1 00:00:00,520 --> 00:00:02,200 Speaker 1: It's the Will and Woody podcast. 2 00:00:02,400 --> 00:00:04,040 Speaker 2: I'm a Celebrity, Get Me Out of Here? 3 00:00:04,320 --> 00:00:08,440 Speaker 3: Is back in January next year, Woods and we have 4 00:00:08,640 --> 00:00:12,440 Speaker 3: the star of the show, Julia Morris, who joins the boys. 5 00:00:13,400 --> 00:00:18,640 Speaker 2: Well, hey, welcome, welcome back to. 6 00:00:18,880 --> 00:00:21,239 Speaker 4: There's no way you guys would have realized that it 7 00:00:21,280 --> 00:00:23,639 Speaker 4: was coming back, because if only there was a commercial 8 00:00:23,760 --> 00:00:26,119 Speaker 4: on the television that told us when the show was 9 00:00:26,160 --> 00:00:30,840 Speaker 4: coming that we could play often, then we would not 10 00:00:31,680 --> 00:00:34,240 Speaker 4: every four minutes at the moment, Yeah. 11 00:00:33,920 --> 00:00:38,440 Speaker 5: You are bloody everywhere and everyone is enjoying your sultry 12 00:00:38,600 --> 00:00:39,800 Speaker 5: and smooth pipes. 13 00:00:39,880 --> 00:00:40,400 Speaker 6: Julia Morris? 14 00:00:40,520 --> 00:00:41,519 Speaker 4: What's going to this? Him? 15 00:00:41,520 --> 00:00:43,639 Speaker 6: The celebrity get me. 16 00:00:49,040 --> 00:00:49,280 Speaker 7: All? 17 00:00:49,479 --> 00:00:52,880 Speaker 4: Our celebrities really have nothing to be. 18 00:00:57,560 --> 00:00:59,200 Speaker 6: Do you hate seeing that everywhere? 19 00:00:59,280 --> 00:00:59,640 Speaker 2: Julia? 20 00:00:59,680 --> 00:01:00,160 Speaker 5: Are you like? 21 00:01:00,280 --> 00:01:00,440 Speaker 4: Oh? 22 00:01:00,560 --> 00:01:01,320 Speaker 6: There I am again. 23 00:01:01,720 --> 00:01:05,360 Speaker 4: I don't mind it, but it makes me laugh to 24 00:01:05,400 --> 00:01:08,640 Speaker 4: hear that recording because I actually recorded that in my 25 00:01:08,959 --> 00:01:11,680 Speaker 4: wardrobe because it was on lockdown and I couldn't go 26 00:01:11,720 --> 00:01:13,880 Speaker 4: into the studio, so they sent me a little recording 27 00:01:13,959 --> 00:01:17,240 Speaker 4: machine and I where at my home can I do that? 28 00:01:17,280 --> 00:01:19,399 Speaker 4: There's not enough fabric? And I thought, well, I'm going 29 00:01:19,440 --> 00:01:21,360 Speaker 4: to go and sit in the wardrobe. I look like 30 00:01:21,440 --> 00:01:23,240 Speaker 4: the full fruit Nubar. I was loving. 31 00:01:22,959 --> 00:01:26,160 Speaker 8: It full for it not far. 32 00:01:26,800 --> 00:01:29,080 Speaker 3: You are a classic. Now let's talk about some of 33 00:01:29,120 --> 00:01:32,800 Speaker 3: these some of these clues. I've got an Olympic legend, 34 00:01:32,920 --> 00:01:35,160 Speaker 3: a country singer, and a famous chef. Now I will 35 00:01:35,200 --> 00:01:37,679 Speaker 3: be absolutely robable if that turns out to be Eric 36 00:01:37,720 --> 00:01:41,000 Speaker 3: the Eels, shannonol and Huey In Huey. 37 00:01:40,959 --> 00:01:47,319 Speaker 4: Jewey, We're oh god, that would actually be the perfect combination. Well, 38 00:01:47,440 --> 00:01:49,120 Speaker 4: I don't think it is any of those people. 39 00:01:49,280 --> 00:01:52,680 Speaker 5: Okay, hang on, when you say you don't think, do 40 00:01:52,720 --> 00:01:53,120 Speaker 5: you do? 41 00:01:53,160 --> 00:01:53,960 Speaker 6: You not know either. 42 00:01:54,560 --> 00:02:00,960 Speaker 4: We've already filmed it, But honestly, in my brain space, honestly, 43 00:02:01,000 --> 00:02:02,880 Speaker 4: I'm going to have to reach out to the shareholders 44 00:02:02,880 --> 00:02:05,040 Speaker 4: to try and work out if I can access any 45 00:02:05,080 --> 00:02:06,320 Speaker 4: of those memories. 46 00:02:08,919 --> 00:02:09,799 Speaker 6: You've just forgotten. 47 00:02:11,000 --> 00:02:13,079 Speaker 4: Do you have to reach out to an actual cloud 48 00:02:13,120 --> 00:02:14,760 Speaker 4: to try and find out where those thoughts are? 49 00:02:15,000 --> 00:02:17,440 Speaker 8: Keep in mine? We have If you're just joining us, 50 00:02:17,440 --> 00:02:19,079 Speaker 8: we have actually interrupted. 51 00:02:18,600 --> 00:02:20,480 Speaker 2: Julia in the middle of a long lune. She's got 52 00:02:20,560 --> 00:02:22,080 Speaker 2: ladies over at her house at the moment. 53 00:02:22,120 --> 00:02:24,639 Speaker 3: She's at the bottom of her wardrobe as we speak, 54 00:02:24,760 --> 00:02:28,320 Speaker 3: so we. 55 00:02:28,400 --> 00:02:30,639 Speaker 4: Are as long dressers. I'm going to get some more 56 00:02:30,680 --> 00:02:32,680 Speaker 4: short ones, so I can sit up in comfort. 57 00:02:35,600 --> 00:02:37,880 Speaker 8: So it is, so you've already filmed it. 58 00:02:38,000 --> 00:02:40,320 Speaker 3: Do you would know, though, Julia, I know you're trying 59 00:02:40,320 --> 00:02:42,560 Speaker 3: to Shannon Bowl. 60 00:02:42,600 --> 00:02:49,359 Speaker 4: Of course we had in Africa, soy, but also after 61 00:02:49,400 --> 00:02:52,320 Speaker 4: the two years of people not being able, like performers, 62 00:02:52,320 --> 00:02:56,120 Speaker 4: not being able to tour, we were lucky enough to 63 00:02:56,240 --> 00:02:59,959 Speaker 4: have access to people who I would have thought wouldn't 64 00:03:00,160 --> 00:03:02,120 Speaker 4: normally go to make this sort of tell. 65 00:03:02,040 --> 00:03:04,840 Speaker 2: Them because they were desperate. You're praying on the week, 66 00:03:05,160 --> 00:03:05,680 Speaker 2: you're praying. 67 00:03:06,560 --> 00:03:08,840 Speaker 4: No one was earned in two years. I made a 68 00:03:08,840 --> 00:03:12,480 Speaker 4: few bugs for you know, a bit of way. 69 00:03:12,240 --> 00:03:15,120 Speaker 5: So on a scale one to ten, then on a 70 00:03:15,160 --> 00:03:17,360 Speaker 5: scale of under ten, how shocked were you when Nathan 71 00:03:17,360 --> 00:03:18,120 Speaker 5: Buckley walked in? 72 00:03:19,760 --> 00:03:21,080 Speaker 4: Who is by. 73 00:03:22,440 --> 00:03:25,880 Speaker 2: Very good? She's dodged it, Well, she's dodged it. 74 00:03:26,280 --> 00:03:29,600 Speaker 6: Well you don't know who Nathan Buckley is. 75 00:03:29,840 --> 00:03:30,519 Speaker 4: I don't think so. 76 00:03:30,960 --> 00:03:34,400 Speaker 5: Oh well, maybe that that proves that he's not going 77 00:03:34,440 --> 00:03:36,400 Speaker 5: to be in the Guleman. There's a strong rumor that 78 00:03:36,480 --> 00:03:40,840 Speaker 5: Nathan Buckley, former coach of Collingwood Football Club in the AFL, 79 00:03:41,080 --> 00:03:41,840 Speaker 5: is in the jungle. 80 00:03:42,040 --> 00:03:45,720 Speaker 4: Ah, already, I know I know who you're talking about. No, 81 00:03:47,040 --> 00:03:49,480 Speaker 4: I'm not well, like you, I don't really watch football, 82 00:03:49,480 --> 00:03:53,920 Speaker 4: so I never know. No disrespect to any footballers, but no, 83 00:03:54,000 --> 00:03:57,000 Speaker 4: football is not my thing. So if he was in there, 84 00:03:57,080 --> 00:03:58,200 Speaker 4: I still know who he was. 85 00:03:58,920 --> 00:04:01,080 Speaker 3: Is there an AFL star in the show though, Julia, 86 00:04:02,120 --> 00:04:04,720 Speaker 3: there is a footballer in this, in this if. 87 00:04:04,680 --> 00:04:07,120 Speaker 8: You just don't know what his code is. 88 00:04:07,760 --> 00:04:10,240 Speaker 4: I mean, I'm sure he's a very decent person, but 89 00:04:10,680 --> 00:04:14,200 Speaker 4: as far as his own life code, you know, like 90 00:04:14,680 --> 00:04:17,239 Speaker 4: people are kind of kind and all right. 91 00:04:17,360 --> 00:04:20,920 Speaker 8: All right, this probing is getting nowhere. She's got she's 92 00:04:20,960 --> 00:04:23,280 Speaker 8: got an impenetrable defense. We've got more with Julia Morris 93 00:04:23,360 --> 00:04:27,120 Speaker 8: up next to Melandody. Julia Morris joins us on the phone. 94 00:04:28,040 --> 00:04:30,120 Speaker 3: Julia, you've got guests over at your house for the 95 00:04:30,120 --> 00:04:32,000 Speaker 3: first time in two years? 96 00:04:32,880 --> 00:04:35,279 Speaker 8: How did you How did you pick and choose who 97 00:04:35,279 --> 00:04:36,360 Speaker 8: got the gig? Then? How many? 98 00:04:36,440 --> 00:04:38,560 Speaker 2: How many seats at the table were available? 99 00:04:38,800 --> 00:04:41,680 Speaker 4: What did you go out last back in Now there's 100 00:04:41,720 --> 00:04:45,120 Speaker 4: literally only three of us. Today is just that lucky day. 101 00:04:45,279 --> 00:04:48,680 Speaker 4: But I really haven't returned to the shops, Matt. So 102 00:04:49,200 --> 00:04:51,159 Speaker 4: also I go back up to the jungle in two 103 00:04:51,160 --> 00:04:54,039 Speaker 4: weeks to shoot all the studio stuff with my beloved doctor. 104 00:04:54,160 --> 00:04:57,880 Speaker 4: So I'm also kind of trying to stay it. I mean, 105 00:04:57,920 --> 00:05:00,159 Speaker 4: that sounds ridiculous. I'm double backs, but I'm trying to 106 00:05:00,160 --> 00:05:03,159 Speaker 4: stay out of places, just so I don't I don't know. 107 00:05:03,200 --> 00:05:06,120 Speaker 4: Can you imagine if I would be the one to 108 00:05:06,160 --> 00:05:08,480 Speaker 4: take it out of trouble, that's the last thing I need. 109 00:05:08,720 --> 00:05:10,680 Speaker 5: Yeah, and I've seen from your instagram you're taking all 110 00:05:10,680 --> 00:05:13,080 Speaker 5: the right precautions when you do go to the shops, though, 111 00:05:13,200 --> 00:05:15,719 Speaker 5: Julia Morris, you don't have a mask. 112 00:05:15,800 --> 00:05:17,679 Speaker 9: You wear a dog blue bag on your face. 113 00:05:18,000 --> 00:05:21,200 Speaker 4: Yes, yeah, absolutely, do you know? I think it about 114 00:05:21,240 --> 00:05:23,680 Speaker 4: about the fourth time I've driven up to office work 115 00:05:24,160 --> 00:05:26,280 Speaker 4: and I had forgotten a mask. I would have put 116 00:05:26,320 --> 00:05:29,279 Speaker 4: a hoodie around my mouth if I've had one, but 117 00:05:29,320 --> 00:05:31,640 Speaker 4: the only thing in my car was a poockoo doggie bag. 118 00:05:31,760 --> 00:05:32,120 Speaker 8: I didn't. 119 00:05:35,040 --> 00:05:37,720 Speaker 4: Oh no, actually, looking back, oh yeah, I won It 120 00:05:37,839 --> 00:05:42,760 Speaker 4: smelt like that. I don't know it's making sense. I 121 00:05:42,920 --> 00:05:45,440 Speaker 4: just thought, I don't remember eating the tella. 122 00:05:46,720 --> 00:05:48,600 Speaker 2: Julia. 123 00:05:49,000 --> 00:05:51,120 Speaker 4: It felt like it was too far. I think I 124 00:05:51,200 --> 00:05:53,320 Speaker 4: was trying to be cool and it went horribly wrong. 125 00:05:54,480 --> 00:05:56,680 Speaker 5: Just a word from the millennials out there, it's not 126 00:05:56,720 --> 00:05:57,800 Speaker 5: cool to say that you eat shit. 127 00:05:59,880 --> 00:06:04,679 Speaker 4: I Listen, I've been in showbiz. I've been a female 128 00:06:04,720 --> 00:06:07,440 Speaker 4: in showbiz for like seventy five years. Let me tell 129 00:06:07,480 --> 00:06:10,719 Speaker 4: you that's like a signature. That's like a signature tune. 130 00:06:15,600 --> 00:06:17,720 Speaker 8: Now, mate, I love you because you are. 131 00:06:17,839 --> 00:06:20,559 Speaker 3: You are beautifully transparent when it comes to anything. Really, 132 00:06:20,600 --> 00:06:22,200 Speaker 3: And one of the things I mean speaking about being 133 00:06:22,200 --> 00:06:23,760 Speaker 3: a female in showb is I know I saw in 134 00:06:23,839 --> 00:06:27,120 Speaker 3: your socials about a week ago that you you're reminiscing 135 00:06:27,160 --> 00:06:29,360 Speaker 3: about the eye surgery that you had which removed the 136 00:06:29,920 --> 00:06:34,000 Speaker 3: in your eyelids and before and after shot, and yeah, 137 00:06:34,160 --> 00:06:35,640 Speaker 3: you know they're more open. 138 00:06:35,800 --> 00:06:36,920 Speaker 8: That's that's that's what they are. 139 00:06:38,120 --> 00:06:41,800 Speaker 4: Absolutely. Look, I'm not I'm not sure, no judgment, but 140 00:06:41,839 --> 00:06:45,240 Speaker 4: I'm not convinced. I'm a surgery sort of person, Okay. 141 00:06:45,480 --> 00:06:49,880 Speaker 4: And I got to the point where i'd lost twenty 142 00:06:49,880 --> 00:06:55,320 Speaker 4: five percent of my caiff revision, which I can now say, yeah, guy, 143 00:06:55,320 --> 00:06:57,680 Speaker 4: I have my eyes done medically, But the truth is 144 00:06:57,680 --> 00:06:59,800 Speaker 4: I went there cosmetically. I can't lie. 145 00:06:59,720 --> 00:07:02,960 Speaker 3: Ye, that's fine, But I suppose my question for you is, 146 00:07:02,960 --> 00:07:05,159 Speaker 3: because you know, you posted about this again recently just 147 00:07:05,160 --> 00:07:06,880 Speaker 3: to you know, sort of show the difference, and obviously 148 00:07:06,880 --> 00:07:09,600 Speaker 3: you're reaping the benefits of it. But why do a 149 00:07:09,640 --> 00:07:13,680 Speaker 3: lot of women want to hide why they get cosmetic 150 00:07:13,720 --> 00:07:14,480 Speaker 3: work done? 151 00:07:15,240 --> 00:07:19,960 Speaker 4: Do you know what I think? As I wonder, that's 152 00:07:19,960 --> 00:07:21,840 Speaker 4: a really good question. I don't even know that I 153 00:07:21,920 --> 00:07:24,880 Speaker 4: know that right out, because well, there's no way I 154 00:07:24,880 --> 00:07:27,680 Speaker 4: could fib about it because people I do have that 155 00:07:27,840 --> 00:07:30,480 Speaker 4: same operation as I have. And then they say I 156 00:07:30,560 --> 00:07:33,480 Speaker 4: had a lot of rest. I'm like, how much rest 157 00:07:34,360 --> 00:07:37,720 Speaker 4: would I need to have to look this fresh? It's 158 00:07:37,760 --> 00:07:41,239 Speaker 4: just never going to happen. So and also I feel 159 00:07:41,280 --> 00:07:45,040 Speaker 4: like that's the calling card of the comedians, is that honesty. 160 00:07:45,160 --> 00:07:48,840 Speaker 4: I do share that relationship for people who like my work. 161 00:07:49,000 --> 00:07:52,200 Speaker 4: So yeah, then if I was found out, oh got 162 00:07:52,240 --> 00:07:56,400 Speaker 4: a diaphousand, Beth. But I also think it is important 163 00:07:56,400 --> 00:07:59,560 Speaker 4: to tell the what is that shame of what? Like 164 00:08:00,040 --> 00:08:02,960 Speaker 4: if you want to go and you know, do ahead, 165 00:08:03,080 --> 00:08:07,000 Speaker 4: Dan whatever, just do it. Yeah, judge your stuff, like 166 00:08:07,480 --> 00:08:08,840 Speaker 4: I don't even have to. I don't have time to 167 00:08:08,920 --> 00:08:11,840 Speaker 4: judge anybody else. I'm tour bousy. It's being hard on myself. 168 00:08:12,200 --> 00:08:14,000 Speaker 3: Yeah, you're right, And the thing is as well as 169 00:08:14,000 --> 00:08:15,720 Speaker 3: you said, like, it's there for you to see. Look, 170 00:08:15,720 --> 00:08:17,640 Speaker 3: I'm looking at it before and after photo and you 171 00:08:17,680 --> 00:08:19,120 Speaker 3: know in the before photo. 172 00:08:19,560 --> 00:08:21,320 Speaker 2: The truth is, you know you could. 173 00:08:21,160 --> 00:08:23,600 Speaker 3: Have been the front cover for the movie Shutter Island 174 00:08:23,720 --> 00:08:24,840 Speaker 3: Leonardo DiCaprio there. 175 00:08:24,880 --> 00:08:27,560 Speaker 4: I mean, you know what different? What is the point 176 00:08:27,560 --> 00:08:29,600 Speaker 4: of not being munted all the time if you look mondoned? 177 00:08:34,320 --> 00:08:38,480 Speaker 5: But I'm sure, I'm sure after your long lunch today, 178 00:08:38,600 --> 00:08:40,960 Speaker 5: Julia Morris, your return to old Julia Morris in a 179 00:08:41,000 --> 00:08:43,319 Speaker 5: couple of hours. 180 00:08:43,440 --> 00:08:46,120 Speaker 4: Yeah, where's that shadow being come from? 181 00:08:49,280 --> 00:08:51,240 Speaker 8: You're such a treat Julia. It's a pleasure to have 182 00:08:51,280 --> 00:08:51,480 Speaker 8: you on. 183 00:08:51,520 --> 00:08:54,440 Speaker 3: So look January third, if you haven't seen enough of 184 00:08:54,640 --> 00:08:57,440 Speaker 3: Out and About Channel ten ten played Julia Morris. Doctor 185 00:08:57,520 --> 00:08:59,760 Speaker 3: Chris Brown returned with I'm a celebrity, Get me out 186 00:08:59,760 --> 00:09:02,200 Speaker 3: of here seven thirty. It'll be on Channel ten ten players, 187 00:09:02,200 --> 00:09:05,240 Speaker 3: I said, an AFL star, comedian, Olympic legend and country seeing, 188 00:09:05,280 --> 00:09:08,280 Speaker 3: a beauty queen, a famous chef, all touted to be 189 00:09:08,320 --> 00:09:10,160 Speaker 3: part of the lineup. Mate, We're very excited. Thank you 190 00:09:10,160 --> 00:09:11,240 Speaker 3: so much for coming on the show. 191 00:09:11,240 --> 00:09:12,520 Speaker 8: We'll leave you back to your life. 192 00:09:12,720 --> 00:09:14,560 Speaker 4: You guys, I wish I could be in there giving 193 00:09:14,559 --> 00:09:16,240 Speaker 4: your full body contact. You know I would. 194 00:09:16,400 --> 00:09:17,679 Speaker 8: Oh, we're not. 195 00:09:18,120 --> 00:09:22,800 Speaker 3: We know, that's why it's exclusively phone chats these days 196 00:09:23,440 --> 00:09:23,800 Speaker 3: from the. 197 00:09:23,760 --> 00:09:26,720 Speaker 4: Studio legally. 198 00:09:27,960 --> 00:09:29,400 Speaker 8: Love you mate, thanks for joining us. 199 00:09:29,760 --> 00:09:31,640 Speaker 4: Love Your God by Julia. 200 00:09:31,840 --> 00:09:33,679 Speaker 1: It's the Willam Woody Podcast. 201 00:09:34,640 --> 00:09:38,520 Speaker 9: Is this celebrity? 202 00:09:39,240 --> 00:09:40,960 Speaker 6: Is the celebrity dead or alive? 203 00:09:41,200 --> 00:09:46,080 Speaker 5: We've got our button push of Joel bringing up celebrities. Yep, 204 00:09:46,280 --> 00:09:47,880 Speaker 5: and will you and I are trying to tell if 205 00:09:48,080 --> 00:09:50,360 Speaker 5: all trying to guess if they are they dead or alive? 206 00:09:50,480 --> 00:09:52,000 Speaker 10: You can both have a crack at this, boy, So 207 00:09:52,000 --> 00:09:53,280 Speaker 10: here we go. I've got a whole bunch of audio 208 00:09:53,360 --> 00:09:55,240 Speaker 10: to play for you have a guess whether or not 209 00:09:55,480 --> 00:09:57,320 Speaker 10: celebrity is dead or alive. 210 00:09:57,360 --> 00:09:57,680 Speaker 2: We're going to. 211 00:09:59,280 --> 00:10:01,960 Speaker 9: I'm not playing for my job right now. I have 212 00:10:02,000 --> 00:10:03,679 Speaker 9: a contract. Well, we've got it in front of us 213 00:10:04,440 --> 00:10:06,959 Speaker 9: to rip it up if we get these all right. 214 00:10:07,120 --> 00:10:11,200 Speaker 10: Celebrity one Luke Perry made famous as the teen heart 215 00:10:11,240 --> 00:10:12,720 Speaker 10: Frog from nine. 216 00:10:12,600 --> 00:10:13,200 Speaker 6: O two one oh. 217 00:10:13,360 --> 00:10:14,640 Speaker 2: He died last year. 218 00:10:14,760 --> 00:10:17,400 Speaker 6: Yeah that's big years, Joel. That was off there, man, 219 00:10:18,320 --> 00:10:19,040 Speaker 6: that is correct. 220 00:10:19,520 --> 00:10:22,920 Speaker 9: Jeez man, that job is looking next. 221 00:10:22,960 --> 00:10:27,400 Speaker 10: Celebrity Bill Paxton, known from the movie Twister. 222 00:10:28,040 --> 00:10:30,199 Speaker 8: I'm happy with my life. I'm happy with the way 223 00:10:30,240 --> 00:10:31,600 Speaker 8: thanks are going in my life. 224 00:10:31,720 --> 00:10:35,280 Speaker 11: I'm happy with with with with with I know her 225 00:10:35,360 --> 00:10:36,240 Speaker 11: name was. 226 00:10:36,280 --> 00:10:42,080 Speaker 5: Also in general, he's the idiot who's going out with 227 00:10:42,480 --> 00:10:45,240 Speaker 5: Arnie's wife, who's lying to Ernie's wife? 228 00:10:45,720 --> 00:10:46,080 Speaker 2: Is he? 229 00:10:46,200 --> 00:10:46,440 Speaker 8: Yes? 230 00:10:46,760 --> 00:10:47,640 Speaker 6: Really skinny? 231 00:10:48,880 --> 00:10:51,040 Speaker 2: Are you're two? Rather go from Ghostbusters the dweep with 232 00:10:51,040 --> 00:10:51,960 Speaker 2: the square glasses? 233 00:10:52,080 --> 00:10:54,599 Speaker 9: No, that's a different it's the guy from Honey I 234 00:10:54,600 --> 00:10:55,319 Speaker 9: Shrunk the Kids. 235 00:10:55,400 --> 00:10:56,600 Speaker 2: Yeah, that's the guy I'm talking about. 236 00:10:56,920 --> 00:11:02,000 Speaker 9: Bill Paxton was in Uh he was in Alien. 237 00:11:02,160 --> 00:11:05,160 Speaker 2: Yeah, right, And I know who he is True Lies Twister. 238 00:11:05,360 --> 00:11:08,400 Speaker 3: Yeah, he's a bad guy anyway, he's. 239 00:11:08,240 --> 00:11:10,240 Speaker 2: Still he's still he's a great bad guy. How do 240 00:11:10,240 --> 00:11:10,960 Speaker 2: you know he's still alive. 241 00:11:11,280 --> 00:11:12,480 Speaker 6: I would have heard if Paxton died? 242 00:11:12,520 --> 00:11:12,880 Speaker 2: You reckon? 243 00:11:12,960 --> 00:11:15,520 Speaker 9: I reckon, Yeah, he's still you know you think he's dead. 244 00:11:15,840 --> 00:11:17,400 Speaker 2: Well, I haven't heard much about Paxton. 245 00:11:17,480 --> 00:11:19,280 Speaker 3: I mean, like, I thought it was a different guy 246 00:11:19,360 --> 00:11:21,640 Speaker 3: when we hear about that, I didn't actually know who 247 00:11:21,640 --> 00:11:25,400 Speaker 3: he was. So maybe I just don't have mistake in this. 248 00:11:25,640 --> 00:11:27,520 Speaker 2: I bet on you. 249 00:11:31,360 --> 00:11:31,880 Speaker 8: When viction. 250 00:11:32,080 --> 00:11:32,920 Speaker 6: When did he die? 251 00:11:33,200 --> 00:11:36,199 Speaker 9: It was just before the Oscars about four years ago. 252 00:11:37,520 --> 00:11:40,439 Speaker 2: He's packed in the True Lies. He's passed in the guy. 253 00:11:40,600 --> 00:11:42,360 Speaker 2: So he's the guy in True Lies. This is his 254 00:11:42,440 --> 00:11:45,560 Speaker 2: pants in true life business pants in true lives. Yes, yeah, 255 00:11:45,559 --> 00:11:48,280 Speaker 2: but he's not pullman, I think was the president. 256 00:11:48,400 --> 00:11:49,439 Speaker 8: I'm just trying to cover. 257 00:11:49,400 --> 00:11:50,880 Speaker 3: For the fact that you shot in there with a 258 00:11:50,880 --> 00:11:53,360 Speaker 3: lot of conviction before and you've got it blindly wrong. 259 00:11:53,520 --> 00:11:56,840 Speaker 3: Exactly right when we're a millionaire together and I asked you, 260 00:11:56,880 --> 00:11:58,480 Speaker 3: how do you know the petuitory. 261 00:11:58,000 --> 00:12:00,319 Speaker 2: Glen's not in the brain, and you were like, man, 262 00:12:00,440 --> 00:12:02,600 Speaker 2: I just know, and I did, and we nearly lost 263 00:12:02,600 --> 00:12:02,959 Speaker 2: all the matter. 264 00:12:05,400 --> 00:12:08,640 Speaker 10: Is this celebrity debtor alive? Sally Field from Forrest Gump 265 00:12:08,880 --> 00:12:10,920 Speaker 10: or Missus doubt Fire sang. 266 00:12:13,120 --> 00:12:17,240 Speaker 2: Still again, you can't just look at me in the eye. 267 00:12:17,440 --> 00:12:20,520 Speaker 8: You did last time with Paxton. You thought that he 268 00:12:20,600 --> 00:12:22,280 Speaker 8: was because you have lost the child. 269 00:12:22,200 --> 00:12:24,200 Speaker 5: That she only recently came out and said that it 270 00:12:24,320 --> 00:12:27,760 Speaker 5: used to infuriate Robin Williams that she would never laugh 271 00:12:28,280 --> 00:12:30,840 Speaker 5: missus daw that story would have been. Yeah, that was 272 00:12:30,840 --> 00:12:34,080 Speaker 5: on the Watchables podcast, So to give that interview got 273 00:12:34,200 --> 00:12:36,520 Speaker 5: to be alive, and I'm pretty sure. 274 00:12:37,640 --> 00:12:39,240 Speaker 8: Know about that logic. 275 00:12:39,360 --> 00:12:41,320 Speaker 2: She was also has been in a movie recently. She 276 00:12:41,320 --> 00:12:44,200 Speaker 2: has been in movies recently, though a lot of. 277 00:12:44,600 --> 00:12:49,760 Speaker 5: Know if Sally Fields there would be all sorts of honors. 278 00:12:49,760 --> 00:12:53,000 Speaker 3: True fair, I thought the same for Paxton. Turns out 279 00:12:53,000 --> 00:12:54,959 Speaker 3: that had a parade for the big guy. The Paxton 280 00:12:55,000 --> 00:12:57,640 Speaker 3: Parade up with the movie that you think. 281 00:12:57,480 --> 00:13:01,640 Speaker 2: He was in. She Feels Alive? 282 00:13:02,200 --> 00:13:09,480 Speaker 3: Yeah, okay, this one more, one more. 283 00:13:09,840 --> 00:13:14,160 Speaker 10: Gene Hackman made famous for many many movies, including He's 284 00:13:14,480 --> 00:13:14,959 Speaker 10: Still Alive. 285 00:13:15,880 --> 00:13:16,959 Speaker 6: You have something they want? 286 00:13:17,200 --> 00:13:19,679 Speaker 2: I don't have anything. Maybe you're doing You don't know what. 287 00:13:20,040 --> 00:13:21,160 Speaker 8: You stay away from Rachel. 288 00:13:21,240 --> 00:13:22,880 Speaker 6: You stay away from me. You come there either one 289 00:13:22,920 --> 00:13:24,040 Speaker 6: of us. I'm gonna kill you. 290 00:13:24,559 --> 00:13:28,120 Speaker 9: I was, of course the movie behindemy lines, but that's 291 00:13:28,160 --> 00:13:28,560 Speaker 9: not the game. 292 00:13:28,640 --> 00:13:30,160 Speaker 2: Is he dead or alive? 293 00:13:31,280 --> 00:13:31,319 Speaker 3: What? 294 00:13:31,480 --> 00:13:33,240 Speaker 2: Gean Ackman died just now? 295 00:13:33,920 --> 00:13:35,280 Speaker 9: When now he's still alive? 296 00:13:35,400 --> 00:13:42,280 Speaker 6: Oh I was like to be doing that on his 297 00:13:42,360 --> 00:13:42,760 Speaker 6: death day. 298 00:13:44,640 --> 00:13:49,000 Speaker 2: Celet now a good gag from you at the end. 299 00:13:49,000 --> 00:13:51,640 Speaker 8: They're very good gag. But you haven't saved your job. 300 00:13:51,800 --> 00:13:52,760 Speaker 8: Gelding's gone. 301 00:13:52,960 --> 00:13:53,560 Speaker 1: Got one more. 302 00:13:53,679 --> 00:13:57,920 Speaker 10: No your god, Jerey Lewis, He's still alive about you. 303 00:13:58,040 --> 00:13:59,600 Speaker 1: It's the Will and Woody podcast. 304 00:13:59,640 --> 00:14:02,440 Speaker 5: This is a way to impress people at Christmas, whether 305 00:14:02,480 --> 00:14:04,840 Speaker 5: it's your family, whether it's your in laws, to sure 306 00:14:04,880 --> 00:14:08,680 Speaker 5: fireway to do it, and basically it's a lesson in 307 00:14:08,880 --> 00:14:14,160 Speaker 5: sounding more posh more classy and a little bit more fancy, 308 00:14:14,440 --> 00:14:16,480 Speaker 5: just by changing the way you. 309 00:14:16,360 --> 00:14:17,960 Speaker 12: Speak, changing the way you speak right. 310 00:14:18,080 --> 00:14:20,280 Speaker 5: Yes, I read an article about it today, and if 311 00:14:20,280 --> 00:14:22,040 Speaker 5: I'm being brutally honest, ye, the. 312 00:14:22,080 --> 00:14:25,280 Speaker 6: Article was crap. Okay, it didn't help at all to us. 313 00:14:25,440 --> 00:14:28,040 Speaker 3: But arouser Joel, I think sent that article to you 314 00:14:28,600 --> 00:14:29,440 Speaker 3: didn't like that one. 315 00:14:29,280 --> 00:14:30,680 Speaker 6: Woulds it was so boring. 316 00:14:31,280 --> 00:14:35,720 Speaker 5: But here's the thing, Well, you, my friend, are the 317 00:14:35,960 --> 00:14:38,880 Speaker 5: poshest person I have ever met. You've got away with 318 00:14:38,920 --> 00:14:42,600 Speaker 5: your words and I like to call you the posh 319 00:14:42,640 --> 00:14:55,880 Speaker 5: translator because you're the posh translator and that's terminator Jesus 320 00:14:56,000 --> 00:14:57,400 Speaker 5: as a loose link, but. 321 00:14:57,400 --> 00:14:58,720 Speaker 9: I think it works anyway. 322 00:14:59,080 --> 00:15:00,480 Speaker 6: Basically, what I'm going to in front. 323 00:15:00,320 --> 00:15:04,640 Speaker 2: Of me it smells like a Friday It definitely is. 324 00:15:04,920 --> 00:15:05,080 Speaker 6: Now. 325 00:15:05,080 --> 00:15:06,640 Speaker 5: What I've got in front of me will is a 326 00:15:06,640 --> 00:15:10,480 Speaker 5: whole bunch of standard questions or statements that get set 327 00:15:10,520 --> 00:15:11,680 Speaker 5: around Christmas, yep. 328 00:15:11,800 --> 00:15:14,840 Speaker 9: And basically you're going to translate these. 329 00:15:15,040 --> 00:15:19,160 Speaker 5: Bogan sentences right into a posh way of saying right. 330 00:15:19,160 --> 00:15:21,560 Speaker 3: And this is just in case you come across a 331 00:15:21,600 --> 00:15:24,040 Speaker 3: dinner party or a luncheon where you've obviously. 332 00:15:23,640 --> 00:15:23,960 Speaker 2: Got a deal. 333 00:15:24,080 --> 00:15:26,160 Speaker 3: That's that's that's a good start called a luncheon, not 334 00:15:26,240 --> 00:15:31,440 Speaker 3: a lunch good start. 335 00:15:29,840 --> 00:15:31,200 Speaker 9: With, you know, like a what. 336 00:15:31,120 --> 00:15:32,120 Speaker 6: Do you say? You says? 337 00:15:32,800 --> 00:15:33,000 Speaker 3: Law? 338 00:15:34,160 --> 00:15:37,840 Speaker 5: This leans into my first thing. What's the posh way 339 00:15:37,840 --> 00:15:39,600 Speaker 5: of saying I'm hung as balls? 340 00:15:40,440 --> 00:15:40,600 Speaker 4: Oh? 341 00:15:40,640 --> 00:15:41,160 Speaker 8: You hungover? 342 00:15:41,760 --> 00:15:43,120 Speaker 6: That can have it on Christmas Day? You might be 343 00:15:43,160 --> 00:15:43,680 Speaker 6: hung as balls. 344 00:15:43,720 --> 00:15:46,000 Speaker 9: But if you don't want to sound like a bogan. 345 00:15:45,720 --> 00:15:49,560 Speaker 3: I'm afraid I've taken ill as I was sufficiently inebriated 346 00:15:49,640 --> 00:15:50,080 Speaker 3: last night. 347 00:15:51,200 --> 00:15:53,400 Speaker 6: He's bag. 348 00:15:53,800 --> 00:15:56,120 Speaker 5: We had a little miss, but he's back. Okay, here 349 00:15:56,120 --> 00:16:00,000 Speaker 5: we go next month. Change this into poshline. 350 00:16:00,080 --> 00:16:00,520 Speaker 2: Wuage. 351 00:16:01,080 --> 00:16:02,840 Speaker 5: You have to tell your mum that your uncle is 352 00:16:02,880 --> 00:16:05,840 Speaker 5: spewing under a tree because he had too much eggnog? 353 00:16:06,080 --> 00:16:11,120 Speaker 12: Okay, mother, uncle George. 354 00:16:12,680 --> 00:16:16,000 Speaker 2: Is what's another word for uncle? 355 00:16:16,160 --> 00:16:16,640 Speaker 12: What's his name? 356 00:16:16,680 --> 00:16:17,160 Speaker 2: Uncle George? 357 00:16:17,320 --> 00:16:18,160 Speaker 9: Could your uncle George? 358 00:16:18,200 --> 00:16:20,880 Speaker 2: Okay, he's had too much eggnog? 359 00:16:20,880 --> 00:16:21,200 Speaker 6: Too much? 360 00:16:21,320 --> 00:16:23,200 Speaker 2: Both of yours are being drunk related. 361 00:16:23,760 --> 00:16:26,160 Speaker 9: Yeah, well the end of the day and I'm trying 362 00:16:26,160 --> 00:16:26,720 Speaker 9: to push it up. 363 00:16:27,000 --> 00:16:30,520 Speaker 3: Okay, okay, So uncle George is having a George underneath 364 00:16:30,560 --> 00:16:32,520 Speaker 3: an arbor in the backyard. 365 00:16:34,480 --> 00:16:37,200 Speaker 2: Is an harbor, it's it's it's a French word for 366 00:16:37,200 --> 00:16:37,640 Speaker 2: for tree. 367 00:16:37,760 --> 00:16:42,160 Speaker 3: But occasionally gets used in English, in an old fashioned English. 368 00:16:42,640 --> 00:16:46,320 Speaker 5: These posh people do those mixed languages sometimes, just like 369 00:16:46,360 --> 00:16:47,000 Speaker 5: it's a sport. 370 00:16:47,680 --> 00:16:49,400 Speaker 6: All right, here we go. Next one. 371 00:16:49,760 --> 00:16:52,880 Speaker 5: Your mom's given you a Yoho Diablo for Christmas and 372 00:16:52,920 --> 00:16:53,600 Speaker 5: you hate it. 373 00:16:54,000 --> 00:16:57,480 Speaker 3: Tell her in a poshway, mother, I'm sorry to inform 374 00:16:57,520 --> 00:17:00,840 Speaker 3: you that I'm not entirely satisfied with the gift upon 375 00:17:00,880 --> 00:17:01,840 Speaker 3: which you have bestowed me. 376 00:17:05,560 --> 00:17:07,840 Speaker 2: All right, all right, I. 377 00:17:07,920 --> 00:17:10,439 Speaker 6: Got one more fire. It's but not be impossible to 378 00:17:10,480 --> 00:17:11,560 Speaker 6: posh up. Okay, here we go. 379 00:17:12,480 --> 00:17:14,800 Speaker 5: The dog ate last night's beefs strugging off and has 380 00:17:14,840 --> 00:17:16,560 Speaker 5: taken a ship under the Christmas tree. 381 00:17:19,520 --> 00:17:23,640 Speaker 3: The hound has devoured last evening's supper and as a result, 382 00:17:23,680 --> 00:17:26,040 Speaker 3: has relieved itself underneath the Christmas harbor. 383 00:17:26,080 --> 00:17:27,240 Speaker 2: There you go go on harbor again. 384 00:17:28,400 --> 00:17:29,600 Speaker 6: You've crawled back harbor. 385 00:17:31,119 --> 00:17:31,560 Speaker 2: Very good. 386 00:17:32,000 --> 00:17:33,920 Speaker 1: It's the Women Woody podcast. 387 00:17:34,680 --> 00:17:36,120 Speaker 8: You and I've got a brand new podcast. 388 00:17:36,160 --> 00:17:38,040 Speaker 3: But you're going to be putting out every Wednesday, I 389 00:17:38,040 --> 00:17:40,960 Speaker 3: think is of next week. Yes, And it's called Bad 390 00:17:41,160 --> 00:17:45,000 Speaker 3: Trips and all it involves is people having bad experiences 391 00:17:45,000 --> 00:17:46,399 Speaker 3: on holiday. 392 00:17:49,440 --> 00:17:53,720 Speaker 5: We're all going on this totally sucks. 393 00:17:55,240 --> 00:18:01,159 Speaker 3: We are going into obviously summer holidays, said a bad holiday. 394 00:18:01,160 --> 00:18:02,399 Speaker 12: It's a good reminder of the fact that, yes, we 395 00:18:02,400 --> 00:18:03,400 Speaker 12: should be excited about. 396 00:18:03,200 --> 00:18:05,520 Speaker 3: The holidays, but obviously there are some bad troops that 397 00:18:05,560 --> 00:18:07,879 Speaker 3: all of us have been on in the past. Yes, 398 00:18:08,080 --> 00:18:09,760 Speaker 3: so we've got some amazing guests who are going to 399 00:18:09,760 --> 00:18:12,280 Speaker 3: be joining us, says Sophie. Monk's going to be on there, 400 00:18:12,320 --> 00:18:14,320 Speaker 3: marthak calor Fatitis is going to be on there. 401 00:18:14,480 --> 00:18:17,240 Speaker 2: Yes, looking forward to them joining us on the podcast. 402 00:18:17,320 --> 00:18:18,880 Speaker 3: But I wanted to play a little bit of one 403 00:18:18,920 --> 00:18:21,200 Speaker 3: of the chats we had with one of our guests, 404 00:18:21,200 --> 00:18:24,119 Speaker 3: one of our favorites in the studio. He came in 405 00:18:24,119 --> 00:18:26,280 Speaker 3: the other day, Vince Colossimo. You and I've been shooting 406 00:18:26,280 --> 00:18:28,840 Speaker 3: Celebrity Apprentice with him. He's one of the best guys 407 00:18:28,920 --> 00:18:29,440 Speaker 3: on the planet. 408 00:18:29,480 --> 00:18:30,400 Speaker 2: We absolutely love Vince. 409 00:18:30,440 --> 00:18:35,000 Speaker 3: Great storyteller as well, beautiful storyteller, beautiful man. And you 410 00:18:35,000 --> 00:18:37,960 Speaker 3: can get the full episode on Bad Trips when it 411 00:18:38,000 --> 00:18:41,119 Speaker 3: comes out next Wednesday. But here is just a sneak 412 00:18:41,160 --> 00:18:43,119 Speaker 3: preview of some of the gear you can get on 413 00:18:43,200 --> 00:18:45,560 Speaker 3: Bad Trips with William Woodie, I. 414 00:18:45,520 --> 00:18:48,840 Speaker 11: Was invited by I won't mention the names with very 415 00:18:48,960 --> 00:18:51,639 Speaker 11: very well great friends, but also very wealthy who had 416 00:18:51,680 --> 00:18:54,399 Speaker 11: their own private jet and invited me to come on 417 00:18:54,440 --> 00:18:57,000 Speaker 11: a bit of a tour around York with them. Belong 418 00:18:57,040 --> 00:18:59,480 Speaker 11: any money and they said, they said that why we 419 00:18:59,560 --> 00:19:03,080 Speaker 11: look after everything. And I said, come. We went to Greece, 420 00:19:03,080 --> 00:19:05,040 Speaker 11: we went to Italy, we went to Paris, and then 421 00:19:05,040 --> 00:19:06,879 Speaker 11: we went to I remember being in Barcelona, and I 422 00:19:06,920 --> 00:19:07,280 Speaker 11: wanted to. 423 00:19:07,200 --> 00:19:09,720 Speaker 6: Get back to Paris. So is his private jets. 424 00:19:11,000 --> 00:19:15,679 Speaker 11: You know, and and a pilot, you know, pilot swapped 425 00:19:15,680 --> 00:19:17,479 Speaker 11: I think in Europe somewhere, and they got another pilot. 426 00:19:19,200 --> 00:19:19,679 Speaker 8: I remember. 427 00:19:20,200 --> 00:19:24,560 Speaker 11: I remember we're in Bora, Bora, stopped there and uh 428 00:19:24,680 --> 00:19:27,160 Speaker 11: and I got out of the plane. A couple minutes later, 429 00:19:27,200 --> 00:19:29,440 Speaker 11: the pilot comes up to me, excuse me, it's the course. 430 00:19:29,640 --> 00:19:31,920 Speaker 11: But whenever you're ready, we are will take off. 431 00:19:31,920 --> 00:19:32,800 Speaker 6: But you take your time, you know. 432 00:19:32,840 --> 00:19:35,320 Speaker 7: And I took myself. The plane is waiting for me. 433 00:19:40,160 --> 00:19:43,560 Speaker 7: Never plan, don't hurry, don hurry when you're ready, when you're. 434 00:19:43,400 --> 00:19:47,159 Speaker 8: Ready coming over. It's not a member of the cruise. 435 00:19:47,200 --> 00:19:49,760 Speaker 11: The actual came up with the pilot came up and 436 00:19:50,320 --> 00:19:55,840 Speaker 11: I said, there in a second. And then you know, 437 00:19:55,920 --> 00:19:58,000 Speaker 11: you get into the new countries and it's not that 438 00:19:58,080 --> 00:20:00,919 Speaker 11: this you know, going through customs and getting checked, like 439 00:20:00,960 --> 00:20:02,600 Speaker 11: you give someone your passport and it was something you 440 00:20:02,640 --> 00:20:04,320 Speaker 11: threw and you're in your car and you were stuff 441 00:20:04,359 --> 00:20:08,200 Speaker 11: to the most beautiful I tell And I remember I 442 00:20:08,240 --> 00:20:09,919 Speaker 11: just thought I thought I'd roll the dice at one 443 00:20:09,960 --> 00:20:11,920 Speaker 11: stage and I asked the guy who was sort of 444 00:20:11,960 --> 00:20:14,520 Speaker 11: rung the whole trip, and I said, to any chance 445 00:20:14,520 --> 00:20:16,600 Speaker 11: of we can go back to Paris, because I wanted 446 00:20:16,600 --> 00:20:19,040 Speaker 11: to meet someone in Paris. And I thought, I'm really 447 00:20:19,040 --> 00:20:21,760 Speaker 11: pushing my luck here, but he's find me around. I said, 448 00:20:22,119 --> 00:20:25,080 Speaker 11: can we fly back to Paris? I'm in Barcelona. It's 449 00:20:25,080 --> 00:20:27,159 Speaker 11: not that far to Paris. Really, I can do it myself, 450 00:20:27,160 --> 00:20:30,160 Speaker 11: but if he could fly there, that'd be great. 451 00:20:30,520 --> 00:20:31,919 Speaker 8: I'm playing that you've all been a part of. 452 00:20:32,480 --> 00:20:33,159 Speaker 1: Sitting there on the run. 453 00:20:38,840 --> 00:20:43,600 Speaker 11: I said, any chance that we can fly to Paris? 454 00:20:43,600 --> 00:20:45,439 Speaker 11: And he said, and so I won't be able to 455 00:20:45,440 --> 00:20:46,879 Speaker 11: do that. So I won't be able to do that 456 00:20:46,880 --> 00:20:50,200 Speaker 11: to onrow morning, and I said, okay, let's find a guess. No, no, no, 457 00:20:50,320 --> 00:20:52,679 Speaker 11: let me explain to you why I can't do it. 458 00:20:52,760 --> 00:20:55,120 Speaker 11: And I said, that's all right, explain that. No, let's 459 00:20:55,119 --> 00:20:57,359 Speaker 11: go and get a coffee. So I said all right, 460 00:20:58,080 --> 00:20:59,440 Speaker 11: I didn't need a lecture about it, and I just 461 00:20:59,440 --> 00:21:01,639 Speaker 11: thought of But anyway, he wanted to tell me all 462 00:21:01,680 --> 00:21:04,360 Speaker 11: about it. So we went down to the went down 463 00:21:04,400 --> 00:21:07,560 Speaker 11: to the boardwalk and we were walking, you know, trying 464 00:21:07,560 --> 00:21:10,200 Speaker 11: to find a cafe in Barcelona, and he said, Vince, 465 00:21:10,320 --> 00:21:13,159 Speaker 11: the reason I can't fly tomorrow morning to Paris is 466 00:21:13,160 --> 00:21:16,280 Speaker 11: because well, we lost eighty million dollars in the stock 467 00:21:16,280 --> 00:21:21,159 Speaker 11: market last night. Jesus, I said, dumb, it's all right. 468 00:21:21,240 --> 00:21:22,879 Speaker 7: My whole paper, the coffee. 469 00:21:24,920 --> 00:21:26,080 Speaker 2: Don't have a story. 470 00:21:26,280 --> 00:21:27,680 Speaker 8: Make sure you get the full one. 471 00:21:28,320 --> 00:21:31,520 Speaker 3: On Bad Trips, our brand new podcast with just people 472 00:21:31,560 --> 00:21:33,840 Speaker 3: telling us their worst holiday stories. It will be out 473 00:21:33,880 --> 00:21:37,400 Speaker 3: again as of next Wednesday, so you guys can enjoy that. 474 00:21:37,840 --> 00:21:39,480 Speaker 1: It's the Will and Woody podcast. 475 00:21:40,240 --> 00:21:41,600 Speaker 8: We've got Ricky Lee in the studio. 476 00:21:42,640 --> 00:21:48,919 Speaker 13: Play oh good, how are you? 477 00:21:49,240 --> 00:21:49,600 Speaker 2: Very good? 478 00:21:49,680 --> 00:21:50,520 Speaker 1: Your faces? 479 00:21:50,760 --> 00:21:51,880 Speaker 6: Lovely to see your foe. 480 00:21:51,920 --> 00:21:53,680 Speaker 14: It's also lovely to see your legs. 481 00:21:54,040 --> 00:21:54,439 Speaker 6: Thank you. 482 00:21:55,119 --> 00:21:57,000 Speaker 14: I just looked over and I thought, you may I 483 00:21:57,080 --> 00:21:58,399 Speaker 14: may not be wearing pants, but. 484 00:21:58,520 --> 00:22:01,160 Speaker 6: My short very short. 485 00:22:01,359 --> 00:22:05,680 Speaker 9: Not actually not sure, but they are. 486 00:22:06,080 --> 00:22:09,800 Speaker 13: When you sit down, why they might seeing inside of 487 00:22:09,840 --> 00:22:10,320 Speaker 13: your shorts. 488 00:22:10,359 --> 00:22:15,280 Speaker 5: I'm sorry, I apologize that you're seeing you also rooney jocks. 489 00:22:15,880 --> 00:22:17,680 Speaker 2: Are you wearing any jobs with the board shorts? 490 00:22:18,000 --> 00:22:21,040 Speaker 5: I am wearing jocks today Friday. But can a shame 491 00:22:21,080 --> 00:22:23,280 Speaker 5: on you, Ricky that you're looking down there? Can I 492 00:22:23,359 --> 00:22:25,040 Speaker 5: keep this professional and keep it above then? 493 00:22:25,200 --> 00:22:28,359 Speaker 13: Just tell everyone it is lit pink underneath the desk, 494 00:22:28,520 --> 00:22:29,840 Speaker 13: so it's glowing under there. 495 00:22:30,680 --> 00:22:32,280 Speaker 14: It kind of draws the eye down. 496 00:22:33,400 --> 00:22:39,480 Speaker 6: I instilled that spotlight on my crutch during lockdown. If 497 00:22:39,480 --> 00:22:42,040 Speaker 6: we can just seguay away from my crutch. 498 00:22:41,760 --> 00:22:44,080 Speaker 3: If we can, before we move away from your crutch, 499 00:22:44,119 --> 00:22:46,040 Speaker 3: can I just get Ricky? I often say that he 500 00:22:46,080 --> 00:22:46,840 Speaker 3: has rat legs. 501 00:22:47,200 --> 00:22:48,200 Speaker 9: Do you think rat legs? 502 00:22:48,280 --> 00:22:50,680 Speaker 6: Yeah, that's a solid leg, isn't. 503 00:22:51,600 --> 00:22:53,600 Speaker 14: I mean I've got a more solid legs. 504 00:22:55,800 --> 00:22:56,600 Speaker 6: Join in on here. 505 00:22:56,680 --> 00:22:58,479 Speaker 14: That would what that would be what we would call 506 00:22:58,520 --> 00:22:59,760 Speaker 14: in my family twigs. 507 00:23:01,800 --> 00:23:07,320 Speaker 13: They're cute, they're very twigs. 508 00:23:07,320 --> 00:23:07,720 Speaker 1: It looks like. 509 00:23:07,720 --> 00:23:08,879 Speaker 14: You'd be a fast runner. 510 00:23:09,680 --> 00:23:09,960 Speaker 4: Quick. 511 00:23:12,640 --> 00:23:14,320 Speaker 9: Yeah, take that. 512 00:23:14,760 --> 00:23:17,720 Speaker 6: I'm pretty quick. I'm pretty quick. I run a twelve 513 00:23:17,760 --> 00:23:18,359 Speaker 6: second hundred. 514 00:23:18,400 --> 00:23:21,960 Speaker 8: Oh my god in the civil. 515 00:23:23,680 --> 00:23:24,800 Speaker 14: Really okay, I'm gonna have. 516 00:23:27,359 --> 00:23:29,280 Speaker 1: Did I can't look those. 517 00:23:30,240 --> 00:23:34,080 Speaker 13: You need to start wearing pants in the studio second 518 00:23:34,359 --> 00:23:35,240 Speaker 13: hr situation. 519 00:23:36,560 --> 00:23:38,520 Speaker 8: Maybe for you, it's an hr situation. 520 00:23:40,040 --> 00:23:41,760 Speaker 5: Yeah, yeah, gold to Barry, that's a good idea. I 521 00:23:41,800 --> 00:23:45,360 Speaker 5: don't want to say that's like a low wall. Let's 522 00:23:45,400 --> 00:23:46,000 Speaker 5: not get into that. 523 00:23:46,760 --> 00:23:48,280 Speaker 8: What is going on with you too? 524 00:23:48,720 --> 00:23:52,560 Speaker 3: You're both in relationships, might I add exactly but solidly, which. 525 00:23:52,359 --> 00:23:53,000 Speaker 6: Makes this fun? 526 00:23:53,080 --> 00:23:56,119 Speaker 14: But I do sleep with a pillow wall with your husband? 527 00:23:56,440 --> 00:23:56,640 Speaker 1: Yeah? 528 00:23:56,640 --> 00:23:58,320 Speaker 14: I don't want to be touched in the night. 529 00:23:59,480 --> 00:24:02,520 Speaker 9: You mean, what time does the pillow wall go up? 530 00:24:03,359 --> 00:24:06,040 Speaker 13: It goes up when it's bedtime, when it's sleep time, 531 00:24:06,240 --> 00:24:08,879 Speaker 13: not when it's bedtime. 532 00:24:09,240 --> 00:24:12,200 Speaker 3: Is that because he's got a propensity to he's got 533 00:24:12,240 --> 00:24:15,119 Speaker 3: wandering hands in the night trying. Can I ask you 534 00:24:15,119 --> 00:24:17,560 Speaker 3: a question because I found out this My girlfriend told 535 00:24:17,600 --> 00:24:18,720 Speaker 3: me that I try and sleep with her in my 536 00:24:18,760 --> 00:24:19,760 Speaker 3: sleep all the time. Oh. 537 00:24:19,880 --> 00:24:21,880 Speaker 14: Interesting, like just fascinating. 538 00:24:21,960 --> 00:24:22,639 Speaker 12: Isn't that wild? 539 00:24:22,880 --> 00:24:24,159 Speaker 14: Because you don't even remember. 540 00:24:24,359 --> 00:24:28,040 Speaker 13: I don't remembers you like you know, it's like, okay, cool, 541 00:24:28,119 --> 00:24:28,919 Speaker 13: let's do this, and. 542 00:24:29,040 --> 00:24:31,920 Speaker 9: Then and then you're like, let's pull down the Berlin wall. 543 00:24:31,960 --> 00:24:32,920 Speaker 9: Let's do one. 544 00:24:33,200 --> 00:24:34,880 Speaker 14: Okay, Oh you're not awake. 545 00:24:36,480 --> 00:24:39,119 Speaker 3: So you'll you'll be all the way up until sometimes 546 00:24:39,160 --> 00:24:40,240 Speaker 3: horizontal refreshments. 547 00:24:40,280 --> 00:24:43,159 Speaker 12: It's fully going on. You guys are double. 548 00:24:42,880 --> 00:24:47,159 Speaker 3: Parking, parallel parking, and then all of a sudden and 549 00:24:47,160 --> 00:24:49,040 Speaker 3: then you'll be like, well, how do you know when 550 00:24:49,040 --> 00:24:53,680 Speaker 3: he's asleep? Well, you know, well obviously you don't. 551 00:24:53,400 --> 00:24:55,919 Speaker 13: Make you no, no, because it's like it gets you know, 552 00:24:56,000 --> 00:24:57,840 Speaker 13: sometimes you're like, oh hot and heavy, and then and 553 00:24:57,880 --> 00:25:00,240 Speaker 13: then you're like, oh no, you're definitely sleep. 554 00:25:00,280 --> 00:25:01,720 Speaker 6: Do you tell me? Do you tell him in the morning? 555 00:25:01,760 --> 00:25:07,119 Speaker 12: Like that's yeah, extraordinary. I feel like we've actually. 556 00:25:07,240 --> 00:25:09,560 Speaker 14: Like is that not the same for you? 557 00:25:09,600 --> 00:25:11,119 Speaker 12: No, I feel like we've actually you're. 558 00:25:11,160 --> 00:25:13,520 Speaker 13: Actually in there and you're doing it and you're like, wow, 559 00:25:13,600 --> 00:25:15,600 Speaker 13: this is fun, and then you don't remember doing this. 560 00:25:15,960 --> 00:25:18,840 Speaker 14: Oh wow, yes, don't go all the way very fancy. 561 00:25:19,440 --> 00:25:23,720 Speaker 6: I've heard you're actually better because you're tall. Your bedroom 562 00:25:23,760 --> 00:25:24,520 Speaker 6: talk is so bad. 563 00:25:26,640 --> 00:25:30,959 Speaker 2: Corse, no chatting, No, absolutely not. 564 00:25:31,320 --> 00:25:33,119 Speaker 8: Thank you so much for joining us, Ricky. 565 00:25:33,440 --> 00:25:36,160 Speaker 1: It's podcast boards. 566 00:25:36,320 --> 00:25:39,520 Speaker 3: All throughout this year, you and I have pitched our 567 00:25:39,560 --> 00:25:42,639 Speaker 3: rejected ideas, and I pitched a lot of ideas every 568 00:25:42,640 --> 00:25:43,080 Speaker 3: single week. 569 00:25:43,160 --> 00:25:44,200 Speaker 8: Not all of them can make the show. 570 00:25:44,200 --> 00:25:46,920 Speaker 3: That producers give us ten minutes every show to try 571 00:25:46,960 --> 00:25:49,080 Speaker 3: and get our rejected ideas into the show. We have 572 00:25:49,119 --> 00:25:52,960 Speaker 3: to compete for the one spot and today they are 573 00:25:53,119 --> 00:25:58,320 Speaker 3: choosing the rejected idea, the worst of the rejected ideas. 574 00:25:58,760 --> 00:25:59,520 Speaker 2: This year. 575 00:26:01,800 --> 00:26:04,200 Speaker 1: It's Will and Woody's rejected ideas. 576 00:26:05,840 --> 00:26:07,280 Speaker 6: All right, this is going to be hard to listen to. 577 00:26:07,600 --> 00:26:08,760 Speaker 6: This will be hard to listen. 578 00:26:08,560 --> 00:26:11,000 Speaker 5: To for us, but hopefully everyone in their cars will 579 00:26:11,080 --> 00:26:14,000 Speaker 5: enjoy this. So we're going around to a couple of 580 00:26:14,040 --> 00:26:17,879 Speaker 5: producers here with their opinion on the worst idea that 581 00:26:18,040 --> 00:26:19,919 Speaker 5: made the radio show. Now we're going to start with 582 00:26:19,920 --> 00:26:22,639 Speaker 5: our button bush of Joel here. Now, Joel, what do 583 00:26:22,720 --> 00:26:25,200 Speaker 5: you think was the worst idea that made the radio show? 584 00:26:25,280 --> 00:26:25,359 Speaker 13: This? 585 00:26:25,480 --> 00:26:27,520 Speaker 9: Jeez, boys, so many ideas to pick from. 586 00:26:27,840 --> 00:26:30,960 Speaker 10: This this jumped out of me. Well, well, you're not 587 00:26:31,000 --> 00:26:35,200 Speaker 10: really involved with this one, so maybe put your arms 588 00:26:35,200 --> 00:26:38,520 Speaker 10: in the air and enjoy what we called the Chip game. 589 00:26:40,000 --> 00:26:46,680 Speaker 3: I reckon Finn's original or Smith's original. 590 00:26:43,359 --> 00:26:46,760 Speaker 2: Finn's original to Smith's original. 591 00:26:50,160 --> 00:26:53,680 Speaker 5: So, in case you didn't get it, that was us 592 00:26:53,720 --> 00:26:57,119 Speaker 5: both blindfolded trying to figure out what chip we were 593 00:26:57,119 --> 00:26:58,280 Speaker 5: putting in each other's mouths. 594 00:26:58,520 --> 00:27:01,960 Speaker 6: Yeah, I'm that was pretty good stuff. Okay, let's go 595 00:27:02,000 --> 00:27:03,000 Speaker 6: outside now to l J. 596 00:27:04,520 --> 00:27:06,960 Speaker 3: L JIP, also known as this what came to mind 597 00:27:06,960 --> 00:27:09,040 Speaker 3: for me? The Chip game did it really, that was 598 00:27:09,040 --> 00:27:10,600 Speaker 3: the first time that came to my mind. No, you 599 00:27:10,640 --> 00:27:12,320 Speaker 3: had another one as well that didn't get. 600 00:27:12,200 --> 00:27:13,560 Speaker 12: To air that involved chips. 601 00:27:14,600 --> 00:27:17,240 Speaker 3: Was no, no, it was long until someone reaches for 602 00:27:17,280 --> 00:27:17,800 Speaker 3: a chip. 603 00:27:18,080 --> 00:27:20,240 Speaker 5: So yeah, it was we both have a chip and 604 00:27:20,240 --> 00:27:22,400 Speaker 5: then it's just a Mexican standoff as to who can 605 00:27:22,520 --> 00:27:25,000 Speaker 5: survive the longest without taking his second chip, because god, 606 00:27:25,000 --> 00:27:26,040 Speaker 5: you always want a second chip. 607 00:27:26,720 --> 00:27:31,320 Speaker 8: Make sure on chip game pictures. 608 00:27:31,040 --> 00:27:33,240 Speaker 5: That'll come back in twenty twenty two, that one anyway, 609 00:27:33,600 --> 00:27:38,120 Speaker 5: Producer l j also missus Dad fire, What. 610 00:27:38,119 --> 00:27:39,600 Speaker 1: Did you also remember pitching? 611 00:27:39,720 --> 00:27:40,400 Speaker 8: Are you dead? 612 00:27:41,400 --> 00:27:42,440 Speaker 6: What was I you dead? 613 00:27:42,680 --> 00:27:43,800 Speaker 1: Just bring up you dad? 614 00:27:45,240 --> 00:27:47,680 Speaker 6: I do remember that. Actually what I remember that? 615 00:27:47,840 --> 00:27:52,359 Speaker 8: Actually? Actually it doesn't make sense. 616 00:27:52,400 --> 00:27:54,720 Speaker 6: No, I know, I know, and you told me that back. 617 00:27:56,000 --> 00:27:59,000 Speaker 9: Anyway, l Jays make good. 618 00:27:59,400 --> 00:28:02,520 Speaker 3: My nominee this year for the worst rejected idea that 619 00:28:02,600 --> 00:28:06,200 Speaker 3: got to it was is it will or a trumpet? 620 00:28:06,560 --> 00:28:09,480 Speaker 8: Oh yeah, that got to hear. That was a good bit. 621 00:28:09,880 --> 00:28:11,920 Speaker 3: That was a very good bit with the adversary come 622 00:28:12,000 --> 00:28:15,520 Speaker 3: up against one of the great mouth organs in the 623 00:28:15,600 --> 00:28:17,040 Speaker 3: history of this planet. 624 00:28:17,040 --> 00:28:30,160 Speaker 15: All right, Rebecca, okay, here we got back. 625 00:28:31,280 --> 00:28:31,879 Speaker 6: That was a good bit. 626 00:28:31,960 --> 00:28:33,560 Speaker 8: I mean, wish you wouldn't know, would you. 627 00:28:35,040 --> 00:28:37,480 Speaker 9: But again, there was four minutes of that leading up. 628 00:28:38,080 --> 00:28:41,400 Speaker 8: It's the duration that we about. 629 00:28:41,400 --> 00:28:43,680 Speaker 6: That's a bit of one hit mouth trumpet. 630 00:28:44,040 --> 00:28:46,960 Speaker 5: Now we've got junior producer analyse here, jes here we 631 00:28:46,960 --> 00:28:47,720 Speaker 5: go analyse. 632 00:28:47,800 --> 00:28:48,760 Speaker 6: What do you think was the. 633 00:28:48,640 --> 00:28:50,920 Speaker 9: Worst idea that got to wear this year? It would 634 00:28:51,120 --> 00:28:52,120 Speaker 9: have to be the. 635 00:28:52,040 --> 00:28:52,600 Speaker 2: A s M. 636 00:28:54,120 --> 00:28:58,920 Speaker 3: Yes, that was ship House well when he just sprayed 637 00:28:58,920 --> 00:29:00,880 Speaker 3: a can of Glynn twenty into the microphone. 638 00:29:00,920 --> 00:29:03,600 Speaker 5: If we got an audio, yes, I'm doing some A 639 00:29:03,600 --> 00:29:05,000 Speaker 5: s M. 640 00:29:05,160 --> 00:29:07,479 Speaker 2: Hey, guys, I hope you're still with me. 641 00:29:08,720 --> 00:29:10,960 Speaker 5: I'm just gonna put this cookie in my mouth. 642 00:29:14,560 --> 00:29:17,800 Speaker 1: It's not a slight. 643 00:29:17,800 --> 00:29:18,120 Speaker 2: I think. 644 00:29:21,080 --> 00:29:24,000 Speaker 6: That's good. I was getting goosebumps listening back, was. 645 00:29:25,520 --> 00:29:27,440 Speaker 8: Thing, what are you cookie in your mouth? 646 00:29:28,240 --> 00:29:28,960 Speaker 6: Just crots? 647 00:29:29,040 --> 00:29:34,200 Speaker 5: You eat it the right way? Again, that was bad. 648 00:29:34,200 --> 00:29:36,160 Speaker 5: I'm glad we didn't play the audio of the spray can. 649 00:29:36,920 --> 00:29:39,320 Speaker 5: But alright, the final one here I feel this leader. 650 00:29:40,200 --> 00:29:44,640 Speaker 3: Quick honorable mention to what are your idea getting people 651 00:29:44,680 --> 00:29:46,160 Speaker 3: to orgasm on air? 652 00:29:46,200 --> 00:29:49,720 Speaker 1: And we had to go to the. 653 00:29:48,840 --> 00:29:53,280 Speaker 3: Codes of conduct codes there, turn to the and say 654 00:29:53,360 --> 00:29:54,240 Speaker 3: that that's not. 655 00:29:56,000 --> 00:29:58,240 Speaker 6: It was the quickest team I would ever received from 656 00:29:58,240 --> 00:29:58,760 Speaker 6: the company. 657 00:29:58,840 --> 00:29:59,120 Speaker 8: Lawyer. 658 00:29:59,440 --> 00:30:03,160 Speaker 6: It was like, is this a joke? Obviously not? No, 659 00:30:03,160 --> 00:30:05,200 Speaker 6: No, that was it was faking. It was faking. Oh no. 660 00:30:05,240 --> 00:30:07,000 Speaker 6: I think the idea was, are you're faking it? There 661 00:30:07,080 --> 00:30:09,400 Speaker 6: isn't real So yeah, no, it's a good reason why 662 00:30:09,440 --> 00:30:09,920 Speaker 6: we couldn't do it. 663 00:30:10,000 --> 00:30:13,240 Speaker 3: But the actual worst one was I think it was 664 00:30:13,320 --> 00:30:14,200 Speaker 3: Will your idea. 665 00:30:14,440 --> 00:30:19,160 Speaker 6: Yeah, the Sabi pa challenge. Ah, that is bad. 666 00:30:20,160 --> 00:30:20,400 Speaker 15: Bad. 667 00:30:20,880 --> 00:30:22,200 Speaker 2: You're hot with saby peach. 668 00:30:22,640 --> 00:30:24,800 Speaker 6: Yeah, people what those gun has become? 669 00:30:25,480 --> 00:30:28,520 Speaker 9: The people listening to us eat but you're crying. 670 00:30:30,360 --> 00:30:36,520 Speaker 6: Come a little bit. I was a little bit struggling. 671 00:30:38,920 --> 00:30:39,440 Speaker 15: That was bad. 672 00:30:39,520 --> 00:30:41,840 Speaker 5: That was that was bad, And it was funny because 673 00:30:41,920 --> 00:30:44,600 Speaker 5: I think thirty seconds in we just realized this is 674 00:30:44,720 --> 00:30:45,680 Speaker 5: very easy. 675 00:30:46,080 --> 00:30:49,200 Speaker 8: Like there weren't that hot in the. 676 00:30:49,240 --> 00:30:50,400 Speaker 2: End, so it was very easy. 677 00:30:50,640 --> 00:30:51,520 Speaker 6: There was nothing to do with that. 678 00:30:51,600 --> 00:30:53,680 Speaker 3: But point now that three of the things that made 679 00:30:53,680 --> 00:30:56,000 Speaker 3: the worst ideas was wood You eating chips, wood You 680 00:30:56,040 --> 00:30:58,720 Speaker 3: eating a biscuit, and then Woody eating with sab peas 681 00:30:58,760 --> 00:30:59,680 Speaker 3: into the microphone. 682 00:30:59,720 --> 00:31:00,200 Speaker 15: So what we. 683 00:31:02,320 --> 00:31:03,440 Speaker 6: Stop using food? 684 00:31:04,880 --> 00:31:06,560 Speaker 1: Will and Woody podcast? 685 00:31:06,800 --> 00:31:09,680 Speaker 3: Woods You and I are currently we're living together because 686 00:31:09,680 --> 00:31:12,920 Speaker 3: we're filming a TV show. We're away from our our lives, 687 00:31:12,920 --> 00:31:16,840 Speaker 3: our partners, our wives, our futures, our careers, our pets. 688 00:31:16,480 --> 00:31:17,120 Speaker 12: Our homes. 689 00:31:17,240 --> 00:31:18,320 Speaker 6: Neither of us have wives. 690 00:31:19,440 --> 00:31:21,400 Speaker 3: No, no, no, that's a good point, but it rhymed 691 00:31:21,440 --> 00:31:23,440 Speaker 3: with lives. You've pulled me up and I don't appreciate 692 00:31:23,440 --> 00:31:28,280 Speaker 3: that anyway. We're living together in an apartment. I'm going 693 00:31:28,400 --> 00:31:31,000 Speaker 3: tools show on the bartment without craving each other. 694 00:31:31,040 --> 00:31:32,360 Speaker 1: Crazy. 695 00:31:34,720 --> 00:31:37,440 Speaker 3: So far, so good, going on two months, gone on 696 00:31:37,480 --> 00:31:37,920 Speaker 3: two months. 697 00:31:37,960 --> 00:31:39,480 Speaker 6: It's been a while, hasn't it. Actually? 698 00:31:39,560 --> 00:31:41,840 Speaker 9: I mean it's been good that we haven't killed each other. 699 00:31:42,040 --> 00:31:42,240 Speaker 4: Yeah. 700 00:31:42,320 --> 00:31:43,360 Speaker 12: No, I think we've done really well. 701 00:31:43,440 --> 00:31:45,840 Speaker 6: That hasn't even really been a big blow up. Last 702 00:31:45,840 --> 00:31:48,360 Speaker 6: week game was when I locked us out of the out. 703 00:31:48,280 --> 00:31:51,200 Speaker 12: Of the apartment earlier. I can tell you is getting 704 00:31:51,240 --> 00:31:52,479 Speaker 12: the apartment is getting filthy. 705 00:31:53,400 --> 00:31:54,280 Speaker 6: I don't think it's that good. 706 00:31:54,560 --> 00:31:56,680 Speaker 12: Yeah that you you don't see dirt. 707 00:31:56,800 --> 00:31:59,360 Speaker 5: Yeah, it's crazy, isn't it. You're seeing this first hand. Yeah, 708 00:31:59,360 --> 00:32:00,360 Speaker 5: I don't see dust. 709 00:32:00,480 --> 00:32:02,960 Speaker 12: It's not crazy. It's just it's ignorance. 710 00:32:03,960 --> 00:32:06,280 Speaker 6: I don't think it's ignorance. I literally can't. 711 00:32:06,120 --> 00:32:07,960 Speaker 12: Willful it's willful blindness. 712 00:32:08,000 --> 00:32:10,240 Speaker 9: No, No, I don't try to not see the dust. 713 00:32:10,520 --> 00:32:13,440 Speaker 9: See I seek out the dusts. 714 00:32:12,800 --> 00:32:17,040 Speaker 3: Vision you've got laser vision eye Surgeryeah, perfect vision, Yeah, 715 00:32:17,040 --> 00:32:20,719 Speaker 3: twenty twenty vision. You can see dust if I can 716 00:32:20,760 --> 00:32:22,560 Speaker 3: see it. It's that you choose not to see it. 717 00:32:22,680 --> 00:32:24,880 Speaker 3: I'm looking physically, practically, you can see it. 718 00:32:25,080 --> 00:32:27,440 Speaker 12: That's tick right, I'm trying. 719 00:32:27,520 --> 00:32:29,520 Speaker 5: But my dad's got the same problem. He can't see 720 00:32:29,520 --> 00:32:33,120 Speaker 5: it either, his father before him. He's a long line 721 00:32:33,120 --> 00:32:34,480 Speaker 5: of white laws that dont see dust. 722 00:32:34,560 --> 00:32:36,040 Speaker 12: All that doesn't surprise me, but I don't want to 723 00:32:36,040 --> 00:32:36,480 Speaker 12: get into that. 724 00:32:37,160 --> 00:32:41,160 Speaker 3: You also have a little package of nuts that stay 725 00:32:41,200 --> 00:32:43,640 Speaker 3: on the same spot on the bench. It's my nut corner, 726 00:32:43,680 --> 00:32:45,480 Speaker 3: and you eat nuts in the corner. 727 00:32:45,800 --> 00:32:47,320 Speaker 6: Yeah, and I actually. 728 00:32:47,080 --> 00:32:49,600 Speaker 5: Look at the wall and eat my nuts. I'm ashamed 729 00:32:49,600 --> 00:32:51,880 Speaker 5: of how many nuts I eat. It's my little private 730 00:32:51,960 --> 00:32:52,520 Speaker 5: nut corner. 731 00:32:52,800 --> 00:32:54,440 Speaker 12: So you're hoarding nuts in the corner. 732 00:32:54,800 --> 00:32:57,560 Speaker 3: The other day I went to go and move one 733 00:32:57,560 --> 00:32:59,320 Speaker 3: of the chairs underneath. 734 00:32:58,880 --> 00:32:59,600 Speaker 12: The nut corner. 735 00:32:59,640 --> 00:33:01,600 Speaker 6: Don't you go to my nut corner, And they're just. 736 00:33:01,680 --> 00:33:06,480 Speaker 3: A cascade of crumbs fell off like a mini avalanche 737 00:33:06,600 --> 00:33:08,480 Speaker 3: that have just been gathering on the chairs there. 738 00:33:08,720 --> 00:33:10,640 Speaker 12: So anyway, the apartment's filthy, is what I'm trying to say. 739 00:33:10,640 --> 00:33:13,440 Speaker 3: Okay, but but I'm not actually talking about that. What 740 00:33:13,480 --> 00:33:15,200 Speaker 3: I want to talk to you about is we live 741 00:33:15,240 --> 00:33:18,040 Speaker 3: in this apartment complex. 742 00:33:18,240 --> 00:33:20,400 Speaker 12: Effectively, we've got a car park down the bottom. 743 00:33:20,400 --> 00:33:24,360 Speaker 3: We've only got one car park between us. Okay, we've 744 00:33:24,360 --> 00:33:26,600 Speaker 3: got two cars, Yes, so one of us has to 745 00:33:26,600 --> 00:33:27,880 Speaker 3: park in the visitor car park. 746 00:33:28,040 --> 00:33:30,320 Speaker 9: Yes, except I'm copping heat from the marshals. 747 00:33:30,360 --> 00:33:32,160 Speaker 12: Okay, this is what I want to talk about. 748 00:33:32,400 --> 00:33:34,640 Speaker 9: No, he's coming. 749 00:33:36,400 --> 00:33:39,160 Speaker 5: There's some sort of mystery car parking Marshal, which neither 750 00:33:39,160 --> 00:33:39,800 Speaker 5: of us have seen. 751 00:33:40,120 --> 00:33:42,080 Speaker 6: But he kept leaving notes on my car. 752 00:33:42,600 --> 00:33:45,959 Speaker 5: He kept leaving notes directly addressing me with my with 753 00:33:46,000 --> 00:33:50,640 Speaker 5: my license blate number, and he's like, oh, inside license plate, 754 00:33:50,720 --> 00:33:53,560 Speaker 5: and he's like, you cannot be sitting in your car 755 00:33:53,600 --> 00:33:55,760 Speaker 5: in the visitor's car park one or two days, and 756 00:33:55,840 --> 00:33:57,840 Speaker 5: I've been there for three weeks at least. 757 00:33:57,840 --> 00:33:59,600 Speaker 2: Does he sign off as the Marshal? 758 00:34:00,320 --> 00:34:00,560 Speaker 3: Uh? 759 00:34:01,520 --> 00:34:03,000 Speaker 12: Have you just called him the Marshal? 760 00:34:03,160 --> 00:34:05,720 Speaker 6: I may have. I may have caught him marshal. I 761 00:34:05,720 --> 00:34:06,800 Speaker 6: think I think that what. 762 00:34:06,800 --> 00:34:10,319 Speaker 5: He calls himself is like the complex master or something's 763 00:34:10,440 --> 00:34:14,719 Speaker 5: not the cop for the complex comrade or something complex 764 00:34:14,920 --> 00:34:17,759 Speaker 5: corporal could be. I'm not sure because I threw out 765 00:34:17,760 --> 00:34:19,480 Speaker 5: the note because I was scared about it. And then 766 00:34:19,520 --> 00:34:22,719 Speaker 5: I said to you. I was like, I'm on his raidar. 767 00:34:23,440 --> 00:34:25,520 Speaker 3: You said to me because I was packing in our 768 00:34:25,640 --> 00:34:28,919 Speaker 3: legitimate park with self park for two cars, selfish because 769 00:34:29,160 --> 00:34:31,279 Speaker 3: we only drive my car. Because you can't handle the 770 00:34:31,280 --> 00:34:33,960 Speaker 3: Sydney roads makes you panic. You panic on the bridge, 771 00:34:33,960 --> 00:34:34,800 Speaker 3: you panic on the bridge. 772 00:34:35,080 --> 00:34:36,920 Speaker 5: But it makes sense that if you're leaving every day, 773 00:34:36,960 --> 00:34:38,400 Speaker 5: you should be in the visitors park. 774 00:34:38,480 --> 00:34:41,520 Speaker 9: I shouldn't be stranded there. 775 00:34:42,200 --> 00:34:44,680 Speaker 6: Because then the marshall finds me. He's going to slash 776 00:34:44,680 --> 00:34:45,320 Speaker 6: my tie. 777 00:34:46,600 --> 00:34:49,680 Speaker 3: On this main road the other And I was like, 778 00:34:49,800 --> 00:34:51,520 Speaker 3: what are you doing? 779 00:34:52,640 --> 00:34:53,399 Speaker 8: And he was like. 780 00:34:55,200 --> 00:34:57,040 Speaker 3: And he was like, made the marshals come for me, 781 00:34:57,080 --> 00:35:00,160 Speaker 3: And I was like, who the hell is the marsh. 782 00:35:00,239 --> 00:35:02,680 Speaker 5: He's leaving notes for me all around the complex as well, 783 00:35:03,120 --> 00:35:06,200 Speaker 5: Like you like, you go to the notice board, there's 784 00:35:06,239 --> 00:35:09,600 Speaker 5: no communal No, no, you just haven't seen it's a 785 00:35:09,600 --> 00:35:10,480 Speaker 5: communal noticeboard. 786 00:35:10,520 --> 00:35:11,680 Speaker 6: Boom, there's a note for me. 787 00:35:11,800 --> 00:35:14,320 Speaker 5: He makes it seem like it's for everyone, saying, hey guys, 788 00:35:14,360 --> 00:35:15,240 Speaker 5: just so you know, Yeah. 789 00:35:15,080 --> 00:35:15,960 Speaker 2: There's a communal note. 790 00:35:15,960 --> 00:35:18,399 Speaker 3: Reres, there's please don't stay in the visitors car park 791 00:35:18,440 --> 00:35:20,520 Speaker 3: for more than twenty four hours that's to everyone. That 792 00:35:20,600 --> 00:35:22,960 Speaker 3: is a direct attack, not a passive He's not like 793 00:35:23,000 --> 00:35:23,760 Speaker 3: an ex girlfriend. 794 00:35:23,800 --> 00:35:25,400 Speaker 8: He's not a passive aggressive person. 795 00:35:25,600 --> 00:35:27,320 Speaker 9: Is I think he's just watching me all the time. 796 00:35:28,280 --> 00:35:30,920 Speaker 5: I'm gonna wake up with I'm like, I don't know, 797 00:35:31,040 --> 00:35:33,759 Speaker 5: like a tire in my bed or something, and I 798 00:35:33,880 --> 00:35:35,200 Speaker 5: be like, you know. 799 00:35:35,120 --> 00:35:35,719 Speaker 6: Who this is? 800 00:35:36,000 --> 00:35:39,799 Speaker 9: Get out of the visitors. 801 00:35:39,160 --> 00:35:42,080 Speaker 2: Podcast changes scenery in here. 802 00:35:42,360 --> 00:35:45,160 Speaker 5: A while ago, we were talking about Kelly Clarkson taking 803 00:35:45,200 --> 00:35:48,560 Speaker 5: her kids to work, and unfortunately they interrupted Chris Martin 804 00:35:49,080 --> 00:35:51,160 Speaker 5: doing a performance of Yellow. 805 00:35:51,520 --> 00:35:53,160 Speaker 4: And it was yellow. 806 00:35:56,880 --> 00:35:59,680 Speaker 8: So then I took my so. 807 00:36:05,200 --> 00:36:08,919 Speaker 5: So, despite how badly that went, today our button push 808 00:36:08,960 --> 00:36:13,439 Speaker 5: and Joel has brought his son Harland into work. 809 00:36:14,840 --> 00:36:18,000 Speaker 6: Hello, Nay and Harlan. 810 00:36:18,080 --> 00:36:20,760 Speaker 9: We just thought for one spot here on on radio. 811 00:36:20,800 --> 00:36:22,239 Speaker 6: You're live on radio right now. 812 00:36:22,280 --> 00:36:22,560 Speaker 8: Mate. 813 00:36:22,840 --> 00:36:24,799 Speaker 6: You can take control of all the sound effects for 814 00:36:24,840 --> 00:36:25,400 Speaker 6: the show. 815 00:36:25,920 --> 00:36:27,960 Speaker 2: Which is very exciting. You figured out where the mouse 816 00:36:28,040 --> 00:36:29,440 Speaker 2: is and you know where the sound effects are. 817 00:36:29,840 --> 00:36:36,400 Speaker 9: Ok And second, did you have any other sound. 818 00:36:39,080 --> 00:36:39,960 Speaker 2: Nice Ninja? 819 00:36:40,160 --> 00:36:40,759 Speaker 6: Okay? 820 00:36:41,400 --> 00:36:43,920 Speaker 10: Why do you tell everyone how old you are? 821 00:36:44,719 --> 00:36:45,160 Speaker 8: Nice? 822 00:36:46,400 --> 00:36:47,320 Speaker 2: Nice Soliday? 823 00:36:47,680 --> 00:36:50,680 Speaker 6: Okay? And what's your dad like as a dad? 824 00:36:52,960 --> 00:36:57,880 Speaker 2: And yeah, load of told me. 825 00:37:04,480 --> 00:37:09,320 Speaker 8: There's a lot of a lot of he knows. 826 00:37:10,160 --> 00:37:10,880 Speaker 2: To keep saying. 827 00:37:11,320 --> 00:37:12,799 Speaker 5: There's a lot of buttons that you can play other 828 00:37:12,840 --> 00:37:14,520 Speaker 5: sound effects if you want. You don't have to tell 829 00:37:14,560 --> 00:37:16,120 Speaker 5: me to suck it. 830 00:37:16,520 --> 00:37:16,960 Speaker 6: Yeah, what's that? 831 00:37:17,120 --> 00:37:17,440 Speaker 15: Miley? 832 00:37:18,400 --> 00:37:19,360 Speaker 6: More embarrassed anyway? 833 00:37:19,440 --> 00:37:22,879 Speaker 10: It's it's, it's, it's it's let's let's let's just leave 834 00:37:22,880 --> 00:37:23,600 Speaker 10: there behind. 835 00:37:25,480 --> 00:37:26,080 Speaker 8: Avalanche. 836 00:37:27,360 --> 00:37:29,000 Speaker 9: Do you have any other sound effects that don't just 837 00:37:29,560 --> 00:37:30,000 Speaker 9: torch me? 838 00:37:30,120 --> 00:37:30,320 Speaker 4: How on? 839 00:37:30,719 --> 00:37:30,959 Speaker 5: Yeah? 840 00:37:31,200 --> 00:37:33,239 Speaker 6: Yeah, you want to play me some of them? 841 00:37:36,160 --> 00:37:40,000 Speaker 5: That's doing embarrassing stuff again, that's my casing. 842 00:37:40,800 --> 00:37:42,760 Speaker 9: Do you have any maybe you have some fun ones 843 00:37:42,920 --> 00:37:44,120 Speaker 9: or know he's. 844 00:37:44,000 --> 00:37:44,560 Speaker 2: Had a good time. 845 00:37:45,480 --> 00:38:00,760 Speaker 6: He's rolling them all out. That's my speed. More fun, Harland? 846 00:38:00,800 --> 00:38:02,800 Speaker 2: Can you what do you know? 847 00:38:02,840 --> 00:38:04,200 Speaker 3: I can have a conversation and you can do the 848 00:38:04,200 --> 00:38:05,520 Speaker 3: sound effects to the conversation. 849 00:38:05,600 --> 00:38:07,120 Speaker 2: Okay, so you can have a listen and try and 850 00:38:07,160 --> 00:38:08,759 Speaker 2: do them for us. All right? Does that sound good? 851 00:38:09,160 --> 00:38:09,480 Speaker 6: Okay? 852 00:38:09,520 --> 00:38:09,759 Speaker 12: Cool? 853 00:38:10,400 --> 00:38:10,600 Speaker 6: Uh. 854 00:38:11,120 --> 00:38:14,399 Speaker 2: The other day I met bumped into you in the street. 855 00:38:17,960 --> 00:38:19,200 Speaker 6: And I was hungry. 856 00:38:19,440 --> 00:38:21,399 Speaker 5: I tend to make that was my stomach atually, yeah, 857 00:38:21,440 --> 00:38:23,319 Speaker 5: rumbling yeah, and. 858 00:38:23,239 --> 00:38:25,960 Speaker 6: I and I well, I was with Gassie as well. 859 00:38:28,880 --> 00:38:32,000 Speaker 3: I really appreciated that. 860 00:38:32,160 --> 00:38:36,279 Speaker 6: And then I said, you screamed at me. I said, well, 861 00:38:36,320 --> 00:38:36,719 Speaker 6: what was that? 862 00:38:37,000 --> 00:38:39,400 Speaker 2: Yeah, and what did you say? And then I turned 863 00:38:39,400 --> 00:38:44,000 Speaker 2: to you and I said, you blaw me. 864 00:38:46,640 --> 00:38:48,680 Speaker 3: It was a short exchange, but I was sitting there 865 00:38:48,680 --> 00:38:50,800 Speaker 3: to kill you and it was easy. 866 00:38:50,920 --> 00:38:53,279 Speaker 8: It was easy to do. So yeah, that was the 867 00:38:53,320 --> 00:38:54,400 Speaker 8: end of you and you got me 868 00:39:00,160 --> 00:39:00,440 Speaker 1: Nothing