

0:33:51.240 --> 0:33:54.080
<v Speaker 1>they want to get the most amount of screen time.

0:33:54.440 --> 0:33:57.360
<v Speaker 1>So that is absolutely the best way to tanalyze them.

0:33:57.560 --> 0:34:00.520
<v Speaker 1>You know, four contestants that are as thirsty as what

0:34:00.560 --> 0:34:02.960
<v Speaker 1>I'm talking about with people who want the screen time.

0:34:03.240 --> 0:34:05.840
<v Speaker 1>What do you need to do in Love Ireland to

0:34:05.880 --> 0:34:07.000
<v Speaker 1>make it all about you?

0:34:07.120 --> 0:34:09.600
<v Speaker 2>Throw yourself with the throw yourself with the experience, and

0:34:09.880 --> 0:34:12.759
<v Speaker 2>understand that it can't all be about you because there's

0:34:12.760 --> 0:34:15.480
<v Speaker 2>a you know as twelve or thirteen other people, all

0:34:15.560 --> 0:34:18.400
<v Speaker 2>of which stories we've got to tell us. Well, so okay,

0:34:18.440 --> 0:34:21.760
<v Speaker 2>this is I guess insider knowledge to budding reality stars

0:34:21.760 --> 0:34:25.440
<v Speaker 2>when you make the cut is when it's your moment,

0:34:25.920 --> 0:34:28.879
<v Speaker 2>grab it hard, make it loud, make it noisy, make

0:34:28.920 --> 0:34:32.160
<v Speaker 2>it romantic, make it sexy. But when it's someone else's turn,

0:34:32.520 --> 0:34:35.160
<v Speaker 2>don't try, and don't try and jump in on that

0:34:35.200 --> 0:34:37.040
<v Speaker 2>as well. You want your own lane. You don't want

0:34:37.040 --> 0:34:40.279
<v Speaker 2>to be across everything because then you get boring very quickly.

0:34:40.320 --> 0:34:42.040
<v Speaker 2>Oh my god, he's in this as well. We're sticking

0:34:42.040 --> 0:34:43.600
<v Speaker 2>his nose in this, or she's sticking her nose in

0:34:43.600 --> 0:34:46.479
<v Speaker 2>this as well. It's all about looking around the villa

0:34:46.600 --> 0:34:48.480
<v Speaker 2>or looking around the jungle, or looking around the house

0:34:48.560 --> 0:34:51.040
<v Speaker 2>or whatever it may be. There's nothing going on two

0:34:51.080 --> 0:34:53.799
<v Speaker 2>o'clock on a Tuesday afternoon. Everyone's asleep. This is your

0:34:53.840 --> 0:34:56.839
<v Speaker 2>turn to go and pull the person that you might.

0:34:56.960 --> 0:34:58.759
<v Speaker 2>You've had your eyn for a chat and like, put

0:34:58.800 --> 0:35:01.359
<v Speaker 2>it on them hard, or do that tell that one

0:35:01.440 --> 0:35:04.000
<v Speaker 2>story that you've been saving up, you know, that killer

0:35:04.080 --> 0:35:06.680
<v Speaker 2>story you've been saving up. It's wait for the lulls

0:35:06.920 --> 0:35:09.800
<v Speaker 2>and hit them hard, because when you've got your own space,

0:35:09.840 --> 0:35:11.040
<v Speaker 2>you will own an episode.

0:35:11.440 --> 0:35:13.200
<v Speaker 1>What I was going to ask you, though, is what

0:35:13.320 --> 0:35:16.080
<v Speaker 1>stuff got could this series? Because is there stuff that's

0:35:16.120 --> 0:35:18.279
<v Speaker 1>too like is there a time that you have to

0:35:18.280 --> 0:35:20.879
<v Speaker 1>press a button and the screens go black because it's

0:35:20.920 --> 0:35:23.920
<v Speaker 1>too saucy or it's not you know, fit for television.

0:35:24.160 --> 0:35:26.440
<v Speaker 2>Ah, we never show sex. We can't show sex, and

0:35:26.480 --> 0:35:29.399
<v Speaker 2>we won't show sex. And there is there's absolutely always sex.

0:35:29.520 --> 0:35:31.040
<v Speaker 2>You know, it's always sex and love on the villa.

0:35:31.239 --> 0:35:32.640
<v Speaker 2>It took them a while this time, but you know

0:35:32.680 --> 0:35:35.560
<v Speaker 2>if they got into it sooner or later. We have

0:35:35.560 --> 0:35:37.640
<v Speaker 2>this thing called the consent heart. Talk about it very quickly,

0:35:37.640 --> 0:35:39.680
<v Speaker 2>which is you know, on their they have a button

0:35:39.719 --> 0:35:43.240
<v Speaker 2>on their bed heads and if they push their button,

0:35:43.520 --> 0:35:45.440
<v Speaker 2>half a heart lights up in for red. So they

0:35:45.440 --> 0:35:47.440
<v Speaker 2>can't see it in the room. There's completely black in

0:35:47.440 --> 0:35:49.560
<v Speaker 2>the bedroom, pitch black, but we can see in the

0:35:49.560 --> 0:35:52.560
<v Speaker 2>control room. So when a full heart is lit, that

0:35:52.680 --> 0:35:55.240
<v Speaker 2>tells us that they are both consenting to what happens

0:35:55.239 --> 0:35:55.600
<v Speaker 2>in the bed.

0:35:55.920 --> 0:35:57.520
<v Speaker 1>Oh my god, get on with it.

0:35:57.760 --> 0:36:00.800
<v Speaker 2>If half a heart is lit, then we are egal

0:36:00.800 --> 0:36:02.560
<v Speaker 2>eyes all over them, you know, we'll have all the.

0:36:02.600 --> 0:36:05.399
<v Speaker 1>Came What kind of a job is this? Honestly, what

0:36:05.480 --> 0:36:07.160
<v Speaker 1>job do you have made?

0:36:06.880 --> 0:36:10.200
<v Speaker 2>But it's responsible because you know, like consent is everything,

0:36:10.200 --> 0:36:13.080
<v Speaker 2>you know, like like I imagine, I mean, look, you can,

0:36:13.120 --> 0:36:15.960
<v Speaker 2>you can, you can join the dots. If someone someone

0:36:16.560 --> 0:36:18.239
<v Speaker 2>is touched that doesn't want to be touched, that's really

0:36:18.640 --> 0:36:20.920
<v Speaker 2>a terrible thing, like no jokes aside, a terrible thing.

0:36:21.040 --> 0:36:23.040
<v Speaker 2>So we we had to put something in place that

0:36:23.400 --> 0:36:25.279
<v Speaker 2>tells us to get those two are up for it,

0:36:25.320 --> 0:36:27.960
<v Speaker 2>and fine, and we'll stop filming. We'll move our cameras

0:36:27.960 --> 0:36:30.120
<v Speaker 2>away from them because we can't show people having sex.

0:36:30.280 --> 0:36:32.200
<v Speaker 2>We show people kissing, you know, we can show a

0:36:32.200 --> 0:36:36.319
<v Speaker 2>bit of doing a yeah, but after that, there's nothing

0:36:36.320 --> 0:36:37.440
<v Speaker 2>in it for us, you know, but I.

0:36:37.640 --> 0:36:40.120
<v Speaker 1>Can't believe that that button exists. I mean, it's so good.

0:36:40.160 --> 0:36:43.840
<v Speaker 1>We're in twenty twenty three, so consensual sex is absolutely

0:36:43.880 --> 0:36:46.239
<v Speaker 1>something we're all talking about and training in talking to

0:36:46.239 --> 0:36:48.759
<v Speaker 1>our children about, you know, so obviously something like that

0:36:48.840 --> 0:36:49.120
<v Speaker 1>is there.

0:36:49.360 --> 0:36:52.000
<v Speaker 2>So anyway, but to answers the question. We can't show sex,

0:36:52.239 --> 0:36:55.319
<v Speaker 2>we don't show full nudity. It's not it's their home,

0:36:55.400 --> 0:36:56.440
<v Speaker 2>you know, I say to them on the way, and

0:36:56.480 --> 0:36:58.200
<v Speaker 2>this is this is your home. This is where you

0:36:58.200 --> 0:37:01.480
<v Speaker 2>will brush your teeth and have a and get dressed

0:37:01.520 --> 0:37:04.040
<v Speaker 2>every morning and eat your breakfast. This is your home

0:37:04.239 --> 0:37:06.239
<v Speaker 2>for as long as you stay in it. And yes

0:37:06.280 --> 0:37:09.280
<v Speaker 2>we're making a television show. We're not going to show

0:37:09.320 --> 0:37:12.440
<v Speaker 2>you fully naked. We're not going to show you having sex.

0:37:12.480 --> 0:37:14.040
<v Speaker 2>We're not going to show you on the toilet. I

0:37:14.080 --> 0:37:15.280
<v Speaker 2>will never do those things.

0:37:15.560 --> 0:37:17.960
<v Speaker 1>But what about hanging a sex so but Big Brothers

0:37:18.000 --> 0:37:20.279
<v Speaker 1>just come out saying that they're going to do they're

0:37:20.280 --> 0:37:23.239
<v Speaker 1>bringing back up late, uncut, whatever it is, they're bringing

0:37:23.280 --> 0:37:26.120
<v Speaker 1>it back. But it's twenty twenty three. How much can

0:37:26.160 --> 0:37:28.360
<v Speaker 1>they really show us? How much do you think that

0:37:28.360 --> 0:37:29.560
<v Speaker 1>they're going to be able to show us in this

0:37:29.640 --> 0:37:32.040
<v Speaker 1>new Big Brother's up Late none cut, that wouldn't have

0:37:32.080 --> 0:37:34.200
<v Speaker 1>been on Love Island.

0:37:34.400 --> 0:37:37.239
<v Speaker 2>Nothing, nothing, It'll be some extra swearing, there'll be no

0:37:37.320 --> 0:37:39.200
<v Speaker 2>new to see. There's not a chance in twenty twenty

0:37:39.239 --> 0:37:42.240
<v Speaker 2>three that you can film people nude in showers anymore.

0:37:42.440 --> 0:37:44.040
<v Speaker 1>I know, why can't we see that. I remember last

0:37:44.120 --> 0:37:45.960
<v Speaker 1>year watching Love Island and I remember we got to

0:37:45.960 --> 0:37:47.799
<v Speaker 1>see I think Callum Hole's bump while he was in

0:37:47.840 --> 0:37:50.319
<v Speaker 1>the shower, and like my partner and I literally had

0:37:50.320 --> 0:37:51.920
<v Speaker 1>to stop watching it in the bedroom. We had to

0:37:51.920 --> 0:37:54.000
<v Speaker 1>watch it on the big screen TV in our lound room.

0:37:54.120 --> 0:37:56.600
<v Speaker 1>But we were like, turn around, turn around, why can't

0:37:56.640 --> 0:37:57.560
<v Speaker 1>we see that these days?

0:37:57.960 --> 0:38:00.400
<v Speaker 2>Bums a fair game. Male bums are fair game because

0:38:00.480 --> 0:38:02.359
<v Speaker 2>girls wear g strings right up the bums and we're

0:38:02.360 --> 0:38:04.040
<v Speaker 2>looking at girls bums all the time. So why shouldn't

0:38:04.040 --> 0:38:05.879
<v Speaker 2>be able to look at a boys bump? Willies and

0:38:06.160 --> 0:38:11.280
<v Speaker 2>willies and boobs and vaginas on the table?

0:38:12.640 --> 0:38:14.640
<v Speaker 1>Having you on the podcast four times to get you

0:38:14.680 --> 0:38:16.280
<v Speaker 1>to say vaginas.

0:38:18.000 --> 0:38:20.080
<v Speaker 2>I mean they're off the table. Look, I don't know.

0:38:20.320 --> 0:38:24.240
<v Speaker 2>I mean you could you get the Big Brother housemates

0:38:24.280 --> 0:38:26.640
<v Speaker 2>to sign a contract saying they agree to be shown

0:38:26.800 --> 0:38:30.920
<v Speaker 2>fully nude on TV? Yes you could? Would you do it? No?

0:38:30.960 --> 0:38:31.440
<v Speaker 2>You wouldn't.

0:38:31.680 --> 0:38:34.000
<v Speaker 1>Why not? I've got past last year? If I do

0:38:34.080 --> 0:38:37.359
<v Speaker 1>Naked and Afraid and they didn't go ahead with it,

0:38:37.480 --> 0:38:39.480
<v Speaker 1>but they are there was the casting people called me

0:38:39.520 --> 0:38:41.680
<v Speaker 1>about it, So I mean, if Naked Afraid going to

0:38:41.719 --> 0:38:43.840
<v Speaker 1>have nudity, Like what about these shows?

0:38:44.040 --> 0:38:46.520
<v Speaker 2>Yeah, you know, it's a fair point. And look, I

0:38:46.520 --> 0:38:49.759
<v Speaker 2>don't I don't work for I don't make a Big

0:38:49.800 --> 0:38:51.799
<v Speaker 2>Brother and more so I really can't common of what

0:38:51.840 --> 0:38:54.320
<v Speaker 2>it's going to be. I'm telling you that my gut

0:38:54.360 --> 0:38:59.319
<v Speaker 2>feeling is that swearing that this. If you go back,

0:38:59.640 --> 0:39:01.480
<v Speaker 2>I don't know you have to clips on YouTube anymore.

0:39:01.480 --> 0:39:04.000
<v Speaker 2>If you go back and watch the Big Brother Uncut

0:39:04.040 --> 0:39:06.200
<v Speaker 2>that I was involved with, and you know I was

0:39:06.280 --> 0:39:07.760
<v Speaker 2>kind of doing fraud and at live at this point

0:39:08.360 --> 0:39:10.279
<v Speaker 2>and control them. But if you go back to two

0:39:10.280 --> 0:39:13.360
<v Speaker 2>thousand and three, two thousand and four, season three and

0:39:13.400 --> 0:39:15.759
<v Speaker 2>season four a Big Brother Australia, when Uncut was at

0:39:15.760 --> 0:39:21.600
<v Speaker 2>its peak, they would have very very very graphic conversations

0:39:21.640 --> 0:39:25.200
<v Speaker 2>about anal six. They would talk about stuff that you

0:39:25.400 --> 0:39:29.279
<v Speaker 2>just cannot talk about on television anymore, like really full on.

0:39:30.400 --> 0:39:34.279
<v Speaker 2>They would be filmed showering. You know, they would be

0:39:35.200 --> 0:39:37.640
<v Speaker 2>you know, they would freeze frame it and you know

0:39:37.680 --> 0:39:39.840
<v Speaker 2>they'd freeze it and you know the cut back of

0:39:39.880 --> 0:39:41.880
<v Speaker 2>Gretla in the studio and gress would make like you know,

0:39:42.000 --> 0:39:46.560
<v Speaker 2>dick jokes. But I just cannot see in this age

0:39:46.640 --> 0:39:50.959
<v Speaker 2>and this time where everyone is very very gun shy,

0:39:51.000 --> 0:39:55.000
<v Speaker 2>and everybody is very protective of everyone's feelings and body

0:39:55.080 --> 0:39:58.759
<v Speaker 2>shaming and yadda yadda, yadda yadda, which is quite right.

0:39:58.880 --> 0:40:02.279
<v Speaker 2>You know, the world has evolved. I cannot see television

0:40:02.600 --> 0:40:04.680
<v Speaker 2>unless it is a show like Naked and Afraid or

0:40:04.719 --> 0:40:06.600
<v Speaker 2>you know, what's the one in the UK where they're

0:40:06.600 --> 0:40:09.560
<v Speaker 2>literally looking at each other's cocks and you know, I

0:40:09.560 --> 0:40:13.120
<v Speaker 2>don't know what that is, but I'm googling it naked

0:40:13.160 --> 0:40:14.520
<v Speaker 2>dating or something naked.

0:40:14.680 --> 0:40:16.279
<v Speaker 1>My god, this makes me sound so bad, but I'm

0:40:16.280 --> 0:40:17.560
<v Speaker 1>definitely going to google that and watch that.

0:40:18.040 --> 0:40:22.719
<v Speaker 2>Yeah, I just can't see it. So feeling is that

0:40:23.320 --> 0:40:25.680
<v Speaker 2>Big Brother and Cut would just be you know, swearing.

0:40:25.960 --> 0:40:29.400
<v Speaker 1>But if they showed bit boobs and penises and you know,

0:40:29.640 --> 0:40:32.120
<v Speaker 1>all the rest of it a lot in this series,

0:40:32.160 --> 0:40:34.360
<v Speaker 1>and what does that mean? You would then do it

0:40:34.400 --> 0:40:36.080
<v Speaker 1>for Love Isolent or do you think that that would

0:40:36.120 --> 0:40:39.000
<v Speaker 1>damage Love Island's brand? Like you wouldn't want to do that.

0:40:39.200 --> 0:40:41.200
<v Speaker 2>We don't need to and we never will not on

0:40:41.200 --> 0:40:43.640
<v Speaker 2>my watch. I mean, I don't. I don't need to see.

0:40:43.880 --> 0:40:48.160
<v Speaker 2>If you want to watch people naked porn done, you're

0:40:48.160 --> 0:40:51.000
<v Speaker 2>going to see way better nudity than you're going to

0:40:51.040 --> 0:40:55.160
<v Speaker 2>see on on on TV. So I think you know

0:40:55.400 --> 0:40:58.120
<v Speaker 2>it's people make choices, don't they. You want to watch

0:40:58.120 --> 0:41:00.680
<v Speaker 2>people naked and shagging, go and watch porn, no problem.

0:41:00.880 --> 0:41:02.800
<v Speaker 2>You want to laugh reality TV.

0:41:03.000 --> 0:41:06.200
<v Speaker 1>Watch fans, Yeah, I mean get caught.

0:41:06.239 --> 0:41:07.319
<v Speaker 2>I mean, you know, there's the link.

0:41:08.280 --> 0:41:11.040
<v Speaker 1>I know, but it's the like people. I feel like

0:41:11.120 --> 0:41:14.200
<v Speaker 1>this is a big mistake for the Peak producers. No offense,

0:41:14.239 --> 0:41:16.919
<v Speaker 1>I have no vendetta against you whatever, but I think

0:41:16.920 --> 0:41:18.960
<v Speaker 1>it's a big mistake to say that they're bringing that

0:41:19.040 --> 0:41:21.760
<v Speaker 1>show back if they're not going to show what people

0:41:21.760 --> 0:41:24.480
<v Speaker 1>are there for, and people are there some Saxon in

0:41:24.600 --> 0:41:26.759
<v Speaker 1>the shower with his giant trouser snake. Like I said,

0:41:26.760 --> 0:41:28.399
<v Speaker 1>I think they'll be disappointed if they don't get that.

0:41:28.760 --> 0:41:31.440
<v Speaker 2>I will be stunned if they get that. But you should.

0:41:31.560 --> 0:41:33.040
<v Speaker 2>You know. Look, you're the one with the microphone in

0:41:33.080 --> 0:41:34.400
<v Speaker 2>front of you, and you're the one that talks to

0:41:34.440 --> 0:41:37.239
<v Speaker 2>everyone in the industry. So you go and talk to them,

0:41:37.280 --> 0:41:40.879
<v Speaker 2>and do you know what I mean? Honestly, good luck,

0:41:40.920 --> 0:41:42.560
<v Speaker 2>good luck to them. It will never happen on Love on.

0:41:42.719 --> 0:41:44.799
<v Speaker 2>We're never going to show people naked and love on what.

0:41:44.800 --> 0:41:46.880
<v Speaker 1>About with your training, you know, like because you're in

0:41:46.920 --> 0:41:49.319
<v Speaker 1>Spain and there's the villa, and kudos forgetting Spain again,

0:41:49.360 --> 0:41:52.400
<v Speaker 1>because like even you look attractive in photos in Spain.

0:41:52.280 --> 0:41:53.399
<v Speaker 2>Must be an incredible light.

0:41:53.680 --> 0:41:55.399
<v Speaker 1>We got trained before we got into Big Brother because

0:41:55.400 --> 0:41:57.880
<v Speaker 1>there's snakes in near dream World? Is there any training

0:41:57.920 --> 0:42:01.040
<v Speaker 1>because of the wildlife in Spain? Is there anything you know,

0:42:01.360 --> 0:42:02.959
<v Speaker 1>did you have to be worried about? Is there anything

0:42:02.960 --> 0:42:04.640
<v Speaker 1>that's going to attack them while they're in the villa?

0:42:04.760 --> 0:42:09.360
<v Speaker 2>Are you taking the piss or not? We're talking about Spain,

0:42:09.480 --> 0:42:11.239
<v Speaker 2>not South Africa. Have you got the shows mixed up?

0:42:11.920 --> 0:42:14.440
<v Speaker 2>The most dangerous thing in Spain is the is a wasp.

0:42:14.760 --> 0:42:16.480
<v Speaker 1>I don't know. I thought they'd be like, you know,

0:42:16.560 --> 0:42:19.200
<v Speaker 1>like a very poisonous rattlesnake or something, or you know,

0:42:19.280 --> 0:42:21.120
<v Speaker 1>like do they have raccoons? I don't know. What do

0:42:21.160 --> 0:42:22.800
<v Speaker 1>they have in Spain? They've got to have something dangerous

0:42:22.800 --> 0:42:23.399
<v Speaker 1>that you'd have to train.

0:42:23.440 --> 0:42:26.720
<v Speaker 2>I guess they've got wild They've got lots of stray

0:42:26.760 --> 0:42:27.640
<v Speaker 2>caps in Spain.

0:42:28.320 --> 0:42:30.360
<v Speaker 1>But I'll get by one of them. You'd be in trouble.

0:42:30.520 --> 0:42:33.560
<v Speaker 2>But no, there's no dangerous world life in Spain's you

0:42:33.600 --> 0:42:35.880
<v Speaker 2>know the most the most dangerous thing in Spain is

0:42:35.920 --> 0:42:36.279
<v Speaker 2>each other.

0:42:36.400 --> 0:42:39.479
<v Speaker 1>I think that is the trouser snake. Like in Dream World,

0:42:39.640 --> 0:42:42.160
<v Speaker 1>Big Brother, we were told be careful of brown snakes,

0:42:42.640 --> 0:42:45.719
<v Speaker 1>and you're like, no Blove Island, Spain, trouser snakes and

0:42:46.080 --> 0:42:47.640
<v Speaker 1>this is what to do if you get if you

0:42:47.800 --> 0:42:48.840
<v Speaker 1>get faced with one.

0:42:48.719 --> 0:42:50.200
<v Speaker 2>I'll tell you so. I'll tell you so funny. The

0:42:51.520 --> 0:42:54.719
<v Speaker 2>South Africa what twenty times? Now? You know nine times

0:42:54.760 --> 0:42:57.560
<v Speaker 2>I make the series nine times to the wrekis I've

0:42:57.600 --> 0:43:03.080
<v Speaker 2>seen lions hip rhinos, I've seen black members, I've seen

0:43:03.160 --> 0:43:05.279
<v Speaker 2>you know, I've seen the most deadly wildlife in the world.

0:43:05.280 --> 0:43:07.919
<v Speaker 2>I was in Great White Sharks. The biggest snake I've

0:43:08.080 --> 0:43:11.600
<v Speaker 2>ever seen in my life was at dream World working

0:43:11.600 --> 0:43:16.720
<v Speaker 2>on Big Brother. It was enormous, and I'm talking enormous.

0:43:16.760 --> 0:43:18.480
<v Speaker 2>It was. It was the size of a car.

0:43:18.960 --> 0:43:21.560
<v Speaker 1>Was that Jamie was the housemate Jamie from two thousand

0:43:21.600 --> 0:43:21.919
<v Speaker 1>and six.

0:43:23.760 --> 0:43:25.360
<v Speaker 2>This is a real snake. And it was round the

0:43:25.360 --> 0:43:27.080
<v Speaker 2>back of the amphitheater, around the back of whether they

0:43:27.080 --> 0:43:29.200
<v Speaker 2>did the Eviction's nice to part my car there because

0:43:29.200 --> 0:43:31.080
<v Speaker 2>I had the best car park, of course, and I

0:43:31.120 --> 0:43:33.960
<v Speaker 2>was six o'clock one night and I turned the corner

0:43:34.000 --> 0:43:36.000
<v Speaker 2>and my heart stopped. It was the biggest snake I've

0:43:36.040 --> 0:43:36.880
<v Speaker 2>ever seen in my life. Ego.

0:43:37.120 --> 0:43:39.839
<v Speaker 1>I always knew when you're on set on Brother, because

0:43:39.880 --> 0:43:42.480
<v Speaker 1>I could smell cigarette smoke from behind the walls.

0:43:42.719 --> 0:43:45.640
<v Speaker 2>Well, we'd smell bapes. Now I've moved on. Tully always

0:43:45.680 --> 0:43:50.600
<v Speaker 2>used to say cigarettes and izzy miaki the all she smells.

0:43:50.920 --> 0:43:54.600
<v Speaker 2>Anytime she smells the cigarettes and cologne, she thinks of me.

0:43:54.920 --> 0:43:57.880
<v Speaker 1>Yeah, of course, of course, of course. How many bombs

0:43:58.040 --> 0:44:00.600
<v Speaker 1>are you putting in this yere? Because I remember you

0:44:00.680 --> 0:44:02.400
<v Speaker 1>saying to me before I went into Big Brother. You

0:44:02.440 --> 0:44:05.080
<v Speaker 1>were like, if there's lots of intruders coming in, that

0:44:05.200 --> 0:44:07.440
<v Speaker 1>means that you guys aren't doing your job properly. So

0:44:08.040 --> 0:44:09.719
<v Speaker 1>I want to ask you about how many bombs are

0:44:09.719 --> 0:44:12.160
<v Speaker 1>going in because that's a pretty good indication of how

0:44:12.239 --> 0:44:13.640
<v Speaker 1>the cast is going to perform this year.

0:44:14.320 --> 0:44:17.840
<v Speaker 2>I see that. I think that that applies for Big Brother,

0:44:18.040 --> 0:44:20.640
<v Speaker 2>and it applies for arm a celebrity. It doesn't apply

0:44:20.680 --> 0:44:24.200
<v Speaker 2>for Love Aren't because Love Island is much faster moving

0:44:24.320 --> 0:44:27.799
<v Speaker 2>reality than certainly old school Big Brother used to be.

0:44:28.320 --> 0:44:32.520
<v Speaker 2>Not a day goes past where either someone goes someone comes. Sorry,

0:44:32.560 --> 0:44:36.440
<v Speaker 2>about partner pump. Someone comes in, someone breaks up, someone

0:44:36.440 --> 0:44:38.600
<v Speaker 2>hooks up, you know, stuff goes on. Like it is

0:44:38.640 --> 0:44:42.680
<v Speaker 2>a very fast moving reality show. So there are lots

0:44:42.680 --> 0:44:45.359
<v Speaker 2>of bombs. I kind of remember how many twelve or so?

0:44:45.719 --> 0:44:46.400
<v Speaker 1>Oh my god.

0:44:46.719 --> 0:44:48.440
<v Speaker 2>Yeah, I mean, look, if you have twelve intruders and

0:44:48.480 --> 0:44:50.520
<v Speaker 2>Big Brother, then you know the series is screwed.

0:44:50.520 --> 0:44:50.759
<v Speaker 1>Shit.

0:44:51.040 --> 0:44:55.200
<v Speaker 2>Yeah, completely different beasts. So yes, there's lots of hot

0:44:55.239 --> 0:44:56.960
<v Speaker 2>people to come with get like, you know, you've got

0:44:57.000 --> 0:45:00.239
<v Speaker 2>to keep testing the relationships with love, aren't it's that show.

0:45:00.520 --> 0:45:02.480
<v Speaker 2>You don't need to keep testing the relationships on Big

0:45:02.480 --> 0:45:04.600
<v Speaker 2>Brother because it's not a dating show. Apparently it is now,

0:45:04.680 --> 0:45:06.160
<v Speaker 2>but it certainly didn't used to be.

0:45:06.560 --> 0:45:08.279
<v Speaker 1>It's just curious because I was thinking of that you

0:45:08.320 --> 0:45:11.000
<v Speaker 1>needed to do that. How quickly can you get potential

0:45:11.120 --> 0:45:13.839
<v Speaker 1>people on standby in Australia over to Spain to get

0:45:13.840 --> 0:45:14.279
<v Speaker 1>them in there.

0:45:14.480 --> 0:45:18.319
<v Speaker 2>It's probably a four day turnaround. So they were all

0:45:18.320 --> 0:45:21.799
<v Speaker 2>booked beforehand, all contracted beforehand. Now clearly you're not in

0:45:22.520 --> 0:45:25.239
<v Speaker 2>until you walk through the gate. You know, you could

0:45:25.280 --> 0:45:26.799
<v Speaker 2>be flown over to Spain and then we could change

0:45:26.840 --> 0:45:28.760
<v Speaker 2>our mind based on what's happened whilst you're on the flight,

0:45:28.880 --> 0:45:31.600
<v Speaker 2>you know that could absolutely happen, and you're not in

0:45:31.680 --> 0:45:34.120
<v Speaker 2>until you're in. But everyone who enters the villa this

0:45:34.239 --> 0:45:37.720
<v Speaker 2>year had a Love Island contract already and we're ready

0:45:37.719 --> 0:45:37.920
<v Speaker 2>to go.

0:45:38.080 --> 0:45:41.120
<v Speaker 1>Are you surprised that Austin and Claudia from last year

0:45:41.360 --> 0:45:42.120
<v Speaker 1>are still together?

0:45:42.320 --> 0:45:42.400
<v Speaker 2>Like?

0:45:42.520 --> 0:45:43.800
<v Speaker 1>Is that surprising to you?

0:45:43.840 --> 0:45:47.400
<v Speaker 2>No, because I don't think there's two hotter people in

0:45:47.440 --> 0:45:50.560
<v Speaker 2>the entire universe and they've somehow found each other. Like literally,

0:45:50.960 --> 0:45:53.520
<v Speaker 2>Austin and Claudia are perfect in every way. That makes

0:45:53.520 --> 0:45:55.000
<v Speaker 2>me sick just to look at them.

0:45:55.120 --> 0:45:57.399
<v Speaker 1>But is this show about finding love? That's why I'm

0:45:57.400 --> 0:45:59.760
<v Speaker 1>going with it. It's like, I feel like it's surprising,

0:45:59.760 --> 0:46:02.200
<v Speaker 1>becase because I feel like this show, like The Bachelor,

0:46:02.200 --> 0:46:04.360
<v Speaker 1>tries to sell itself as we're looking for people to

0:46:04.360 --> 0:46:06.360
<v Speaker 1>find love for the rest of their lives, where I

0:46:06.360 --> 0:46:08.520
<v Speaker 1>don't feel like that's the Love Island brand.

0:46:08.880 --> 0:46:11.239
<v Speaker 2>No, No, you're half right and half wrong. Okay, So

0:46:11.360 --> 0:46:15.480
<v Speaker 2>my question to everybody listening to this is that older

0:46:15.520 --> 0:46:17.879
<v Speaker 2>then I'm going to say thirty is are you still

0:46:17.880 --> 0:46:19.839
<v Speaker 2>with the person you were with when you were twenty two?

0:46:20.160 --> 0:46:23.000
<v Speaker 2>Ninety seven percent of the people the answer will be known,

0:46:23.160 --> 0:46:27.640
<v Speaker 2>so by that very definition. It's unlikely that Love Island

0:46:27.640 --> 0:46:30.200
<v Speaker 2>are going to find It's far more likely that the

0:46:30.239 --> 0:46:33.080
<v Speaker 2>bachelor or farmer wants a wife. You know, are going

0:46:33.120 --> 0:46:35.320
<v Speaker 2>to find people that get married and have kids because

0:46:35.440 --> 0:46:37.759
<v Speaker 2>they meet when they're older. You know, people have got

0:46:37.760 --> 0:46:40.760
<v Speaker 2>more life experience. They're more genuinely looking for a life partner.

0:46:40.960 --> 0:46:42.919
<v Speaker 2>That's the number one point I'm going to make. Having

0:46:42.960 --> 0:46:45.759
<v Speaker 2>said that, do we cast people who we genuinely believe

0:46:45.760 --> 0:46:50.319
<v Speaker 2>are looking for partners? Absolutely? Absolutely? Having said that, would

0:46:50.360 --> 0:46:52.560
<v Speaker 2>we put someone in the villa who came into casting

0:46:52.600 --> 0:46:55.279
<v Speaker 2>and was the best talker in the universe and hilarious

0:46:55.480 --> 0:46:57.640
<v Speaker 2>and we didn't believe a word they said, Yes, we

0:46:57.680 --> 0:47:01.160
<v Speaker 2>would absolutely still put them in. Yes, it is a

0:47:01.239 --> 0:47:03.920
<v Speaker 2>show about finding love. Absolutely it is. I'll take that.

0:47:04.680 --> 0:47:07.200
<v Speaker 2>I'll die on ditch about that. But are we as

0:47:07.239 --> 0:47:10.520
<v Speaker 2>serious about it as the other dating shows? Probably not.

0:47:10.840 --> 0:47:12.239
<v Speaker 2>But you know we make it with our tongues and

0:47:12.239 --> 0:47:13.200
<v Speaker 2>our cheeks, you know what I mean?

0:47:13.280 --> 0:47:14.560
<v Speaker 1>Like it.

0:47:14.000 --> 0:47:16.279
<v Speaker 2>Of course, it's not a social experiment, you know, we're not.

0:47:17.120 --> 0:47:19.759
<v Speaker 2>It's not Big Brother Season one. It's love On you know,

0:47:20.920 --> 0:47:22.960
<v Speaker 2>it's fun first, and this is I tell them all this.

0:47:23.080 --> 0:47:26.840
<v Speaker 2>You know, it's it's a great experience. And if you

0:47:26.920 --> 0:47:28.760
<v Speaker 2>walk out of here with a boyfriend or a girlfriend,

0:47:28.880 --> 0:47:31.640
<v Speaker 2>then fair play to give. Then you've nailed it. If

0:47:31.640 --> 0:47:33.400
<v Speaker 2>you don't hate, you know, you might be holding up

0:47:33.440 --> 0:47:35.560
<v Speaker 2>some smoothies on Instagram making a couple of grand you know.

0:47:35.960 --> 0:47:38.319
<v Speaker 1>My second last question for you is about Sophie, because

0:47:38.320 --> 0:47:40.719
<v Speaker 1>I love Sophie Munk. She's so brilliant. But you know

0:47:40.760 --> 0:47:44.600
<v Speaker 1>what I find is so amazing every year is how

0:47:44.600 --> 0:47:47.239
<v Speaker 1>do you make her stand out and look different from

0:47:47.280 --> 0:47:51.160
<v Speaker 1>the contestants Because where on FBO Island, Abby Chadfield looks

0:47:51.200 --> 0:47:53.320
<v Speaker 1>like one of the contestants standing with them. And maybe

0:47:53.320 --> 0:47:56.320
<v Speaker 1>this is to do with star power, but Sophie every year,

0:47:56.800 --> 0:47:59.080
<v Speaker 1>even when she sits with them, even when she talks

0:47:59.080 --> 0:48:01.319
<v Speaker 1>to the girls and has a girl chat, she still

0:48:01.360 --> 0:48:04.359
<v Speaker 1>comes across as the host of the show. Is there

0:48:04.440 --> 0:48:07.840
<v Speaker 1>any kind of way that you do something to create

0:48:07.880 --> 0:48:09.399
<v Speaker 1>that or is that just Sophie Monk.

0:48:09.800 --> 0:48:12.239
<v Speaker 2>She's got an aura about her and she's always had

0:48:12.239 --> 0:48:13.880
<v Speaker 2>it and that's why she's a star. You know. I

0:48:13.880 --> 0:48:16.280
<v Speaker 2>think that's why she did on Pop Stars and Bardo

0:48:16.360 --> 0:48:18.040
<v Speaker 2>did what they did, and it's why that she's been

0:48:18.040 --> 0:48:19.760
<v Speaker 2>able to come to the person that she is. Sophie

0:48:19.800 --> 0:48:22.560
<v Speaker 2>Monk has an absolute aura about her. The whole bring

0:48:22.600 --> 0:48:24.680
<v Speaker 2>on the Monk thing. You know, it was just such

0:48:24.719 --> 0:48:28.120
<v Speaker 2>an obvious, you know, she's just like this incredible presence.

0:48:29.000 --> 0:48:33.160
<v Speaker 2>Obviously she looks amazing. Obviously her stylist dresses her beautifully.

0:48:33.400 --> 0:48:36.480
<v Speaker 2>Her dresses are so on point and so great, and

0:48:36.520 --> 0:48:38.720
<v Speaker 2>they just keep getting better and better and better. Okay,

0:48:38.760 --> 0:48:41.680
<v Speaker 2>So basically what happens is if Sophie's in red were

0:48:41.800 --> 0:48:43.880
<v Speaker 2>we are watching the girls getting ready every single night,

0:48:43.960 --> 0:48:45.319
<v Speaker 2>we know that there's a you know, and this is

0:48:45.560 --> 0:48:47.480
<v Speaker 2>this every single night. So what we do is across

0:48:47.480 --> 0:48:50.080
<v Speaker 2>the board we tell the girls and the boys no

0:48:50.080 --> 0:48:51.520
<v Speaker 2>one is to wear the same color and wants to

0:48:51.520 --> 0:48:53.840
<v Speaker 2>wear the same outfit because we want everyone to pop. Okay,

0:48:54.080 --> 0:48:56.839
<v Speaker 2>and so let's say we know there's a five bit

0:48:56.880 --> 0:48:58.520
<v Speaker 2>that might we know someone's getting dumped. We don't tell

0:48:58.520 --> 0:49:00.480
<v Speaker 2>the Islanders that, but we know that Sophie's in a dress.

0:49:00.760 --> 0:49:02.359
<v Speaker 2>And we see a girl go the cub and pick

0:49:02.360 --> 0:49:04.600
<v Speaker 2>a red dress, we'll literally say two something else.

0:49:04.880 --> 0:49:06.799
<v Speaker 1>Oh wow, see that's a good way to make her

0:49:06.840 --> 0:49:11.520
<v Speaker 1>stand out. But literally, there's very few Australian presenters in

0:49:11.560 --> 0:49:15.120
<v Speaker 1>my mind, that can still have that aura that she

0:49:15.280 --> 0:49:18.360
<v Speaker 1>manages to have and still control the audience's understanding that

0:49:18.400 --> 0:49:21.520
<v Speaker 1>she's the host than Sophie Monk like I mean, I

0:49:21.560 --> 0:49:23.720
<v Speaker 1>mean she this person could probably fit into the same dresses.

0:49:23.760 --> 0:49:25.520
<v Speaker 1>I think Courtney act could probably do the same thing.

0:49:25.600 --> 0:49:27.600
<v Speaker 1>So Sophie, ever says no to doing one of the series,

0:49:27.640 --> 0:49:29.480
<v Speaker 1>I think Courtney might be able to fill in. But

0:49:29.719 --> 0:49:32.399
<v Speaker 1>very few people have that commanding presence, you.

0:49:32.320 --> 0:49:35.440
<v Speaker 2>Know, and what she has become. I mean in season

0:49:35.520 --> 0:49:37.680
<v Speaker 2>one she was great. I mean she was great, but

0:49:37.719 --> 0:49:40.200
<v Speaker 2>it was her first proper presenting job and I was

0:49:40.239 --> 0:49:43.279
<v Speaker 2>pretty much doing every single word in her ear. It's

0:49:43.320 --> 0:49:45.160
<v Speaker 2>season five now, and to see what you know, she

0:49:45.200 --> 0:49:46.759
<v Speaker 2>was a rabbit in the headlights at the start. She

0:49:46.840 --> 0:49:49.600
<v Speaker 2>was brilliant, but like she was brilliants one was such a.

0:49:50.040 --> 0:49:52.480
<v Speaker 1>It's still so likable in season one because Sophia could

0:49:52.520 --> 0:49:54.879
<v Speaker 1>literally turn up and stuff up the words and look

0:49:54.960 --> 0:49:57.760
<v Speaker 1>like she's reading a teleprompter, and she'd still she's still

0:49:57.800 --> 0:49:59.560
<v Speaker 1>a stars, you know, I mean five stars.

0:50:00.200 --> 0:50:02.480
<v Speaker 2>To see what she is today, she's such the complete

0:50:02.520 --> 0:50:06.480
<v Speaker 2>presenter now and her scripts would barely write them anymore,

0:50:06.480 --> 0:50:08.320
<v Speaker 2>and it's just almost like bullet point guide. You know,

0:50:08.320 --> 0:50:10.360
<v Speaker 2>you need to hit this point, this point in this point,

0:50:10.520 --> 0:50:12.680
<v Speaker 2>and she just goes in and she's just great with them.

0:50:12.680 --> 0:50:14.880
<v Speaker 2>You'll see her in this series. She's you know, we

0:50:14.960 --> 0:50:17.000
<v Speaker 2>send her out on a boat with them one day.

0:50:17.040 --> 0:50:19.160
<v Speaker 2>It's brilliant, and we you know, we send her into

0:50:19.160 --> 0:50:21.200
<v Speaker 2>the villa for a couple of things that aren't dumpings,

0:50:21.200 --> 0:50:24.280
<v Speaker 2>and she's just just fantastic a lover. She's great.

0:50:24.440 --> 0:50:27.080
<v Speaker 1>Before you go, My last question is, what is something

0:50:27.360 --> 0:50:30.160
<v Speaker 1>from behind the scenes, something that we will not see

0:50:30.160 --> 0:50:32.440
<v Speaker 1>on the series of Love Island? Kind of like a

0:50:32.520 --> 0:50:35.560
<v Speaker 1>behind the scenes secret that you're willing to share and

0:50:36.200 --> 0:50:38.760
<v Speaker 1>understand that I need a Daily Mail headline.

0:50:38.960 --> 0:50:42.360
<v Speaker 2>Okay, I'll give you something from last year's finale. You

0:50:42.360 --> 0:50:45.480
<v Speaker 2>know it's not sallacious, but it's just a classic example

0:50:45.480 --> 0:50:47.759
<v Speaker 2>of the shit that goes on behind the scenes on

0:50:48.239 --> 0:50:50.239
<v Speaker 2>shows like this. We make no secret in the fact

0:50:50.440 --> 0:50:52.520
<v Speaker 2>we're pre recorded now, right. But the same as the voice,

0:50:52.600 --> 0:50:54.560
<v Speaker 2>the same as Mikey's rules were, the same as being

0:50:55.239 --> 0:50:57.000
<v Speaker 2>a master chef for the same as all the shows

0:50:57.000 --> 0:51:00.719
<v Speaker 2>where you record two or three endings and then the

0:51:00.800 --> 0:51:04.720
<v Speaker 2>audience vote for the winner, and then you play the correct,

0:51:04.840 --> 0:51:08.600
<v Speaker 2>ending to the general public to decide to show who wins.

0:51:08.880 --> 0:51:12.120
<v Speaker 2>So last year we had in the finale Claudia and Austin,

0:51:12.360 --> 0:51:15.480
<v Speaker 2>Phoebe and Mitch and Callum and Maddie, and I'd come

0:51:15.560 --> 0:51:17.359
<v Speaker 2>up with this thing because they kept talking about eggs

0:51:17.400 --> 0:51:18.960
<v Speaker 2>in their baskets, and I said, it'd be really funny

0:51:18.960 --> 0:51:20.759
<v Speaker 2>if when we do Love All Money, we have two

0:51:20.880 --> 0:51:23.560
<v Speaker 2>golden eggs in a basket and one of them chooses

0:51:23.560 --> 0:51:25.560
<v Speaker 2>one who's got fifty thousand dollars written on it. The

0:51:25.600 --> 0:51:27.319
<v Speaker 2>other one chooses the other one that's got zero dollars

0:51:27.360 --> 0:51:29.440
<v Speaker 2>written on it. Anyone who saw last year's finale we

0:51:29.520 --> 0:51:31.960
<v Speaker 2>know exactly what I'm talking about. But we announced I

0:51:32.000 --> 0:51:34.960
<v Speaker 2>think Callum and Maddie as the first winners. And of

0:51:35.000 --> 0:51:39.480
<v Speaker 2>course Callum, with his stupid big mits, has cracked the

0:51:39.560 --> 0:51:43.759
<v Speaker 2>fifty thousand dollars egg right, which is literally a ray

0:51:43.800 --> 0:51:47.440
<v Speaker 2>painted gold and fifty k stenal.

0:51:47.000 --> 0:51:49.280
<v Speaker 1>Time can't be reused.

0:51:50.440 --> 0:51:53.840
<v Speaker 2>Art guy Trent, who's a legend comes to Sala Grands

0:51:53.840 --> 0:51:56.160
<v Speaker 2>Flams every year. It's got his head in his hands.

0:51:56.200 --> 0:51:58.319
<v Speaker 2>I'm like, what's the problem, where's this? You know? Just

0:51:58.360 --> 0:52:02.600
<v Speaker 2>bring out the spare eggs. He's like, there's no spare eggs,

0:52:02.600 --> 0:52:06.040
<v Speaker 2>spray painted two eggs. He's like, mate, you know you

0:52:06.080 --> 0:52:06.960
<v Speaker 2>only tell me about.

0:52:06.800 --> 0:52:09.440
<v Speaker 1>This like fucking job in television.

0:52:10.200 --> 0:52:14.080
<v Speaker 2>But we had like forty people running around like it's

0:52:14.120 --> 0:52:16.080
<v Speaker 2>the middle of the night in Spain. You know, there's

0:52:16.080 --> 0:52:20.439
<v Speaker 2>no eggs in the villa. There's no eggs. Forty running

0:52:20.440 --> 0:52:25.239
<v Speaker 2>around asking if the chicken. Like, you know, meanwhile, the

0:52:25.280 --> 0:52:27.840
<v Speaker 2>audience is getting cold because there's a live audience. You know,

0:52:27.880 --> 0:52:30.560
<v Speaker 2>the Islanders sit there sweating their asses off, you know,

0:52:30.600 --> 0:52:33.680
<v Speaker 2>their makeups, running the false lashes. Like it was just

0:52:33.800 --> 0:52:36.239
<v Speaker 2>mental that we're holding up the entire production for a

0:52:36.320 --> 0:52:39.520
<v Speaker 2>cracked egg. Meantime, Trent has somehow going guy his glue gun.

0:52:39.520 --> 0:52:42.439
<v Speaker 2>I think he ended up getting He's gluing this egg

0:52:42.520 --> 0:52:45.200
<v Speaker 2>back together. He's looking for finy little bits of shell

0:52:45.239 --> 0:52:47.800
<v Speaker 2>off the floor. He's ended up glue gunning the fifty

0:52:47.840 --> 0:52:49.640
<v Speaker 2>thousand dollars egg back together, giving me a bit of

0:52:49.680 --> 0:52:53.360
<v Speaker 2>a wipe, a bit of gold painted egg. But the

0:52:53.440 --> 0:52:55.680
<v Speaker 2>other two and if you look closely, if you freeze

0:52:55.680 --> 0:52:59.239
<v Speaker 2>frame that finale and zoom into their Claudia in Austin Wind,

0:52:59.239 --> 0:53:02.239
<v Speaker 2>I think Claudia the fifty thousand dollars, I think, and

0:53:02.400 --> 0:53:04.720
<v Speaker 2>zoom into that egg, you'll see it is the worst

0:53:04.840 --> 0:53:06.600
<v Speaker 2>egg that's ever been on television.

0:53:06.640 --> 0:53:09.520
<v Speaker 1>Yeah, I think that is absolutely amazing. I mean that

0:53:09.560 --> 0:53:11.239
<v Speaker 1>guy would have been gluing that egg for his life.

0:53:11.239 --> 0:53:12.960
<v Speaker 1>He'd be like, I got to be back here next year,

0:53:13.239 --> 0:53:14.720
<v Speaker 1>Like I want to be hired again.

0:53:14.920 --> 0:53:17.279
<v Speaker 2>It was one year when the Truth bike broke, and

0:53:18.800 --> 0:53:20.120
<v Speaker 2>a few years ago in The Truth. But and I

0:53:20.280 --> 0:53:25.640
<v Speaker 2>was screaming, screaming fifty again the talent's getting cover fixed

0:53:25.640 --> 0:53:27.279
<v Speaker 2>that back at Truth it was like one of the

0:53:27.320 --> 0:53:29.759
<v Speaker 2>pedals had come off or something, and you know the

0:53:30.080 --> 0:53:32.719
<v Speaker 2>blind panic that people run around it trying to fix

0:53:32.760 --> 0:53:35.480
<v Speaker 2>these ridiculous props that we use. There you go. It's

0:53:35.520 --> 0:53:38.160
<v Speaker 2>hardly showed this stuff, but it's the reality of a

0:53:38.560 --> 0:53:39.360
<v Speaker 2>working set.

0:53:39.560 --> 0:53:45.840
<v Speaker 1>Alex. Honestly, every time delivered, they're always my most downloaded episodes,

0:53:45.880 --> 0:53:48.400
<v Speaker 1>So I don't know why. I think it's without fail,

0:53:48.800 --> 0:53:51.239
<v Speaker 1>it is my highest rating episode. So thank you for

0:53:51.280 --> 0:53:54.520
<v Speaker 1>coming back and being amazing, and thank you for still

0:53:54.600 --> 0:53:56.520
<v Speaker 1>for being my friend after eleven years.

0:53:57.080 --> 0:53:57.959
<v Speaker 2>Let's do eleven more.