WEBVTT - BONUS: Farewell John Laws

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<v Speaker 1>You're listening to Is It just Me? A podcast by

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<v Speaker 1>a couple of Mitchens the radio.

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<v Speaker 2>Oh, the time has come, Cheery the legend of talkback

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<v Speaker 2>radio himself, John Laws is retiring as of today, November eight.

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<v Speaker 3>You're officially off the air after seventy years broadcasting.

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<v Speaker 2>This is his last day doing talkback radio, which is

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<v Speaker 2>sad for us a couple of radio nerds.

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<v Speaker 4>Yeah, any regular.

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<v Speaker 2>Listeners of ours know that we bloody love a good

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<v Speaker 2>John Law's moment.

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<v Speaker 4>Just such John Laws, Is It just Me?

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<v Speaker 2>There'll be heats, but I'd love to play his golden bits,

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<v Speaker 2>So it's a bit sad that we won't get those anymore.

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<v Speaker 3>I know I'm going to miss him, but it also

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<v Speaker 3>makes me happy knowing that we're off air and he

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<v Speaker 3>is as well. So any blunder that he would make,

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<v Speaker 3>we wouldn't miss.

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<v Speaker 4>Exactly, he's bowing out just before us.

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<v Speaker 3>I know, chicken is a coward. You want to feed

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<v Speaker 3>us to the punch.

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<v Speaker 2>And so if you miss it, this is how John

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<v Speaker 2>announced that he was retiring from radio.

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<v Speaker 5>It's time for a rest, is what I think. And

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<v Speaker 5>you know I've done it for a very very, very

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<v Speaker 5>very long time, and I think that I'll just call

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<v Speaker 5>it a day and call it a day pretty soon,

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<v Speaker 5>probably beginning of November. Beginning of November, I think is

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<v Speaker 5>probably the time. But I've done it for seventy years.

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<v Speaker 5>That's a long time, long time, fantastic years. Fantastic years.

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<v Speaker 5>Had a really really good time, and love you know,

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<v Speaker 5>most of it, loved almost every minute of it. I'll travel,

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<v Speaker 5>I'll sit about. I'll read more than I read now,

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<v Speaker 5>which is a hell of a lot. But I'll read more.

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<v Speaker 5>And when I call it a day, it'll be a day.

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<v Speaker 5>I'm not going to go away and then come back

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<v Speaker 5>again and say, oh, it was all a mistake. It

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<v Speaker 5>may well be a mistake, but there'll be no return,

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<v Speaker 5>no return. That's it.

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<v Speaker 4>It's just a bit tired. It's giving Tracy Grimshaw. I'm

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<v Speaker 4>not old. I'm just a bit timed. What she needs

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<v Speaker 4>to rest?

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<v Speaker 3>Oh you know what, I can just picture him with

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<v Speaker 3>a couppa, sitting down the book Gotch or something Scotch

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<v Speaker 3>an afternoon late lunches with rich billionaire friends like come on.

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<v Speaker 2>Now, I think it's safe to say that we could

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<v Speaker 2>describe John Laws as a friend of the ship, friend

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<v Speaker 2>of the pod. We were lucky enough to sit down

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<v Speaker 2>with him. We'll play you that in a second. But

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<v Speaker 2>because we're also bowing out of the broadcast game, Emily,

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<v Speaker 2>one of our idiots, suggested for our bucket list the

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<v Speaker 2>things we want to do before we wrap up the

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<v Speaker 2>podcast for good. She said, John Laws sending you guys

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<v Speaker 2>off one final time.

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<v Speaker 4>And beautifully said, we put it on the bucket list.

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<v Speaker 2>Yeah, we know one of his producers. He was one

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<v Speaker 2>of our kind. Yes he is, oh, just queery years.

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<v Speaker 4>His name's En we love. I said, do you reckon?

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<v Speaker 2>You could get a message from John saying farewell to

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<v Speaker 2>us and our podcast, good luck with everything whatever.

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<v Speaker 4>And he's like, yeah, leave it with me. And I said,

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<v Speaker 4>even if he says no, to hell with that. I

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<v Speaker 4>don't want to be doing that. Just record that. That'll

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<v Speaker 4>be perfect. No, no more than that.

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<v Speaker 2>He actually recorded a message for us, But I just

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<v Speaker 2>think he didn't realize who he was talking to.

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<v Speaker 4>You'll soon understand why.

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<v Speaker 2>I suspect that this is the message from John You're ready?

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<v Speaker 5>Okay, well soll as, I hope you're happy in your retirements.

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<v Speaker 5>I tried it once. I didn't like it very much,

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<v Speaker 5>so I came back to work. But I hope you

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<v Speaker 5>enjoy your retirement. You know you'll find you will get bored.

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<v Speaker 5>But find a good woman or a good book, preferably

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<v Speaker 5>the former, and just enjoy yourselves. But if you need

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<v Speaker 5>any help, if you need any advice, not about the

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<v Speaker 5>women though, that's your problem, but if you need any

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<v Speaker 5>advice about a good book to read. There's a very

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<v Speaker 5>good book called A Fortunate Life. I can't remember his name,

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<v Speaker 5>the bloke who wrote it, ab Facing, Yeah, ab Facing,

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<v Speaker 5>good book, A Fortunate Life. Read there and then and

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<v Speaker 5>you're through that, read a bit of Irviest Hevingway, and

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<v Speaker 5>then go to sleep. Good night.

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<v Speaker 3>That's it, Go to sleep, good night. Thanks John, thank you,

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<v Speaker 3>Thank you the world. We'll do our best to find

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<v Speaker 3>a good war people, try and end a good book.

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<v Speaker 3>He didn't remember us.

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<v Speaker 2>Even his producer said to me, I don't know where

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<v Speaker 2>he got the retirement thing from. I haven't mentioned that

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<v Speaker 2>you guys were retiring, And I said, you're ending your

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<v Speaker 2>podcast twenty eight.

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<v Speaker 3>We're off retiring for God's sake. We're gay men. We

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<v Speaker 3>both have good men.

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<v Speaker 2>But anyway, we spoke to John Laws and you were

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<v Speaker 2>very intimidated by him. You walked away from that being

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<v Speaker 2>like that interview was a fucking shocker.

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<v Speaker 3>That was a disaster, one of my worst ever. I

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<v Speaker 3>was nervous because I'm a radio guy, like so are you.

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<v Speaker 3>But you know, being a radio host, many people it's

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<v Speaker 3>like Kyle sandaland it's the John Laws, the Alan Jones

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<v Speaker 3>is that you kind of look up to and revere

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<v Speaker 3>and I was just very nervous.

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<v Speaker 2>Also one of your strengths is like keeping things flowing. Yeah,

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<v Speaker 2>but John thrives on awkward silence, and I know that

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<v Speaker 2>about him. So I was in that interview going, oh,

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<v Speaker 2>he's loving this.

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<v Speaker 1>I hated it.

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<v Speaker 6>I hate it.

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<v Speaker 3>I hate it. I just he actually I think made

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<v Speaker 3>it more awkward on purpose.

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<v Speaker 4>Yeah that's what he's like.

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<v Speaker 3>Yeah, you hear it though, This is this is the

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<v Speaker 3>moment unedited, right, Yeah, let's throw it.

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<v Speaker 5>Hello world, I'm John Laws.

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<v Speaker 6>John Laws. Yeah, Nate, how are you Welcome to the

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<v Speaker 6>show the Bigger pardon? Welcome to the show. It's great

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<v Speaker 6>to have you here.

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<v Speaker 5>That's my show, is it our show?

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<v Speaker 6>Is you're on our show? We're on yours? I mean

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<v Speaker 6>you're welcome.

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<v Speaker 5>No, No, that's one of the rules. This always remains

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<v Speaker 5>the John Lord show. Okay, you're a visitor and you're

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<v Speaker 5>very welcome.

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<v Speaker 6>Thank you.

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<v Speaker 5>But it's the John Lord Show. If you could keep

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<v Speaker 5>that in mind, I'd be extremely grateful. Got it on it.

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<v Speaker 2>Well, we're actually here in the fortress, so this is

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<v Speaker 2>your territory. What was your useless piece of information for today?

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<v Speaker 5>Good? Every How could I remember three hours ago?

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<v Speaker 7>Oh?

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<v Speaker 6>Really?

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<v Speaker 2>You just scrunch it up, get rid of it.

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<v Speaker 5>Well, you've got to listen if you want to hear

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<v Speaker 5>the useless information. Now, what are you charming people doing

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<v Speaker 5>here in my studio?

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<v Speaker 6>Well, we're big fans, John, We've been We've been in

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<v Speaker 6>the industry for six years, five years, so a little

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<v Speaker 6>dot compared to yours. Yeah, we're die hard fans. We

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<v Speaker 6>work inside Kiss so alongside Kyle Sandalans, who you know

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<v Speaker 6>really takes a lot of his inspiration from you.

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<v Speaker 2>Oh he does, doesn't.

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<v Speaker 5>He He's taken everything from me, everything, the mic, a

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<v Speaker 5>gold microphone, the headphones, the Rolls Royce car, the lot,

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<v Speaker 5>the lot. He hasn't got a single genuine original thought

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<v Speaker 5>and he's rather lovely.

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<v Speaker 6>Are you're a fan of Kyle?

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<v Speaker 5>I like him. I like Kyle. Don't underestimate Kyle is

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<v Speaker 5>pretty bright.

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<v Speaker 6>He's good at what he does.

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<v Speaker 2>They've been chatting a lot on Kyle and Jackie I

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<v Speaker 2>Show recently about the fact that a lot of people

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<v Speaker 2>suspect that Kyle could be secretly gay.

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<v Speaker 5>What do he means secretly?

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<v Speaker 2>They were telling him that you do come across that

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<v Speaker 2>way at a glance, some people might suspect that you're gay.

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<v Speaker 2>What do you think of that?

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<v Speaker 5>I don't think so, and it wouldn't matter if he wasn't.

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<v Speaker 5>I like Kyle. I get on very well with Kyle.

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<v Speaker 5>He and I have friends. Yeah, yeah, you know, you've

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<v Speaker 5>got to be careful. That probably was a sweeping statement,

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<v Speaker 5>but yes, we're kind of friends. Am I having lunch

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<v Speaker 5>with Kyle or something? Soon? Were they to organize that?

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<v Speaker 5>I like having lunch with it. I find him music

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<v Speaker 5>and I find him also a very genuine bloke. I

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<v Speaker 5>think if you were in trouble, you could turn to

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<v Speaker 5>Kyle and he'd do his best. It mightn't be very good,

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<v Speaker 5>but he'd do his best.

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<v Speaker 2>I think so too.

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<v Speaker 6>Yeah. Have you had a long lunch with Kyle recently?

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<v Speaker 5>I have prayed a fe How.

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<v Speaker 2>Long are the long lunches, by the way, nine or

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<v Speaker 2>ten hours?

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<v Speaker 5>God, jeez, that's a lie. Probably thirteen.

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<v Speaker 6>Do you drink of these long lunches you drinking these days?

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<v Speaker 5>Am I?

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<v Speaker 6>What drinking?

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<v Speaker 2>Like?

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<v Speaker 6>You have a wine drinking?

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<v Speaker 5>Jesus is the pope praying? Of course?

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<v Speaker 6>Do you know?

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<v Speaker 2>One thing that Kyle claims as he's big claim to

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<v Speaker 2>fame is that his first radio gig was paneling your

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<v Speaker 2>show in Townville or something. That's also my claim two

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<v Speaker 2>PK in Parks when I was doing work experience, I

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<v Speaker 2>had to make sure the ads for John Laws were

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<v Speaker 2>playing in time, all of that.

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<v Speaker 5>So that was my two PK with Betty Muzzy Chuk

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<v Speaker 5>who don't you remember Betty? The Spicer family owned two

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<v Speaker 5>PKH okay, and the daughter or step daughter or daughter

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<v Speaker 5>in law or somebody. Her name was Betty Muzzy Chuck

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<v Speaker 5>and she ran the station when I was only there

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<v Speaker 5>one night.

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<v Speaker 2>I hated you worked at two PIK.

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<v Speaker 5>Yeah, I did one night for one night.

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<v Speaker 2>What happened?

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<v Speaker 5>They wouldn't let me smoke.

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<v Speaker 6>In the studio.

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<v Speaker 2>How long ago was that?

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<v Speaker 5>Nineteen fifty four? Probably?

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<v Speaker 2>Okay, do you still smoke or if you quit?

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<v Speaker 5>Oh? No, I quit ages?

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<v Speaker 2>Okay? Would you like to try a vape?

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<v Speaker 5>That's bloody stupid.

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<v Speaker 6>She just hooked on the vabes.

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<v Speaker 2>No, I'm quitting.

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<v Speaker 5>Is it difficult to quit? What? Why would you take

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<v Speaker 5>up something that is difficult to quit?

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<v Speaker 2>Well, I think for people.

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<v Speaker 5>I'll tell you why. Yeah, because you're young and stupid.

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<v Speaker 2>No, I can't argue with that. Actually that's completely fair.

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<v Speaker 2>But yeah, I always tell people don't start them because

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<v Speaker 2>they're way easier to get hooked on than cigarettes. There's

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<v Speaker 2>no this tastes gross to overcome. They're just pleasant from

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<v Speaker 2>the get go, So don't go there. It's always my advice.

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<v Speaker 5>Yeah, Well, you're giving very good advice.

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<v Speaker 2>Yeah, do as I say, not as I do.

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<v Speaker 5>You're maturing at an early age. You're giving very good advice.

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<v Speaker 5>Don't do it if it's going to be addictive and expensive.

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<v Speaker 5>Good advice that includes marriage unless you're very careful.

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<v Speaker 6>Ah, John, I I was listening to your speech at

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<v Speaker 6>the Kennedy Awards, the Lifetime Achievement Award, which congratulations, by

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<v Speaker 6>the way, that's very exciting.

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<v Speaker 5>Thank you.

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<v Speaker 6>I just love my life.

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<v Speaker 7>I haven't made.

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<v Speaker 5>Particularly ruined. I lost my friend Ryan, but I also

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<v Speaker 5>lost my.

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<v Speaker 4>Adorable Carol, who.

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<v Speaker 5>Was fifteen years old now she's gone out of my life.

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<v Speaker 5>That makes me sad in case would like there's a

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<v Speaker 5>kind of vegan difference.

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<v Speaker 1>Thank you are very very much.

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<v Speaker 6>You said that you didn't intend to get into broadcasting,

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<v Speaker 6>so I guess I want to know how did you

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<v Speaker 6>fall into it?

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<v Speaker 5>Well, I was a jackaroo in Wellington in central New

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<v Speaker 5>South Wales, and I love being a jackaroo. I would

0:10:36.800 --> 0:10:38.839
<v Speaker 5>love to be a jackaroo again, but I can't afford it.

0:10:39.440 --> 0:10:42.000
<v Speaker 5>But I used to. I used to go to the

0:10:42.200 --> 0:10:45.920
<v Speaker 5>Legacy Ball and the Bachelor's Ball and the Spinster's Ball,

0:10:46.000 --> 0:10:49.400
<v Speaker 5>and they used to get me to do a commentary,

0:10:50.640 --> 0:10:53.560
<v Speaker 5>you know, to introduce people as they came in the door.

0:10:53.840 --> 0:10:57.720
<v Speaker 5>And there was a man there from a w A

0:10:58.000 --> 0:11:00.040
<v Speaker 5>which were at that time as a huge concloine a

0:11:00.040 --> 0:11:04.000
<v Speaker 5>lot of radio stations all over Australia. And he heard

0:11:04.040 --> 0:11:06.280
<v Speaker 5>me and he asked me did I want to get

0:11:06.280 --> 0:11:09.360
<v Speaker 5>into into radio? And I wasn't sure. But the man

0:11:09.400 --> 0:11:12.040
<v Speaker 5>I was working for, a wonderful welksman by the name

0:11:12.080 --> 0:11:14.959
<v Speaker 5>of Llewellyn Powell. He thought it would be a pretty

0:11:14.960 --> 0:11:17.400
<v Speaker 5>good idea if I were to do that and get

0:11:17.440 --> 0:11:20.959
<v Speaker 5>me off his property and get me somewhere else. So

0:11:21.040 --> 0:11:23.440
<v Speaker 5>I just fell into it that way and loved it.

0:11:23.520 --> 0:11:25.720
<v Speaker 2>Fell in love with it clearly. Yeah, how long have

0:11:25.760 --> 0:11:26.520
<v Speaker 2>you been doing it now?

0:11:26.679 --> 0:11:29.800
<v Speaker 5>Sixty eight? Are you taking notes?

0:11:29.840 --> 0:11:32.720
<v Speaker 6>There?

0:11:33.000 --> 0:11:38.119
<v Speaker 5>I chose you. It just shows you how involved that's

0:11:38.200 --> 0:11:41.520
<v Speaker 5>the Mother Siberia. I'm doing a very important interview with

0:11:41.600 --> 0:11:45.320
<v Speaker 5>two very important young men, and she's doing a bloody crosswork.

0:11:46.200 --> 0:11:48.400
<v Speaker 2>Jesus, it's so nice to put a face to the

0:11:48.480 --> 0:11:50.880
<v Speaker 2>name the Mother sapirior I here referred to all the

0:11:50.880 --> 0:11:51.679
<v Speaker 2>time on the show.

0:11:52.280 --> 0:11:53.320
<v Speaker 5>Well, are you impressed?

0:11:53.480 --> 0:11:57.160
<v Speaker 2>I am absolutely. She's pretty much what I envisioned. Actually, yeah,

0:11:57.320 --> 0:11:57.880
<v Speaker 2>is she really?

0:11:58.000 --> 0:11:58.200
<v Speaker 7>Yeah?

0:11:58.240 --> 0:11:59.920
<v Speaker 6>Well, she gave us a talking to before we came in.

0:12:00.080 --> 0:12:01.559
<v Speaker 6>You said you're up to no good. You're going to

0:12:01.600 --> 0:12:02.839
<v Speaker 6>be good, and we said, yeah, we'll be right, We're

0:12:02.840 --> 0:12:03.679
<v Speaker 6>on our best behavior.

0:12:03.800 --> 0:12:05.880
<v Speaker 5>Yeah, well that's the way to be. Yeah, that's right,

0:12:05.960 --> 0:12:07.920
<v Speaker 5>all right. So what else do you what to talk about?

0:12:08.120 --> 0:12:09.640
<v Speaker 2>Well? I should have given you heads up before we

0:12:09.679 --> 0:12:11.640
<v Speaker 2>started that on the podcast. I don't know if you're

0:12:11.840 --> 0:12:14.559
<v Speaker 2>much of a swearer, but you're allowed to swear here?

0:12:14.600 --> 0:12:15.440
<v Speaker 2>Do you swear much?

0:12:16.360 --> 0:12:21.520
<v Speaker 5>Don't be fucking stupid? But that word has become almost

0:12:21.520 --> 0:12:24.200
<v Speaker 5>acceptable now except around here. She hates it.

0:12:24.480 --> 0:12:25.680
<v Speaker 2>The Mother Superior hates that.

0:12:25.880 --> 0:12:27.280
<v Speaker 5>Doesn't like me swearing at all.

0:12:27.640 --> 0:12:30.400
<v Speaker 2>Would the Mother Superior appreciate being described as a boss bitch,

0:12:30.440 --> 0:12:32.520
<v Speaker 2>because that's what I would think. The Mother Superior is

0:12:32.840 --> 0:12:34.320
<v Speaker 2>a what a boss bitch?

0:12:35.000 --> 0:12:35.640
<v Speaker 5>What's that mean?

0:12:35.720 --> 0:12:39.280
<v Speaker 2>It's a wonderful term. Don't worry, powerful woman. Yeah, but

0:12:39.360 --> 0:12:41.680
<v Speaker 2>it is the word bitch there, It's a term of endearment.

0:12:41.800 --> 0:12:42.960
<v Speaker 2>It's all about context.

0:12:43.000 --> 0:12:44.120
<v Speaker 6>You back and empowering.

0:12:44.520 --> 0:12:45.920
<v Speaker 5>Don't don't use that word.

0:12:46.000 --> 0:12:48.480
<v Speaker 2>My apologies, I take it back, Mother Superior, take advance.

0:12:49.280 --> 0:12:52.080
<v Speaker 2>What's your advice for someone like Mitch to last that

0:12:52.120 --> 0:12:52.840
<v Speaker 2>long in radio?

0:12:53.200 --> 0:12:54.400
<v Speaker 6>It's been seven so far.

0:12:54.960 --> 0:13:01.240
<v Speaker 5>My advice to Mitch give it away? Yeah, get out,

0:13:01.440 --> 0:13:03.760
<v Speaker 5>get a job as a salesman at Bunnings.

0:13:04.080 --> 0:13:04.400
<v Speaker 1>Yeah.

0:13:04.600 --> 0:13:08.160
<v Speaker 5>No, no, I'll give you very good advice. Enjoy it.

0:13:08.320 --> 0:13:10.200
<v Speaker 5>If you enjoy it, do it. If you don't enjoy it,

0:13:10.240 --> 0:13:15.320
<v Speaker 5>don't do it. And be natural. Don't bullshit, no change

0:13:15.320 --> 0:13:17.600
<v Speaker 5>of voice, no change of attitude.

0:13:18.400 --> 0:13:20.479
<v Speaker 6>Just got to be you authentic.

0:13:20.760 --> 0:13:23.040
<v Speaker 5>Yeah that's well, I don't know how authentic you are,

0:13:23.200 --> 0:13:25.160
<v Speaker 5>but yeah, just be yourself.

0:13:25.280 --> 0:13:27.240
<v Speaker 6>In other words, now, what happened in the middle because

0:13:27.240 --> 0:13:29.120
<v Speaker 6>you left for a bit, you had a big retirement.

0:13:29.160 --> 0:13:31.640
<v Speaker 6>You were out and then you came back. Yeah, you

0:13:31.679 --> 0:13:32.520
<v Speaker 6>missed it too much.

0:13:32.679 --> 0:13:35.400
<v Speaker 5>I did miss it. I missed it greatly, and I

0:13:35.440 --> 0:13:38.679
<v Speaker 5>got very bored with my own company, even though up

0:13:38.760 --> 0:13:41.240
<v Speaker 5>until that time I'd been pretty good with my own company.

0:13:41.280 --> 0:13:44.559
<v Speaker 5>I love reading, I love sitting by myself, I love thinking.

0:13:45.400 --> 0:13:47.760
<v Speaker 5>But I did get bored. I did get bored, and

0:13:47.800 --> 0:13:49.640
<v Speaker 5>I thought, you know, it would be fun to go

0:13:49.679 --> 0:13:51.920
<v Speaker 5>and do it again. And it's more fun the second

0:13:51.920 --> 0:13:53.760
<v Speaker 5>time around than it was the first time around.

0:13:53.800 --> 0:13:55.679
<v Speaker 6>Really, Yeah, fell back in love with it.

0:13:55.840 --> 0:13:57.199
<v Speaker 5>Yeah, oh, no, better now.

0:13:57.480 --> 0:13:57.680
<v Speaker 1>Yeah.

0:13:58.080 --> 0:14:01.040
<v Speaker 2>We like to play on our podcast some bits of

0:14:01.080 --> 0:14:03.480
<v Speaker 2>Gold that happened on talkback radio because we figured that

0:14:04.000 --> 0:14:06.840
<v Speaker 2>our younger listeners might not be listening as often as

0:14:06.920 --> 0:14:09.319
<v Speaker 2>we are, so we're like, if anything good happens, we'll

0:14:09.360 --> 0:14:12.480
<v Speaker 2>tell you. And you've come up many times, including the

0:14:12.520 --> 0:14:15.400
<v Speaker 2>infamous Pikes Nursery incident that.

0:14:15.520 --> 0:14:19.280
<v Speaker 1>Caller, I'll tell you what to do ring Pikes Nurseries.

0:14:19.960 --> 0:14:26.920
<v Speaker 1>What nursery, Pikes Pike Yes, p y k E s I.

0:14:28.240 --> 0:14:29.960
<v Speaker 5>Hey, what am I known to deserve this?

0:14:30.640 --> 0:14:33.640
<v Speaker 1>Of course? Would you spell that again for me?

0:14:34.120 --> 0:14:35.840
<v Speaker 7>Hey? I A.

0:14:38.200 --> 0:14:39.520
<v Speaker 3>Did you say no?

0:14:39.680 --> 0:14:40.920
<v Speaker 1>Man? No?

0:14:41.000 --> 0:14:45.680
<v Speaker 8>I said, P why, oh why esp? Why is in Yankee?

0:14:46.480 --> 0:14:51.720
<v Speaker 8>K is in kilo? He is in echo? S is

0:14:51.720 --> 0:14:56.320
<v Speaker 8>in stupid Pikes? P y k e s Pike's nurseries?

0:14:56.800 --> 0:14:57.040
<v Speaker 9>Hey?

0:14:57.280 --> 0:15:01.720
<v Speaker 7>Why I?

0:15:01.800 --> 0:15:02.880
<v Speaker 1>But will we try it again?

0:15:02.960 --> 0:15:03.240
<v Speaker 9>Ma'am?

0:15:03.960 --> 0:15:04.760
<v Speaker 1>Okay, you ready?

0:15:04.760 --> 0:15:04.880
<v Speaker 7>Now?

0:15:04.960 --> 0:15:07.560
<v Speaker 1>You got your pencil handy? Okay?

0:15:07.600 --> 0:15:09.600
<v Speaker 7>P no P.

0:15:11.240 --> 0:15:19.520
<v Speaker 1>As in piddle? Why pay? I save me from this P?

0:15:19.520 --> 0:15:19.640
<v Speaker 5>PE?

0:15:19.840 --> 0:15:25.280
<v Speaker 8>You've got the P there, that's right. Why why as

0:15:25.320 --> 0:15:29.640
<v Speaker 8>in Yankee? That's right? Okay? Then you have a K

0:15:31.480 --> 0:15:35.000
<v Speaker 8>I K as in kill.

0:15:37.480 --> 0:15:39.400
<v Speaker 2>K he is it?

0:15:39.520 --> 0:15:39.720
<v Speaker 10>Pay?

0:15:39.880 --> 0:15:40.480
<v Speaker 7>Why A?

0:15:42.560 --> 0:15:47.680
<v Speaker 8>Okay, don't get excited, ma'am. Can I ask you a

0:15:47.760 --> 0:15:51.240
<v Speaker 8>leading question? Do you have trouble hearing?

0:15:51.960 --> 0:15:52.360
<v Speaker 7>Ah?

0:15:52.400 --> 0:15:52.840
<v Speaker 9>Here?

0:15:53.800 --> 0:15:57.000
<v Speaker 1>Yes, all right, ma'am. Well we'll try it again. PE,

0:15:57.000 --> 0:16:04.240
<v Speaker 1>why say why k K K is? Yes? No, K

0:16:04.560 --> 0:16:10.360
<v Speaker 1>is in kill Yes? Ees? God, you got that? Would

0:16:10.400 --> 0:16:11.760
<v Speaker 1>you spell? Would you spell it back to me?

0:16:11.840 --> 0:16:11.960
<v Speaker 5>Now?

0:16:12.960 --> 0:16:23.760
<v Speaker 7>K why I D No?

0:16:23.920 --> 0:16:24.840
<v Speaker 6>It's not right?

0:16:26.480 --> 0:16:27.640
<v Speaker 8>Oh it's not right.

0:16:27.800 --> 0:16:33.840
<v Speaker 1>P y k E s p I y E. Where

0:16:33.840 --> 0:16:36.120
<v Speaker 1>do you get the A from? I haven't said in

0:16:36.280 --> 0:16:44.520
<v Speaker 1>A anywhere? P You got the P? Right? Why? I? Why?

0:16:44.520 --> 0:16:44.800
<v Speaker 6>Why?

0:16:44.920 --> 0:16:46.840
<v Speaker 1>Why? Why? Why is in Yankees?

0:16:47.560 --> 0:16:49.960
<v Speaker 7>Why? K O?

0:16:50.240 --> 0:16:52.080
<v Speaker 1>God save me? How can a K and an e

0:16:52.280 --> 0:16:57.880
<v Speaker 1>sounded like k yes, I will, I will. I throw

0:16:57.960 --> 0:17:00.080
<v Speaker 1>myself right down the microphone choke you to death in

0:17:00.080 --> 0:17:01.160
<v Speaker 1>a minute. That's what I'm getting.

0:17:03.560 --> 0:17:04.440
<v Speaker 7>Pay y e.

0:17:06.040 --> 0:17:07.240
<v Speaker 9>Did you say no?

0:17:07.359 --> 0:17:08.359
<v Speaker 1>No, I didn't know.

0:17:09.400 --> 0:17:11.160
<v Speaker 8>I don't think we're ever going to make it, ma'am.

0:17:11.200 --> 0:17:14.800
<v Speaker 8>Are we I don't think that. I don't think that

0:17:14.840 --> 0:17:16.560
<v Speaker 8>I'm ever going to be able to give you this

0:17:16.600 --> 0:17:19.200
<v Speaker 8>telephone number. I mean, this is just the name. Imagine

0:17:19.240 --> 0:17:21.240
<v Speaker 8>that when I start to get to the telephone number

0:17:22.359 --> 0:17:26.440
<v Speaker 8>and it's a nurse is yes, it is strangely.

0:17:26.080 --> 0:17:29.720
<v Speaker 1>Enough, give me the number of it? Oh God, can.

0:17:29.600 --> 0:17:31.920
<v Speaker 7>I that's a telephone?

0:17:32.080 --> 0:17:33.680
<v Speaker 1>That's all right here? You are you ready? I'll take

0:17:33.680 --> 0:17:36.200
<v Speaker 1>the risk. Are you ready? Okay? Do you have your

0:17:36.200 --> 0:17:38.040
<v Speaker 1>pen at the ready? Okay?

0:17:39.080 --> 0:17:39.359
<v Speaker 5>Six?

0:17:39.880 --> 0:17:43.280
<v Speaker 8>Six good, that's very good.

0:17:43.720 --> 0:17:54.760
<v Speaker 9>Free three he jesus, I.

0:17:54.640 --> 0:17:55.280
<v Speaker 7>Don't know that.

0:17:55.440 --> 0:17:58.480
<v Speaker 10>I'll just come captus in silvarbize in my ear.

0:17:58.840 --> 0:18:01.800
<v Speaker 1>Okay, Well, I'll say it very quietly. Can you hear me?

0:18:02.720 --> 0:18:06.640
<v Speaker 1>Six three very good?

0:18:07.560 --> 0:18:16.080
<v Speaker 8>Six three nine nine and another nine eight eight.

0:18:16.640 --> 0:18:20.120
<v Speaker 1>Very good, five five.

0:18:22.280 --> 0:18:28.320
<v Speaker 8>One one, yes, yes, would you read it back to me?

0:18:31.480 --> 0:18:38.560
<v Speaker 6>Nine nine five eight five one.

0:18:38.920 --> 0:18:42.680
<v Speaker 8>You've got it, You've got it. I so just dial

0:18:42.720 --> 0:18:45.320
<v Speaker 8>of the telephone number and God help, Bruce Pyke.

0:18:46.840 --> 0:18:48.920
<v Speaker 2>I really want to hear from your point of view,

0:18:48.960 --> 0:18:52.000
<v Speaker 2>what were you thinking? What were you feeling when that call?

0:18:52.080 --> 0:18:54.320
<v Speaker 2>I just could not understand what you were saying.

0:18:54.720 --> 0:18:57.960
<v Speaker 5>Well, I thought this is going this is going to

0:18:58.119 --> 0:19:01.199
<v Speaker 5>go on forever. But I thought this could be very

0:19:01.240 --> 0:19:05.920
<v Speaker 5>good radio. So I decided to stay with it, and

0:19:06.800 --> 0:19:10.040
<v Speaker 5>she started to understand the humor of it. As we

0:19:10.119 --> 0:19:11.679
<v Speaker 5>got towards the end of the conversation.

0:19:11.920 --> 0:19:13.440
<v Speaker 2>You reckon that she was in on it too.

0:19:13.960 --> 0:19:16.000
<v Speaker 5>No, no, not in on it, but I think she

0:19:16.080 --> 0:19:19.120
<v Speaker 5>started to understand the humor of it. Okay, she wasn't

0:19:19.119 --> 0:19:22.480
<v Speaker 5>going along with it deliberately. She was laughing at herself.

0:19:23.080 --> 0:19:25.120
<v Speaker 5>It was a good call. It was a fun call.

0:19:25.200 --> 0:19:27.520
<v Speaker 2>Yeah, definitely. And it lives on in our podcast as well.

0:19:28.040 --> 0:19:29.800
<v Speaker 6>At the start of every show, we play the audio.

0:19:29.840 --> 0:19:31.440
<v Speaker 6>That's how we start our show every week.

0:19:31.520 --> 0:19:32.640
<v Speaker 5>You didn't even ask.

0:19:32.560 --> 0:19:33.840
<v Speaker 2>It's on YouTube? Did you know that?

0:19:34.480 --> 0:19:37.359
<v Speaker 5>I don't go to that. I think I can't work computers.

0:19:37.560 --> 0:19:39.879
<v Speaker 2>Oh well, you're paddling your show right now, aren't you.

0:19:39.880 --> 0:19:41.400
<v Speaker 2>You've got some sort of understanding.

0:19:42.119 --> 0:19:44.879
<v Speaker 5>That's just a board that's got stuff on it. Like

0:19:44.920 --> 0:19:51.359
<v Speaker 5>Tom t Hall a bit of music here. There you are.

0:19:51.440 --> 0:19:52.520
<v Speaker 5>That's how simple it is.

0:19:52.680 --> 0:19:54.960
<v Speaker 2>Well, who says it can't work in a computer? There

0:19:54.960 --> 0:19:55.200
<v Speaker 2>you go?

0:19:55.840 --> 0:19:56.240
<v Speaker 5>Yeah?

0:19:57.480 --> 0:20:02.040
<v Speaker 2>Is it just po a couple of mitches. I don't

0:20:02.040 --> 0:20:04.720
<v Speaker 2>suppose you're ever going to get to that stage where,

0:20:05.160 --> 0:20:07.240
<v Speaker 2>like a lot of other radio studio is like a kiss,

0:20:07.280 --> 0:20:10.560
<v Speaker 2>you'll have cameras in the room filming it. They're never

0:20:10.920 --> 0:20:12.320
<v Speaker 2>you don't want stuff on Facebook?

0:20:12.359 --> 0:20:14.359
<v Speaker 5>Or of course I don't. Of course I don't. I

0:20:14.440 --> 0:20:17.720
<v Speaker 5>do a radio program and I'm a radio broadcaster and

0:20:17.840 --> 0:20:19.960
<v Speaker 5>that is the limit of my talent. Yeah.

0:20:20.040 --> 0:20:21.520
<v Speaker 6>Who else do you listen to? John? Do you have

0:20:21.520 --> 0:20:23.480
<v Speaker 6>any other shows that you listen to? Or do you just?

0:20:23.800 --> 0:20:25.920
<v Speaker 5>Do you know what? I listened to as soon as

0:20:25.920 --> 0:20:29.240
<v Speaker 5>I leave here? Yeah, at midday or whenever I leave

0:20:29.320 --> 0:20:34.040
<v Speaker 5>in ABC Classic. Really I love classical music, and they

0:20:34.640 --> 0:20:37.199
<v Speaker 5>pay a lot of like classical music. They play a

0:20:37.200 --> 0:20:39.359
<v Speaker 5>lot of ballet music, and I love ballet music. I

0:20:39.400 --> 0:20:43.400
<v Speaker 5>love the ballet. So there you are. That's surprised you Have.

0:20:43.359 --> 0:20:44.919
<v Speaker 6>You ever podcasted? Have you ever you know how to

0:20:44.920 --> 0:20:46.240
<v Speaker 6>listen to podcasts? You into them?

0:20:46.320 --> 0:20:47.680
<v Speaker 5>No, I don't know how to do that.

0:20:47.840 --> 0:20:49.840
<v Speaker 6>You'd make a killing, do you think a podcast by

0:20:49.920 --> 0:20:51.560
<v Speaker 6>John Laws would be huge?

0:20:51.720 --> 0:20:53.880
<v Speaker 2>Does he know that his show with podcasts and every

0:20:53.960 --> 0:20:57.080
<v Speaker 2>day you actually can listen to it as a podcast podcast.

0:20:56.760 --> 0:20:57.240
<v Speaker 6>You've got one.

0:20:57.320 --> 0:20:58.800
<v Speaker 5>Yeah, I don't know what it is even.

0:20:59.119 --> 0:21:02.879
<v Speaker 2>You know how Netflix is TV shows on demand. Podcasts

0:21:02.880 --> 0:21:05.440
<v Speaker 2>are radio shows on demand. That's pretty much the basic

0:21:05.520 --> 0:21:07.400
<v Speaker 2>way of explaining it. And that's what we are.

0:21:07.440 --> 0:21:07.520
<v Speaker 3>Like.

0:21:07.560 --> 0:21:09.159
<v Speaker 2>You can't tune in at a certain time to us,

0:21:09.200 --> 0:21:11.040
<v Speaker 2>We're just there whenever you're like not live.

0:21:11.280 --> 0:21:14.440
<v Speaker 5>No, well it can't be. Nah. Are you bored now?

0:21:14.720 --> 0:21:15.360
<v Speaker 6>No, not at all.

0:21:15.440 --> 0:21:17.160
<v Speaker 5>On the slightest, I don't want to bore you.

0:21:17.200 --> 0:21:17.880
<v Speaker 6>No, we're not bored.

0:21:17.920 --> 0:21:18.520
<v Speaker 2>No, not at all.

0:21:18.560 --> 0:21:19.080
<v Speaker 6>I'm hoving this.

0:21:19.280 --> 0:21:21.000
<v Speaker 2>You know another old job that John used to have,

0:21:21.080 --> 0:21:22.800
<v Speaker 2>Mitch am I right in saying it used to be

0:21:23.320 --> 0:21:25.480
<v Speaker 2>what we call a rouse about in a shearing shed.

0:21:26.200 --> 0:21:27.480
<v Speaker 5>That's exactly what I was.

0:21:27.640 --> 0:21:29.560
<v Speaker 6>Oh, what's a rouse about in a shearing shed?

0:21:29.640 --> 0:21:32.520
<v Speaker 5>You pick up the dregs and the shit off the

0:21:32.560 --> 0:21:36.879
<v Speaker 5>tails of the lambs on the DAGs. Yeah, and you also,

0:21:37.240 --> 0:21:39.800
<v Speaker 5>if you're lucky, you get to use the wool press

0:21:39.960 --> 0:21:43.560
<v Speaker 5>a bit. And pressing the wool let's tough work, but

0:21:43.600 --> 0:21:44.400
<v Speaker 5>it's great fun.

0:21:44.480 --> 0:21:45.640
<v Speaker 6>How long did you do that job?

0:21:45.680 --> 0:21:46.879
<v Speaker 5>For eighteen months?

0:21:47.720 --> 0:21:50.280
<v Speaker 2>I wouldn't last a day. I was a farm boy,

0:21:50.560 --> 0:21:52.399
<v Speaker 2>raised on a farm. Mom and dad used to always

0:21:52.440 --> 0:21:54.000
<v Speaker 2>try and get me to help out with that stuff,

0:21:54.000 --> 0:21:56.119
<v Speaker 2>but I was like, not for me. I was a

0:21:56.200 --> 0:21:57.280
<v Speaker 2>bit too precious for that.

0:21:57.359 --> 0:21:59.720
<v Speaker 5>With that surprising, I can tell you're a bit precious.

0:22:01.280 --> 0:22:02.199
<v Speaker 5>I've detected that.

0:22:02.680 --> 0:22:04.600
<v Speaker 2>But I was smart enough to realize if I do

0:22:04.680 --> 0:22:07.080
<v Speaker 2>that job really badly, they'll stop asking for help. So

0:22:07.119 --> 0:22:09.119
<v Speaker 2>I just kept stuffing up. It was fantastic.

0:22:09.240 --> 0:22:12.240
<v Speaker 5>Yeah, but if you did it well, then keep asking

0:22:12.280 --> 0:22:13.720
<v Speaker 5>you to do it, and they would have. But it

0:22:13.760 --> 0:22:15.760
<v Speaker 5>would have been very good for you. All that wool

0:22:15.800 --> 0:22:18.840
<v Speaker 5>press stuff was good. All that woolshared stuff was good.

0:22:18.880 --> 0:22:21.560
<v Speaker 5>And the blokes, the shearers and the mates you'd make

0:22:21.840 --> 0:22:27.000
<v Speaker 5>and the shearers cook sair, they could cook. They used

0:22:27.000 --> 0:22:31.240
<v Speaker 5>to cook great stuff, shepherd spie, cottage pie. Yeah.

0:22:31.280 --> 0:22:34.080
<v Speaker 2>But they would bring food to serve. Because I ended

0:22:34.160 --> 0:22:36.720
<v Speaker 2>up when I was no good at the rouse about judies,

0:22:36.720 --> 0:22:39.439
<v Speaker 2>I ended up serving morning tea like I was the

0:22:39.440 --> 0:22:41.720
<v Speaker 2>one giving the food. So they would bring food.

0:22:41.960 --> 0:22:43.960
<v Speaker 5>No, no, they'd cook it there, but yes, they'd bring

0:22:43.960 --> 0:22:45.800
<v Speaker 5>the food with them. Oh, they were good. Too, the

0:22:45.960 --> 0:22:47.359
<v Speaker 5>shed of shearing cooks.

0:22:47.440 --> 0:22:50.000
<v Speaker 2>Yeah great, Yeah, you had a way better sharing shed

0:22:50.040 --> 0:22:51.840
<v Speaker 2>experience than me. It was hell on earth for me.

0:22:52.200 --> 0:22:53.960
<v Speaker 6>Could you tell me she's a country boy boy? Looking

0:22:54.000 --> 0:22:55.720
<v Speaker 6>at him? Born and raised it. Where is it Parks?

0:22:55.800 --> 0:22:56.000
<v Speaker 7>Yeah?

0:22:56.480 --> 0:22:58.760
<v Speaker 5>Yeah, yeah, well it depends which part of the country.

0:22:59.040 --> 0:23:01.680
<v Speaker 2>Have you heard of bogan It's just near Parks, That's

0:23:01.680 --> 0:23:04.960
<v Speaker 2>where I'm from. You're where bogan Gate.

0:23:05.800 --> 0:23:08.399
<v Speaker 5>I've heard of. I've been to bogan Gate, haven't I?

0:23:08.520 --> 0:23:11.040
<v Speaker 6>Have you been to bogan Gate? Is there a station

0:23:11.119 --> 0:23:12.480
<v Speaker 6>in bogen Gate? Meet your radio station?

0:23:12.640 --> 0:23:12.880
<v Speaker 2>Well?

0:23:12.920 --> 0:23:13.600
<v Speaker 4>Parks is are like.

0:23:13.720 --> 0:23:16.240
<v Speaker 5>No, no, no, no. But I when I went around Australia,

0:23:16.280 --> 0:23:19.320
<v Speaker 5>I wasn't doing radio. I was just going around Australia.

0:23:19.440 --> 0:23:20.679
<v Speaker 2>Yeah, blink and you'll miss it.

0:23:20.760 --> 0:23:23.399
<v Speaker 5>That's It's a very good idea, you know. People. I

0:23:23.440 --> 0:23:26.200
<v Speaker 5>remember my sister as soon as she turned fifteen or something,

0:23:26.520 --> 0:23:28.639
<v Speaker 5>all she talked about was going to England. She just

0:23:28.680 --> 0:23:31.639
<v Speaker 5>wanted Everybody wanted to go to England. Nobody by the

0:23:31.680 --> 0:23:33.720
<v Speaker 5>day of a look at Australia, the greatest country in

0:23:33.760 --> 0:23:34.119
<v Speaker 5>the world.

0:23:34.200 --> 0:23:37.080
<v Speaker 2>I've always thought that, like everyone's excited now that you know,

0:23:37.200 --> 0:23:40.520
<v Speaker 2>international flights are a thing again. After lockdown, But I

0:23:40.520 --> 0:23:43.639
<v Speaker 2>would rather just travel Australia like all the ruined stuff

0:23:43.680 --> 0:23:44.040
<v Speaker 2>like that.

0:23:44.400 --> 0:23:46.640
<v Speaker 5>It's a good thing to do. It's a great country.

0:23:46.760 --> 0:23:48.560
<v Speaker 6>Do you have a favorite city or you're a Sydney boy,

0:23:48.600 --> 0:23:49.720
<v Speaker 6>You've always been a Sydney boy.

0:23:49.720 --> 0:23:52.680
<v Speaker 5>I'd like if you settled into a place long enough,

0:23:52.720 --> 0:23:54.160
<v Speaker 5>it becomes your favorite.

0:23:54.520 --> 0:23:55.720
<v Speaker 6>Did you ever live overseas?

0:23:56.440 --> 0:23:57.679
<v Speaker 5>Never lived overseas? No?

0:23:58.200 --> 0:24:00.480
<v Speaker 2>I believe you were working in the ua U though.

0:24:00.560 --> 0:24:04.359
<v Speaker 2>Weren't you when JFK was assassinating you reported on that?

0:24:04.400 --> 0:24:04.960
<v Speaker 2>Am I right?

0:24:05.119 --> 0:24:08.840
<v Speaker 5>Yes, that is quite right. I bear in mind this

0:24:08.920 --> 0:24:10.800
<v Speaker 5>is a long, long time ago.

0:24:12.480 --> 0:24:15.399
<v Speaker 10>Is a sad day in the history of the United States.

0:24:15.400 --> 0:24:18.720
<v Speaker 10>The President of the United States of Ricker John Fitzgerald

0:24:18.760 --> 0:24:22.520
<v Speaker 10>Kennedy has been assassinated, killed by a rifle bullet. I'm

0:24:22.520 --> 0:24:25.720
<v Speaker 10>in Hollywood, in California, and in a matter of ours,

0:24:25.800 --> 0:24:29.240
<v Speaker 10>I've seen probably one of the most colorful cities in

0:24:29.280 --> 0:24:33.879
<v Speaker 10>the world become a city in math morning. And this

0:24:34.040 --> 0:24:37.480
<v Speaker 10>is just one city of an entire nation. In Bonny,

0:24:38.359 --> 0:24:42.320
<v Speaker 10>grown men and women crying openly, almost probably in the

0:24:42.359 --> 0:24:46.160
<v Speaker 10>streets of Hollywood. All the entertainment has ceased in Hollywood,

0:24:46.240 --> 0:24:50.000
<v Speaker 10>the hub of the world entertainment shops and offices and

0:24:50.040 --> 0:24:53.160
<v Speaker 10>factories closed within a matter of minutes of the announcement

0:24:53.720 --> 0:24:56.920
<v Speaker 10>of the President's death. That's all I have for you now.

0:24:56.960 --> 0:25:00.440
<v Speaker 10>So from the midst of this national tragedy has left

0:25:00.480 --> 0:25:04.680
<v Speaker 10>America lifeless and then sorrow. I returned you to your studio.

0:25:05.720 --> 0:25:08.520
<v Speaker 5>Yeah, I remember to day like it was yesterday. That

0:25:08.640 --> 0:25:10.280
<v Speaker 5>was I've got to say, that was a good report.

0:25:10.320 --> 0:25:16.040
<v Speaker 5>I did good. I went there to open the coaxial

0:25:16.119 --> 0:25:19.960
<v Speaker 5>cable that came from the United States to Canada, actually

0:25:20.000 --> 0:25:24.320
<v Speaker 5>to Australia. The Queen opened it, and I was the

0:25:24.359 --> 0:25:27.680
<v Speaker 5>support actor after the queen. Right, yeah, how about that

0:25:27.720 --> 0:25:28.640
<v Speaker 5>half act to following.

0:25:30.280 --> 0:25:32.919
<v Speaker 2>Have you ever in your career had a co host

0:25:33.080 --> 0:25:35.000
<v Speaker 2>or has it always been the John Laws Show?

0:25:35.160 --> 0:25:36.720
<v Speaker 5>The John Laws Show co host?

0:25:36.800 --> 0:25:37.400
<v Speaker 6>Not for you.

0:25:37.400 --> 0:25:38.600
<v Speaker 2>You wouldn't think that would work.

0:25:38.680 --> 0:25:40.679
<v Speaker 5>Listen. If you're getting any ideas, forget it.

0:25:40.760 --> 0:25:43.280
<v Speaker 6>No, God, no, he's got his resume.

0:25:42.960 --> 0:25:46.560
<v Speaker 5>In the bank. It's always been just me. For a while.

0:25:46.600 --> 0:25:49.639
<v Speaker 5>I did half an hour was I can't even remember

0:25:49.720 --> 0:25:54.639
<v Speaker 5>her name now, wonderful woman broadcaster, jeez, I can't remember

0:25:54.680 --> 0:25:58.720
<v Speaker 5>her name. John Perce used to work with her, and anyway,

0:25:58.720 --> 0:26:00.320
<v Speaker 5>I can't think of it, and it doesn't matter because

0:26:00.320 --> 0:26:03.359
<v Speaker 5>she thoroughly did. But for a while I did that

0:26:03.400 --> 0:26:04.040
<v Speaker 5>and I loved it.

0:26:04.320 --> 0:26:06.240
<v Speaker 6>Have they ever paired you up with anyone, because in radio,

0:26:06.359 --> 0:26:08.600
<v Speaker 6>especially commercial radio, they love to throw a co host

0:26:08.840 --> 0:26:13.000
<v Speaker 6>just experiment. Yeah, they had a co host thrown at you.

0:26:13.160 --> 0:26:15.400
<v Speaker 6>Or have they ever tried to squeeze someone in and say, John,

0:26:15.440 --> 0:26:16.679
<v Speaker 6>we think you'd be good with this person.

0:26:18.240 --> 0:26:20.200
<v Speaker 5>Yeah, they probably have, but I would have told.

0:26:20.080 --> 0:26:22.760
<v Speaker 6>Him, yeah, get out. We get all the reality stars

0:26:22.800 --> 0:26:24.879
<v Speaker 6>in commercial radio. They'll say to me, oh, this person

0:26:24.920 --> 0:26:27.880
<v Speaker 6>one Love Island Australia, they won Big Brother, get them

0:26:27.920 --> 0:26:28.359
<v Speaker 6>on the show.

0:26:29.119 --> 0:26:29.960
<v Speaker 5>Yeah, what for?

0:26:30.160 --> 0:26:32.160
<v Speaker 6>That's what I say. They don't last.

0:26:32.960 --> 0:26:35.240
<v Speaker 2>Do you watch any of those free too wear shows

0:26:35.240 --> 0:26:38.280
<v Speaker 2>these says Married at First Sight, Love Ireland, those sorts

0:26:38.320 --> 0:26:38.840
<v Speaker 2>of shows.

0:26:39.800 --> 0:26:40.479
<v Speaker 5>You're kidding?

0:26:40.760 --> 0:26:41.919
<v Speaker 2>Yeah, neither, not for me.

0:26:42.000 --> 0:26:42.640
<v Speaker 6>It's not for us.

0:26:42.960 --> 0:26:46.119
<v Speaker 2>What about music? Are there any new artists that are

0:26:46.119 --> 0:26:48.320
<v Speaker 2>out and at the moment that you actually enjoy?

0:26:48.880 --> 0:26:51.560
<v Speaker 5>I just love all music fair enough, As I said,

0:26:51.600 --> 0:26:53.679
<v Speaker 5>I listened to as soon as I've finished here, I

0:26:53.760 --> 0:26:56.440
<v Speaker 5>turned the radio on in the car to ABC Classic.

0:26:56.760 --> 0:26:59.560
<v Speaker 5>I love classical music. I love Bruce Springsteen at the moment,

0:26:59.560 --> 0:27:01.520
<v Speaker 5>I'm playing a lot of a lot of his stuff.

0:27:01.560 --> 0:27:05.000
<v Speaker 5>I love my friend Roger Billet, I love Christofferson, I

0:27:05.040 --> 0:27:08.120
<v Speaker 5>love music. I love music, Tom T. Hall, all those

0:27:08.119 --> 0:27:09.240
<v Speaker 5>storytellers are great.

0:27:09.480 --> 0:27:11.200
<v Speaker 2>Have you ever been singing yourself?

0:27:12.440 --> 0:27:16.480
<v Speaker 5>I've released seventeen albums. Really, where have you been?

0:27:16.760 --> 0:27:18.720
<v Speaker 2>I don't suppose that you would be able to answer

0:27:18.760 --> 0:27:20.720
<v Speaker 2>this question, but I do wonder if they're on Spotify,

0:27:21.280 --> 0:27:22.960
<v Speaker 2>like I'd love to be able to stream them, these

0:27:22.960 --> 0:27:23.520
<v Speaker 2>old albums.

0:27:23.880 --> 0:27:25.400
<v Speaker 5>I'm what where would.

0:27:25.119 --> 0:27:27.720
<v Speaker 2>Someone have to go to listen to these albums?

0:27:29.160 --> 0:27:29.560
<v Speaker 5>I don't know.

0:27:29.680 --> 0:27:32.480
<v Speaker 6>Here there we go, Oh we've been handed them.

0:27:32.520 --> 0:27:34.480
<v Speaker 2>Look at this a couple of CDs.

0:27:36.040 --> 0:27:37.520
<v Speaker 1>Early man who grow bulls?

0:27:41.000 --> 0:27:42.400
<v Speaker 5>When you long?

0:27:43.359 --> 0:27:50.840
<v Speaker 1>You really got it? Me in you all and good?

0:27:51.359 --> 0:27:54.640
<v Speaker 6>Look at you here with a denim jacket on. This

0:27:54.680 --> 0:27:56.520
<v Speaker 6>is the Mind and the Music.

0:27:56.840 --> 0:27:59.199
<v Speaker 5>Yeah, it was called the Mind of the music. Was

0:27:59.480 --> 0:28:01.520
<v Speaker 5>because it was an album of poetry and I wrote

0:28:01.560 --> 0:28:05.000
<v Speaker 5>all the music and I wrote all the words, so

0:28:05.080 --> 0:28:07.200
<v Speaker 5>it was called the Mind and the Music.

0:28:07.400 --> 0:28:09.240
<v Speaker 6>Look at this, all the women in the shorts. You've

0:28:09.280 --> 0:28:10.840
<v Speaker 6>never been trucked like this before.

0:28:11.359 --> 0:28:11.880
<v Speaker 10>I like that.

0:28:12.280 --> 0:28:15.959
<v Speaker 5>I knew you'd like that, And I loved singing. I

0:28:15.960 --> 0:28:17.679
<v Speaker 5>love singing. We had a lot of releases and did

0:28:17.760 --> 0:28:18.840
<v Speaker 5>pretty well. Now put them down.

0:28:20.400 --> 0:28:22.320
<v Speaker 6>Can we keep these and these for us? For all these.

0:28:23.720 --> 0:28:24.240
<v Speaker 2>That's all right.

0:28:24.280 --> 0:28:25.960
<v Speaker 6>Well, you have to get them on Spotify, because there's

0:28:25.960 --> 0:28:28.280
<v Speaker 6>a whole generation that have missed out on the musical

0:28:28.320 --> 0:28:34.520
<v Speaker 6>talents of John Laws. Get it on what Spotify, streaming, Spotify,

0:28:34.800 --> 0:28:36.119
<v Speaker 6>an iPhone, Get it on your phone.

0:28:37.240 --> 0:28:38.680
<v Speaker 5>I don't want I got it there.

0:28:39.920 --> 0:28:41.720
<v Speaker 2>You know he doesn't care about everyone else listening. He

0:28:41.720 --> 0:28:43.720
<v Speaker 2>can listen to himself. It's all good. Did they get

0:28:43.720 --> 0:28:45.840
<v Speaker 2>many radio spins? Did you ever play your own music

0:28:45.880 --> 0:28:46.400
<v Speaker 2>on the radio?

0:28:46.640 --> 0:28:47.960
<v Speaker 5>Yeah, because nobody else had play?

0:28:48.080 --> 0:28:50.200
<v Speaker 2>Yeah, why the hell not? I reckon there, you go

0:28:50.240 --> 0:28:52.280
<v Speaker 2>write that down. It's start putting out singles, and it's

0:28:52.280 --> 0:28:54.840
<v Speaker 2>play them yourselves. We actually got mitched, you know how

0:28:54.880 --> 0:28:57.160
<v Speaker 2>I said that we play things we hear on talkback

0:28:57.400 --> 0:28:59.360
<v Speaker 2>and then we kind of take inspiration from them. We

0:28:59.440 --> 0:29:02.360
<v Speaker 2>got mitched to improvise a poem because we heard one

0:29:02.360 --> 0:29:04.600
<v Speaker 2>of your poems go to air. It was about country

0:29:04.600 --> 0:29:06.080
<v Speaker 2>people actually in small towns.

0:29:06.480 --> 0:29:10.280
<v Speaker 5>A little town is where everybody knows what everybody else

0:29:10.360 --> 0:29:13.280
<v Speaker 5>is doing, but they read the weekly newspaper just to

0:29:13.280 --> 0:29:15.920
<v Speaker 5>see who got caught doing it. Oh that's a good

0:29:15.960 --> 0:29:16.480
<v Speaker 5>story there.

0:29:16.520 --> 0:29:18.600
<v Speaker 2>Yeah. And so I heard that and I played it

0:29:18.640 --> 0:29:20.640
<v Speaker 2>on our podcast and said, Mitch, I think you should

0:29:20.640 --> 0:29:23.280
<v Speaker 2>start doing poetry like this, and he improvised the whole

0:29:23.280 --> 0:29:26.280
<v Speaker 2>thing about Britney Spears, the whole free Britney thing.

0:29:26.800 --> 0:29:28.920
<v Speaker 6>I I'd sing to music ideas, it'd be like we

0:29:29.040 --> 0:29:34.200
<v Speaker 6>knew you from a girl, a young Titan Cube, but

0:29:34.320 --> 0:29:35.760
<v Speaker 6>now look at you.

0:29:36.000 --> 0:29:42.240
<v Speaker 3>Like an old haggard boot free Brittany. Let her out

0:29:42.240 --> 0:29:47.360
<v Speaker 3>of that cage, poor poor Britney. It makes me filled

0:29:47.920 --> 0:29:48.840
<v Speaker 3>with rage.

0:29:49.160 --> 0:29:50.960
<v Speaker 2>Are you across the Britney Spears drama?

0:29:51.680 --> 0:29:55.640
<v Speaker 5>Dad? Care? What a drama? Why don't they just leave

0:29:55.680 --> 0:29:56.320
<v Speaker 5>her alone?

0:29:56.640 --> 0:29:57.120
<v Speaker 6>Are well?

0:29:57.160 --> 0:29:57.440
<v Speaker 2>They are?

0:29:57.480 --> 0:29:57.680
<v Speaker 10>Now?

0:29:57.760 --> 0:29:58.400
<v Speaker 2>So that's good.

0:29:58.480 --> 0:30:00.680
<v Speaker 6>She's free, Britney's free. Now they want it.

0:30:00.760 --> 0:30:02.680
<v Speaker 2>I'm sure John really appreciates that update.

0:30:02.880 --> 0:30:04.080
<v Speaker 5>What am I doing talking about?

0:30:06.080 --> 0:30:08.040
<v Speaker 6>Well, this was a pleasure. I've really enjoyed this match.

0:30:08.080 --> 0:30:09.720
<v Speaker 6>Anything you want to get off here? Jest with John?

0:30:10.720 --> 0:30:12.480
<v Speaker 2>Well, I'm wondering if we should ask him the question

0:30:12.640 --> 0:30:13.600
<v Speaker 2>we ask every guest.

0:30:14.520 --> 0:30:15.400
<v Speaker 6>I think you can do that.

0:30:15.560 --> 0:30:17.720
<v Speaker 2>Okay, So we like every guest that we have on

0:30:17.760 --> 0:30:20.600
<v Speaker 2>the podcast, we like to ask them a small thing

0:30:20.600 --> 0:30:24.320
<v Speaker 2>in life that they appreciate, like Angela Bishop said her

0:30:24.360 --> 0:30:27.960
<v Speaker 2>water bed. Jessica Malboy said sitting in the sun, being

0:30:28.000 --> 0:30:30.120
<v Speaker 2>barefoot in a garden. That was one of her small

0:30:30.160 --> 0:30:32.880
<v Speaker 2>life pleasures. The reason I'm reluctant to ask it is

0:30:32.920 --> 0:30:35.280
<v Speaker 2>because we call it our list of things better than

0:30:35.360 --> 0:30:39.000
<v Speaker 2>drugs and dick, which is basically a psa to young

0:30:39.040 --> 0:30:42.000
<v Speaker 2>people that there's more to life than boys and partying.

0:30:43.960 --> 0:30:44.560
<v Speaker 5>No, there's not.

0:30:45.640 --> 0:30:46.560
<v Speaker 6>No one's ever said that.

0:30:46.600 --> 0:30:47.640
<v Speaker 2>I'll put that on the list.

0:30:48.480 --> 0:30:50.840
<v Speaker 5>Is that it?

0:30:51.120 --> 0:30:52.440
<v Speaker 6>Yeah, if you want, Yeah, we're good.

0:30:53.080 --> 0:30:56.239
<v Speaker 5>Yeah, I'm happy to sit here a bit longer if

0:30:56.280 --> 0:30:59.040
<v Speaker 5>you wanted. That's up to talking about anything else.

0:30:59.120 --> 0:31:01.280
<v Speaker 6>Now we're done. I'm good. Thank you for being here.

0:31:01.280 --> 0:31:01.880
<v Speaker 6>It was a pleasure.

0:31:02.000 --> 0:31:02.760
<v Speaker 5>Are you bored now?

0:31:03.000 --> 0:31:06.120
<v Speaker 6>No, we can stay here all day, like he'll.

0:31:06.320 --> 0:31:08.120
<v Speaker 5>Thank you very much for coming to visit me. It

0:31:08.160 --> 0:31:09.400
<v Speaker 5>was very nice for you to do that.

0:31:09.640 --> 0:31:10.680
<v Speaker 2>Thank you for having us.

0:31:10.760 --> 0:31:12.480
<v Speaker 6>There was a pleasure. You're a legend. It was great

0:31:12.480 --> 0:31:13.880
<v Speaker 6>to be in your presence and in the studio.

0:31:14.720 --> 0:31:15.680
<v Speaker 5>Yeah, it's good studio.

0:31:15.760 --> 0:31:17.520
<v Speaker 6>It's a big studio studio.

0:31:17.720 --> 0:31:20.400
<v Speaker 2>Have you seen the kiss FM broom closet studio? Like

0:31:20.480 --> 0:31:21.920
<v Speaker 2>this is the next level.

0:31:22.080 --> 0:31:23.960
<v Speaker 6>If it has Kyle been in here, because if he

0:31:24.040 --> 0:31:27.280
<v Speaker 6>were to see this, renovations would start at Kiss tomorrow.

0:31:27.680 --> 0:31:29.680
<v Speaker 6>Kyle Studio is a quarter the size of this.

0:31:30.400 --> 0:31:32.840
<v Speaker 5>Well, so it should be yeah, cord to the talent.

0:31:33.200 --> 0:31:34.239
<v Speaker 6>Yeah, is that it?

0:31:34.320 --> 0:31:35.440
<v Speaker 5>You finish? Now? You're bored?

0:31:35.480 --> 0:31:35.640
<v Speaker 10>Now?

0:31:35.800 --> 0:31:38.200
<v Speaker 2>No, I'm not bordin And you've got a long lunch

0:31:38.240 --> 0:31:40.040
<v Speaker 2>to get to, haven't you have?

0:31:40.200 --> 0:31:46.400
<v Speaker 5>I with a lot of people. What have you got

0:31:46.840 --> 0:31:47.320
<v Speaker 5>on your own?

0:31:47.640 --> 0:31:47.840
<v Speaker 9>Oh?

0:31:47.960 --> 0:31:49.000
<v Speaker 6>It says art pop?

0:31:49.200 --> 0:31:51.440
<v Speaker 2>You are you familiar with art pop? No, it's a

0:31:51.520 --> 0:31:53.040
<v Speaker 2>Lady Gaga album.

0:31:53.320 --> 0:31:57.080
<v Speaker 5>No, I like Lady Gaga, do you yeah? Do you

0:31:57.120 --> 0:31:58.560
<v Speaker 5>know why I like Lady Gaga?

0:31:59.000 --> 0:32:01.600
<v Speaker 2>Well, suspect that you'd be a fan of some of

0:32:01.600 --> 0:32:04.040
<v Speaker 2>the classical stuff she puts out. She's got jazz albums

0:32:04.080 --> 0:32:05.160
<v Speaker 2>as well as the pop stuff.

0:32:05.200 --> 0:32:10.160
<v Speaker 5>But also I like her because one of my favorite

0:32:10.160 --> 0:32:14.680
<v Speaker 5>people in the world likes Tony Bennett, and Tony Bennett

0:32:14.720 --> 0:32:18.400
<v Speaker 5>likes Lady Gaga, and Tony Bennett is a gentleman beyond

0:32:18.440 --> 0:32:21.520
<v Speaker 5>belief and sings like nobody else.

0:32:21.680 --> 0:32:23.760
<v Speaker 2>And that new album they put out recently is up

0:32:23.760 --> 0:32:27.160
<v Speaker 2>for like a gazillion Grammys, So oh yeah, when they

0:32:27.240 --> 0:32:28.680
<v Speaker 2>team up, magic happens.

0:32:28.760 --> 0:32:32.080
<v Speaker 5>Yeah, do you know something, We're starting to get boring.

0:32:32.080 --> 0:32:34.200
<v Speaker 5>People listening aren't going to give a stuff about Tony

0:32:34.240 --> 0:32:37.560
<v Speaker 5>Bennett and Lady Gaga. I'm going now, all.

0:32:37.600 --> 0:32:39.000
<v Speaker 6>Right, then, it was a pleasure to have you on.

0:32:39.080 --> 0:32:39.600
<v Speaker 6>Great to meet you.

0:32:40.440 --> 0:32:41.960
<v Speaker 5>You didn't have me on, I had you.

0:32:41.960 --> 0:32:44.800
<v Speaker 6>You're that again, Yeah, a pleasure to be here.

0:32:45.360 --> 0:32:47.560
<v Speaker 5>Well, it's been a pleasure to have you here. And

0:32:47.680 --> 0:32:50.440
<v Speaker 5>anytime you feel like dropping by again, you're quite welcome.

0:32:50.480 --> 0:32:52.680
<v Speaker 5>The door will always be open. Oh, thank you, John,

0:32:52.880 --> 0:32:55.680
<v Speaker 5>that's a pleasure. You're You're all right, he looks.

0:32:55.800 --> 0:32:56.120
<v Speaker 6>Thanks.

0:32:56.720 --> 0:32:58.360
<v Speaker 2>That's a glowing review of ever heard?

0:32:59.440 --> 0:33:00.920
<v Speaker 6>Thank you John? Thanks John?

0:33:02.280 --> 0:33:03.480
<v Speaker 4>Is it just me?

0:33:04.040 --> 0:33:06.240
<v Speaker 2>A podcast by a couple of mechas.

0:33:06.520 --> 0:33:10.120
<v Speaker 8>Make sure you've hit follow on your podcast app.

0:33:11.280 --> 0:33:15.800
<v Speaker 6>Let me be a little candid, Let me be a

0:33:15.840 --> 0:33:17.760
<v Speaker 6>little blinded to.

0:33:17.800 --> 0:33:19.920
<v Speaker 2>The founts of those about me.

0:33:20.640 --> 0:33:22.800
<v Speaker 5>Let me praise a fut more.