WEBVTT - #170: Wicked (Mitches Version)

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<v Speaker 1>Just boostood by a couple of mitches, release yourself for

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<v Speaker 1>the rude shocks of young adulthood.

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<v Speaker 2>And kind of fun.

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<v Speaker 3>Just you you feelthy unhinged bitch? Honestly is Michi and

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<v Speaker 3>Mitchell coos.

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<v Speaker 4>How are you? H Oh? My gunning sinc Was to say,

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<v Speaker 4>how are you? No one Actually, if you're in your

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<v Speaker 4>car wherever you are, listening in your epods, say it,

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<v Speaker 4>how are you? Oh good?

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<v Speaker 5>That's nice to hear.

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<v Speaker 4>That's great, that's so good, or so sorry? Oh chuck,

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<v Speaker 4>that's rough. We sound like jenn A, that TikTok creator

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<v Speaker 4>that has those one sided conversations with a cup of tea.

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<v Speaker 5>We need to get her back on the podcast. I

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<v Speaker 5>love her.

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<v Speaker 4>I need to be checked in on the amount of

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<v Speaker 4>sour cream she goes through her recipes, always have sour cream.

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<v Speaker 4>Like today, I'm I'm making a cup of tea, You'll

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<v Speaker 4>need one cup of sour creep like Jenna. That doesn't

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<v Speaker 4>seem right.

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<v Speaker 5>Nah, I believe anything she says.

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<v Speaker 3>I feel like if I was going through some shit,

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<v Speaker 3>I could call on and she'd just drop everything. She's

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<v Speaker 3>the kind of soul in the world I couldn't get

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<v Speaker 3>a fucking hold of either.

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<v Speaker 5>Of you, Mitch and Jenna. Today.

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<v Speaker 4>Well, I was on a phone. What wow, first word

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<v Speaker 4>of the show and what when?

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<v Speaker 6>Yeah that's true.

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<v Speaker 4>Yeah, bitch, still thinking about that, Jenna. Yeah, he's a sweetheart.

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<v Speaker 4>You could call me though whenever I tried.

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<v Speaker 3>What happened today was I left the house to come

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<v Speaker 3>into the studio and I'd driven about ten minutes and

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<v Speaker 3>I realized, oh, I didn't bring the fucking adapter for

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<v Speaker 3>my laptop because in how MacBooks don't have you withs

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<v Speaker 3>be ports anymore. Yeah, I was like, oh shit, I'm

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<v Speaker 3>going to need that if I'm going to be loading

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<v Speaker 3>audio today because that's how I get it off the laptop.

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<v Speaker 3>And so I was calling Jenna to ask if she

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<v Speaker 3>had one, had one already, it's I could just keep

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<v Speaker 3>driving or if I'm gonna have to turn around and

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<v Speaker 3>get one.

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<v Speaker 4>Couldn't get a hold of her.

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<v Speaker 6>Yes, because between the hours of twelve and one, I'm

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<v Speaker 6>at Pilates.

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<v Speaker 5>I did actually remember that. I was like, oh, Jenne's

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<v Speaker 5>a PLARTI that's right.

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<v Speaker 6>And then I had to use my Apple Watch to

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<v Speaker 6>write pilates and't.

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<v Speaker 4>That's all she gave me, just the word pilates. No

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<v Speaker 4>it means it's so hard to write with an Apple Watch.

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<v Speaker 5>I don't have one.

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<v Speaker 4>It's like you're playing fucking operation.

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<v Speaker 6>Well, imagine doing it while you're doing Reformer pilates.

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<v Speaker 4>I couldn't imagine that, but it sounds hellish.

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<v Speaker 3>Sometimes even the phone I find too small and I

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<v Speaker 3>just jump on to the laptop.

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<v Speaker 4>Imagine me twenty to use a watch. It's hard my watch.

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<v Speaker 3>And so you told it's that your Apple Watch causes

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<v Speaker 3>anxiety because you've got your notifications strapped to you.

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<v Speaker 4>I turn on my notifications off. Well, what's the fucking

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<v Speaker 4>point of it? It's really good. Tells the time. It's

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<v Speaker 4>all the watch it's worth. It's worth a two thousand

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<v Speaker 4>dollars price tag.

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<v Speaker 5>It tells me the time you can get a watch

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<v Speaker 5>that you don't have to charge all day.

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<v Speaker 4>I have to take my watch off now when I

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<v Speaker 4>do weights at the gym because my wrists are so

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<v Speaker 4>thick that when I bend back. I've called the emergency

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<v Speaker 4>services like four times. Yeah, and my personal trainers like me,

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<v Speaker 4>you've called the federal police again. Sorry to turn off, and.

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<v Speaker 3>How how long does it give you to hang up

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<v Speaker 3>the phone? Let's try, Like if you accidentally call the SOS.

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<v Speaker 3>Doesn't it do like a three to one? If you

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<v Speaker 3>don't fucking canceler, we're calling the cop.

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<v Speaker 4>I'll initiate it now, ready, Like, please, Oh this is risky,

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<v Speaker 4>scared I try this at home? Girls, Please don't eight

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<v Speaker 4>seven six? Where's the alarm? There?

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<v Speaker 2>We go?

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<v Speaker 6>Sure, that's scared.

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<v Speaker 4>Stop it so.

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<v Speaker 3>It gives you eight seconds and then from five seconds

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<v Speaker 3>on once it starts yelling at you.

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<v Speaker 4>And the flashlight just started going off to Yeah, does

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<v Speaker 4>it call triple zero or is it an idiot and

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<v Speaker 4>calls nine on one? No? It called triple zero? Yeah?

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<v Speaker 4>When was I going to call fucking wires?

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<v Speaker 7>Hello?

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<v Speaker 4>You're falling? Have you fallen from a tree? Yeah, it's

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<v Speaker 4>I'm a one bat. I've been hit by a high lux.

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<v Speaker 4>That's sad, so sad. Why would you bring it up?

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<v Speaker 4>I'm welcome to the show. Everybody. Wednesday episode famously more

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<v Speaker 4>on Hinge than a Monday episode.

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<v Speaker 5>Yes, so far that has been the trend. Yes, you're right, mane.

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<v Speaker 4>Did you hear that again?

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<v Speaker 6>Yes?

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<v Speaker 4>Did you really hear that? I turned my mic off?

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<v Speaker 5>Yeah, but we weren't talking, like you chose the worst time.

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<v Speaker 3>It's like instead of doing it underneath my voice, Like

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<v Speaker 3>if you did it right now, you wouldn't hear it.

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<v Speaker 4>So you just cough. Now we heard it, but you

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<v Speaker 4>specifically waited and just went Why we bring it up

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<v Speaker 4>was let me move on from it. Pain in the hours,

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<v Speaker 4>I'm made this cough all of a sudden, it's because

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<v Speaker 4>my fucked ober. I'm on armor force, like, which is

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<v Speaker 4>like it's working, but you can feel my my immune

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<v Speaker 4>system fighting so hard to not get sick. I've got

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<v Speaker 4>like one eighth of a sickness and it's like my

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<v Speaker 4>body's just trying not to get any more in there.

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<v Speaker 3>Oh when I feel the one eighth, I just know

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<v Speaker 3>my immune system is not going to bother with this.

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<v Speaker 3>I just kind of surrender and go, let's fucking ride

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<v Speaker 3>it out.

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<v Speaker 4>Normally I do that normally my immune system is implodes.

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<v Speaker 4>But this armor Force, which is a vitamin you take,

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<v Speaker 4>it's like eighty bucks, but it genuinely has kicked it

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<v Speaker 4>in the butt, like I have this cough. Armor force

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<v Speaker 4>absolutely nothing. No, yeah, they're not. I'm telling you, okay,

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<v Speaker 4>I'm not making money. I can mention brands on this.

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<v Speaker 5>I suppose you can, unless it's a cigarette brand.

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<v Speaker 4>Totally god, and that's my he mentions it a lot.

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<v Speaker 6>I'm a force no cigarette brands.

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<v Speaker 5>Fuck yeah, let's take him down.

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<v Speaker 3>Let's report him to the Australian Communications and Media.

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<v Speaker 4>AUTHORI, oh my god, Jenna, you should just walk in

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<v Speaker 4>and go, hey Jones, if I've got twelve examples of

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<v Speaker 4>years breaking radio codes and unless you fuck me on

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<v Speaker 4>this radio doors we actually mentioned cigarette brands a lot. Yeah,

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<v Speaker 4>because I don't know what.

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<v Speaker 3>The podcast codes are. I just only know the radio codes,

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<v Speaker 3>so I kind of just play by that rule.

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<v Speaker 4>I think they're very similar. I'd say that you're not

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<v Speaker 4>allowed to say specific brand names of cigarettes, but you

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<v Speaker 4>can say drugs the other day. I'm like opioids, heroin,

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<v Speaker 4>you're allowed.

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<v Speaker 5>It's very well that usually gets beeped out on air

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<v Speaker 5>if you say heroin.

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<v Speaker 4>Really, I don't have a beeper. Maybe that's why. Maybe

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<v Speaker 4>it's the investigation currently into my show Who Knows It's Night?

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<v Speaker 4>Sometimes you know, after seven thirty at night, you're allowed

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<v Speaker 4>to be more sexual.

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<v Speaker 5>In life or on air.

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<v Speaker 4>Well, that's actually how it works in life. I FI

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<v Speaker 4>normally only most of my actions post.

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<v Speaker 5>Seven to thirty three bit of a matinee.

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<v Speaker 4>Oh Mattine. Fuck is a lot. No, not at all.

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<v Speaker 4>In the middle of the day sex.

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<v Speaker 5>It doesn't matter if it's bang on mid day. It

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<v Speaker 5>can be two or three pm.

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<v Speaker 4>No morning, I prefer morning, all night. Get middle of

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<v Speaker 4>the day. I've got stuff to do. And it's not

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<v Speaker 4>you talking about people, not you. Yeah, okay, I've tried

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<v Speaker 4>actually wanting.

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<v Speaker 3>It's a bit impractical because you don't have an opportunity

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<v Speaker 3>to prepare.

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<v Speaker 4>Of course, of course fun because it's like the sleepy

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<v Speaker 4>then you know the erections. No, I mean shutter, I

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<v Speaker 4>mean a barely consho. I love it. They're not alert. No, No,

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<v Speaker 4>it's not that, because it's like you've got the romance,

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<v Speaker 4>like shut up, real funny, was it, Jenna, Hey, she's

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<v Speaker 4>laughing at one of my true he's funny.

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<v Speaker 5>And then you Yeah today, I've always said that it's.

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<v Speaker 4>Fine, you can have it. Take it. Take the compliment,

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<v Speaker 4>all right? Today off the back of my date at Wicked,

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<v Speaker 4>which I'm know we talk about my date at Wicked,

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<v Speaker 4>Well we'll do that in the Wicked segment. Oh sure, yeah,

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<v Speaker 4>why not? Why not? I went to Wicked and I

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<v Speaker 4>have seen it once before in London, but I was

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<v Speaker 4>so young.

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<v Speaker 5>I thought it was your first time seeing it.

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<v Speaker 4>No, I saw it in London. Oh, Doody Dench was

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<v Speaker 4>Debbie ordered.

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<v Speaker 5>I don't remember what dooty Dench.

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<v Speaker 4>What dooty Dench was Glender? So from one fame.

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<v Speaker 3>Okay, you're having another one of those days, so let

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<v Speaker 3>me just spit it out. Coming up today, we're doing

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<v Speaker 3>a Wicked re enactment, which was that much of a

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<v Speaker 3>fan of the show that he wanted to recreate one

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<v Speaker 3>of the scenes here in the podcast text.

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<v Speaker 4>Missions and Wicked. Let's do an acting class.

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<v Speaker 5>Yes, and also and also a talkback things.

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<v Speaker 3>Oh my god, I've been checking in on our mate

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<v Speaker 3>John Laws and oh wait.

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<v Speaker 4>To answer me this question. Why we did one two

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<v Speaker 4>weeks ago.

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<v Speaker 3>Yeah, and in that segment, I said I need to

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<v Speaker 3>do a welfare check on John Laws because we often

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<v Speaker 3>play him at talk back things and I haven't listened

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<v Speaker 3>him to agent.

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<v Speaker 4>That's very true.

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<v Speaker 5>Yeah, okay, and I did, and he did. It's the point.

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<v Speaker 5>You've got gold. You've got something to report, do you?

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<v Speaker 4>Okay? God, you've got gold? Is it his microphone? Because

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<v Speaker 4>he speaks into a microphone. A gold make gold? All right, Well,

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<v Speaker 4>that's all coming up I can't wait for the acting

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<v Speaker 4>class me either. Oh no, idea, No, I'm so excited.

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<v Speaker 4>Now we should start the show. If it is your

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<v Speaker 4>first time listening, we start the show with an is

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<v Speaker 4>it just me? Something we've noticed, something we hate or appreciate.

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<v Speaker 4>We've got a very special idiot on the line joining

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<v Speaker 4>us from Sydney.

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<v Speaker 3>Stephanie, Hello, Hi, have you ever been described as a

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<v Speaker 3>very special idiot?

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<v Speaker 8>I feel honored.

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<v Speaker 4>I had a public conversation the other day actually on

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<v Speaker 4>the two of us on the tour with Brittany and Laura.

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<v Speaker 4>I was like, oh, and idiot's coming tonight and they

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<v Speaker 4>went what what? And I was like, an idiot, he's

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<v Speaker 4>coming to the show tonight. And they were like, what

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<v Speaker 4>are you talking about? And I was like, oh, we

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<v Speaker 4>call our listeners idiots. They thought it was hilarious. Oh

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<v Speaker 4>thank god.

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<v Speaker 5>I thought you're about to say they were canceling us.

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<v Speaker 4>Yeah, no, no, they thought it was funny. Well, Brittney

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<v Speaker 4>Hockley is an idiot, shout out. She not a real one.

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<v Speaker 5>No, she recognized the idiot.

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<v Speaker 4>She listens every week now, she probably just she listens

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<v Speaker 4>all the time.

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<v Speaker 5>Yeah, britt can you just DM me, babe? I've been

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<v Speaker 5>trying to get you and Laura on the podcast The

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<v Speaker 5>Mitch of It Organizing.

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<v Speaker 4>We can barely get them on our own fucking podcast,

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<v Speaker 4>let alone ours. Stephanie, you have an ageum of your own? Yeah,

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<v Speaker 4>let's go.

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<v Speaker 7>Is it just me?

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<v Speaker 8>Does anyone else get sulvas when someone that you follow

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<v Speaker 8>on Instagram unfollow you? Oh yeah, yeah, Like I'm like

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<v Speaker 8>next level, So.

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<v Speaker 3>Steffie, Steffie, Steffie, you shouldn't be checking those apps?

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<v Speaker 8>Oh yeah, yeah, definitely not should be shouldn't be using

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<v Speaker 8>those apps?

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<v Speaker 4>Do you need an app? Do you have an app?

0:09:42.040 --> 0:09:45.200
<v Speaker 8>Stef Yeah, so I have like this, it's so such

0:09:45.240 --> 0:09:48.080
<v Speaker 8>a dodgy app. Not gonna lie. Is it like locks

0:09:48.120 --> 0:09:50.280
<v Speaker 8>me out of Instagram whenever I log into it, which

0:09:50.360 --> 0:09:53.200
<v Speaker 8>is pretty bad. But I'm just like walking that fine line.

0:09:54.360 --> 0:09:57.160
<v Speaker 8>But literally I go like next level. So if I

0:09:57.200 --> 0:09:58.800
<v Speaker 8>see that you're on follow me, I go do like

0:09:58.920 --> 0:10:04.679
<v Speaker 8>your profile to unlike all your pictures and then hit unfollow.

0:10:06.320 --> 0:10:09.600
<v Speaker 8>Yeah yeah absolutely, I'm like I'm not giving any likes

0:10:09.600 --> 0:10:11.520
<v Speaker 8>out Like that's how petty I am.

0:10:11.640 --> 0:10:14.400
<v Speaker 4>Get rid of the app. That's not cool. You've got

0:10:14.440 --> 0:10:14.720
<v Speaker 4>the app?

0:10:14.800 --> 0:10:17.959
<v Speaker 6>Yeah, But like if somebody unfollows me, I'm going to

0:10:18.080 --> 0:10:18.600
<v Speaker 6>unfollow them.

0:10:18.679 --> 0:10:20.120
<v Speaker 4>How often do you check the app?

0:10:20.200 --> 0:10:21.559
<v Speaker 6>Oh? Maybe like once a week?

0:10:21.840 --> 0:10:26.120
<v Speaker 4>Wow, Jenna, Yeah, I'm that Guys. You can't that. You

0:10:26.160 --> 0:10:28.200
<v Speaker 4>can't worry about that ship? Can I tell you? Mitch?

0:10:28.240 --> 0:10:30.280
<v Speaker 4>Can you go to your profile now? If you knew

0:10:30.320 --> 0:10:32.960
<v Speaker 4>how many followers I lost in a day, you'd be shocked.

0:10:33.440 --> 0:10:35.839
<v Speaker 4>I luckily my ratio, I gain more in a day

0:10:35.880 --> 0:10:38.800
<v Speaker 4>than I lose. However, i'm your ratio, Like you can

0:10:38.840 --> 0:10:41.280
<v Speaker 4>see how many followers you gain in a day, plus

0:10:41.320 --> 0:10:43.320
<v Speaker 4>how many you lose in a day. I'm losing a

0:10:43.320 --> 0:10:46.040
<v Speaker 4>lot of followers. Yeah, okay, but I gain I gain more,

0:10:46.080 --> 0:10:48.160
<v Speaker 4>so I'm growing. But let me get total followers.

0:10:48.160 --> 0:10:48.480
<v Speaker 5>Here we go.

0:10:49.280 --> 0:10:53.559
<v Speaker 4>This month, I've gained two thousand, four hundred and eighteen followers.

0:10:53.679 --> 0:11:01.240
<v Speaker 4>Well done, When Stephanie, I have none? Okay, I've lost

0:11:01.760 --> 0:11:03.760
<v Speaker 4>three hundred and ninety, so you're still ahead of the

0:11:03.800 --> 0:11:06.080
<v Speaker 4>pro I'm still well ahead. That's good. Who are the

0:11:06.160 --> 0:11:09.640
<v Speaker 4>three hundred and ninety fuck faces that are unfollowing me?

0:11:09.800 --> 0:11:09.920
<v Speaker 9>Well?

0:11:09.960 --> 0:11:11.560
<v Speaker 6>Look at these people who've unfollowed me.

0:11:11.960 --> 0:11:15.360
<v Speaker 4>Oh they're blank. Oh I love fucking Istanbul. That's someone's name.

0:11:15.400 --> 0:11:19.120
<v Speaker 4>I'm not even joking, Jenna got unfollowed by tourist I.

0:11:19.080 --> 0:11:19.800
<v Speaker 6>Love my hair.

0:11:19.880 --> 0:11:20.480
<v Speaker 4>Oh it is?

0:11:20.800 --> 0:11:22.920
<v Speaker 3>Can I challenge you to like not use the app

0:11:23.040 --> 0:11:26.880
<v Speaker 3>for a month and see how you feel afterwards, because

0:11:27.440 --> 0:11:28.480
<v Speaker 3>who cares about that shit?

0:11:28.640 --> 0:11:31.560
<v Speaker 6>Yeah, but it's happened to me, right. Aaron Mollan unfollowed me.

0:11:31.840 --> 0:11:34.280
<v Speaker 6>I did so many fuck that she followed because I

0:11:34.320 --> 0:11:36.360
<v Speaker 6>did so many videos for her when she used to

0:11:36.360 --> 0:11:38.720
<v Speaker 6>come in for Jones and Amanda and she unfollowed me.

0:11:39.080 --> 0:11:40.200
<v Speaker 6>I unfollowed her back.

0:11:40.920 --> 0:11:45.240
<v Speaker 4>I'm sure she felt the pinch. Molland unfollowed Sky News

0:11:45.280 --> 0:11:48.000
<v Speaker 4>pundit Aaron mullin, Yes, that's funny.

0:11:48.120 --> 0:11:50.440
<v Speaker 6>She followed me for two years and gave up.

0:11:50.920 --> 0:11:52.560
<v Speaker 3>I wasn't think that I'm following is a bit nasty.

0:11:52.600 --> 0:11:53.959
<v Speaker 3>Don't you reckon that you can just mute them? I

0:11:53.960 --> 0:11:55.120
<v Speaker 3>don't need to know you're on following.

0:11:55.240 --> 0:11:58.559
<v Speaker 4>I agree. No, I'm pretty big on unfollowing. I unfollow

0:11:58.640 --> 0:12:00.840
<v Speaker 4>a lot. I block. Thanks Jeffanie.

0:12:02.120 --> 0:12:04.160
<v Speaker 3>Don't forget to hit up Jenna on our Instagram at

0:12:04.160 --> 0:12:05.360
<v Speaker 3>a couple of all.

0:12:05.840 --> 0:12:08.120
<v Speaker 4>If you would like to be part of the show.

0:12:08.320 --> 0:12:12.480
<v Speaker 4>Don't forget. We have our new jingle to remind you if.

0:12:12.400 --> 0:12:13.840
<v Speaker 3>You've got an, is it just me of your own

0:12:13.880 --> 0:12:15.240
<v Speaker 3>and you want to come on the show with us?

0:12:15.520 --> 0:12:17.320
<v Speaker 3>You can do the DM thing a couple of mitches

0:12:17.480 --> 0:12:18.599
<v Speaker 3>or send us a text.

0:12:19.400 --> 0:12:27.840
<v Speaker 10>For till nine for a two zero two nine.

0:12:34.400 --> 0:12:36.360
<v Speaker 4>Sure can. I love that we've kept the jingle on

0:12:36.400 --> 0:12:38.480
<v Speaker 4>the end of it like it's another it's a Justin

0:12:38.480 --> 0:12:40.839
<v Speaker 4>Timberlake song as well as Kelly Clarkson song.

0:12:40.880 --> 0:12:42.720
<v Speaker 5>Well, they kind of agree on me that little don.

0:12:44.679 --> 0:12:47.280
<v Speaker 4>It's fun. It feels very us. I've been the.

0:12:47.240 --> 0:12:50.520
<v Speaker 3>Post in our faithbook group that said I was going

0:12:50.520 --> 0:12:53.200
<v Speaker 3>through the Macats drive through listening to the podcast episode

0:12:53.200 --> 0:12:54.840
<v Speaker 3>where we were playing the jingle option.

0:12:54.920 --> 0:12:55.679
<v Speaker 4>I did see that, and.

0:12:55.679 --> 0:12:58.200
<v Speaker 3>The person working at Macis said to them out the window,

0:12:58.360 --> 0:12:59.240
<v Speaker 3>which one do you prefer?

0:13:00.120 --> 0:13:01.320
<v Speaker 5>A fellow idiot, I was like.

0:13:02.840 --> 0:13:05.720
<v Speaker 4>So sweet, I love it all right? Shall we do

0:13:05.880 --> 0:13:07.439
<v Speaker 4>talkback tings? Yeah, let's get into it.

0:13:10.200 --> 0:13:12.960
<v Speaker 3>So talk back tings it's where we bring you the

0:13:13.080 --> 0:13:16.319
<v Speaker 3>cooked things that you are missing by not listening to talk.

0:13:16.200 --> 0:13:17.400
<v Speaker 4>Back Radio's fun.

0:13:17.480 --> 0:13:18.600
<v Speaker 5>I'll bring you all the good shit.

0:13:18.640 --> 0:13:20.360
<v Speaker 4>Don't worry, you'll hear it here. We did it two

0:13:20.360 --> 0:13:20.880
<v Speaker 4>weeks ago.

0:13:21.080 --> 0:13:21.719
<v Speaker 5>Yeah, that's right.

0:13:21.760 --> 0:13:24.400
<v Speaker 3>We were playing a different radio show to normal because

0:13:24.440 --> 0:13:27.120
<v Speaker 3>I feel like majority of the talk back Tings segments

0:13:27.160 --> 0:13:28.880
<v Speaker 3>we've done have been surrounding John Laws.

0:13:28.880 --> 0:13:30.640
<v Speaker 4>We have an interviewed John Laws. We have that was

0:13:30.640 --> 0:13:32.880
<v Speaker 4>the weirdest interview of my life, the worst interview of

0:13:32.880 --> 0:13:35.760
<v Speaker 4>my life. I was terrible. I was terrified of them.

0:13:35.840 --> 0:13:37.480
<v Speaker 4>I fucking loved it and I was so scared. He

0:13:37.559 --> 0:13:39.520
<v Speaker 4>was trying to make you uncomfortable. And you know what,

0:13:40.000 --> 0:13:42.160
<v Speaker 4>you let him win. I did it worked.

0:13:42.640 --> 0:13:44.360
<v Speaker 5>I don't try to make him uncomfortable back.

0:13:44.400 --> 0:13:46.160
<v Speaker 4>No, I don't think he was trying to make me uncomfortable.

0:13:46.160 --> 0:13:48.720
<v Speaker 4>I think it's called himself Mitchell.

0:13:48.840 --> 0:13:50.920
<v Speaker 6>He was not well when I met him. I think

0:13:50.920 --> 0:13:51.559
<v Speaker 6>he did as well.

0:13:51.679 --> 0:13:53.199
<v Speaker 4>Yeah, he's an odd nut.

0:13:53.400 --> 0:13:54.560
<v Speaker 6>He didn't know what was going.

0:13:54.360 --> 0:13:57.960
<v Speaker 4>On the international listeners. John Laws is an Australian broadcast legend.

0:13:57.960 --> 0:14:01.280
<v Speaker 4>He's been on the air for sixty years, no seven,

0:14:01.320 --> 0:14:04.400
<v Speaker 4>probably seventieth year on air, like and he is an

0:14:04.400 --> 0:14:06.880
<v Speaker 4>old old man and he's famous for being the.

0:14:06.800 --> 0:14:09.520
<v Speaker 3>Talk back Brady, a legend basically, and if you've listened

0:14:09.520 --> 0:14:12.400
<v Speaker 3>to this podcast, he's no stranger to you. But we

0:14:12.520 --> 0:14:14.640
<v Speaker 3>said last time Wedy had talked about things that I

0:14:14.679 --> 0:14:16.240
<v Speaker 3>was going to check in because I hadn't listened to.

0:14:16.240 --> 0:14:17.200
<v Speaker 4>John Laws for a little while.

0:14:17.200 --> 0:14:20.920
<v Speaker 3>I said, I do a welfare check. He actually did

0:14:20.920 --> 0:14:22.280
<v Speaker 3>have a lot of time off. He was gone for

0:14:22.280 --> 0:14:24.840
<v Speaker 3>like two months and literally last week returned.

0:14:24.880 --> 0:14:26.240
<v Speaker 4>Does that because his wife passed away?

0:14:26.400 --> 0:14:28.680
<v Speaker 5>No, that was eighty ago. We spoke about that with him.

0:14:28.920 --> 0:14:30.480
<v Speaker 4>Oh, I thought you were just saying in generally a

0:14:30.560 --> 0:14:32.200
<v Speaker 4>time off, but this is he had recent time off.

0:14:33.440 --> 0:14:34.480
<v Speaker 5>Last week he came back.

0:14:35.840 --> 0:14:38.160
<v Speaker 4>You said that. I yeah, it jumped in. Yeah. Yeah,

0:14:38.480 --> 0:14:38.960
<v Speaker 4>So I was.

0:14:38.880 --> 0:14:40.600
<v Speaker 3>Doing a wealthay check but it was fucking gone. And

0:14:40.640 --> 0:14:42.200
<v Speaker 3>so he came back last week, Thank god.

0:14:42.320 --> 0:14:42.600
<v Speaker 4>Good.

0:14:42.680 --> 0:14:43.920
<v Speaker 5>And remember how.

0:14:44.360 --> 0:14:47.560
<v Speaker 3>We realized that his voice is getting a bit concerning,

0:14:47.600 --> 0:14:49.280
<v Speaker 3>like he started to sound a bit like he's on

0:14:49.400 --> 0:14:52.280
<v Speaker 3>his deathbed. Yes, his voice was going, the golden tunsils

0:14:52.280 --> 0:14:54.880
<v Speaker 3>were acting up. I feel like that two months he

0:14:54.920 --> 0:14:57.280
<v Speaker 3>had off overseas have done him well, because he's sounded

0:14:57.320 --> 0:14:59.800
<v Speaker 3>gorgeous at the moment, in really great mood, having.

0:14:59.640 --> 0:15:03.200
<v Speaker 4>A good time. And so it's back welfare. All good, Okay,

0:15:03.240 --> 0:15:05.280
<v Speaker 4>the check has been done and he's been feeling playful.

0:15:05.320 --> 0:15:08.840
<v Speaker 3>I feel because what we're about to play is a

0:15:08.840 --> 0:15:12.480
<v Speaker 3>couple of calls that I heard and normally he suffers

0:15:12.480 --> 0:15:14.920
<v Speaker 3>no fools, and if someone is a bit of a fuckhead,

0:15:14.960 --> 0:15:16.840
<v Speaker 3>he doesn't have patience for it. But he was just

0:15:17.120 --> 0:15:19.440
<v Speaker 3>having a laugh to the point where he was chatting

0:15:19.560 --> 0:15:20.440
<v Speaker 3>with birds.

0:15:20.840 --> 0:15:24.840
<v Speaker 4>What like women? No, no, no, birds, poultry what?

0:15:25.680 --> 0:15:29.160
<v Speaker 3>Oh okay, there's two instances where he was having conversations

0:15:29.160 --> 0:15:29.680
<v Speaker 3>with birds.

0:15:29.720 --> 0:15:31.040
<v Speaker 6>Oh my god, I need to hear that.

0:15:31.200 --> 0:15:31.440
<v Speaker 4>Sure.

0:15:31.800 --> 0:15:35.800
<v Speaker 3>Yeah, So the first one, another cooked caller called in

0:15:35.880 --> 0:15:37.480
<v Speaker 3>and he was actually drunk at the time when he

0:15:37.520 --> 0:15:39.680
<v Speaker 3>made the call to let John know that he'd lost

0:15:39.720 --> 0:15:41.960
<v Speaker 3>his gentures so we had no teeth. His old drunk

0:15:41.960 --> 0:15:45.120
<v Speaker 3>guy rolled in, and then the guy put John onto

0:15:45.160 --> 0:15:46.120
<v Speaker 3>his bird to have a chat.

0:15:46.200 --> 0:15:48.360
<v Speaker 4>Oh wow, Laurence to you.

0:15:48.360 --> 0:15:56.040
<v Speaker 2>There, mate, buddy, A little bit I got. I mean,

0:15:57.040 --> 0:15:59.160
<v Speaker 2>I must be forced teeth get on a bus stop.

0:15:59.200 --> 0:16:03.840
<v Speaker 2>The other day a sneeze on Victoria Road, and I

0:16:03.880 --> 0:16:04.880
<v Speaker 2>couldn't believe it.

0:16:04.760 --> 0:16:11.880
<v Speaker 11>Mate, Yes, hang, you lost your upper set of fall

0:16:11.960 --> 0:16:14.920
<v Speaker 11>steeth and your lower set of fort steeth when you sleep.

0:16:15.080 --> 0:16:17.440
<v Speaker 11>Must have been hell of sneeze.

0:16:17.280 --> 0:16:20.640
<v Speaker 2>The biggest sneeze of event. I think we might come

0:16:20.680 --> 0:16:24.600
<v Speaker 2>down and run over the whole one of them. There

0:16:24.400 --> 0:16:27.800
<v Speaker 2>are guns and teeths going everywhere, you know, and the

0:16:27.960 --> 0:16:29.080
<v Speaker 2>still kids were.

0:16:30.120 --> 0:16:32.440
<v Speaker 11>Well, they wouldn't be much left after an eighteen. Thank

0:16:32.480 --> 0:16:33.600
<v Speaker 11>god they weren't in your mouth.

0:16:38.640 --> 0:16:41.080
<v Speaker 2>I love you, I love the comedy. She haven't a

0:16:41.200 --> 0:16:44.640
<v Speaker 2>lot of things now. Because I'm seventy six, I don't think.

0:16:45.680 --> 0:16:46.440
<v Speaker 9>You know well.

0:16:46.480 --> 0:16:48.600
<v Speaker 11>I got to say, you sound all right to me, Lawrence.

0:16:48.640 --> 0:16:52.040
<v Speaker 11>You sound pretty bright and pretty happy, even without your teeth.

0:16:53.360 --> 0:16:57.760
<v Speaker 2>I've got a bird, coringo is his name's Ringo. He's

0:16:58.200 --> 0:17:03.000
<v Speaker 2>a cocker peel and some beautiful thing like birds.

0:17:04.040 --> 0:17:05.760
<v Speaker 11>Okay, but does he talk? That bird?

0:17:10.480 --> 0:17:12.120
<v Speaker 8>You hang on your.

0:17:12.040 --> 0:17:19.120
<v Speaker 11>Pay Come on, talk to John Wach Hello, Ringo, Come on.

0:17:19.160 --> 0:17:21.960
<v Speaker 2>Talk to daddy. Come on, you're not gonna talk, earl.

0:17:22.000 --> 0:17:24.239
<v Speaker 11>You don't get angry with him. He won't talk if

0:17:24.280 --> 0:17:25.200
<v Speaker 11>you get angry with him.

0:17:25.560 --> 0:17:31.720
<v Speaker 2>He's not going to talk to me, John.

0:17:29.680 --> 0:17:31.720
<v Speaker 11>But don't get angry with him his little bird.

0:17:32.200 --> 0:17:33.040
<v Speaker 2>I'm not going to talk.

0:17:33.240 --> 0:17:37.920
<v Speaker 11>Come on, come on, hey listen, Lawrence. Yep, I got

0:17:37.960 --> 0:17:40.040
<v Speaker 11>to go and.

0:17:41.840 --> 0:17:43.480
<v Speaker 4>Wow, oh my god.

0:17:43.560 --> 0:17:47.000
<v Speaker 3>So the bird literally didn't talk back talk back. So

0:17:47.080 --> 0:17:48.840
<v Speaker 3>he was like that was there a chirp in there?

0:17:48.920 --> 0:17:50.920
<v Speaker 4>Or did I make that? I couldn't tell.

0:17:51.000 --> 0:17:52.840
<v Speaker 5>It sounded too clear to be a phone line.

0:17:52.840 --> 0:17:55.239
<v Speaker 3>I thought maybe someone was playing it sound effectively, right,

0:17:55.760 --> 0:17:59.280
<v Speaker 3>But what I'm about to play was much more successful

0:17:59.480 --> 0:18:00.320
<v Speaker 3>as an inter action.

0:18:00.400 --> 0:18:02.720
<v Speaker 5>He had a full blown fucking conversation with bird.

0:18:02.800 --> 0:18:04.800
<v Speaker 4>Okay, so someone must have been listening to that and

0:18:04.840 --> 0:18:05.960
<v Speaker 4>thought I can top it.

0:18:06.119 --> 0:18:07.560
<v Speaker 5>No, this was just a coincidence.

0:18:09.080 --> 0:18:10.879
<v Speaker 4>All right, let's have a listen.

0:18:11.080 --> 0:18:14.080
<v Speaker 11>Joseph for you there, Yes, John, how are you, Kaba?

0:18:14.359 --> 0:18:18.280
<v Speaker 11>I'm all right, thank you. Listen. Where are you am?

0:18:18.280 --> 0:18:22.720
<v Speaker 11>I hearing a bunch of kids in the background. No, chickens, chickens.

0:18:22.800 --> 0:18:24.919
<v Speaker 9>They're all excited. So they're going to a big poultry

0:18:24.960 --> 0:18:25.800
<v Speaker 9>show on the weekend.

0:18:27.320 --> 0:18:28.840
<v Speaker 11>So you show your chickens.

0:18:29.200 --> 0:18:29.760
<v Speaker 9>I sure do.

0:18:30.720 --> 0:18:33.400
<v Speaker 11>I'll tell you what. They're talkative little birds, those ones

0:18:33.440 --> 0:18:34.080
<v Speaker 11>you got.

0:18:34.160 --> 0:18:36.199
<v Speaker 9>So I can probably hear you on the phone on

0:18:36.240 --> 0:18:46.160
<v Speaker 9>the on the edge. They're a bit excited, but.

0:18:43.640 --> 0:18:46.680
<v Speaker 11>I'm talking to them. Listen to that little one.

0:18:49.520 --> 0:18:51.560
<v Speaker 9>It doesn't apply to too many of the people around

0:18:51.560 --> 0:18:54.439
<v Speaker 9>the town because you can't have root in the urban areas.

0:18:54.480 --> 0:18:56.600
<v Speaker 9>Now they're all bad.

0:18:58.320 --> 0:19:01.760
<v Speaker 11>I'm doing bird impersonations here and now your birds are

0:19:01.760 --> 0:19:03.800
<v Speaker 11>talking back to me. They just I just heard them

0:19:03.840 --> 0:19:05.800
<v Speaker 11>talking back there.

0:19:05.840 --> 0:19:16.600
<v Speaker 9>They go a little about the life I'll help. You

0:19:16.720 --> 0:19:18.880
<v Speaker 9>must have a thing on the familes, John, I don't

0:19:18.880 --> 0:19:20.879
<v Speaker 9>know what it is.

0:19:20.880 --> 0:19:21.520
<v Speaker 11>Is it working?

0:19:24.200 --> 0:19:28.600
<v Speaker 9>He starts lying for a while. Now you might stimulate

0:19:28.640 --> 0:19:31.440
<v Speaker 9>her maternal instincts a little bit.

0:19:31.560 --> 0:19:35.360
<v Speaker 11>Well, we can only hope anyway, Joseph, thanks for your call.

0:19:35.480 --> 0:19:43.160
<v Speaker 11>We'll talk again another day. I'm sure okay. And to you.

0:19:45.160 --> 0:19:48.200
<v Speaker 4>He had lost of marble in that moment, But didn't

0:19:48.200 --> 0:19:50.199
<v Speaker 4>he seem like he was having fun. He seemed like

0:19:50.200 --> 0:19:51.200
<v Speaker 4>he was really enjoying.

0:19:51.280 --> 0:19:54.879
<v Speaker 3>Usually he's going on some rage or some tantrum, but

0:19:54.960 --> 0:19:56.639
<v Speaker 3>here he is trying to talk to chicken.

0:19:57.359 --> 0:20:01.320
<v Speaker 4>He actually sounded young in the bucks. They were young

0:20:01.320 --> 0:20:03.120
<v Speaker 4>and much better. Fuck.

0:20:03.160 --> 0:20:05.280
<v Speaker 3>You should have given you a ring. You literally used

0:20:05.320 --> 0:20:08.000
<v Speaker 3>to play a chicken station.

0:20:08.160 --> 0:20:10.879
<v Speaker 4>My first ever role on the radio station was the

0:20:10.920 --> 0:20:12.880
<v Speaker 4>cash cock. And can I tell you something? They still

0:20:12.920 --> 0:20:15.400
<v Speaker 4>the station mask, the station mask, And can I tell

0:20:15.400 --> 0:20:18.640
<v Speaker 4>they brought it back this week at Kiss and I'm

0:20:18.680 --> 0:20:20.679
<v Speaker 4>still the voice about it around for ages.

0:20:20.760 --> 0:20:22.840
<v Speaker 3>No, no, no, but it goes on breaks every now and again.

0:20:22.920 --> 0:20:25.119
<v Speaker 3>I don't want to hear the fucking sweepers. You record it,

0:20:25.119 --> 0:20:26.160
<v Speaker 3>you can just do it live.

0:20:26.040 --> 0:20:26.760
<v Speaker 4>Now, what do you want?

0:20:27.960 --> 0:20:28.720
<v Speaker 5>Just improv?

0:20:28.840 --> 0:20:32.040
<v Speaker 3>All right, Pretend that you're on the phone and you

0:20:32.040 --> 0:20:33.600
<v Speaker 3>can hear chickens in the background, and you're trying to

0:20:33.600 --> 0:20:34.280
<v Speaker 3>converse for them.

0:20:34.760 --> 0:20:43.480
<v Speaker 4>All right, bloody hell, that's my cousin. It's me Cash Cog.

0:20:44.680 --> 0:20:50.400
<v Speaker 4>Cash Cock's always very he's very jumpy.

0:20:50.480 --> 0:20:58.760
<v Speaker 3>You shake your whole cheeks and you go, that's cash Cock.

0:20:59.600 --> 0:21:02.320
<v Speaker 3>I don't John's impression is very good. If I was

0:21:02.359 --> 0:21:03.880
<v Speaker 3>trying to talk to chickens, I do like.

0:21:03.840 --> 0:21:09.240
<v Speaker 4>A yeah, I agree. You know something like that. Cash

0:21:09.280 --> 0:21:10.439
<v Speaker 4>cooks not true to life.

0:21:10.520 --> 0:21:13.400
<v Speaker 3>Cashwalks are character Yours is more accurate than John Lawd.

0:21:13.720 --> 0:21:14.119
<v Speaker 4>You think it?

0:21:14.480 --> 0:21:16.960
<v Speaker 3>Can I just call him like he was just muttering profanity?

0:21:17.080 --> 0:21:22.639
<v Speaker 3>He's going to drop my pen, he did.

0:21:23.320 --> 0:21:25.800
<v Speaker 6>You need to call him one day and have a

0:21:25.800 --> 0:21:26.240
<v Speaker 6>cock off.

0:21:26.800 --> 0:21:29.200
<v Speaker 4>Well, that be a very different experien I think i'd

0:21:29.200 --> 0:21:29.800
<v Speaker 4>weird hopefully.

0:21:30.240 --> 0:21:31.439
<v Speaker 5>Can you do a bird noise?

0:21:31.560 --> 0:21:38.560
<v Speaker 4>Surely that was a fucking sheep? The fuck, Jenna, that's

0:21:38.560 --> 0:21:39.680
<v Speaker 4>the same noise you just did.

0:21:39.920 --> 0:21:45.000
<v Speaker 5>You're making a bar like a sheep. What about a chicken?

0:21:48.040 --> 0:21:50.280
<v Speaker 4>Can you Mitchell? I already did the chicken? What about

0:21:50.280 --> 0:22:03.359
<v Speaker 4>a rooster? That's cool? How that owl? A magpie? What

0:22:03.480 --> 0:22:05.960
<v Speaker 4>if that bird that you always hear like early in

0:22:05.960 --> 0:22:10.720
<v Speaker 4>the morning, It's like that sounds like a dove. Yeah,

0:22:10.880 --> 0:22:12.560
<v Speaker 4>you know, you just sometimes hear that sounds like a

0:22:12.640 --> 0:22:15.720
<v Speaker 4>dove bird chat. Fascinating. Shit, it's enough.

0:22:17.560 --> 0:22:18.320
<v Speaker 5>Cash cock noise.

0:22:18.440 --> 0:22:19.040
<v Speaker 6>Yeah, me too.

0:22:19.320 --> 0:22:21.399
<v Speaker 4>Well. I used to do jokes. I actually still have

0:22:21.400 --> 0:22:22.840
<v Speaker 4>them in my notes app. You want to see them?

0:22:22.960 --> 0:22:24.920
<v Speaker 4>Oh really, you saved the jokes you used to make.

0:22:24.960 --> 0:22:26.159
<v Speaker 4>I think I've got it. I just not that I

0:22:26.200 --> 0:22:27.760
<v Speaker 4>didn't like it. Don't be gatekeeper.

0:22:27.880 --> 0:22:29.760
<v Speaker 5>I want to hear this ship. Oh yeah, I love

0:22:29.800 --> 0:22:31.040
<v Speaker 5>the reprisal of cash.

0:22:31.200 --> 0:22:33.439
<v Speaker 4>Cash Cock twenty twenty one. You got all the jokes

0:22:33.480 --> 0:22:37.560
<v Speaker 4>I've ever made from them? A return of the cock

0:22:37.880 --> 0:22:42.480
<v Speaker 4>good to me. I'm known for my comebacks funny because

0:22:42.480 --> 0:22:46.200
<v Speaker 4>it's a sexual innuendo. Yeah, wait till I'm released. I

0:22:46.280 --> 0:22:48.080
<v Speaker 4>don't want to be premanshew I.

0:22:48.200 --> 0:22:53.520
<v Speaker 10>I've had issues ins I feel comfortable in Liverpool. I

0:22:53.520 --> 0:22:55.600
<v Speaker 10>think most of the locals of Chase after a cock

0:22:55.640 --> 0:22:58.679
<v Speaker 10>and public back at least once in their lives.

0:22:58.920 --> 0:23:01.119
<v Speaker 4>Why did you ever give that gig up? You bucking

0:23:01.160 --> 0:23:05.480
<v Speaker 4>peaked early. Honestly that's your best work then, coming from

0:23:05.520 --> 0:23:10.560
<v Speaker 4>all different angles, I'm a video you should do.

0:23:10.960 --> 0:23:15.480
<v Speaker 3>You should start just slipping that into our podcast occasionally podcast.

0:23:17.400 --> 0:23:20.119
<v Speaker 4>Don't worry talk about teams, will be mom back. How

0:23:20.240 --> 0:23:22.880
<v Speaker 4>you want to know? I like that you're listening to.

0:23:23.280 --> 0:23:24.200
<v Speaker 11>Is it just me?

0:23:25.640 --> 0:23:30.280
<v Speaker 4>You're listening on Spotify? Don't forget to leave a five star.

0:23:34.480 --> 0:23:35.320
<v Speaker 2>Oh my god.

0:23:37.720 --> 0:23:40.960
<v Speaker 3>I'm really excited for what we're about to do. I'm

0:23:41.000 --> 0:23:42.840
<v Speaker 3>really nervous that we're not gonna do it justice. We

0:23:42.880 --> 0:23:45.439
<v Speaker 3>are doing our own interpretation.

0:23:45.200 --> 0:23:46.240
<v Speaker 5>Of Wicked the Musical.

0:23:46.320 --> 0:23:47.120
<v Speaker 4>Speak for yourself.

0:23:47.240 --> 0:23:47.560
<v Speaker 11>I am.

0:23:47.680 --> 0:23:51.920
<v Speaker 4>I'm a classically trained actor. I've studied. I'm fine. I

0:23:52.320 --> 0:23:53.640
<v Speaker 4>know my way around a script.

0:23:54.000 --> 0:23:55.640
<v Speaker 5>Well, like I already said, I'm off book. I don't

0:23:55.640 --> 0:23:56.120
<v Speaker 5>need a script.

0:23:56.280 --> 0:23:58.600
<v Speaker 4>Yeah, I'm not with my severe memory issues that I've got.

0:23:58.600 --> 0:24:01.080
<v Speaker 4>I'm well and truly on the book. But I've got

0:24:01.080 --> 0:24:01.960
<v Speaker 4>the script in front of me.

0:24:02.080 --> 0:24:05.440
<v Speaker 3>And So you went to Wicked the Musical last week

0:24:05.920 --> 0:24:08.080
<v Speaker 3>and apparently not the first time you've seen it, but

0:24:08.119 --> 0:24:09.720
<v Speaker 3>the first time as an adults, And that's when it

0:24:09.800 --> 0:24:10.480
<v Speaker 3>kind of sinks in.

0:24:10.560 --> 0:24:12.080
<v Speaker 5>It's a weird thing to see as a child.

0:24:12.119 --> 0:24:13.639
<v Speaker 4>By the way, I would have seen it when I

0:24:13.640 --> 0:24:16.040
<v Speaker 4>went to London in twentywe same year as the Jubilee,

0:24:16.160 --> 0:24:18.800
<v Speaker 4>same year as the Olympics twenty twelve. Yes, oh that

0:24:18.920 --> 0:24:21.040
<v Speaker 4>wasn't that long agoing? No? So yeah, anyway, how long

0:24:21.119 --> 0:24:23.160
<v Speaker 4>enough for you to forget it with your memory? Fourteen?

0:24:23.280 --> 0:24:24.800
<v Speaker 4>I seriously do not remember it.

0:24:24.880 --> 0:24:25.920
<v Speaker 5>Ada, Well you do now.

0:24:25.960 --> 0:24:28.120
<v Speaker 3>And you said to me you loved Wicked so much

0:24:28.160 --> 0:24:30.120
<v Speaker 3>that you wanted to do a scene on the podcast,

0:24:30.119 --> 0:24:32.040
<v Speaker 3>and I've never said yes, quicker, I messaged.

0:24:32.000 --> 0:24:34.280
<v Speaker 4>And said, let's do an acting class. So here we are. Firstly,

0:24:34.440 --> 0:24:36.520
<v Speaker 4>I will say I went on a date at Wicked,

0:24:36.600 --> 0:24:38.520
<v Speaker 4>and I think if anyone's like, oh, what do I

0:24:38.520 --> 0:24:40.359
<v Speaker 4>do on like a fifth or sixth date? Go to

0:24:40.480 --> 0:24:43.080
<v Speaker 4>a musical? It was a really good date. Really, Yeah.

0:24:43.119 --> 0:24:46.040
<v Speaker 4>You get a drink before cute and then when you're

0:24:46.080 --> 0:24:47.439
<v Speaker 4>watching it, it's like you don't have to sit there

0:24:47.480 --> 0:24:49.280
<v Speaker 4>and talk. You kind of just like in each other's energy,

0:24:49.440 --> 0:24:50.960
<v Speaker 4>put a hand on a knee or in an upper thigh.

0:24:50.960 --> 0:24:53.440
<v Speaker 5>It was okay. I've actually been on quite a few

0:24:53.480 --> 0:24:54.320
<v Speaker 5>musical theater dates.

0:24:54.320 --> 0:24:55.560
<v Speaker 4>You're right, They're good, aren't mate?

0:24:55.640 --> 0:24:55.880
<v Speaker 5>Yeah?

0:24:55.960 --> 0:24:57.359
<v Speaker 4>No, I rate it. You can like a drink in

0:24:57.400 --> 0:24:59.000
<v Speaker 4>the bar them as the intermission to chat. You've got

0:24:59.040 --> 0:25:00.639
<v Speaker 4>things to talk about because you we've just seen all

0:25:00.640 --> 0:25:02.760
<v Speaker 4>this content so it's not like when we talk about

0:25:02.880 --> 0:25:04.439
<v Speaker 4>not that the conversation needed that, but it was a

0:25:04.440 --> 0:25:04.840
<v Speaker 4>good day.

0:25:05.080 --> 0:25:06.480
<v Speaker 5>Yeah, no, I agree, I'm with you.

0:25:06.760 --> 0:25:07.480
<v Speaker 4>So all right.

0:25:07.960 --> 0:25:10.600
<v Speaker 3>For those of you that aren't familiar with Wicked, right,

0:25:10.680 --> 0:25:14.160
<v Speaker 3>it's actually the backstory or the prequel to the Wizard

0:25:14.200 --> 0:25:16.399
<v Speaker 3>of Oz. I'm sure everyone is familiar with the plot

0:25:16.400 --> 0:25:18.560
<v Speaker 3>of Wizard of Oz. This is just kind of a

0:25:18.600 --> 0:25:21.760
<v Speaker 3>plot twist, correct, is what's happening while the Witches are

0:25:21.800 --> 0:25:22.320
<v Speaker 3>off camera?

0:25:22.400 --> 0:25:25.399
<v Speaker 4>Well, Wizard of Oz starts with that dumb tornado, and

0:25:25.400 --> 0:25:29.320
<v Speaker 4>then the house lands and Dorothy's house gets pulled up,

0:25:29.320 --> 0:25:31.560
<v Speaker 4>and then she lands in Oz. Yeah, and then she

0:25:31.640 --> 0:25:35.280
<v Speaker 4>goes down the yellow brick road because Glenda says, hey, yeah, Glenda.

0:25:35.640 --> 0:25:38.240
<v Speaker 4>Glinda says, go down that yellow brick road. And then

0:25:38.240 --> 0:25:40.639
<v Speaker 4>we see that happen in Wicked. It's very funny.

0:25:40.680 --> 0:25:43.960
<v Speaker 3>And the house after the tornado, it lands on the

0:25:43.960 --> 0:25:47.560
<v Speaker 3>wiki Witch of the East, correct, which is Alpheber's sister. Yes,

0:25:47.680 --> 0:25:49.639
<v Speaker 3>And you see in the movie The Wizard of Ours

0:25:49.680 --> 0:25:52.280
<v Speaker 3>that the green Witch Rocks are pissed off as fuck.

0:25:52.600 --> 0:25:55.720
<v Speaker 3>And then Glinda the good Witch says, right off you go, Dorothy,

0:25:55.840 --> 0:25:58.440
<v Speaker 3>just follow that yellow brick road. Yeah, and the scene

0:25:58.480 --> 0:26:01.040
<v Speaker 3>we're about to do with what happens immediately afterwards?

0:26:01.080 --> 0:26:02.719
<v Speaker 4>Did I say? The one griper had with the production

0:26:02.800 --> 0:26:05.200
<v Speaker 4>is that there wasn't any You didn't see the stockings

0:26:05.200 --> 0:26:06.359
<v Speaker 4>and the dead feet of the witch.

0:26:06.920 --> 0:26:08.440
<v Speaker 5>What do you mean you didn't say.

0:26:08.240 --> 0:26:09.480
<v Speaker 4>That the house was off camera?

0:26:09.560 --> 0:26:13.320
<v Speaker 3>Was in the cornfield, it's underneath the house on stage.

0:26:13.359 --> 0:26:15.960
<v Speaker 4>You see the feet coming out? Did you actually? And

0:26:16.040 --> 0:26:17.600
<v Speaker 4>remember the wick of It to the east had the

0:26:17.640 --> 0:26:20.880
<v Speaker 4>red slippers that Dorothy star red slippers. Yeah, but there

0:26:20.920 --> 0:26:23.600
<v Speaker 4>was no there was no feet, not from were you

0:26:23.720 --> 0:26:25.280
<v Speaker 4>sitting on the right? Yeah? Right.

0:26:26.119 --> 0:26:28.120
<v Speaker 3>I had the same issue when I went and saw

0:26:28.160 --> 0:26:30.640
<v Speaker 3>the show. I had to say to Sean, we lean

0:26:30.720 --> 0:26:32.720
<v Speaker 3>over because you can't see the feet from our angle?

0:26:33.000 --> 0:26:33.480
<v Speaker 4>Is that true?

0:26:33.600 --> 0:26:33.800
<v Speaker 8>Yeah?

0:26:33.840 --> 0:26:36.119
<v Speaker 5>You know the view gets some stocked in the theater sometimes.

0:26:36.520 --> 0:26:39.639
<v Speaker 4>Also, yeah, I missed that the slur that was written

0:26:39.640 --> 0:26:42.879
<v Speaker 4>on the fucking Goatly's whiteboard. Remember how he was like,

0:26:43.240 --> 0:26:43.800
<v Speaker 4>this is.

0:26:45.119 --> 0:26:49.120
<v Speaker 3>Oh yes, the goat that was the university election whatever

0:26:49.160 --> 0:26:51.480
<v Speaker 3>his name is, doctor dillomant him. I'm pretty sure it

0:26:51.520 --> 0:26:54.000
<v Speaker 3>said this is how off book I am. I'm pretty

0:26:54.040 --> 0:26:55.959
<v Speaker 3>sure it said animals should be seen and not her

0:26:56.560 --> 0:26:56.879
<v Speaker 3>all I.

0:26:56.960 --> 0:26:59.960
<v Speaker 4>All I saw was animals heard because it was obstruct

0:27:00.240 --> 0:27:03.560
<v Speaker 4>by the viewer. And also, I will be honest, I

0:27:03.640 --> 0:27:05.840
<v Speaker 4>had some real diehard Wicked fans next to me, like

0:27:06.000 --> 0:27:09.000
<v Speaker 4>they were a bit much. They were singing the words

0:27:09.000 --> 0:27:10.920
<v Speaker 4>and they had green. Oh. And of course I went

0:27:10.960 --> 0:27:12.520
<v Speaker 4>on that one hundredth anniversary night.

0:27:12.840 --> 0:27:14.359
<v Speaker 5>Oh not the one hundred twentieth.

0:27:15.560 --> 0:27:18.240
<v Speaker 4>Everyone was everyone was in green. I had some bitch

0:27:18.280 --> 0:27:19.840
<v Speaker 4>in front of me and a green tinsel week she

0:27:19.920 --> 0:27:22.040
<v Speaker 4>got from Hot Dollar. And you know, though, cheap tinsel

0:27:22.040 --> 0:27:26.720
<v Speaker 4>weeks go god. So every time Alphabet sung loudly, you

0:27:26.720 --> 0:27:29.760
<v Speaker 4>could hear it get blown and that mechanical dragon everyone

0:27:29.880 --> 0:27:31.879
<v Speaker 4>for but for alphabether el.

0:27:31.840 --> 0:27:34.560
<v Speaker 5>So, I will be playing Alphaba in this scene.

0:27:35.080 --> 0:27:37.840
<v Speaker 3>You will be playing Glinda the Goodwitch, and Jenna, you

0:27:37.920 --> 0:27:41.240
<v Speaker 3>will be playing our love interest. There's a love triangle

0:27:41.280 --> 0:27:44.920
<v Speaker 3>between the three of us. Correct Fiero, that's his name.

0:27:44.960 --> 0:27:46.600
<v Speaker 4>Wait, can you can we do an announcement like they

0:27:46.640 --> 0:27:51.560
<v Speaker 4>do at theater like boom boom. In tonight's production of Wicked,

0:27:52.440 --> 0:27:54.920
<v Speaker 4>Alphaba shall be played by Mitchell Koh.

0:27:55.040 --> 0:27:57.359
<v Speaker 3>I am no understudy. They only make that announcement when

0:27:57.400 --> 0:27:58.200
<v Speaker 3>there's an understudy.

0:27:58.359 --> 0:28:01.640
<v Speaker 4>Oh you're right, Oh sorry, I'm the witch very well?

0:28:02.600 --> 0:28:05.040
<v Speaker 4>All right, so I'm ready, are you? Yeah?

0:28:05.080 --> 0:28:06.560
<v Speaker 5>But I need to get more contact about the scene.

0:28:06.680 --> 0:28:06.880
<v Speaker 4>Okay.

0:28:07.680 --> 0:28:11.080
<v Speaker 3>At this point, Fierro, who was in love with Alphaba

0:28:11.280 --> 0:28:14.200
<v Speaker 3>after having run off with her, he was dating Glinda

0:28:14.280 --> 0:28:18.200
<v Speaker 3>first and then me, the backstabbing bitch, took Linda's man,

0:28:18.760 --> 0:28:21.320
<v Speaker 3>and so he is leading the team that are trying

0:28:21.359 --> 0:28:24.600
<v Speaker 3>to hunt the Witch down. But he's not actually wanting

0:28:24.640 --> 0:28:26.400
<v Speaker 3>to kill her. He's you know, he's in that role

0:28:26.480 --> 0:28:29.479
<v Speaker 3>to try and find her and get she's hiding, going

0:28:29.480 --> 0:28:31.399
<v Speaker 3>into hiding of course. And so like you said, this

0:28:31.560 --> 0:28:35.639
<v Speaker 3>is immediately after the house falls on my sister.

0:28:35.920 --> 0:28:40.200
<v Speaker 4>Correct. And for context, Glenda, who I'm playing, is the wicked,

0:28:40.400 --> 0:28:44.040
<v Speaker 4>is the good witch. I think we knew that. I'm

0:28:44.160 --> 0:28:46.800
<v Speaker 4>trying to set up context. And she's the one who

0:28:46.840 --> 0:28:48.560
<v Speaker 4>put the hit out on the on her sister.

0:28:49.280 --> 0:28:52.200
<v Speaker 5>She told, well the backstory, we didn't know that. And

0:28:52.280 --> 0:28:53.320
<v Speaker 5>Wizard of Oz yeah.

0:28:53.160 --> 0:28:55.960
<v Speaker 4>No he didn't, and that was cold of him. I

0:28:56.040 --> 0:28:58.040
<v Speaker 4>know she made that happen. All right, Are we ready?

0:28:58.160 --> 0:28:59.960
<v Speaker 5>Yeah, I've even got like the backing music and stuff.

0:29:00.280 --> 0:29:03.600
<v Speaker 4>We're all ready in that scene. So do I start

0:29:03.640 --> 0:29:06.640
<v Speaker 4>the music? Then begin yes, okay, So this pictured like.

0:29:06.640 --> 0:29:09.000
<v Speaker 3>A scene change, you know those transitions where like bits

0:29:09.040 --> 0:29:11.160
<v Speaker 3>of the set fly off correct and the new set

0:29:11.240 --> 0:29:11.560
<v Speaker 3>comes on.

0:29:11.680 --> 0:29:12.840
<v Speaker 4>We're now in a corn field.

0:29:12.920 --> 0:29:14.520
<v Speaker 3>We've just come back off of a pause with the

0:29:14.600 --> 0:29:17.600
<v Speaker 3>house on top of a woman and the yellow brick road.

0:29:17.480 --> 0:29:18.840
<v Speaker 6>And a few laughs in the audience.

0:29:22.560 --> 0:29:25.840
<v Speaker 4>That's right, you just take that one road the whole time.

0:29:27.320 --> 0:29:29.680
<v Speaker 4>I hope they don't get lost. I'm so bad at

0:29:29.720 --> 0:29:37.840
<v Speaker 4>giving directions. Oh nessa, what a touching display of grief.

0:29:38.720 --> 0:29:41.000
<v Speaker 4>I don't believe we have anything further to seat. I

0:29:41.080 --> 0:29:42.560
<v Speaker 4>wanted something to remember her by.

0:29:43.280 --> 0:29:46.280
<v Speaker 3>All that was left of her were those shoes, and

0:29:46.400 --> 0:29:49.160
<v Speaker 3>now that wretched little farm girl has walked off with them.

0:29:49.880 --> 0:29:52.880
<v Speaker 4>So I would appreciate some time alone to say goodbye

0:29:52.920 --> 0:29:53.440
<v Speaker 4>to my sister.

0:29:55.160 --> 0:29:55.440
<v Speaker 5>Nsa.

0:29:56.760 --> 0:29:59.880
<v Speaker 7>It's the Please forgive me, no, elfie, don't blame yourself.

0:30:00.520 --> 0:30:04.440
<v Speaker 7>It's dreadful it is to have a house fall on you,

0:30:05.640 --> 0:30:07.120
<v Speaker 7>But accidents will happen.

0:30:07.960 --> 0:30:12.720
<v Speaker 4>You call this an accident, yes, well, maybe not an act.

0:30:12.920 --> 0:30:17.040
<v Speaker 4>But what'd you call it? A regime change caused by

0:30:17.120 --> 0:30:21.840
<v Speaker 4>a bizarre and unexpected twister of fate? So you think

0:30:22.160 --> 0:30:24.080
<v Speaker 4>cyclones gets to peer out of the Blue.

0:30:24.120 --> 0:30:26.640
<v Speaker 3>Well I don't know, of course, you never you're too

0:30:26.680 --> 0:30:28.520
<v Speaker 3>be detailing everyone how wonderful everything is.

0:30:28.600 --> 0:30:31.440
<v Speaker 7>Well, I'm a public figure now, Elfie, and people expect

0:30:31.560 --> 0:30:33.680
<v Speaker 7>me to be encouraging.

0:30:34.320 --> 0:30:37.320
<v Speaker 4>And just what exactly have you been doing besides riding

0:30:37.440 --> 0:30:39.080
<v Speaker 4>around on that filthy old thing.

0:30:39.960 --> 0:30:43.400
<v Speaker 3>Well, we can't all come and go by Bubble who

0:30:43.440 --> 0:30:46.480
<v Speaker 3>with an invention with that the Wizards? Of course, even

0:30:46.520 --> 0:30:48.240
<v Speaker 3>if it was, and I'm sure he'd still take credit

0:30:48.320 --> 0:30:48.480
<v Speaker 3>for it.

0:30:48.600 --> 0:30:50.920
<v Speaker 7>Yes, well, it seems a lot of us taking things

0:30:51.040 --> 0:30:53.040
<v Speaker 7>that don't belong to us, aren't we.

0:30:55.000 --> 0:30:56.840
<v Speaker 4>Now wait, just a clock tick.

0:30:58.240 --> 0:31:00.760
<v Speaker 3>I know it's difficult for that bliss full blonde brain

0:31:00.840 --> 0:31:04.040
<v Speaker 3>of yours to comprehend that someone like him could actually

0:31:04.200 --> 0:31:05.640
<v Speaker 3>choose someone like me.

0:31:06.720 --> 0:31:10.040
<v Speaker 4>But it's happened. It's real, and you can wave that

0:31:10.240 --> 0:31:13.480
<v Speaker 4>ridiculous wand all you want. You can't change it. He

0:31:13.640 --> 0:31:16.720
<v Speaker 4>never belonged to you, He doesn't love you, and he

0:31:16.840 --> 0:31:18.240
<v Speaker 4>never did he loves me.

0:31:19.960 --> 0:31:21.200
<v Speaker 5>Oh, this is where you slap me in the face.

0:31:21.240 --> 0:31:33.360
<v Speaker 4>Oh sorry, Ah, feel better now, yes, I do, good,

0:31:35.120 --> 0:31:35.560
<v Speaker 4>so do I.

0:31:36.960 --> 0:31:39.040
<v Speaker 3>Oh this is where we have a scrag fight. Yeah,

0:31:39.080 --> 0:31:41.680
<v Speaker 3>oh okay, yeah, oh wait. One of the other security

0:31:41.720 --> 0:31:44.560
<v Speaker 3>guards that isn't Jenna comes in, I'll do that. I'll

0:31:44.600 --> 0:31:46.520
<v Speaker 3>do the blokey voice, and then we're gonna go out

0:31:46.520 --> 0:31:46.760
<v Speaker 3>of the guard.

0:31:46.800 --> 0:31:48.120
<v Speaker 4>But we have a fucking cat and we have our

0:31:48.160 --> 0:31:49.280
<v Speaker 4>ones like our stars.

0:31:49.400 --> 0:31:52.560
<v Speaker 3>Right, yeah, yeah, okay, cool, So all right, I'll slap

0:31:52.600 --> 0:31:54.040
<v Speaker 3>you one more time and then we go into the

0:31:54.040 --> 0:31:54.520
<v Speaker 3>scrag fight.

0:31:54.560 --> 0:31:56.280
<v Speaker 4>Ready good?

0:31:56.800 --> 0:31:57.920
<v Speaker 3>Oh so do I.

0:32:00.160 --> 0:32:02.960
<v Speaker 4>Fucking old? I letta kick your ath, you blonde bitch,

0:32:03.040 --> 0:32:05.200
<v Speaker 4>little Green. I'm gonna go ahead and fuck.

0:32:05.080 --> 0:32:05.480
<v Speaker 9>You right up.

0:32:05.520 --> 0:32:07.040
<v Speaker 7>Oh, come on, you're a little over here. You're a

0:32:07.080 --> 0:32:09.520
<v Speaker 7>little fu Glindy on Ilda. And the name of the

0:32:09.520 --> 0:32:11.840
<v Speaker 7>wizard he's your pussy green too, bitch.

0:32:12.800 --> 0:32:17.480
<v Speaker 4>You shut up, Shut up, you you shut up, No,

0:32:17.640 --> 0:32:20.880
<v Speaker 4>you shut up. Come over here. I'll show you. I'm

0:32:20.880 --> 0:32:22.840
<v Speaker 4>gonna kick your ass. Had a prom state between your legs.

0:32:22.880 --> 0:32:24.840
<v Speaker 4>You just happy to see me? Oh don't tell me

0:32:24.920 --> 0:32:27.280
<v Speaker 4>now you're well, you're a fucking wizard.

0:32:29.000 --> 0:32:32.920
<v Speaker 5>With go to line and the number of the wizard.

0:32:33.320 --> 0:32:35.640
<v Speaker 4>Let her go. I almost had the slot.

0:32:36.840 --> 0:32:39.720
<v Speaker 5>Sorry, sorry, it took it so long to get here, missed.

0:32:40.160 --> 0:32:41.520
<v Speaker 4>I can't believe you.

0:32:41.520 --> 0:32:45.200
<v Speaker 3>Would sink this low to use my sister's death as

0:32:45.240 --> 0:32:49.160
<v Speaker 3>a trap to catch your me you piece of shit healthy.

0:32:50.040 --> 0:32:53.440
<v Speaker 4>I did not mean for this to happen. Ship.

0:32:53.520 --> 0:32:57.920
<v Speaker 3>Don't lie on my face, bitch, Jannaway killing Tom that's

0:32:57.960 --> 0:32:59.080
<v Speaker 3>your cute Jesus crossing.

0:32:59.280 --> 0:33:01.080
<v Speaker 6>No, I'm flying mate, noise.

0:33:02.720 --> 0:33:05.360
<v Speaker 4>Let the Green girl go. No, you got out of

0:33:05.400 --> 0:33:10.000
<v Speaker 4>that one comes in swinging a rope like yeah, I'll

0:33:10.040 --> 0:33:11.920
<v Speaker 4>give you your take again, because that was really emotional

0:33:11.960 --> 0:33:16.800
<v Speaker 4>for me. Elvie, I didn't mean for this to happen.

0:33:19.040 --> 0:33:22.080
<v Speaker 3>Let the Green Girl go, Biro how and on, let

0:33:22.160 --> 0:33:24.920
<v Speaker 3>her go or explain to all of us how the

0:33:25.000 --> 0:33:26.560
<v Speaker 3>Wizards girls watched while.

0:33:26.440 --> 0:33:27.960
<v Speaker 6>Glenda the Good was slain.

0:33:28.320 --> 0:33:33.920
<v Speaker 4>Biero, No, I said, let her go, Alphaba go now, no,

0:33:34.240 --> 0:33:34.760
<v Speaker 4>not without you.

0:33:36.480 --> 0:33:41.520
<v Speaker 5>You're lying too, Jenna, hush, now go do it.

0:33:42.560 --> 0:33:43.479
<v Speaker 4>This is when I fuck off.

0:33:44.200 --> 0:33:46.480
<v Speaker 3>Now the guard is really fucked off now at Fierro

0:33:46.960 --> 0:33:48.800
<v Speaker 3>for betraying them, so he's going to fuck him up.

0:33:48.840 --> 0:33:50.840
<v Speaker 4>Okay, all right, so I'm now the guard again.

0:33:52.160 --> 0:33:52.640
<v Speaker 5>See him?

0:33:53.240 --> 0:33:57.479
<v Speaker 4>No, wait, what are you doing in the name of goodness? Stop?

0:33:58.200 --> 0:34:00.840
<v Speaker 4>Don't you see he was in there going to harm me?

0:34:01.560 --> 0:34:02.000
<v Speaker 7>He just.

0:34:03.760 --> 0:34:05.960
<v Speaker 4>He just loves her, Glinder.

0:34:06.640 --> 0:34:07.520
<v Speaker 7>I'm so sorry.

0:34:07.800 --> 0:34:09.000
<v Speaker 4>Take him out of that field.

0:34:09.080 --> 0:34:09.279
<v Speaker 3>There.

0:34:09.880 --> 0:34:12.440
<v Speaker 4>I love pulp until he tells that's where the witch

0:34:12.520 --> 0:34:13.080
<v Speaker 4>went out.

0:34:13.920 --> 0:34:15.040
<v Speaker 7>Don't you hurt him?

0:34:15.640 --> 0:34:25.040
<v Speaker 4>Please, don't hurt him. And this is when I do

0:34:25.160 --> 0:34:28.319
<v Speaker 4>a fucking fail to try and save his laugh of course,

0:34:29.880 --> 0:34:33.000
<v Speaker 4>hellokanal Normen, aren't you much your Melican Normen?

0:34:33.360 --> 0:34:34.000
<v Speaker 5>I'm off book?

0:34:34.040 --> 0:34:34.200
<v Speaker 11>Wow?

0:34:34.320 --> 0:34:36.920
<v Speaker 4>Keep going? Aren't you much your melicanomen? And I'm not

0:34:36.960 --> 0:34:37.600
<v Speaker 4>doing a whole song?

0:34:37.640 --> 0:34:37.840
<v Speaker 3>Am I?

0:34:38.200 --> 0:34:39.520
<v Speaker 4>Let it fletched up the time.

0:34:39.680 --> 0:34:42.840
<v Speaker 5>Let it love me, you know, yeah, I can't hear it.

0:34:42.920 --> 0:34:43.360
<v Speaker 5>Turn it up.

0:34:43.480 --> 0:34:47.160
<v Speaker 4>I think I'm out of time. Let his song liveing

0:34:47.239 --> 0:34:52.120
<v Speaker 4>aagan live. They try to destroy him, let him never die.

0:34:52.360 --> 0:34:55.160
<v Speaker 5>It's too high. Okay, that's enough for me.

0:34:55.520 --> 0:34:56.400
<v Speaker 4>Wow, well done.

0:34:57.360 --> 0:35:01.239
<v Speaker 3>You really try to upstage my fiero. My lover is

0:35:01.320 --> 0:35:03.840
<v Speaker 3>in danger. It's supposed to be distraught, and I was.

0:35:03.960 --> 0:35:04.200
<v Speaker 11>I was.

0:35:04.239 --> 0:35:05.959
<v Speaker 4>It was my lover as well, but I was letting

0:35:06.040 --> 0:35:08.080
<v Speaker 4>go of in that moment, knowing that she's in love

0:35:08.120 --> 0:35:13.759
<v Speaker 4>with my friend. Errah Jenny dale Back. You didn't get

0:35:13.800 --> 0:35:16.080
<v Speaker 4>the role. I'm so sorry. We're going We're making other choices.

0:35:16.160 --> 0:35:16.920
<v Speaker 6>Who are you going with?

0:35:17.080 --> 0:35:21.719
<v Speaker 4>We're going with Casey Dunovan. She is good, she is good? Wow?

0:35:22.040 --> 0:35:24.719
<v Speaker 4>Can we do popular? Yeah?

0:35:24.800 --> 0:35:26.440
<v Speaker 5>You did tell me this was your favorite song?

0:35:26.840 --> 0:35:27.080
<v Speaker 11>You know?

0:35:27.600 --> 0:35:29.880
<v Speaker 4>Oh it was so good? Did you not like Popular?

0:35:29.960 --> 0:35:30.279
<v Speaker 4>That scene?

0:35:30.440 --> 0:35:32.719
<v Speaker 3>This is Glinda, It's big number, okay, and I most

0:35:32.760 --> 0:35:36.040
<v Speaker 3>recognized song from the show LAA.

0:35:37.760 --> 0:35:40.439
<v Speaker 4>I don't know if I can get that high. We'll see.

0:35:40.719 --> 0:35:42.719
<v Speaker 3>So I found a version of the song because I

0:35:42.800 --> 0:35:45.960
<v Speaker 3>knew you wanted to do this, because I figured you'd

0:35:45.960 --> 0:35:47.839
<v Speaker 3>fuck the timing, like you don't really know the song

0:35:47.920 --> 0:35:49.799
<v Speaker 3>that well. So I've got a version of the song

0:35:49.840 --> 0:35:52.120
<v Speaker 3>where you can hear Chris and channing with a singing,

0:35:52.160 --> 0:35:53.640
<v Speaker 3>but it's it's like underneath, got it?

0:35:53.680 --> 0:35:55.320
<v Speaker 5>Okay, So she won't drown you out. You can just

0:35:55.360 --> 0:35:56.719
<v Speaker 5>sort of follow along and listen to her and.

0:35:56.760 --> 0:35:59.000
<v Speaker 4>They'll kind of give me the inflection. Okay, I'm ready.

0:35:59.200 --> 0:36:01.640
<v Speaker 5>Of course, you chose this song where I barely fucking talk.

0:36:01.719 --> 0:36:03.640
<v Speaker 4>I message Mitch and I said, can we do Popular?

0:36:03.719 --> 0:36:05.600
<v Speaker 4>He's like, that's a fucking one woman shows like that

0:36:05.719 --> 0:36:10.799
<v Speaker 4>is a Glinda solo. I was so excited, Okay, can

0:36:10.840 --> 0:36:11.160
<v Speaker 4>I do it?

0:36:11.320 --> 0:36:11.799
<v Speaker 8>So the three?

0:36:12.200 --> 0:36:14.040
<v Speaker 5>What's the do you want me to give the context

0:36:14.080 --> 0:36:14.239
<v Speaker 5>for this?

0:36:14.320 --> 0:36:18.680
<v Speaker 4>Then? Yeah? Please? Should I try someone who's seen it once? Please? Okay?

0:36:18.840 --> 0:36:23.200
<v Speaker 4>So Elfie and Glenda not glendare in the They just

0:36:23.280 --> 0:36:27.320
<v Speaker 4>checked into the hotel and they share a room, and

0:36:27.360 --> 0:36:29.279
<v Speaker 4>they share a room at UNI. They share a room

0:36:29.320 --> 0:36:29.759
<v Speaker 4>at UNI.

0:36:29.960 --> 0:36:31.560
<v Speaker 5>Well you think they're having a night at the Meriton.

0:36:31.600 --> 0:36:32.640
<v Speaker 5>That's something they've checked in.

0:36:33.239 --> 0:36:36.239
<v Speaker 4>And they're both sitting on their beds and Glinda says, fuck,

0:36:36.280 --> 0:36:38.560
<v Speaker 4>you're an ugly bitch. If I'm going to be associated

0:36:38.600 --> 0:36:40.480
<v Speaker 4>with you, we need to do some work, and she

0:36:40.760 --> 0:36:44.080
<v Speaker 4>gives her a makeover, but she's inherently green, so it's

0:36:44.160 --> 0:36:46.160
<v Speaker 4>never gonna work. She's gonna be hideous regardless. Yeah.

0:36:46.239 --> 0:36:48.960
<v Speaker 3>Well, Glinda's the popular girl at their school. Yes, and

0:36:49.320 --> 0:36:51.040
<v Speaker 3>her and Alpha be hated each other at first, they

0:36:51.080 --> 0:36:54.839
<v Speaker 3>were put together. It's like dawn buddies at UNI. Opposite, yes,

0:36:55.080 --> 0:36:57.800
<v Speaker 3>but then they end up liking each other, and she

0:36:58.120 --> 0:37:01.240
<v Speaker 3>is determined to make her as popular as because Alpha.

0:37:01.280 --> 0:37:03.000
<v Speaker 5>There is a bit like people make fun of it

0:37:03.200 --> 0:37:03.600
<v Speaker 5>being great.

0:37:03.920 --> 0:37:04.120
<v Speaker 11>Yeah?

0:37:04.200 --> 0:37:04.399
<v Speaker 4>True?

0:37:04.480 --> 0:37:06.080
<v Speaker 3>Yeah, all right, I'm ready. I'm ready and say, this

0:37:06.239 --> 0:37:08.360
<v Speaker 3>is you trying to teach me how to be popular?

0:37:08.440 --> 0:37:10.279
<v Speaker 4>Correct? I'm so ready? Are you ready?

0:37:10.560 --> 0:37:15.000
<v Speaker 5>Yeah? I'm ready, Elfie.

0:37:15.800 --> 0:37:20.040
<v Speaker 4>Now that we're friends, I've decided to make you my

0:37:20.440 --> 0:37:24.360
<v Speaker 4>new project. You really don't have to do that I know.

0:37:25.400 --> 0:37:29.080
<v Speaker 4>That's what makes me so nice. It's my only line.

0:37:29.400 --> 0:37:34.279
<v Speaker 7>Well, whenever I see someone less fortunate than I, and

0:37:34.480 --> 0:37:36.920
<v Speaker 7>let's face it, who isn't less.

0:37:36.760 --> 0:37:41.560
<v Speaker 4>Fortunate than I, my tender heart tends to start to bleed.

0:37:43.080 --> 0:37:45.520
<v Speaker 7>When someone needs a make over, I simply have to

0:37:45.600 --> 0:37:49.959
<v Speaker 7>take over. I know, I know exactly what they.

0:37:53.200 --> 0:37:58.759
<v Speaker 4>Even in your case, though it's the toughest case I've

0:37:58.880 --> 0:38:05.160
<v Speaker 4>yet to fay nice. Don't worry. I'm determined to succeed.

0:38:07.120 --> 0:38:08.160
<v Speaker 9>Follow my.

0:38:11.480 --> 0:38:15.880
<v Speaker 4>Yes, you will be.

0:38:18.440 --> 0:38:23.160
<v Speaker 7>Popular. You're gonna be popular there. I'll teach you the

0:38:23.400 --> 0:38:26.680
<v Speaker 7>proper poise. Then you talk to boys a little ways.

0:38:26.560 --> 0:38:27.920
<v Speaker 4>To flirt and flounce.

0:38:29.120 --> 0:38:29.640
<v Speaker 7>That's away.

0:38:29.880 --> 0:38:33.280
<v Speaker 4>How to fix your hair? If everything that really counts

0:38:33.400 --> 0:38:34.280
<v Speaker 4>to be popular?

0:38:34.440 --> 0:38:39.279
<v Speaker 7>You know he thee, the puppy popul You'll hay him

0:38:39.280 --> 0:38:40.560
<v Speaker 7>with the right coharts.

0:38:40.600 --> 0:38:43.040
<v Speaker 4>You'll be good at sports. You know the slang. You've

0:38:43.120 --> 0:38:47.000
<v Speaker 4>got to know. So let's start. You got a carefully

0:38:47.239 --> 0:38:54.960
<v Speaker 4>long way ago. No first hair. See this is how

0:38:55.120 --> 0:38:55.960
<v Speaker 4>you toss your hair.

0:38:56.200 --> 0:38:58.640
<v Speaker 3>I think, God, No, I'm Sorry'm in character. You're sure

0:38:58.880 --> 0:39:06.960
<v Speaker 3>I'm all the ears. Tostos okay, tostos.

0:39:08.000 --> 0:39:24.440
<v Speaker 4>No, No like this, tostos testas well. You'll practice why

0:39:24.600 --> 0:39:32.600
<v Speaker 4>myself a ba look at you. You're beautiful, you, you're beautiful.

0:39:33.080 --> 0:39:38.200
<v Speaker 4>I got a fucking guy you welcome And though you

0:39:38.840 --> 0:39:50.000
<v Speaker 4>prodesse your disinterests, I know clan Stan, you're got a

0:39:50.040 --> 0:39:52.320
<v Speaker 4>granted Bary familiarity.

0:39:54.880 --> 0:40:03.200
<v Speaker 7>Lie Lie Lie Lie, you'll be by lives popular.

0:40:04.040 --> 0:40:13.239
<v Speaker 3>As Wow, having the vacking thing it did not help

0:40:13.280 --> 0:40:18.319
<v Speaker 3>you one bit. So much for too high though, Did

0:40:18.360 --> 0:40:18.759
<v Speaker 3>I hit it?

0:40:19.440 --> 0:40:21.719
<v Speaker 4>Oh? Yeah? I mean it sounded like you were, you know,

0:40:21.840 --> 0:40:25.320
<v Speaker 4>straining a little bit, but you got there. Thank you, guys.

0:40:26.080 --> 0:40:28.120
<v Speaker 4>And I really enjoyed it. I really had fun.

0:40:28.280 --> 0:40:31.640
<v Speaker 5>I can't believe we just did that, but I feel really,

0:40:31.880 --> 0:40:33.040
<v Speaker 5>I feel like I'm dreaming.

0:40:33.880 --> 0:40:36.000
<v Speaker 4>How the fuck did I convince people to react to

0:40:36.040 --> 0:40:39.120
<v Speaker 4>Wicked scene with me? I loved it. I do that

0:40:39.280 --> 0:40:42.520
<v Speaker 4>like at your house? Yeah? Actually, would you? Yeah, you'd

0:40:42.560 --> 0:40:44.520
<v Speaker 4>fuck it? Of course I'd fuck it, but I'd still

0:40:44.520 --> 0:40:47.400
<v Speaker 4>do it. Yeah, of course I'm not. In fact, I

0:40:47.480 --> 0:40:50.520
<v Speaker 4>don't know it any better. Oh my god, I loved

0:40:50.560 --> 0:40:51.880
<v Speaker 4>we could go and see Wicked. It is coming to

0:40:51.920 --> 0:40:53.040
<v Speaker 4>Melbourne too, which is yeah.

0:40:53.040 --> 0:40:56.200
<v Speaker 3>I feel like anyone listening to that that have never

0:40:56.280 --> 0:40:57.640
<v Speaker 3>seen or heard a Wicked would have been like, what

0:40:57.840 --> 0:40:58.680
<v Speaker 3>the fuck is going on?

0:40:58.840 --> 0:41:00.840
<v Speaker 4>But okay, if that's not an and to go see it,

0:41:00.920 --> 0:41:03.160
<v Speaker 4>I don't know what totally did you say? It's going

0:41:03.200 --> 0:41:05.200
<v Speaker 4>to Melbourne, It's coming to Melbourne, coming to Melbourne? Is

0:41:05.280 --> 0:41:06.000
<v Speaker 4>it going into Jenna?

0:41:06.040 --> 0:41:07.680
<v Speaker 5>Can you google? Is it going anywhere? After that?

0:41:07.760 --> 0:41:08.239
<v Speaker 6>I's see.

0:41:08.480 --> 0:41:11.600
<v Speaker 4>It's seriously so good and the set design was gorgeous.

0:41:11.600 --> 0:41:12.760
<v Speaker 4>The costuming is amazing.

0:41:12.920 --> 0:41:15.360
<v Speaker 5>Even though you couldn't see the fucking the corpse underneath

0:41:15.360 --> 0:41:15.600
<v Speaker 5>the house.

0:41:15.640 --> 0:41:17.200
<v Speaker 4>I couldn't see that. I couldn't see the witch. No, no,

0:41:17.280 --> 0:41:19.240
<v Speaker 4>no no, but I saw the big dragon. God, it's beautiful.

0:41:19.280 --> 0:41:21.799
<v Speaker 6>Okay, I've just looked. So the only place is at

0:41:21.840 --> 0:41:23.400
<v Speaker 6>the moment Sydney and Melbourne.

0:41:23.760 --> 0:41:26.160
<v Speaker 4>Oh, they usually do Brizzy after that, I ogon they'll go.

0:41:26.560 --> 0:41:29.360
<v Speaker 4>I think they will, thinkers crossed. It's really good and

0:41:29.400 --> 0:41:30.560
<v Speaker 4>also worth the trip to Melbourne.

0:41:30.719 --> 0:41:33.120
<v Speaker 6>You care Melbourne from March twenty twenty four, so.

0:41:33.120 --> 0:41:34.560
<v Speaker 3>It's still in Sydney for a little bit. I keep

0:41:34.560 --> 0:41:37.000
<v Speaker 3>getting emails saying last release tickets.

0:41:37.080 --> 0:41:39.000
<v Speaker 4>All right, go see Weicked guys. If you can't be

0:41:39.040 --> 0:41:40.759
<v Speaker 4>fucked with that, The Wicked movie is coming out next

0:41:40.800 --> 0:41:43.400
<v Speaker 4>that's true. Yeah, where is it going on? What do

0:41:43.440 --> 0:41:44.560
<v Speaker 4>you mean, Like, what's it going on?

0:41:44.920 --> 0:41:46.440
<v Speaker 5>Is it like on a strap like the cinema?

0:41:46.640 --> 0:41:49.000
<v Speaker 4>Wow, that's so cool. Really all right, everyone, let's go,

0:41:49.120 --> 0:41:51.520
<v Speaker 4>Thanks for listening to the show, and we will see

0:41:51.520 --> 0:41:53.359
<v Speaker 4>you all in a week. Yeah, yeah, don't forget. Our

0:41:53.440 --> 0:41:56.160
<v Speaker 4>mugs are on sale for the month of Mug member. Yeah,

0:41:56.360 --> 0:41:58.960
<v Speaker 4>get your ordered in. Go get a new mug. Out

0:41:59.000 --> 0:42:01.879
<v Speaker 4>to you our teal ear a mug. It's fucking gorgeous. Career.

0:42:01.920 --> 0:42:05.319
<v Speaker 4>It's got like a blue swish. Yeah, it's very nice.

0:42:05.440 --> 0:42:06.879
<v Speaker 4>It's available now, go buy one.

0:42:07.200 --> 0:42:10.120
<v Speaker 3>You wouldn't believe how much fretting we did over the Swish. Truly,

0:42:10.320 --> 0:42:12.560
<v Speaker 3>the Teal Swish with a lot of back and forth.

0:42:12.640 --> 0:42:15.279
<v Speaker 4>I've never seen so many draft Swishes in my life.

0:42:16.000 --> 0:42:18.719
<v Speaker 4>We're like Swish v eight, we all approving Swish v nine.

0:42:18.800 --> 0:42:20.080
<v Speaker 4>We all approved Swish v.

0:42:20.200 --> 0:42:23.359
<v Speaker 3>Nine Underscore Final, Underscore Final in all cap take two.

0:42:23.480 --> 0:42:27.080
<v Speaker 4>It's like Jesus, confuse, Go buy a mug. We'll see

0:42:27.080 --> 0:42:29.160
<v Speaker 4>you in a week. Guys, Capture an Idiot, Love your Bait?

0:42:29.719 --> 0:42:30.920
<v Speaker 1>Is It just Me?

0:42:31.680 --> 0:42:33.640
<v Speaker 4>Podcast by a couple of meches.

0:42:33.960 --> 0:42:37.000
<v Speaker 1>Make sure you've had to follow on your podcast.

0:42:49.120 --> 0:42:51.760
<v Speaker 5>Welcome to a t D brief. This is our segment

0:42:51.800 --> 0:42:53.920
<v Speaker 5>on the end. We're not done. Just when you think

0:42:53.960 --> 0:42:55.319
<v Speaker 5>we are, we keep talking.

0:42:55.360 --> 0:42:55.560
<v Speaker 3>Shit.

0:42:55.760 --> 0:42:56.120
<v Speaker 4>Fooled you?

0:42:56.960 --> 0:43:02.959
<v Speaker 5>Yeah, either a to or be actually read Britney Spears's book.

0:43:03.120 --> 0:43:04.360
<v Speaker 6>No, but I really want to.

0:43:04.600 --> 0:43:07.720
<v Speaker 4>I have no interest. Really, what's written in all emojis

0:43:07.800 --> 0:43:08.360
<v Speaker 4>or something, isn't it?

0:43:08.680 --> 0:43:08.719
<v Speaker 11>No?

0:43:09.440 --> 0:43:11.120
<v Speaker 3>I didn't think i'd have any interests, but I thought

0:43:11.520 --> 0:43:13.560
<v Speaker 3>i'll the day it came out, I was like, yeah, listen,

0:43:13.760 --> 0:43:15.560
<v Speaker 3>I'll give it it well so that when people are

0:43:15.600 --> 0:43:16.920
<v Speaker 3>talking about it, I can talk about it too.

0:43:17.160 --> 0:43:18.279
<v Speaker 5>I've got a bit swept up in it.

0:43:18.760 --> 0:43:23.040
<v Speaker 4>And Michelle Williams is the one narrating it. Yeah, from

0:43:23.120 --> 0:43:23.879
<v Speaker 4>Destiny's Child.

0:43:24.080 --> 0:43:28.400
<v Speaker 6>No, No, No actress who's blonde, Michelle Williams.

0:43:28.440 --> 0:43:30.080
<v Speaker 5>You know if you saw her? Faith I reckon because

0:43:30.080 --> 0:43:31.840
<v Speaker 5>I googled her and I was like, oh, I.

0:43:31.960 --> 0:43:33.960
<v Speaker 4>Genuinely thought it was Michelle from Destiny's Child.

0:43:34.239 --> 0:43:34.279
<v Speaker 2>No.

0:43:35.600 --> 0:43:37.960
<v Speaker 3>But I'm kind of glad that they did get someone

0:43:38.000 --> 0:43:39.759
<v Speaker 3>else to read the audio book because have you heard

0:43:39.960 --> 0:43:41.680
<v Speaker 3>just the first bit that Britney reads?

0:43:41.800 --> 0:43:44.160
<v Speaker 5>Yes, she reads the first bit and it's all off.

0:43:44.480 --> 0:43:46.320
<v Speaker 4>Really have you not heard it?

0:43:46.480 --> 0:43:46.520
<v Speaker 2>No?

0:43:46.800 --> 0:43:48.439
<v Speaker 5>Okay, hold on, I'll bring it up on my foot.

0:43:48.480 --> 0:43:50.279
<v Speaker 4>We played it on the on the radio shows. It's

0:43:50.320 --> 0:43:50.600
<v Speaker 4>a lot.

0:43:51.320 --> 0:43:52.839
<v Speaker 5>Well, Jenna hasn't heard it, so I'm going to play

0:43:52.840 --> 0:43:54.239
<v Speaker 5>it again. You're just gonna have to suffer through it.

0:43:54.440 --> 0:43:58.160
<v Speaker 4>No, no, no, no, it was just for content. I'm not.

0:43:58.360 --> 0:44:01.120
<v Speaker 4>I just I think she's been the ringer. I fell

0:44:01.239 --> 0:44:01.520
<v Speaker 4>for her.

0:44:02.680 --> 0:44:06.200
<v Speaker 3>This is my favorite thing. Like there's maybe three tracks

0:44:06.239 --> 0:44:08.560
<v Speaker 3>that Britney reads. The first one is five seconds long.

0:44:08.800 --> 0:44:11.120
<v Speaker 3>This it's called dedication for my.

0:44:11.160 --> 0:44:12.720
<v Speaker 12>Boys, who are the loves of my life.

0:44:17.200 --> 0:44:19.160
<v Speaker 4>That's it. Wow, I should have been paid shit.

0:44:20.080 --> 0:44:23.560
<v Speaker 3>And then she did love my life life. She did

0:44:23.719 --> 0:44:27.080
<v Speaker 3>the author's note and I'll go the prologue. Actually she

0:44:27.160 --> 0:44:31.320
<v Speaker 3>read like the first chapter essentially, and just the pacing

0:44:31.400 --> 0:44:32.440
<v Speaker 3>was all off. I was like, I don't think I

0:44:32.440 --> 0:44:34.239
<v Speaker 3>could listen to that for the whole book Love the Cow,

0:44:34.320 --> 0:44:36.040
<v Speaker 3>But I couldn't listen if she was reading the whole

0:44:36.080 --> 0:44:37.480
<v Speaker 3>thing prologue.

0:44:38.560 --> 0:44:40.480
<v Speaker 12>As a little girl, I walked for hours alone in

0:44:40.520 --> 0:44:43.960
<v Speaker 12>the silent woods behind my house in Louisiana, singing songs.

0:44:45.120 --> 0:44:47.800
<v Speaker 12>Being outside gave me a sense of a liveness and danger.

0:44:48.400 --> 0:44:50.160
<v Speaker 12>When I was growing up, my mother and father of

0:44:50.520 --> 0:44:53.680
<v Speaker 12>constantly it was an alcoholic. I was usually scared in

0:44:53.800 --> 0:44:58.000
<v Speaker 12>my home. Outside wasn't necessarily heaven either.

0:44:58.280 --> 0:45:01.440
<v Speaker 4>Oh stop sounds like an episode of Keeping Up with

0:45:01.480 --> 0:45:03.880
<v Speaker 4>the Kardashi And they've spliced her inflections together.

0:45:03.960 --> 0:45:05.960
<v Speaker 6>And also the vocal fry is a lot.

0:45:06.160 --> 0:45:09.520
<v Speaker 3>Apparently someone went to her home to record just that bit,

0:45:09.680 --> 0:45:11.399
<v Speaker 3>like she was just recording at home. I'm like, would

0:45:11.400 --> 0:45:13.440
<v Speaker 3>it have killed them to turn the fucking sunbeam fan?

0:45:14.040 --> 0:45:14.640
<v Speaker 11>Like hear?

0:45:15.840 --> 0:45:16.560
<v Speaker 4>Was that from home?

0:45:16.880 --> 0:45:17.080
<v Speaker 11>Yeah?

0:45:17.640 --> 0:45:20.080
<v Speaker 5>But then obviously Michelle Williams did the act.

0:45:20.200 --> 0:45:23.480
<v Speaker 3>Is it Michelle william Yeah, Yes, we did the whole thing,

0:45:23.600 --> 0:45:25.280
<v Speaker 3>the rest of it, And I was like, okay, actually,

0:45:25.320 --> 0:45:26.799
<v Speaker 3>thank god because she had a good voice.

0:45:26.880 --> 0:45:28.960
<v Speaker 4>Definitely, is she allowed out of the house?

0:45:30.000 --> 0:45:30.880
<v Speaker 5>Well, I don't know.

0:45:31.680 --> 0:45:34.080
<v Speaker 3>She made it out like at the moment, she's just

0:45:34.200 --> 0:45:36.320
<v Speaker 3>trying to get her shit back together because of everything

0:45:36.360 --> 0:45:38.560
<v Speaker 3>she's been through. It wasn't even the conservativeship that was

0:45:38.600 --> 0:45:39.840
<v Speaker 3>the worst of it. It was when they threw her

0:45:39.880 --> 0:45:41.440
<v Speaker 3>in rehab for a bit. That's what sucked her up

0:45:41.440 --> 0:45:43.960
<v Speaker 3>more than anything. She was a lithium without when was

0:45:44.000 --> 0:45:48.120
<v Speaker 3>she in when she canceled her Vegas residency at short

0:45:48.239 --> 0:45:50.719
<v Speaker 3>notice because she was being made to a second one

0:45:51.040 --> 0:45:53.040
<v Speaker 3>and she was like, come on, guys, I just fucking

0:45:53.080 --> 0:45:54.759
<v Speaker 3>wrapped the first one. Yeah, I don't want to do

0:45:54.800 --> 0:45:57.120
<v Speaker 3>another one straight away. And so because she disobeyed her

0:45:57.120 --> 0:45:59.120
<v Speaker 3>far that they chucked in rehab and that's when she

0:45:59.239 --> 0:46:02.440
<v Speaker 3>came out all loopy. She was like fine ish before that.

0:46:03.960 --> 0:46:07.360
<v Speaker 4>So the lithium fuctor, what's lithium? I don't even know,

0:46:07.480 --> 0:46:10.960
<v Speaker 4>but yeah, it's what. It's what it's in all those

0:46:10.960 --> 0:46:15.320
<v Speaker 4>double A chatter but double batteries. Let me google it.

0:46:15.400 --> 0:46:17.120
<v Speaker 5>Actually I should begin general to do that, but it's fine.

0:46:17.120 --> 0:46:18.279
<v Speaker 5>I'm already halfway the season.

0:46:18.360 --> 0:46:19.200
<v Speaker 4>His fingers are already.

0:46:20.160 --> 0:46:22.000
<v Speaker 5>Yeah, Lithium battery is the first thing that comes up.

0:46:22.880 --> 0:46:27.960
<v Speaker 5>Lithium medication, how it works and side effects. Stabilizing medicine

0:46:28.080 --> 0:46:31.000
<v Speaker 5>used to treat certain mental illnesses, such as bipolar disorder.

0:46:31.680 --> 0:46:34.800
<v Speaker 3>Short term effects can include nausea and diarrhea, muscle weakness,

0:46:34.920 --> 0:46:36.800
<v Speaker 3>or a dazed feeling. A long term side of it,

0:46:36.840 --> 0:46:39.880
<v Speaker 3>can we wait game blah blah blah. Basically, it's it's

0:46:39.960 --> 0:46:43.920
<v Speaker 3>heavy duty shit and it can cause mania, feeling highly excited,

0:46:43.960 --> 0:46:45.799
<v Speaker 3>over active, or distracted.

0:46:46.200 --> 0:46:49.280
<v Speaker 4>The poor thing. Yeah, because she was on TV, remember,

0:46:49.360 --> 0:46:51.680
<v Speaker 4>like before that, she was hosting like America's Next.

0:46:52.120 --> 0:46:54.000
<v Speaker 3>Oh no, she did X Factor and she said in

0:46:54.040 --> 0:46:56.319
<v Speaker 3>the book that she fucking hated that. Oh really, yeah,

0:46:57.239 --> 0:46:58.600
<v Speaker 3>she was like, I nailed it, but I hated it.

0:47:00.719 --> 0:47:02.080
<v Speaker 4>I feel for how old is she?

0:47:03.239 --> 0:47:04.080
<v Speaker 5>I'll google it again?

0:47:04.719 --> 0:47:05.160
<v Speaker 11>I don't know.

0:47:05.640 --> 0:47:07.200
<v Speaker 4>Also, I think lithium is a great word for you

0:47:07.239 --> 0:47:08.040
<v Speaker 4>to say with your lisp.

0:47:08.680 --> 0:47:09.080
<v Speaker 5>Lithium.

0:47:09.200 --> 0:47:10.520
<v Speaker 3>Yeah, oh, it just sounds like I'm trying to say

0:47:10.560 --> 0:47:14.120
<v Speaker 3>lissium correct. How old is Britney spears?

0:47:14.200 --> 0:47:17.799
<v Speaker 4>I'm going to twenty three? You said forty. You could

0:47:17.800 --> 0:47:19.560
<v Speaker 4>have been like I was gonna say one, but I

0:47:19.560 --> 0:47:21.720
<v Speaker 4>didn't want to be annoying. I actually was thinking forty

0:47:21.760 --> 0:47:24.319
<v Speaker 4>three far out. Well, I don't like, I don't want

0:47:24.320 --> 0:47:24.600
<v Speaker 4>to read it.

0:47:24.920 --> 0:47:25.759
<v Speaker 6>Really, yeah, I.

0:47:25.760 --> 0:47:26.440
<v Speaker 4>Don't listen to it.

0:47:26.520 --> 0:47:30.000
<v Speaker 5>It's good and to be honest, it's like it's not

0:47:30.120 --> 0:47:30.960
<v Speaker 5>a tricky read.

0:47:31.440 --> 0:47:34.480
<v Speaker 3>She's very concise and like cuts through all the bullshit

0:47:34.520 --> 0:47:38.439
<v Speaker 3>and just tells you the good stuff in a concise way.

0:47:38.520 --> 0:47:40.319
<v Speaker 4>Oh, the whole Britney situation is so sad.

0:47:40.480 --> 0:47:44.439
<v Speaker 3>It is anyway, what about nineteen eighty nine Taylor's version

0:47:44.960 --> 0:47:47.080
<v Speaker 3>just catching up on all the fucking pop culture that

0:47:47.120 --> 0:47:48.040
<v Speaker 3>happened in our week off It.

0:47:48.200 --> 0:47:50.839
<v Speaker 4>Does nothing for me. Yeah, I just I just enjoy

0:47:50.920 --> 0:47:54.640
<v Speaker 4>more adult music. Sorry, you've got a real attitude on

0:47:54.680 --> 0:47:57.320
<v Speaker 4>you today. I just wanted to piss off the Swifties. No,

0:47:57.480 --> 0:47:59.160
<v Speaker 4>I just Taylor Swifts. I'm going to sing a song

0:47:59.239 --> 0:48:00.960
<v Speaker 4>and you're gonna believe it. Tailor song, right. I think

0:48:01.840 --> 0:48:06.000
<v Speaker 4>the fire bush wrung really warm and bread. That's a

0:48:06.040 --> 0:48:09.920
<v Speaker 4>tail Stiff song. The City Lights captured my heart. I said, no,

0:48:10.239 --> 0:48:10.880
<v Speaker 4>it's a fart.

0:48:11.120 --> 0:48:15.120
<v Speaker 3>That's taylorstof TikTok making fun of Taylor Swift's lyrics. It

0:48:15.239 --> 0:48:19.200
<v Speaker 3>was like invisible nee on coffee mug high, invisible neon

0:48:19.239 --> 0:48:20.040
<v Speaker 3>coffee mug high.

0:48:20.320 --> 0:48:25.040
<v Speaker 4>She would fucking it's so bad. She threw the words

0:48:25.080 --> 0:48:29.160
<v Speaker 4>on a cold summer's day. Hey me, it is my

0:48:29.360 --> 0:48:30.600
<v Speaker 4>time to shine. Here.

0:48:30.800 --> 0:48:33.400
<v Speaker 3>You are slagging off Taylor Stiff, But if they offered

0:48:33.440 --> 0:48:36.439
<v Speaker 3>you an interview, you'd be sucking right up hers so quick.

0:48:36.520 --> 0:48:39.440
<v Speaker 4>God wouldn't prepare one question, but I would completely do it.

0:48:39.600 --> 0:48:40.200
<v Speaker 5>Yeah, of course.

0:48:40.560 --> 0:48:40.600
<v Speaker 7>No.

0:48:40.840 --> 0:48:43.880
<v Speaker 3>I didn't like Taylor's version of nineteen eighty nine We

0:48:44.040 --> 0:48:46.160
<v Speaker 3>Get Back on Track. You didn't like I thought the

0:48:46.320 --> 0:48:47.799
<v Speaker 3>I thought Scooter's version was better.

0:48:49.000 --> 0:48:52.279
<v Speaker 5>It just sounded like it's really auto tuned and fucking yeah,

0:48:52.320 --> 0:48:53.160
<v Speaker 5>I get that.

0:48:53.320 --> 0:48:55.200
<v Speaker 4>Let me see if we've got the two here, here

0:48:55.280 --> 0:48:59.520
<v Speaker 4>we go. So this is a comparison original original.

0:49:05.400 --> 0:49:05.680
<v Speaker 7>Version.

0:49:06.120 --> 0:49:13.640
<v Speaker 5>Now she said that she's got a gun to her head.

0:49:15.840 --> 0:49:16.080
<v Speaker 11>Click.

0:49:22.040 --> 0:49:23.799
<v Speaker 4>So like, do you have to stream a Taylor's version

0:49:23.840 --> 0:49:24.720
<v Speaker 4>if you want to be ethical?

0:49:25.400 --> 0:49:26.319
<v Speaker 5>I guess so yeah.

0:49:26.600 --> 0:49:26.799
<v Speaker 3>Yeah.

0:49:27.040 --> 0:49:30.080
<v Speaker 5>The idea is that fans can morally listen to music

0:49:30.160 --> 0:49:32.600
<v Speaker 5>knowing that they're not supporting that dope scooter brawls.

0:49:32.880 --> 0:49:35.239
<v Speaker 4>Look what you made Me do? Taylor's version is leaked.

0:49:35.800 --> 0:49:38.319
<v Speaker 5>Bullshit. It's been out for a one month, that video,

0:49:38.320 --> 0:49:39.960
<v Speaker 5>and it's only got eight k views.

0:49:39.719 --> 0:49:43.680
<v Speaker 4>Extended and everyone's commenting this is exciting. I'm obsessed with this.

0:49:44.680 --> 0:49:46.680
<v Speaker 4>Skip to one thirty five says God is above all

0:49:46.719 --> 0:49:47.000
<v Speaker 4>of us?

0:49:51.200 --> 0:49:52.200
<v Speaker 11>What made me do?

0:49:53.040 --> 0:49:54.080
<v Speaker 4>What you made me do?

0:49:57.200 --> 0:50:00.600
<v Speaker 5>Taylor's version of that st I don't like it.

0:50:02.200 --> 0:50:06.480
<v Speaker 4>Look what you mean, Matthew Matthew Perry died.

0:50:07.360 --> 0:50:11.799
<v Speaker 5>Oh how bad was that? Because Oscar had literally been

0:50:11.840 --> 0:50:14.480
<v Speaker 5>in this studio and said, can friends just die?

0:50:15.160 --> 0:50:15.960
<v Speaker 11>Yeah? I did say that.

0:50:16.320 --> 0:50:16.520
<v Speaker 3>Yeah.

0:50:17.040 --> 0:50:19.560
<v Speaker 4>I was like, oh that's not good. No, that was

0:50:19.719 --> 0:50:20.840
<v Speaker 4>very sad, do you know what.

0:50:21.880 --> 0:50:25.200
<v Speaker 3>I'm ashamed to admit this. But after we did that

0:50:25.320 --> 0:50:27.279
<v Speaker 3>jingle thing where Oscar did the Friends Things song. It

0:50:27.360 --> 0:50:29.640
<v Speaker 3>was in my head and we were saying, friends isn't

0:50:29.880 --> 0:50:31.680
<v Speaker 3>very us, is it? It's too straight culture.

0:50:31.920 --> 0:50:34.960
<v Speaker 4>I started rewatching friends. Oh no, they died.

0:50:35.520 --> 0:50:35.759
<v Speaker 11>I know.

0:50:36.120 --> 0:50:37.279
<v Speaker 5>It was like fresh of mind.

0:50:37.560 --> 0:50:41.200
<v Speaker 3>And also when I was rewatching Friends, I'd started making

0:50:41.239 --> 0:50:44.200
<v Speaker 3>a list of all the jokes that haven't aged well,

0:50:44.280 --> 0:50:46.399
<v Speaker 3>like all the anti queer jokes that have been made,

0:50:46.880 --> 0:50:48.320
<v Speaker 3>and I was going to do a segment on that

0:50:48.960 --> 0:50:50.399
<v Speaker 3>doesn't seem right now.

0:50:50.960 --> 0:50:53.200
<v Speaker 4>No, although to be fair, Chandler didn't deliver a.

0:50:53.200 --> 0:50:53.880
<v Speaker 5>Lot of those lines.

0:50:54.040 --> 0:50:56.680
<v Speaker 4>No true, who was it? Okay?

0:50:56.719 --> 0:51:00.080
<v Speaker 5>Why don't you guess who had the most problematic line? A?

0:51:00.760 --> 0:51:02.239
<v Speaker 4>No, I reckon Rachel.

0:51:03.560 --> 0:51:04.640
<v Speaker 6>Phoebe, No.

0:51:06.200 --> 0:51:08.480
<v Speaker 5>Cross, Monica and Ross the Gallows.

0:51:09.480 --> 0:51:11.799
<v Speaker 6>There was a few from them, and also the whole

0:51:11.840 --> 0:51:12.480
<v Speaker 6>fat shaming.

0:51:13.320 --> 0:51:16.800
<v Speaker 4>Oh yeah, and they were transphobic because fuck yeah, yeah, discuss,

0:51:17.160 --> 0:51:20.480
<v Speaker 4>but we won't flag them off. Yeah, let's let's not

0:51:20.840 --> 0:51:24.520
<v Speaker 4>the dead dead dead. So yeah, any updates in your life, Mitchell,

0:51:25.320 --> 0:51:27.000
<v Speaker 4>Not that I can think of. No, I told you

0:51:27.080 --> 0:51:27.680
<v Speaker 4>all the good news.

0:51:28.360 --> 0:51:30.920
<v Speaker 3>Yeah, you weren't as excited as I thought you'd been

0:51:30.960 --> 0:51:32.880
<v Speaker 3>when I told you that I've been reunited with Franco

0:51:32.960 --> 0:51:36.080
<v Speaker 3>the hairdresser that I was very excited.

0:51:36.160 --> 0:51:36.480
<v Speaker 11>I was it.

0:51:36.600 --> 0:51:39.799
<v Speaker 4>I'm excited. I'm excited. I'm the come down after the tour.

0:51:40.000 --> 0:51:41.880
<v Speaker 4>It's a couple of days after I still haven't had

0:51:41.880 --> 0:51:44.200
<v Speaker 4>a good eight hours of sleep. I need I need

0:51:44.239 --> 0:51:46.799
<v Speaker 4>a weekend of respite, you know what I mean? Yeah,

0:51:46.840 --> 0:51:49.759
<v Speaker 4>I get it, just to fully recover be myself again.

0:51:49.800 --> 0:51:52.600
<v Speaker 4>I feel like I'm being bottomized him. Eleven flights in

0:51:52.640 --> 0:51:56.879
<v Speaker 4>a month too many? Yeah, and one bus? I get

0:51:56.920 --> 0:52:00.560
<v Speaker 4>How was the absolutely shocking? It on a bus? It

0:52:00.640 --> 0:52:02.560
<v Speaker 4>was a van. I was sold on a bus with

0:52:02.640 --> 0:52:03.640
<v Speaker 4>a toilet and microwave.

0:52:03.719 --> 0:52:06.440
<v Speaker 6>But it was a van with toilet, no toilet, so

0:52:06.640 --> 0:52:07.280
<v Speaker 6>just the minivan.

0:52:07.400 --> 0:52:10.680
<v Speaker 4>It was a minivan with picturing a Greyhound.

0:52:10.400 --> 0:52:10.800
<v Speaker 11>As was I.

0:52:11.560 --> 0:52:15.400
<v Speaker 4>It was a It was a Herd's higher car with

0:52:15.520 --> 0:52:16.120
<v Speaker 4>eight seeds.

0:52:16.480 --> 0:52:18.160
<v Speaker 5>Oh that's not too bad. That sounds kind of fun.

0:52:18.640 --> 0:52:20.479
<v Speaker 4>Road trip. Well, the first half hour was fun.

0:52:20.840 --> 0:52:21.080
<v Speaker 3>Yeah.

0:52:21.440 --> 0:52:24.319
<v Speaker 4>Also that boring drive to Canberra, Oh my god, how

0:52:24.360 --> 0:52:26.000
<v Speaker 4>long does it? For three and a half hours.

0:52:26.920 --> 0:52:29.239
<v Speaker 3>It's literally like the maps in my car. If I'm

0:52:29.239 --> 0:52:32.560
<v Speaker 3>getting directions to Cambra, it'll say turn right onto the

0:52:32.680 --> 0:52:36.040
<v Speaker 3>hum Highway and then in four hundred kilometers you've reached

0:52:36.080 --> 0:52:36.680
<v Speaker 3>your destination.

0:52:36.840 --> 0:52:38.960
<v Speaker 4>It's boring. It is on the one road the whole time.

0:52:39.120 --> 0:52:41.400
<v Speaker 4>Cambra is beautiful though for the idiots that live in

0:52:41.560 --> 0:52:46.239
<v Speaker 4>and around Questa. Con Canbra's weird though, Like it's kind

0:52:46.239 --> 0:52:51.719
<v Speaker 4>of grim like Billy Griffith Griffin Griffin. Do I say

0:52:51.760 --> 0:52:55.400
<v Speaker 4>Griffith Griffin like the dragon thing? Yeah, that is Griffin,

0:52:55.520 --> 0:53:00.800
<v Speaker 4>Peter and Low with Griffith, I get that confused, like

0:53:00.880 --> 0:53:01.400
<v Speaker 4>Burly Griffin.

0:53:01.440 --> 0:53:03.439
<v Speaker 5>What we're going to say? Like, I think it's pretty.

0:53:03.520 --> 0:53:06.360
<v Speaker 4>What's what's awful about the lake? I think Cambri is pretty.

0:53:06.360 --> 0:53:07.960
<v Speaker 4>I like the architecture and everything's a round it, you know,

0:53:08.000 --> 0:53:10.960
<v Speaker 4>all the streets around. It's a metaphor for how like

0:53:12.280 --> 0:53:15.239
<v Speaker 4>public servants and politics, like it just goes around. It's

0:53:15.320 --> 0:53:17.400
<v Speaker 4>serving you're making.

0:53:17.239 --> 0:53:19.880
<v Speaker 5>Matter or if you're recalled, if failing you a little bit.

0:53:19.880 --> 0:53:21.600
<v Speaker 4>Because I don't think some one told me something about

0:53:21.600 --> 0:53:23.960
<v Speaker 4>the curves. There's no there's no turns in Canberra. It's

0:53:23.960 --> 0:53:25.719
<v Speaker 4>all round. I'm gonna get the map up.

0:53:25.600 --> 0:53:28.000
<v Speaker 5>And once once you're on a road, you're just stuck there.

0:53:28.000 --> 0:53:30.680
<v Speaker 5>There's no turns, a spiral.

0:53:30.440 --> 0:53:32.320
<v Speaker 4>Red tape, nothing, can ever get done because we just

0:53:32.360 --> 0:53:33.440
<v Speaker 4>go around around in circles.

0:53:33.920 --> 0:53:36.640
<v Speaker 3>I remember the fun fact that they told us on

0:53:36.680 --> 0:53:39.439
<v Speaker 3>the cambrick'scursion that see the circle around Parliament House.

0:53:39.520 --> 0:53:42.239
<v Speaker 5>Yes, all of those streets in red.

0:53:42.960 --> 0:53:46.479
<v Speaker 3>They are like Sydney Street, Melbourne Street, Brisbane Street, Perth Street,

0:53:46.520 --> 0:53:47.960
<v Speaker 3>and they're all the ones that are pointing in the

0:53:48.000 --> 0:53:48.839
<v Speaker 3>direction of that town.

0:53:50.480 --> 0:53:53.719
<v Speaker 4>This is cool. I'm pulling it up. Oh yeah, so

0:53:53.840 --> 0:53:57.600
<v Speaker 4>you look circle, circle, circle, So I'm seeing a whole

0:53:57.640 --> 0:53:59.759
<v Speaker 4>lot of not circle. I don't know what. Well it's not.

0:54:00.000 --> 0:54:01.160
<v Speaker 5>There are no turns in Canberra.

0:54:01.320 --> 0:54:01.959
<v Speaker 4>It's all round.

0:54:02.239 --> 0:54:03.280
<v Speaker 6>Quite a lot of turns.

0:54:04.400 --> 0:54:07.919
<v Speaker 4>Look, there's just a lot of it. Look round round, round, right, round,

0:54:08.000 --> 0:54:17.040
<v Speaker 4>right right, No, we should look circle circle, circle, circle. Yeah,

0:54:17.080 --> 0:54:20.840
<v Speaker 4>from what year is this circle circle, Jenna, it's current,

0:54:20.880 --> 0:54:25.680
<v Speaker 4>it's from its not eighteen oh seven. Did you go

0:54:25.760 --> 0:54:27.200
<v Speaker 4>to questicon absolutely not.

0:54:28.080 --> 0:54:30.479
<v Speaker 5>No, it was a working holiday, a gena not letter.

0:54:30.600 --> 0:54:34.240
<v Speaker 4>I was there for there. We drove in at three pm,

0:54:34.560 --> 0:54:36.239
<v Speaker 4>We had a show that night and I was flying

0:54:36.239 --> 0:54:39.120
<v Speaker 4>out at six am the next day. Yeah, you still

0:54:39.200 --> 0:54:42.480
<v Speaker 4>had time what for a quick ten minute earthquake room?

0:54:43.200 --> 0:54:46.240
<v Speaker 6>That's cool, but it was very triuggering because it happened.

0:54:46.760 --> 0:54:48.880
<v Speaker 6>I went there two years after my earthquakes.

0:54:49.680 --> 0:54:52.960
<v Speaker 3>Oh god, Jenna, Well then you would have been equipped

0:54:52.960 --> 0:54:56.080
<v Speaker 3>to compare is this what an earthquakes really like? Or

0:54:56.200 --> 0:54:57.560
<v Speaker 3>is it just a room that kind of shakes?

0:54:57.640 --> 0:55:00.080
<v Speaker 4>It was just a room that short, sure, yeah, and

0:55:00.280 --> 0:55:03.160
<v Speaker 4>where in actual fact, the earthquake was not a room

0:55:03.239 --> 0:55:05.760
<v Speaker 4>that shore. What was the earthquake?

0:55:05.800 --> 0:55:07.239
<v Speaker 6>It was a horrific experience.

0:55:07.560 --> 0:55:08.719
<v Speaker 3>I was thinking about it the other day, and you

0:55:08.719 --> 0:55:11.520
<v Speaker 3>know how we did Jenner's fable, the horrific stories that

0:55:11.600 --> 0:55:14.200
<v Speaker 3>she's been through. I'm like, fuck, I could easily whip

0:55:14.280 --> 0:55:16.560
<v Speaker 3>up a fable too, because, like I tell stories on

0:55:16.680 --> 0:55:19.080
<v Speaker 3>the fly on the podcast, but there's some fucked up

0:55:19.160 --> 0:55:22.160
<v Speaker 3>things that have happened that I've got some cooked stories,

0:55:22.239 --> 0:55:24.200
<v Speaker 3>but I never tell them because then it's very rare

0:55:24.239 --> 0:55:25.040
<v Speaker 3>that they'd be relevant.

0:55:25.239 --> 0:55:25.840
<v Speaker 6>That's true.

0:55:25.960 --> 0:55:27.799
<v Speaker 4>Well, I have fables too. What if we all tell

0:55:27.840 --> 0:55:28.280
<v Speaker 4>a fable?

0:55:28.560 --> 0:55:30.080
<v Speaker 5>It has to be really fucked up.

0:55:30.320 --> 0:55:32.319
<v Speaker 4>Yeah, I've got one. I've gone about my guinea pig

0:55:32.360 --> 0:55:34.520
<v Speaker 4>patch being taken by No you've told.

0:55:34.360 --> 0:55:35.640
<v Speaker 6>That a few times and I don't want to hear

0:55:35.719 --> 0:55:36.480
<v Speaker 6>animal abuse.

0:55:36.600 --> 0:55:38.799
<v Speaker 5>Think I did an impression of it at the time.

0:55:39.040 --> 0:55:39.480
<v Speaker 3>What was it?

0:55:40.160 --> 0:55:46.080
<v Speaker 4>Ah off into the distance, He goes, that was brilliant.

0:55:46.760 --> 0:55:49.480
<v Speaker 4>You do a great guinea bit interesting? All right, Well

0:55:49.640 --> 0:55:50.440
<v Speaker 4>weip up a fable.

0:55:50.840 --> 0:55:52.080
<v Speaker 5>It has to be something fucked though.

0:55:52.400 --> 0:55:54.920
<v Speaker 4>Yeah, I've got so many. I've got one about the

0:55:54.960 --> 0:55:59.440
<v Speaker 4>origins of the MATURI name my uncle shot his wife

0:55:59.480 --> 0:56:01.920
<v Speaker 4>in the head and had renamed jury. Yeah, yeah, I've

0:56:01.960 --> 0:56:04.120
<v Speaker 4>had worse, great great great great great uncle.

0:56:04.200 --> 0:56:05.960
<v Speaker 5>You I'm talking about, like something that happened to you.

0:56:06.880 --> 0:56:10.960
<v Speaker 4>I was there. I've never spoken about it. Handed into

0:56:10.960 --> 0:56:11.239
<v Speaker 4>the gun.

0:56:13.520 --> 0:56:16.960
<v Speaker 5>We hope this podcast make better today.

0:56:17.080 --> 0:56:17.480
<v Speaker 4>That's all.

0:56:18.600 --> 0:56:21.320
<v Speaker 5>So we we bloody fucking will do.

0:56:22.520 --> 0:56:27.120
<v Speaker 4>That's not follow you. I thought I could have done better,

0:56:27.160 --> 0:56:29.400
<v Speaker 4>but I was okay with it. But we were all right.

0:56:29.600 --> 0:56:31.960
<v Speaker 4>I thought I thought you were great, Jenny, you were terrible.

0:56:32.120 --> 0:56:33.720
<v Speaker 6>Yeah, but that's the character.

0:56:34.040 --> 0:56:35.080
<v Speaker 4>She forgot her lines.

0:56:35.680 --> 0:56:38.200
<v Speaker 3>Well, it's not like she has an excuse because she

0:56:38.280 --> 0:56:39.600
<v Speaker 3>didn't have to remember them and then were written in

0:56:39.640 --> 0:56:39.920
<v Speaker 3>front of it.

0:56:40.000 --> 0:56:40.840
<v Speaker 5>She didn't say it.

0:56:42.200 --> 0:56:43.920
<v Speaker 4>All right, Well, so we do. It's been said, So

0:56:44.040 --> 0:56:45.960
<v Speaker 4>we do. Ye see you in a week all one day,

0:56:46.080 --> 0:56:47.160
<v Speaker 4>not even a week, a couple of days.

0:56:47.760 --> 0:56:48.960
<v Speaker 5>Yeah, we'll see you next week.

0:56:49.160 --> 0:56:51.440
<v Speaker 3>Yes, we will all just never forget to buy your

0:56:51.520 --> 0:56:54.480
<v Speaker 3>mugs girls, Although I shouldn't keep hammering that. You've got

0:56:54.520 --> 0:56:55.479
<v Speaker 3>to the end of mug Bember.

0:56:55.600 --> 0:56:59.760
<v Speaker 4>Yeah, plenty of time started mug Member September, Broctome Mgvember

0:56:59.760 --> 0:56:59.960
<v Speaker 4>de TN.

0:57:02.640 --> 0:57:03.920
<v Speaker 5>What could we do in December?

0:57:04.800 --> 0:57:11.080
<v Speaker 4>Deal demb the cemetery? Would you show from a cemetery?

0:57:12.120 --> 0:57:12.640
<v Speaker 6>Let's do that.

0:57:13.000 --> 0:57:16.040
<v Speaker 4>There's no months that really have a catchy pun when

0:57:16.120 --> 0:57:23.000
<v Speaker 4>it comes to rash best. It wasn't March rash Rush January,

0:57:23.040 --> 0:57:29.640
<v Speaker 4>February West rash rash. No, No, let's go. We guys

0:57:29.680 --> 0:57:31.600
<v Speaker 4>were trying for more. We're trying to get something and

0:57:31.600 --> 0:57:32.560
<v Speaker 4>there's nothing happened.

0:57:32.720 --> 0:57:34.000
<v Speaker 6>Rush Lie.

0:57:38.160 --> 0:57:47.080
<v Speaker 4>Rashoon for June Rashi not even a month? Okay, oh

0:57:47.120 --> 0:57:51.240
<v Speaker 4>my god. August could work? Mark August, Well, we're not

0:57:51.360 --> 0:57:57.480
<v Speaker 4>waiting until we just say, why don't we just call

0:57:57.520 --> 0:58:01.600
<v Speaker 4>it August and say it's more like we're backdating it byme? Now,

0:58:02.960 --> 0:58:07.360
<v Speaker 4>what else is there? Cup member? Mug member works.

0:58:08.600 --> 0:58:11.040
<v Speaker 3>I thought it was a pretty shock and pun when

0:58:11.080 --> 0:58:14.080
<v Speaker 3>we landed on that, but now we're back, now that

0:58:14.120 --> 0:58:16.400
<v Speaker 3>I've explored the options, how do you fucking beat that?

0:58:16.560 --> 0:58:17.880
<v Speaker 5>Mug Member can't beat it?

0:58:17.960 --> 0:58:18.680
<v Speaker 4>You've done very well.

0:58:18.960 --> 0:58:20.880
<v Speaker 5>You've done yeah, so you got to the end of

0:58:21.000 --> 0:58:22.760
<v Speaker 5>mug member to get your orders in girls.

0:58:23.000 --> 0:58:24.800
<v Speaker 4>Thank you for listening everyone. We'll see you on Monday.

0:58:25.560 --> 0:58:26.160
<v Speaker 4>Love your Bye.

0:58:26.760 --> 0:58:31.160
<v Speaker 1>Is It Just Me podcast by a couple of Make

0:58:31.200 --> 0:58:34.440
<v Speaker 1>sure you've hit follow on your podcast suff