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Speaker 1: I'm going to as a soft drink, no ducing, no.

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Speaker 2: Alright, I've been asking this question for a week now

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Speaker 2: and the mint to be honest, Australia, I'm starting to

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Speaker 2: get worried. I am very much starting to get worried.

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Speaker 2: That was a soft drink. See, I think I can

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Speaker 2: hear it. I think i'm hearing something.

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Speaker 3: You're nowhere? What are you? You're nowhere.

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Speaker 4: I'm actually at a point where I'm doing the opposite

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Speaker 4: to what I think it is, and I think that's

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Speaker 4: more effective.

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Speaker 5: Like, Okay, in my head, I think I think to

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Speaker 5: be a too. So it's a soft drink.

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Speaker 2: Yeah, yeah, you know, you.

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Speaker 3: Know your counter theories gone to God as well.

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Speaker 5: I'm chief cracker. I can't focus on Yeah.

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Speaker 3: Yeah, you're you're chief cans man.

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Speaker 2: You'll be there on the day cracking the cans very

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Speaker 2: much looking forward to that. Right now, though, we're going

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Speaker 2: to hear from somebody who has guessed more cans.

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Speaker 3: Than anybody else. Right.

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Speaker 2: It is is our current people's champion, obviously, the celebrity.

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Speaker 3: Champion, an overall champion is Joe Jonas.

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Speaker 2: Before Joe came on the scene and got six Zoe

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Speaker 2: driving home in the rain got five?

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Speaker 5: Can won?

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Speaker 1: I think that could be not bad, Zoe. That's a

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Speaker 1: beer as well, I think.

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Speaker 3: So.

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Speaker 1: I think that's fear again?

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Speaker 3: Wow is this? Oh?

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Speaker 1: I think that was a soft drink?

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Speaker 3: She's gon f.

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Speaker 5: Here is can fine?

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Speaker 1: Oh? I think it's a beer.

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Speaker 3: She got five?

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Speaker 5: She cried by the way when she knew that she

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Speaker 5: won nothing. There was the prime it on many Look, Zoe,

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Speaker 5: he joins us right now on the phone.

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Speaker 3: Hello, Zoe, Hello, going great to have you back.

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Speaker 5: Do we give you a prize at all?

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Speaker 3: There?

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Speaker 5: Zoey, I won a thousand bucks? A thousand bucks. Excuse me,

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Speaker 5: excuse me?

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Speaker 4: So, Zoe, listen, you got five in a row, which means,

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Speaker 4: I believe on record you have never got one of

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Speaker 4: these wrong. So my question to you is what are

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Speaker 4: you listening for? And what is the difference between the

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Speaker 4: beer and the soft drink?

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Speaker 1: Well, I actually did some research and it's the CO

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Speaker 1: two in the cair apparently, and because of the fermentation

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Speaker 1: that the beer has is like a lower level than

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Speaker 1: soft drink, So it's a higher pitch for the soft drink. Apparently.

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Speaker 2: Okay, there's a pitch, but where like there's there's a

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Speaker 2: lot of noise like, if you break it down, there's

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Speaker 2: a lot of noises going on. Which part of the

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Speaker 2: noise are you listening for the pitch?

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Speaker 1: I think it's the crack and then the fizzle on

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Speaker 1: the outside. I was trying to think of out all

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Speaker 1: day what it was. It's kind of just you hear it.

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Speaker 1: You know.

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Speaker 5: You're gifted.

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Speaker 3: You gifted? Yeah, yeah, you just see it. You see

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Speaker 3: it or you don't. It's like one of those optical illusions.

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Speaker 5: Yes, black, you know that one.

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Speaker 3: No, I think that's different.

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Speaker 5: So I've forgotten. What do you What do you do

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Speaker 5: for work?

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Speaker 1: I work in a community school. I'm a bit of

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Speaker 1: a youth worker, so I work in a high school

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Speaker 1: for dishes disadvantaged.

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Speaker 5: You that's amazing.

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Speaker 4: And do you find like in your normal life that

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Speaker 4: you'll say like, did you hear that?

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Speaker 5: And everyone's like, what are you talking about? Zoe?

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Speaker 1: Oh? No, I think that happens to me quite a lot.

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Speaker 5: It does happen to you quite a lot, or it

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Speaker 5: doesn't happen.

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Speaker 6: It does it?

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Speaker 3: Does?

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Speaker 1: I recommend hear more than I'm supposed to.

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Speaker 3: Sometime while going on with you, Zoe, what do you reckon?

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Speaker 3: She's sonically superior Joe Jonas.

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Speaker 5: I think Zoe would be able to like hear a

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Speaker 5: mouse walking from like.

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Speaker 3: Make a really quiet noise. Let's hear Zoe hears you.

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Speaker 5: Okay, okay, hang on, hang on, hang on. What's this Zoey?

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Speaker 1: Well, it was nothing because you didn't make any sound.

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Speaker 5: Oh, I was lightly tapping my pen on the desk.

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Speaker 7: Very very much.

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Speaker 2: Could be the best or worst thing that we've ever

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Speaker 2: done right there in that last twenty seconds. I mean,

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Speaker 2: if she hadn't got it, it could have been anything.

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Speaker 2: She didn't and it was awful. But Zoey, it's so

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Speaker 2: nice to hear your voice.

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Speaker 7: Now.

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Speaker 2: Look, Zoey, you're coming down on the day obviously to

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Speaker 2: the Can you hear it live?

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Speaker 1: Yeah? I am.

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Speaker 2: I hope so, because I mean you're our carryover champ.

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Speaker 2: You are a people's champ. And I would love nothing

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Speaker 2: more than to give you twenty thousand dollars.

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Speaker 3: Zoey. We we love you, We bloody lie.

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Speaker 1: I would love nothing more than you to give me

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Speaker 1: twenty thousand dollars too.

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Speaker 4: Do you feel the pressure though, Zoey being the you

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Speaker 4: know you are the current leader. You'll be you will

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Speaker 4: be the favorite on the night. Everyone will know that

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Speaker 4: you're Zoe, the one that.

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Speaker 5: Got five cans. Is there a pressure there?

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Speaker 1: Oh, there's definitely pressure, But I guess it's just down

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Speaker 1: to what happens in the day.

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Speaker 3: It's how you deal with that pressure.

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Speaker 2: Spoken like a true champion, but spoken like a clutch player. Zoe,

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Speaker 2: would you like is to open one can for you

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Speaker 2: while you're on the air right now, I'm.

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Speaker 1: Gonna save my dignity.

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Speaker 5: I haven't got on the same good response.

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Speaker 3: We'll throw it open to everyone else. Then shared what

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Speaker 3: shall we thirty one? At six five?

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Speaker 5: I think it's pitch. We got Nick here? Nick, you reckon?

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Speaker 5: You can do this, mane. I think let's just crack

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Speaker 5: in the first one. Let's crack into the first one. Nick,

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Speaker 5: Here we go, Here we go.

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Speaker 8: Oh, I definitely think that's a beer.

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Speaker 2: Nice Nicky, Nice Nicky, you're on you're on cano.

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Speaker 8: Oh, definitely another beer.

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Speaker 2: No, it's not, it's not, Nick And I feel like

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Speaker 2: for me, I feel like that was obvious.

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Speaker 3: I mean like I'm.

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Speaker 5: You are looking at the cannon.

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Speaker 3: Sorry, sorry, Nick, bad luck. Mate.

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Speaker 2: Here we go, next player here, Tyson, Tyson, you reckon?

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Speaker 2: You can hear something?

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Speaker 3: Oh that that was a poor act from Nick. I

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Speaker 3: can smash that one. I reckon, Oh like six boys six.

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Speaker 5: Now, hang on, hang on, I reckon, you were talking.

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Speaker 5: I reckon you were talking and can I'm gonna be honest.

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Speaker 5: There's been a little bit of criticism for the chief Cracker.

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Speaker 3: Getting a.

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Speaker 5: Start against some.

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Speaker 3: More can Oh my, here we go.

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Speaker 9: That's a soft drink for sure.

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Speaker 3: I thought that was a beer.

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Speaker 10: Wow.

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Speaker 2: Yeah, I reckon, that was I reckon Tyson might be

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Speaker 2: able to hear something in here.

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Speaker 3: Woods, Can you stop? What matter?

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Speaker 5: I need more cans?

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Speaker 10: Can?

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Speaker 9: That's a soft trick again, easy.

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Speaker 5: It's a big.

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Speaker 3: From you.

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Speaker 5: No the show, Well, l J, let's talk about it.

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Speaker 3: Let's put it on the airwaves, shall we.

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Speaker 2: I think I think the job of chief Cracker has

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Speaker 2: got to be in trouble for Woods.

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Speaker 5: It has to be.

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Speaker 3: It has to be.

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Speaker 4: Question you said to me pre show, make sure it's

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Speaker 4: quick and smooth. Every time they were quick and smooth.

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Speaker 5: I think what's happened with I think you've all corrected. Yeah, yeah,

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Speaker 5: you might need a break from it.

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Speaker 3: Would Yeah, I reckon. I think we just found out

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Speaker 3: that he can hide his online status on WhatsApp.

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Speaker 4: Huge massive, Well, I still don't know how, but I

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Speaker 4: know there's a path. Will now onto another very stressful

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Speaker 4: situation that all of us face.

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Speaker 2: If what's the stressful city When you've seen something in

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Speaker 2: the group chat and everyone knows you've seen it.

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Speaker 5: Exactly, very stressful.

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Speaker 4: But more stressful than that, if you work in a

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Speaker 4: place where you've got a workplace and there's a communal toilet,

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Speaker 4: then you will know exactly what I'm about to talk about.

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Speaker 4: So when you go into the communal work toilet, and

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Speaker 4: I don't want to get gross here, but you have

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Speaker 4: to do twosies, Okay, Okay, that's totally fine. You're allowed

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Speaker 4: to do teesses at work, no dramas. But then you

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Speaker 4: hear someone walk into the toilet, Okay, you hear someone

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Speaker 4: coming to the communal space.

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Speaker 5: I think you have three options. One you wait it out.

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Speaker 4: You're just like I'm just gonna like I'm just gonna

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Speaker 4: sit here for as long as possible, because at the

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Speaker 4: end of the day, all you're trying to do is

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Speaker 4: avoid an interaction after you've done twosies. You know, when

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Speaker 4: you're washing your hands in the mirrors. I don't want

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Speaker 4: to have that interaction after I've just done twosies. So

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Speaker 4: you've got the three options. One you wait it out,

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Speaker 4: wait for them to leave. Two you make a run

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Speaker 4: for it. You're like, I know you're in here, you

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Speaker 4: know I'm in here.

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Speaker 5: I'm running.

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Speaker 4: I'm going to bolt out the door and then hopefully

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Speaker 4: I don't see you at the basin. Three you're one

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Speaker 4: of those really bold people who's just like, I don't care.

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Speaker 4: I'm gonna I'm gonna really slowly swagger out, and I

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Speaker 4: don't mind having to chat with you in front of

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Speaker 4: the mirror.

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Speaker 5: I am intrigued will as to where you lie?

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Speaker 4: There a great toilet escape. We all know it, don't

200
00:09:18,240 --> 00:09:19,960
Speaker 4: but I know it's a little bit childish, but we

201
00:09:20,040 --> 00:09:22,400
Speaker 4: have all thought it. Every single one of us has

202
00:09:22,400 --> 00:09:23,719
Speaker 4: thought that when we are sitting on the.

203
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Speaker 3: Toilet traditionally not a work poor.

204
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Speaker 5: So you know, don't light to me.

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Speaker 3: I'm not. You know I'm not. You put it. Put

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00:09:32,160 --> 00:09:33,760
Speaker 3: an air tracker on me, brother, put an air tecker

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Speaker 3: on me.

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Speaker 4: You and me have worked together for a You used

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Speaker 4: to call it dropping the iron curtain when you and me.

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Speaker 3: Would beside until we're going together.

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Speaker 4: Now, don't lie to me, But but what what do

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Speaker 4: you do in this situation.

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Speaker 2: I'm not traditionally a work poor, but if I am

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Speaker 2: in that situation, I'm probably I probably waited out. I

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Speaker 2: probably late lay siege to their cubicle and watch them

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Speaker 2: blink first.

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Speaker 5: How long will you wait?

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Speaker 4: Though, because often you can have two players that are

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Speaker 4: going I'm going to wait longer than them. I know

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Speaker 4: that they're waiting at out, but I'm not going out first.

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Speaker 2: They just haven't met their match in terms of what

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Speaker 2: wait well, because the problem for you and me is sometimes.

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Speaker 3: We've got to get back on air, or you've got

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Speaker 3: to get on air.

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Speaker 5: Because I'm a runner. I'm gonna be honest with you.

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Speaker 5: I'm a runner.

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Speaker 3: If I hit any you're lightning fast though.

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Speaker 4: Training lots of training, so I know if I hear

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Speaker 4: door man, yeah, as soon as they're in either urinal or.

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Speaker 2: Cubicle urinal, you're out. Even wait, surely you just wait.

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Speaker 2: If they hang on, if they're at the urinal, you

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Speaker 2: can just go, oh wait the twenty five seconds.

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Speaker 4: I run within the twenty five I can get a day.

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Speaker 3: Why would you do it to yourself?

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Speaker 4: I get scared that if I start waiting, then someone

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Speaker 4: else might come in, and then I could be in

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Speaker 4: there for days.

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Speaker 3: You should know that everyone just assumes that it's you

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Speaker 3: and they go in there.

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Speaker 5: And that is absolutely not fair. That's not fair.

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Speaker 3: If i'd love to hear, by the way, I.

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Speaker 4: Want to hear right now, we have one hundred percent.

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Speaker 4: We have all experienced this. Thirteen one oh sixty five

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Speaker 4: is the number. You're in the cubicle, you're in the toilets,

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Speaker 4: you're doing Tuesies when you hear that someone else comes in.

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Speaker 5: What do you do, James? What's your tip in that situation? James?

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Speaker 11: Good After guys, caller you, thank you. You've got a

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Speaker 11: situation where you've got two blokes in the toilet and

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Speaker 11: you both are sieging and waiting for the other. Yes,

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Speaker 11: there's been an unspoken will you wait for a belt

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Speaker 11: buckle to be moved or the toilet roll to be rolled,

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Speaker 11: And that's the indication the other person's going to start

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Speaker 11: wrapping up, So you wait for them to wrap up

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Speaker 11: and then you go after them.

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Speaker 4: So you think it's a bit of a race. It's

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Speaker 4: a bit of a race for the toilet roll movement.

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Speaker 4: And then the first person who's toilet rolling, they go first.

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Speaker 8: They get right away, absolutely going to go.

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Speaker 5: It's nice to have some rules.

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Speaker 3: It's probably a good chat.

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Speaker 12: Well.

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Speaker 2: As soon as you obviously, as soon as you hear

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Speaker 2: someone starting to go, you go, well, lookie, if you're

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Speaker 2: going to start going, I'm not going to come. That's

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Speaker 2: an interest A good question for you as a racer

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Speaker 2: as a sprinter, because I like to get if somebody

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Speaker 2: starts going for the toilet roll, do you take them

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Speaker 2: on there?

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Speaker 4: I'm trying to detect urgency with the role I would

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Speaker 4: imagine there because some people take ages from when they're

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Speaker 4: playing with the toilet role.

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Speaker 5: I would say, so you.

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Speaker 2: Would consider racing them even though they're obviously leaving.

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Speaker 4: I probably maybe have too much anxiety around the fact

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Speaker 4: that I think the whole office is talking about the

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Speaker 4: fact that I'm in the toilet, So I get concerned

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Speaker 4: being one of the waiters so waiting for the other

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Speaker 4: person to leave, because then I think everyone's out here

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Speaker 4: at the desks going.

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Speaker 5: Oh, bloody hell, what he's been in there for a while,

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Speaker 5: and no one wants that.

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Speaker 3: What are you doing this situation?

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Speaker 6: So what normally happens to me is I just kind

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Speaker 6: of sit there for a bit and if I can

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Speaker 6: hear the door opening, like I can hear someone's comedy and.

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Speaker 8: I just.

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Speaker 5: Well, hang on, sorry, I have you just dropped out there?

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Speaker 5: If you can hear the door slowly opening, what do

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Speaker 5: you do.

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Speaker 7: It's just a trigger point for me, and it just

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Speaker 7: gives me a bit of anxiety, but just enough for

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Speaker 7: it to come through straight away and then make.

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Speaker 3: The dash dead.

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Speaker 5: You're a well done over.

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Speaker 4: He's got a David here, David, what's your what's your

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Speaker 4: take on this situation that we all live through.

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Speaker 9: So about forty five years ago, I got struck with

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Speaker 9: a tired year, ran to the loo, realized I've gone

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Speaker 9: into the lady to buy a mistake. It's too late

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Speaker 9: to leave, and I stayed in there for two and

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Speaker 9: a half hours, and so just before the building locked up. Mortified,

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Speaker 9: And forty five years later, I'm still mortified by the

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Speaker 9: memory of it.

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Speaker 2: Hilariously, Volunteer of the Year, this guy called Ian Grace.

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Speaker 3: I think he's doing Ian Grace right. So he's up

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Speaker 3: on the.

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Speaker 2: Goldie and he pins this this online post where basically

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Speaker 2: he says women who are wearing minimal bikinis and making

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Speaker 2: him feel uncomfortable, right, So he he writes the piece

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Speaker 2: and then he goes on the project and surprise, surprise,

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Speaker 2: I mean blow me down with a feather, Steve Price,

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Speaker 2: I mean communist in wolf's clothing. Here he comes out

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Speaker 2: there and he goes, I tell you what, I tell

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Speaker 2: you what I I bloody.

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Speaker 3: I agree with you, mate, I agree with your hand.

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Speaker 3: You feel uncomfortable when you see this. I tend to

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Speaker 3: agree with that. How uncomfortable does it make you feel?

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Speaker 13: I want young women to be so confident enough that

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Speaker 13: they can wear Hey, nothing wrong with an ordinary bikini

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Speaker 13: that goes straight across the bum, as opposed to the

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Speaker 13: song up bum. But you know a young lady on

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Speaker 13: the beach bear bump, yep, great view, and then the

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Speaker 13: same lady's shoving me coffee shortly.

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Speaker 3: It just makes you feel uncomfortable.

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Speaker 5: Why are you looking?

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Speaker 3: Makes him feel uncomfortable?

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Speaker 5: I'm glad Sarah jumped in there like it is a

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Speaker 5: big beach. Australia is a big place, like walk Away.

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Speaker 4: Yeah, he doesn't have to stay if he feels uncomfortable.

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Speaker 4: Because she has made a decision to wear what she

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Speaker 4: wants to wear. You don't have to stand there in well.

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Speaker 2: I think the uncomfortab the uncomfortability for him was that

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Speaker 2: she then later served him coffee and I'm sorry. It

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Speaker 2: was like, if you're going to flash through my ass,

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Speaker 2: you can't serve me coffee later.

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Speaker 9: You know.

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Speaker 3: He's not happy about it. He feels uncomfortable.

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Speaker 2: Yeah, yeah, yeah, anyway, I I find this. I do

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Speaker 2: find this really interesting because I there's there's a really

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Speaker 2: obviously quite a hard line position from older and potentially

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Speaker 2: more conservative people saying that you shouldn't be able to

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Speaker 2: wear minimal or what do they called the micro bikinis

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Speaker 2: around because it's indecent or whatever it is.

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Speaker 4: Are they old enough for when they were going to

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Speaker 4: the beach when they were like kids, it was like

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Speaker 4: legs covered, you know, because.

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Speaker 3: That was one thing they were nuns.

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Speaker 5: No, no, no, because the first like bathers were like.

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Speaker 3: The sixteenth what's the sixteenth century?

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Speaker 5: How old are they?

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Speaker 3: Because I think the Kani came out that was that

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Speaker 3: was a big deal.

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Speaker 5: Seventies, wasn't it so like that.

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Speaker 3: It's a big yeah.

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Speaker 2: But I think that obviously the other side of this

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Speaker 2: is going to be really beautifully illustrated by Sarah Harris,

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Speaker 2: who spoke I think pretty well on the project to

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Speaker 2: the same guy straight afterwards us.

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Speaker 14: It's a fine line, isn't it ian, Because shouldn't we

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Speaker 14: be teaching our girls to be proud of their bodies

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Speaker 14: and not be ashamed of it. You say that these

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Speaker 14: types of bikinis can cheapen young.

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Speaker 3: Girls, Well it's interesting too.

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Speaker 13: Can you imagine young men or men you know doing

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Speaker 13: this as well? If all of a sudden men started

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Speaker 13: doing it, I think we'd be lamp based and castigated

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Speaker 13: all those big words. But we probably never would because

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Speaker 13: it's just not something we'd do. And I think, well,

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Speaker 13: why do you need to what's the decision to for example,

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Speaker 13: where an audio bikini or one that's you've got the

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Speaker 13: thong you know, up the back.

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Speaker 2: Just when he thought he couldn't cock it up anymore,

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Speaker 2: he made a legenda debate. So look he has he has,

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Speaker 2: you know, really made a bit of a grave for himself. Here, Hey,

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Speaker 2: Kira is called on thirty one and six five? Here,

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Speaker 2: what do you want to say?

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Speaker 6: Hi, guys? I just wanted to have an opinion. Essentially,

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Speaker 6: I think, look, I think the guy has a little

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Speaker 6: bit of a point. However, the debate really starts and

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00:17:15,359 --> 00:17:18,240
Speaker 6: comes from respects, right, So I think people should be

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Speaker 6: able to wear what they want and when they feel

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Speaker 6: comfortable in, but also be aware of their surroundings.

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Speaker 4: Okay, sure, So so what are the what are the

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00:17:26,119 --> 00:17:28,600
Speaker 4: certain things in your surroundings? I say, if you're the

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Speaker 4: one who's at the beach in a micro bikini, what

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Speaker 4: what sort of thing should you be aware of in

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Speaker 4: your surroundings?

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Speaker 6: Yeah? Absolutely, well I don't think a beach is an issue.

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Speaker 6: But so for me, I like to wear a nice

390
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Speaker 6: little bikini, but when I take my kids to the

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Speaker 6: family pools, I'm not going to wear that.

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Speaker 2: Okay, Yeah, well I actually took my daughter to swim

393
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Speaker 2: class this morning, you know, like, yeah, yeah, mate, what.

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Speaker 5: Was your swim withear.

395
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Speaker 3: The micro.

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Speaker 5: And how was that received?

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Speaker 3: So here's what I do. I think this is a

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Speaker 3: really interesting discussion. I want to say.

399
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Speaker 2: The other part of it that I thinks really really

400
00:18:05,040 --> 00:18:08,040
Speaker 2: interesting is there was a bit there where Sarah says

401
00:18:08,040 --> 00:18:10,159
Speaker 2: to this dude, I keep getting his down Ian grace.

402
00:18:10,280 --> 00:18:12,919
Speaker 3: She says to him, she was like, don't look right.

403
00:18:13,200 --> 00:18:13,400
Speaker 8: Yeah.

404
00:18:13,440 --> 00:18:14,280
Speaker 3: Now, I think.

405
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Speaker 2: That's a really interesting bit as well, because I think

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Speaker 2: there's a very big difference between looking, glancing, noticing, and

407
00:18:21,680 --> 00:18:25,000
Speaker 2: staring and making making someone feel uncomfortable for what they're wearing.

408
00:18:25,640 --> 00:18:28,240
Speaker 2: You can't do that, but like you can't help who

409
00:18:28,280 --> 00:18:31,160
Speaker 2: you're attracted to. So I suppose that's the other The

410
00:18:31,200 --> 00:18:33,360
Speaker 2: next question that I want to ask in all of this,

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Speaker 2: let's start by saying thirteen one oh six five? Should

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Speaker 2: you be able to wear what you want? If you

413
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Speaker 2: go to South America or Europe and you go to

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Speaker 2: a beach. I mean, Anan wouldn't survive very long. I

415
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Speaker 2: wouldn't know when he put his eyes he probably feels

416
00:18:47,320 --> 00:18:49,959
Speaker 2: so uncomfortable, you know, it's that hyperventilating because there are

417
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Speaker 2: there's more.

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Speaker 3: Flesh than there is everyone on Australian beach.

419
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Speaker 5: Absolutely.

420
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Speaker 3: So look, we don't want to.

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Speaker 2: Talk about this with you guys though, because it's obviously

422
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Speaker 2: a very hot topic.

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Speaker 3: Should you be able to what you want to wear

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Speaker 3: to the beach?

425
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Speaker 2: And the next step and I'm going to ask you Leanne, Leanne,

426
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Speaker 2: what do you think?

427
00:19:06,800 --> 00:19:11,520
Speaker 10: Hello? Hi, So I listened to state Price. I actually

428
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Speaker 10: think the issue is when they're at the beach, there's

429
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Speaker 10: no problems. And that's how I feel. Even walking around Goldie,

430
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Speaker 10: A lot of the girls in the shopping centers they've

431
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Speaker 10: got g strings, in on and I think that's the

432
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Speaker 10: issues for my generations. We're a bit more, a bit

433
00:19:26,800 --> 00:19:29,679
Speaker 10: more concernive. Why not put a pair of jeans, James

434
00:19:29,720 --> 00:19:32,359
Speaker 10: shorts on something, just cover up, just be a little

435
00:19:32,400 --> 00:19:37,119
Speaker 10: bit more For for the older generation, it's.

436
00:19:36,960 --> 00:19:40,040
Speaker 2: Not like you know, it is, you know, in communal spaces,

437
00:19:40,119 --> 00:19:42,000
Speaker 2: as I was saying before about swimming class, like we've

438
00:19:42,000 --> 00:19:44,160
Speaker 2: all got to live. I mean I personally I don't care,

439
00:19:44,200 --> 00:19:45,359
Speaker 2: but I know that they are going to be other

440
00:19:45,400 --> 00:19:47,240
Speaker 2: people around who would care. And if you know that

441
00:19:47,280 --> 00:19:50,280
Speaker 2: somebody is going to care, there's an argument there to say, well,

442
00:19:50,320 --> 00:19:51,919
Speaker 2: if you know that someone's going to care, then do

443
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Speaker 2: you want.

444
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Speaker 13: To annoy them?

445
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Speaker 5: Middle ground.

446
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Speaker 2: Let's just say in general though, like if you know,

447
00:19:57,680 --> 00:19:59,080
Speaker 2: let's say you go down to the beach and you

448
00:19:59,119 --> 00:20:01,720
Speaker 2: can play loud music the whole time. Sure, right, if

449
00:20:01,720 --> 00:20:03,920
Speaker 2: you know that's going to piss people off around.

450
00:20:03,640 --> 00:20:06,960
Speaker 4: You, yeah, I'd move away, right, Yeah, respects thing. Let's

451
00:20:06,960 --> 00:20:09,639
Speaker 4: go to Naomi here, Naomi, what do you think about this?

452
00:20:11,119 --> 00:20:13,680
Speaker 7: I look, wear what you want. I don't say how

453
00:20:13,680 --> 00:20:17,800
Speaker 7: old you are, what generation, what jender you are. At

454
00:20:17,800 --> 00:20:19,919
Speaker 7: the end of the day, you've got old blokes in

455
00:20:20,280 --> 00:20:22,879
Speaker 7: budgy smugglers walk around with Billy.

456
00:20:22,920 --> 00:20:29,400
Speaker 2: Around Naomi, get around it, get around Naomi it.

457
00:20:30,280 --> 00:20:32,800
Speaker 7: To cover up there, little butts. Then let's tell the

458
00:20:32,840 --> 00:20:34,800
Speaker 7: old blakes to cover up their back here. I don't

459
00:20:34,800 --> 00:20:35,680
Speaker 7: want to see that either.

460
00:20:38,440 --> 00:20:40,040
Speaker 3: In Naomi. It's a great goal.

461
00:20:40,240 --> 00:20:42,240
Speaker 5: It's a great goal, Sam, Sam, What do you reckon

462
00:20:42,320 --> 00:20:42,679
Speaker 5: about this?

463
00:20:44,080 --> 00:20:44,359
Speaker 9: Mate?

464
00:20:46,240 --> 00:20:48,320
Speaker 8: For me, personally, I don't have a problem at the beach.

465
00:20:48,400 --> 00:20:50,360
Speaker 8: They can play it with what's happening in the world

466
00:20:50,480 --> 00:20:52,800
Speaker 8: right now, with the generic what's happening. This is the

467
00:20:52,920 --> 00:20:54,879
Speaker 8: least of our problems. But the only thing I've had

468
00:20:54,920 --> 00:20:56,920
Speaker 8: a problem with. If you're going to wear something and

469
00:20:56,960 --> 00:20:59,280
Speaker 8: display something, you should cop the good with the bad

470
00:20:59,320 --> 00:21:01,560
Speaker 8: sort of thing. Listen, if you've got a nice ass,

471
00:21:01,600 --> 00:21:04,160
Speaker 8: you want to show it, no problem, and obviously that's

472
00:21:04,280 --> 00:21:06,080
Speaker 8: you want to display it. If I've got a six pack,

473
00:21:06,119 --> 00:21:08,119
Speaker 8: I'm going to walk around displaying it, but I got

474
00:21:08,160 --> 00:21:14,040
Speaker 8: to cop the good and the bad. Girl's going to

475
00:21:14,080 --> 00:21:15,439
Speaker 8: come to and say, what are you looking at? And

476
00:21:15,480 --> 00:21:17,200
Speaker 8: what are you doing this? What am I looking at?

477
00:21:17,240 --> 00:21:20,040
Speaker 8: It's the thing right in front of me, you know

478
00:21:20,080 --> 00:21:22,840
Speaker 8: what I mean? So sad and and and just go on,

479
00:21:22,960 --> 00:21:24,600
Speaker 8: just one thing. I want to mention like on that

480
00:21:24,720 --> 00:21:27,560
Speaker 8: yesterday's broadcast with Steve Price, and I forgot what the

481
00:21:27,640 --> 00:21:31,240
Speaker 8: Ladies presenter was when she said, don't you want girls

482
00:21:31,240 --> 00:21:34,440
Speaker 8: to be proud of yourself? I would have just said

483
00:21:34,480 --> 00:21:37,240
Speaker 8: to her, well, what how come you're not presenting in

484
00:21:37,560 --> 00:21:40,240
Speaker 8: a g string and stuff like that? Surely you're proud

485
00:21:40,280 --> 00:21:42,600
Speaker 8: of your body. And see what her reaction would have been.

486
00:21:43,359 --> 00:21:45,399
Speaker 3: Yea, I relion miname is the mark with a question? Sam?

487
00:21:45,720 --> 00:21:49,720
Speaker 3: But can we Yeah? I don't. I'm not sure what that.

488
00:21:49,720 --> 00:21:51,480
Speaker 5: Would have That's a very different environment.

489
00:21:51,480 --> 00:21:51,600
Speaker 3: Now.

490
00:21:51,680 --> 00:21:54,000
Speaker 4: Let's just she's she's live on television on a panel

491
00:21:54,080 --> 00:21:55,879
Speaker 4: like I think everyone agrees that that's probably not the

492
00:21:55,880 --> 00:21:57,400
Speaker 4: place to wear a micro bikini.

493
00:21:57,760 --> 00:22:02,720
Speaker 5: I think we are talking beats and probably right now

494
00:22:03,000 --> 00:22:04,440
Speaker 5: a wild retort.

495
00:22:04,760 --> 00:22:06,600
Speaker 2: I'm just going to Sam really quickly because I think

496
00:22:06,640 --> 00:22:09,880
Speaker 2: this is this for me is the sticking point, Sam, Sam,

497
00:22:10,400 --> 00:22:12,119
Speaker 2: you do.

498
00:22:11,000 --> 00:22:11,200
Speaker 3: Do you?

499
00:22:12,200 --> 00:22:14,760
Speaker 2: Because I think this is the sticking point with everyone

500
00:22:14,920 --> 00:22:16,600
Speaker 2: right now, because we're talking about this with our team

501
00:22:16,640 --> 00:22:20,159
Speaker 2: earlier as well. There's got to be there is obviously

502
00:22:20,240 --> 00:22:23,760
Speaker 2: a difference between noticing someone that you are attracted to.

503
00:22:24,680 --> 00:22:26,359
Speaker 3: I'm going to hazard a guess here and say that

504
00:22:26,400 --> 00:22:27,440
Speaker 3: you're a heterosexual male.

505
00:22:28,920 --> 00:22:35,160
Speaker 2: Okay, all right, So there's obviously a difference between between

506
00:22:35,520 --> 00:22:38,879
Speaker 2: noticing when someone's you know, someone that you're attracted to

507
00:22:38,960 --> 00:22:41,400
Speaker 2: if they're wearing something attractive, and just as I said

508
00:22:41,440 --> 00:22:45,400
Speaker 2: before about you know, the speaker making people feel annoyed

509
00:22:45,440 --> 00:22:49,520
Speaker 2: or uncomfortable, knowing that looking or oggling at them is

510
00:22:49,560 --> 00:22:52,800
Speaker 2: going to make them feel uncomfortable. Like, if you know that,

511
00:22:53,960 --> 00:22:57,400
Speaker 2: then surely that's not something that you want to do.

512
00:22:57,560 --> 00:23:00,880
Speaker 2: You don't want to make somebody feel uncomfortable or awkward.

513
00:23:00,960 --> 00:23:03,520
Speaker 8: Of course, yeah, of course nobody wants to make anyone

514
00:23:03,560 --> 00:23:06,000
Speaker 8: feel uncomfortable. But let me let me say it. Let

515
00:23:06,000 --> 00:23:07,720
Speaker 8: me give you, let me give you to in an

516
00:23:07,760 --> 00:23:10,600
Speaker 8: analogy front time. Okay, all right, if I if I'm

517
00:23:10,680 --> 00:23:16,720
Speaker 8: driving in a lambit, we're actually staring at my car, like, wow,

518
00:23:16,760 --> 00:23:19,080
Speaker 8: I'm not going to pay. You're making me feel uncomfortable.

519
00:23:19,880 --> 00:23:22,440
Speaker 3: Time you're comparing a car with someone's body.

520
00:23:22,160 --> 00:23:24,240
Speaker 4: And also saying if you're saying you don't feel uncomfortable,

521
00:23:24,320 --> 00:23:26,000
Speaker 4: it's a different situation if the woman is saying it

522
00:23:26,080 --> 00:23:27,480
Speaker 4: is making me feel uncomfortable.

523
00:23:27,480 --> 00:23:29,840
Speaker 8: So yeah, well I'll tell you I can answer in

524
00:23:29,840 --> 00:23:31,600
Speaker 8: one sentence That's why I go to the beach with

525
00:23:31,600 --> 00:23:33,359
Speaker 8: some some glasses on there are reflective.

526
00:23:33,560 --> 00:23:37,119
Speaker 5: Oh Sam, oh.

527
00:23:37,000 --> 00:23:39,320
Speaker 2: Now, what we've tried to do there is we we

528
00:23:39,080 --> 00:23:42,000
Speaker 2: we we. We were trying to give him some space

529
00:23:42,080 --> 00:23:49,400
Speaker 2: to explain himself, and unfortunately he's just proved that there. Yeah, anyway,

530
00:23:49,480 --> 00:23:52,400
Speaker 2: I'm glad we look, I'm glad we gave me to talk.

531
00:23:53,000 --> 00:23:54,600
Speaker 3: Arianna's called Hi, Arianna.

532
00:23:55,480 --> 00:23:55,640
Speaker 12: Hi.

533
00:23:55,720 --> 00:23:58,880
Speaker 6: Guys, I think that.

534
00:23:59,160 --> 00:24:01,960
Speaker 12: They should be able to whatever they want. But from

535
00:24:01,960 --> 00:24:04,760
Speaker 12: the perspective of a woman, I've seen more guys than

536
00:24:04,760 --> 00:24:09,080
Speaker 12: budgy smugglers with their package out and people dressed in

537
00:24:09,240 --> 00:24:12,320
Speaker 12: bore out outfits, the string suits down at Bonde with

538
00:24:12,440 --> 00:24:15,440
Speaker 12: the bomb mountain and the package out. If you want

539
00:24:15,440 --> 00:24:18,560
Speaker 12: to be fully covered or fully uncovered, that's your own choice.

540
00:24:18,640 --> 00:24:21,640
Speaker 12: But I mean, from the gender perspective that this guy

541
00:24:21,840 --> 00:24:26,200
Speaker 12: projected one, I feel like he said that men don't

542
00:24:26,240 --> 00:24:26,560
Speaker 12: do it.

543
00:24:26,880 --> 00:24:28,920
Speaker 6: Mate. Have you been on the bond I, because.

544
00:24:29,000 --> 00:24:31,200
Speaker 12: I'm pretty sure nine out of ten men are wearing

545
00:24:31,200 --> 00:24:32,320
Speaker 12: budgy smugglers down there.

546
00:24:32,840 --> 00:24:35,760
Speaker 5: Yeah, I'm one of them. Ye, bloody loud and proud.

547
00:24:35,920 --> 00:24:36,440
Speaker 3: Absolutely.

548
00:24:36,760 --> 00:24:38,359
Speaker 2: I mean I was in swimming class this morning and

549
00:24:38,400 --> 00:24:39,320
Speaker 2: a boor at man canny.

550
00:24:39,400 --> 00:24:40,440
Speaker 5: So what can I say?

551
00:24:44,160 --> 00:24:46,200
Speaker 3: Woods, Yes, now, I'm going to play a bit of audio.

552
00:24:46,280 --> 00:24:48,000
Speaker 2: You told me before the show that you thought it

553
00:24:48,040 --> 00:24:49,959
Speaker 2: was a bit naff that Taylor Swift did this at

554
00:24:49,960 --> 00:24:50,560
Speaker 2: the Grammys.

555
00:24:50,600 --> 00:24:52,400
Speaker 3: Weird thing to say. She's very popular right now.

556
00:24:52,440 --> 00:24:54,440
Speaker 4: But I just think in an acceptance speech, call me

557
00:24:54,480 --> 00:24:56,680
Speaker 4: old fashioned. I just think the opportunity of an acceptance

558
00:24:56,720 --> 00:24:59,240
Speaker 4: speech is thank the people. You should think, don't promote

559
00:24:59,280 --> 00:25:01,840
Speaker 4: your new album. Look, I love Swifty, I love her music,

560
00:25:01,880 --> 00:25:03,680
Speaker 4: can't wait for her to get here. I didn't think

561
00:25:03,680 --> 00:25:04,840
Speaker 4: this was the time to promote this.

562
00:25:05,800 --> 00:25:07,880
Speaker 6: I want to say thank you to the fans by

563
00:25:09,080 --> 00:25:12,560
Speaker 6: telling you a secret that I've been keeping.

564
00:25:12,240 --> 00:25:17,280
Speaker 3: From you for the last two years, which.

565
00:25:17,119 --> 00:25:22,720
Speaker 5: Is that my brand new album comes out April nineteen.

566
00:25:23,080 --> 00:25:25,000
Speaker 5: It's called The Torture Poets Department.

567
00:25:25,800 --> 00:25:29,800
Speaker 4: I'm going to go and post the cover right now backstage.

568
00:25:29,920 --> 00:25:31,639
Speaker 5: Thank you, I love you, Thank you.

569
00:25:33,560 --> 00:25:36,200
Speaker 2: I thought it was cool to the Grammy's biggest crouch

570
00:25:36,240 --> 00:25:36,800
Speaker 2: is ever going to have.

571
00:25:36,920 --> 00:25:38,120
Speaker 3: Guys got a new record coming out.

572
00:25:38,440 --> 00:25:40,359
Speaker 4: I had a new record coming out, and would you

573
00:25:40,359 --> 00:25:42,000
Speaker 4: say you're going to post about it backstage?

574
00:25:42,440 --> 00:25:43,920
Speaker 3: You know I'm on the posts too.

575
00:25:44,280 --> 00:25:46,040
Speaker 2: I know i'd get back there, I get the stories out,

576
00:25:46,680 --> 00:25:50,199
Speaker 2: get them out. Anyway, so she ends up, you know,

577
00:25:50,320 --> 00:25:52,080
Speaker 2: I as see if she ends up posting about it

578
00:25:52,320 --> 00:25:52,720
Speaker 2: the givernment.

579
00:25:52,800 --> 00:25:54,520
Speaker 3: She told everyone's going to go and post about it.

580
00:25:54,560 --> 00:25:57,520
Speaker 3: She did, yes, So anyway, she heads back there. Do

581
00:25:57,560 --> 00:26:02,240
Speaker 3: you just follow Tellswift? I din't, But Tom, do you follow?

582
00:26:03,000 --> 00:26:05,720
Speaker 3: I did from yesterday? Yeah? I did. I started following it.

583
00:26:05,800 --> 00:26:06,560
Speaker 3: It's actually genius.

584
00:26:06,560 --> 00:26:09,280
Speaker 5: He's genius.

585
00:26:10,320 --> 00:26:14,280
Speaker 15: Right, But you know that Woody has done a version

586
00:26:14,320 --> 00:26:15,560
Speaker 15: of the new cover of Telus.

587
00:26:15,680 --> 00:26:17,320
Speaker 5: I didn't know that I recreated it. I didn't know

588
00:26:17,359 --> 00:26:18,680
Speaker 5: that I did recreate it yesterday.

589
00:26:18,800 --> 00:26:20,920
Speaker 15: So if you swipe across there, well you'll see the

590
00:26:20,920 --> 00:26:23,919
Speaker 15: original Taylor Swift cover, but the first one is Woody.

591
00:26:24,040 --> 00:26:26,480
Speaker 5: Oh wow, nice, wow, pretty hot.

592
00:26:27,160 --> 00:26:29,160
Speaker 3: I go away for one day anyway.

593
00:26:29,600 --> 00:26:32,720
Speaker 5: You don't know who's who's bra No, no, no, we

594
00:26:32,720 --> 00:26:33,480
Speaker 5: shuldn't talk about it.

595
00:26:33,520 --> 00:26:34,080
Speaker 3: I can leave it.

596
00:26:34,880 --> 00:26:41,200
Speaker 2: So so now, so here's the scoop I've got.

597
00:26:41,480 --> 00:26:43,960
Speaker 3: I've got the scoop on this and that is that.

598
00:26:44,080 --> 00:26:48,680
Speaker 2: Apparently the albums the albums called Tortured Poets Department.

599
00:26:48,960 --> 00:26:50,560
Speaker 3: It's the brand new Tales were Dumb. Now.

600
00:26:50,600 --> 00:26:53,919
Speaker 2: Apparently the album title is a dig at one of her.

601
00:26:53,760 --> 00:26:55,040
Speaker 3: Ex'es a form of flame?

602
00:26:55,080 --> 00:26:55,600
Speaker 5: Which one?

603
00:26:56,280 --> 00:26:58,280
Speaker 2: Now you started going through a few of them before.

604
00:26:58,600 --> 00:27:01,320
Speaker 2: Was it John Mayer? You mentioned Joe PESHI, I don't

605
00:27:01,320 --> 00:27:01,840
Speaker 2: think it's him.

606
00:27:01,840 --> 00:27:02,640
Speaker 3: He was an actor.

607
00:27:07,320 --> 00:27:09,040
Speaker 5: With Joe. Harry Styles.

608
00:27:09,119 --> 00:27:11,160
Speaker 3: No, No, Harry Style.

609
00:27:11,720 --> 00:27:13,680
Speaker 5: The guy who's the lead singer of nineteen eighty nine.

610
00:27:15,359 --> 00:27:17,359
Speaker 5: I don't think Tom Hiddleston.

611
00:27:17,359 --> 00:27:19,000
Speaker 3: No, Tom h No.

612
00:27:20,040 --> 00:27:20,880
Speaker 5: Was Jake Gillenhall.

613
00:27:21,000 --> 00:27:22,600
Speaker 3: It might have been in there in the mix.

614
00:27:23,400 --> 00:27:24,040
Speaker 5: Is it about him?

615
00:27:24,160 --> 00:27:27,560
Speaker 3: No? No, it's a guy called Joe Alwen. You remember Joe.

616
00:27:27,800 --> 00:27:29,199
Speaker 3: Who the hell is smoking?

617
00:27:29,240 --> 00:27:32,200
Speaker 5: Joe smoking the ex?

618
00:27:32,560 --> 00:27:32,720
Speaker 7: Yeah?

619
00:27:33,359 --> 00:27:35,439
Speaker 2: Yeah, yeah, smoking Joe all when they were together for

620
00:27:35,480 --> 00:27:36,640
Speaker 2: six years back in the day.

621
00:27:37,040 --> 00:27:44,560
Speaker 3: Yeah, when she was a teenager. But he's made job

622
00:27:44,640 --> 00:27:47,320
Speaker 3: asking me questions. He's mates with Paul Mescal.

623
00:27:47,440 --> 00:27:49,120
Speaker 2: Sorry, there's there's a bit to get through here, mate,

624
00:27:49,200 --> 00:27:51,800
Speaker 2: Just stay with me, all right, Stay with me. So

625
00:27:51,960 --> 00:27:54,880
Speaker 2: he's mates with Paul Mescal, who's the Irish actor from

626
00:27:55,000 --> 00:27:57,919
Speaker 2: from Normal People After Someone. He's in He's in the

627
00:27:57,960 --> 00:28:00,360
Speaker 2: New Gladiator as well. This guy's is amazing. He's hot

628
00:28:00,359 --> 00:28:04,760
Speaker 2: property anyway. So Joe Orwin, Taylor Swift's X and Paul

629
00:28:04,840 --> 00:28:07,280
Speaker 2: Mescal used to be in a WhatsApp group.

630
00:28:08,400 --> 00:28:11,880
Speaker 3: I've gone deep on this brother, Oh god, cool called

631
00:28:12,080 --> 00:28:18,520
Speaker 3: called what's the name of the WhatsApp group torture started

632
00:28:19,160 --> 00:28:21,040
Speaker 3: the Lonely Tortured Main Club, I think.

633
00:28:22,600 --> 00:28:25,920
Speaker 2: And Andrew, now that's already I found of Joe Orwan

634
00:28:26,160 --> 00:28:29,320
Speaker 2: talking to Paul Mescal and their WhatsApp group was called

635
00:28:29,560 --> 00:28:31,080
Speaker 2: the Tortured Man Club.

636
00:28:31,240 --> 00:28:37,359
Speaker 4: So this is like a nod to his WhatsApp group. Well,

637
00:28:37,440 --> 00:28:39,760
Speaker 4: you've gone deep by me. This is a deep cut,

638
00:28:40,080 --> 00:28:42,320
Speaker 4: yeah man, But yeah, it can't feels too much to

639
00:28:42,360 --> 00:28:44,480
Speaker 4: be a coincidence, doesn't it very close?

640
00:28:44,680 --> 00:28:44,880
Speaker 3: Right?

641
00:28:45,960 --> 00:28:51,000
Speaker 2: So her ex's group chat was called the Tortured Man Club.

642
00:28:51,160 --> 00:28:55,320
Speaker 2: Her record is called The Tortured Poets Department.

643
00:28:55,800 --> 00:28:56,640
Speaker 3: It's a bit of a jump.

644
00:28:56,920 --> 00:28:59,440
Speaker 2: I thought it was Tortured Man Department, but it's Tortured

645
00:28:59,480 --> 00:28:59,960
Speaker 2: Man Club.

646
00:29:00,040 --> 00:29:01,000
Speaker 3: It's just the word torture.

647
00:29:01,040 --> 00:29:05,040
Speaker 2: They've gone and someone has that little of a life

648
00:29:05,120 --> 00:29:07,480
Speaker 2: that they've found. An interview for seven years ago with

649
00:29:07,600 --> 00:29:09,680
Speaker 2: a word tortured came up again and they were like,

650
00:29:09,880 --> 00:29:11,480
Speaker 2: that's the reason you call that your album.

651
00:29:11,520 --> 00:29:12,200
Speaker 5: Good journalism.

652
00:29:12,280 --> 00:29:14,120
Speaker 3: Good to do that.

653
00:29:14,160 --> 00:29:15,640
Speaker 2: I respect the hell out of that, But look what

654
00:29:15,720 --> 00:29:17,440
Speaker 2: I want to do right now on thirteen one O

655
00:29:17,560 --> 00:29:20,360
Speaker 2: six five, because I do think that male group chat

656
00:29:20,440 --> 00:29:23,080
Speaker 2: names are possibly the worst things on the planet. So

657
00:29:23,600 --> 00:29:26,080
Speaker 2: thirteen one O six five, putting all that Taylor Swift

658
00:29:26,120 --> 00:29:30,680
Speaker 2: gear behind us, does your partner have a lame group

659
00:29:30,880 --> 00:29:31,800
Speaker 2: group chat name?

660
00:29:32,320 --> 00:29:33,280
Speaker 5: So I've got a stinker.

661
00:29:33,400 --> 00:29:35,360
Speaker 2: They've all got this, They've all got this big one

662
00:29:35,400 --> 00:29:37,560
Speaker 2: where all their boy gear flies around, and do you

663
00:29:37,600 --> 00:29:39,320
Speaker 2: look over his shoulder and see the name of that

664
00:29:39,320 --> 00:29:41,080
Speaker 2: group come up on his phone? And you just think,

665
00:29:41,360 --> 00:29:44,240
Speaker 2: because particularly hetero men, a lot of the gay ones,

666
00:29:44,280 --> 00:29:46,080
Speaker 2: I don't think we'll be able to let through. I've

667
00:29:46,120 --> 00:29:49,040
Speaker 2: been doing some research online. They get deep in more

668
00:29:49,080 --> 00:29:51,200
Speaker 2: ways than one. You can save us for up next.

669
00:29:52,280 --> 00:29:55,640
Speaker 2: I'd love to hear from you, guys. Does your partner

670
00:29:55,640 --> 00:30:01,160
Speaker 2: have a lame group chat name? Lame boy group chats?

671
00:30:01,400 --> 00:30:04,000
Speaker 2: Because there's just so many of these. I actually went

672
00:30:04,040 --> 00:30:11,480
Speaker 2: online before, and the predictability of a hetero boys group

673
00:30:11,600 --> 00:30:13,280
Speaker 2: chat is unbelievable.

674
00:30:13,400 --> 00:30:15,600
Speaker 3: I found. I'll give you three of them. Yeah, schlong

675
00:30:15,720 --> 00:30:16,120
Speaker 3: dad is.

676
00:30:18,520 --> 00:30:23,640
Speaker 4: I think you said the Big Dick Squad and DJ

677
00:30:23,760 --> 00:30:24,760
Speaker 4: Shrimpy and the Prawns.

678
00:30:25,160 --> 00:30:28,520
Speaker 2: I mean, it's not bad, it's really interesting to see

679
00:30:28,520 --> 00:30:29,600
Speaker 2: what they go for page.

680
00:30:29,640 --> 00:30:31,240
Speaker 3: This is your partner's WhatsApp.

681
00:30:30,920 --> 00:30:33,440
Speaker 1: Group Hey, love you guys so much.

682
00:30:34,560 --> 00:30:37,320
Speaker 7: My partner's group chat name is seismnology.

683
00:30:38,040 --> 00:30:40,920
Speaker 3: What is it? Sorry, seisminology slogy.

684
00:30:41,400 --> 00:30:44,160
Speaker 6: I don't know what that means, and I currently don't

685
00:30:44,160 --> 00:30:46,280
Speaker 6: want to know what it is.

686
00:30:46,040 --> 00:30:47,680
Speaker 2: It is it is what you think it is the

687
00:30:47,720 --> 00:30:49,480
Speaker 2: amount of Like, there are so many of these that

688
00:30:49,520 --> 00:30:51,400
Speaker 2: I had to get through. There's another one I found

689
00:30:51,400 --> 00:30:54,160
Speaker 2: called Let's Got a staff on thirty one and.

690
00:30:54,200 --> 00:30:58,160
Speaker 4: Six five faye seizemnology. I've totally missed that. I've just

691
00:30:58,200 --> 00:31:00,360
Speaker 4: when I skipped that. All right, let's go to stap deah.

692
00:31:00,960 --> 00:31:05,560
Speaker 2: Yeah, hi guys, thank you step what's your what's your

693
00:31:05,560 --> 00:31:06,920
Speaker 2: partner's lame group chat called?

694
00:31:07,360 --> 00:31:12,360
Speaker 6: Okay, So my partner's group chat name is maggots are Us?

695
00:31:12,840 --> 00:31:15,040
Speaker 5: Is there a reason behind maggots rs?

696
00:31:15,120 --> 00:31:15,200
Speaker 6: That?

697
00:31:15,280 --> 00:31:16,600
Speaker 5: Was there a maggot incident?

698
00:31:17,440 --> 00:31:19,040
Speaker 1: I actually don't even know.

699
00:31:19,560 --> 00:31:20,320
Speaker 5: Yeah, yeah, you don't.

700
00:31:20,320 --> 00:31:22,040
Speaker 3: I don't think again, you don't want to know.

701
00:31:22,120 --> 00:31:23,720
Speaker 2: Like, if there's a name like that, there is often

702
00:31:23,760 --> 00:31:26,520
Speaker 2: a like there is often a specific story which.

703
00:31:26,320 --> 00:31:28,080
Speaker 5: Makes it lame. It's off a lame story.

704
00:31:28,120 --> 00:31:30,360
Speaker 4: Before we go to Tiffany, my group thread and a

705
00:31:30,400 --> 00:31:35,720
Speaker 4: massive nod to the favela's out there comes from a

706
00:31:35,760 --> 00:31:38,320
Speaker 4: truly lame story. I was in real Degenio with five

707
00:31:38,400 --> 00:31:42,160
Speaker 4: mates and there are favelas or a favella next to

708
00:31:42,200 --> 00:31:44,240
Speaker 4: regen like ghettos, ghettos.

709
00:31:44,280 --> 00:31:45,959
Speaker 5: Yeah, drug lords are in there. It's a favella.

710
00:31:46,000 --> 00:31:48,400
Speaker 4: Anyway, We're on a tour in the favela, and when

711
00:31:48,400 --> 00:31:50,440
Speaker 4: we were in the favella, one of the boys goes,

712
00:31:50,520 --> 00:31:53,720
Speaker 4: oh my god, where the fellas in the favela?

713
00:31:54,200 --> 00:31:55,000
Speaker 5: Where the favala?

714
00:31:55,200 --> 00:31:56,280
Speaker 3: We got it and then we got it as soon

715
00:31:56,320 --> 00:31:59,400
Speaker 3: as you said it, Oh really didn't. Yeah, Tiffany.

716
00:32:01,240 --> 00:32:08,040
Speaker 2: Tiv there between fellas and fellas, and.

717
00:32:06,720 --> 00:32:07,960
Speaker 3: I truly I could tell.

718
00:32:07,960 --> 00:32:11,720
Speaker 2: I wonder why Tiffany she's called on thirty one or six,

719
00:32:12,120 --> 00:32:16,360
Speaker 2: tiff we are talking about lame group chat name of

720
00:32:16,400 --> 00:32:16,920
Speaker 2: your partners?

721
00:32:16,920 --> 00:32:17,280
Speaker 3: What is it?

722
00:32:18,280 --> 00:32:18,480
Speaker 12: Yep?

723
00:32:18,600 --> 00:32:21,880
Speaker 10: So my husband and his friends have a group called

724
00:32:21,920 --> 00:32:22,640
Speaker 10: one percenters.

725
00:32:23,720 --> 00:32:26,400
Speaker 5: Is that like a rich thing or a motorcycle gang thing?

726
00:32:27,400 --> 00:32:29,360
Speaker 10: I have absolutely no idea.

727
00:32:29,640 --> 00:32:32,120
Speaker 7: I've tried to ask my husband, I've tried to ask

728
00:32:32,200 --> 00:32:33,840
Speaker 7: his friends on a down low.

729
00:32:33,800 --> 00:32:34,440
Speaker 12: One on one.

730
00:32:34,720 --> 00:32:36,400
Speaker 7: They told me that we're not allowed to know what

731
00:32:37,240 --> 00:32:39,840
Speaker 7: wives and girlfriends have made a girl's chat called one

732
00:32:39,880 --> 00:32:42,080
Speaker 7: percent that they're not allowed to see.

733
00:32:44,040 --> 00:32:45,200
Speaker 3: Doing it for the chicks.

734
00:32:45,440 --> 00:32:49,120
Speaker 2: Well done, tiff score, Hey I found any we're talking

735
00:32:49,160 --> 00:32:50,400
Speaker 2: about lame, predictable ones.

736
00:32:50,920 --> 00:32:54,000
Speaker 3: There's what I found online called boys who Blow, and

737
00:32:54,040 --> 00:32:55,440
Speaker 3: that was about a guy a bunch of guys who

738
00:32:55,480 --> 00:32:56,600
Speaker 3: do saxophone listens together.

739
00:32:56,840 --> 00:32:57,920
Speaker 5: Adorable, But I was.

740
00:32:57,920 --> 00:33:03,920
Speaker 11: Thinking, stick a card, pick a card, Pick a card,

741
00:33:03,960 --> 00:33:05,840
Speaker 11: Pick a card, pick a card, pick a card, pick

742
00:33:05,840 --> 00:33:06,120
Speaker 11: a card.

743
00:33:06,280 --> 00:33:09,600
Speaker 5: Couldn't believe your thoughts in our heat. Pick a card

744
00:33:09,920 --> 00:33:10,600
Speaker 5: and take.

745
00:33:10,440 --> 00:33:11,280
Speaker 3: Allie one of us.

746
00:33:11,280 --> 00:33:14,960
Speaker 2: Pick a card from the Imperfect Vulnerability House Cards and

747
00:33:14,960 --> 00:33:16,320
Speaker 2: can get yourself a deck of Ease if you head

748
00:33:16,320 --> 00:33:18,520
Speaker 2: along too the Imperfect Instagram. The boys will be joining

749
00:33:18,600 --> 00:33:20,600
Speaker 2: us in twenty twenty four when they come back from there.

750
00:33:21,680 --> 00:33:24,040
Speaker 3: What's sabbaticals, aren't they? I mean, like they really do

751
00:33:24,200 --> 00:33:27,520
Speaker 3: take a long break. Perfect. They'll be back in March.

752
00:33:27,960 --> 00:33:33,479
Speaker 5: Steam just steaming with Ryan Shelton. He's just steaming, He's

753
00:33:33,480 --> 00:33:34,200
Speaker 5: steaming a line.

754
00:33:34,240 --> 00:33:36,920
Speaker 3: Did you coincidentally bump into him? Like he was just there?

755
00:33:37,000 --> 00:33:38,400
Speaker 4: And then I think I went for a harga and

756
00:33:38,400 --> 00:33:40,120
Speaker 4: he was like, we're in a steamer room.

757
00:33:40,120 --> 00:33:40,800
Speaker 5: We're very sweaty.

758
00:33:40,840 --> 00:33:41,680
Speaker 3: I'm not hugging you.

759
00:33:42,320 --> 00:33:43,840
Speaker 5: I was like, yeah, fair enough, I love that.

760
00:33:43,880 --> 00:33:46,120
Speaker 2: Well, good to know rhino the big rhinos around and

761
00:33:46,200 --> 00:33:46,920
Speaker 2: steaming it up.

762
00:33:47,000 --> 00:33:47,200
Speaker 3: Now.

763
00:33:47,440 --> 00:33:50,400
Speaker 2: One of the questions that the question that I picked today,

764
00:33:50,400 --> 00:33:51,680
Speaker 2: and I think it's going to be interesting to people,

765
00:33:51,680 --> 00:33:53,120
Speaker 2: and I think it's gonna be interesting to you. Would

766
00:33:53,120 --> 00:33:55,160
Speaker 2: you because I think I'm very similar to you like this.

767
00:33:55,280 --> 00:33:57,240
Speaker 2: Maybe we do it differently, but I'm similar to you.

768
00:33:57,880 --> 00:33:59,520
Speaker 2: The question I've picked is how would you like to

769
00:33:59,560 --> 00:34:00,440
Speaker 2: be a better person?

770
00:34:00,760 --> 00:34:01,040
Speaker 3: Now?

771
00:34:02,480 --> 00:34:05,800
Speaker 2: The answer I have is probably the opposite to what

772
00:34:05,840 --> 00:34:08,400
Speaker 2: a lot of people would think would make me a

773
00:34:08,440 --> 00:34:11,360
Speaker 2: better person. So the way I would like to be

774
00:34:11,400 --> 00:34:14,680
Speaker 2: a better person is by setting more boundaries.

775
00:34:15,239 --> 00:34:17,080
Speaker 5: Oh yeah, okay, yeah.

776
00:34:16,960 --> 00:34:18,000
Speaker 3: Yeah, yeah.

777
00:34:18,040 --> 00:34:21,759
Speaker 2: And I always thought that I would be a better

778
00:34:21,800 --> 00:34:26,200
Speaker 2: person if I didn't have boundaries, so that is, if

779
00:34:26,239 --> 00:34:29,480
Speaker 2: I was always emotionally or physically available for.

780
00:34:29,480 --> 00:34:31,040
Speaker 5: Everyone, saying yes to everything.

781
00:34:31,120 --> 00:34:31,359
Speaker 3: Yeah.

782
00:34:31,400 --> 00:34:33,960
Speaker 2: And it's funny, as I said, I think you and

783
00:34:34,000 --> 00:34:37,040
Speaker 2: I are similar broadly, and that we're both bad at

784
00:34:37,040 --> 00:34:44,359
Speaker 2: setting boundaries. But I think that I make myself emotionally probably.

785
00:34:44,120 --> 00:34:45,280
Speaker 3: Too available for people.

786
00:34:45,600 --> 00:34:48,160
Speaker 2: Was you probably in the past made yourself too physically

787
00:34:48,200 --> 00:34:52,359
Speaker 2: available for people, and I.

788
00:34:52,520 --> 00:34:56,719
Speaker 3: Just not as in like you're a sex worker. That's

789
00:34:56,760 --> 00:34:57,840
Speaker 3: what that sounded like.

790
00:34:58,400 --> 00:34:59,560
Speaker 5: It was a small patch of my life, and I'm

791
00:34:59,560 --> 00:35:01,160
Speaker 5: glad you brought I'm glad you brought it up.

792
00:35:01,840 --> 00:35:06,800
Speaker 3: So I always would try and be there for everyone

793
00:35:06,840 --> 00:35:09,560
Speaker 3: all the time emotionally. And I still like doing that.

794
00:35:10,000 --> 00:35:12,360
Speaker 2: But the problem is when I do it too much,

795
00:35:12,680 --> 00:35:15,560
Speaker 2: I deplete myself.

796
00:35:15,840 --> 00:35:17,279
Speaker 3: And I think that's been a big question for me,

797
00:35:17,360 --> 00:35:20,040
Speaker 3: is like asking myself, why is it? Why is it

798
00:35:20,080 --> 00:35:24,840
Speaker 3: a bad thing that I'm too available? Because on the surface,

799
00:35:25,000 --> 00:35:26,000
Speaker 3: it seems like a great thing.

800
00:35:26,480 --> 00:35:30,000
Speaker 4: Oh, of course, and you would be helping a lot

801
00:35:30,040 --> 00:35:33,360
Speaker 4: of people, but at what price? And I think for you, especially,

802
00:35:33,440 --> 00:35:36,200
Speaker 4: like because you've been so open and honest about your

803
00:35:36,239 --> 00:35:39,040
Speaker 4: mental health, Like I know a lot of people reach

804
00:35:39,080 --> 00:35:41,040
Speaker 4: out to you, they reach out to you through me

805
00:35:41,160 --> 00:35:43,160
Speaker 4: about how much you have helped them with your honesty.

806
00:35:43,200 --> 00:35:45,000
Speaker 4: But I imagine what that leads to is a lot

807
00:35:45,000 --> 00:35:47,840
Speaker 4: of people going when they meet you, when they see you,

808
00:35:47,960 --> 00:35:50,200
Speaker 4: is I'm going to open up on everything going on

809
00:35:50,280 --> 00:35:53,440
Speaker 4: with me? And as you said, you obviously really you

810
00:35:53,560 --> 00:35:55,040
Speaker 4: enjoy that, you're very good at that, you want to

811
00:35:55,080 --> 00:35:55,560
Speaker 4: help people.

812
00:35:55,600 --> 00:35:57,319
Speaker 5: But it's certainly so much you can do.

813
00:35:57,320 --> 00:36:00,680
Speaker 2: That's right, And I think with other people know who

814
00:36:00,680 --> 00:36:02,359
Speaker 2: aren't that close to me, this is definitely a thing.

815
00:36:02,400 --> 00:36:05,200
Speaker 2: But what I'm finding really interesting and really really hard,

816
00:36:05,200 --> 00:36:07,000
Speaker 2: and I'm sure again a lot of people listening will

817
00:36:07,000 --> 00:36:09,239
Speaker 2: be able to empathize with this is setting boundaries with

818
00:36:09,280 --> 00:36:10,240
Speaker 2: my family.

819
00:36:10,719 --> 00:36:16,000
Speaker 3: And my partner that is really really hard. And being

820
00:36:16,040 --> 00:36:18,000
Speaker 3: able to say that.

821
00:36:19,760 --> 00:36:24,320
Speaker 2: This relationship becomes unhealthy when I am too available for you. Yeah,

822
00:36:24,440 --> 00:36:28,239
Speaker 2: that's a really really hard thing to realize. And I

823
00:36:28,280 --> 00:36:32,600
Speaker 2: think it's only sort of started taking, like sem telling

824
00:36:32,640 --> 00:36:36,719
Speaker 2: me you need to make a decision here about what's

825
00:36:36,760 --> 00:36:40,600
Speaker 2: good for you because you're making yourself too available for

826
00:36:40,680 --> 00:36:42,359
Speaker 2: me right now, and I can see how draining it

827
00:36:42,400 --> 00:36:42,839
Speaker 2: is on you.

828
00:36:42,880 --> 00:36:44,640
Speaker 4: So practically, how do you do that? Because something that

829
00:36:44,680 --> 00:36:46,760
Speaker 4: Mim and I have started doing recently.

830
00:36:46,360 --> 00:36:48,879
Speaker 3: Really really tricky. Dude, Like, I'm finding it really hard.

831
00:36:48,960 --> 00:36:51,080
Speaker 2: I can't And this is this is what I think

832
00:36:51,120 --> 00:36:53,360
Speaker 2: is interesting about this whole thing in general, is that

833
00:36:53,440 --> 00:36:58,440
Speaker 2: like it comes from having a sort of we'll call

834
00:36:58,480 --> 00:37:02,400
Speaker 2: it secure attachments or unsecure attachments, I think is what

835
00:37:02,440 --> 00:37:04,040
Speaker 2: they call it in psychology, where you're kind of like

836
00:37:04,200 --> 00:37:08,799
Speaker 2: raised looking after somebody or needing approval from somebody. It

837
00:37:08,840 --> 00:37:10,719
Speaker 2: means that when you're faced with a decision where you

838
00:37:10,719 --> 00:37:13,080
Speaker 2: can look after yourself in one instance, or look after

839
00:37:13,120 --> 00:37:17,120
Speaker 2: someone else, you're conditioning tells you always look after somebody else,

840
00:37:17,200 --> 00:37:20,200
Speaker 2: or they won't approve of you, or you won't be included,

841
00:37:20,520 --> 00:37:25,200
Speaker 2: So choosing yourself becomes really really hard. So yeah, look,

842
00:37:25,360 --> 00:37:28,000
Speaker 2: i think I've been very lucky in that I've got

843
00:37:28,000 --> 00:37:30,040
Speaker 2: someone who i'm with who has told me, hey, you

844
00:37:30,080 --> 00:37:32,240
Speaker 2: need to get better at doing this because you're burning

845
00:37:32,239 --> 00:37:35,799
Speaker 2: yourself out. And arguably, as sem put it to me,

846
00:37:35,880 --> 00:37:38,480
Speaker 2: you know, she's Dutch, so she can be very literal.

847
00:37:39,200 --> 00:37:41,440
Speaker 2: It also kind of makes me less attractive.

848
00:37:41,400 --> 00:37:43,279
Speaker 3: In a lot of ways as well, when you're making

849
00:37:43,560 --> 00:37:44,280
Speaker 3: two available.

850
00:37:44,400 --> 00:37:46,480
Speaker 2: Yeah, it's like yea, you know, it's like that old

851
00:37:46,520 --> 00:37:48,640
Speaker 2: adage keeping me, treating me and keep them keen, which

852
00:37:48,680 --> 00:37:50,880
Speaker 2: is obviously not a great way to live by. But

853
00:37:51,080 --> 00:37:54,600
Speaker 2: it also means that in a relationship, if you're constantly going, hey,

854
00:37:54,680 --> 00:37:56,120
Speaker 2: I'm just going to break my back for you and

855
00:37:56,160 --> 00:37:59,480
Speaker 2: like break down, go and pick up everything all the time,

856
00:37:59,520 --> 00:38:01,560
Speaker 2: and I'm always going to be here for you and

857
00:38:01,640 --> 00:38:03,520
Speaker 2: I'm not running on my own steam and I'm not

858
00:38:03,600 --> 00:38:06,919
Speaker 2: thinking about myself. I'm less desirable in that sense because

859
00:38:06,920 --> 00:38:09,600
Speaker 2: I'm always you know, available.

860
00:38:09,040 --> 00:38:11,319
Speaker 4: And it's also depleted you like, it's kind of like

861
00:38:11,480 --> 00:38:14,279
Speaker 4: fatigue fatigued. If you're constantly thinking about other people, you

862
00:38:14,680 --> 00:38:17,200
Speaker 4: sort of you become. Yeah, this this sort of like

863
00:38:17,360 --> 00:38:20,600
Speaker 4: shrivelled version of yourself. Yes, I think you lose who

864
00:38:20,719 --> 00:38:22,919
Speaker 4: you are because you're constantly thinking about what everyone else wants.

865
00:38:22,920 --> 00:38:25,280
Speaker 4: And then you're right, that's that's not a very attractive,

866
00:38:26,000 --> 00:38:28,760
Speaker 4: little shriveled up little partner, is he.

867
00:38:29,080 --> 00:38:30,200
Speaker 5: I'm sorry,