WEBVTT - What Is Vanish Mode? 📱

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<v Speaker 1>The Flex and Rooms Daily podcast.

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<v Speaker 2>Let's do it.

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<v Speaker 3>As the hell everybody starting New Zealand accent. I was like,

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<v Speaker 3>this is producer Brookers New Zealand. But because she's such

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<v Speaker 3>a fucking banshee, she always she always comes out Australian

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<v Speaker 3>vibes because she saw a banshee energy which is indicative

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<v Speaker 3>of her Australian vibes.

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<v Speaker 2>Do you agree? Can you talking to a New Zealand accent? Quickly?

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<v Speaker 3>Taylor?

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<v Speaker 2>Hello, my name is Brooke Taylor. Hot bring that that's

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<v Speaker 2>a little Brooks. That makes you even hotter? Yeah? I

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<v Speaker 2>like that? And you are looking good today?

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<v Speaker 3>Yeah that's hot. That felt right. New Zealand is the

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<v Speaker 3>best country. I think it's actually the best country. And

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<v Speaker 3>I've never been neither. I just like, I really like

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<v Speaker 3>Rose Matafayo Yep. The artist, yep, comedian, the guy that

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<v Speaker 3>does thaw Taikobatiti his early.

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<v Speaker 2>Work and also his late work.

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<v Speaker 3>Once he did this short film about two kids in

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<v Speaker 3>a car in a car park.

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<v Speaker 2>Check it out.

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<v Speaker 3>Otherwise it's just like the New Zealand vibe. My dad's

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<v Speaker 3>best friends in New Zealand and he's crazy. Shout out mctaggett.

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<v Speaker 3>He once he changes street name in Saint Kilda in

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<v Speaker 3>Melbourne and the council just adopted it. It's McTaggart lane.

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<v Speaker 3>Oh he's amazing.

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<v Speaker 2>Yeah he's a bit of you. Yeah, I like him.

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<v Speaker 2>An unarchist, an anarchist.

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<v Speaker 1>Let's go fleck and frooms.

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<v Speaker 4>There are Selen Gomes people. They're tailors with people. They're

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<v Speaker 4>a Justin Bibber people.

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<v Speaker 2>I'm not. I'm a Justin Bibber person. I am a fan.

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<v Speaker 4>So last year Selena dropped a documentary which I did

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<v Speaker 4>not watch because it took me a lot of years

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<v Speaker 4>to realize I don't even like documentaries. I really don't.

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<v Speaker 4>People always recommending Oh he's like a conspiracy one. Here's

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<v Speaker 4>a kind of one.

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<v Speaker 2>I just don't think I care.

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<v Speaker 4>All these musician ones are the I want to I

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<v Speaker 4>just want to consume fiction, fiction, fiction, fiction.

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<v Speaker 2>That's good, it opens your mind more. I agree.

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<v Speaker 4>So, I though I did hear some residual buzz, you know,

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<v Speaker 4>the kind of buzz that is so big that it's

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<v Speaker 4>reaching the mainstream. And then I've picked up a few

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<v Speaker 4>headlines and so from what I gathered, Selena Gomes has

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<v Speaker 4>had a lot of health complications in her life and

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<v Speaker 4>at some point in time needed a kidney and her

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<v Speaker 4>friend at the time and they were kind of like

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<v Speaker 4>acting friends who became good friends. Francier Riser was put

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<v Speaker 4>on the short list to be a kidney donor because

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<v Speaker 4>I had like compatible types of whatever's required.

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<v Speaker 2>I don't know, I'm not a doctor.

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<v Speaker 4>So it came out that one day Francier gets a

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<v Speaker 4>call from Selena, and Selena's like, oh my goodness, I'm

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<v Speaker 4>so excited, like you're a match, so like I can

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<v Speaker 4>have your kidney, And Frankie was kind of like, oh shit,

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<v Speaker 4>Like it was like it was a possibility. But like

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<v Speaker 4>the way she came at me being so excited, I

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<v Speaker 4>felt I didn't have a choice that I needed to

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<v Speaker 4>give her the kidney, because like she's really hype, and

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<v Speaker 4>like I hadn't committed my self to being without the kidney,

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<v Speaker 4>and like I didn't really need it, but I didn't

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<v Speaker 4>really want to.

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<v Speaker 2>Give it away, and like we were friends, but will

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<v Speaker 2>be that close.

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<v Speaker 4>Long story short, she gives her the kidney right years later,

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<v Speaker 4>as in now last year twenty twenty two, the documentary

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<v Speaker 4>comes out and Selena you know, goes through and she's

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<v Speaker 4>thanking all these people who were instrumental in her life

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<v Speaker 4>and does not thank Frontier does not think kind of

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<v Speaker 4>references it by situation, not really by specifics, like I,

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<v Speaker 4>you know, I had a friend who gave me a kidney, la.

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<v Speaker 2>La la, but doesn't name check her. Yeah, it doesn't

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<v Speaker 2>name check her.

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<v Speaker 4>And then and then goes on to say something like

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<v Speaker 4>I have no friends in the industry.

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<v Speaker 2>Kay yay, Sae sae safty. So it's this kidney chick

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<v Speaker 2>in the industry.

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<v Speaker 4>Kidney chick is an actress, yeah, Francie is a full

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<v Speaker 4>on actress in the industry.

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<v Speaker 2>Yeah.

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<v Speaker 4>So then Francia comes out and it's kind of like, oh,

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<v Speaker 4>that's a little bit odd, like no friends might just

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<v Speaker 4>literally gave you a body part. And then I was

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<v Speaker 4>thinking to myself, like, number one, this is why you

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<v Speaker 4>gotta be careful you.

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<v Speaker 2>Start doing favors.

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<v Speaker 4>For number two, how many years of bragging rights are

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<v Speaker 4>you owed when you give someone part of your body?

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<v Speaker 4>Because as for me, you better never let that die down.

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<v Speaker 4>Like you know, let's say, for example, I lent you

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<v Speaker 4>a dress. Right, Let's say we're going to an award show.

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<v Speaker 4>You say, FLEXI you can I borrow a dress? I say, yeah,

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<v Speaker 4>every time you get a compliment in that dress, I'm

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<v Speaker 4>gonna need you to say it's flex a tribute, right,

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<v Speaker 4>that feels like standard. If I gave you a kidney,

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<v Speaker 4>never take it out of your Instagram bio, I never

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<v Speaker 4>take it.

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<v Speaker 2>Out of your email signature. Are you joking? And then

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<v Speaker 2>you so, wait, explain this. You've got two kidneys? Yeah,

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<v Speaker 2>I think so. If you only have one, does that

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<v Speaker 2>mean you can't drink as much alcohol? I don't know.

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<v Speaker 4>I feel like the thing that kidney does will move

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<v Speaker 4>and then the gallblader will help you out or whatever.

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<v Speaker 4>Little of a Okay, doctor flex, doctor flex pH Yeah,

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<v Speaker 4>it's a radio show.

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<v Speaker 3>People like dead air flex. It means they can reflect

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<v Speaker 3>as well. Listen the voice of them the voice of

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<v Speaker 3>the every man, and every man is having thoughts. Okay, listen,

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<v Speaker 3>that is pretty crazy. I will say. We all do

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<v Speaker 3>the slip. You've been in an award show before, Maybe

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<v Speaker 3>we've won something, maybe I've forgotten something. Who knows factor fision,

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<v Speaker 3>factor fision, A little.

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<v Speaker 2>Bit of fisi. Remind you.

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<v Speaker 4>When I was writing my book and my publishers kept saying, like,

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<v Speaker 4>who do you want to put any acknowledgments I was like,

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<v Speaker 4>no one, because I'm going to forget someone.

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<v Speaker 2>You didn't put anyone, not even your mom.

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<v Speaker 4>No, because I'm like, I'm going to forget someone who

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<v Speaker 4>was instrumental in some capacity who I've forgotten, or it's

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<v Speaker 4>going to feel like hierarchied in some way. I'm not

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<v Speaker 4>doing it. It's a set up every time. Kind of

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<v Speaker 4>reminds me of when you see that one friend of yours,

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<v Speaker 4>maybe they're like an acquaintance or like a party friend,

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<v Speaker 4>someone you've established some kind of connection with on their

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<v Speaker 4>finser talking about I have no friends, and you're like, okay.

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<v Speaker 2>Cool, Like you just don't. I don't want the smoke,

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<v Speaker 2>So I'm like, you know what, don't worry about it.

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<v Speaker 2>When I was at school, he's really quick.

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<v Speaker 3>My one of my friends put on a Facebook because

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<v Speaker 3>like all the girls went out with her out her

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<v Speaker 3>saying all my friends are sea words.

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<v Speaker 2>We still had three nights ago.

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<v Speaker 1>So you see flex and fruits.

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<v Speaker 4>It's a brand new year, twenty two twenty three. Though

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<v Speaker 4>I should or probably will be writing twenty twenty until

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<v Speaker 4>at least twenty twenty.

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<v Speaker 3>Five, it has a ring to it. I prefer it

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<v Speaker 3>so sad. It was a nothing year. No, don't say that.

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<v Speaker 3>I guess I had quite a fun year.

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<v Speaker 2>Literally it was what you meant nothing year.

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<v Speaker 3>That was COVID, big ronie nothing year in terms of like,

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<v Speaker 3>it wasn't excited, it was oh las, my brain's still

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<v Speaker 3>fried from having COVID twice.

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<v Speaker 2>Yeah, gross, I'm sorry. She more gentle. Do you do

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<v Speaker 2>news resolutions? Off the dome?

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<v Speaker 3>Never have never will never have, no, never made a

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<v Speaker 3>point to never do it?

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<v Speaker 4>What is that like some sort of like self sabotagee

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<v Speaker 4>If I don't set goals, I don't have to fail.

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<v Speaker 2>Yeah, No, it's the opposite.

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<v Speaker 3>It's the opposite because if I want to do something,

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<v Speaker 3>I should do it straight away and not wait for

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<v Speaker 3>January's first.

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<v Speaker 2>I agree, I agree.

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<v Speaker 4>I don't do news resolutions, but I definitely do yearly themes.

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<v Speaker 4>Sometimes I get them from astrology, Sometimes I get them

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<v Speaker 4>from tarot. Sometimes I get them from my mind to

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<v Speaker 4>make certain commitments to myself that I'm like, not goal oriented,

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<v Speaker 4>but vibe oriented. So last year twenty twenty two was

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<v Speaker 4>meant to be socialite era. It was meant to be

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<v Speaker 4>the year of hedonism, vibes, leisure, pleasure, ease. It did

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<v Speaker 4>not go well. We had acute January February, the vibes

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<v Speaker 4>were up. I was like, I'm in Ghana, then I'm back.

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<v Speaker 4>It's gonna go to La. It didn't happen. Meant to

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<v Speaker 4>be at Coachelli Celly didn't happen. I said, all good

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<v Speaker 4>or good, We'll pick it back up, pick a back up,

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<v Speaker 4>pick it back up. We did not, in fact pick

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<v Speaker 4>it back up until about late October November.

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<v Speaker 2>Correct.

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<v Speaker 4>It was a good effort, but it wasn't a consistent effort.

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<v Speaker 4>And so what I'm finding is that this year is

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<v Speaker 4>a similar vibe. I don't want to be a fearmonger,

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<v Speaker 4>you know, I keep talking about the apocalypse, but I

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<v Speaker 4>just think it's so lame to be blessed with the

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<v Speaker 4>gift of youth and to act like an old person

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<v Speaker 4>and not enjoy your life.

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<v Speaker 2>It's so lame. I did that for most of my twenties.

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<v Speaker 2>This is what I'm saying.

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<v Speaker 4>It's just so embarrassing to be like, you're young, cute, sexy, smart,

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<v Speaker 4>You've got all this time, all these friends, all these

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<v Speaker 4>opportunities to make memories, and you're gonna.

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<v Speaker 2>Go to work. Have you no shame?

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<v Speaker 4>So we're bringing that energy back into the new year.

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<v Speaker 4>But this this year, I'm harassing people to join me.

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<v Speaker 2>Last year, I was like, do what you want, do

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<v Speaker 2>what you want. No, no, no, no no, no no no.

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<v Speaker 4>If you are part of the Inner Circle, the outer

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<v Speaker 4>Inner Circle, or the third Ring, I'm so sorry.

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<v Speaker 2>So ring A stand up.

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<v Speaker 4>Yeah, stand up for our community, the Ring A stand up.

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<v Speaker 4>We all have to get near it in an equal

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<v Speaker 4>or better way. Competitives getting near it. Yeah, if you're

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<v Speaker 4>having fun, I better have some more fun.

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<v Speaker 3>So what do you what do you call that theme?

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<v Speaker 4>I'm still finding the word for it, but I think

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<v Speaker 4>it's important that the vibe is communicated. I don't want

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<v Speaker 4>to oversimplify what I'm getting at because it's so much

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<v Speaker 4>more than service level fun.

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<v Speaker 2>It's a commitment. So we've had getting near it spring

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<v Speaker 2>summer season.

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<v Speaker 4>Yeah, two, and then that was definitely what was necessary

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<v Speaker 4>to kind of like give us some acceleration into what

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<v Speaker 4>was coming. Getting near it though, was very narrow frame

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<v Speaker 4>of mind. Yes, right, because I'm getting me it is

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<v Speaker 4>like cause and effect. This is so it's esoteric, it's omnipresent,

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<v Speaker 4>it's the whole people need to feel it radiating off you.

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<v Speaker 2>Where is she She's everywhere, She's nowhere. What does she do?

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<v Speaker 3>Who knows people get that about me all the time?

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<v Speaker 2>What does she do?

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<v Speaker 4>Just as you were saying that, I just had a

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<v Speaker 4>sudden vision of you and Clovellly.

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<v Speaker 2>I don't know why.

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<v Speaker 4>But then I was thinking, Oh my goodness, I love

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<v Speaker 4>Clovellly because I love Out of the Blue and I've

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<v Speaker 4>been going out of Blue out of Blue once a week,

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<v Speaker 4>so like the last six months, I'm boxsessed.

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<v Speaker 3>You don't talk about that all, put it on your story.

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<v Speaker 2>It's like it's my little quiet moment. But I don't

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<v Speaker 2>know why. I just thought of you and Clovelly.

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<v Speaker 3>Well, I did go there a few months ago with

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<v Speaker 3>our friend, my friend Michael, Michael Beveridge.

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<v Speaker 2>I'm claiming him. Yeah, he's a man of yours too. Yeah, yeah,

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<v Speaker 2>I'm claiming.

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<v Speaker 3>We went to Clovelly and it was super overcast and

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<v Speaker 3>the swell so at Clvely it's this speech in Sydney

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<v Speaker 3>and it's kind of like there's a beach at the

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<v Speaker 3>very end of it, and then there's two concrete slabs

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<v Speaker 3>that extend out about five hundred meters and then in

0:10:06.600 --> 0:10:08.480
<v Speaker 3>the middle there's like I call it the drink because

0:10:08.480 --> 0:10:10.839
<v Speaker 3>it's kind of it's a beach, but it's kind of

0:10:10.880 --> 0:10:12.679
<v Speaker 3>like a harbor because it's coming out of the ocean,

0:10:13.320 --> 0:10:15.839
<v Speaker 3>but it's not protected at all. So what happens is

0:10:15.840 --> 0:10:18.440
<v Speaker 3>they get these crazy choppy waves. And we'd had a

0:10:18.480 --> 0:10:20.400
<v Speaker 3>long day together on Saturday and we thought we're gonna

0:10:20.400 --> 0:10:20.920
<v Speaker 3>go for a dip.

0:10:21.040 --> 0:10:22.640
<v Speaker 2>What happens when it's that choppy? Have you seen it?

0:10:22.640 --> 0:10:25.719
<v Speaker 3>When it's that chopping, it's literally like you're I want

0:10:25.720 --> 0:10:28.800
<v Speaker 3>to say Titanic, but the Titanic wasn't necessarily choppy, but

0:10:28.840 --> 0:10:34.040
<v Speaker 3>it's like this was in BONDI yeah, that'd be funny.

0:10:34.720 --> 0:10:37.559
<v Speaker 3>It was like when you when you're in like castaway

0:10:37.640 --> 0:10:41.160
<v Speaker 3>and yeah, yeah, ship is going down and the waves

0:10:41.200 --> 0:10:42.679
<v Speaker 3>are going big. So the ways you're going this and

0:10:42.679 --> 0:10:46.120
<v Speaker 3>what I'm clovelly is they're converging. And what you do

0:10:46.200 --> 0:10:48.839
<v Speaker 3>is you jump in when the wave goes oh, because

0:10:48.840 --> 0:10:52.320
<v Speaker 3>it's like quite shallow actually, so then Michael went in

0:10:52.360 --> 0:10:54.480
<v Speaker 3>before me because I missed it, so he jumped in.

0:10:54.840 --> 0:10:56.160
<v Speaker 3>Then I had to wait for the wave to go up.

0:10:56.200 --> 0:10:58.800
<v Speaker 3>Of course I didn't time it correctly. Hit him right

0:10:58.800 --> 0:11:03.680
<v Speaker 3>when it's shallow then we're playing around frolicking like he was.

0:11:04.400 --> 0:11:08.240
<v Speaker 3>We're going frollicking together and like I remember just looking

0:11:08.240 --> 0:11:11.319
<v Speaker 3>at him and imagine there's a big wave that's sweeping

0:11:11.360 --> 0:11:13.480
<v Speaker 3>up to the left of him, that's swimming out to

0:11:13.520 --> 0:11:16.240
<v Speaker 3>the right of him, and where then we had to

0:11:16.240 --> 0:11:19.079
<v Speaker 3>get out. At this point people had gathered to witness

0:11:19.200 --> 0:11:22.160
<v Speaker 3>us because it looked really dangerous. Then I try to

0:11:22.160 --> 0:11:27.440
<v Speaker 3>get out, swept back out and I was having Bali flashbacks. Yeah, literally,

0:11:27.559 --> 0:11:30.120
<v Speaker 3>so this show you know that I nearly drowned in Bali,

0:11:30.240 --> 0:11:31.800
<v Speaker 3>and it's not an exaggeration at all.

0:11:31.840 --> 0:11:32.600
<v Speaker 2>People were worried.

0:11:32.880 --> 0:11:36.960
<v Speaker 3>Literally had to be saved by guy who runs one

0:11:37.040 --> 0:11:38.160
<v Speaker 3>wave surf in Bali.

0:11:38.160 --> 0:11:39.720
<v Speaker 2>If you want to do a surfing lesson in Bali.

0:11:39.760 --> 0:11:40.600
<v Speaker 2>This guy saved my life.

0:11:40.640 --> 0:11:44.600
<v Speaker 3>So he hit him up my news resolution of course

0:11:44.640 --> 0:11:47.960
<v Speaker 3>I said that story. Oh, we just went for a

0:11:48.120 --> 0:11:49.760
<v Speaker 3>really beautiful swimming cleve.

0:11:50.240 --> 0:11:50.840
<v Speaker 2>That's my bad.

0:11:50.960 --> 0:11:52.600
<v Speaker 3>I do really love Cleverly, But as you know, I

0:11:52.640 --> 0:11:55.440
<v Speaker 3>live in Bondai, so I'm in my Bondai era.

0:11:55.640 --> 0:11:56.760
<v Speaker 2>When was the last time we went out of the

0:11:56.760 --> 0:11:57.880
<v Speaker 2>blue and will you go back again?

0:11:58.480 --> 0:12:04.240
<v Speaker 3>I was actually at Couljie last time, like yesterday, I

0:12:04.280 --> 0:12:08.920
<v Speaker 3>went to cujie couldjie women's bats, Mackaiv's baths and I

0:12:08.960 --> 0:12:10.000
<v Speaker 3>went past out of the blue.

0:12:10.000 --> 0:12:12.080
<v Speaker 2>But the line was popping. The line is always popping

0:12:12.120 --> 0:12:14.199
<v Speaker 2>out the time. I mean the shop Era, the shop

0:12:14.200 --> 0:12:14.680
<v Speaker 2>in Bondi.

0:12:15.080 --> 0:12:17.120
<v Speaker 4>You have mentioned they have a Halloomi Berger as we

0:12:17.120 --> 0:12:20.480
<v Speaker 4>were saying New Year's resolution, or at least give yourself.

0:12:20.120 --> 0:12:21.720
<v Speaker 2>A theme, not a relation a theme.

0:12:21.760 --> 0:12:23.400
<v Speaker 3>I think the theme is a better idea because I'm

0:12:23.400 --> 0:12:26.280
<v Speaker 3>not about giving myself hard goals. It's not good for

0:12:26.320 --> 0:12:31.880
<v Speaker 3>my brain. My theme is measured Fun. Twenty twenty two

0:12:31.880 --> 0:12:34.600
<v Speaker 3>for me was hard out fust the rails.

0:12:34.720 --> 0:12:38.719
<v Speaker 4>It was off the fun, bombing up chunk of cocktail, Frankfurst.

0:12:38.520 --> 0:12:41.760
<v Speaker 2>A Mysy reunion. It was an absolutely banshee.

0:12:41.760 --> 0:12:45.600
<v Speaker 3>I got up most days ten am, sleeping at one am.

0:12:45.840 --> 0:12:47.560
<v Speaker 3>I had the time of my life and it was

0:12:47.760 --> 0:12:55.280
<v Speaker 3>a correction period twenty six years of extremely by the book.

0:12:55.720 --> 0:12:57.720
<v Speaker 2>Okay, so you were buy the book when you were fourteen?

0:12:57.720 --> 0:12:58.120
<v Speaker 2>Were you?

0:12:58.160 --> 0:12:58.199
<v Speaker 4>No?

0:12:58.320 --> 0:12:58.640
<v Speaker 3>I was?

0:12:58.920 --> 0:13:02.040
<v Speaker 2>There's no way you said you are feral? No I was.

0:13:02.400 --> 0:13:05.560
<v Speaker 3>I tried so hard and I got so far in

0:13:05.600 --> 0:13:08.280
<v Speaker 3>the end, does it even matter? Flex I realized in

0:13:08.280 --> 0:13:09.480
<v Speaker 3>my twenty seventh year on Earth.

0:13:09.520 --> 0:13:13.079
<v Speaker 2>It doesn't. It doesn't have fun. Freaks less fucking go

0:13:13.480 --> 0:13:16.319
<v Speaker 2>have fun free. But what I'm doing this year is HFF.

0:13:16.880 --> 0:13:18.160
<v Speaker 2>I'm going to try and go to the beach every

0:13:18.200 --> 0:13:19.000
<v Speaker 2>day because.

0:13:18.760 --> 0:13:22.800
<v Speaker 3>I'm That sounds like a resolution. Go to the beach

0:13:22.840 --> 0:13:24.880
<v Speaker 3>most days when I feel like it. There we go,

0:13:24.880 --> 0:13:26.840
<v Speaker 3>go for a dip. You never regretted deep in between

0:13:26.880 --> 0:13:28.880
<v Speaker 3>the flags of BONDI never so have you seen me

0:13:28.920 --> 0:13:29.800
<v Speaker 3>down there? Go?

0:13:30.440 --> 0:13:34.160
<v Speaker 2>Hello? Yeah? And do you want to stop and chat? Yeah?

0:13:34.000 --> 0:13:37.760
<v Speaker 3>I sometimes have a chat on Bondo with some employees. Okay,

0:13:37.960 --> 0:13:38.400
<v Speaker 3>that's it.

0:13:39.120 --> 0:13:40.520
<v Speaker 2>Send us in your news resolutions.

0:13:40.520 --> 0:13:41.840
<v Speaker 3>I you've got something crazy, or if you've got any

0:13:41.840 --> 0:13:44.080
<v Speaker 3>theme ideas, if you got an interesting one, always yeah.

0:13:44.320 --> 0:13:49.600
<v Speaker 3>Nothing about fitness, health, weight goals, productivity.

0:13:49.720 --> 0:13:54.960
<v Speaker 2>Productivity particularly I don't give a far Just who cares?

0:13:55.040 --> 0:13:57.720
<v Speaker 3>Guys like, yes, I get it. You need to go

0:13:57.760 --> 0:13:58.360
<v Speaker 3>and do your job.

0:13:59.440 --> 0:14:01.200
<v Speaker 2>That's know. I'll die on the hill of like.

0:14:01.559 --> 0:14:02.880
<v Speaker 3>I don't want to say to you, just live your

0:14:02.880 --> 0:14:06.679
<v Speaker 3>life because we are responsibility your life in the allocated time,

0:14:06.760 --> 0:14:09.200
<v Speaker 3>but in the times all you have free time, don't

0:14:09.520 --> 0:14:12.160
<v Speaker 3>do anything you don't want to do. Get rid of

0:14:12.160 --> 0:14:15.200
<v Speaker 3>that productivity mindset. We're in a new era. Guys girl

0:14:15.200 --> 0:14:21.360
<v Speaker 3>bosses over Yeah, yeah, that's a big boy bosses. It's

0:14:21.400 --> 0:14:22.280
<v Speaker 3>boy boss rising.

0:14:22.520 --> 0:14:24.320
<v Speaker 1>This is flex and frooms.

0:14:24.880 --> 0:14:27.800
<v Speaker 3>On the other day, I was doing an Instagram story

0:14:28.000 --> 0:14:30.480
<v Speaker 3>and I was reposting something that someone messaged me.

0:14:30.520 --> 0:14:31.920
<v Speaker 2>But I didn't want to just do the message.

0:14:31.920 --> 0:14:34.360
<v Speaker 3>I wanted to put it over a picture to give

0:14:34.400 --> 0:14:35.240
<v Speaker 3>the illustration of that.

0:14:35.280 --> 0:14:38.280
<v Speaker 2>I love that commitment. Yeah.

0:14:38.320 --> 0:14:40.720
<v Speaker 3>Anyway, So then I was looking for a scary picture

0:14:41.000 --> 0:14:43.280
<v Speaker 3>type in scary picture on Google. Was I prepared for

0:14:43.320 --> 0:14:47.560
<v Speaker 3>the results? Absolutely not. There's pictures of scary faces, like

0:14:47.600 --> 0:14:50.120
<v Speaker 3>the chick from the Ring and like all this different stuff,

0:14:50.680 --> 0:14:53.640
<v Speaker 3>which I got thinking, like, they all look kind of similar.

0:14:53.680 --> 0:14:57.680
<v Speaker 3>They've all got really black eyes. They their faces are

0:14:57.680 --> 0:15:01.120
<v Speaker 3>a little bit how do I say, what's the word?

0:15:01.640 --> 0:15:05.360
<v Speaker 3>There's something in certain faces that make them creepy, and

0:15:05.440 --> 0:15:07.119
<v Speaker 3>I wanted to get to the bottom of it scientifically,

0:15:07.160 --> 0:15:11.440
<v Speaker 3>So obviously I went to Reddit and this is under

0:15:11.480 --> 0:15:14.800
<v Speaker 3>the horror subreddit and it said distorted scary faces in

0:15:14.880 --> 0:15:16.960
<v Speaker 3>horror and I'll read it out to you, thank you.

0:15:17.520 --> 0:15:19.920
<v Speaker 3>I love how I say facts. And the first sentence

0:15:19.960 --> 0:15:23.280
<v Speaker 3>of it is in my opinion, And there's a picture

0:15:23.280 --> 0:15:24.120
<v Speaker 3>of the scary face.

0:15:24.680 --> 0:15:24.840
<v Speaker 4>Yeah.

0:15:24.880 --> 0:15:27.320
<v Speaker 3>See, it's gross, isn't it. It's just a big black eyes.

0:15:27.440 --> 0:15:29.720
<v Speaker 3>You're bringing energy into the room, Babe. We already have

0:15:29.840 --> 0:15:30.600
<v Speaker 3>something in here.

0:15:30.760 --> 0:15:32.160
<v Speaker 2>Do you believe that? Absolutely?

0:15:32.280 --> 0:15:32.520
<v Speaker 1>Okay?

0:15:32.640 --> 0:15:34.000
<v Speaker 2>Here, what's looking at me ready?

0:15:34.320 --> 0:15:36.200
<v Speaker 3>In my opinion, the things that scare me the most

0:15:36.200 --> 0:15:38.520
<v Speaker 3>in movies are when we get glimpses of these messed

0:15:38.560 --> 0:15:41.400
<v Speaker 3>up and distorted faces that appear most of the times

0:15:41.400 --> 0:15:43.760
<v Speaker 3>in films. They only appear for a short while, which

0:15:43.800 --> 0:15:47.640
<v Speaker 3>makes them hard to fully analyze and makes it even scarier.

0:15:49.520 --> 0:15:49.960
<v Speaker 2>These things.

0:15:50.000 --> 0:15:52.200
<v Speaker 3>The type of scenes in horror that frighten me the most,

0:15:52.560 --> 0:15:56.120
<v Speaker 3>the one from Goney Gone GM, which I haven't heard of.

0:15:56.120 --> 0:15:58.880
<v Speaker 3>That movie has to be one of the most terrifying

0:15:59.440 --> 0:16:02.080
<v Speaker 3>movies of all time for me. What is the psychology

0:16:02.080 --> 0:16:05.200
<v Speaker 3>of this? Is it because those faces represent death fear?

0:16:05.320 --> 0:16:07.479
<v Speaker 3>Or is it because they're so different from the expressions

0:16:07.480 --> 0:16:10.000
<v Speaker 3>of our brains normally respond to, so that seeing these

0:16:10.040 --> 0:16:12.880
<v Speaker 3>expressions makes our brains trigger our fight or flight response?

0:16:13.400 --> 0:16:15.000
<v Speaker 3>Or is it just because a person is not supposed

0:16:15.040 --> 0:16:17.440
<v Speaker 3>to look like that. I just find it fascinating how

0:16:17.440 --> 0:16:20.000
<v Speaker 3>we can trigger our primal, animallystic fears by watching a

0:16:20.040 --> 0:16:20.720
<v Speaker 3>movie I love.

0:16:20.720 --> 0:16:23.680
<v Speaker 2>That's what they call it animalistic? Okay, A big job

0:16:24.000 --> 0:16:24.920
<v Speaker 2>to say you're scared.

0:16:26.080 --> 0:16:30.360
<v Speaker 3>So someone said that they heard that. Two things seem

0:16:30.400 --> 0:16:34.720
<v Speaker 3>relevant to this. Number One, people are hardwired to recognize faces.

0:16:34.760 --> 0:16:38.120
<v Speaker 3>Seeing a face morphe is messing with that. Open mouths,

0:16:38.240 --> 0:16:41.320
<v Speaker 3>especially showing teeth or a sign of aggression. Even if

0:16:41.320 --> 0:16:43.560
<v Speaker 3>the screams are not aggressive, we interpret them on a

0:16:43.560 --> 0:16:44.200
<v Speaker 3>base level.

0:16:44.480 --> 0:16:45.600
<v Speaker 2>So I didn't know about that.

0:16:45.600 --> 0:16:48.200
<v Speaker 3>Apparently showing a teeth is aggressive, I guess was back

0:16:48.200 --> 0:16:49.960
<v Speaker 3>in the olden days we bit people.

0:16:49.880 --> 0:16:52.280
<v Speaker 2>We did? Is that true? Are you getting that from

0:16:52.280 --> 0:16:54.200
<v Speaker 2>this person or just general trivia?

0:16:54.280 --> 0:16:54.440
<v Speaker 4>Well?

0:16:54.440 --> 0:16:55.840
<v Speaker 2>Why else was we have teeth?

0:16:55.920 --> 0:16:58.760
<v Speaker 4>Well? Because I feel like bearing teeth is reminding literal animals,

0:16:58.800 --> 0:17:00.720
<v Speaker 4>Like a line is going to bear its teeth before

0:17:00.760 --> 0:17:01.040
<v Speaker 4>it gna.

0:17:03.400 --> 0:17:05.320
<v Speaker 3>People use their teeth to bite things.

0:17:05.640 --> 0:17:08.240
<v Speaker 4>Yeah, but I feel like what we're imagining if we

0:17:08.240 --> 0:17:11.879
<v Speaker 4>were once cavemen, then we're thinking of like literal predators

0:17:11.920 --> 0:17:12.280
<v Speaker 4>like the.

0:17:12.359 --> 0:17:15.680
<v Speaker 2>Big shark, the big light in true they have teeth. Yeah,

0:17:15.720 --> 0:17:16.680
<v Speaker 2>so so many.

0:17:16.720 --> 0:17:20.760
<v Speaker 3>That looks like it is. Yeah, demon faces. What's the

0:17:20.800 --> 0:17:22.040
<v Speaker 3>scariest face you've ever seen?

0:17:22.280 --> 0:17:25.280
<v Speaker 2>No comment? You watch horror movies? I try not to

0:17:25.400 --> 0:17:27.000
<v Speaker 2>though true not now.

0:17:27.280 --> 0:17:28.920
<v Speaker 4>I told you it was like a big kick at

0:17:28.960 --> 0:17:31.600
<v Speaker 4>twenty five, started seeing the world differently and like, let

0:17:31.600 --> 0:17:31.920
<v Speaker 4>me not.

0:17:32.200 --> 0:17:34.040
<v Speaker 2>Life is scary enough. Their life is scary enough.

0:17:34.240 --> 0:17:36.199
<v Speaker 3>The Babbitok. I think about the Babook sometimes when I'm

0:17:36.200 --> 0:17:38.439
<v Speaker 3>gone asleep. That's a great Australian film. I feel like

0:17:38.480 --> 0:17:39.160
<v Speaker 3>scary stuff.

0:17:39.200 --> 0:17:42.600
<v Speaker 1>This is Flex and Frooms, so flex.

0:17:42.680 --> 0:17:44.760
<v Speaker 3>I just got a message a few days ago from

0:17:44.800 --> 0:17:45.640
<v Speaker 3>a listener.

0:17:45.320 --> 0:17:49.200
<v Speaker 2>Called Brandon shout out Brandon my King. Hello there.

0:17:49.840 --> 0:17:52.119
<v Speaker 3>I've been listening to the podcast every day since June

0:17:52.119 --> 0:17:53.720
<v Speaker 3>and it's just truly one of the highlights of this

0:17:53.760 --> 0:17:57.440
<v Speaker 3>little simulation we have going on. Yeah, that's great, ow King,

0:17:57.880 --> 0:18:01.840
<v Speaker 3>I have goosebumps. Anyway, Curious was it always going to

0:18:01.960 --> 0:18:04.679
<v Speaker 3>be flex and frooms or was it frooms and flex

0:18:04.760 --> 0:18:05.600
<v Speaker 3>a possibility?

0:18:05.960 --> 0:18:07.880
<v Speaker 2>Was it in alphabetical order? Situation?

0:18:08.520 --> 0:18:12.200
<v Speaker 3>Was it an oldest first situation? There? Just he goes

0:18:12.520 --> 0:18:15.359
<v Speaker 3>twenty four and a half and twenty four of course together.

0:18:16.080 --> 0:18:20.359
<v Speaker 4>Oh yeah, I got the same message. I already responded, Ah.

0:18:19.800 --> 0:18:23.600
<v Speaker 3>Really ah okay, I always wonder is it the like

0:18:23.640 --> 0:18:26.119
<v Speaker 3>to people ever send us both the same thing? It

0:18:26.160 --> 0:18:28.920
<v Speaker 3>doesn't happen often, but I'll continue. I've been thinking about

0:18:28.920 --> 0:18:31.479
<v Speaker 3>what makes a good duo name. Some iconic ones include

0:18:31.480 --> 0:18:36.240
<v Speaker 3>Cosmo and Wander Trixy and Katya Katya Katya. You get

0:18:36.240 --> 0:18:38.000
<v Speaker 3>the gist, but I can't seem to figure out what

0:18:38.040 --> 0:18:39.760
<v Speaker 3>makes them work and why they wouldn't work the other

0:18:39.760 --> 0:18:40.160
<v Speaker 3>way around.

0:18:40.240 --> 0:18:40.760
<v Speaker 2>What do you think?

0:18:40.920 --> 0:18:47.520
<v Speaker 3>Totally nothing broke. Guys just dropped my phone onto a glass,

0:18:47.520 --> 0:18:49.000
<v Speaker 3>but we're cool. What did you say to him?

0:18:49.000 --> 0:18:49.359
<v Speaker 2>Flex?

0:18:49.680 --> 0:18:51.080
<v Speaker 4>I said that it was always gonna be Flex and

0:18:51.080 --> 0:18:54.480
<v Speaker 4>Frooms because Marty said so, something about because we had

0:18:54.480 --> 0:18:58.840
<v Speaker 4>this conversation in the in the meeting. So basically, when

0:18:58.880 --> 0:19:02.600
<v Speaker 4>Flex and Frooms and us, we're brain's on what the

0:19:02.640 --> 0:19:04.800
<v Speaker 4>show would be about, and we couldn't figure out a name.

0:19:05.400 --> 0:19:08.480
<v Speaker 4>And then big dog Marty was like, what about just

0:19:08.520 --> 0:19:09.240
<v Speaker 4>Flex and Rooms.

0:19:09.440 --> 0:19:11.480
<v Speaker 3>I can't believe it's ever gonna be anything else. Well,

0:19:11.480 --> 0:19:13.080
<v Speaker 3>it just doesn't make sense to be anything else.

0:19:13.520 --> 0:19:16.800
<v Speaker 4>And then I think the Then he was like, oh,

0:19:16.800 --> 0:19:20.480
<v Speaker 4>alphabetical because L comes before R in Flex and Rooms.

0:19:20.880 --> 0:19:22.600
<v Speaker 2>But I just think mouthfeel.

0:19:22.160 --> 0:19:25.919
<v Speaker 3>Yeah, I can't mention Frooms and Flex. But usually it's like,

0:19:25.960 --> 0:19:28.360
<v Speaker 3>I think you put the name with the one syllable

0:19:28.400 --> 0:19:30.840
<v Speaker 3>in first, but both our names have only one syllable,

0:19:31.440 --> 0:19:32.760
<v Speaker 3>which is why I think it's so catchy.

0:19:32.800 --> 0:19:33.600
<v Speaker 2>Flex and Frooms.

0:19:33.800 --> 0:19:37.280
<v Speaker 3>It's got great mouthfeel. Flex and Frooms Lucinda. Like, it's

0:19:37.320 --> 0:19:38.600
<v Speaker 3>just as simple as a one name.

0:19:38.760 --> 0:19:42.080
<v Speaker 2>So if it was our government names, what would it

0:19:42.119 --> 0:19:46.080
<v Speaker 2>be Lilian and Lucinda? Well, who's Lilian? But please, it's

0:19:46.119 --> 0:19:46.840
<v Speaker 2>always litl.

0:19:46.840 --> 0:19:49.359
<v Speaker 3>Lil and Cindy whoa, which would be Cindy and little

0:19:49.480 --> 0:19:52.560
<v Speaker 3>Cindy and Lil. So that sounds like two words though,

0:19:52.640 --> 0:19:55.159
<v Speaker 3>Cindy and Lil. It sounds like s I N D

0:19:55.359 --> 0:19:59.000
<v Speaker 3>I A N Lil, la L Cindy and Lil. It's

0:19:59.080 --> 0:20:01.520
<v Speaker 3>kind of a cute name anyway, Brandon, thank you so

0:20:01.640 --> 0:20:03.679
<v Speaker 3>much for listening since June, our.

0:20:03.600 --> 0:20:07.119
<v Speaker 1>King, you're listening to Flex and frooms. Okita.

0:20:07.160 --> 0:20:09.280
<v Speaker 4>A couple of weeks ago, I was telling Rooms about

0:20:09.400 --> 0:20:11.560
<v Speaker 4>vanish mode on the iPhone. I think that was in

0:20:11.640 --> 0:20:16.080
<v Speaker 4>response to me talking about I think we were talking

0:20:16.080 --> 0:20:21.119
<v Speaker 4>about getting near it and of course naturally and disappearing

0:20:21.200 --> 0:20:23.600
<v Speaker 4>texts or like, I don't know, I don't know what

0:20:23.640 --> 0:20:25.360
<v Speaker 4>it was, but I was like, oh, like vanish mode,

0:20:25.359 --> 0:20:26.199
<v Speaker 4>and You're like, what is that?

0:20:26.240 --> 0:20:27.840
<v Speaker 2>And I was like, what are you talking about?

0:20:28.080 --> 0:20:30.359
<v Speaker 4>Because every now and then Froumi does bits and sometimes

0:20:30.400 --> 0:20:32.439
<v Speaker 4>she's really good at committing to the bit where you're like,

0:20:32.880 --> 0:20:35.720
<v Speaker 4>surely are we joking and then she's like ha, and

0:20:35.760 --> 0:20:39.639
<v Speaker 4>I'm like, okay, we're joking. So what I feel in

0:20:39.680 --> 0:20:42.040
<v Speaker 4>my herd of hearts is that people do not know

0:20:42.080 --> 0:20:43.760
<v Speaker 4>how to use I Message properly because there.

0:20:43.680 --> 0:20:45.560
<v Speaker 2>Are so many little tipbits in there.

0:20:45.920 --> 0:20:47.840
<v Speaker 4>There really is, and I think it's because there is

0:20:47.880 --> 0:20:50.480
<v Speaker 4>a huge group of people who never graduated from Messenger.

0:20:50.560 --> 0:20:51.680
<v Speaker 2>I don't touch Messenger.

0:20:51.720 --> 0:20:54.879
<v Speaker 4>I've not been on a Messenger since twenty fourteen, and

0:20:54.880 --> 0:20:57.199
<v Speaker 4>I can tell you're a Messenger person. Yeah, say no

0:20:57.280 --> 0:21:01.040
<v Speaker 4>more because I've seen you use it, Okay, But I'm

0:21:01.080 --> 0:21:05.520
<v Speaker 4>like a WhatsApp dm I message person. If you've messaged

0:21:05.560 --> 0:21:07.399
<v Speaker 4>me on Facebook in the last nine years, I've definitely

0:21:07.480 --> 0:21:07.960
<v Speaker 4>not seen it.

0:21:08.040 --> 0:21:10.000
<v Speaker 3>Don't you love how there's certain friends that are just

0:21:10.200 --> 0:21:12.440
<v Speaker 3>that one thing and you have to other cater to them.

0:21:12.440 --> 0:21:15.920
<v Speaker 4>Or Yeah, it's huge. So vanish mode and this is

0:21:15.960 --> 0:21:18.520
<v Speaker 4>for all my iPhone users. If you use an Android,

0:21:18.560 --> 0:21:20.240
<v Speaker 4>that's okay, you know what I mean. I think it's

0:21:20.280 --> 0:21:22.879
<v Speaker 4>twenty twenty three where past judging you for that. I

0:21:23.000 --> 0:21:25.520
<v Speaker 4>just know this conversation is not for you. So what

0:21:25.560 --> 0:21:27.440
<v Speaker 4>I'm going to do is I'm going to go into

0:21:27.480 --> 0:21:29.399
<v Speaker 4>a message with Lucinda Froom's price.

0:21:29.720 --> 0:21:30.840
<v Speaker 2>Am I in as your phone?

0:21:31.200 --> 0:21:31.440
<v Speaker 4>Huh?

0:21:31.480 --> 0:21:31.879
<v Speaker 2>What am I?

0:21:32.200 --> 0:21:34.600
<v Speaker 4>What? Am I as in your phone? Lusender press? I

0:21:34.680 --> 0:21:36.479
<v Speaker 4>just stop doing the nickname stuff. It's not helpful.

0:21:36.520 --> 0:21:39.160
<v Speaker 2>That would have been from years ago. Yeah, yeah, yeah,

0:21:39.200 --> 0:21:40.920
<v Speaker 2>because I only call you frooms. People call you listener

0:21:40.960 --> 0:21:41.119
<v Speaker 2>to me.

0:21:41.160 --> 0:21:44.400
<v Speaker 4>I'm like, I don't know who people call you Lucinder

0:21:44.720 --> 0:21:45.840
<v Speaker 4>in my presence.

0:21:45.480 --> 0:21:46.800
<v Speaker 2>Trust people who don't like me.

0:21:46.880 --> 0:21:48.960
<v Speaker 4>So no, your friend Bella called you listen to and

0:21:48.960 --> 0:21:52.119
<v Speaker 4>I was like, oh, that's that's a lot anyway. So

0:21:52.280 --> 0:21:56.960
<v Speaker 4>vanish mode is how you send invisible text in I message.

0:21:57.240 --> 0:21:59.760
<v Speaker 4>Not to be confused with a text that disappears, but

0:21:59.800 --> 0:22:04.560
<v Speaker 4>it's text that shows up jumbled until you click to

0:22:04.680 --> 0:22:09.240
<v Speaker 4>unlock what it says. It's good for, you know, discreetness,

0:22:09.520 --> 0:22:11.560
<v Speaker 4>it's good for a bit of fun, and it's also

0:22:11.600 --> 0:22:13.720
<v Speaker 4>good to spice up the flavor in your text messages.

0:22:13.800 --> 0:22:14.800
<v Speaker 2>Ah, it has come to me.

0:22:15.320 --> 0:22:18.320
<v Speaker 4>We were talking about texting people you're tuning when we

0:22:18.359 --> 0:22:21.520
<v Speaker 4>were talking about whether or not Instagram is new dating app,

0:22:21.600 --> 0:22:23.040
<v Speaker 4>and one of the things that adds.

0:22:22.800 --> 0:22:25.520
<v Speaker 2>Flavor to messages. I said was voice notes.

0:22:25.800 --> 0:22:27.640
<v Speaker 4>But the trigger thing about voice notes is you've got

0:22:27.680 --> 0:22:30.080
<v Speaker 4>to be very sure about what you're saying. You know,

0:22:30.119 --> 0:22:32.680
<v Speaker 4>you can't be annoying people with thirty second voice memos.

0:22:32.920 --> 0:22:34.680
<v Speaker 4>You're gotta be confident they're gonna send you I'm back.

0:22:34.720 --> 0:22:36.840
<v Speaker 4>It can be a bit complicated. So what I do

0:22:36.920 --> 0:22:40.640
<v Speaker 4>in Flexus school of tuning is I send messages with flavor.

0:22:40.920 --> 0:22:44.200
<v Speaker 4>I do the full screen effects, the text effects, vanish mode.

0:22:44.200 --> 0:22:44.840
<v Speaker 2>It adds you know.

0:22:45.280 --> 0:22:47.639
<v Speaker 4>So here, all right, I'm gonna send through me a

0:22:47.760 --> 0:22:51.239
<v Speaker 4>series of texts using all of our messages features, and

0:22:51.320 --> 0:22:54.360
<v Speaker 4>after everyone, you're gonna tell me how likely you are

0:22:54.520 --> 0:22:56.560
<v Speaker 4>to fall in love with me if I was someone trying.

0:22:56.359 --> 0:22:56.840
<v Speaker 2>To pursue you.

0:22:57.000 --> 0:22:59.000
<v Speaker 4>Yeah, here we go. Okay, I'm just gonna say hi

0:22:59.080 --> 0:23:01.480
<v Speaker 4>every time. Okay, So the first one obviously going to

0:23:01.520 --> 0:23:04.760
<v Speaker 4>send it with invisible ink. That's the correct term. That's

0:23:04.760 --> 0:23:08.960
<v Speaker 4>gonna arrive with Frumini. It's been delivered quietly message him

0:23:08.960 --> 0:23:09.840
<v Speaker 4>with invisible ink.

0:23:10.359 --> 0:23:12.240
<v Speaker 2>Yes. Oh it's a little sparkly thing.

0:23:12.400 --> 0:23:15.000
<v Speaker 4>Yes, and so like once you press it, the sparkles

0:23:15.400 --> 0:23:18.800
<v Speaker 4>turn into the text you're gonna send and it says Hi. Yes, Now,

0:23:18.880 --> 0:23:21.400
<v Speaker 4>if we were tuning, would you be excited by that message?

0:23:21.680 --> 0:23:24.400
<v Speaker 4>Not not not the what I said, but the way

0:23:24.440 --> 0:23:25.200
<v Speaker 4>it arrived?

0:23:25.680 --> 0:23:27.400
<v Speaker 2>Yes, for surered percent. Okay, cool.

0:23:27.560 --> 0:23:30.240
<v Speaker 4>Here's another one. I'm just sending high again. This one

0:23:30.280 --> 0:23:32.040
<v Speaker 4>is one of my favorites. I do this quite a bit.

0:23:33.480 --> 0:23:34.640
<v Speaker 2>It turns into a whole high.

0:23:35.600 --> 0:23:37.280
<v Speaker 4>You show the camera, babe, don't be don't be staying,

0:23:37.320 --> 0:23:39.320
<v Speaker 4>because then you're going to say, all right, I'll send

0:23:39.320 --> 0:23:42.240
<v Speaker 4>it again, scream oh I missed it, do it again. Wait,

0:23:42.280 --> 0:23:46.120
<v Speaker 4>I'll send another one. Miss it again, I'll send another one.

0:23:46.200 --> 0:23:50.000
<v Speaker 4>I love how it vibrates. Oh yeah, yeah, so much fun? Right,

0:23:50.000 --> 0:23:52.200
<v Speaker 4>Like that is giving big tune.

0:23:52.320 --> 0:23:54.479
<v Speaker 2>I love it. That's big tune. Al Right, here's another one.

0:23:54.640 --> 0:23:56.560
<v Speaker 4>Everyone also, what you need to do when you're sending

0:23:56.560 --> 0:24:00.639
<v Speaker 4>a message with I message, Instead of tapping the end button,

0:24:00.680 --> 0:24:03.880
<v Speaker 4>you want to hold it down? My god, look yeah,

0:24:04.359 --> 0:24:08.320
<v Speaker 4>this is this is Flexus Advanced School of Tuning and

0:24:08.359 --> 0:24:11.720
<v Speaker 4>Digital flirting. Because I'm telling you you make an impression.

0:24:12.040 --> 0:24:13.600
<v Speaker 4>Everyone's like, oh my god, how do I do that?

0:24:14.119 --> 0:24:16.840
<v Speaker 2>You're so beautiful? I love you. What is this one?

0:24:16.920 --> 0:24:21.040
<v Speaker 2>It's balloons? Balloons? How did you do that? Again I've

0:24:21.080 --> 0:24:23.280
<v Speaker 2>already explained. Okay, can I try one with you?

0:24:23.359 --> 0:24:25.480
<v Speaker 3>Yeah, babe, of course, all right, one sect Becky, Ready,

0:24:26.040 --> 0:24:26.640
<v Speaker 3>here we go.

0:24:26.800 --> 0:24:29.200
<v Speaker 4>All right, So instead of tapping this send, you want

0:24:29.200 --> 0:24:31.280
<v Speaker 4>to hold it and then and then you want to

0:24:31.320 --> 0:24:33.960
<v Speaker 4>go up to the top right, which is screen. Yeah,

0:24:34.040 --> 0:24:37.880
<v Speaker 4>and then you can swipe across for all the options balloons.

0:24:44.280 --> 0:24:47.840
<v Speaker 2>Thank me later. That is the sekest thing ever. Oh

0:24:47.880 --> 0:24:50.159
<v Speaker 2>my god, I keep doing it? Can't you look glad

0:24:50.240 --> 0:24:51.120
<v Speaker 2>that I see?

0:24:51.280 --> 0:24:53.199
<v Speaker 4>This is Yeah, this is why I can't with the

0:24:53.240 --> 0:24:55.800
<v Speaker 4>I message whatever whatever. Anyway, So if you're trying to

0:24:55.800 --> 0:24:57.840
<v Speaker 4>make an impression with someone you want to remember, you

0:24:58.080 --> 0:25:01.119
<v Speaker 4>just add a bit of flavor with this works every time.

0:25:01.320 --> 0:25:04.280
<v Speaker 2>What is that one hundred percent success rate? Yeah? Why

0:25:04.320 --> 0:25:06.560
<v Speaker 2>don't they explain that to us in iPhone school?

0:25:06.720 --> 0:25:09.199
<v Speaker 4>This is definitely something I've been doing since high school.

0:25:09.640 --> 0:25:11.160
<v Speaker 4>So it's gym known.

0:25:11.520 --> 0:25:11.840
<v Speaker 2>Damn.

0:25:12.359 --> 0:25:14.480
<v Speaker 3>Thank you so much for this incredible information.

0:25:15.600 --> 0:25:17.119
<v Speaker 2>And it's our.

0:25:17.080 --> 0:25:20.959
<v Speaker 4>First show of the Ye're twenty twenty three. How does

0:25:21.000 --> 0:25:22.000
<v Speaker 4>it feel sexy?

0:25:22.440 --> 0:25:23.400
<v Speaker 2>It feels exciting.

0:25:23.720 --> 0:25:26.520
<v Speaker 3>You know, you never believe me when I say something's exciting.

0:25:26.720 --> 0:25:30.080
<v Speaker 4>I'm waiting for the elaboration on what because excitement to

0:25:30.119 --> 0:25:33.000
<v Speaker 4>me is like the peak of an emotion. It's like

0:25:33.440 --> 0:25:35.919
<v Speaker 4>the tip of the tip. It's the it's the start

0:25:35.920 --> 0:25:39.240
<v Speaker 4>on the Christmas Tree. It's the center point tower. It's

0:25:39.600 --> 0:25:44.880
<v Speaker 4>the Empire State, Empire, State, Empire.

0:25:44.480 --> 0:25:46.240
<v Speaker 2>What's her name, Empire State.

0:25:46.040 --> 0:25:48.680
<v Speaker 4>Building, It's the Empire State Building. So when you say

0:25:48.720 --> 0:25:51.399
<v Speaker 4>I'm excited and then your eyes glaze over, I'm like, okay,

0:25:51.640 --> 0:25:52.520
<v Speaker 4>let's talk about it.

0:25:52.680 --> 0:25:56.280
<v Speaker 3>Oh dear, look, I'm trying to find this I read

0:25:56.440 --> 0:25:57.719
<v Speaker 3>about on Vice.

0:25:57.920 --> 0:25:59.040
<v Speaker 2>Oh found it. Okay.

0:25:59.080 --> 0:26:02.560
<v Speaker 3>Apparently this guy created a VA headset that kills the

0:26:02.680 --> 0:26:03.960
<v Speaker 3>user if they die in the game.

0:26:04.280 --> 0:26:08.680
<v Speaker 2>Oh. There, you want to be motivated. This is motivating.

0:26:08.760 --> 0:26:11.240
<v Speaker 3>Can you imagine? It's like when you're playing GTA and

0:26:11.280 --> 0:26:13.760
<v Speaker 3>he yeats off? Oh my god, let me have a look.

0:26:14.000 --> 0:26:16.640
<v Speaker 3>There is no doubt that's not where VR is going anywhere.

0:26:16.720 --> 0:26:20.840
<v Speaker 3>Think about what de at Row is going to be

0:26:20.960 --> 0:26:23.840
<v Speaker 3>like in thirty twenty three that you will just evaporate.

0:26:24.160 --> 0:26:25.919
<v Speaker 2>Yeah. So it's a guy.

0:26:25.800 --> 0:26:29.879
<v Speaker 3>Called Palma Lucky, who is the guy that created Oculus Rift.

0:26:30.160 --> 0:26:33.840
<v Speaker 3>Oh and he is a defense contractor and father of

0:26:33.920 --> 0:26:36.919
<v Speaker 3>modern virtual reality, and he's created a VR headset that

0:26:36.920 --> 0:26:38.680
<v Speaker 3>will kill the user if they die in the game

0:26:38.800 --> 0:26:45.040
<v Speaker 3>they're playing. He sold Oculus side Note for two billion

0:26:45.080 --> 0:26:46.520
<v Speaker 3>dollars to Facebook in twenty fourteen.

0:26:46.560 --> 0:26:48.680
<v Speaker 2>Doesn't feel like enough. It doesn't really, does it.

0:26:49.160 --> 0:26:52.000
<v Speaker 3>So his killer headset looks like a metaquest pro hooked

0:26:52.080 --> 0:26:54.919
<v Speaker 3>up with three explosive charge modules. What is a metaquest

0:26:54.960 --> 0:26:59.800
<v Speaker 3>profrooms the VR headset? Okay, didn't flinch with that, did

0:26:59.840 --> 0:27:00.760
<v Speaker 3>I do you know?

0:27:00.800 --> 0:27:01.840
<v Speaker 2>I got no idea what it is.

0:27:01.960 --> 0:27:06.919
<v Speaker 3>But it's hooked up with three explosive charge modules that

0:27:07.200 --> 0:27:10.679
<v Speaker 3>explode on the user's fore brain and would obliterate the

0:27:10.680 --> 0:27:11.359
<v Speaker 3>head of the user.

0:27:11.960 --> 0:27:15.760
<v Speaker 2>If you don't like that, Yeah, is this April fools?

0:27:15.840 --> 0:27:15.919
<v Speaker 4>Like?

0:27:15.960 --> 0:27:16.879
<v Speaker 2>What what is this for?

0:27:18.119 --> 0:27:18.359
<v Speaker 1>Look?

0:27:18.520 --> 0:27:22.920
<v Speaker 3>I don't think it's actually going to Oh, it's kind

0:27:22.960 --> 0:27:26.320
<v Speaker 3>of like it's like the novel series apparently called sword

0:27:26.520 --> 0:27:32.480
<v Speaker 3>Sword Art Online, which is an anime thing sword sword Sword.

0:27:35.640 --> 0:27:39.880
<v Speaker 2>What do you mean? What do I mean? Swordfish?

0:27:40.119 --> 0:27:42.800
<v Speaker 4>No? Now you're doing a bit. Now you're doing a bit.

0:27:42.920 --> 0:27:44.680
<v Speaker 4>I will not be fool. I want you to think

0:27:44.680 --> 0:27:49.199
<v Speaker 4>it's sow or sword. I sawed something sword Okay, and

0:27:49.280 --> 0:27:49.760
<v Speaker 4>shut up?

0:27:50.560 --> 0:27:54.240
<v Speaker 3>Lessen all a few people laughing at me in a

0:27:54.320 --> 0:27:58.280
<v Speaker 3>room anyway. So, yeah, it's a killer headset via headset,

0:27:58.680 --> 0:27:59.520
<v Speaker 3>Would you use it?

0:27:59.760 --> 0:28:00.040
<v Speaker 1>No?

0:28:01.359 --> 0:28:03.919
<v Speaker 4>I love a gadget, and I have to really be

0:28:04.040 --> 0:28:07.159
<v Speaker 4>careful with buying gadgets. After my Kindle, I was like,

0:28:07.160 --> 0:28:09.760
<v Speaker 4>we can't do anymore because you walk into my household.

0:28:10.119 --> 0:28:14.520
<v Speaker 4>Why do we have TVs, three computers, a Kindle, an iPad.

0:28:14.720 --> 0:28:16.879
<v Speaker 2>It's too much. No more gadgets.

0:28:16.960 --> 0:28:19.800
<v Speaker 4>Unless I know for sure that I can find multiple

0:28:19.920 --> 0:28:22.439
<v Speaker 4>uses out of the gadget, I can't do it anymore.

0:28:22.440 --> 0:28:24.200
<v Speaker 3>It's abolish garments first and foremost.

0:28:25.520 --> 0:28:28.119
<v Speaker 1>You've been listening to the Flex and Frooms Daily podcast.

0:28:28.320 --> 0:28:31.040
<v Speaker 1>For more, Tune in de Kate on DAB or stream

0:28:31.040 --> 0:28:32.320
<v Speaker 1>it on iHeartRadio.