1 00:00:03,200 --> 00:00:03,440 Speaker 1: Question. 2 00:00:05,200 --> 00:00:08,040 Speaker 2: It's a Christian O'Connell show podcast. 3 00:00:08,520 --> 00:00:11,280 Speaker 3: Before we go anywhere near today's show, we should allow 4 00:00:11,680 --> 00:00:14,560 Speaker 3: some time here for Patsy to rant about her terrible 5 00:00:15,120 --> 00:00:17,800 Speaker 3: epic journey into work. 6 00:00:17,920 --> 00:00:20,440 Speaker 4: It's already an epic journey every day because you come 7 00:00:20,440 --> 00:00:23,280 Speaker 4: from so far away. I admired that already. 8 00:00:22,960 --> 00:00:25,520 Speaker 3: She actually travels. There's so far away where she lives. 9 00:00:25,520 --> 00:00:30,080 Speaker 3: She actually travels through decades, so Weerby is set copparently 10 00:00:30,240 --> 00:00:34,000 Speaker 3: in nineteen eighty three, so she time travels to get 11 00:00:34,040 --> 00:00:37,519 Speaker 3: it on the time. But today's journey was I just 12 00:00:37,560 --> 00:00:39,839 Speaker 3: said about see how are you, and just there was 13 00:00:39,840 --> 00:00:42,760 Speaker 3: just a sign, you know, and Asi says way more 14 00:00:42,800 --> 00:00:45,320 Speaker 3: than words. And then she started telling Jack and I 15 00:00:45,400 --> 00:00:48,159 Speaker 3: please tell everyone's about the revolting journey you've had in 16 00:00:48,159 --> 00:00:49,200 Speaker 3: today vaulting. 17 00:00:49,680 --> 00:00:52,080 Speaker 5: Well, they're doing road works off and on on the 18 00:00:52,080 --> 00:00:54,560 Speaker 5: wist Skate for the Whiskate tunnel works, of course, which 19 00:00:54,600 --> 00:00:57,520 Speaker 5: is great, but I just wish they'd get it over 20 00:00:57,560 --> 00:01:00,000 Speaker 5: and done within like a slab. Some days it's one 21 00:01:00,120 --> 00:01:00,640 Speaker 5: days it's not. 22 00:01:00,760 --> 00:01:05,200 Speaker 4: I mean, they're building a tunnel underneath a river, you know, 23 00:01:05,280 --> 00:01:05,679 Speaker 4: I don't know. 24 00:01:06,959 --> 00:01:09,120 Speaker 3: It feels like am Monday to Thursday thing and then 25 00:01:09,160 --> 00:01:14,360 Speaker 3: it's done right anyway, So I join the window down 26 00:01:14,440 --> 00:01:16,119 Speaker 3: the swine and go, wait, did you get me done? 27 00:01:16,240 --> 00:01:18,600 Speaker 3: Hurry dig dig dig. 28 00:01:19,160 --> 00:01:22,040 Speaker 5: So the diversions weren't very clear, and at one point 29 00:01:22,080 --> 00:01:26,080 Speaker 5: we were diverted onto the Princes and then somehow divoted 30 00:01:26,160 --> 00:01:27,760 Speaker 5: back up onto the West Gate. 31 00:01:27,840 --> 00:01:30,039 Speaker 3: I just need to describe to people who might not 32 00:01:30,080 --> 00:01:32,039 Speaker 3: be listening in Australia, because we have people listening on 33 00:01:32,040 --> 00:01:34,759 Speaker 3: the iHeart platform all over the world right now. The 34 00:01:34,800 --> 00:01:39,040 Speaker 3: Westgate Bridge is the single most terrifying bridge I have 35 00:01:39,240 --> 00:01:42,119 Speaker 3: ever seen in the world. It's like a drawing out 36 00:01:42,120 --> 00:01:46,360 Speaker 3: of an Isaac Asimov kind of futuristic thing. Whenever I've 37 00:01:46,360 --> 00:01:48,120 Speaker 3: been on it, I still haven't manage to actually pluck 38 00:01:48,160 --> 00:01:50,440 Speaker 3: up the character drive on it. It feels like I'm 39 00:01:50,480 --> 00:01:54,840 Speaker 3: being driven to my death. I've driven on the Golden 40 00:01:54,880 --> 00:01:56,880 Speaker 3: Gate Bridge. I've driven on bridges all over the world, 41 00:01:56,920 --> 00:01:59,640 Speaker 3: and there are scary ones in the UK. Nothing. There's 42 00:01:59,640 --> 00:02:01,360 Speaker 3: something about that West Gate Bridge. 43 00:02:01,440 --> 00:02:05,520 Speaker 4: It's not like a roller coaster, feel. 44 00:02:05,360 --> 00:02:08,160 Speaker 3: Like it's teaching, tilting you into the into the river. 45 00:02:09,120 --> 00:02:11,680 Speaker 3: You don't feel like you're you're actually connected to the 46 00:02:11,880 --> 00:02:12,160 Speaker 3: to the. 47 00:02:12,160 --> 00:02:13,920 Speaker 4: Road, like a gust of wind could just pop your 48 00:02:13,919 --> 00:02:14,560 Speaker 4: on the side. 49 00:02:14,680 --> 00:02:17,520 Speaker 5: No, it's fine anyway. So at one point I was 50 00:02:17,600 --> 00:02:21,000 Speaker 5: going back out towards Weerribee. 51 00:02:20,360 --> 00:02:22,360 Speaker 3: So what you go over it? And they sent you 52 00:02:22,400 --> 00:02:23,000 Speaker 3: back over it. 53 00:02:23,000 --> 00:02:24,920 Speaker 5: Now I didn't get to the bridge. I sort of 54 00:02:25,000 --> 00:02:27,760 Speaker 5: only got to like the ring road interchange, and then 55 00:02:27,919 --> 00:02:31,760 Speaker 5: was diverted. And of course the whole way it's forty k's. 56 00:02:31,880 --> 00:02:34,400 Speaker 5: You can't do a click over forty k's or you'll 57 00:02:34,440 --> 00:02:37,360 Speaker 5: get pinned. So yeah, it was just one of the 58 00:02:37,840 --> 00:02:39,280 Speaker 5: one of those mornings today. 59 00:02:39,400 --> 00:02:41,079 Speaker 3: But then just tell us then, how long did it 60 00:02:41,120 --> 00:02:42,080 Speaker 3: take to get into it today? 61 00:02:42,200 --> 00:02:45,919 Speaker 5: Ninety minutes. Ninety minutes normally takes. 62 00:02:45,639 --> 00:02:48,040 Speaker 3: No, I would have understood if you were just about 63 00:02:48,040 --> 00:02:50,280 Speaker 3: twenty minutes inter I just gone back home to me. 64 00:02:50,680 --> 00:02:52,480 Speaker 3: You have actually sent me a test there going Look, 65 00:02:52,520 --> 00:02:55,000 Speaker 3: it was going to take ninety to bits, so today's show, 66 00:02:55,080 --> 00:02:56,400 Speaker 3: I'd have entirely understood it. 67 00:02:57,480 --> 00:02:59,880 Speaker 4: Yes, I'll just do the news from bluetooth in the car. 68 00:03:01,360 --> 00:03:04,400 Speaker 3: Driving around the interchange, doing the news headlines for us. 69 00:03:04,440 --> 00:03:06,040 Speaker 3: Just do that next time, Patsy. 70 00:03:06,240 --> 00:03:09,320 Speaker 2: The Christian O'Connell show podcast. 71 00:03:09,080 --> 00:03:11,640 Speaker 3: Ricky mart He's another one we should add to who's 72 00:03:11,639 --> 00:03:14,200 Speaker 3: calling Christian huge for a while, was he right massive? 73 00:03:14,240 --> 00:03:14,920 Speaker 3: Then he went away? 74 00:03:14,960 --> 00:03:17,880 Speaker 4: He's back now, hasn't aged a single. 75 00:03:17,760 --> 00:03:22,600 Speaker 3: Day, not just that he's suspiciously unaged and actually jacked 76 00:03:22,720 --> 00:03:24,680 Speaker 3: to I don't know whether these week part of a 77 00:03:24,720 --> 00:03:27,800 Speaker 3: world out club with Hugh Jackman. He is wolverine like 78 00:03:28,080 --> 00:03:29,600 Speaker 3: rich Have you seen him now? 79 00:03:29,639 --> 00:03:33,080 Speaker 4: I saw an interview do you get older but not age? 80 00:03:33,160 --> 00:03:33,919 Speaker 3: What are you doing? 81 00:03:34,000 --> 00:03:36,920 Speaker 4: I saw an interview with Ricky Martin and Rique Iglesias. 82 00:03:37,160 --> 00:03:39,360 Speaker 4: Both of them haven't aged in twenty years now. 83 00:03:39,400 --> 00:03:41,320 Speaker 3: His dad's got the secret to life. I don't know 84 00:03:41,320 --> 00:03:43,840 Speaker 3: what's going on with this old man. They're like Benjamin 85 00:03:43,840 --> 00:03:45,600 Speaker 3: Buttoner's something going on? What they've got up in the 86 00:03:45,640 --> 00:03:46,839 Speaker 3: attic in that house of theirs. 87 00:03:46,840 --> 00:03:48,480 Speaker 4: They're like Latin tea one thing else. 88 00:03:49,160 --> 00:03:51,160 Speaker 3: I want to get Ricky Martin on to say what 89 00:03:51,240 --> 00:03:54,640 Speaker 3: are you doing? What's your beauty regime? Because he looks amazing, 90 00:03:54,960 --> 00:03:57,200 Speaker 3: but it doesn't make any sense. So Ricky Martin another one. 91 00:03:57,200 --> 00:03:59,640 Speaker 3: You should endle Mix four if you're thinking about guests 92 00:03:59,680 --> 00:04:01,160 Speaker 3: that we won't want to try and get on the 93 00:04:01,160 --> 00:04:04,560 Speaker 3: show for who's calling? Christian Bush begins in thirteen days time. 94 00:04:04,840 --> 00:04:06,600 Speaker 3: Your chance to get celebrity to call the show. You 95 00:04:06,600 --> 00:04:09,200 Speaker 3: could be winning twenty thousand dollars, and the celebrity could 96 00:04:09,200 --> 00:04:12,320 Speaker 3: be winning twenty thousand dollars as well for the charity 97 00:04:12,520 --> 00:04:16,159 Speaker 3: of their choice. Now in the kitchen right yesterday, my 98 00:04:16,200 --> 00:04:18,719 Speaker 3: wife and I were talking about how I have I 99 00:04:18,720 --> 00:04:20,560 Speaker 3: don't have many rules in life around stuff in the 100 00:04:20,640 --> 00:04:22,440 Speaker 3: kitchen the cave, but when it comes to ketchup and 101 00:04:22,440 --> 00:04:25,520 Speaker 3: the storing of it, I am very steadfast on that. 102 00:04:25,839 --> 00:04:27,719 Speaker 3: I believe the once you open the seal, break that 103 00:04:27,800 --> 00:04:29,760 Speaker 3: sin on the ketch up, it then needs to live 104 00:04:29,800 --> 00:04:30,440 Speaker 3: in the fridge. 105 00:04:30,560 --> 00:04:32,360 Speaker 4: I agree, Yeah, it feels more fresh. 106 00:04:32,560 --> 00:04:35,880 Speaker 5: No, I don't agree. Chris and I have this argument 107 00:04:35,920 --> 00:04:37,799 Speaker 5: all the time. He always puts it in the fridge 108 00:04:37,800 --> 00:04:38,960 Speaker 5: and I whack it in the pantry. 109 00:04:39,000 --> 00:04:40,920 Speaker 3: Now, what is it about. That's what my wife keeps doing. 110 00:04:41,000 --> 00:04:43,880 Speaker 3: I came home from work yesterday, you know, and the ketchup. 111 00:04:43,920 --> 00:04:45,720 Speaker 3: I would I don't even need the ketchup, but just seeing 112 00:04:45,800 --> 00:04:48,440 Speaker 3: it out of the fridge having been taken out there 113 00:04:48,720 --> 00:04:52,279 Speaker 3: when I'm not around, I think my wife's going, He's gone. Now, 114 00:04:52,320 --> 00:04:54,039 Speaker 3: he's on here. Let's get that fridge. Let's get that 115 00:04:54,040 --> 00:04:55,520 Speaker 3: fridge open and get that ketch out. 116 00:04:55,440 --> 00:04:56,960 Speaker 4: And then the minute you walk in the house, you're like, 117 00:04:57,040 --> 00:04:58,120 Speaker 4: something's not right in here. 118 00:04:58,279 --> 00:05:01,440 Speaker 3: Yeah, something's off. It might in my delicate universe, something 119 00:05:01,560 --> 00:05:05,320 Speaker 3: of the ketchup lives and wants to live in the fridge. 120 00:05:05,400 --> 00:05:07,200 Speaker 4: I think the only reason we ever had it in 121 00:05:07,240 --> 00:05:09,600 Speaker 4: the pantry was back in the olden days when before 122 00:05:09,839 --> 00:05:12,600 Speaker 4: squeeze bottle technology, when it was in the jar fair 123 00:05:12,720 --> 00:05:15,320 Speaker 4: enough in the fridge, it would go colder and then 124 00:05:15,320 --> 00:05:17,800 Speaker 4: it'll be harder to get out. Now, if you're still 125 00:05:17,880 --> 00:05:19,880 Speaker 4: using that old bottle and you're not using the squeeze 126 00:05:19,880 --> 00:05:22,440 Speaker 4: bottle technology, you're so far behind. 127 00:05:22,240 --> 00:05:24,240 Speaker 3: I'd say so much, you're actually a savage. 128 00:05:24,960 --> 00:05:26,120 Speaker 5: But it doesn't go off. 129 00:05:26,400 --> 00:05:30,000 Speaker 3: I think it does a fridge do. It keeps things fresh, 130 00:05:30,400 --> 00:05:33,000 Speaker 3: you know, That's why the ketchup wants to be kept 131 00:05:33,160 --> 00:05:36,960 Speaker 3: kept fresh and full ketchup be potential. I think when 132 00:05:36,960 --> 00:05:39,279 Speaker 3: you leave it out of the fridge, I think, you know, 133 00:05:39,320 --> 00:05:42,560 Speaker 3: it gets that sort of horrible watery stuff that comes out. 134 00:05:42,600 --> 00:05:44,920 Speaker 3: First of all, I think it turns more to that 135 00:05:44,960 --> 00:05:48,000 Speaker 3: there's more that horrible stuff that comes out, and it 136 00:05:48,040 --> 00:05:50,480 Speaker 3: isn't the actual ketchup. I think it keeps it more 137 00:05:50,880 --> 00:05:52,680 Speaker 3: keeps it stronger in the fridge. 138 00:05:53,040 --> 00:05:54,880 Speaker 5: Yeah, now I don't agree. It doesn't go off, so 139 00:05:54,920 --> 00:05:55,880 Speaker 5: it goes in the pantry. 140 00:05:56,000 --> 00:05:57,520 Speaker 3: Where do you stand on the mayle? We're all agree 141 00:05:57,560 --> 00:05:58,640 Speaker 3: in that one mayo. 142 00:05:58,520 --> 00:05:59,479 Speaker 5: Is definitely in the fridge. 143 00:06:01,200 --> 00:06:09,159 Speaker 2: Chan Christian O'Connell show podcast Christian Heines actually recommend refrigeration 144 00:06:10,040 --> 00:06:11,120 Speaker 2: for Heinz ketch up. 145 00:06:11,320 --> 00:06:14,920 Speaker 3: It says it on the bottle. Sorry, Patsy, that's from Misty. 146 00:06:15,520 --> 00:06:19,200 Speaker 3: Uh yeah, I mean does anyone actually read what it 147 00:06:19,200 --> 00:06:21,520 Speaker 3: says on the bottle? I mean all that blurb they 148 00:06:21,560 --> 00:06:23,120 Speaker 3: have on the back, you know, if you actually have 149 00:06:23,160 --> 00:06:25,400 Speaker 3: a look on those things like mayonnaise ketchup. A lot 150 00:06:25,440 --> 00:06:27,440 Speaker 3: of these condiments they have like a whole blurb. I 151 00:06:27,440 --> 00:06:30,760 Speaker 3: guess legally they have to these days. On there is 152 00:06:30,800 --> 00:06:33,800 Speaker 3: also a phone number, right all these anything you buy 153 00:06:33,800 --> 00:06:35,919 Speaker 3: now has a phone number if you want if you 154 00:06:36,040 --> 00:06:38,800 Speaker 3: need any more information. I'm buying a step ladder last year, 155 00:06:39,120 --> 00:06:41,800 Speaker 3: and there was a phone number if I needed any 156 00:06:41,839 --> 00:06:43,719 Speaker 3: more information about the correct use, and I was tempted 157 00:06:43,720 --> 00:06:46,240 Speaker 3: to call them, going does anyone actually call them? 158 00:06:46,240 --> 00:06:48,480 Speaker 4: By the first person to ever call this number. 159 00:06:48,240 --> 00:06:50,000 Speaker 3: You know, and it's someone actually in an office and 160 00:06:50,040 --> 00:06:52,240 Speaker 3: the phone's ringing that it's never rung, and they're like, 161 00:06:52,360 --> 00:06:54,839 Speaker 3: where is the phone? Where is it? It's ring and I 162 00:06:54,880 --> 00:06:57,520 Speaker 3: can hear it. Someone's actually gone the step the outline. 163 00:06:57,520 --> 00:06:59,160 Speaker 4: Then they finally pick it up and think it's a 164 00:06:59,200 --> 00:06:59,680 Speaker 4: wrong number. 165 00:06:59,720 --> 00:07:03,360 Speaker 3: Hell hello, And they work in office of a load 166 00:07:03,400 --> 00:07:05,799 Speaker 3: of the phones that never ring, like the Hines outline, 167 00:07:06,080 --> 00:07:09,640 Speaker 3: the Mayonnaise outline. I mean, who is actually calling that now. 168 00:07:09,680 --> 00:07:12,120 Speaker 3: Two weeks ago on the show, we were canvassing your 169 00:07:12,120 --> 00:07:14,720 Speaker 3: opinion about something very important. Jack and I both needed 170 00:07:14,760 --> 00:07:16,760 Speaker 3: to get some new socks. But when we want to 171 00:07:16,760 --> 00:07:19,080 Speaker 3: get new socks, the market is flooded with all kinds 172 00:07:19,080 --> 00:07:20,920 Speaker 3: of different socks these days. There's a lot of ankle 173 00:07:20,960 --> 00:07:23,440 Speaker 3: it ones, the sport ones. There's the ones that come 174 00:07:23,480 --> 00:07:25,920 Speaker 3: up really high. There's a thick sort of ones that 175 00:07:25,960 --> 00:07:28,600 Speaker 3: women like to wear around the house. There's too much choice. 176 00:07:28,640 --> 00:07:31,720 Speaker 4: From Anne, I was looking to bog buy all my 177 00:07:31,800 --> 00:07:34,239 Speaker 4: socks for the next three years, and I just wanted 178 00:07:34,280 --> 00:07:35,800 Speaker 4: a reliable, comfy sock. 179 00:07:35,920 --> 00:07:37,080 Speaker 3: A lot of the fact that bolt by a few 180 00:07:37,160 --> 00:07:39,640 Speaker 3: is the next three years. You know it's long term, 181 00:07:39,680 --> 00:07:41,560 Speaker 3: but it's not fine. You always hear about five year 182 00:07:41,600 --> 00:07:43,320 Speaker 3: plan for you you used to like to live your 183 00:07:43,360 --> 00:07:45,320 Speaker 3: life three years at a time, and that's the jack 184 00:07:45,360 --> 00:07:45,960 Speaker 3: Post story. 185 00:07:46,800 --> 00:07:49,440 Speaker 4: And I wanted it to be able to be used 186 00:07:49,480 --> 00:07:51,600 Speaker 4: as a sports sock and an everyday sock. 187 00:07:51,680 --> 00:07:53,600 Speaker 3: It's a fair to say you're looking for a utility sock. 188 00:07:53,760 --> 00:07:56,800 Speaker 4: Yes, it's interchangeable around that. I was so excited that 189 00:07:56,920 --> 00:08:00,280 Speaker 4: my new socks came last night. I bought some marineo 190 00:08:00,440 --> 00:08:04,080 Speaker 4: wool socks straight from New Zealand. Lovely because the ones here, 191 00:08:04,120 --> 00:08:06,840 Speaker 4: the callers were saying Marino wool, they were so expensive 192 00:08:06,840 --> 00:08:09,280 Speaker 4: to buy. And then someone put me on to you know, 193 00:08:09,360 --> 00:08:11,520 Speaker 4: go straight to the source, the farms of New Zealand 194 00:08:11,520 --> 00:08:14,440 Speaker 4: where getting the marino walls straight off the sheep. 195 00:08:14,280 --> 00:08:16,320 Speaker 3: Ourn's doing it herself. She looks like the one who's 196 00:08:16,320 --> 00:08:18,760 Speaker 3: got like a yawning machine in the evening that makes them. 197 00:08:18,840 --> 00:08:21,240 Speaker 4: Yeah, I was so excited to wear them. Yes, they 198 00:08:21,280 --> 00:08:22,920 Speaker 4: came yesterday. A text to you said, I'm going to 199 00:08:22,960 --> 00:08:26,440 Speaker 4: be wearing the marino wool tomorrow. I think I'm going 200 00:08:26,480 --> 00:08:30,320 Speaker 4: to show that you them way too high, way higher 201 00:08:30,320 --> 00:08:34,240 Speaker 4: than advertised. Halfway up the shin halfway you wanted them 202 00:08:34,240 --> 00:08:38,520 Speaker 4: halfway out. I wanted I wanted a sports sock interchangeable 203 00:08:38,559 --> 00:08:40,240 Speaker 4: that that's just above the ankle. 204 00:08:40,400 --> 00:08:44,199 Speaker 3: Yeah, I'm and but what's what's it like feeling on 205 00:08:44,240 --> 00:08:44,560 Speaker 3: the foot? 206 00:08:44,679 --> 00:08:48,040 Speaker 4: No? Too thin, too thin, it's like a it's like. 207 00:08:47,960 --> 00:08:50,160 Speaker 3: A it's like a dress sock. 208 00:08:50,320 --> 00:08:51,520 Speaker 4: Yes, it's a dress sock. 209 00:08:51,679 --> 00:08:54,480 Speaker 3: Yes see. I went out and got some at the weekend, okay, 210 00:08:54,600 --> 00:08:57,720 Speaker 3: and one of the callers recommended something called was it 211 00:08:57,720 --> 00:08:58,400 Speaker 3: the Explorer? 212 00:08:59,240 --> 00:09:01,959 Speaker 4: Yes, but next thick. That's like the Explorers, like the 213 00:09:02,040 --> 00:09:02,680 Speaker 4: hiking sock. 214 00:09:02,840 --> 00:09:04,920 Speaker 3: I know, I know, but I saw them put my 215 00:09:05,000 --> 00:09:06,520 Speaker 3: hand in them when there was no one around. I 216 00:09:06,520 --> 00:09:07,800 Speaker 3: know we're not supposed to be doing that, but I 217 00:09:07,800 --> 00:09:10,000 Speaker 3: wanted to get a feel of it. It felt like 218 00:09:10,280 --> 00:09:14,320 Speaker 3: a lovely old man's hand was shaking me. I bought 219 00:09:14,360 --> 00:09:16,400 Speaker 3: the socks, right, so, I thought, it's a bit chillier 220 00:09:16,400 --> 00:09:18,320 Speaker 3: at the moment. And I know I am looking for 221 00:09:18,360 --> 00:09:19,959 Speaker 3: the same kind of short of sock to you, but 222 00:09:20,000 --> 00:09:21,840 Speaker 3: I thought I'll try this because right now it's a 223 00:09:21,840 --> 00:09:23,679 Speaker 3: bit chilly. Yes, when you get in the car in 224 00:09:23,720 --> 00:09:27,560 Speaker 3: the morning, I don't like chills coming up my trouser leg. 225 00:09:27,920 --> 00:09:30,160 Speaker 3: So I'm wearing these thick Explorer socks today. 226 00:09:30,360 --> 00:09:32,680 Speaker 4: And how are you finding I finally gets too hot 227 00:09:32,800 --> 00:09:33,400 Speaker 4: over the day. 228 00:09:33,760 --> 00:09:35,520 Speaker 3: No, at the moment, Jack, I've got to be honest. 229 00:09:35,520 --> 00:09:37,440 Speaker 3: I've been in them, you know, two hours and it's 230 00:09:37,440 --> 00:09:40,080 Speaker 3: like a dressing gown for the feet. It's a bubble 231 00:09:40,120 --> 00:09:40,760 Speaker 3: bath down there. 232 00:09:41,080 --> 00:09:43,080 Speaker 5: It's all chill blains. Oh, he's done. 233 00:09:43,200 --> 00:09:45,480 Speaker 3: It's really really good. Now this isn't the song we're 234 00:09:45,480 --> 00:09:47,839 Speaker 3: looking for. But I'm telling you this explorer that one 235 00:09:47,880 --> 00:09:51,000 Speaker 3: of our couple of our callers recommended is an amazing sock. God. 236 00:09:51,000 --> 00:09:51,760 Speaker 3: It is comfortable. 237 00:09:51,800 --> 00:09:53,480 Speaker 4: Yeah, but you're not going to do any sports in that. 238 00:09:53,760 --> 00:09:55,640 Speaker 3: Now. I'm working out on today and I'm attempted to 239 00:09:55,720 --> 00:09:58,360 Speaker 3: rock on start a new kind of look off knee 240 00:09:58,440 --> 00:10:01,160 Speaker 3: high with shorts. Do you see some athletes do that, 241 00:10:01,200 --> 00:10:04,440 Speaker 3: don't you? Whether it's like knee high seventies? Yeah, but 242 00:10:04,480 --> 00:10:06,720 Speaker 3: why not seventiest? 243 00:10:07,080 --> 00:10:08,120 Speaker 5: No in the seventies. 244 00:10:08,160 --> 00:10:09,120 Speaker 3: Oh. 245 00:10:09,200 --> 00:10:13,479 Speaker 6: Christian Christian I connell Christian o'connells show podcast. 246 00:10:13,760 --> 00:10:16,840 Speaker 3: Last week, Patsy was telling us how the Famous Woman's 247 00:10:16,840 --> 00:10:21,240 Speaker 3: Weekly Birthday Cake book is going into its fortieth year 248 00:10:21,720 --> 00:10:23,600 Speaker 3: and this is an institution for you? Or isn't it 249 00:10:23,640 --> 00:10:25,600 Speaker 3: all these cakes that mums and dans would have had 250 00:10:25,800 --> 00:10:28,559 Speaker 3: breakdowns on? We had we had Jack's mum on the 251 00:10:28,600 --> 00:10:31,200 Speaker 3: show yesterday, Jill just telling us about all the various 252 00:10:31,520 --> 00:10:35,240 Speaker 3: ones she made over the years, and we thought, this 253 00:10:35,320 --> 00:10:38,600 Speaker 3: is maybe a bad idea of my last Friday. Sometimes, guys, 254 00:10:38,600 --> 00:10:40,240 Speaker 3: if I say an idea, it's sort of court past 255 00:10:40,320 --> 00:10:43,880 Speaker 3: six in the morning, don't write it down, Okay. 256 00:10:43,760 --> 00:10:45,800 Speaker 4: Friday ideas and not say this. 257 00:10:46,280 --> 00:10:49,320 Speaker 3: Don't ever remind me again of anything I ever say 258 00:10:49,679 --> 00:10:52,720 Speaker 3: on a Friday at six fifteen. It's meant to stay 259 00:10:53,040 --> 00:10:55,880 Speaker 3: on a Friday at six fifteen. Anyway, I did say 260 00:10:55,880 --> 00:10:57,440 Speaker 3: on air, well, you know what we should do is 261 00:10:57,520 --> 00:11:00,640 Speaker 3: take one of these cakes, the birth day cake from 262 00:11:00,640 --> 00:11:02,960 Speaker 3: the Birthday Cake book, and each try and do one 263 00:11:03,040 --> 00:11:05,440 Speaker 3: this week. Many of you emailed me over the weekend. 264 00:11:05,480 --> 00:11:08,160 Speaker 3: I wouldn't listen, say don't do this, all right, you 265 00:11:08,200 --> 00:11:10,800 Speaker 3: don't need to do not do this. You will all 266 00:11:10,800 --> 00:11:13,719 Speaker 3: have breakdowns this week. However, we are doing it. 267 00:11:14,240 --> 00:11:24,160 Speaker 1: CHRISTI O color but great Australian chake off like give 268 00:11:24,160 --> 00:11:24,800 Speaker 1: me Kate, Give me. 269 00:11:24,840 --> 00:11:31,240 Speaker 3: Kate now, all right? So only producer Tom, who's come 270 00:11:31,280 --> 00:11:33,480 Speaker 3: over from a rival radio station. It's a kind of 271 00:11:33,520 --> 00:11:37,520 Speaker 3: little rescue dog we got from a pound. He had 272 00:11:37,600 --> 00:11:42,079 Speaker 3: day one yesterday a couple of little parcels on the floor. 273 00:11:42,120 --> 00:11:44,120 Speaker 3: That's something we can tell it. You know their house training. 274 00:11:45,280 --> 00:11:46,720 Speaker 4: You got a newspaper to the nose. 275 00:11:47,520 --> 00:11:50,960 Speaker 3: No, just a threat, just the threat. He's back with us. 276 00:11:50,960 --> 00:11:53,000 Speaker 3: Today's come back in today, which is a good sign. 277 00:11:53,280 --> 00:11:58,360 Speaker 3: New producer, Tom, good morning. It's big on Chrisma. Have 278 00:11:58,440 --> 00:11:59,599 Speaker 3: you seen as well as got it? He came in 279 00:11:59,679 --> 00:12:02,840 Speaker 3: yesterday with a brand new clipboard. He's going to stop watch. 280 00:12:02,880 --> 00:12:05,720 Speaker 3: He's timing all my links and even when Jack Gosa 281 00:12:05,800 --> 00:12:08,120 Speaker 3: toilet is timing all that. He's been doing time and 282 00:12:08,200 --> 00:12:10,720 Speaker 3: motion studies this week before he presents his fines and 283 00:12:10,800 --> 00:12:12,440 Speaker 3: one of his grits that he seems to be living 284 00:12:12,480 --> 00:12:15,880 Speaker 3: in right now. Yesterday, Tom, we heard that when you 285 00:12:15,880 --> 00:12:19,360 Speaker 3: were going through the phones, some anonymous team members overheard 286 00:12:19,440 --> 00:12:24,840 Speaker 3: you say good morning Triple M. Is this true? The tried? 287 00:12:25,360 --> 00:12:27,520 Speaker 3: Is this true? Yes or no? Did you say good 288 00:12:27,520 --> 00:12:28,720 Speaker 3: morning Triple M? 289 00:12:29,120 --> 00:12:29,320 Speaker 2: Yes? 290 00:12:29,360 --> 00:12:31,559 Speaker 3: I did? Okay, all right, So we're gonna have a 291 00:12:31,640 --> 00:12:34,520 Speaker 3: jar now, Tom, and in it, you're going to place 292 00:12:34,760 --> 00:12:37,800 Speaker 3: five Australian dollars, not your Kiwi dollars. That money's irrelevant. 293 00:12:38,480 --> 00:12:42,120 Speaker 3: Five good Australian dollars. Every time you say that old 294 00:12:42,200 --> 00:12:46,080 Speaker 3: your ex again to any of our gold listeners. Yes, 295 00:12:46,400 --> 00:12:46,880 Speaker 3: that's fair. 296 00:12:47,120 --> 00:12:49,680 Speaker 4: Yeah, it is like saying in exor's name during the 297 00:12:49,720 --> 00:12:51,560 Speaker 4: throes of passion, and that's what the show is. 298 00:12:51,880 --> 00:12:54,320 Speaker 3: Can we just name it Christian O'Connor's Throws of Passion 299 00:12:55,480 --> 00:13:03,040 Speaker 3: three hours three three hours and at eight to nine booning. Okay, 300 00:13:03,120 --> 00:13:03,640 Speaker 3: gone too far? 301 00:13:03,720 --> 00:13:04,920 Speaker 4: Now you're building these cakes? 302 00:13:05,040 --> 00:13:08,160 Speaker 3: Yes, he let me paint the production again to focus myself. 303 00:13:08,840 --> 00:13:15,359 Speaker 1: Christ you know, color but great Australian jake. 304 00:13:15,160 --> 00:13:21,600 Speaker 3: Off like, give me cake, give me Kate now, Okay, 305 00:13:21,600 --> 00:13:25,200 Speaker 3: what's going to happen now? Then new producer Tom what's 306 00:13:25,200 --> 00:13:29,719 Speaker 3: the name of this radio station now work for? He's 307 00:13:29,760 --> 00:13:31,720 Speaker 3: now going to give us the three cakes. Is each 308 00:13:31,800 --> 00:13:33,199 Speaker 3: of us is going to be allocate to the cake 309 00:13:33,280 --> 00:13:35,240 Speaker 3: we're going to mate. I'm hoping I'm going to get 310 00:13:35,360 --> 00:13:37,880 Speaker 3: on page seventy nine of the birthday cake. But I 311 00:13:37,880 --> 00:13:40,520 Speaker 3: hope we're going to get mister monster. Have you seen 312 00:13:40,559 --> 00:13:43,880 Speaker 3: this one? Anyone of no skill like me? That is 313 00:13:43,920 --> 00:13:47,120 Speaker 3: just a block of cake with a smeary face on it. 314 00:13:47,360 --> 00:13:50,360 Speaker 3: This is my level of cake making. You can't go 315 00:13:50,440 --> 00:13:52,360 Speaker 3: wrong with that, even the one they've taken a photo 316 00:13:52,440 --> 00:13:56,920 Speaker 3: of here looks crap. Mister monster. Looks like they someone 317 00:13:56,960 --> 00:13:59,280 Speaker 3: slammed on the brakes when they were transporting him to 318 00:13:59,360 --> 00:13:59,880 Speaker 3: the studio. 319 00:14:00,640 --> 00:14:02,640 Speaker 4: It looks like the before photo, like you used to 320 00:14:02,679 --> 00:14:05,160 Speaker 4: make cakes like this, but now use this cakebook to 321 00:14:05,160 --> 00:14:05,959 Speaker 4: make break cakes. 322 00:14:06,080 --> 00:14:09,560 Speaker 3: All right, then there's time for the cakes to be allocated. Tom, 323 00:14:09,600 --> 00:14:10,600 Speaker 3: who's getting what cake? 324 00:14:11,240 --> 00:14:11,880 Speaker 7: I see? 325 00:14:12,160 --> 00:14:13,960 Speaker 4: I think you should do the rocket. 326 00:14:15,720 --> 00:14:19,240 Speaker 3: Listen to me carefully, Okay, I am you. You know 327 00:14:19,520 --> 00:14:21,680 Speaker 3: we've not been working that long. Okay. I brought you in, 328 00:14:21,800 --> 00:14:24,000 Speaker 3: gave you a new home. This rocket. You've got to 329 00:14:24,040 --> 00:14:27,920 Speaker 3: like get vienna, cream cardboard and your mum yesterday said 330 00:14:27,920 --> 00:14:29,040 Speaker 3: on the show it broke her. 331 00:14:29,120 --> 00:14:31,360 Speaker 4: It broke her. One am. She changed to a different 332 00:14:31,360 --> 00:14:33,640 Speaker 4: cake because it was too hard. 333 00:14:33,680 --> 00:14:37,240 Speaker 3: I can't make cakes. I want mister monster. Let's go again, Tom. 334 00:14:37,120 --> 00:14:39,000 Speaker 4: So we told him to give us hard ones. We 335 00:14:39,040 --> 00:14:39,840 Speaker 4: can't have the squire. 336 00:14:39,920 --> 00:14:41,720 Speaker 3: He needs to know, you know, D two. He doesn't 337 00:14:41,760 --> 00:14:44,160 Speaker 3: mean falling out on me. Let's go again, Tom watched 338 00:14:44,200 --> 00:14:47,040 Speaker 3: cake Am I again, don't go again, Tom, the rocket. 339 00:14:47,880 --> 00:14:51,200 Speaker 5: Just get one of those Swiss rolls which are circular, 340 00:14:51,240 --> 00:14:52,720 Speaker 5: and shove it on top of a bit of. 341 00:14:52,760 --> 00:14:54,280 Speaker 3: So you're saying the role of circular. 342 00:14:54,920 --> 00:14:57,640 Speaker 5: Yeah, you can buy the Swiss just look for Swiss rolls. 343 00:14:57,960 --> 00:14:59,720 Speaker 3: What about the cardboard? I said, when am I going 344 00:14:59,760 --> 00:15:02,560 Speaker 3: to get hold of Vienna cream? Yesterday in the weekend, 345 00:15:02,640 --> 00:15:05,600 Speaker 3: I was looking for Lebanese Lebanese cucumbers. Now I'm going 346 00:15:05,640 --> 00:15:10,040 Speaker 3: to be looking for Vienna cream. Okay. What's Jackie boy doing? Tom? 347 00:15:10,200 --> 00:15:13,520 Speaker 4: I think jack should do the truck. The tip truck 348 00:15:13,560 --> 00:15:15,800 Speaker 4: is the one that the lady who made the book said, 349 00:15:15,840 --> 00:15:16,160 Speaker 4: never do. 350 00:15:16,400 --> 00:15:19,520 Speaker 3: Yeah. Yesterday we found this video of the actual editor 351 00:15:19,760 --> 00:15:22,280 Speaker 3: of the children's birthday cake book. This is what she 352 00:15:22,360 --> 00:15:23,960 Speaker 3: had to say about the tip truck. 353 00:15:24,960 --> 00:15:29,800 Speaker 7: Tip truck cake, the cake, don't make it really desperate? 354 00:15:31,920 --> 00:15:35,440 Speaker 3: Suddenly the rocket, I'll take the rocket. Okay, wow, Tom, 355 00:15:35,480 --> 00:15:36,320 Speaker 3: what's Patsy gating? 356 00:15:37,120 --> 00:15:38,440 Speaker 4: I thought pats could do the train? 357 00:15:41,040 --> 00:15:47,160 Speaker 5: No, I am not doing the train exactly, Tom. 358 00:15:47,280 --> 00:15:49,440 Speaker 3: Yeah, no, No, he's saying your front cover. We're not 359 00:15:49,560 --> 00:15:51,880 Speaker 3: front cover, you know, And he's doing an easy rocket. 360 00:15:52,280 --> 00:15:54,480 Speaker 5: Swill carriages is on that thing? 361 00:15:55,040 --> 00:15:56,880 Speaker 4: I don't know. You can't say because it goes off 362 00:15:56,880 --> 00:15:57,640 Speaker 4: the side of the cover. 363 00:15:58,440 --> 00:16:00,400 Speaker 5: How am I going to get that in from where? 364 00:16:00,600 --> 00:16:02,120 Speaker 5: On Friday morning? 365 00:16:02,200 --> 00:16:02,240 Speaker 1: On? 366 00:16:02,960 --> 00:16:05,160 Speaker 3: Don't worry the traffic's not moving of our twenty care 367 00:16:05,160 --> 00:16:07,280 Speaker 3: at the moment, You'll be absolutely fine. It's say, in fact, 368 00:16:07,280 --> 00:16:08,480 Speaker 3: you might as well sit at the front of it 369 00:16:08,520 --> 00:16:10,960 Speaker 3: and drive yourself in on the two K train. 370 00:16:11,160 --> 00:16:14,360 Speaker 5: I'll do the carriage and the engine. I'm not doing 371 00:16:14,360 --> 00:16:16,040 Speaker 5: the whole thing, but then your lose marks. 372 00:16:16,160 --> 00:16:18,240 Speaker 4: Yeah, you'll be left down for that. You have to 373 00:16:18,240 --> 00:16:18,840 Speaker 4: do the whole thing. 374 00:16:19,000 --> 00:16:21,760 Speaker 3: Ye okay. And who's going to be judging this? When? 375 00:16:21,840 --> 00:16:22,640 Speaker 3: How long do we have? 376 00:16:23,160 --> 00:16:26,320 Speaker 4: I think Friday is probably the best day to sort 377 00:16:26,360 --> 00:16:28,880 Speaker 4: of deliver the cake. Who will be judging? 378 00:16:29,440 --> 00:16:36,120 Speaker 3: Oh, don't got anyone yet, Plassic, I'll producer us somebody on. 379 00:16:41,080 --> 00:16:46,400 Speaker 2: Christian Hello, Christian O'Connell show podcast. 380 00:16:47,000 --> 00:16:50,280 Speaker 3: Just reading these so called directions for this rocket cake 381 00:16:50,320 --> 00:16:52,520 Speaker 3: that I'm going to be making, it's actually like a 382 00:16:52,600 --> 00:16:56,320 Speaker 3: code I don't understand. Make cake according to directions on 383 00:16:56,480 --> 00:17:00,240 Speaker 3: packet three quarters feel grease two cup pudding basin paul 384 00:17:00,280 --> 00:17:04,840 Speaker 3: rest of mixed into greased ten follow pattern sea over leaf. 385 00:17:05,200 --> 00:17:08,240 Speaker 3: I've got to get like strong cardboard to make fins 386 00:17:08,280 --> 00:17:10,080 Speaker 3: for the cakey rocket to sit on. 387 00:17:10,200 --> 00:17:13,240 Speaker 4: And we're all agreeing that we get no outside help, right, 388 00:17:13,440 --> 00:17:14,080 Speaker 4: because you can't. 389 00:17:13,960 --> 00:17:16,399 Speaker 3: Get do you think they're going to make a cake, 390 00:17:16,920 --> 00:17:19,720 Speaker 3: a rocket cake that's really complicated for the dad's work. 391 00:17:20,840 --> 00:17:23,480 Speaker 3: They don't worry about any extra out for me. I'm 392 00:17:23,480 --> 00:17:26,240 Speaker 3: going to be all alone. They're not going to support me. 393 00:17:26,359 --> 00:17:32,160 Speaker 3: Teenagers they want to see me fell, don't worry about that. 394 00:17:32,520 --> 00:17:34,760 Speaker 3: And then Patsy, so you're doing the you'll be fine, 395 00:17:34,800 --> 00:17:37,399 Speaker 3: You're you're you're a reasonably talented chef. 396 00:17:37,800 --> 00:17:39,200 Speaker 5: Reacently tellent it. 397 00:17:39,320 --> 00:17:41,920 Speaker 3: Well, we've tried so far of yours with the anzap biscuits, 398 00:17:41,960 --> 00:17:45,320 Speaker 3: which were I'm still digesting mine from twenty four months ago. 399 00:17:45,600 --> 00:17:45,840 Speaker 8: Good. 400 00:17:46,359 --> 00:17:47,960 Speaker 3: They were old, lumpy stuff. 401 00:17:48,000 --> 00:17:49,480 Speaker 4: If you make the cake out of the same stuff, 402 00:17:49,520 --> 00:17:51,560 Speaker 4: it'll be rock hard, so at least it won't damage 403 00:17:51,560 --> 00:17:52,040 Speaker 4: on the way in. 404 00:17:52,640 --> 00:17:55,280 Speaker 5: I might some in the carriages. Jack just to you 405 00:17:55,480 --> 00:17:56,800 Speaker 5: like a. 406 00:17:56,800 --> 00:17:59,160 Speaker 3: Kind of strong kind of air bag that you're transporting 407 00:17:59,200 --> 00:18:10,840 Speaker 3: around by O'Connor, Who's Calling Christian starts on this show 408 00:18:11,000 --> 00:18:16,960 Speaker 3: in thirteen days time. How does it work, Patsy? How 409 00:18:17,000 --> 00:18:18,639 Speaker 3: does Who's Calling Christian? Work? 410 00:18:18,920 --> 00:18:23,280 Speaker 5: Well, you get to contact a celebrity, any celebrity you like, 411 00:18:23,560 --> 00:18:26,080 Speaker 5: and not just one, as many as you like get 412 00:18:26,080 --> 00:18:30,280 Speaker 5: on it, hit their social media accounts, their Twitter, their Facebook, 413 00:18:30,320 --> 00:18:33,240 Speaker 5: their Insta and try to get them to call you 414 00:18:33,359 --> 00:18:36,480 Speaker 5: Christian O'Connell when the show is on between six and 415 00:18:36,600 --> 00:18:40,720 Speaker 5: nine am Australian Eastern Standard time. If they get through, 416 00:18:40,920 --> 00:18:44,719 Speaker 5: they can win twenty grand for their elected charity. And 417 00:18:44,840 --> 00:18:47,760 Speaker 5: you can win twenty grand as well. And who doesn't 418 00:18:47,800 --> 00:18:49,960 Speaker 5: need twenty grand right now, Apatsy. 419 00:18:50,000 --> 00:18:51,840 Speaker 3: If they want to find out more, where can they 420 00:18:51,840 --> 00:18:53,160 Speaker 3: go and watch a thirty second video? 421 00:18:53,359 --> 00:18:55,800 Speaker 5: They can go on to our website at gold one 422 00:18:55,840 --> 00:18:57,880 Speaker 5: oh four to three dot com. 423 00:18:58,600 --> 00:19:03,879 Speaker 3: Dote au Gatty and well known Patty pro always a pro, Patsy. 424 00:19:03,960 --> 00:19:05,680 Speaker 3: Who are a couple of people that you would love 425 00:19:05,760 --> 00:19:08,280 Speaker 3: to hear on the show? Chatting to us in two 426 00:19:08,280 --> 00:19:08,800 Speaker 3: weeks time? 427 00:19:09,000 --> 00:19:11,520 Speaker 5: You know who i'd like this year? I'd really really, 428 00:19:11,560 --> 00:19:15,200 Speaker 5: really really like someone from Ever, preferably. 429 00:19:14,760 --> 00:19:16,879 Speaker 3: Beyond Oh God, Yeah, that would be huge. 430 00:19:17,520 --> 00:19:22,640 Speaker 5: And maybe even Pink the singer Yeah change, but yeah, 431 00:19:22,640 --> 00:19:25,439 Speaker 5: I mean I know it's just down there, it's something different. 432 00:19:25,880 --> 00:19:27,840 Speaker 3: How would we know which one it is? Because you're 433 00:19:27,880 --> 00:19:29,440 Speaker 3: not familiar with all the four members? 434 00:19:29,480 --> 00:19:31,520 Speaker 5: Do you need to be on? Frida and Agnita? 435 00:19:31,960 --> 00:19:35,959 Speaker 3: Someone's been reading getting ready for who's calling a Christian? 436 00:19:36,040 --> 00:19:39,560 Speaker 3: Well done? Abba? Would be amazing. They've got new songs. 437 00:19:39,560 --> 00:19:41,600 Speaker 3: They've got to saund next year because they really need 438 00:19:41,800 --> 00:19:44,880 Speaker 3: to promote abba to people on those new songs. They'll 439 00:19:44,920 --> 00:19:47,680 Speaker 3: be reliant really on hopefully primo interviews with a radio 440 00:19:47,760 --> 00:19:51,000 Speaker 3: station here in Melbourne. But Patsy's just did a brilliant 441 00:19:51,040 --> 00:19:52,880 Speaker 3: job explain how it works. It starts in under two 442 00:19:52,920 --> 00:19:55,679 Speaker 3: weeks time. We're sort of kicking around. Anytime you hear 443 00:19:55,760 --> 00:19:57,359 Speaker 3: us mentioning anyone of the moment, we're all going, who's 444 00:19:57,359 --> 00:20:01,240 Speaker 3: calling Christian? Even Ricky Martin and his on Rique Glasiers 445 00:20:01,240 --> 00:20:06,840 Speaker 3: as well. Yesterday I was saying how Nickelback, Nickelback are back, okay, 446 00:20:07,119 --> 00:20:10,840 Speaker 3: and over the weekend I heard one of their new songs. 447 00:20:11,200 --> 00:20:13,600 Speaker 4: And you loved it. You wanted to be he bought 448 00:20:13,600 --> 00:20:15,320 Speaker 4: in the CD and try to get Jason to play 449 00:20:15,359 --> 00:20:23,320 Speaker 4: it during the show. Actually, excuse me, you're allowed to 450 00:20:23,359 --> 00:20:24,080 Speaker 4: like Nickelback. 451 00:20:24,160 --> 00:20:27,560 Speaker 3: I just said I. I said that very well, then 452 00:20:27,560 --> 00:20:29,560 Speaker 3: turn the radio up. But I said pretty clearly that 453 00:20:29,560 --> 00:20:36,840 Speaker 3: that new Nickelback song is actually Susanna Hoffs. Someone email 454 00:20:36,920 --> 00:20:39,959 Speaker 3: me yesterday saying they've contacted the agent of Susannah Hoffs 455 00:20:40,200 --> 00:20:44,760 Speaker 3: and that she's busy at the moment. Don't take no 456 00:20:44,840 --> 00:20:47,280 Speaker 3: for an answer. If you are contacting celebrities, we're trying 457 00:20:47,320 --> 00:20:48,959 Speaker 3: to find their agents to let them know about this 458 00:20:49,000 --> 00:20:51,280 Speaker 3: because it's a lot of money, right, not just twenty 459 00:20:51,320 --> 00:20:53,280 Speaker 3: thousand dollars for you, which is a huge amount of cash, 460 00:20:53,440 --> 00:20:56,080 Speaker 3: but actually twenty thousand dollars for a celebrities charity is 461 00:20:56,080 --> 00:20:59,080 Speaker 3: a big amount of cash. Most the job of an 462 00:20:59,080 --> 00:21:02,960 Speaker 3: agent really is is to keep It's the same, no, 463 00:21:03,200 --> 00:21:05,040 Speaker 3: isn't it really? You know, that's the job of an 464 00:21:05,040 --> 00:21:06,919 Speaker 3: age a lot of time. It's just to keep them 465 00:21:07,560 --> 00:21:09,600 Speaker 3: safe and away from any. 466 00:21:09,440 --> 00:21:11,480 Speaker 4: Kind of keep all those requests at bay. 467 00:21:11,680 --> 00:21:14,359 Speaker 3: Yeah, and so look, even if someone says no, don't 468 00:21:14,440 --> 00:21:16,840 Speaker 3: take that as an answer. You don't need to be 469 00:21:16,840 --> 00:21:19,800 Speaker 3: pushed back or be rude, or I won't get you anywhere. However, 470 00:21:19,920 --> 00:21:21,680 Speaker 3: don't take no for an answer. There are other ways 471 00:21:21,680 --> 00:21:23,800 Speaker 3: to go the other way. When we did this last year, 472 00:21:23,840 --> 00:21:25,840 Speaker 3: a lot of people found it more successful to a 473 00:21:25,920 --> 00:21:28,240 Speaker 3: quick Google search for some of your favorite stars, whether 474 00:21:28,240 --> 00:21:31,040 Speaker 3: these are eighty stars and ninety stars, or your favorite 475 00:21:31,119 --> 00:21:34,919 Speaker 3: kind of comedians of now or TV presenters, musicians, whoever 476 00:21:34,960 --> 00:21:37,560 Speaker 3: it is. If you type in their name and charities, 477 00:21:37,960 --> 00:21:40,200 Speaker 3: you will find out very quickly which charities they are 478 00:21:40,240 --> 00:21:43,639 Speaker 3: officially linked to going through their charities. Charities this year 479 00:21:43,680 --> 00:21:45,880 Speaker 3: are having their worst every year. They're not getting the funding. 480 00:21:46,160 --> 00:21:48,119 Speaker 3: We all know why. Okay, everyone's struggle to pay their 481 00:21:48,160 --> 00:21:51,040 Speaker 3: own bills. No are generously given to charity. If you 482 00:21:51,080 --> 00:21:53,879 Speaker 3: google it that way, you'll find the charities details going 483 00:21:53,920 --> 00:21:56,240 Speaker 3: through the charity saying Hey, I'm a big fan of 484 00:21:56,359 --> 00:21:58,959 Speaker 3: Chris Pratt. He could come on promote this cause it's 485 00:21:59,000 --> 00:22:00,760 Speaker 3: going to go all over a straight and he could 486 00:22:00,760 --> 00:22:03,240 Speaker 3: win twenty thousand dollars for your charity. They will go 487 00:22:03,320 --> 00:22:06,199 Speaker 3: through them that way. That's often a really successful way 488 00:22:06,240 --> 00:22:08,200 Speaker 3: that a lot of people came on this show last 489 00:22:08,240 --> 00:22:10,880 Speaker 3: year was via that way. But look all the details 490 00:22:10,880 --> 00:22:12,520 Speaker 3: you can find on our website God one, I four 491 00:22:12,560 --> 00:22:15,680 Speaker 3: three dot com dot au. Do let us know tag 492 00:22:15,760 --> 00:22:18,440 Speaker 3: us in any tweets or any Instagram posts. You really 493 00:22:18,480 --> 00:22:21,719 Speaker 3: are just one message away from winning twenty thousand dollars. 494 00:22:21,960 --> 00:22:24,640 Speaker 3: I did have a great email yesterday someone who has 495 00:22:24,680 --> 00:22:26,879 Speaker 3: approached someone. I don't want to say who this is, 496 00:22:26,920 --> 00:22:29,480 Speaker 3: but if if this comes off in two weeks time, 497 00:22:29,600 --> 00:22:31,560 Speaker 3: it will be a big moment for the show and 498 00:22:32,119 --> 00:22:38,600 Speaker 3: one of you two. Oh huge, what are you doing 499 00:22:38,840 --> 00:22:40,119 Speaker 3: dying or air or something? 500 00:22:40,240 --> 00:22:44,000 Speaker 5: Or no it's not BRA's or is it who Brian Adams? 501 00:22:44,760 --> 00:22:49,879 Speaker 2: Wait and see Christian a Christian O'Connell show podcast. 502 00:22:50,160 --> 00:22:54,400 Speaker 3: So yesterday afternoon was third movie. And this thing I'm 503 00:22:54,400 --> 00:22:57,000 Speaker 3: doing every Monday afternoon with my thirteen year old daughter, 504 00:22:57,080 --> 00:22:59,879 Speaker 3: movies with my daughter where I had a knockoff on 505 00:23:00,200 --> 00:23:02,760 Speaker 3: scorning early, but she has to watch a movie with 506 00:23:02,840 --> 00:23:04,880 Speaker 3: me and then we talk about it afterwards. And I've 507 00:23:04,880 --> 00:23:08,200 Speaker 3: been looking for movies that actually show us and reveal 508 00:23:08,280 --> 00:23:11,960 Speaker 3: something about life, and so far we've watched two great movies. 509 00:23:12,080 --> 00:23:14,080 Speaker 3: Stand By Me was the first one. She loved. That 510 00:23:14,200 --> 00:23:17,560 Speaker 3: great movie, still great now these years later. It's a 511 00:23:17,640 --> 00:23:20,280 Speaker 3: timeless classic, as was last week. I took up Jack 512 00:23:20,320 --> 00:23:22,840 Speaker 3: Post's idea of eighth grade. I hadn't seen this more 513 00:23:22,880 --> 00:23:25,399 Speaker 3: contemporary came out about two years ago. One of the 514 00:23:25,400 --> 00:23:28,160 Speaker 3: best coming of age movies I've seen the last ten 515 00:23:28,240 --> 00:23:32,320 Speaker 3: or twenty years. Yeah, really really good. If John Hughes 516 00:23:32,359 --> 00:23:34,560 Speaker 3: came along now in this modern era, he'd make a 517 00:23:34,600 --> 00:23:37,199 Speaker 3: movie like that. Directing written by Bo Burnham is an 518 00:23:37,200 --> 00:23:40,640 Speaker 3: awesome comedian, but it's a great It's a fantastic movie. 519 00:23:40,720 --> 00:23:42,320 Speaker 4: Loved it and she did last like it. 520 00:23:42,400 --> 00:23:44,879 Speaker 3: Yeah, she gave it ten out of ten. It's spot 521 00:23:44,960 --> 00:23:47,800 Speaker 3: on as well for where she is in her life 522 00:23:47,800 --> 00:23:51,240 Speaker 3: as well. At thirteen and actually watching it, I had 523 00:23:51,240 --> 00:23:54,320 Speaker 3: a great appreciation of how hard it is for them 524 00:23:54,400 --> 00:23:57,520 Speaker 3: growing up now with phones because actually watching it, I 525 00:23:57,520 --> 00:24:00,560 Speaker 3: was realizing at school it's all about were you in 526 00:24:00,560 --> 00:24:03,520 Speaker 3: with your mates or were you being excluded from friendships? 527 00:24:03,560 --> 00:24:05,760 Speaker 3: And you didn't really know because we were ignorant. You 528 00:24:05,800 --> 00:24:07,879 Speaker 3: had no way of knowing if other friends were seeing 529 00:24:07,880 --> 00:24:10,520 Speaker 3: other mates behind your back. You didn't really know. Now, 530 00:24:10,560 --> 00:24:14,080 Speaker 3: in phones and Instagram, it's a way for and it's 531 00:24:14,240 --> 00:24:16,840 Speaker 3: what you know where everybody is. And it's twenty four 532 00:24:16,840 --> 00:24:18,440 Speaker 3: to seven, and made I hear them going to me, 533 00:24:18,560 --> 00:24:20,879 Speaker 3: I was so and So's hanging out with so and so, 534 00:24:20,960 --> 00:24:23,240 Speaker 3: And I don't appreciate all the time what that must 535 00:24:23,280 --> 00:24:26,520 Speaker 3: be like, because at least everyone has a tough time 536 00:24:26,560 --> 00:24:28,720 Speaker 3: at time at school, right, But at least when you 537 00:24:28,840 --> 00:24:31,840 Speaker 3: got home you shut your bedroom door and you had 538 00:24:31,880 --> 00:24:34,600 Speaker 3: to save space, didn't you. Now they're on their phones 539 00:24:35,600 --> 00:24:38,040 Speaker 3: all those emotions. You had to go through those challenges. 540 00:24:38,040 --> 00:24:40,919 Speaker 3: There's never ending trials at school they're on their phones, 541 00:24:41,480 --> 00:24:44,359 Speaker 3: and so I actually I actually held my relationship with 542 00:24:44,680 --> 00:24:46,359 Speaker 3: both of daughters watching that last week. So if you've 543 00:24:46,359 --> 00:24:48,800 Speaker 3: got teenage kids you've not seen it. I can't recommend 544 00:24:48,840 --> 00:24:51,760 Speaker 3: it enough. Eighth grade loved it really funny as well. 545 00:24:52,119 --> 00:24:54,600 Speaker 3: And then the one I've been I was going to 546 00:24:54,680 --> 00:24:56,320 Speaker 3: do this in a couple of weeks time build up 547 00:24:56,359 --> 00:24:58,520 Speaker 3: to this, she'd said to me, no movies. After an 548 00:24:58,560 --> 00:25:00,760 Speaker 3: and a half, I'm walking out, she said, I saw, 549 00:25:01,240 --> 00:25:04,160 Speaker 3: you know, I can't. I can't cope with it short 550 00:25:04,240 --> 00:25:06,560 Speaker 3: Tenson span. And that's they're the TikTok generation. They're not 551 00:25:06,600 --> 00:25:09,639 Speaker 3: our solder farts, right, So I was building up to 552 00:25:09,720 --> 00:25:11,720 Speaker 3: Dead Poets Society. At some point I was going to 553 00:25:11,800 --> 00:25:14,280 Speaker 3: make it the last one. We watched this every Monday. 554 00:25:14,440 --> 00:25:19,040 Speaker 3: Total running time two hours, twelve minutes. However, I thought, 555 00:25:19,080 --> 00:25:20,479 Speaker 3: you know, so I'm going to go this is it 556 00:25:20,520 --> 00:25:22,880 Speaker 3: now it's crash or bust. Okay, this is the movie. 557 00:25:22,920 --> 00:25:24,800 Speaker 3: I think she's ready for it. So I lie to 558 00:25:24,840 --> 00:25:26,879 Speaker 3: her like a good parent. I said, hey, listen, this 559 00:25:26,960 --> 00:25:29,199 Speaker 3: week's one. It's a bit longer. It's an hour and 560 00:25:29,280 --> 00:25:31,600 Speaker 3: forty two. I made that was it? It sounded specific. 561 00:25:32,040 --> 00:25:34,240 Speaker 3: I didn't realize she's got Google. It turns out on 562 00:25:34,240 --> 00:25:36,439 Speaker 3: her phone. I got to get the sacks. I hear this, 563 00:25:36,600 --> 00:25:39,600 Speaker 3: you've lied. It's two hours, eleven minutes. I must have 564 00:25:39,640 --> 00:25:41,840 Speaker 3: look at a different edit. I've got a special cut 565 00:25:41,920 --> 00:25:44,520 Speaker 3: of it. So I said, look, I tell you what 566 00:25:44,520 --> 00:25:47,119 Speaker 3: we do. Years ago, there used to be in intermission 567 00:25:47,119 --> 00:25:51,840 Speaker 3: in cinemas. Halfway through we paused for ice cream shows up. Okay, 568 00:25:52,480 --> 00:25:56,080 Speaker 3: So anyway, we watched Dead Poets Society, and halfway through 569 00:25:56,119 --> 00:25:57,960 Speaker 3: I pause it and I go, I'll go and get 570 00:25:58,000 --> 00:25:59,919 Speaker 3: ice cream. Now she goes, no, I don't want anything. 571 00:26:00,040 --> 00:26:00,359 Speaker 2: Carry on. 572 00:26:00,440 --> 00:26:00,639 Speaker 3: That's what. 573 00:26:01,200 --> 00:26:05,000 Speaker 4: Yeah, I remember feeling like that watching it. I haven't 574 00:26:05,000 --> 00:26:06,639 Speaker 4: seen it maybe fifteen. 575 00:26:06,400 --> 00:26:09,080 Speaker 3: Jack, watch it again this week. It is like stand 576 00:26:09,119 --> 00:26:12,320 Speaker 3: by Me. It's got better. Yeah, it just ages. It's 577 00:26:12,400 --> 00:26:15,240 Speaker 3: a universal thing. Even though came out Dead Both Society 578 00:26:15,320 --> 00:26:17,200 Speaker 3: came out in nineteen eighty nine. Nominated for a couple 579 00:26:17,240 --> 00:26:19,440 Speaker 3: of Oscars came out in nineteen eighty nine, but set 580 00:26:19,440 --> 00:26:21,520 Speaker 3: in the late fifties. It's like stand by Me. Another 581 00:26:21,560 --> 00:26:24,280 Speaker 3: bizari One, which is set in the late fifties, but timeless. 582 00:26:24,320 --> 00:26:28,400 Speaker 3: Those themes about identity, growing up, finding your voice. There's 583 00:26:28,440 --> 00:26:30,800 Speaker 3: a line in there where he says, find your voice 584 00:26:30,840 --> 00:26:33,080 Speaker 3: before it's too late and you've lost your voice amongst 585 00:26:33,080 --> 00:26:35,720 Speaker 3: the sea of voices. And it's like, wow, what great 586 00:26:35,760 --> 00:26:38,920 Speaker 3: advice actually for any time in your life, especially when 587 00:26:38,920 --> 00:26:41,440 Speaker 3: you're at their age, you know, and in those teens, 588 00:26:41,440 --> 00:26:43,560 Speaker 3: when you're trying to work out where are you going 589 00:26:43,640 --> 00:26:45,800 Speaker 3: to fit into this big world? Suddenly the world feels 590 00:26:45,840 --> 00:26:48,040 Speaker 3: very big and almost crushing at times, where are you 591 00:26:48,080 --> 00:26:49,880 Speaker 3: going to fit into it? And also, I've got to say, 592 00:26:49,880 --> 00:26:51,760 Speaker 3: as a massive fan of Robin Williams, he did so 593 00:26:51,800 --> 00:26:54,480 Speaker 3: many great movies. I was explained to Lois afterwards because 594 00:26:54,480 --> 00:26:56,120 Speaker 3: she was going so was he always an actor, He's 595 00:26:56,160 --> 00:26:58,600 Speaker 3: amazing and he's great. One of his best roles as 596 00:26:58,640 --> 00:27:00,560 Speaker 3: dead Poets aside is mister Keith in that Teacher. I 597 00:27:00,600 --> 00:27:03,760 Speaker 3: don't think anyone can do that, that heart and soul 598 00:27:03,840 --> 00:27:07,080 Speaker 3: than that improvisational wizardry he did in one great movie. 599 00:27:07,240 --> 00:27:09,160 Speaker 3: I was explained to us how he went from being 600 00:27:09,560 --> 00:27:12,000 Speaker 3: the biggest comedian in the world in the day he 601 00:27:12,119 --> 00:27:14,600 Speaker 3: was the biggest comedian in the world. Imagine like Kevin 602 00:27:14,680 --> 00:27:17,800 Speaker 3: Hart and then suddenly that comedian who's like crazy and 603 00:27:17,960 --> 00:27:20,840 Speaker 3: wild and all that stuff turns out to be not 604 00:27:20,920 --> 00:27:24,320 Speaker 3: just a good actor, but I really really is prime 605 00:27:24,400 --> 00:27:27,000 Speaker 3: won the best actors you know in so many great movies. 606 00:27:27,280 --> 00:27:29,560 Speaker 3: You think about weightnings, I mean he had proper and 607 00:27:29,560 --> 00:27:31,520 Speaker 3: then Missus Doubt Fire he had proper range as well, 608 00:27:31,560 --> 00:27:35,640 Speaker 3: and then Dead Poet Society is an incredible movie, and 609 00:27:35,680 --> 00:27:37,280 Speaker 3: she gave it eleven out of ten. At the end 610 00:27:37,320 --> 00:27:40,520 Speaker 3: she said, it was a yeah, there are so many 611 00:27:40,600 --> 00:27:43,200 Speaker 3: beautiful scenes in there. I've listened to this one. 612 00:27:43,640 --> 00:27:46,400 Speaker 8: We don't read and write poetry because it's cute. We 613 00:27:46,560 --> 00:27:49,200 Speaker 8: read and write poetry because we are members of the 614 00:27:49,280 --> 00:27:53,480 Speaker 8: human race, and the human race is filled with passion 615 00:27:53,840 --> 00:27:57,200 Speaker 8: and medicine, law, business, engineering. These are novel pursuits and 616 00:27:57,320 --> 00:28:03,040 Speaker 8: necessary to sustain life. But poetry, beauty, wrong, man, love, 617 00:28:03,600 --> 00:28:05,120 Speaker 8: He's of what we stay alive for. 618 00:28:05,520 --> 00:28:08,800 Speaker 3: I'll end up yesterday watching a great interview Ethan Hawk 619 00:28:08,920 --> 00:28:11,159 Speaker 3: and all the other boys in there. They're incredible. They 620 00:28:11,160 --> 00:28:14,119 Speaker 3: were like sixteen seventeen and it's an Australian director, an 621 00:28:14,119 --> 00:28:16,640 Speaker 3: amazing director called Peter Weir that directed this movie also 622 00:28:16,640 --> 00:28:20,719 Speaker 3: did The Truman Show, Witness whole load of other incredible movies. 623 00:28:21,000 --> 00:28:23,760 Speaker 3: He made all the boys live together and you get 624 00:28:23,760 --> 00:28:25,920 Speaker 3: it in the movie stand By Me. There's a real 625 00:28:26,080 --> 00:28:28,919 Speaker 3: kinship there that support that brotherhood that they have together, 626 00:28:29,119 --> 00:28:31,480 Speaker 3: and you can feel it in there. There's one famous scene. 627 00:28:31,480 --> 00:28:32,960 Speaker 3: Even if you haven't seen it for a few years, 628 00:28:33,040 --> 00:28:35,159 Speaker 3: you may remember Ethan Hawk is amazing in it. He 629 00:28:35,240 --> 00:28:37,600 Speaker 3: was seventeen when he made this movie. It's his first 630 00:28:37,600 --> 00:28:39,840 Speaker 3: proper movie, and he wanted to be a very serious actor. 631 00:28:40,080 --> 00:28:42,040 Speaker 3: And he meets Robin Williams on set and it's a 632 00:28:42,040 --> 00:28:44,560 Speaker 3: big movie. Robin Williams and Robin Williams in the movie 633 00:28:44,600 --> 00:28:46,640 Speaker 3: isn't in every scene, but it's kind of like Jaws 634 00:28:47,120 --> 00:28:49,920 Speaker 3: in the movie George Jaws isn't in it. Jaws isn't 635 00:28:49,920 --> 00:28:52,240 Speaker 3: in it all the time, but when he is, there's 636 00:28:52,280 --> 00:28:54,880 Speaker 3: this amazing impact. And when he's not there, you miss him. 637 00:28:55,120 --> 00:28:56,840 Speaker 3: He's not in a lot of the movie. He's missing 638 00:28:56,840 --> 00:28:58,480 Speaker 3: from it, but you are. Where is mister Keating? You 639 00:28:58,520 --> 00:29:01,280 Speaker 3: want mister Keating back anyway. When there's a big scene 640 00:29:01,280 --> 00:29:04,600 Speaker 3: where Ethan Hawk's character can't he can't really he doesn't 641 00:29:04,680 --> 00:29:06,880 Speaker 3: like reading out loud and he's writing all his beautiful poetry, 642 00:29:06,880 --> 00:29:09,040 Speaker 3: but he's struggling to find his voice, and Robin Williams 643 00:29:09,080 --> 00:29:11,240 Speaker 3: grabs hold of him, starts spinning him around. It's like 644 00:29:11,280 --> 00:29:14,040 Speaker 3: this really great famous steady cam scene. It's almost it 645 00:29:14,040 --> 00:29:16,320 Speaker 3: makes you dizzy. He's trying to disorientate him. The other 646 00:29:16,400 --> 00:29:18,160 Speaker 3: kids are laughing. He's going to forget about them, forget 647 00:29:18,200 --> 00:29:20,400 Speaker 3: about them, and he starts to improvise his poem. I 648 00:29:20,440 --> 00:29:23,880 Speaker 3: didn't realize that whole scene was improvised. Robin Williams insisted 649 00:29:23,880 --> 00:29:26,560 Speaker 3: with the young Ethan Hawk he mustn't prepare anything. He 650 00:29:26,640 --> 00:29:29,440 Speaker 3: needs to take a leap of faith and get beyond himself. 651 00:29:29,600 --> 00:29:32,280 Speaker 3: Wow Ethan Hawk. In this interview right watching it yesterday evening, 652 00:29:32,280 --> 00:29:34,800 Speaker 3: Ethan Hawk starts saying, how the rest of his he's 653 00:29:34,800 --> 00:29:37,240 Speaker 3: had an amazing, like thirty five year career. He's still 654 00:29:37,320 --> 00:29:40,280 Speaker 3: searching for that high that Robin Williams showed him when 655 00:29:40,280 --> 00:29:42,960 Speaker 3: he was seventeen. Isn't that amazing? But watching a movie 656 00:29:42,960 --> 00:29:45,520 Speaker 3: aback yesterday, it also reminded me of someone else as well, 657 00:29:45,560 --> 00:29:46,960 Speaker 3: which I though it'd be really nice to do today. 658 00:29:47,040 --> 00:29:49,160 Speaker 3: There are some movies that remind you about some part 659 00:29:49,160 --> 00:29:50,760 Speaker 3: of your life. The big thing in the movie is 660 00:29:50,760 --> 00:29:53,240 Speaker 3: you wish you had a teacher like mister Keating he's amazing. 661 00:29:53,280 --> 00:29:55,080 Speaker 3: And when they all stand on the tables at the 662 00:29:55,160 --> 00:29:57,720 Speaker 3: end and they go my captain, their last little small 663 00:29:57,760 --> 00:30:00,320 Speaker 3: act of defiance to the institution that is now kicking 664 00:30:00,320 --> 00:30:02,920 Speaker 3: mister Keaton Robin Williams out of the movie, you realize 665 00:30:02,960 --> 00:30:05,080 Speaker 3: how what a difference it makes having just you're lucky 666 00:30:05,080 --> 00:30:07,480 Speaker 3: if you have one or two good teachers and your 667 00:30:07,480 --> 00:30:09,760 Speaker 3: whole time at school. You're lucky if you have one 668 00:30:09,840 --> 00:30:12,400 Speaker 3: or two good teachers and you do remember their name. 669 00:30:12,440 --> 00:30:13,760 Speaker 3: So I wonder if it'd be really nice thing to 670 00:30:13,760 --> 00:30:15,040 Speaker 3: do d for the next ten minutes on the show, 671 00:30:15,120 --> 00:30:17,760 Speaker 3: tell us the name of one teacher who really made 672 00:30:17,800 --> 00:30:19,680 Speaker 3: a difference to you. It doesn't mean they changed your 673 00:30:19,680 --> 00:30:21,840 Speaker 3: life and you now you did something because they said 674 00:30:21,840 --> 00:30:23,800 Speaker 3: you should, but they made a difference in your life 675 00:30:23,800 --> 00:30:29,280 Speaker 3: in a small way. 676 00:30:28,720 --> 00:30:32,920 Speaker 2: Hell Christian O'Connell show. 677 00:30:32,360 --> 00:30:36,960 Speaker 3: Podcast, So third movie Yesterday in Movies with My Daughter Yesterday, 678 00:30:37,240 --> 00:30:39,800 Speaker 3: Dead Poets Society. She gave it eleven out of ten. 679 00:30:39,920 --> 00:30:43,160 Speaker 3: She loved it. Her favorite line in it, actually, I said, 680 00:30:43,200 --> 00:30:45,360 Speaker 3: what are your favorite bits? She loved the bit where 681 00:30:45,800 --> 00:30:49,840 Speaker 3: mister Keating is played by the amazing Robin Williams, where 682 00:30:49,840 --> 00:30:52,320 Speaker 3: he is talking about poetry, and he's talking about life 683 00:30:52,320 --> 00:30:55,400 Speaker 3: and why it's important for life, and he says life 684 00:30:55,480 --> 00:30:58,280 Speaker 3: is like a play. The play goes on and you 685 00:30:58,360 --> 00:31:02,000 Speaker 3: get to contribute a verse. What will your verse be? 686 00:31:02,880 --> 00:31:05,040 Speaker 3: She went yesterday, printed it off. She found it. You 687 00:31:05,040 --> 00:31:06,880 Speaker 3: know these days you can find all these quotes from 688 00:31:06,920 --> 00:31:09,440 Speaker 3: movies over still of it she printed off yesterday, and 689 00:31:09,440 --> 00:31:10,640 Speaker 3: I was saying good night. So I looked on her 690 00:31:10,640 --> 00:31:13,600 Speaker 3: bedroom wall, blue tacked up freshly up there was that 691 00:31:13,720 --> 00:31:17,440 Speaker 3: quote I love printed off. Sometimes there's one little line 692 00:31:17,520 --> 00:31:20,000 Speaker 3: that can make such a difference. Anyway, we all wish 693 00:31:20,040 --> 00:31:21,760 Speaker 3: we had a teacher like mister Keatoning, and maybe you 694 00:31:21,800 --> 00:31:24,320 Speaker 3: were lucky enough to have a teacher that made a 695 00:31:24,360 --> 00:31:26,920 Speaker 3: difference in your love school, because one teacher can make 696 00:31:26,960 --> 00:31:29,719 Speaker 3: a huge difference. You know, you got two worlds when 697 00:31:29,760 --> 00:31:31,840 Speaker 3: you're a kid. It's mum and dad, but that's not 698 00:31:31,920 --> 00:31:33,840 Speaker 3: the big world really, once she gets your teen years, 699 00:31:34,120 --> 00:31:37,840 Speaker 3: it's school, that mega universe there. It's all about school, 700 00:31:37,880 --> 00:31:40,560 Speaker 3: isn't it. Everything's there. And so a teacher just being 701 00:31:40,960 --> 00:31:43,200 Speaker 3: seeing you for who you are or what you might 702 00:31:43,240 --> 00:31:46,200 Speaker 3: be able to grow into is a really really big deal. 703 00:31:46,320 --> 00:31:47,920 Speaker 3: Who was a fu Jack? Did you have a good teacher. 704 00:31:48,000 --> 00:31:51,560 Speaker 4: Yeah. My music teacher was named Miss Bartosi, and she 705 00:31:51,800 --> 00:31:54,440 Speaker 4: talked to us like equals, not like the rest of 706 00:31:54,480 --> 00:31:57,000 Speaker 4: the school teachers were. Where they would you know, they 707 00:31:57,040 --> 00:31:59,200 Speaker 4: were teachers and you were the students. Yeah, where she 708 00:31:59,240 --> 00:32:01,719 Speaker 4: would talk to us on level. And I even remember 709 00:32:01,760 --> 00:32:04,000 Speaker 4: when I went to do work experience for the first 710 00:32:04,040 --> 00:32:06,520 Speaker 4: time in year nine or ten. I was at a 711 00:32:06,560 --> 00:32:09,840 Speaker 4: local music shop and she even took the time out 712 00:32:09,840 --> 00:32:11,800 Speaker 4: of a day to come down to the music shop 713 00:32:11,880 --> 00:32:13,760 Speaker 4: and just pop in and say hi and see how 714 00:32:13,800 --> 00:32:14,160 Speaker 4: I was going. 715 00:32:14,320 --> 00:32:16,680 Speaker 3: Wow, what a lovely thing to do. Oh that's great. 716 00:32:16,680 --> 00:32:17,800 Speaker 3: Who would be for you, Patsy. 717 00:32:18,160 --> 00:32:20,960 Speaker 5: I loved mister Keane. He was my year eight maths teacher, 718 00:32:20,960 --> 00:32:23,320 Speaker 5: and I was dreadful at maths, Like I really used 719 00:32:23,360 --> 00:32:25,719 Speaker 5: to cause me so much anxiety because I just couldn't 720 00:32:25,760 --> 00:32:29,080 Speaker 5: do it. But he really nurtured me. It was like 721 00:32:29,160 --> 00:32:31,080 Speaker 5: this wise old owl, and he used to wear a 722 00:32:31,080 --> 00:32:33,200 Speaker 5: suit and tie, and he'd smoke a pack of his 723 00:32:33,360 --> 00:32:36,760 Speaker 5: counter day and the ends of his fingers were always 724 00:32:36,920 --> 00:32:39,440 Speaker 5: like yellow from the cigarette. But you know what really 725 00:32:39,440 --> 00:32:41,800 Speaker 5: impressed me was in my twenties, I went back to 726 00:32:41,800 --> 00:32:44,800 Speaker 5: my hometown and he'd retired there and I ran into 727 00:32:44,880 --> 00:32:47,720 Speaker 5: him at Cole's at the supermarket, and you know, he 728 00:32:47,840 --> 00:32:50,800 Speaker 5: knew exactly where I was, that I was at Double 729 00:32:50,800 --> 00:32:52,360 Speaker 5: TFM doing news. At that time. 730 00:32:52,400 --> 00:32:53,840 Speaker 3: I had been so proud. 731 00:32:54,000 --> 00:32:57,360 Speaker 5: I had no idea he'd even known what I'd done 732 00:32:57,480 --> 00:32:59,480 Speaker 5: once I moved to Melbourne, but he could tell me 733 00:32:59,520 --> 00:33:02,959 Speaker 5: which st or been at, what shifts are done. I 734 00:33:03,000 --> 00:33:05,520 Speaker 5: was so overwhelmed. He was a. 735 00:33:05,160 --> 00:33:06,960 Speaker 3: Teacher and one of your kids gets to go and 736 00:33:07,000 --> 00:33:09,760 Speaker 3: break out and just do something and contribute their verse 737 00:33:09,800 --> 00:33:11,800 Speaker 3: in a different way to the great play of life. 738 00:33:11,840 --> 00:33:13,680 Speaker 3: That's an amazing thing. He would have been really proud 739 00:33:13,720 --> 00:33:14,160 Speaker 3: of a pouty. 740 00:33:14,360 --> 00:33:15,960 Speaker 5: He was a sweet sweet man. 741 00:33:16,160 --> 00:33:18,680 Speaker 3: All right, let's go to other lines, Brian, good morning. 742 00:33:20,480 --> 00:33:23,320 Speaker 9: I had a technical mister Walsh who took me a 743 00:33:23,360 --> 00:33:25,440 Speaker 9: lot of respect for everybody and taught us all to 744 00:33:25,480 --> 00:33:28,040 Speaker 9: be honest like an eve and pudding and very much 745 00:33:28,200 --> 00:33:30,440 Speaker 9: like the guy in did Power Society. He was a 746 00:33:30,520 --> 00:33:31,200 Speaker 9: really good teaker. 747 00:33:31,400 --> 00:33:33,680 Speaker 3: It's amazing how many years were you at school many 748 00:33:33,760 --> 00:33:38,440 Speaker 3: years ago and getting Brian, you still. 749 00:33:37,200 --> 00:33:37,520 Speaker 10: I do? 750 00:33:37,640 --> 00:33:40,000 Speaker 9: I do. I caught up with him one half the 751 00:33:40,080 --> 00:33:43,520 Speaker 9: school like a bit ten fifteen years later, and he 752 00:33:43,680 --> 00:33:46,080 Speaker 9: just he was a really nice, fantastic person to talk 753 00:33:46,120 --> 00:33:49,400 Speaker 9: to and just on fame level as that's not like 754 00:33:49,440 --> 00:33:52,120 Speaker 9: the other guy said that. You know this George us 755 00:33:52,120 --> 00:33:56,120 Speaker 9: you know, just like like someone lesser than them. You know, 756 00:33:56,320 --> 00:33:56,600 Speaker 9: it was. 757 00:33:56,640 --> 00:33:58,720 Speaker 3: It was very good, awesome. Thank you very much for 758 00:33:58,760 --> 00:33:59,880 Speaker 3: sharing that, Brian, have a good day. 759 00:34:00,320 --> 00:34:00,640 Speaker 7: Thank you. 760 00:34:00,680 --> 00:34:05,200 Speaker 3: Byte Shane coome oning, Good morning, Christian, Good morning Shane. 761 00:34:05,240 --> 00:34:07,400 Speaker 3: So who's the teacher who made a difference at your school? 762 00:34:07,880 --> 00:34:10,560 Speaker 11: The teacher that made a difference is his name was 763 00:34:10,560 --> 00:34:12,640 Speaker 11: mister may Law and I'm going back to about forty 764 00:34:12,760 --> 00:34:15,960 Speaker 11: years and twice a week he used to take six 765 00:34:16,160 --> 00:34:19,480 Speaker 11: kids in his panel van from Narry Warren to mon 766 00:34:19,600 --> 00:34:23,279 Speaker 11: Bulk to do swimming lessons after school and then he 767 00:34:23,320 --> 00:34:25,960 Speaker 11: would take us all home and then on the Thursday 768 00:34:25,960 --> 00:34:27,960 Speaker 11: he would do another six kids out of the school 769 00:34:28,000 --> 00:34:29,000 Speaker 11: and teachers how to swim. 770 00:34:29,680 --> 00:34:31,920 Speaker 3: I mean, it's a big part of the downtime. Is 771 00:34:31,960 --> 00:34:34,200 Speaker 3: it a tough job to be a teacher, isn't it? 772 00:34:34,200 --> 00:34:37,000 Speaker 3: He not paid nowhere near enough for such an important job. 773 00:34:37,080 --> 00:34:38,719 Speaker 3: That's a big thing out of his own time doing 774 00:34:38,719 --> 00:34:39,360 Speaker 3: that for you guys. 775 00:34:39,480 --> 00:34:43,040 Speaker 11: Yeah, yeah, it was fantastic and tillis day I remember 776 00:34:43,080 --> 00:34:45,000 Speaker 11: everything about him, even when he dropped the Stanley knife 777 00:34:45,040 --> 00:34:47,520 Speaker 11: in his leg and he goes, ah, I think I 778 00:34:47,600 --> 00:34:48,200 Speaker 11: have to go home. 779 00:34:52,000 --> 00:34:56,440 Speaker 3: Thank you very much for sharing that with Thank you mate. Hey, hey, 780 00:34:56,560 --> 00:34:58,000 Speaker 3: Luca said doctor Harry. 781 00:34:58,719 --> 00:35:01,120 Speaker 12: Yes, Christian good mone Yes. 782 00:35:01,160 --> 00:35:03,719 Speaker 3: Doctor Harry. Always great to have you on the show. 783 00:35:03,800 --> 00:35:04,760 Speaker 3: How are you this morning? 784 00:35:04,760 --> 00:35:08,320 Speaker 12: You well, yeah, yeah, still trying our best, still supporting, 785 00:35:08,560 --> 00:35:13,160 Speaker 12: still supporting. My favorite station. My favorite teacher was mister Twist. 786 00:35:13,360 --> 00:35:16,279 Speaker 12: He spelled his name t w I s Q. But 787 00:35:16,320 --> 00:35:18,600 Speaker 12: the funny thing about him was he was from Estonia 788 00:35:19,040 --> 00:35:20,840 Speaker 12: and he would stand in front of the class teaching 789 00:35:20,880 --> 00:35:23,840 Speaker 12: English with a heavy accent, and as he spoke, he 790 00:35:23,880 --> 00:35:27,120 Speaker 12: would move his hips because his favorite artist was Chubby Checker. 791 00:35:27,600 --> 00:35:31,759 Speaker 12: So we'd all be sitting there grooving a lot with 792 00:35:31,960 --> 00:35:35,880 Speaker 12: me grooving along to Keats and Sheeting, eating Keats and 793 00:35:36,400 --> 00:35:40,920 Speaker 12: Shakespeare while he's shaking around the room. Got to twist 794 00:35:41,000 --> 00:35:46,280 Speaker 12: and shout hilarious the dentists instead of a normal person. 795 00:35:47,760 --> 00:35:50,040 Speaker 3: All right, doctor Harry, take care, Thank you very much. 796 00:35:50,680 --> 00:35:50,960 Speaker 3: All right. 797 00:35:51,120 --> 00:35:55,479 Speaker 2: By the Christian O'Connell show. 798 00:35:55,800 --> 00:36:00,920 Speaker 3: Podcast Time for three top of Tuesday, when we do 799 00:36:01,120 --> 00:36:03,560 Speaker 3: three phone ins at the same time. The number you 800 00:36:03,640 --> 00:36:06,400 Speaker 3: need nine four one four one oh four three, the 801 00:36:06,480 --> 00:36:09,320 Speaker 3: same number if you know Robert de Niro's hotmail account 802 00:36:09,320 --> 00:36:10,759 Speaker 3: to get him to call me in two weeks time. 803 00:36:11,560 --> 00:36:13,879 Speaker 3: But who's calling Christian? Because I know some of you 804 00:36:14,040 --> 00:36:18,640 Speaker 3: have it. Let's get him to call me, all right today? 805 00:36:18,640 --> 00:36:23,160 Speaker 3: Then teenage phases we all went through, maybe several. I 806 00:36:23,200 --> 00:36:25,279 Speaker 3: think it's important that you do. It's a rite of 807 00:36:25,320 --> 00:36:29,640 Speaker 3: passage to go through several different incarnations. The where your 808 00:36:29,640 --> 00:36:32,279 Speaker 3: hair looks, the color, the length, everything, the way you look. 809 00:36:32,360 --> 00:36:34,120 Speaker 3: Jack and I shared a couple of weeks ago how 810 00:36:34,360 --> 00:36:38,640 Speaker 3: both of us are various times try to look like Axel. 811 00:36:38,360 --> 00:36:40,760 Speaker 4: Rose Red Bandanna and leave a jacket. 812 00:36:41,000 --> 00:36:43,400 Speaker 3: Well, for me, I've went as far as cowboy boots 813 00:36:43,440 --> 00:36:46,520 Speaker 3: and an earring as well. It looks an idiot, But 814 00:36:46,560 --> 00:36:48,600 Speaker 3: this is what is with the teenage phase. One of 815 00:36:48,600 --> 00:36:50,640 Speaker 3: my kids has just announced she's going to be a vegetarian, 816 00:36:50,680 --> 00:36:53,040 Speaker 3: but it feels like a part time one because apparently 817 00:36:53,040 --> 00:36:55,759 Speaker 3: she still would like a Maca's on a Friday. I 818 00:36:55,800 --> 00:36:57,920 Speaker 3: don't think that's what Linda McCartney did you know. I 819 00:36:57,960 --> 00:37:01,000 Speaker 3: don't think you can be a part time editarium. But 820 00:37:01,160 --> 00:37:03,120 Speaker 3: teenage phases, what did you go through? 821 00:37:03,120 --> 00:37:06,680 Speaker 5: Pats, I wanted dreadlocks. When I was sixteen. One of 822 00:37:06,719 --> 00:37:09,440 Speaker 5: the girls in our town had the most amazing dreadlocks. 823 00:37:09,480 --> 00:37:12,440 Speaker 5: My mum was horrified. I nearly got them, but I 824 00:37:12,480 --> 00:37:14,640 Speaker 5: pulled out at the last minute because I learned when 825 00:37:14,719 --> 00:37:16,719 Speaker 5: you want to get rid of them or grow them out, 826 00:37:16,719 --> 00:37:21,560 Speaker 5: you have to actually cut your hair, really short hair. Yeah, apparently, 827 00:37:21,600 --> 00:37:23,439 Speaker 5: and I thought, oh no, I can't have short hair. 828 00:37:24,400 --> 00:37:26,680 Speaker 4: I wish you went through that. If I could see 829 00:37:26,719 --> 00:37:28,120 Speaker 4: the photos of you with dread. 830 00:37:27,920 --> 00:37:32,279 Speaker 3: Loss, what about it's never too late. Yeah, I think 831 00:37:32,280 --> 00:37:34,439 Speaker 3: it would look great for you to have dreadlocks. Now. 832 00:37:34,560 --> 00:37:36,880 Speaker 4: No, I don't think so, especially now that you're popping 833 00:37:36,920 --> 00:37:38,960 Speaker 4: up on today Extra people can see you on. 834 00:37:38,920 --> 00:37:41,600 Speaker 3: TA It would just be like a branding thing. Really, 835 00:37:41,760 --> 00:37:46,560 Speaker 3: is you know, news with the dreadlocks? Nodlock lady? No, No, okay, 836 00:37:46,760 --> 00:37:50,040 Speaker 3: teenage phases. This Friday, the three of us are all 837 00:37:50,080 --> 00:37:53,160 Speaker 3: going to be transporting cakes in a car. Pats he's 838 00:37:53,160 --> 00:37:55,280 Speaker 3: going to be transporting in for like the hour trips. 839 00:37:55,320 --> 00:37:56,919 Speaker 3: She has the train. 840 00:37:57,400 --> 00:37:58,360 Speaker 5: Yeah, that'll be interesting. 841 00:37:58,400 --> 00:38:01,319 Speaker 3: You're doing the tip truck, tip truck. I'm trying to 842 00:38:01,320 --> 00:38:03,600 Speaker 3: make this cake rocket. We're all going to take a 843 00:38:03,600 --> 00:38:06,759 Speaker 3: cake each from the Women's Weekly Birthday Cake Books. So 844 00:38:06,760 --> 00:38:08,799 Speaker 3: I've got the rocket, Jack's got the tip truck, which 845 00:38:08,800 --> 00:38:11,160 Speaker 3: is supposed to be the worst one. Patsy's got the train, 846 00:38:11,200 --> 00:38:12,479 Speaker 3: which looks really really hard. 847 00:38:12,600 --> 00:38:17,040 Speaker 4: Yours is the worst to transport because it's. 848 00:38:17,040 --> 00:38:20,200 Speaker 3: Even though I make it well unlikely, I can't bake right. 849 00:38:20,280 --> 00:38:23,279 Speaker 3: Even if I make it reasonably well, that's not making 850 00:38:23,320 --> 00:38:25,280 Speaker 3: half an hour and a calm. Do I put seatbelt 851 00:38:25,320 --> 00:38:27,520 Speaker 3: over it? How do you keep the rocket from actually 852 00:38:27,520 --> 00:38:31,719 Speaker 3: just falling over? All? Right? So, hassles transporting things? You 853 00:38:31,719 --> 00:38:33,840 Speaker 3: ever tried to take anything in a car or hide 854 00:38:33,840 --> 00:38:37,640 Speaker 3: a van or anything and had hassles transporting anything? Unusual? 855 00:38:37,880 --> 00:38:40,000 Speaker 3: And last one today on three Time Tuesday, we're looking 856 00:38:40,000 --> 00:38:43,640 Speaker 3: for teenage phases that you went through hassles moving things 857 00:38:43,640 --> 00:38:47,040 Speaker 3: in a car or transport and then attacking inanimal objects. 858 00:38:47,080 --> 00:38:50,080 Speaker 3: I attacked my actually kicked my laptop across the floor 859 00:38:50,120 --> 00:38:52,040 Speaker 3: on Saturday when I was writing and it was just 860 00:38:52,320 --> 00:38:54,520 Speaker 3: hit a wall. It wasn't going very well, and I 861 00:38:54,560 --> 00:38:56,920 Speaker 3: was actually I actually dropped kicked it across the floor. 862 00:38:57,080 --> 00:38:57,760 Speaker 4: Did it survive? 863 00:38:58,120 --> 00:39:01,239 Speaker 3: Yes it did, yes, yes, at the time, I just 864 00:39:01,640 --> 00:39:04,239 Speaker 3: it's just that you just want to destroy something, you know. 865 00:39:04,680 --> 00:39:09,839 Speaker 2: Christian Christian O'Connell show podcast. 866 00:39:09,520 --> 00:39:11,640 Speaker 3: This week, then on three Toby Tuesday when we do 867 00:39:11,760 --> 00:39:14,600 Speaker 3: three phone in's at the same time about your teenage 868 00:39:14,600 --> 00:39:17,760 Speaker 3: phases that you went through, transporting things in the households 869 00:39:17,800 --> 00:39:20,719 Speaker 3: you had and attacking inanimate objects. We've got to forget 870 00:39:20,760 --> 00:39:23,520 Speaker 3: a week Sunday it is Father's Day. Yes, I know 871 00:39:23,520 --> 00:39:26,440 Speaker 3: you've forgotten. It's a week Sunday. We've got one hundred 872 00:39:26,480 --> 00:39:29,360 Speaker 3: dollars chemist warehouse Father's Day gift pack. Got loads of 873 00:39:29,560 --> 00:39:32,640 Speaker 3: good stuff in there for Dan and Clan, some my Calvin, 874 00:39:32,680 --> 00:39:35,719 Speaker 3: Kleine Fragrance as well. Jack. What did you try and move? 875 00:39:36,080 --> 00:39:39,920 Speaker 4: So when you're talking about transporting difficult things, I had 876 00:39:40,040 --> 00:39:43,600 Speaker 4: forgotten all about this. Did you guys have the fake 877 00:39:43,840 --> 00:39:46,960 Speaker 4: baby at high school? That was you meant to take 878 00:39:47,000 --> 00:39:49,360 Speaker 4: home and it was meant to teach you the responsibilities 879 00:39:49,360 --> 00:39:50,320 Speaker 4: of having a real battle. 880 00:39:50,360 --> 00:39:53,400 Speaker 3: I was called a flower baby. It literally was like 881 00:39:53,800 --> 00:39:56,840 Speaker 3: a pair of Humum's tights with like a couple of 882 00:39:56,920 --> 00:39:59,239 Speaker 3: kilos of flower pored in it, and you had like 883 00:39:59,280 --> 00:40:01,160 Speaker 3: a head and goo eyes on it, and he meant 884 00:40:01,200 --> 00:40:03,680 Speaker 3: to carry it round. She realized what a big deal 885 00:40:03,680 --> 00:40:05,720 Speaker 3: it was to carry around and look after a baby. 886 00:40:05,760 --> 00:40:07,560 Speaker 4: So by the time I got to school, it had 887 00:40:07,680 --> 00:40:11,600 Speaker 4: advanced into a robotic baby that looked like a baby beyond, 888 00:40:11,640 --> 00:40:14,400 Speaker 4: but it actually had a computer in it that would 889 00:40:14,640 --> 00:40:17,040 Speaker 4: time how long the baby cried for and it would 890 00:40:17,040 --> 00:40:18,879 Speaker 4: give all this feedback to the teacher of how well 891 00:40:18,920 --> 00:40:19,359 Speaker 4: you did it. 892 00:40:19,320 --> 00:40:20,320 Speaker 3: Looking after the baby. 893 00:40:20,880 --> 00:40:23,080 Speaker 4: I was the first person in the grade to get 894 00:40:23,120 --> 00:40:25,440 Speaker 4: the brand new robotic baby that came to the school, 895 00:40:25,640 --> 00:40:28,840 Speaker 4: and I was so embarrassed about it that I remember 896 00:40:29,239 --> 00:40:31,720 Speaker 4: trying to put the baby because it would cry anytime 897 00:40:31,719 --> 00:40:34,680 Speaker 4: you're not holding it. Put the baby into my backpack 898 00:40:34,760 --> 00:40:37,880 Speaker 4: and zip it up to come from school. 899 00:40:38,239 --> 00:40:41,520 Speaker 3: What pad is that? How old were you? I was 900 00:40:42,000 --> 00:40:46,600 Speaker 3: fifteen zipping a baby that you're supposed to be looking 901 00:40:46,640 --> 00:40:49,720 Speaker 3: after in a backpack. And what did the robot baby 902 00:40:49,880 --> 00:40:50,400 Speaker 3: report you? 903 00:40:50,560 --> 00:40:52,520 Speaker 4: Well, the robot baby shows its cried, but I guess 904 00:40:52,560 --> 00:40:54,360 Speaker 4: it has no indicators to say, hey, I was in 905 00:40:54,440 --> 00:40:57,279 Speaker 4: a backpack for an hour coming to school. Never give 906 00:40:57,320 --> 00:40:58,080 Speaker 4: this kid a child. 907 00:40:58,400 --> 00:41:00,799 Speaker 3: This is what than what Michael Trackin's dad did to 908 00:41:00,880 --> 00:41:04,520 Speaker 3: him and the other Jackson four. This is shocking, all right? 909 00:41:04,600 --> 00:41:06,759 Speaker 3: No four one four one oh four three. If you 910 00:41:06,760 --> 00:41:09,319 Speaker 3: want to win the hundred dollar Chemist Warehouse Father's Day gift. Pat, 911 00:41:09,440 --> 00:41:13,080 Speaker 3: your story is about your teenage phases transporting things and 912 00:41:13,440 --> 00:41:15,160 Speaker 3: attacking in animal objects. 913 00:41:15,640 --> 00:41:19,239 Speaker 2: The Christian O'Connell Show podcast. 914 00:41:19,000 --> 00:41:20,920 Speaker 3: To Down three topic Tuesday, and we're looking to hear 915 00:41:20,960 --> 00:41:25,480 Speaker 3: about your teenage phases that you grew through transporting unusual things. 916 00:41:25,719 --> 00:41:29,160 Speaker 3: Jackson shared a traumatic story about transporting a fake baby 917 00:41:29,640 --> 00:41:31,239 Speaker 3: keyword here and now you don't hang on every word 918 00:41:31,640 --> 00:41:34,840 Speaker 3: fake robotic baby in a backpack, which that he was 919 00:41:34,840 --> 00:41:36,920 Speaker 3: supposed to be looking after. They wear a ton of 920 00:41:36,920 --> 00:41:37,799 Speaker 3: those ones, don't they. 921 00:41:37,960 --> 00:41:40,719 Speaker 4: Well we should make I mean, we've already got the 922 00:41:40,800 --> 00:41:42,879 Speaker 4: baking challenge this week, but maybe we should look after 923 00:41:42,920 --> 00:41:43,280 Speaker 4: the baby. 924 00:41:44,320 --> 00:41:47,520 Speaker 3: Did that for years of my life? Okay, done that 925 00:41:47,760 --> 00:41:51,640 Speaker 3: for real? Pooing crying babies? Okay, done that? Not doing 926 00:41:51,680 --> 00:41:55,919 Speaker 3: that for a radio prank? Not interested? Okay, Debrah, Hi, 927 00:41:56,239 --> 00:41:58,879 Speaker 3: Hi Debbie, And uh, what's your story for us this morning? 928 00:41:58,920 --> 00:41:59,040 Speaker 2: Then? 929 00:41:59,120 --> 00:42:00,960 Speaker 3: About transporting something unusual? 930 00:42:01,760 --> 00:42:06,400 Speaker 13: They transporting my horse and we had been just driving 931 00:42:06,400 --> 00:42:08,640 Speaker 13: down the road. People were looking at It's very strange. 932 00:42:09,000 --> 00:42:11,480 Speaker 13: Got to the end and realized that he'd spun himself 933 00:42:11,520 --> 00:42:13,200 Speaker 13: around and was spacing out back. 934 00:42:13,719 --> 00:42:16,920 Speaker 3: What with the head yes, how I thought that's better 935 00:42:16,960 --> 00:42:18,520 Speaker 3: for the horse. Surely to have a lot of looks 936 00:42:18,680 --> 00:42:20,880 Speaker 3: you around see the driver enjoyable. 937 00:42:21,200 --> 00:42:22,840 Speaker 13: But that's why they have a window at the front 938 00:42:22,840 --> 00:42:23,320 Speaker 13: of the float. 939 00:42:23,400 --> 00:42:26,520 Speaker 3: So the little window isn't it's a little slit they 940 00:42:26,600 --> 00:42:28,719 Speaker 3: got there. Let them have that big one out the back, and. 941 00:42:28,640 --> 00:42:30,640 Speaker 4: Then they're only looking at the back of your car, 942 00:42:30,760 --> 00:42:33,440 Speaker 4: whereas if they poked out the back they can play ice. 943 00:42:33,320 --> 00:42:38,719 Speaker 3: By or he was here the registration game where they 944 00:42:38,760 --> 00:42:41,240 Speaker 3: try and make out, you know, movie names from the people's, 945 00:42:41,280 --> 00:42:42,839 Speaker 3: Red Joe's and stuff like that. It's more for them 946 00:42:42,880 --> 00:42:48,440 Speaker 3: to do. Can talk to people, okay, people get in 947 00:42:48,480 --> 00:42:51,319 Speaker 3: the motion. Debra, thank you very much. You're cool. Hey 948 00:42:51,640 --> 00:42:56,160 Speaker 3: bye bye bye now Jason, good morning, Good morning, Jason. 949 00:42:56,920 --> 00:42:59,200 Speaker 7: Yeah, many many years ago, travel on my car. 950 00:42:59,320 --> 00:42:59,840 Speaker 3: It stopped. 951 00:43:00,239 --> 00:43:02,560 Speaker 7: I tried everything I've got to get it started and 952 00:43:02,800 --> 00:43:07,080 Speaker 7: wouldn't start. Punch the windscreen smashed. That got upsets. Ran 953 00:43:07,160 --> 00:43:09,640 Speaker 7: my threat in the mechanic. He can't, I said, you 954 00:43:09,719 --> 00:43:12,440 Speaker 7: can't fix up burn it. He bring me up. He 955 00:43:12,520 --> 00:43:14,960 Speaker 7: goes to check this, yep, check that, yep, check this, yep, 956 00:43:15,040 --> 00:43:18,279 Speaker 7: check your field gage. Oh now, I just had to 957 00:43:18,280 --> 00:43:19,640 Speaker 7: feel at the front of the service station. 958 00:43:20,160 --> 00:43:22,160 Speaker 2: Nor Yeah. 959 00:43:22,480 --> 00:43:23,320 Speaker 7: True. Sorry. 960 00:43:25,520 --> 00:43:28,279 Speaker 3: It's like Forty Towers, isn't it when Forty attacks his 961 00:43:28,360 --> 00:43:31,120 Speaker 3: little his little car with the with the branch. 962 00:43:31,320 --> 00:43:36,240 Speaker 7: Exactly that exactly. Just just get in burning and frustrating 963 00:43:36,239 --> 00:43:37,719 Speaker 7: at the same time, because I really loved that car. 964 00:43:38,080 --> 00:43:40,279 Speaker 4: Jason, you're telling you story so fast. You sort of 965 00:43:40,320 --> 00:43:42,800 Speaker 4: brushed over it. Did you punch your hand through the 966 00:43:42,840 --> 00:43:44,000 Speaker 4: windscreen and pick? 967 00:43:44,800 --> 00:43:46,640 Speaker 3: We didn't hear that, right, you punched the gup. We 968 00:43:46,640 --> 00:43:48,279 Speaker 3: also took up with burning it as well. If it 969 00:43:48,280 --> 00:43:53,839 Speaker 3: wouldn't start. Jesson now works for a roadside assistant. Well, 970 00:43:53,840 --> 00:43:55,560 Speaker 3: if you can't start, you can't hit burn. It's part 971 00:43:55,560 --> 00:43:57,200 Speaker 3: of the truck. 972 00:43:57,320 --> 00:43:58,640 Speaker 7: I would say, yep, bither way. 973 00:44:00,440 --> 00:44:03,000 Speaker 3: All right, Jason, thank you very much. Take care of mate. 974 00:44:03,000 --> 00:44:08,000 Speaker 3: Fie Cindy, Hi Christian. 975 00:44:08,640 --> 00:44:14,040 Speaker 10: When I was five, my mum actually transported a cockatil. 976 00:44:13,600 --> 00:44:15,960 Speaker 9: On her Datson on the rest of her Datson in 977 00:44:16,000 --> 00:44:17,120 Speaker 9: the cage. 978 00:44:17,400 --> 00:44:22,319 Speaker 3: On the roof of the car. Yep, cockatail in the cage. Yep, amazing. 979 00:44:22,520 --> 00:44:25,880 Speaker 3: How was the cage secured to the roof of the Datson. 980 00:44:26,760 --> 00:44:32,320 Speaker 14: It was just tied down from the bottom of the cage. 981 00:44:33,480 --> 00:44:35,680 Speaker 3: I was your mum was that thing where you see 982 00:44:35,719 --> 00:44:38,600 Speaker 3: guys sometimes with an entire mattress with just the one 983 00:44:38,760 --> 00:44:41,640 Speaker 3: right hand poking out the window. Whether your mom just 984 00:44:41,680 --> 00:44:43,719 Speaker 3: had a hand on the cage. It's almost like a 985 00:44:43,760 --> 00:44:46,839 Speaker 3: police siren. Before they had actual Simon say, just had 986 00:44:46,840 --> 00:44:50,239 Speaker 3: canaries and cages. They were an emergency vehicle pull over. 987 00:44:50,760 --> 00:44:54,160 Speaker 3: That is incredible. I would it would make my year 988 00:44:54,200 --> 00:44:56,200 Speaker 3: if I was driving along and I saw a bird 989 00:44:56,239 --> 00:44:58,920 Speaker 3: in the cage. Does a bird like that? Is it 990 00:44:59,000 --> 00:45:00,720 Speaker 3: asked for? It? Take me for a It's been pleased. 991 00:45:04,520 --> 00:45:10,239 Speaker 2: Christian Hell Christian O'Connell show Podcast three Witchhuesday. 992 00:45:10,280 --> 00:45:13,560 Speaker 3: We do every week. Hopefully we get some stories about 993 00:45:13,600 --> 00:45:17,160 Speaker 3: the teenage phases she went through. Patsy almost grew out treadlocks. 994 00:45:17,440 --> 00:45:19,080 Speaker 3: I did have an earring for a year when I 995 00:45:19,120 --> 00:45:21,880 Speaker 3: was sixteen. My dad to say, I look like a 996 00:45:21,880 --> 00:45:26,399 Speaker 3: strange pirate. I look like a fool, and these are 997 00:45:26,440 --> 00:45:28,359 Speaker 3: the rights that we should all grow through. Basically when 998 00:45:28,400 --> 00:45:30,480 Speaker 3: you're teenager, I'm guessing you went full email. 999 00:45:30,600 --> 00:45:33,720 Speaker 4: Oh I went. I had so many seasons of different phases. 1000 00:45:33,800 --> 00:45:36,120 Speaker 4: Yeap emo was big in the early two thousands when 1001 00:45:36,160 --> 00:45:38,560 Speaker 4: I was at high school. I just didn't it didn't 1002 00:45:38,560 --> 00:45:40,520 Speaker 4: look good with my curly hair. I tried to go 1003 00:45:40,640 --> 00:45:43,720 Speaker 4: jet black, but curly hair did not. I didn't couldn't, 1004 00:45:43,760 --> 00:45:45,680 Speaker 4: just couldn't get that fringe over the face that you 1005 00:45:45,719 --> 00:45:46,319 Speaker 4: were meant to get. 1006 00:45:46,440 --> 00:45:49,160 Speaker 3: Yeah, so tell us this one about the teenage phases 1007 00:45:49,360 --> 00:45:51,799 Speaker 3: you went through. My daughter's announced of the weekend that 1008 00:45:51,880 --> 00:45:54,000 Speaker 3: she's going to be a vegetarian, but like a it's 1009 00:45:54,040 --> 00:45:55,680 Speaker 3: like a part time one. She wants fried chicken on 1010 00:45:55,719 --> 00:45:58,520 Speaker 3: a Friday night, so heavily committed. When iked, aw, why 1011 00:45:58,640 --> 00:46:00,600 Speaker 3: going to be a vegetarian? She went something I just 1012 00:46:00,680 --> 00:46:04,120 Speaker 3: saw on TikTok Like it was like a listen, that's 1013 00:46:04,160 --> 00:46:06,800 Speaker 3: the news. That's what they get then from now as TikTok. 1014 00:46:07,440 --> 00:46:10,000 Speaker 3: So we're looking for the teenage phases that you went through, 1015 00:46:10,080 --> 00:46:14,840 Speaker 3: also moving, transporting unusual things. We've had a canary in 1016 00:46:14,920 --> 00:46:17,640 Speaker 3: a cage on a car row so far, and also 1017 00:46:17,680 --> 00:46:23,400 Speaker 3: attacking inanimate objects. Nine four one four one four three Darren, 1018 00:46:23,400 --> 00:46:27,399 Speaker 3: Good morning, Good morning, Christian Darren. I hope you're well. 1019 00:46:27,440 --> 00:46:28,279 Speaker 3: What's your story for us? 1020 00:46:28,360 --> 00:46:28,520 Speaker 2: Then? 1021 00:46:29,120 --> 00:46:31,080 Speaker 10: Oh, look I had a bit of a problem with 1022 00:46:31,520 --> 00:46:32,880 Speaker 10: I solded my lawn moler. 1023 00:46:33,160 --> 00:46:33,920 Speaker 3: Yeah, what happened? 1024 00:46:34,920 --> 00:46:38,319 Speaker 10: Well, obviously I'm back in the nineteen eighty five, I 1025 00:46:38,360 --> 00:46:40,160 Speaker 10: was having a bit of a problem starting. 1026 00:46:39,840 --> 00:46:43,239 Speaker 3: It this one. You had that ripcord, that's it. 1027 00:46:43,360 --> 00:46:47,920 Speaker 10: Yeah, hard work, Well not if you don't get it 1028 00:46:47,960 --> 00:46:49,560 Speaker 10: started and pick it up and throw it over the 1029 00:46:49,600 --> 00:46:50,560 Speaker 10: neighbors back fence. 1030 00:46:50,760 --> 00:46:52,880 Speaker 3: Yeah, I mean that's one way to try and start it. 1031 00:46:52,920 --> 00:46:55,080 Speaker 3: I guess that was in the instructions or something. 1032 00:46:55,719 --> 00:46:58,959 Speaker 10: Yeah. Well, obviously the instructions didn't entail having to knock 1033 00:46:58,960 --> 00:47:01,319 Speaker 10: on the neighbor's door and from the lawnmower bank. 1034 00:47:01,560 --> 00:47:01,759 Speaker 11: Yeah. 1035 00:47:01,760 --> 00:47:03,680 Speaker 3: I mean growing up we had some someone's going to 1036 00:47:03,719 --> 00:47:06,719 Speaker 3: ask for your ball back, but not your actual law moower. Yeah. 1037 00:47:06,800 --> 00:47:08,640 Speaker 10: Yeah. And the look on my wife's face as he's 1038 00:47:08,640 --> 00:47:12,040 Speaker 10: watching the aird of the landing window going shaking her head. 1039 00:47:12,120 --> 00:47:15,080 Speaker 10: I could just see the mouting that she's just saying, 1040 00:47:15,320 --> 00:47:16,360 Speaker 10: I think you're an idiot. 1041 00:47:17,200 --> 00:47:18,520 Speaker 4: Maybe the strength. 1042 00:47:20,280 --> 00:47:21,120 Speaker 3: Jacket anger. 1043 00:47:22,040 --> 00:47:24,520 Speaker 10: It was a lot of anger. And actually, as I 1044 00:47:24,560 --> 00:47:26,640 Speaker 10: was picking it up, I'm thinking, bloody hell, this is 1045 00:47:26,719 --> 00:47:30,760 Speaker 10: really heavy. Shouldn't have started this, But I was so angry. 1046 00:47:30,800 --> 00:47:32,240 Speaker 10: I kept going and offer, when. 1047 00:47:32,480 --> 00:47:34,600 Speaker 4: Did you did you like press it up or did 1048 00:47:34,680 --> 00:47:36,920 Speaker 4: you get the hammer throw get some spin on it? 1049 00:47:37,400 --> 00:47:40,359 Speaker 10: Oh? No, I just picked it straight up over your bank, 1050 00:47:40,400 --> 00:47:41,440 Speaker 10: straight over the fence. 1051 00:47:41,640 --> 00:47:43,840 Speaker 3: Quite it's quite a feat. A few enjoyance that you 1052 00:47:43,880 --> 00:47:45,680 Speaker 3: should have the world's strongest man. I don't have the 1053 00:47:45,719 --> 00:47:48,000 Speaker 3: truck ball, but they should have the lawnmower toss. That's 1054 00:47:48,000 --> 00:47:49,600 Speaker 3: sort of sort the men out from the boys. 1055 00:47:50,280 --> 00:47:52,680 Speaker 10: Well it's a bit harder to throw than a song. 1056 00:47:52,920 --> 00:47:55,480 Speaker 3: Yeah, all right, Darren, thank you very much. She call 1057 00:47:55,560 --> 00:48:00,319 Speaker 3: have a good day, thanks, Christian John, Good morning morning. 1058 00:48:00,320 --> 00:48:01,160 Speaker 7: How you going, Christian? 1059 00:48:01,280 --> 00:48:01,440 Speaker 2: Oh? 1060 00:48:01,440 --> 00:48:03,080 Speaker 3: Good? I can hear the hazard lights on there? You 1061 00:48:03,160 --> 00:48:04,040 Speaker 3: pulled over a good man. 1062 00:48:05,360 --> 00:48:06,120 Speaker 7: That's right, that's right. 1063 00:48:06,440 --> 00:48:08,880 Speaker 11: I'm I actually transported a dead person in the combe. 1064 00:48:11,239 --> 00:48:12,280 Speaker 4: Should we be worried? 1065 00:48:13,840 --> 00:48:15,919 Speaker 3: Now with the old killer John on the line? Now, 1066 00:48:16,360 --> 00:48:17,840 Speaker 3: the body's not in the back, is it? With the 1067 00:48:17,840 --> 00:48:19,839 Speaker 3: hazard lights on? Light? 1068 00:48:20,800 --> 00:48:22,799 Speaker 11: He was actually an old hippie and he's dying, which 1069 00:48:22,960 --> 00:48:27,880 Speaker 11: was transported in an old coby with flail pastickers all 1070 00:48:27,920 --> 00:48:28,279 Speaker 11: over it. 1071 00:48:28,400 --> 00:48:31,680 Speaker 3: Oh, how awesome. So instead of the old black traditional hearse, 1072 00:48:32,400 --> 00:48:35,640 Speaker 3: he was in the back in the coffin like that. 1073 00:48:36,200 --> 00:48:36,480 Speaker 7: Yep. 1074 00:48:37,800 --> 00:48:39,279 Speaker 3: I didn't know you could do that. I thought it 1075 00:48:39,320 --> 00:48:40,520 Speaker 3: was a legal one actually. 1076 00:48:41,360 --> 00:48:43,600 Speaker 11: Yeah, whether it was not. 1077 00:48:43,960 --> 00:48:45,799 Speaker 10: This is going back about fifteen twenty years ago. 1078 00:48:45,880 --> 00:48:48,160 Speaker 11: So yes, So do you have to. 1079 00:48:48,080 --> 00:48:49,840 Speaker 4: Have a special poet, I don't know. 1080 00:48:52,000 --> 00:48:54,879 Speaker 3: I know you have permits for everything in Australia, right, 1081 00:48:55,040 --> 00:48:58,320 Speaker 3: but surely transporting a dead person. Imagine how to go 1082 00:48:58,560 --> 00:48:59,440 Speaker 3: to the council and. 1083 00:49:00,040 --> 00:49:02,799 Speaker 4: From that reckon someone won be able to tell us. 1084 00:49:02,800 --> 00:49:05,960 Speaker 5: All right, you know what, one of the Love God's 1085 00:49:06,000 --> 00:49:09,680 Speaker 5: mates passed away and he had this beautiful old ute, 1086 00:49:10,080 --> 00:49:12,919 Speaker 5: this holding newte and he'd done it up and we 1087 00:49:13,120 --> 00:49:15,640 Speaker 5: took him from the church to the cemetery as part 1088 00:49:15,640 --> 00:49:20,000 Speaker 5: of the you know in Yeah we did, and I 1089 00:49:20,040 --> 00:49:21,160 Speaker 5: don't know if we did get. 1090 00:49:21,040 --> 00:49:24,600 Speaker 3: Special the coffin in a ute, yes, and it's actually. 1091 00:49:24,320 --> 00:49:27,120 Speaker 5: Really beautiful and the top of yeah, it didn't have 1092 00:49:27,160 --> 00:49:28,759 Speaker 5: a cover. Yeah, the back of the ute. 1093 00:49:28,640 --> 00:49:30,279 Speaker 3: Not but like a learning like old tarp in the 1094 00:49:30,320 --> 00:49:34,920 Speaker 3: bank some time waiting to go for a walk. 1095 00:49:36,800 --> 00:49:37,480 Speaker 4: To the back. 1096 00:49:38,920 --> 00:49:40,440 Speaker 3: About waiting for its. 1097 00:49:40,320 --> 00:49:44,320 Speaker 9: Warm Christian O'Connell. 1098 00:49:43,719 --> 00:49:45,680 Speaker 2: Christian O'Connell's show podcast. 1099 00:49:46,040 --> 00:49:48,520 Speaker 3: All right, so we've now drifted a bit into an 1100 00:49:48,520 --> 00:49:53,160 Speaker 3: interesting area transporting dead bodies in anything other than a hearse. 1101 00:49:53,320 --> 00:49:54,160 Speaker 4: Do you need a permit? 1102 00:49:54,280 --> 00:49:55,719 Speaker 3: Yeah? Do you need a permit? That's what we want 1103 00:49:55,760 --> 00:49:59,000 Speaker 3: to know about right now. This all came because we 1104 00:49:59,040 --> 00:50:01,920 Speaker 3: heard it called of just talk about a dead hippie 1105 00:50:01,960 --> 00:50:04,239 Speaker 3: who didn't want to be in a right so didn't 1106 00:50:04,239 --> 00:50:05,920 Speaker 3: want to be in a hearse. He wanted to be 1107 00:50:05,960 --> 00:50:10,200 Speaker 3: in a kind of I guess a customized combi. David's 1108 00:50:10,200 --> 00:50:11,719 Speaker 3: sent us email going, I hope they drew on the 1109 00:50:11,719 --> 00:50:14,120 Speaker 3: top of the coffin for the past away. Yeah, hippie 1110 00:50:14,239 --> 00:50:19,000 Speaker 3: Nature's candle. They all love the Nature's carol. David good throwback, great, 1111 00:50:19,480 --> 00:50:21,600 Speaker 3: very very good piece of business that, David. I'm going 1112 00:50:21,640 --> 00:50:24,800 Speaker 3: to send you something for that. I forgot about Nature's 1113 00:50:24,840 --> 00:50:27,759 Speaker 3: Candle from Jackie Boy on yesterday's show. All right, we 1114 00:50:27,800 --> 00:50:30,560 Speaker 3: all want to know can you move a dead person 1115 00:50:30,880 --> 00:50:33,919 Speaker 3: in your car rather than a hearse? Dave's on the line, 1116 00:50:33,920 --> 00:50:34,800 Speaker 3: Come on in, Dave. 1117 00:50:35,200 --> 00:50:38,480 Speaker 11: More and David, you do not need a permit. 1118 00:50:38,840 --> 00:50:39,840 Speaker 3: No no. 1119 00:50:40,239 --> 00:50:43,440 Speaker 9: When my dad passed away, we wanted him in the 1120 00:50:43,440 --> 00:50:46,799 Speaker 9: back of his f two fifty and the funeral home 1121 00:50:47,000 --> 00:50:48,439 Speaker 9: gave us a frame to put in. 1122 00:50:48,320 --> 00:50:50,600 Speaker 11: The back and chucking straight in the back of the 1123 00:50:50,680 --> 00:50:51,399 Speaker 11: ute and off we went. 1124 00:50:51,840 --> 00:50:52,240 Speaker 2: Wow. 1125 00:50:52,480 --> 00:50:54,919 Speaker 3: I think I think we should all have our right 1126 00:50:55,000 --> 00:50:58,239 Speaker 3: to go to your final resting place however you want 1127 00:50:58,239 --> 00:51:03,400 Speaker 3: the hearses always looky looks so scary and intimidating, and. 1128 00:51:03,880 --> 00:51:05,040 Speaker 7: They drive too slow. 1129 00:51:07,200 --> 00:51:12,400 Speaker 3: Fustraight, you're right. Why can't they get some nitrous socks? 1130 00:51:14,440 --> 00:51:19,080 Speaker 4: You're taking from in the great yard. 1131 00:51:22,600 --> 00:51:23,680 Speaker 9: Back to the cemetery. 1132 00:51:23,800 --> 00:51:25,960 Speaker 7: And when we pulled in on the freeway, I give 1133 00:51:26,000 --> 00:51:34,279 Speaker 7: it the. 1134 00:51:30,360 --> 00:51:36,200 Speaker 3: R I p fast enough. Yeah, I have thought that 1135 00:51:36,280 --> 00:51:38,359 Speaker 3: was behind hers. Get on the old horn. 1136 00:51:41,080 --> 00:51:44,120 Speaker 7: Yeah, we put him in the grand carry on. 1137 00:51:46,000 --> 00:51:48,120 Speaker 3: All right, Dave, good corn, Okay, take care of me. 1138 00:51:48,680 --> 00:51:53,400 Speaker 3: Cheers mate, Brian, good morning. 1139 00:51:53,560 --> 00:51:54,520 Speaker 9: Good morning. Here you go. 1140 00:51:54,719 --> 00:51:55,080 Speaker 3: I'm good. 1141 00:51:56,239 --> 00:51:59,400 Speaker 9: We we transported a coffin on a side car from motorcycle. 1142 00:52:00,080 --> 00:52:02,440 Speaker 3: Not the dead person squished into the sidecar. 1143 00:52:02,440 --> 00:52:04,040 Speaker 9: No, no, no, he was in the coffin. We took 1144 00:52:04,080 --> 00:52:06,960 Speaker 9: the body off the sidecar and mounted him onto the 1145 00:52:07,000 --> 00:52:09,160 Speaker 9: frame of the sidecar. And we were told we didn't 1146 00:52:09,160 --> 00:52:10,440 Speaker 9: need a permit to do it, so we did. 1147 00:52:10,480 --> 00:52:10,600 Speaker 3: It. 1148 00:52:10,640 --> 00:52:13,440 Speaker 9: Was the president of their Moorcocle club, so we that 1149 00:52:13,560 --> 00:52:16,280 Speaker 9: was how we well fit to take him to the cemetery. 1150 00:52:16,320 --> 00:52:18,040 Speaker 9: So that was it. On the sidecar of a motorcycle. 1151 00:52:18,160 --> 00:52:21,120 Speaker 3: What anish way to do it? That is how to 1152 00:52:21,160 --> 00:52:22,920 Speaker 3: do it, isn't it. I think that's so just we 1153 00:52:22,920 --> 00:52:25,400 Speaker 3: get the image right. So if I was driving towards you, 1154 00:52:25,440 --> 00:52:28,279 Speaker 3: i'd see you and the motorbike where the sidecar would 1155 00:52:28,280 --> 00:52:29,320 Speaker 3: have been is a coffin. 1156 00:52:30,000 --> 00:52:30,880 Speaker 9: Yep, that's correct. 1157 00:52:30,960 --> 00:52:32,359 Speaker 3: I didn't have a wheel underneath it. 1158 00:52:32,880 --> 00:52:34,680 Speaker 9: Oh yeah, I had had the wheel. I had the 1159 00:52:34,719 --> 00:52:36,840 Speaker 9: framework for the for the for the body that normally 1160 00:52:36,880 --> 00:52:39,680 Speaker 9: sits on there. We took the body off, made some 1161 00:52:39,680 --> 00:52:41,600 Speaker 9: some clamps and some gigs and so on to to 1162 00:52:41,640 --> 00:52:44,880 Speaker 9: clamp the coffin onto it and set him in there. 1163 00:52:44,920 --> 00:52:47,080 Speaker 9: So it was his last ride was on a motorcycle. 1164 00:52:47,120 --> 00:52:48,800 Speaker 3: That was it. That's so great. He was the president 1165 00:52:48,840 --> 00:52:50,000 Speaker 3: of your bike club. 1166 00:52:50,480 --> 00:52:50,680 Speaker 2: Yes. 1167 00:52:50,840 --> 00:52:51,280 Speaker 3: Perfect. 1168 00:52:51,320 --> 00:52:53,160 Speaker 4: And Brian, did you move at a slow pace like 1169 00:52:53,200 --> 00:52:55,520 Speaker 4: the hearst Wood or did you go full gun? 1170 00:52:56,400 --> 00:52:58,399 Speaker 9: We were doing bed Ladys, could be. 1171 00:52:58,400 --> 00:53:02,640 Speaker 3: Careful that frame breaks. Get left. He's going right into 1172 00:53:02,640 --> 00:53:07,359 Speaker 3: a macas dry. All right, Brian, that's a great call. 1173 00:53:07,360 --> 00:53:10,600 Speaker 3: We'll send you Brice. Stay there, I do, thank you mate. 1174 00:53:10,640 --> 00:53:12,920 Speaker 3: Awesome stuff today, one last school before the headlines of 1175 00:53:12,960 --> 00:53:16,640 Speaker 3: Patsy Justin. Good morning, good morning here he's going I'm 1176 00:53:16,640 --> 00:53:18,719 Speaker 3: good justin. So I understand this is a two f 1177 00:53:19,200 --> 00:53:20,600 Speaker 3: story you've got for us about. 1178 00:53:22,080 --> 00:53:24,279 Speaker 14: I've got a two for for you, and if my 1179 00:53:24,360 --> 00:53:27,759 Speaker 14: brothers listen, he's probably gonna kill me. Anyway, I'll start off. 1180 00:53:27,760 --> 00:53:28,239 Speaker 7: You've got to. 1181 00:53:28,200 --> 00:53:31,320 Speaker 14: Imagine at the eighties nineties and he's in a David 1182 00:53:31,360 --> 00:53:34,240 Speaker 14: le Rock Vince Neil era he loved Monty Cruz David 1183 00:53:34,280 --> 00:53:36,760 Speaker 14: le Rock, and he's got the skin tight Livid pants 1184 00:53:36,800 --> 00:53:41,280 Speaker 14: on long hand, the T shirt and he's playing my Nintendo. 1185 00:53:42,040 --> 00:53:44,800 Speaker 14: He loses in the AFL game and he starts literally 1186 00:53:44,840 --> 00:53:49,640 Speaker 14: biting my Nutendo controller lobs it over his head, lands 1187 00:53:49,680 --> 00:53:52,359 Speaker 14: in the fish tank where me, Mexican walking fish are. 1188 00:53:53,600 --> 00:53:55,160 Speaker 14: I'm twelve years old morning. 1189 00:53:55,520 --> 00:53:57,200 Speaker 9: This is my life Nintendo. 1190 00:53:57,960 --> 00:54:02,279 Speaker 14: Anyway. The next day he's turned his hair and I've 1191 00:54:02,320 --> 00:54:04,759 Speaker 14: just looked at him. I said, you better ask mum 1192 00:54:04,840 --> 00:54:06,920 Speaker 14: for a Wham T shirt. Not not the cruise had 1193 00:54:07,040 --> 00:54:10,080 Speaker 14: the Devil and he snipped the cords of my control 1194 00:54:10,520 --> 00:54:14,080 Speaker 14: and actually loved them in the pebbles of the fish tank. 1195 00:54:14,160 --> 00:54:18,400 Speaker 3: As ornaments how much going on with this. It feels 1196 00:54:18,400 --> 00:54:20,920 Speaker 3: like we've had an update from the family in the castle. 1197 00:54:20,960 --> 00:54:25,680 Speaker 14: To me, I'm the one whose mum drove on the 1198 00:54:25,680 --> 00:54:28,080 Speaker 14: footy ground chasing me for hitting players. 1199 00:54:29,840 --> 00:54:33,560 Speaker 3: Remember that, seriously, that you should have a flammable documentary 1200 00:54:33,600 --> 00:54:36,080 Speaker 3: about your family. Amazing, We're weird. 1201 00:54:36,280 --> 00:54:38,200 Speaker 7: We love we we are calling the supporters, but we 1202 00:54:38,280 --> 00:54:39,000 Speaker 7: are weird. 1203 00:54:40,040 --> 00:54:42,000 Speaker 3: All right, justin we got to go. Thank you very much. 1204 00:54:42,040 --> 00:54:43,120 Speaker 3: You kill me. Take care. 1205 00:54:44,880 --> 00:54:50,000 Speaker 2: Christian, Hello, Christian O'Connell show podcast. 1206 00:54:54,000 --> 00:54:56,400 Speaker 3: Great calls this morning on three each of its Tuesday 1207 00:54:56,480 --> 00:55:01,160 Speaker 3: and then the last three calls about moving decease people 1208 00:55:01,360 --> 00:55:06,560 Speaker 3: in other vehicles other than hearses. Fascinating, amazing, really good. 1209 00:55:06,560 --> 00:55:08,600 Speaker 3: It makes me think about how I might want to 1210 00:55:08,880 --> 00:55:11,200 Speaker 3: be moved. Would you do? I think you know what 1211 00:55:11,200 --> 00:55:13,080 Speaker 3: I'd actually really like. I like everyone to be gathered 1212 00:55:13,120 --> 00:55:14,840 Speaker 3: together at my funeral. Then I'd like my body be 1213 00:55:14,880 --> 00:55:17,480 Speaker 3: fed into a wood chipper. But it's it's pushed out 1214 00:55:17,520 --> 00:55:18,240 Speaker 3: towards them. 1215 00:55:18,600 --> 00:55:21,439 Speaker 4: Right, so we all get a little piece. Yes, yeah, 1216 00:55:21,480 --> 00:55:24,200 Speaker 4: what about you? I'll go in the back of my une. 1217 00:55:24,280 --> 00:55:28,560 Speaker 3: Now, ain't going to start that day? Bay? I mean 1218 00:55:28,600 --> 00:55:31,840 Speaker 3: two dead people turning at me, going that death trap, Patsy. 1219 00:55:32,120 --> 00:55:34,560 Speaker 5: I want one of those old Victorian horse and carts, 1220 00:55:34,600 --> 00:55:36,960 Speaker 5: you know, the old hearses with the glass and then 1221 00:55:37,000 --> 00:55:37,760 Speaker 5: the horse still. 1222 00:55:37,600 --> 00:55:39,320 Speaker 3: Use traditionally where Abe where you live, isn't. 1223 00:55:39,160 --> 00:55:41,719 Speaker 5: It horses with the big feather plumes on their. 1224 00:55:41,640 --> 00:55:46,279 Speaker 3: Heads like the queen a state funeral. Okay, all right, 1225 00:55:46,680 --> 00:55:53,280 Speaker 3: today is National Dog Day, right, yes, National Dog Day today, 1226 00:55:53,320 --> 00:55:56,640 Speaker 3: on National Dog Day, we are looking for your dog songs. 1227 00:55:56,680 --> 00:55:57,800 Speaker 3: How are your dog songs? 1228 00:55:57,840 --> 00:55:58,319 Speaker 4: They're good? 1229 00:55:58,480 --> 00:56:01,280 Speaker 3: Yeah? All right, I've got blue chewed shoes. 1230 00:56:02,440 --> 00:56:05,400 Speaker 4: Silver plus is not happy blue heeler shoes. 1231 00:56:08,600 --> 00:56:13,680 Speaker 3: This is how we do it. Oh hell yeah, thank you. 1232 00:56:14,360 --> 00:56:16,120 Speaker 3: Papa's got a brand new pooh bag. 1233 00:56:18,200 --> 00:56:18,520 Speaker 4: Gold. 1234 00:56:19,040 --> 00:56:20,359 Speaker 3: Let's talk about Rex. 1235 00:56:20,760 --> 00:56:22,040 Speaker 4: Gold, thank you. 1236 00:56:22,080 --> 00:56:25,840 Speaker 3: Nothing compares to ship zoo, nothing compares to ship to silver. 1237 00:56:26,160 --> 00:56:29,880 Speaker 3: And then finally today, hang on, let me get the 1238 00:56:29,880 --> 00:56:32,879 Speaker 3: clip ready. Who's this little dog here? 1239 00:56:33,120 --> 00:56:33,319 Speaker 8: Oh? 1240 00:56:33,360 --> 00:56:39,000 Speaker 3: Hello there, little boy, mister bull Mastiff. Mister bull Mastiff 1241 00:56:39,880 --> 00:56:42,160 Speaker 3: is very good. Half an hour to get that clip, 1242 00:56:42,920 --> 00:56:46,480 Speaker 3: haven't I. I've been through five different versions going back. 1243 00:56:46,520 --> 00:56:47,400 Speaker 4: Then you can bring. 1244 00:56:49,040 --> 00:56:49,760 Speaker 3: Mister ball. 1245 00:56:52,280 --> 00:56:52,520 Speaker 4: Plus. 1246 00:56:52,600 --> 00:56:55,120 Speaker 3: I hope there is a bull mast difficult, mister Mastiff. 1247 00:56:55,440 --> 00:57:01,319 Speaker 3: All right, jackie boy, what have you got? Hello? Yes, 1248 00:57:01,360 --> 00:57:03,080 Speaker 3: I'm sorry, sorry, this is the second. 1249 00:57:02,840 --> 00:57:07,640 Speaker 4: A moment there, great danes of fire, no wondering pause 1250 00:57:07,680 --> 00:57:17,720 Speaker 4: before that bronze Collie fornication, funny Gold, come said the 1251 00:57:17,960 --> 00:57:18,720 Speaker 4: good boy. 1252 00:57:21,600 --> 00:57:24,920 Speaker 3: Bronze. You know this as well These aren't great. You 1253 00:57:25,040 --> 00:57:29,720 Speaker 3: know that today, These aren't good. These are rough, rough, rough. 1254 00:57:30,640 --> 00:57:34,240 Speaker 4: Okay, knock knock, knocking on labradors. 1255 00:57:34,640 --> 00:57:38,520 Speaker 3: Now that's better of silver play. I'm gonna give that gold. 1256 00:57:38,840 --> 00:57:44,000 Speaker 3: That's good. Okay, Oh look who's back. It's miserable massive. 1257 00:57:44,800 --> 00:57:48,000 Speaker 3: That's enough now okay, send us your dog songs to 1258 00:57:48,200 --> 00:57:51,520 Speaker 3: oh four seven five O three one oh four three 1259 00:57:51,760 --> 00:57:55,920 Speaker 3: Shaggy for who's calling Christian? Seriously imagining one hour if 1260 00:57:55,920 --> 00:57:58,560 Speaker 3: we get Shaggy nelly hammer. 1261 00:57:58,960 --> 00:58:02,280 Speaker 4: You know he doesn't do anything like that. He's got 1262 00:58:02,480 --> 00:58:05,760 Speaker 4: he's got a really regular yes. 1263 00:58:07,520 --> 00:58:10,360 Speaker 3: Like that. I had a song I'll called mister Mambas. 1264 00:58:10,800 --> 00:58:13,000 Speaker 4: Does he He does not speak in a low voice 1265 00:58:13,000 --> 00:58:15,840 Speaker 4: at all, completely normal voice, normal voices. 1266 00:58:16,200 --> 00:58:17,720 Speaker 3: We got to get him on Who's Christian? 1267 00:58:18,160 --> 00:58:23,000 Speaker 2: The Christian O'Connell show podcast on National Dog Day. 1268 00:58:23,360 --> 00:58:28,160 Speaker 3: Today's time waste is your dog songs? You've ready to 1269 00:58:28,240 --> 00:58:33,920 Speaker 3: mark Jackie Boy hungry like a wharf, Silver Aiden looking 1270 00:58:33,960 --> 00:58:39,920 Speaker 3: for dog songs today, Puppy, don't preach gold nis turning Pecanese. 1271 00:58:41,360 --> 00:58:42,920 Speaker 4: I'm not familiar with the Pecanese. 1272 00:58:43,160 --> 00:58:46,640 Speaker 3: Oh yeah, little dog, instead of turning Japanese. That's a 1273 00:58:46,640 --> 00:58:51,320 Speaker 3: good one. Silver uh, tough film Hotel Colliefornia. 1274 00:58:52,640 --> 00:58:55,880 Speaker 4: Similar derivative of my colliphonication. 1275 00:58:55,320 --> 00:58:58,360 Speaker 3: But stronger bronze. Muttup of your face. 1276 00:58:59,800 --> 00:59:02,480 Speaker 4: That that's the kind of stuff. 1277 00:59:02,560 --> 00:59:06,560 Speaker 3: Yeah, that's like what I had. Well done, Adam. Uh 1278 00:59:06,760 --> 00:59:09,240 Speaker 3: every day this week one hundred and fifty dollars voucher 1279 00:59:09,800 --> 00:59:14,000 Speaker 3: get a load of great vinyl discrepancy records. Might up 1280 00:59:14,160 --> 00:59:17,000 Speaker 3: your face is a great one, Adam, well done. Another 1281 00:59:17,040 --> 00:59:21,200 Speaker 3: one by it's a postman Silver, don't worry be staffy 1282 00:59:22,120 --> 00:59:27,600 Speaker 3: Silver plus Man, I feel like a Doberman Fronz, unchained 1283 00:59:27,600 --> 00:59:32,960 Speaker 3: Doggie Franz getting diggy with it. 1284 00:59:33,120 --> 00:59:34,320 Speaker 4: Silver Martin. 1285 00:59:36,200 --> 00:59:43,640 Speaker 3: Dude looks like he has rabies. That's very funny. That's 1286 00:59:43,760 --> 00:59:48,760 Speaker 3: really funny. Yeah, that's great, Sharpy, well done. Let it 1287 00:59:48,800 --> 00:59:55,480 Speaker 3: be Eagle Silver New Alsatian in excess. Silver plus walkies 1288 00:59:55,560 --> 00:59:59,960 Speaker 3: this way Highway to how Silver. I would always love 1289 01:00:00,080 --> 01:00:04,640 Speaker 3: your leg Silver. Poor the voice trying to understand it, 1290 01:00:04,920 --> 01:00:05,960 Speaker 3: poor the voice. 1291 01:00:06,040 --> 01:00:08,920 Speaker 4: Silver plus we will we will walk you Gold. 1292 01:00:09,120 --> 01:00:10,720 Speaker 3: That is great. I'm going to see that to my 1293 01:00:10,800 --> 01:00:12,560 Speaker 3: dog round today when I take her for a walk. 1294 01:00:13,240 --> 01:00:16,840 Speaker 3: Will we will walk you? Uh Spain alive. 1295 01:00:18,520 --> 01:00:18,920 Speaker 4: Spain. 1296 01:00:19,200 --> 01:00:22,280 Speaker 3: Yeah, it's like for the ladies. 1297 01:00:22,560 --> 01:00:28,440 Speaker 4: The job silver two, get them fixed up right? 1298 01:00:29,920 --> 01:00:32,040 Speaker 3: Un necessary? Where to end it? That was fun until 1299 01:00:32,080 --> 01:00:34,400 Speaker 3: she started talking there in that darkness. Jackie Boy, who's 1300 01:00:34,400 --> 01:00:37,280 Speaker 3: getting a hundred fifty dollars four discrepancy records, mat up 1301 01:00:37,400 --> 01:00:39,720 Speaker 3: your face, Might up your face, and in You're the Winner. 1302 01:00:40,680 --> 01:00:46,080 Speaker 6: Christian Christian I Connell, Christian o'connalds Show podcast of today's show, 1303 01:00:46,280 --> 01:00:50,280 Speaker 6: Killer John Online one, two things before we bow out, 1304 01:00:50,920 --> 01:00:53,400 Speaker 6: Feast your ears, Finally the welk. 1305 01:00:53,200 --> 01:00:56,400 Speaker 3: In here Well the almost couldn't hear Amy Shark and 1306 01:00:56,480 --> 01:01:00,000 Speaker 3: Jack Post Yes podcast actually went up yesterday. If you don't, 1307 01:01:00,160 --> 01:01:02,080 Speaker 3: if you've not heard any of the episodes, Jack's doing 1308 01:01:02,120 --> 01:01:04,960 Speaker 3: this brilliant, brilliant his own podcast. It's a great idea. 1309 01:01:05,160 --> 01:01:07,160 Speaker 3: He chats to someone and then he makes some one 1310 01:01:07,200 --> 01:01:08,840 Speaker 3: of his brilliant songs at the end of it. He 1311 01:01:08,880 --> 01:01:14,480 Speaker 3: spends days making these songs. I've been I'm the next guest, 1312 01:01:15,280 --> 01:01:15,600 Speaker 3: have you. 1313 01:01:15,960 --> 01:01:17,520 Speaker 5: We haven't even been spoken. 1314 01:01:17,200 --> 01:01:19,280 Speaker 4: To or I'm trying to go through your manager. 1315 01:01:19,840 --> 01:01:23,000 Speaker 5: That's fine, You're very hard to get off all so. 1316 01:01:22,960 --> 01:01:24,640 Speaker 3: If you want to hear the Amy Shark one, that's 1317 01:01:24,680 --> 01:01:26,919 Speaker 3: up now right, and if you wonder about the Amy 1318 01:01:26,960 --> 01:01:29,200 Speaker 3: Shark one, It almost wasn't It was almost just this. 1319 01:01:30,720 --> 01:01:33,120 Speaker 4: Oh dude, I just didn't record it. 1320 01:01:33,720 --> 01:01:36,280 Speaker 3: You are so lucky. But Amy Shark did record it well. 1321 01:01:36,320 --> 01:01:38,120 Speaker 4: She recorded video on her and so we were able 1322 01:01:38,120 --> 01:01:39,760 Speaker 4: to stitch the video audio together. 1323 01:01:40,720 --> 01:01:44,439 Speaker 3: Now on tomorrow show something which fell away yesterday from 1324 01:01:44,520 --> 01:01:47,360 Speaker 3: Jack's Dad. Jack's dad was trying to sell some CDs 1325 01:01:47,760 --> 01:01:50,520 Speaker 3: and we brought the CDs on air. There was about 1326 01:01:50,560 --> 01:01:53,800 Speaker 3: thirty on CDs. We managed to open up the lines 1327 01:01:53,880 --> 01:01:55,520 Speaker 3: and we mantually get one hundred dollars. 1328 01:01:55,600 --> 01:01:57,360 Speaker 4: I couldn't believe it. One hundred and twenty bucks in 1329 01:01:57,400 --> 01:02:00,280 Speaker 4: the end, is so what it was? Oh yeah, hundred 1330 01:02:00,320 --> 01:02:02,480 Speaker 4: twenty bucks. And I thought, I honestly said, dad, you 1331 01:02:02,520 --> 01:02:04,840 Speaker 4: won't get rid of these for more than five bucks. 1332 01:02:04,880 --> 01:02:08,240 Speaker 4: No one's buying CDs anymore. But he sold them yesterday. 1333 01:02:08,400 --> 01:02:11,320 Speaker 3: Yeah. So we have a very happy customer. And we 1334 01:02:11,400 --> 01:02:13,000 Speaker 3: decided that we're going to do this once a week 1335 01:02:13,040 --> 01:02:19,880 Speaker 3: on the show. We sell your stuff on a Wednesday. 1336 01:02:20,000 --> 01:02:22,880 Speaker 3: Every Wednesday. We're just set. We're just taking more one 1337 01:02:22,920 --> 01:02:26,080 Speaker 3: customer at a time. Okay, one customer, one bit of 1338 01:02:26,200 --> 01:02:28,200 Speaker 3: tat that you're trying to sell. We will try and 1339 01:02:28,240 --> 01:02:30,600 Speaker 3: get you the very best price from one of our listeners. 1340 01:02:30,800 --> 01:02:33,760 Speaker 3: So already John Post very happy customer. He was hoping 1341 01:02:33,800 --> 01:02:35,600 Speaker 3: to get thirty to fifty dollars. We got him one 1342 01:02:35,680 --> 01:02:39,240 Speaker 3: hundred and twenty dollars deal. That's great news. This could 1343 01:02:39,280 --> 01:02:41,160 Speaker 3: be you tomorrow morning. So if you're looking to sell 1344 01:02:41,240 --> 01:02:43,520 Speaker 3: something at the moment in lockdown, get rid of some 1345 01:02:43,560 --> 01:02:46,240 Speaker 3: of your gear, email me today. Okay, get in there. 1346 01:02:46,280 --> 01:02:51,040 Speaker 3: Early to the party for antiques radio show, Jack came 1347 01:02:51,120 --> 01:02:51,320 Speaker 3: up with. 1348 01:02:51,320 --> 01:02:52,800 Speaker 4: That title thank You. I was wondering if I was 1349 01:02:52,800 --> 01:02:53,880 Speaker 4: going credit. 1350 01:02:53,720 --> 01:02:56,680 Speaker 3: Worse shure come on that one, So email me Christian 1351 01:02:56,720 --> 01:02:58,800 Speaker 3: at christiano'connor dot com dot au 1352 01:02:59,520 --> 01:03:01,760 Speaker 2: Christian O'Connell Show podcast