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Speaker 1: Get a. I'm Lala Berry, nutritionist, author, actor, TV presenter,

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Speaker 1: and professional oversharer. This podcast is all about celebrating failure

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Speaker 1: because I believe it's a chance for us to learn,

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Speaker 1: grow and face our blind spots. Each week I'll interview

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Speaker 1: a different guest about their highs as well as they're lows,

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Speaker 1: all in a bid to inspire us to fearlessly fail. Hello,

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Speaker 1: my friends, David the Medium is back for True Crime Alay.

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Speaker 1: This is the third installment of True Chrime La. So

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Speaker 1: we've done two others where we've gone to Charles Manson sites,

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Speaker 1: We've gone to where Sharon Tate had her last meal.

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Speaker 1: We've gone to the location of the Hillside Stranglers. That

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Speaker 1: one was really scary because it's still a mechanic place

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Speaker 1: now was like, anyway, look up the Hillside Strangers of

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Speaker 1: Beking or I'm going to have in the show notes

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Speaker 1: o'ur past to la True Crime episodes now to give

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Speaker 1: you a little lay of the land and a little

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Speaker 1: premise of how this goes is David is a medium

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Speaker 1: and psychic, right. I know you know that because he's

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Speaker 1: super famous and everyone loves him and for good reason. David,

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Speaker 1: you're amazing. But here's what we do. I take David around.

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Speaker 1: I literally pick him up in this case, pick him

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Speaker 1: up early in the morning in Los Angeles, and he

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Speaker 1: knows nothing other than I'm like, Okay, we're driving to

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Speaker 1: Lost Feelers, Okay, we're driving to downtown. Okay, we're driving

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Speaker 1: to Cuover City. Okay, we're driving to Beverly Hills. Like literally,

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Speaker 1: he doesn't know anything until we get to the location.

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Speaker 1: I see what he feels and what comes to him

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Speaker 1: while we're in said location, and then I'll feed him

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Speaker 1: or like essentially tell him what's happened, and he'll dissect

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Speaker 1: what I'm saying and be like yep, nah, yeah. It's

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Speaker 1: so fascinating. Some of the locations were able to actually

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Speaker 1: physically get out and enter or go to that location.

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Speaker 1: Others you'll hear today weren't super safe to do that,

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Speaker 1: a little bit of a trigger warning. We went to

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Speaker 1: one location where there have been We went to the

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Speaker 1: Cecil Hotel and there have been not only murders there,

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Speaker 1: and not only or there's been a murder there and

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Speaker 1: two serial killers live there. There's also been some suicide death. Says,

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Speaker 1: So I do want to just be give a trigger warning.

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Speaker 1: There's also notes in the show notes. There is the

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Speaker 1: helplines for both America and Australia because that's where the

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Speaker 1: audience you guys are from. So I'm just going to

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Speaker 1: give you a lay of the land. It's going to

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Speaker 1: go in chronological order. So the first place that we

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Speaker 1: visited is the supposed murder location of the Black Dahlia murder. Now,

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Speaker 1: movies have been made about this. Ryan Murphy's done an

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Speaker 1: American horror story all around this. The murder house was

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Speaker 1: owned by this really sus kind of fellow called George Hodell,

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Speaker 1: and the murderer of the Black Lallia. The Black Dahlia

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Speaker 1: or Elizabeth short, was super super gruesome because her body

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Speaker 1: was cut in half and all the blood was drained

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Speaker 1: out of her body and like certain bits of skin

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Speaker 1: were removed, but super surgically, and it's just very very

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Speaker 1: very very fascinating. The house that we went to was

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Speaker 1: one of the famous Lloyd Wright houses, and so it's

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Speaker 1: got this really really interesting style. There's a few of

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Speaker 1: them around LA. I've seen three of these houses around La,

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Speaker 1: but this one was owned by this guy that supposedly

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Speaker 1: this is a cold case, but he is the person

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Speaker 1: that is most suspected to have taken the life of

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Speaker 1: Elizabeth Short back in nineteen forty seven. So this was

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Speaker 1: considered the most notorious murder in LA history. So that's

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Speaker 1: the first location that we go to. We are able

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Speaker 1: to walk around to the back lane of the house

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Speaker 1: as well, so super super fascinating. Then we went to

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Speaker 1: and you won't hear this on the mic, so I

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Speaker 1: want to tell it to you. Now we go to

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Speaker 1: We went to Sorry the Cecil, the hotel in downtown

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Speaker 1: Los Angeles. Now it's probably like there are documentaries about this,

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Speaker 1: there are podcasts about this again American horror story that

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Speaker 1: some of that's been set here. It is infamous for

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Speaker 1: the dark energy, paranormal activity. I think there's been some

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Speaker 1: something like thirty deaths in this location since it was

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Speaker 1: built in nineteen twenty four. But here's the thing that

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Speaker 1: you don't get on audio, and I want to explain

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Speaker 1: it to you here. So when I picked David up,

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Speaker 1: I picked him up in my Hollywood and he's like,

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Speaker 1: where are we going? First? I go, We're going a

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Speaker 1: lost Pheelers. First, he goes cool and I used to

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Speaker 1: live in Los Feelers And he's like, oh, that's your

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Speaker 1: old neck of the woods and I was like, yep,

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Speaker 1: that's true. So like literally he doesn't know anything about

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Speaker 1: the specifics of where we go. And then I was like,

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Speaker 1: we're going downtown. He goes, We're going to the Cecil Hotel,

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Speaker 1: aren't we? And I go, what, how do you know?

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Speaker 1: He goes, I just saw it, so you don't hear

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Speaker 1: that on audio, but I'm telling you that he's exactly

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Speaker 1: what happened. And then I was like, then we're coming

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Speaker 1: back this way, like we's Hollywood Beverly Hills way and

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Speaker 1: he's like, oh really, and I go and then more

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Speaker 1: end in Culver City and he's like Culver City and

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Speaker 1: I'm like yeah, So, just so you know, that is

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Speaker 1: literally all the info that David gets before we sit

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Speaker 1: down and record. So I mentioned that trigger warning around suicide.

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Speaker 1: The Cecil Hotel is where that you can feel the

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Speaker 1: heaviness of that. We mention it in that part of

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Speaker 1: the chat. So that's the second location we go to.

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Speaker 1: So it is arguably the eeriest part of this chat

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Speaker 1: and maybe the spookiest location I would say we go to.

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Speaker 1: The energy is really dark and heavy and you can

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Speaker 1: feel it just like we didn't even feel soper safe

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Speaker 1: in our car at the front. So if you or

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Speaker 1: are adult triggered, that would be the bit that I

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Speaker 1: would recommend skipping. But if you were fascinated by paranormal

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Speaker 1: activity and spooky stuff, it is a very spooky part

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Speaker 1: of this chat. Then from the Cescil Hotel, we only

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Speaker 1: spent about fifteen minutes there and David was feeling physically

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Speaker 1: sick by the end of it. And again I don't

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Speaker 1: know if we got this on audio, but basically the

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Speaker 1: Cescil to get there, you've got to drive down I

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Speaker 1: believe it's East seventh Street, And as we were driving

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Speaker 1: into downtown, so it goes like first, second, third, fourth, fifth, sixth, seventh,

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Speaker 1: and as soon as we hit third Street, David's like,

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Speaker 1: my stomach just dropped. As we were getting close to

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Speaker 1: the location, and the location is literally like a block

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Speaker 1: and a half away from skid Row, so there's a

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Speaker 1: lot of just really intense energy around there. And then

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Speaker 1: as we drove out, I reckon after five minutes of

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Speaker 1: driving out of downtown, like just getting because when you

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Speaker 1: exit Downtown you get onto the Harbor Freeway, and as

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Speaker 1: we just started to enter the Harbor Freeway. David's like,

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Speaker 1: I feel better, and you could feel a lightness and

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Speaker 1: an ease. And then we went to the Beverly Center,

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Speaker 1: loads of really haunting kind of stories, really interesting history

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Speaker 1: that used to be at amusement Park there. Before that,

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Speaker 1: it was like the Salt Lake oil field again at

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Speaker 1: Trigger Warning, there's a mention of suicide there. This isn't

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Speaker 1: as dark as cecil though. Just to give you, I'm

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Speaker 1: trying to give you a little bit of a heads

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Speaker 1: up so you don't feel like you're going into any

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Speaker 1: of this blind, because this something like I could just

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Speaker 1: feel it when David got in the car. We've recorded

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Speaker 1: a lot of episodes together now, so there's like a

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Speaker 1: shorthand between us and we can feel each other like

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Speaker 1: and understand each other really well. And I said to him, oh,

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Speaker 1: you're on. I can feel your run straight away and

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Speaker 1: it yeah, I don't know as well. Maybe we're getting

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Speaker 1: so comfy. This is the sixth time we've done a

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Speaker 1: podcast together, and the third true crime one of this

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Speaker 1: elk and of this nature and this genre and format.

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Speaker 1: So after the Beverly Center, we went and ended on

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Speaker 1: an old Hollywood tale that happened at the Culber Studios,

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Speaker 1: which is like famous for where they shot Gone with

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Speaker 1: the Wind and Raging Bull, and I think, but I

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Speaker 1: have to fact check this the Wizard of Oz. So

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Speaker 1: that's the premise. It's full locations. It took. I picked

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Speaker 1: David up at about seven forty five am and we

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Speaker 1: ended recording at about two quarter to two, and then

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Speaker 1: my car broke down after we'd finished all the recording.

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Speaker 1: How crazy is that? The battery just died wild? And

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Speaker 1: then I and this is a side night that I

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Speaker 1: had an acting audition to get to, so I had

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Speaker 1: to like quickly we both Ubert home or he Ubert

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Speaker 1: to his hotel. I Hubert home, quickly showered, got changed

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Speaker 1: into like the outfit I had to wear for the audition,

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Speaker 1: Ubert into the acting audition, and then Uber back to

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Speaker 1: the car or truck. And then I met my friend

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Speaker 1: who saved the day and put a temporary battery in

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Speaker 1: and then I had to go to like an auto park,

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Speaker 1: an auto car place and get the batter change. It

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Speaker 1: was a it was a well wind of an LA day.

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Speaker 1: I will say, but if you're into true crime, this

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Speaker 1: episode is for you. If you're into like the history

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Speaker 1: of Hollywood, like a lot of people say that Hollywood

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Speaker 1: in LA is quite haunted and dark and whatnot, and

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Speaker 1: there's a lot of paranormal activity, and so then this

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Speaker 1: episode is for you. So I've got a few friends

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Speaker 1: that are psychic and a few friends that are into

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Speaker 1: this kind of like spookier stuff. I actually reckon my

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Speaker 1: mate Candas is going to love this because she's a

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Speaker 1: crime fiction author. Anyway, enjoy this episode. I hope you

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Speaker 1: love it. I know that was a very long winded intro,

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Speaker 1: but I just wanted to give you a real heads

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Speaker 1: up so that you felt really clear navigating this episode.

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Speaker 1: The really heavy part is Location two, the Cecil Hotel.

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Speaker 1: It's also arguably the spookiest and scariest bit, and like

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Speaker 1: I had goosebumps the whole time we were out the

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Speaker 1: front of that location. It was so fascinating to be there.

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Speaker 1: All Right, Okay, I'm waffling. I'm waffling, but I think

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Speaker 1: you're unreal. Thank you for listening, David, Thank you for sharing.

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Speaker 1: He was only in La for two days and literally

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Speaker 1: this took up a whole day of his time, and

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Speaker 1: he's just such a sweet, sweet soul. Also one really

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Speaker 1: cool thing and this is how we start the pod.

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Speaker 1: He teaches us how to protect our souls from energies,

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Speaker 1: and I felt safe the entire time with David. Even

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Speaker 1: though we were in like experiences that felt energetically full on,

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Speaker 1: I still felt very safe with David. So have a

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Speaker 1: little listen, especially at the start around that protection thing,

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Speaker 1: because he says you can use it like before you

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Speaker 1: go to work or you know, like if you're going

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Speaker 1: into environment with lots of people and he's like, it

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Speaker 1: takes one second. All you got to do is this thing.

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Speaker 1: So that's where this episode kicks off. I hope you

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Speaker 1: love it. Please bring on any feedback. And if you've

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Speaker 1: heard Haunted story is about places in La, you know

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Speaker 1: David comes back to La a lot. So this is

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Speaker 1: something that we want to keep continuing. Okay, Huru meg

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Speaker 1: a love, thank you, thank you, thank you. Like I

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Speaker 1: always say, this pod wouldn't exist without you, guys, the

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Speaker 1: listener and David, you've flippen unreal. Thank you, David the medium,

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Speaker 1: welcome back.

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Speaker 2: Well you even had the mysterious voice, which I think

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Speaker 2: is very on point for what we're doing.

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Speaker 1: All Well, this is our third correct true true crime

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Speaker 1: True crime La with lor Laberi well with David the medium.

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Speaker 1: So let's paint in the picture. Let's set the premise

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Speaker 1: for anyone that might not have heard our other episodes

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Speaker 1: what we do in these in these scenarios, so be real.

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Speaker 1: What do you know right now?

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Speaker 2: Well, going on past experiences, what we've done previously is

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Speaker 2: you take me to some incredible locals around La, the morbid,

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Speaker 2: the historical, the haunted. But this is true crime La. Yeah,

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Speaker 2: and you take me to these locations and she doesn't

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Speaker 2: guys for everyone listening, she doesn't tell me where we're going.

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Speaker 2: I know ahead of time, and we go to these

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Speaker 2: locations and we talk about it and I tune in

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Speaker 2: to see what I feel if anything goes on. But

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Speaker 2: here we are third time.

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Speaker 1: I know. It's so exciting, and can we just share.

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Speaker 1: When you got in the car today, yeah, I was like, okay,

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Speaker 1: we're going to start in lost Feelers. Am I going downtown?

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Speaker 1: Then we going to conversee there, we're going West Hollywood

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Speaker 1: and you were like can you say what you said? Yeah?

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Speaker 2: When you said downtown, I was like, please tell me

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Speaker 2: it's a Cecil Hotel, which is true. That is our

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Speaker 2: next location. I'm so excited now Lola, there is a

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Speaker 2: lot of locations in downtown we probably.

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Speaker 1: Could have gone to. Given that you've got a whole downtown.

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Speaker 2: Day, we could spend the whole week talking about the

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Speaker 2: downtown locations. But I am so excited to be going

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Speaker 2: to the Cecil Hotel.

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Speaker 1: So if anyone's listened to my Friday Diary podcast of

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Speaker 1: when this was all being recorded, I literally said I've

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Speaker 1: been researching it, but only during the day because I

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Speaker 1: get so like it gives me the hebgb's And I

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Speaker 1: said on my pod diary, I bet you where there's

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Speaker 1: been over thirty deaths, Like David is going to ask

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Speaker 1: to go in? I bet you, I bet you. And

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Speaker 1: first thing you say, as soon as that, you're like,

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Speaker 1: can we go in?

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Speaker 2: Oh, Director, we can go in?

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Speaker 1: Yeah.

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Speaker 2: But the Sesso Hotel is such an infamous, notorious location

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Speaker 2: in La Like, it's a very famous spot.

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Speaker 1: Right, I don't know how we haven't done it sooner,

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Speaker 1: to be honest.

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Speaker 2: Well, because downtown's really scary. Yeah yet, guys, so stay tuned.

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Speaker 1: We might know.

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Speaker 2: We'll be fine.

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Speaker 1: We'll be fine. Well, this is what I want to

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Speaker 1: ask you when we're entering these spaces where horrific stuff

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Speaker 1: has happened. How can we and you the listener, like,

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Speaker 1: if you're going somewhere that just feels a bit energetically

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Speaker 1: off or gives you the hebgb's, how can we protect ourselves? Like,

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Speaker 1: is there something that we can do, you know, to

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Speaker 1: not get hooked by an entity?

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Speaker 2: Well, that's it. It's all about setting an intention. And

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Speaker 2: I find when we go to locations where maybe negative

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Speaker 2: stuff has happened, I mean it does set you know,

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Speaker 2: the energy doesn't necessarily clearing the spots, so a lot

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Speaker 2: of it can still be hanging around. But even for

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Speaker 2: those of us that feel tired when we go out

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Speaker 2: into public sometimes it can be very zapping and draining.

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Speaker 2: Just imagine yourself and you know, I'm going to do

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Speaker 2: it today and I will do this with Lola today

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Speaker 2: as well. But imagine yourself in a glowing, hot white bubble, hot,

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Speaker 2: like as bright as the sun glowing, and you feel

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Speaker 2: warm from it. But all you have to do is

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Speaker 2: imagine you like that surrounding you, like a foresield or

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Speaker 2: like an egg for just one second really, and that

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Speaker 2: sets the intention that whilst you're going into the public

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Speaker 2: space or whilst you're going to negative areas or energy

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Speaker 2: that can be very dense, that it's setting the intention

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Speaker 2: that it's not allowing itself to attract or attached to

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Speaker 2: you are so interesting or to interfere with you negatively,

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Speaker 2: oh so interesting? And you can do that just day today,

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Speaker 2: Like I Sai said, if we're going out into public,

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Speaker 2: some of us get very.

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Speaker 1: I am I'm actually an introvert. No one believes me,

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Speaker 1: are you?

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Speaker 2: Oh my god?

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Speaker 1: I don't we just mask? Well?

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Speaker 2: What is that?

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Speaker 1: What it is?

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Speaker 2: We've got careers and you know, social journeys where we

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Speaker 2: have to be a little bit more. Yeah, ext but God,

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Speaker 2: give me a night on the counch any.

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Speaker 1: Day, same same, same, same so for today. And sorry

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Speaker 1: to get into the nuances of this, but do we

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Speaker 1: need to do that protection thing? Like do we just

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Speaker 1: envision it right now or do we do it at

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Speaker 1: each location? If we're entering a location, like right now,

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Speaker 1: we're sitting in my car out the front of our

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Speaker 1: first location. I feel this feels quite safe to me,

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Speaker 1: Like I don't know, neither do I. And we're going

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Speaker 1: to go around the back lane after this. We're going

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Speaker 1: to just have another squeiz. But do you want to

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Speaker 1: know about. Do you want to learn about this alleged place?

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Speaker 2: So tell me for the listener and for day the medium, Lola,

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Speaker 2: where are we? So we're to five to one two

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Speaker 2: one Franklin Avenue in Los Fellers. What happened here?

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Speaker 1: This is the it's said to be the location of

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Speaker 1: the infamous Black Dahlia murder. Have you heard of this?

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Speaker 2: Yeah? Black Dahlia was also in the American Horror Cross

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Speaker 2: also a location in the Cecil Hotel.

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Speaker 1: Yes it is, Yes, So I believe they've filled film

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Speaker 1: stuff here. They've filmed a movie in here literally called

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Speaker 1: the Black Dahlia. All about this, it's a seventy year

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Speaker 1: cold case. What is so eerie about this is so

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Speaker 1: the girl's name. So, her name is Elizabeth Short, twenty

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Speaker 1: two years old. This happened in nineteen forty seven. Her

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Speaker 1: body was found on January fifteenth, but she was last

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Speaker 1: seen January ninth at our at two locations where we're

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Speaker 1: going after this Cecil and the Baltimore also downtown. So

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Speaker 1: you might feel more about this murder there because that

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Speaker 1: was the last place that she was spotted. But what's

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Speaker 1: really crazy about it is a really like high up

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Speaker 1: there in Hollywood doctor lived here and had these infamous parties.

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Speaker 2: Yeah, American Horror Story.

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Speaker 1: This was his house. Guys, you have to google this location.

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Speaker 1: Isn't it beautiful? So it's it's been designed by I

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Speaker 1: believe this guy, Like it's a famous designer here called Lloyd.

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Speaker 1: I've got a written down here somewe and it it'll

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Speaker 1: pop out to me. I've got so many notes. But basically,

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Speaker 1: what's so fascinating about this murder? It's super grizzly. So

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Speaker 1: whoever murdered Elizabeth cut her body in half and drained

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Speaker 1: all the blood, very similar to how it's depicted in

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Speaker 1: American Horror Story. Yeah, so they and like a smile

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Speaker 1: had been drawn like Joker stylely like cut from ear

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Speaker 1: to ear, and then little chunks of her flesh were

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Speaker 1: cut out as well, almost like artistic kind of vibes,

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Speaker 1: as morbid as that sounds. And this doctor was obsessed

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Speaker 1: with this artist called man Ray, who drew bodies kind

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Speaker 1: of not dissected, almost like imagine robotically dissected. Like it

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Speaker 1: didn't look gruesome. It looked more yeah, like kind of

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Speaker 1: avant garde, like really left a field kind of vibes.

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Speaker 2: Yep.

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Speaker 1: Oh I like that. I like that. So where where

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Speaker 1: the Black Dolly was actually found was in this part

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Speaker 1: called the I'm probably saying Limerick Park and this lady

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Speaker 1: called Betty Bursinger same exact same as the show you

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Speaker 1: saw the American Horror story was like literally walking along

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Speaker 1: with a kidne stroller off to a shoe repair appointment

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Speaker 1: and found the body. But what she said was so

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Speaker 1: crazy about it was the body was like white, yeah,

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Speaker 1: and to the point that she thought it was a mannequm.

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Speaker 1: So the interesting thing about all of this is that

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Speaker 1: the person that did the murder has to have had

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Speaker 1: surgical skills because the cutting and the like the way

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Speaker 1: the body was dissected in half. Someone had to know

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Speaker 1: what they were doing. It wasn't like brutal like Slasher,

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Speaker 1: like the night Stalker vibes, do you know what I mean?

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Speaker 1: So that's why this guy comes up in every Google search.

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Speaker 1: His name is George Hodell. His son is a detective

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Speaker 1: and was like, I figured out same handwriting like the son.

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Speaker 1: His son was literally like who grew up in this house? YEA,

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Speaker 1: was like my dad did it?

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Speaker 2: Really?

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Speaker 1: Yeah? And there's a lot that's come out about this guy,

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Speaker 1: like sexually assaulting his daughter, handing his daughter off to

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Speaker 1: like other men at these parties. And they've bought police

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Speaker 1: sniffer dogs through who have smelt human remains in house. Yeah,

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Speaker 1: and in the lane way, which is where we're going there.

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Speaker 1: So it's just fascinating because on this you're gonna love.

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Speaker 1: You're gonna love this bit. So basically, nine days after

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Speaker 1: this murder, an envelope is sent to the ALA Examiner's

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Speaker 1: office with her social security, her birth certificate photos, and

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Speaker 1: an address book with a couple of addresses pulled out,

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Speaker 1: a couple of pages pulled out, and the fingerprints were

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Speaker 1: cleared with gasoline. Wow, isn't that fascinating? I didn't know

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Speaker 1: that was a thing. But this is considered the most

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Speaker 1: notorious murder in LA history. It's still a cold case.

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Speaker 1: Seventy years later. This doctor now has since fled to

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Speaker 1: the Philippines, so he's still I'm pretty sure. Yeah, so

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Speaker 1: if his some thought he did it, how's it technically

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Speaker 1: a cold case?

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Speaker 2: Oh?

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Speaker 1: Hang on, maybe he has let me find out if

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Speaker 1: he's if he's passed away or not. But cold case

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Speaker 1: as in they've shut the case. Isn't that what cold

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Speaker 1: case is?

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Speaker 2: Well, yeah, it's usually they shut the case because they

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Speaker 2: don't have any leads or they just come to a

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Speaker 2: dead end on.

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Speaker 1: It, unless I don't know, but it says cold case

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Speaker 1: in all the youtubes I've watched, it's I.

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Speaker 2: Guess the guy the doctor was never charged for it.

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Speaker 1: No, no, isn't it amazing? So the official cause of

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Speaker 1: death death was hemorrhage and shock And what was that?

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Speaker 1: I bet? Yeah, sorry, so not to me and says

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Speaker 1: even laugh. By the way, the cuts were so clean,

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Speaker 1: so it has to be someone that had these surgical skills. Body. Also,

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Speaker 1: the body where it was found it was like placed

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Speaker 1: really strange, so the body was split in half, the

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Speaker 1: arms were above the head, the legs were like it

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Speaker 1: was very like deliberate, which I know they do, like

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Speaker 1: they talk about serial killers like that end part is

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Speaker 1: very specific for them as well, like how they leave

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Speaker 1: the bodies sometimes fascinating though, isn't it? So this is

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Speaker 1: the front of it. Should we go and have a

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Speaker 1: squeeze at the bat, let's have a squeeze. How does

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Speaker 1: your intuition even give it? Because there are other suspects

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00:22:11,800 --> 00:22:15,119
Speaker 1: in the murdering of this, it's not necessarily like this

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Speaker 1: guy hasn't been charged.

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Speaker 2: I think it's a cover up.

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Speaker 1: Really, they know it was him.

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Speaker 2: But if his son was a policeman, he's obviously respected

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Speaker 2: in society and his position and job and also his

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Speaker 2: connections if he's pimping his daughter out to probably other

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Speaker 2: powerful people.

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Speaker 1: So apparently there's a recording of him saying, no one

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Speaker 1: will get me because the only person that knew was

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Speaker 1: my secretary and she's dead. Now, yeah, that's it. Oh wow,

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Speaker 1: how could are you? Let's check out the back and

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Speaker 1: see if there's any back entrance.

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Speaker 2: Yes, stay tuned.

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Speaker 1: How fun? Welcome one or location one, Location one, Episode three.

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Speaker 1: And then so this is Black Dahlia. Just for the listener,

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Speaker 1: you can there's movies about it with Josh Harh and

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Speaker 1: it scult Johansson. Obviously, there's the American Horror Story series

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Speaker 1: which covers this as well as Cecil, and then there

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Speaker 1: are a multitude of true crime docos about this and pods.

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Speaker 2: It is a very famous medal.

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Speaker 1: It's super favorbu because she was this like gorgeous Hollywood

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Speaker 1: hopeful black hair died of her black a little bit

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Speaker 1: like me, and green eyes. She had green eyes, so

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Speaker 1: fascinating all right, HERU see you on the next spot. Okay, David,

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Speaker 1: we are walking down the lane, aren't we. Oh you

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Speaker 1: can see the back of it. Let's just go all

431
00:23:36,720 --> 00:23:39,040
Speaker 1: the way down that right yeah? Fuck yeah fuck? So

432
00:23:39,160 --> 00:23:43,560
Speaker 1: this is as you looked up. It is the John

433
00:23:43,600 --> 00:23:44,280
Speaker 1: snowed in the house.

434
00:23:44,359 --> 00:23:45,280
Speaker 2: Is that right correct?

435
00:23:45,600 --> 00:23:48,680
Speaker 1: By Lloyd Wright is the designer. So he's a really

436
00:23:48,840 --> 00:23:54,919
Speaker 1: famous designer for that time you said you saw it

437
00:23:55,080 --> 00:23:56,199
Speaker 1: at the other metal location.

438
00:23:56,440 --> 00:23:59,600
Speaker 2: Well, the haunted Murder mansion in Los fielet's up in

439
00:23:59,600 --> 00:24:01,680
Speaker 2: the hill. One of those houses behind that was the

440
00:24:01,720 --> 00:24:03,679
Speaker 2: bloid Right house. But the back of this house is

441
00:24:03,720 --> 00:24:06,159
Speaker 2: very cool. I mean I want everyone to google it

442
00:24:06,200 --> 00:24:08,280
Speaker 2: because it is a very cool architectual style.

443
00:24:08,760 --> 00:24:11,360
Speaker 1: And you can imagine them having those big Hollywood parties,

444
00:24:11,400 --> 00:24:15,000
Speaker 1: you know what I mean back in the day. Look

445
00:24:15,000 --> 00:24:18,000
Speaker 1: at us. Okay, this is where the body.

446
00:24:18,880 --> 00:24:21,159
Speaker 3: This is where the dogs picked up the scent of

447
00:24:21,320 --> 00:24:30,880
Speaker 3: human decay. I believe, ah, human decay? Yeah?

448
00:24:30,880 --> 00:24:33,879
Speaker 1: How crazy? Oh, you can kind of see through. Do

449
00:24:33,880 --> 00:24:34,879
Speaker 1: you want to have a look through there? I know

450
00:24:34,960 --> 00:24:42,240
Speaker 1: you like to love a little peaky bee.

451
00:24:39,480 --> 00:24:41,240
Speaker 2: I mean a little bit of a peak through the house.

452
00:24:41,320 --> 00:24:46,760
Speaker 1: Right now, it feels like there's something like.

453
00:24:48,600 --> 00:24:50,440
Speaker 2: You know what actually been here? I don't reckon the

454
00:24:50,520 --> 00:24:52,439
Speaker 2: human decay was the black Dahlia girl. I don't think

455
00:24:52,440 --> 00:24:54,119
Speaker 2: it was Elizabeth the Short I reckon someone else has

456
00:24:54,160 --> 00:24:54,720
Speaker 2: been killed.

457
00:24:54,560 --> 00:24:55,879
Speaker 1: Here, maybe the secretary.

458
00:24:56,200 --> 00:25:01,560
Speaker 2: Yeah, really, probably a few places in people in this

459
00:25:01,800 --> 00:25:04,720
Speaker 2: environments really well.

460
00:25:04,760 --> 00:25:07,040
Speaker 1: Yeah, because this guy, the one that's now fled to

461
00:25:07,080 --> 00:25:11,560
Speaker 1: the Philippines, is known as being like super shady, so

462
00:25:11,680 --> 00:25:16,399
Speaker 1: I'm sure there could be have been multiple murders. Is

463
00:25:16,440 --> 00:25:17,080
Speaker 1: that what you're feeling?

464
00:25:17,200 --> 00:25:20,720
Speaker 2: I reckon the dogs was probably picking up sense from

465
00:25:20,760 --> 00:25:21,800
Speaker 2: a lot of different people.

466
00:25:21,840 --> 00:25:24,720
Speaker 1: Maybe really cool garage.

467
00:25:24,520 --> 00:25:25,840
Speaker 2: Well, I love it.

468
00:25:25,920 --> 00:25:28,760
Speaker 1: Yeah, the light fixed. It feels like out of this world.

469
00:25:28,800 --> 00:25:31,200
Speaker 1: It definitely feels like old Hollywood party vibes.

470
00:25:31,280 --> 00:25:34,800
Speaker 2: Right, Yeah, it's kind of got. It's given Smorgies in

471
00:25:34,920 --> 00:25:35,840
Speaker 2: the nineteen nineties.

472
00:25:35,880 --> 00:25:37,280
Speaker 1: Smorgies. What's like as in the.

473
00:25:37,200 --> 00:25:39,359
Speaker 2: Food restaurant that had like the volcano style.

474
00:25:39,400 --> 00:25:43,119
Speaker 1: Oh that's so funny. Yeah, it definitely feels nineties, doesn't it.

475
00:25:43,119 --> 00:25:43,960
Speaker 2: It's very cool though.

476
00:25:44,880 --> 00:25:45,840
Speaker 1: I love what you got.

477
00:25:45,840 --> 00:25:48,960
Speaker 2: By the way, Definitely a few people, do.

478
00:25:49,720 --> 00:25:53,280
Speaker 1: You reckon he had something to do with the Black Dahlia? Yeah? Yeah,

479
00:25:53,880 --> 00:25:57,320
Speaker 1: oh love your brain? Well, it's probably not your brain.

480
00:25:57,760 --> 00:25:58,240
Speaker 1: What is it?

481
00:25:58,280 --> 00:25:59,280
Speaker 2: What is Elizabeth short?

482
00:26:00,200 --> 00:26:03,440
Speaker 1: Do you know? You said something to me the other

483
00:26:03,480 --> 00:26:05,040
Speaker 1: day and when we're recording, I'm just going to bring

484
00:26:05,040 --> 00:26:08,360
Speaker 1: it up, and it blew my socks off. I posted

485
00:26:08,359 --> 00:26:10,720
Speaker 1: a pic of my Nan for Mother's Day.

486
00:26:11,240 --> 00:26:12,280
Speaker 2: Oh you're beautiful, Nan.

487
00:26:12,400 --> 00:26:15,800
Speaker 1: Yeah, and you're like, oh, there's a familiar face. So

488
00:26:15,920 --> 00:26:19,520
Speaker 1: when you're reading, I didn't realize you see full faces.

489
00:26:19,200 --> 00:26:22,480
Speaker 2: But all the time, sometimes it's shadows or sometimes it's energies.

490
00:26:22,520 --> 00:26:24,320
Speaker 2: But with her, I could picture it.

491
00:26:24,680 --> 00:26:26,080
Speaker 1: That's what I was like.

492
00:26:26,320 --> 00:26:28,080
Speaker 2: Then when you said the actual photo, it puts all

493
00:26:28,200 --> 00:26:29,840
Speaker 2: the pieces of the puzzle together.

494
00:26:29,560 --> 00:26:31,359
Speaker 1: Because I don't think you would have seen a photo

495
00:26:31,560 --> 00:26:33,639
Speaker 1: no at all. That's it because we had not like

496
00:26:33,880 --> 00:26:37,080
Speaker 1: obviously she came forward in the reading and I said

497
00:26:37,080 --> 00:26:39,080
Speaker 1: to you straight after, it's so fascinating because you always

498
00:26:39,080 --> 00:26:42,640
Speaker 1: say when I see black cats, that's my connection to Nan,

499
00:26:43,400 --> 00:26:45,160
Speaker 1: And I was like, you'd be surprised when any black

500
00:26:45,200 --> 00:26:49,159
Speaker 1: cats I see, not necessarily always physical black cats, but

501
00:26:50,200 --> 00:26:54,280
Speaker 1: like on books or at a random statue in my

502
00:26:54,600 --> 00:26:56,840
Speaker 1: in my apartment. When I went back after our reading,

503
00:26:56,880 --> 00:26:59,280
Speaker 1: and I was like, holy shit, I had no idea

504
00:26:59,400 --> 00:26:59,880
Speaker 1: how good.

505
00:27:00,320 --> 00:27:01,000
Speaker 2: Yeah, love it.

506
00:27:01,560 --> 00:27:05,440
Speaker 1: You're amazing, that's why. All right, so you know where

507
00:27:05,440 --> 00:27:06,560
Speaker 1: the next location is.

508
00:27:06,640 --> 00:27:08,560
Speaker 2: I'm very excited for the next location.

509
00:27:09,240 --> 00:27:11,800
Speaker 1: I am like so nervous, says I'm so nervous that

510
00:27:11,840 --> 00:27:13,640
Speaker 1: I want to WII. That's how nervous I am.

511
00:27:14,080 --> 00:27:16,679
Speaker 2: Well, you know what, Also, downtown LA. I've been to

512
00:27:16,800 --> 00:27:19,119
Speaker 2: La like ten or eleven times. It's a kind of

513
00:27:19,119 --> 00:27:20,040
Speaker 2: a no go zone.

514
00:27:20,840 --> 00:27:22,280
Speaker 1: Yeah. Yeah, so I think we'll have to have our

515
00:27:22,280 --> 00:27:24,080
Speaker 1: little wits about us. I think we'll just have to

516
00:27:24,080 --> 00:27:26,359
Speaker 1: be really clear and specific and.

517
00:27:26,480 --> 00:27:27,520
Speaker 2: Coming along for the journey.

518
00:27:27,880 --> 00:27:34,120
Speaker 1: Yeah, and just yeah, just like be really Maybe we'll

519
00:27:34,160 --> 00:27:36,560
Speaker 1: do our chat about it in the car and then

520
00:27:36,600 --> 00:27:37,240
Speaker 1: try to get in.

521
00:27:37,240 --> 00:27:38,800
Speaker 2: Yeah good, that sound good. Yeah, I reckon.

522
00:27:38,880 --> 00:27:47,399
Speaker 1: All right, all right, game, We'll see you at the cecils. Oh, okay,

523
00:27:47,760 --> 00:27:53,200
Speaker 1: we are here. Okay, we are at the infamous Do

524
00:27:53,240 --> 00:27:54,240
Speaker 1: you want to say where we are?

525
00:27:54,440 --> 00:27:57,679
Speaker 2: We're at the Cecil Hotel in the historic core of

526
00:27:57,720 --> 00:28:01,560
Speaker 2: downtown LA, which, to those that maybe don't know La

527
00:28:01,640 --> 00:28:05,359
Speaker 2: that well, it's not a place you want to really

528
00:28:05,520 --> 00:28:10,320
Speaker 2: be even during the day. It's not a great area

529
00:28:10,400 --> 00:28:11,439
Speaker 2: of Los Angeles.

530
00:28:11,520 --> 00:28:13,640
Speaker 1: What have we just seen while we've pulled up well,

531
00:28:13,640 --> 00:28:14,280
Speaker 1: we've pulled over.

532
00:28:14,320 --> 00:28:15,840
Speaker 2: There's quite a lot of homeless people. And then we

533
00:28:15,880 --> 00:28:17,560
Speaker 2: looked to the left hand side and there's a guy

534
00:28:17,640 --> 00:28:20,720
Speaker 2: smoking the glass barbecue. So he's smoking a bit of

535
00:28:20,720 --> 00:28:21,480
Speaker 2: a crack pipe.

536
00:28:21,560 --> 00:28:24,919
Speaker 1: Yeah, with all his friends that are I feel a

537
00:28:24,920 --> 00:28:27,760
Speaker 1: little like we're being eyed off a tiny bit, which

538
00:28:27,800 --> 00:28:29,159
Speaker 1: is very We're just two.

539
00:28:30,640 --> 00:28:35,520
Speaker 2: White, so we are we'll definitely being night off.

540
00:28:35,560 --> 00:28:37,399
Speaker 1: We're being night off. So we've decided we're going to

541
00:28:37,400 --> 00:28:39,440
Speaker 1: stay in the car, although David literally just said to me,

542
00:28:39,480 --> 00:28:41,239
Speaker 1: can't I just talk to the security and ask if

543
00:28:41,280 --> 00:28:44,080
Speaker 1: I'm allowed in? And I'm like, oh my god, David.

544
00:28:44,360 --> 00:28:46,520
Speaker 2: Yeah. So we're at the Cecil Hotel, which is now

545
00:28:46,680 --> 00:28:50,920
Speaker 2: actually turned into a I think it's a homeless shelter

546
00:28:51,040 --> 00:28:51,800
Speaker 2: to be very fair.

547
00:28:51,880 --> 00:28:54,520
Speaker 1: So it's called the Wesley Health Center from what I

548
00:28:54,560 --> 00:28:55,080
Speaker 1: can see.

549
00:28:55,200 --> 00:28:59,040
Speaker 2: Yeah, so the Cecil Hotel obviously is a very notorious,

550
00:28:59,040 --> 00:29:02,960
Speaker 2: infamous sites. Back in that day, it was a grand hotel.

551
00:29:03,040 --> 00:29:07,160
Speaker 2: They filmed American Horror Story Hotel series in the actual

552
00:29:07,360 --> 00:29:12,600
Speaker 2: foyer lobby the Cecil Hotel. And because of the area

553
00:29:12,680 --> 00:29:17,840
Speaker 2: it's in, because of LA's homelessness and drug problems, no

554
00:29:17,920 --> 00:29:20,320
Speaker 2: one was staying at the hotel anymore obviously, and they've

555
00:29:20,400 --> 00:29:24,680
Speaker 2: now turned it into not a shelter but kind of

556
00:29:24,680 --> 00:29:27,520
Speaker 2: like a homeless housing project.

557
00:29:27,920 --> 00:29:32,400
Speaker 1: Yeah, so it's built in nineteen twenty four, but I

558
00:29:32,440 --> 00:29:37,480
Speaker 1: will say even in the twenties the first there were

559
00:29:37,640 --> 00:29:43,280
Speaker 1: like deaths from early on, like I'm talking nineteen thirty seven, Like,

560
00:29:44,040 --> 00:29:47,000
Speaker 1: don't mind there, we've got a very la situation happening

561
00:29:47,040 --> 00:29:50,000
Speaker 1: now with I think it's all sirens. Yeah, we've got

562
00:29:50,000 --> 00:29:53,120
Speaker 1: the police fire department going past. But there's been over

563
00:29:53,200 --> 00:29:55,080
Speaker 1: thirty deaths in this location.

564
00:29:55,160 --> 00:29:56,479
Speaker 2: At least that they know of.

565
00:29:56,760 --> 00:30:01,240
Speaker 1: Yeah. Yeah, so there's a There was one that happened

566
00:30:01,240 --> 00:30:04,280
Speaker 1: with this guy called Percy Ormond Cook. He was fifty two.

567
00:30:04,680 --> 00:30:06,680
Speaker 1: Stuff was bad at home with his wife and kids,

568
00:30:06,680 --> 00:30:09,560
Speaker 1: so he came here, wrote a note to his wife,

569
00:30:09,800 --> 00:30:13,520
Speaker 1: no response, wrote a second note to his wife, and

570
00:30:13,920 --> 00:30:17,120
Speaker 1: decided to end his life. He shot himself here in

571
00:30:17,200 --> 00:30:23,200
Speaker 1: the hotel room. In the hotel room there, there's been

572
00:30:23,840 --> 00:30:30,360
Speaker 1: a crazy story about a really, a really heavily pregnant

573
00:30:30,440 --> 00:30:35,360
Speaker 1: young woman came in with an older gentleman and she

574
00:30:35,480 --> 00:30:40,680
Speaker 1: gave birth in the bathroom and the baby came out

575
00:30:40,680 --> 00:30:43,920
Speaker 1: and wasn't breathing and because she was so traumatized. They

576
00:30:44,480 --> 00:30:47,840
Speaker 1: said she went like clinically insane for a moment and

577
00:30:47,840 --> 00:30:51,600
Speaker 1: threw the baby out the window and landed on a

578
00:30:51,720 --> 00:30:55,520
Speaker 1: roof top. Yeah, and the coroners figured out after the

579
00:30:55,520 --> 00:30:57,520
Speaker 1: baby just needed like a slap on the back to

580
00:30:57,720 --> 00:30:58,560
Speaker 1: get rungs.

581
00:30:58,720 --> 00:30:59,920
Speaker 4: Yeah.

582
00:31:00,320 --> 00:31:02,000
Speaker 1: So there's a lot of like these really kind of

583
00:31:02,000 --> 00:31:08,280
Speaker 1: like morbid suicidey, a lot of jumping and you can

584
00:31:08,320 --> 00:31:09,160
Speaker 1: see it's so tall.

585
00:31:09,400 --> 00:31:12,640
Speaker 2: It is a big building, and there's the Cecil Hotel

586
00:31:12,720 --> 00:31:16,280
Speaker 2: is actually kind of three buildings that are actually interjoined. Really,

587
00:31:16,400 --> 00:31:18,400
Speaker 2: so there are certain areas where you know, you can

588
00:31:18,440 --> 00:31:20,040
Speaker 2: easily sort of jump off in the middle.

589
00:31:20,680 --> 00:31:23,560
Speaker 1: Do you know one person jumped and fell on a

590
00:31:23,600 --> 00:31:25,120
Speaker 1: walk byer and they both died.

591
00:31:25,160 --> 00:31:26,600
Speaker 2: Oh what are the chances?

592
00:31:26,720 --> 00:31:30,080
Speaker 1: I mean, it's such a crazy black Dahlia was seen here.

593
00:31:30,560 --> 00:31:34,600
Speaker 2: She was or the killer she was she was?

594
00:31:34,760 --> 00:31:37,920
Speaker 1: Yeah, she was seen here. But the scariest one is

595
00:31:37,960 --> 00:31:41,280
Speaker 1: this story about a girl called Elisa Lamb twenty one.

596
00:31:41,320 --> 00:31:46,480
Speaker 1: This happened in twenty thirteen and she was found dead

597
00:31:46,520 --> 00:31:47,800
Speaker 1: in the water tank on the roof.

598
00:31:48,000 --> 00:31:50,120
Speaker 2: So, yeah, she'd been dead in the water tank for months.

599
00:31:51,040 --> 00:31:54,040
Speaker 2: Because people taste it in the water isn't that disgusting? Like,

600
00:31:55,400 --> 00:31:56,640
Speaker 2: I have a video to show.

601
00:31:57,360 --> 00:32:04,000
Speaker 1: There's video footage of her in the elevator beforehand, and

602
00:32:04,280 --> 00:32:06,680
Speaker 1: I'm gonna, well, David watches it. I'll explain to the

603
00:32:06,760 --> 00:32:09,560
Speaker 1: listener what's going on in the video. Oh can you hear?

604
00:32:09,600 --> 00:32:14,000
Speaker 1: I've been listening to tiktoks that are terrible. Here we

605
00:32:14,080 --> 00:32:17,920
Speaker 1: go Cecil Hotel water tanks. So this footage was found

606
00:32:18,240 --> 00:32:21,280
Speaker 1: before she was found passed away.

607
00:32:21,480 --> 00:32:23,480
Speaker 2: You'd have to imagine how about the water must have tasted,

608
00:32:23,480 --> 00:32:25,200
Speaker 2: because the La water is not great to start with.

609
00:32:25,320 --> 00:32:27,440
Speaker 1: No, it's terrible. This is the last footage of the

610
00:32:27,480 --> 00:32:30,240
Speaker 1: lease lamp. So I'm just going to show it to you.

611
00:32:30,240 --> 00:32:32,360
Speaker 1: You tell me what you think. This is footage of

612
00:32:32,400 --> 00:32:37,560
Speaker 1: her entering the elevator. So she's coming into the elevator.

613
00:32:37,840 --> 00:32:41,520
Speaker 1: She kind of looks distressed. She's looking down at like

614
00:32:41,640 --> 00:32:44,280
Speaker 1: all the she's pressing a lot of numbers to go

615
00:32:44,360 --> 00:32:50,200
Speaker 1: up and down the levels multiple and you can kind

616
00:32:50,240 --> 00:32:54,080
Speaker 1: of see it looks like she might be scared of

617
00:32:54,120 --> 00:32:56,560
Speaker 1: someone or something. She kind of ducks her head out,

618
00:32:57,240 --> 00:33:02,040
Speaker 1: ducks back in like maybe is seeing something and hiding,

619
00:33:02,160 --> 00:33:04,520
Speaker 1: and she's like standing in the corner of the elevator.

620
00:33:04,640 --> 00:33:05,640
Speaker 2: She's got drug issues.

621
00:33:05,920 --> 00:33:09,680
Speaker 1: Do you reckon? She's taken something? Wait till you see

622
00:33:10,080 --> 00:33:13,120
Speaker 1: So now she's ducking out again. This is all like

623
00:33:13,280 --> 00:33:17,120
Speaker 1: moments before, and she's.

624
00:33:17,040 --> 00:33:22,000
Speaker 2: Just don't send in the elevator. Doorway won't close. She's

625
00:33:22,000 --> 00:33:24,080
Speaker 2: really on edges and she she's so scared.

626
00:33:24,040 --> 00:33:27,480
Speaker 1: So scared, And it's the watch for the hand movements.

627
00:33:27,520 --> 00:33:30,600
Speaker 1: It's the hand movements that really freak people out. It's

628
00:33:30,600 --> 00:33:33,880
Speaker 1: about to happen here, and we don't know if it's that.

629
00:33:33,960 --> 00:33:41,240
Speaker 1: She's like conversing, there's a lot of what do you

630
00:33:41,240 --> 00:33:43,000
Speaker 1: think of that? This strange hand movement.

631
00:33:43,080 --> 00:33:47,400
Speaker 2: Yeah, she's on drugs, kind of like she's been possessed.

632
00:33:47,760 --> 00:33:50,320
Speaker 1: So now I will tell you what happened, Like what

633
00:33:50,440 --> 00:33:52,640
Speaker 1: I found with my research she has bipolar and she

634
00:33:52,680 --> 00:33:56,840
Speaker 1: didn't take her meds. Yeah okay, oh that's so scary, right,

635
00:33:58,080 --> 00:34:00,760
Speaker 1: and then found in the water tanks, like back in

636
00:34:00,760 --> 00:34:01,440
Speaker 1: the elevator.

637
00:34:02,400 --> 00:34:03,960
Speaker 2: How do you get in the water tanks? That's the

638
00:34:04,040 --> 00:34:05,040
Speaker 2: big question, isn't it.

639
00:34:05,240 --> 00:34:10,399
Speaker 1: Yeah? So that's pretty recent, right, super super recent. So

640
00:34:10,680 --> 00:34:14,399
Speaker 1: that was the roofstop water tank and that acting odd

641
00:34:14,400 --> 00:34:18,399
Speaker 1: in the elevator. If anyone listening, you can totally watch that.

642
00:34:18,400 --> 00:34:22,279
Speaker 1: That's all over, TikTok. What's really scary is this was

643
00:34:22,400 --> 00:34:26,239
Speaker 1: residents like home to not one serial killer, but two.

644
00:34:27,200 --> 00:34:31,879
Speaker 1: So the night stalker Richard Ramirez lived here. So he

645
00:34:31,960 --> 00:34:36,640
Speaker 1: literally would go into people's homes, couple, male, female, and

646
00:34:36,719 --> 00:34:40,600
Speaker 1: he'd brutally murder them, whether it's gun, knives, hammer, and

647
00:34:40,600 --> 00:34:44,040
Speaker 1: then he'd drink their blood. Kids killed kids, no problem.

648
00:34:44,719 --> 00:34:51,319
Speaker 1: So he was convicted for at least thirteen murders over there.

649
00:34:51,640 --> 00:34:54,760
Speaker 1: He was caught in nineteen eighty five, but he lived

650
00:34:54,760 --> 00:34:59,000
Speaker 1: here in room fourteen nineteen's try and get up there,

651
00:34:59,239 --> 00:35:04,160
Speaker 1: are you kidding? I can't stop sweating. There's a full

652
00:35:04,160 --> 00:35:06,239
Speaker 1: security team out here. Should we describe what's going on?

653
00:35:06,280 --> 00:35:07,720
Speaker 1: There's a security team at the front.

654
00:35:08,280 --> 00:35:10,480
Speaker 2: And when I say, guys that were nervous, like you

655
00:35:10,560 --> 00:35:13,799
Speaker 2: have to imagine this is not Australia like areas like

656
00:35:13,840 --> 00:35:16,960
Speaker 2: this in La are actually a little bit dangerous, not

657
00:35:17,000 --> 00:35:18,400
Speaker 2: even a little bit. I'll just say flat out, it

658
00:35:18,440 --> 00:35:20,800
Speaker 2: is dangerous. Yeah, because Lola made a good point before

659
00:35:20,880 --> 00:35:24,080
Speaker 2: you got everyone here has got guns. Yeah, so when

660
00:35:24,080 --> 00:35:26,600
Speaker 2: they're a little bit crazy, they're a little bit homeless

661
00:35:26,680 --> 00:35:28,759
Speaker 2: or on drugs, it can be a bit of a

662
00:35:28,800 --> 00:35:32,200
Speaker 2: volatile situation. It is. We're filming. This's at ten am

663
00:35:32,320 --> 00:35:35,520
Speaker 2: in the morning, and I've still been very aware of

664
00:35:36,080 --> 00:35:38,759
Speaker 2: our surroundings and the people around us because there's a

665
00:35:38,800 --> 00:35:39,240
Speaker 2: lot happening.

666
00:35:39,360 --> 00:35:40,640
Speaker 1: Can you see the drug deals going on?

667
00:35:40,680 --> 00:35:44,600
Speaker 2: There's a drug deal right there. Yeah, yeah, yeah. The

668
00:35:44,640 --> 00:35:46,680
Speaker 2: same guy that was smoking out of a pipe his

669
00:35:46,719 --> 00:35:49,080
Speaker 2: crew are now just dealing drugs on the street.

670
00:35:49,400 --> 00:35:54,880
Speaker 1: Yeah. It is so so fascinating. One really scary thing

671
00:35:54,920 --> 00:35:57,840
Speaker 1: about this hotel. Basically, during COVID, a guy lived in

672
00:35:57,840 --> 00:35:59,680
Speaker 1: that apartment block over there. Can you see that David

673
00:35:59,719 --> 00:36:02,959
Speaker 1: across the road? Yeah, And anyway, Cecil was shut because

674
00:36:02,960 --> 00:36:06,719
Speaker 1: it was COVID, right, And he saw a room light

675
00:36:06,840 --> 00:36:09,200
Speaker 1: up and a guy sitting there smoking a cigar in

676
00:36:09,239 --> 00:36:12,880
Speaker 1: one of the windows. And then he as he moved

677
00:36:12,920 --> 00:36:16,160
Speaker 1: through his apartment, the guy's head turned and kept watching him.

678
00:36:16,160 --> 00:36:18,040
Speaker 1: I know, I'm getting full body goose pups, so I

679
00:36:18,120 --> 00:36:21,640
Speaker 1: tell you this. And then he naturally hid behind his sofa,

680
00:36:21,680 --> 00:36:24,239
Speaker 1: as one would in that scenario, and he got up

681
00:36:24,239 --> 00:36:26,920
Speaker 1: and the guy was gone. And so the theory is

682
00:36:27,040 --> 00:36:29,960
Speaker 1: this is one of the most haunted locations in LA

683
00:36:30,640 --> 00:36:32,720
Speaker 1: and this is right come back to like, I'm feeling

684
00:36:32,760 --> 00:36:36,080
Speaker 1: uneasy right now. How do we protect ourselves? We do

685
00:36:36,120 --> 00:36:38,640
Speaker 1: that while we envisioned that white well.

686
00:36:38,440 --> 00:36:40,520
Speaker 2: That's it. We envisioned ourselves in that white glow in light.

687
00:36:40,560 --> 00:36:42,120
Speaker 2: We did that. That will protect us.

688
00:36:41,960 --> 00:36:42,359
Speaker 1: For the day.

689
00:36:42,400 --> 00:36:45,960
Speaker 2: But it's very important for everyone to remember, like our

690
00:36:46,000 --> 00:36:52,239
Speaker 2: emotions and our feelings leave energy imprints behind. That guy,

691
00:36:52,239 --> 00:36:53,719
Speaker 2: I know, he literally come up to the window and

692
00:36:53,719 --> 00:36:56,640
Speaker 2: I got a bit like, oh, but our energy gets

693
00:36:56,719 --> 00:36:59,000
Speaker 2: left behind in certain circumstances. So when there's a lot

694
00:36:59,000 --> 00:37:03,680
Speaker 2: of people going through grief or trauma or sadness, or

695
00:37:03,719 --> 00:37:06,400
Speaker 2: they can be mentally unwell, that leaves an imprint in

696
00:37:06,440 --> 00:37:11,440
Speaker 2: certain places. That's why haunted buildings aren't toy stores, their

697
00:37:11,480 --> 00:37:14,600
Speaker 2: mental asylums, their prisons, They're hospitals. They places that are

698
00:37:14,680 --> 00:37:19,160
Speaker 2: very negative energy. The Cecil Hotel, you know, is very

699
00:37:19,160 --> 00:37:21,960
Speaker 2: infamous for everything that happens here. As Lola's mentioned, there's

700
00:37:21,960 --> 00:37:25,400
Speaker 2: all the murders, there's the suicide says, all the drug

701
00:37:25,440 --> 00:37:28,040
Speaker 2: issues and craziness. Like it's kind of created a very

702
00:37:28,040 --> 00:37:32,200
Speaker 2: strong energy vortex here. Yeah, and that amplifies.

703
00:37:32,280 --> 00:37:34,879
Speaker 1: And there was a physical murder of a lady called

704
00:37:34,880 --> 00:37:36,960
Speaker 1: an old lady called Goldie. That happened in here, and

705
00:37:37,000 --> 00:37:39,120
Speaker 1: she was raped and brutally murdered in this hotel. Oh

706
00:37:39,120 --> 00:37:43,000
Speaker 1: when was that that happened in Goldie? Happened in nineteen

707
00:37:43,080 --> 00:37:43,640
Speaker 1: sixty four.

708
00:37:43,680 --> 00:37:44,400
Speaker 2: Yeah, okay.

709
00:37:45,120 --> 00:37:46,759
Speaker 1: And they called her the pigeon Lady because she used

710
00:37:46,800 --> 00:37:49,160
Speaker 1: to always feed the pigeon because she lived here. Because

711
00:37:49,200 --> 00:37:52,080
Speaker 1: some people had permanent residence here. There was another serial

712
00:37:52,160 --> 00:37:57,520
Speaker 1: killer called Jack vander Wang where girl. I don't know him,

713
00:37:57,520 --> 00:38:01,640
Speaker 1: but I researched him. He would murder sex workers with

714
00:38:01,680 --> 00:38:04,560
Speaker 1: their bra that was his whole stick. He's Austrian. He

715
00:38:04,600 --> 00:38:06,759
Speaker 1: did it in Austria, went to jail, got let out,

716
00:38:06,800 --> 00:38:09,960
Speaker 1: came to La, started doing it in La. Okay.

717
00:38:11,360 --> 00:38:13,600
Speaker 2: So it's a good note for the sex workers out there.

718
00:38:13,600 --> 00:38:14,880
Speaker 2: Don't be wearing brass.

719
00:38:15,960 --> 00:38:17,560
Speaker 1: I love that you could fight it a light in

720
00:38:17,640 --> 00:38:20,200
Speaker 1: all of this, How do you honestly feel right now?

721
00:38:20,680 --> 00:38:24,279
Speaker 2: I even if the area itself was clean and there

722
00:38:24,280 --> 00:38:26,400
Speaker 2: was no one around, the Cescil Hotel does have a

723
00:38:26,640 --> 00:38:30,440
Speaker 2: very negative pool to it, like even looking at the building.

724
00:38:30,600 --> 00:38:32,600
Speaker 2: And it's not because I know what goes on here,

725
00:38:32,640 --> 00:38:34,399
Speaker 2: but I even said it Tolola when we were driving through,

726
00:38:34,400 --> 00:38:36,760
Speaker 2: I could fill the energy switches in the city.

727
00:38:37,040 --> 00:38:39,800
Speaker 1: So we're on East seventh Street and you could feel

728
00:38:39,800 --> 00:38:41,719
Speaker 1: that on Third Street. I looked straight at the street

729
00:38:41,760 --> 00:38:42,840
Speaker 1: sign as soon as you said.

730
00:38:42,640 --> 00:38:45,120
Speaker 2: That, as soon as we switched around my yeah. And

731
00:38:45,160 --> 00:38:46,759
Speaker 2: then it was really funny because soon as I said that,

732
00:38:46,800 --> 00:38:50,200
Speaker 2: the street escape actually started changing. So the Cescil Hotel

733
00:38:50,239 --> 00:38:52,840
Speaker 2: does have it. I mean, it's a beautiful old soul building,

734
00:38:52,960 --> 00:38:55,440
Speaker 2: like it's very art deco, but it's got a very

735
00:38:55,480 --> 00:38:56,279
Speaker 2: negative pull in it.

736
00:38:56,640 --> 00:38:58,359
Speaker 1: And I haven't researched this, but can you see ahead

737
00:38:58,360 --> 00:39:00,799
Speaker 1: of us the Rosalind Hotel. I know that taunted as well.

738
00:39:00,880 --> 00:39:03,880
Speaker 2: Yeah that is Yeah, that's got a reputation to the Roslin.

739
00:39:04,080 --> 00:39:07,160
Speaker 1: Yeah, holy Mac, you're here.

740
00:39:07,360 --> 00:39:08,759
Speaker 2: Welcome to dt LA.

741
00:39:08,840 --> 00:39:13,279
Speaker 1: Everybody downtown carrying a trash can, a very clean trash can.

742
00:39:13,360 --> 00:39:15,960
Speaker 1: Looks like you just bought it. It's I don't know

743
00:39:15,960 --> 00:39:19,640
Speaker 1: if you paid for it long to commandered commander a

744
00:39:19,719 --> 00:39:23,520
Speaker 1: trash can. Yeah. So there's full security out the front

745
00:39:23,560 --> 00:39:26,240
Speaker 1: of this place right now. Then I've noticed they've moved

746
00:39:26,800 --> 00:39:29,120
Speaker 1: like there was an un house lady standing and they've

747
00:39:29,160 --> 00:39:33,040
Speaker 1: moved her on straight away. Have you noticed that? But

748
00:39:33,160 --> 00:39:35,640
Speaker 1: it is like I do want to like not talk

749
00:39:35,760 --> 00:39:38,600
Speaker 1: lightly of things like suicide and all, like if this

750
00:39:38,719 --> 00:39:41,960
Speaker 1: is at all triggering for you, of course, like get

751
00:39:42,000 --> 00:39:44,960
Speaker 1: the support and everything that you feel like you need.

752
00:39:45,000 --> 00:39:49,160
Speaker 1: I'm massive for mental health and yeah, yeah, for sure

753
00:39:49,360 --> 00:39:52,600
Speaker 1: I'll do America and Australia. But yeah, how crazy. I

754
00:39:52,600 --> 00:39:56,120
Speaker 1: think two serial killers lived here. Give you the hebgb's,

755
00:39:56,160 --> 00:39:59,759
Speaker 1: wouldn't it. Just so apparently the level four and Level five,

756
00:39:59,880 --> 00:40:01,440
Speaker 1: like super super super horned here.

757
00:40:01,520 --> 00:40:02,839
Speaker 2: So that's where Laula and I are going.

758
00:40:02,920 --> 00:40:04,920
Speaker 1: Now, oh my god, David, are we really going to

759
00:40:04,960 --> 00:40:06,680
Speaker 1: try and go in. I'm like watching all these people

760
00:40:06,760 --> 00:40:07,880
Speaker 1: try to get in and get knocked back.

761
00:40:07,920 --> 00:40:09,279
Speaker 2: I don't think they're going to leave us in. To

762
00:40:09,360 --> 00:40:10,719
Speaker 2: be very fair, Well, you know what if this guy

763
00:40:10,760 --> 00:40:12,920
Speaker 2: with the skateboard gets in. I wish I was recording this,

764
00:40:13,040 --> 00:40:16,800
Speaker 2: but out of privacy and respect, we won't be recording

765
00:40:16,880 --> 00:40:18,160
Speaker 2: the people on the streets.

766
00:40:18,239 --> 00:40:19,399
Speaker 1: Oh yes, it's a locked door.

767
00:40:19,640 --> 00:40:23,439
Speaker 4: Well I think he just kind of shoots it open. Yeah,

768
00:40:23,520 --> 00:40:29,960
Speaker 4: security though, I think he's a residence. Yeah, he's kind of.

769
00:40:30,040 --> 00:40:32,360
Speaker 4: He'd be hot if you like clean himself up.

770
00:40:33,200 --> 00:40:35,240
Speaker 1: I do believe there's a lot of talking to himself

771
00:40:35,320 --> 00:40:35,640
Speaker 1: going on.

772
00:40:35,760 --> 00:40:38,760
Speaker 2: Though everyone's here is very vocal, but they're not vocal

773
00:40:38,800 --> 00:40:41,200
Speaker 2: with each other. They're just having great conversations with themselves.

774
00:40:41,280 --> 00:40:44,600
Speaker 2: That guy's got nike A Jordan's around his neck, around

775
00:40:44,640 --> 00:40:50,320
Speaker 2: his neck, of course. Yeah, Okay, in the binning literally

776
00:40:50,400 --> 00:40:51,080
Speaker 2: in front of us.

777
00:40:51,360 --> 00:40:55,000
Speaker 1: This is there's a lot happening, sweating, David, like I

778
00:40:55,200 --> 00:40:57,680
Speaker 1: am like in a pool of sweat right now. The

779
00:40:57,760 --> 00:40:59,719
Speaker 1: crazy thing is where this drug dealer is going down

780
00:40:59,800 --> 00:41:01,360
Speaker 1: next to us. Oh yeah, a little bit more in

781
00:41:01,400 --> 00:41:04,600
Speaker 1: the middle. This guy's got a really cute dog. It's

782
00:41:04,640 --> 00:41:07,000
Speaker 1: always the case, isn't it. They've always got such fun

783
00:41:07,120 --> 00:41:08,000
Speaker 1: little cute dogs.

784
00:41:08,320 --> 00:41:10,279
Speaker 2: Yeah, as long as that dog's taking care of and

785
00:41:10,320 --> 00:41:13,080
Speaker 2: it does look very happy, so they're probably a great

786
00:41:13,120 --> 00:41:14,000
Speaker 2: companion for each other.

787
00:41:14,280 --> 00:41:17,279
Speaker 1: Yeah, it's got a little La Dodgers Jersey on. So

788
00:41:17,400 --> 00:41:19,600
Speaker 1: someone else has come out now, have a little vape,

789
00:41:19,680 --> 00:41:24,480
Speaker 1: having a little cigauroo, Like my palm is like wet,

790
00:41:24,800 --> 00:41:25,920
Speaker 1: like I am sweating.

791
00:41:27,200 --> 00:41:29,480
Speaker 2: It's just yeah, I think it's an energy vortex, and

792
00:41:29,520 --> 00:41:32,200
Speaker 2: I think anything that anyone feels gets amplified when they're

793
00:41:32,200 --> 00:41:34,000
Speaker 2: in this building, which is probably not a great idea

794
00:41:34,080 --> 00:41:38,120
Speaker 2: to turn it into an unhoused you're just going to

795
00:41:38,160 --> 00:41:40,720
Speaker 2: amplify everything that these people are already going through. Really,

796
00:41:40,960 --> 00:41:42,759
Speaker 2: so I think the mental health concerns is going to

797
00:41:42,800 --> 00:41:46,400
Speaker 2: be even more drastic inside a building.

798
00:41:46,160 --> 00:41:48,959
Speaker 1: Like that, Yeah, it makes It's actually such a beautiful building.

799
00:41:49,000 --> 00:41:50,759
Speaker 1: I've seen you've taken a photo of it. I'm going

800
00:41:50,800 --> 00:41:54,440
Speaker 1: to take a photo as well. But yeah, beautiful. I

801
00:41:54,800 --> 00:41:56,799
Speaker 1: am happy to see. There's a lot of security there,

802
00:41:59,120 --> 00:42:03,000
Speaker 1: but it does feel I don't feel safe right now. Yeah.

803
00:42:03,040 --> 00:42:06,360
Speaker 2: So if anyone listening tune into the Cecil Hotel, you

804
00:42:06,400 --> 00:42:09,239
Speaker 2: can look it up on TikTok Instagram. Just look at

805
00:42:09,280 --> 00:42:10,719
Speaker 2: the history of it. It is fascinating and.

806
00:42:10,760 --> 00:42:13,720
Speaker 1: It's on that American horror story. The rymean Murfy obviously

807
00:42:13,760 --> 00:42:15,479
Speaker 1: had an obsession with this kind of like true crime

808
00:42:15,600 --> 00:42:19,200
Speaker 1: La stuff for sure. For sure, imagine leving across the road.

809
00:42:19,200 --> 00:42:22,120
Speaker 1: You couldn't pay me. I think those are your offices

810
00:42:22,160 --> 00:42:24,880
Speaker 1: and apartment buildings, aren't they? Yeah, could not pay me?

811
00:42:25,239 --> 00:42:35,680
Speaker 1: Yeah all right, Cecil Hotel, TICKI you are so welcome, David.

812
00:42:36,840 --> 00:42:40,920
Speaker 1: Location three. Here we are. Where are we We're at

813
00:42:40,960 --> 00:42:41,960
Speaker 1: the Beverley Center.

814
00:42:42,239 --> 00:42:45,800
Speaker 2: So I'm very fascinated by this location, Lola, because the

815
00:42:45,880 --> 00:42:50,320
Speaker 2: Beverly Center is a very well known large scales, super

816
00:42:51,400 --> 00:42:52,279
Speaker 2: supermarket more.

817
00:42:52,520 --> 00:42:52,719
Speaker 1: Yeah.

818
00:42:52,960 --> 00:42:55,160
Speaker 2: So think if your Chadsten think of your Westfield bond

819
00:42:55,200 --> 00:42:57,200
Speaker 2: Ey is like, it's a really big shopping center in

820
00:42:57,280 --> 00:42:57,720
Speaker 2: Los Angeles.

821
00:42:57,800 --> 00:42:59,880
Speaker 1: I am surprised to hear that this is a location

822
00:43:01,000 --> 00:43:02,320
Speaker 1: super haunted? Is it?

823
00:43:02,840 --> 00:43:03,400
Speaker 2: You're joking?

824
00:43:03,600 --> 00:43:07,120
Speaker 1: So multiple The reason why we're parked on level four

825
00:43:07,400 --> 00:43:11,320
Speaker 1: of the car park right now is because so a

826
00:43:11,360 --> 00:43:12,840
Speaker 1: few things have happened here. I'm going to give a

827
00:43:12,920 --> 00:43:15,560
Speaker 1: laid land and I think we go in. I'm downly going,

828
00:43:15,719 --> 00:43:17,120
Speaker 1: I think we do it, let me do it hours.

829
00:43:17,160 --> 00:43:19,040
Speaker 1: I think we cafeate because we're both hitting walls as

830
00:43:19,080 --> 00:43:22,600
Speaker 1: well on the way here. Okay, so we're parked on

831
00:43:22,719 --> 00:43:25,960
Speaker 1: level four right now. But basically here's one of the stories.

832
00:43:26,000 --> 00:43:28,359
Speaker 1: So I had to deep dive this one. I had

833
00:43:28,440 --> 00:43:31,759
Speaker 1: to then get up and fact check it. Before I

834
00:43:31,840 --> 00:43:33,279
Speaker 1: say tell you the stories, I'm gonna give you a

835
00:43:33,280 --> 00:43:35,840
Speaker 1: history of the area. So everyone was like, oh, the

836
00:43:35,880 --> 00:43:38,920
Speaker 1: Beverly Center is super haunted because it's built on an

837
00:43:38,920 --> 00:43:41,359
Speaker 1: old grave site, and I was like, what would they

838
00:43:41,480 --> 00:43:44,799
Speaker 1: do that? So that's a myth, that's a fable, that's

839
00:43:44,840 --> 00:43:45,160
Speaker 1: not true.

840
00:43:45,239 --> 00:43:46,640
Speaker 2: Oh okay, good, Okay.

841
00:43:46,840 --> 00:43:49,720
Speaker 1: So initially in nineteen nine two it was the Salt

842
00:43:49,840 --> 00:43:52,560
Speaker 1: Lake oil field, So it was an oil field initially

843
00:43:52,719 --> 00:43:56,680
Speaker 1: what year nineteen oh two, and then in the nineteen

844
00:43:56,800 --> 00:43:59,840
Speaker 1: forties all the way to the nineteen seventies it was

845
00:43:59,840 --> 00:44:05,919
Speaker 1: a kid's amusement park. Really, but apparently there was death

846
00:44:06,680 --> 00:44:10,480
Speaker 1: at st Amusement Park. So apparently you can hear kids,

847
00:44:11,200 --> 00:44:14,319
Speaker 1: like people have heard hauntings of kids talking to them

848
00:44:14,520 --> 00:44:16,680
Speaker 1: in the car park, not necessarily in the car park.

849
00:44:16,719 --> 00:44:18,200
Speaker 1: The car park story is about to come. But like

850
00:44:18,360 --> 00:44:21,080
Speaker 1: in general, especially the Forever twenty one store that is

851
00:44:21,160 --> 00:44:24,399
Speaker 1: like the peak really yeah, and like people that work

852
00:44:24,480 --> 00:44:28,839
Speaker 1: there will feel like kids yanking at their clothes. Sorry, sorry,

853
00:44:28,840 --> 00:44:36,279
Speaker 1: I just don't touch and someone's heard a kids say

854
00:44:36,320 --> 00:44:39,640
Speaker 1: excuse me, and there'd be no kid there. Wow, well

855
00:44:39,680 --> 00:44:41,680
Speaker 1: now we have to go to for it's shut it's

856
00:44:41,800 --> 00:44:45,360
Speaker 1: just shut down. But I think it's called a sienne

857
00:44:45,360 --> 00:44:47,480
Speaker 1: now do you know she like which is like a

858
00:44:47,840 --> 00:44:49,520
Speaker 1: machine that so we'll try and find that.

859
00:44:50,040 --> 00:44:51,920
Speaker 2: Well, I didn't realize the headstores.

860
00:44:51,960 --> 00:44:54,840
Speaker 1: I think so or it's a like drop off area anyway,

861
00:44:54,920 --> 00:44:57,080
Speaker 1: So it's definitely not Forever twenty one. Now it's gone.

862
00:44:57,160 --> 00:45:00,200
Speaker 1: It's totally gone, bust and gone under. Okay, So the

863
00:45:00,239 --> 00:45:02,319
Speaker 1: reason why we parked on level four of the car

864
00:45:02,520 --> 00:45:06,280
Speaker 1: park is basically I think this was in the nineties.

865
00:45:08,120 --> 00:45:11,200
Speaker 1: A girl that worked here, she was on her lunch break.

866
00:45:11,239 --> 00:45:13,640
Speaker 1: She was up in the food court and she came

867
00:45:13,719 --> 00:45:16,400
Speaker 1: back off from her lunch break and everybody was in

868
00:45:16,440 --> 00:45:18,239
Speaker 1: a kerfuffle at work. She was at a high end

869
00:45:18,360 --> 00:45:21,719
Speaker 1: makeup shop, so whether it was Sephora or something like that, right,

870
00:45:22,520 --> 00:45:25,600
Speaker 1: and apparently someone had jumped to their death off the

871
00:45:25,719 --> 00:45:28,719
Speaker 1: roof and someone had then a work might had taken

872
00:45:28,760 --> 00:45:30,960
Speaker 1: a photo of this thing and there was like blood everywhere.

873
00:45:31,000 --> 00:45:33,800
Speaker 1: Everyone was freaking out, and she said, I've got it

874
00:45:34,120 --> 00:45:39,000
Speaker 1: here it is literally she timed it where she then

875
00:45:39,480 --> 00:45:41,279
Speaker 1: was in her car park because you're not allowed it

876
00:45:41,360 --> 00:45:43,440
Speaker 1: in the busy time of the year, the holiday season. Staff,

877
00:45:43,480 --> 00:45:46,040
Speaker 1: I don't allowed to park in this car park. And

878
00:45:46,200 --> 00:45:48,040
Speaker 1: she was like, fuck it, I'm parking in the car pike.

879
00:45:48,280 --> 00:45:49,960
Speaker 1: I don't The girl doesn't have time to get on

880
00:45:50,040 --> 00:45:53,840
Speaker 1: a shuttle to work, and so she was like, okay,

881
00:45:55,280 --> 00:45:57,560
Speaker 1: I am going to park in the car pike. And

882
00:45:57,640 --> 00:46:00,320
Speaker 1: she was walking to her car at night and she

883
00:46:00,520 --> 00:46:03,960
Speaker 1: heard footsteps chasing her and she looked and she could

884
00:46:04,040 --> 00:46:08,200
Speaker 1: see white high types high tops on the elevator behind her,

885
00:46:08,239 --> 00:46:10,400
Speaker 1: and then she went to confront the person and be

886
00:46:10,480 --> 00:46:11,759
Speaker 1: like just going the shit out of me, and there

887
00:46:11,840 --> 00:46:14,960
Speaker 1: was no one there, and she straight away, like in

888
00:46:15,080 --> 00:46:17,040
Speaker 1: her gut, was like, it's the boy that jumped to

889
00:46:17,120 --> 00:46:21,920
Speaker 1: his death. So that's that story. There's also a story

890
00:46:22,080 --> 00:46:24,920
Speaker 1: of a staff member taking their life in the change

891
00:46:24,960 --> 00:46:25,840
Speaker 1: rooms of H and M.

892
00:46:26,480 --> 00:46:29,880
Speaker 2: Really yeah, H and MS still here, Yeah.

893
00:46:29,719 --> 00:46:32,000
Speaker 1: Of course you you always love to take it right, Yeah,

894
00:46:32,000 --> 00:46:34,839
Speaker 1: we can go there. Do you want to go? Eyes

895
00:46:34,840 --> 00:46:38,239
Speaker 1: are like, you really get me out of my comfort zone?

896
00:46:38,280 --> 00:46:38,440
Speaker 1: You do?

897
00:46:39,520 --> 00:46:42,720
Speaker 2: So? Is that a so that's concerned that they that's.

898
00:46:42,600 --> 00:46:45,440
Speaker 1: Like all over TikTok. That's a no. I've known that

899
00:46:45,480 --> 00:46:51,000
Speaker 1: for quite a while. Yeah yeah, yeah yeah. So they

900
00:46:51,520 --> 00:46:53,680
Speaker 1: say the most active levels of the car park of

901
00:46:53,719 --> 00:46:56,719
Speaker 1: four and five, and the most active levels of the

902
00:46:56,800 --> 00:47:02,279
Speaker 1: Beverly Center are six seventh four. Really, and they've bought

903
00:47:02,360 --> 00:47:05,160
Speaker 1: psychic I've watched videos all morning of psychics coming in

904
00:47:05,320 --> 00:47:09,640
Speaker 1: and reading the energy. Really yeah yeah, so apparently I

905
00:47:09,680 --> 00:47:11,240
Speaker 1: don't want to give you too much way, but apparently

906
00:47:11,280 --> 00:47:14,920
Speaker 1: it's not dark, but it's definitely like entity energy.

907
00:47:15,040 --> 00:47:17,839
Speaker 2: Well, that's it. I don't feel negative. I've been here,

908
00:47:17,880 --> 00:47:21,239
Speaker 2: but it's such a popular location. Yeah, how crazy, Like,

909
00:47:21,440 --> 00:47:23,600
Speaker 2: so it's not going to be dark dark but entity

910
00:47:23,719 --> 00:47:27,560
Speaker 2: definitely makes sense. Yeah, so should we check it out.

911
00:47:27,640 --> 00:47:30,080
Speaker 2: Let's go and check it out. Beverley Center. Here we come.

912
00:47:30,200 --> 00:47:31,959
Speaker 1: I know how crazy. You wouldn't have thought you would

913
00:47:32,239 --> 00:47:33,680
Speaker 1: you're a West Hollywood kid.

914
00:47:33,840 --> 00:47:37,040
Speaker 2: Well, like I was saying to you off off microphone,

915
00:47:37,120 --> 00:47:39,399
Speaker 2: I drive past the Bedlely Center every single day when

916
00:47:39,440 --> 00:47:42,440
Speaker 2: I was here for a month. Yeah, like I just

917
00:47:42,480 --> 00:47:43,920
Speaker 2: never assumed it was that kind of location.

918
00:47:44,239 --> 00:47:47,120
Speaker 1: Yeah. Wow, I'm interested to hear how you find it

919
00:47:47,200 --> 00:47:48,920
Speaker 1: now though, because it feels like it ghoes town inside,

920
00:47:48,960 --> 00:47:50,719
Speaker 1: Like I've had to come here once in the last

921
00:47:50,800 --> 00:47:52,160
Speaker 1: year and I might get me out of here. All

922
00:47:52,160 --> 00:47:54,880
Speaker 1: the shops closed down. It just feels empty. There's like

923
00:47:54,960 --> 00:47:58,919
Speaker 1: a weird Sprinkles cupcake like little Lake, you know, where

924
00:47:58,920 --> 00:48:02,279
Speaker 1: you buy it from machine vending machine, and then there's

925
00:48:02,400 --> 00:48:05,440
Speaker 1: like an Apple store and then a Sephora and it's

926
00:48:05,520 --> 00:48:07,040
Speaker 1: like weird. It feels like dead.

927
00:48:07,080 --> 00:48:09,200
Speaker 2: Well, let's go check it out because American malls are dying.

928
00:48:09,280 --> 00:48:13,640
Speaker 1: Yeah, all right, here we goned David, welcome back. Where

929
00:48:13,680 --> 00:48:14,640
Speaker 1: are we we're.

930
00:48:14,800 --> 00:48:17,240
Speaker 2: Walking around inside the Beverly Center.

931
00:48:18,000 --> 00:48:18,800
Speaker 1: How does it feel.

932
00:48:19,239 --> 00:48:21,680
Speaker 2: It's oh, it's such, it's actually quite sad. I don't

933
00:48:21,800 --> 00:48:24,600
Speaker 2: like when big shopping centers just become like a ghost town.

934
00:48:25,040 --> 00:48:27,040
Speaker 2: All the stores are still open, but there's just no

935
00:48:27,239 --> 00:48:30,000
Speaker 2: one here, literally no one. And it's what the middle

936
00:48:30,040 --> 00:48:32,799
Speaker 2: of the day on a Thursday, it should be relatively

937
00:48:32,920 --> 00:48:35,800
Speaker 2: busy with tourists. I mean, you've got the Softotel hotel

938
00:48:35,920 --> 00:48:37,680
Speaker 2: right next door, like it's a touristy area.

939
00:48:38,120 --> 00:48:40,520
Speaker 1: And they've got great stores here, Like we're just walking

940
00:48:40,600 --> 00:48:42,920
Speaker 1: past right now at Golden Goose, Blentci.

941
00:48:42,520 --> 00:48:44,080
Speaker 2: Yaga, Burbury, Gucci.

942
00:48:44,320 --> 00:48:46,920
Speaker 1: They've got the malls, Sphora's here, Apples here.

943
00:48:46,960 --> 00:48:48,520
Speaker 2: Yeah, I mean it's a great apple store to go

944
00:48:48,640 --> 00:48:51,160
Speaker 2: do Because there's no que walk straight in.

945
00:48:51,480 --> 00:48:56,480
Speaker 1: Is it kind of so? It doesn't feel like eerie

946
00:48:56,640 --> 00:48:59,359
Speaker 1: to me. It just feels like weird. That's how would

947
00:48:59,360 --> 00:48:59,719
Speaker 1: describe it.

948
00:48:59,920 --> 00:49:02,640
Speaker 2: It's like a shopping center when it's like ten pm

949
00:49:02,680 --> 00:49:05,279
Speaker 2: and it's closed in at ten thirty, it feels like that, Yeah,

950
00:49:05,480 --> 00:49:09,479
Speaker 2: no one's here, is it. The vibe is not wrong,

951
00:49:09,719 --> 00:49:11,320
Speaker 2: It's like, yeah, it's fine.

952
00:49:11,719 --> 00:49:15,680
Speaker 1: Yeah, it doesn't feel dark to no definitely not dark,

953
00:49:15,960 --> 00:49:18,160
Speaker 1: but it feels like just strange.

954
00:49:18,160 --> 00:49:20,560
Speaker 2: I would say, yeah, there could be entities here, absolutely,

955
00:49:20,640 --> 00:49:21,719
Speaker 2: but it's not a dark area.

956
00:49:21,800 --> 00:49:24,000
Speaker 1: Like, it doesn't put me off by being here. How

957
00:49:24,080 --> 00:49:28,680
Speaker 1: does this feel to you compared to Cecil Hotel polar opposite? Yeah, yeah, yeah.

958
00:49:28,680 --> 00:49:32,400
Speaker 2: And there's the H and M right there where upstairs, so.

959
00:49:32,520 --> 00:49:36,520
Speaker 1: That is where we were talking about where somebody took

960
00:49:36,600 --> 00:49:41,359
Speaker 1: their life. Oh how crazy does that make you feel anything? Yeah?

961
00:49:41,400 --> 00:49:42,839
Speaker 1: Just looking at it makes you feel But that's probably

962
00:49:42,880 --> 00:49:44,920
Speaker 1: all in my mind, you know, No, that's all right,

963
00:49:45,040 --> 00:49:48,839
Speaker 1: Like I love that you just share. So honestly, we're

964
00:49:48,880 --> 00:49:50,960
Speaker 1: doing a little window shopping here, going past good old

965
00:49:51,080 --> 00:49:51,960
Speaker 1: Louis Vutan.

966
00:49:52,400 --> 00:49:54,360
Speaker 2: But a very interesting vite. The last time I was

967
00:49:54,400 --> 00:49:57,040
Speaker 2: inside the Beverly Center was twenty nineteen and it was

968
00:49:57,120 --> 00:49:57,880
Speaker 2: pumping back then.

969
00:49:58,360 --> 00:49:59,040
Speaker 1: How crazy.

970
00:50:00,120 --> 00:50:03,200
Speaker 2: It is just a shame that it's not doing well.

971
00:50:03,360 --> 00:50:05,239
Speaker 2: Like retail in general, I guess all around the world

972
00:50:05,320 --> 00:50:06,719
Speaker 2: isn't doing as well as it could. But I think

973
00:50:06,800 --> 00:50:09,040
Speaker 2: Chadston in Melbourne is pretty pumping still.

974
00:50:09,239 --> 00:50:12,399
Speaker 1: Yeah, this feels like imagine Chadston at like four am

975
00:50:12,480 --> 00:50:12,920
Speaker 1: in the morning.

976
00:50:13,239 --> 00:50:13,439
Speaker 2: Something.

977
00:50:13,440 --> 00:50:16,960
Speaker 1: It's like, it literally feels like and you can probably

978
00:50:17,040 --> 00:50:19,520
Speaker 1: hear you the listener, like there's music going, it's very

979
00:50:19,640 --> 00:50:23,640
Speaker 1: much open. It just feels dead.

980
00:50:24,440 --> 00:50:27,640
Speaker 2: Good luck everyone is good luck. Yeah, good luck to

981
00:50:27,680 --> 00:50:29,720
Speaker 2: all the stores and employees at the Beverly.

982
00:50:30,480 --> 00:50:33,439
Speaker 1: So after this, David, we are going to Culver City.

983
00:50:33,760 --> 00:50:35,080
Speaker 1: So we're staying west now.

984
00:50:35,480 --> 00:50:37,840
Speaker 2: Right, we're taking the listeners on the wonderful journey of

985
00:50:37,920 --> 00:50:38,560
Speaker 2: Los Angeles.

986
00:50:38,760 --> 00:50:40,920
Speaker 1: Right, we have covered a lot of ground, all we have.

987
00:50:41,080 --> 00:50:41,680
Speaker 2: We're doing well.

988
00:50:42,000 --> 00:50:44,080
Speaker 1: You're doing great, my friend, proud of you.

989
00:50:44,520 --> 00:50:46,160
Speaker 2: Keep listening and stay tuned. Everybody.

990
00:50:48,480 --> 00:50:51,320
Speaker 1: Oh my goodness, I'm so sad it's our last location,

991
00:50:51,680 --> 00:50:51,880
Speaker 1: but I.

992
00:50:51,920 --> 00:50:56,120
Speaker 2: Hope you've all enjoyed following along. I know, right right,

993
00:50:56,600 --> 00:50:57,800
Speaker 2: maybe the best for last.

994
00:50:57,640 --> 00:51:02,240
Speaker 1: Lola, saving old Hollywood for us. We love an old Hollywood.

995
00:51:02,360 --> 00:51:05,480
Speaker 2: I mean, there's no point coming to Los Angeles if

996
00:51:05,480 --> 00:51:07,240
Speaker 2: you're not doing an old Hollywood story.

997
00:51:07,760 --> 00:51:11,759
Speaker 1: Right. So we are in a car park across the

998
00:51:11,880 --> 00:51:15,759
Speaker 1: road from the Culver Studios. So this is actually where

999
00:51:15,800 --> 00:51:17,839
Speaker 1: Hollywood used to be, Like, this is where they made

1000
00:51:17,920 --> 00:51:21,880
Speaker 1: Gone with the Wind, This is where they made Wizard

1001
00:51:21,920 --> 00:51:26,120
Speaker 1: of Oz Raging bo Really yeah, all made here at

1002
00:51:26,239 --> 00:51:28,000
Speaker 1: a studio that I'm about to take you to.

1003
00:51:28,600 --> 00:51:30,279
Speaker 2: So Culver City is the neighborhood.

1004
00:51:30,800 --> 00:51:32,680
Speaker 1: It's a neighborhood. But it used to be like there

1005
00:51:32,800 --> 00:51:36,080
Speaker 1: was no Hollywood Boulevard and all that wasn't even a thing.

1006
00:51:36,280 --> 00:51:38,600
Speaker 1: This was back in the day, back and I think

1007
00:51:38,719 --> 00:51:41,400
Speaker 1: even before that, it was like gangs and stuff in

1008
00:51:41,440 --> 00:51:44,400
Speaker 1: the are Like It's had a very fascinating history. But

1009
00:51:44,719 --> 00:51:48,640
Speaker 1: for the purposes of today, we are talking about the

1010
00:51:49,000 --> 00:51:55,520
Speaker 1: quintessential connic Hollywood Culver Studios. So the person or ghost

1011
00:51:55,760 --> 00:52:01,480
Speaker 1: or entities name is Thomas Innes. Now he is a

1012
00:52:01,560 --> 00:52:04,320
Speaker 1: movie padam he's in us right now? Is he?

1013
00:52:06,520 --> 00:52:10,680
Speaker 2: Thomas? Is you tell me you're the side I've been

1014
00:52:10,719 --> 00:52:12,640
Speaker 2: walking all day like I'm riding a horse, So maybe

1015
00:52:12,840 --> 00:52:14,880
Speaker 2: let's find out. Yeah, maybe Thomas has been in us.

1016
00:52:15,640 --> 00:52:20,520
Speaker 1: So he is a movie pioneer. So basically he helped

1017
00:52:20,719 --> 00:52:23,880
Speaker 1: create build everything the studios you're about to see. Hi,

1018
00:52:23,880 --> 00:52:25,560
Speaker 1: we're gonna take the mics with us, but just for

1019
00:52:25,640 --> 00:52:29,320
Speaker 1: sound quality, I want to record this bit in the car. Now. Basically,

1020
00:52:30,000 --> 00:52:33,160
Speaker 1: he for his forty second birthday, he went out on

1021
00:52:33,280 --> 00:52:37,880
Speaker 1: this newspaper moguls yacht to celebrate his birthday. The newspaper

1022
00:52:37,960 --> 00:52:44,640
Speaker 1: Mogul's name is William Hearts. Now, unfortunately, dear Thomas passed

1023
00:52:44,640 --> 00:52:46,759
Speaker 1: away on this yacht and there are a lot of

1024
00:52:46,800 --> 00:52:51,160
Speaker 1: heavyweights on this Hollywood heavyweights on this yacht. And his

1025
00:52:51,360 --> 00:52:55,839
Speaker 1: death is ruled a heart attack, No, correct, amando, that's

1026
00:52:55,840 --> 00:52:56,919
Speaker 1: what your gut's already saying.

1027
00:52:57,280 --> 00:52:58,440
Speaker 2: Yeah, there's something still with drugs.

1028
00:52:59,200 --> 00:53:04,800
Speaker 1: Well here's the so he So he was mates with

1029
00:53:04,920 --> 00:53:09,120
Speaker 1: this William Harts guy. Now, William Hearts had this gorgeous

1030
00:53:09,480 --> 00:53:13,719
Speaker 1: little side piece that he loved, and apparently at the time,

1031
00:53:14,120 --> 00:53:17,880
Speaker 1: Charlie Chaplin was also on this yacht, really yeah, and

1032
00:53:18,040 --> 00:53:22,920
Speaker 1: he was canodling with said mistress, and so William Harts

1033
00:53:23,000 --> 00:53:26,440
Speaker 1: was not having it and tried to shoot Charlie Chaplin

1034
00:53:27,719 --> 00:53:34,360
Speaker 1: missed hit poor Thomas dead and the theory goes, so

1035
00:53:34,520 --> 00:53:37,480
Speaker 1: the official cause of death is heart failure, but legend

1036
00:53:37,640 --> 00:53:42,160
Speaker 1: has it that he was shot by a jealous Hearts

1037
00:53:42,360 --> 00:53:44,759
Speaker 1: who was aiming for Charlie Chaplin because he had an

1038
00:53:44,840 --> 00:53:50,040
Speaker 1: eye for his mistress. Her name is Marion Davies anyway,

1039
00:53:50,239 --> 00:53:53,800
Speaker 1: But the theory is that the ghost of Thomas is

1040
00:53:53,920 --> 00:53:57,640
Speaker 1: still here at Culver Studios, and it's said that his

1041
00:53:58,120 --> 00:54:01,239
Speaker 1: energy is seen and fell like walking the halls of

1042
00:54:01,280 --> 00:54:03,279
Speaker 1: the studio. He didn't want to leave because it was

1043
00:54:03,360 --> 00:54:06,560
Speaker 1: his passion so much and he got killed. Yeah, and

1044
00:54:06,680 --> 00:54:10,520
Speaker 1: so it's less scary spooky. This is more like beautiful.

1045
00:54:10,680 --> 00:54:11,279
Speaker 1: I think it's great.

1046
00:54:11,320 --> 00:54:13,520
Speaker 2: He's probably like a real guardian over the whole area.

1047
00:54:13,520 --> 00:54:16,439
Speaker 2: He's probably keeping it safe, keeping it in business. Yeah,

1048
00:54:16,560 --> 00:54:18,920
Speaker 2: he's still got that passion and energy. His soul is

1049
00:54:18,920 --> 00:54:19,680
Speaker 2: still connected to it.

1050
00:54:19,960 --> 00:54:22,320
Speaker 1: I feel going. Yeah, and that's why I'm so excited

1051
00:54:22,320 --> 00:54:23,800
Speaker 1: to see what you feel. So just so you know

1052
00:54:23,880 --> 00:54:25,600
Speaker 1: where we were about to go. So we're going to

1053
00:54:25,640 --> 00:54:28,120
Speaker 1: go to the Culver Studios. Across the road from that

1054
00:54:28,320 --> 00:54:31,080
Speaker 1: is the Sony studios, And we just passed driving here

1055
00:54:31,400 --> 00:54:36,800
Speaker 1: Apple TV, so we're in a real mecha of film studios.

1056
00:54:36,840 --> 00:54:38,759
Speaker 1: He HPO is here as well. We passed that on

1057
00:54:38,840 --> 00:54:41,200
Speaker 1: the way. Yes I didn't even show you, but there's

1058
00:54:41,200 --> 00:54:44,040
Speaker 1: all like Last of Us posters everywhere in June Prophecy

1059
00:54:44,120 --> 00:54:47,239
Speaker 1: posters everywhere. Like it's really it feels like this is

1060
00:54:47,239 --> 00:54:50,080
Speaker 1: where it all happens. A lot happens in Culver and

1061
00:54:50,280 --> 00:54:53,040
Speaker 1: even we drove past the yoga studio I work at.

1062
00:54:53,680 --> 00:54:56,080
Speaker 1: This is not a word of a lie. A heavyweight

1063
00:54:56,280 --> 00:54:59,520
Speaker 1: from Apple TV walked in one day. I don't think

1064
00:54:59,520 --> 00:55:03,400
Speaker 1: I've told you no, and he goes, I don't know.

1065
00:55:03,480 --> 00:55:05,120
Speaker 1: This is really strange, but I'm going to ask if

1066
00:55:05,160 --> 00:55:06,840
Speaker 1: you know this person. And he's like, do you know

1067
00:55:07,000 --> 00:55:09,400
Speaker 1: Candace Fox. She's a crime fiction author in Australia. And

1068
00:55:09,440 --> 00:55:11,239
Speaker 1: I was like, yeah, she's been on the pod and

1069
00:55:11,320 --> 00:55:13,800
Speaker 1: he's like, we're in a bidding war with Hulu to

1070
00:55:13,920 --> 00:55:15,960
Speaker 1: get her most recent book because we want to turn

1071
00:55:15,960 --> 00:55:18,319
Speaker 1: it into a series. Can you put in a good word?

1072
00:55:18,520 --> 00:55:21,360
Speaker 1: And I was like, okay. I write to Candace and

1073
00:55:21,440 --> 00:55:23,759
Speaker 1: I'm like, this can sound really weird. This lovely guy

1074
00:55:23,800 --> 00:55:26,200
Speaker 1: from Apple came in. Dah da da da give him

1075
00:55:26,239 --> 00:55:28,160
Speaker 1: a chance. He seems lovely and she goes, oh my god,

1076
00:55:28,200 --> 00:55:30,840
Speaker 1: I'm looking at the contract right now. Wow. She signed

1077
00:55:30,840 --> 00:55:35,560
Speaker 1: said contract. And then I was in Australia in March,

1078
00:55:35,800 --> 00:55:38,400
Speaker 1: just gone and I interviewed her again and I researched.

1079
00:55:38,520 --> 00:55:40,080
Speaker 1: I was like, oh, just look up that Apple TV

1080
00:55:40,200 --> 00:55:44,200
Speaker 1: show for her book High Wire. Scott Free Productions is

1081
00:55:44,239 --> 00:55:49,120
Speaker 1: doing it. That is Ridley Scott. Wow, and it is mental.

1082
00:55:49,200 --> 00:55:52,120
Speaker 1: And anyway, that guy came back into the studio last week.

1083
00:55:53,000 --> 00:55:54,520
Speaker 1: So I haven't even talked about this on the pod,

1084
00:55:55,040 --> 00:55:57,600
Speaker 1: and I was like, fucking heck. I was like, oh

1085
00:55:57,680 --> 00:56:00,399
Speaker 1: my god, got free productions. And he's like, well, thanks

1086
00:56:00,440 --> 00:56:02,719
Speaker 1: to you, remember me?

1087
00:56:02,920 --> 00:56:03,160
Speaker 2: Thank you.

1088
00:56:03,480 --> 00:56:05,719
Speaker 1: I was like, so can I audition? Thanks very much?

1089
00:56:06,160 --> 00:56:08,080
Speaker 2: Well, I think it's owed to you. You know, it's

1090
00:56:08,120 --> 00:56:12,520
Speaker 2: called karmic rebalance in here. You're you actually literally need

1091
00:56:12,600 --> 00:56:14,160
Speaker 2: to pitch that to him, being like, hey, you know,

1092
00:56:14,400 --> 00:56:17,160
Speaker 2: I'm an actor and I can do all this, Like

1093
00:56:17,719 --> 00:56:18,560
Speaker 2: I literally got you this.

1094
00:56:18,640 --> 00:56:21,400
Speaker 1: Still let me audition? How crazy is that you have

1095
00:56:21,480 --> 00:56:23,680
Speaker 1: to do that? You have to be like hey, yeah

1096
00:56:23,840 --> 00:56:25,600
Speaker 1: the next time I see him? But how wild so

1097
00:56:26,000 --> 00:56:28,560
Speaker 1: good this is? You are such a ten out of

1098
00:56:28,600 --> 00:56:31,439
Speaker 1: ten person, you really put yourself out there for people.

1099
00:56:31,680 --> 00:56:34,200
Speaker 1: But how cool this is? This area? This is where

1100
00:56:34,320 --> 00:56:36,719
Speaker 1: the magic happens. Everyone thinks it's no, no, no, Like

1101
00:56:37,920 --> 00:56:41,040
Speaker 1: you know, like Netflix is in on Sunset Boulevard in Hollywood,

1102
00:56:41,120 --> 00:56:43,960
Speaker 1: and like you've got Gower Studios there where kt LA

1103
00:56:44,160 --> 00:56:46,719
Speaker 1: is and a lot of Ryan Murphy's Scream Queens was

1104
00:56:46,719 --> 00:56:49,600
Speaker 1: all shot there, and everyone thinks it's there. But I

1105
00:56:49,680 --> 00:56:52,120
Speaker 1: think a lot happens in Colbst. I'm interested to see

1106
00:56:52,200 --> 00:56:54,319
Speaker 1: when we go out now to the studio and get

1107
00:56:54,360 --> 00:56:55,560
Speaker 1: out of this sweatbox of a car.

1108
00:56:56,960 --> 00:56:58,640
Speaker 2: What do you feel, Let's feel it?

1109
00:56:58,960 --> 00:57:00,800
Speaker 1: Yeah, sound good.

1110
00:57:00,760 --> 00:57:01,600
Speaker 2: Let's go for a cruise.

1111
00:57:03,360 --> 00:57:03,840
Speaker 1: Where are we?

1112
00:57:04,440 --> 00:57:07,200
Speaker 2: We are on location, Lola, right outside the Culvert Studios

1113
00:57:07,200 --> 00:57:09,239
Speaker 2: in Culver City. It's a beautiful building. Not what I

1114
00:57:09,360 --> 00:57:10,840
Speaker 2: expected from a production studio.

1115
00:57:11,000 --> 00:57:11,920
Speaker 1: I know, right, It's stunning.

1116
00:57:11,960 --> 00:57:12,560
Speaker 2: It's lovely.

1117
00:57:13,239 --> 00:57:16,160
Speaker 1: It's also I was saying this to you at Christmas time,

1118
00:57:16,280 --> 00:57:18,560
Speaker 1: like there's fairy lights, there's massive trees.

1119
00:57:18,720 --> 00:57:21,240
Speaker 2: It feels so it's a very cool area.

1120
00:57:21,520 --> 00:57:24,640
Speaker 1: Yeah, it's so cool, and it's it's just like really relaxed.

1121
00:57:24,680 --> 00:57:26,320
Speaker 1: After this, we're going to get lunch at Air one

1122
00:57:26,360 --> 00:57:29,560
Speaker 1: and probably sit back out here, and that's what you want. Amazing, Yeah,

1123
00:57:29,720 --> 00:57:30,320
Speaker 1: take it easy.

1124
00:57:30,520 --> 00:57:32,040
Speaker 2: Watching all the people coming in and out of the

1125
00:57:32,080 --> 00:57:33,680
Speaker 2: studios as well. So we're going to do a vox

1126
00:57:33,760 --> 00:57:35,960
Speaker 2: pop with someone's sooner. Whether it's if they've seen the

1127
00:57:36,000 --> 00:57:36,600
Speaker 2: ghosts of Tommy.

1128
00:57:36,600 --> 00:57:40,560
Speaker 1: Oh my god, I didn't even think of that. This

1129
00:57:40,760 --> 00:57:42,920
Speaker 1: energy to me, correct me if I'm wrong. It just

1130
00:57:42,960 --> 00:57:45,240
Speaker 1: feels clear and easy, like I don't feel like there's

1131
00:57:45,240 --> 00:57:48,720
Speaker 1: any bad demonic No, not at all. Yeah. Again opposite

1132
00:57:48,760 --> 00:57:51,000
Speaker 1: vibes su Cecil Hotel, Well, I mean they're goin.

1133
00:57:51,080 --> 00:57:52,800
Speaker 2: It goes to the area like Covid is so different

1134
00:57:52,840 --> 00:57:53,680
Speaker 2: to downtown, isn't it.

1135
00:57:53,760 --> 00:57:58,200
Speaker 1: Yeah, But even like versus Black Dahlia House, this feels better. Yeah,

1136
00:57:58,240 --> 00:58:00,440
Speaker 1: Black Deli house and feel great to me. No, especially

1137
00:58:00,440 --> 00:58:02,800
Speaker 1: when we were down the back of it. Yeah, but

1138
00:58:03,040 --> 00:58:05,400
Speaker 1: this is like to me, this feels kind of like

1139
00:58:05,440 --> 00:58:06,400
Speaker 1: almost optimistic.

1140
00:58:07,280 --> 00:58:09,640
Speaker 2: Do you feel that a golden age of America has

1141
00:58:09,720 --> 00:58:11,080
Speaker 2: been reborn here? Yeah?

1142
00:58:11,160 --> 00:58:14,040
Speaker 1: Maybe? And you and you said right before when we

1143
00:58:14,120 --> 00:58:16,800
Speaker 1: were walking from the car parked here, you were like,

1144
00:58:17,200 --> 00:58:20,400
Speaker 1: maybe his ghost is like looking over Yeah.

1145
00:58:20,360 --> 00:58:25,800
Speaker 2: Definitely if he died really quickly and had so many

1146
00:58:25,840 --> 00:58:28,000
Speaker 2: things that he still wanted to do, or so many things,

1147
00:58:28,920 --> 00:58:31,680
Speaker 2: you know, his mind was still ticking, definitely come back

1148
00:58:31,680 --> 00:58:33,600
Speaker 2: to your workplace. Especially. I had such a passion for all,

1149
00:58:33,640 --> 00:58:35,720
Speaker 2: loved it. So I definitely think that he's watching over

1150
00:58:36,360 --> 00:58:36,760
Speaker 2: for sure.

1151
00:58:36,920 --> 00:58:39,000
Speaker 1: And I'm to be described as like a pioneer of

1152
00:58:39,160 --> 00:58:40,560
Speaker 1: movies back in the forties.

1153
00:58:41,080 --> 00:58:41,800
Speaker 2: What a title.

1154
00:58:42,080 --> 00:58:45,520
Speaker 1: That's like the Golden era, right, So I feel like

1155
00:58:45,600 --> 00:58:49,080
Speaker 1: this is a nice like old Hollywood way to end

1156
00:58:49,120 --> 00:58:49,840
Speaker 1: our pod today.

1157
00:58:49,920 --> 00:58:55,240
Speaker 2: It's a beautiful character arc for us today. Heroes journey,

1158
00:58:55,840 --> 00:58:58,320
Speaker 2: what has been the highlight for you of today, mean

1159
00:58:58,520 --> 00:59:01,080
Speaker 2: had I loved the SESSL Hotel even though that whole

1160
00:59:01,120 --> 00:59:04,120
Speaker 2: area was Yeah, it was great to see. And also

1161
00:59:04,160 --> 00:59:06,960
Speaker 2: when we were driving past for the listener, the doors

1162
00:59:07,000 --> 00:59:08,640
Speaker 2: were kind of open, so we did get to see

1163
00:59:08,640 --> 00:59:10,800
Speaker 2: a glimpse of the lobby. Yeah, we did, which is

1164
00:59:10,840 --> 00:59:12,480
Speaker 2: all that I really wanted to see if I went

1165
00:59:12,520 --> 00:59:14,680
Speaker 2: inside the sets Like, obviously we're not going up to

1166
00:59:14,760 --> 00:59:15,160
Speaker 2: the rooms.

1167
00:59:15,560 --> 00:59:17,920
Speaker 1: We're not crazy. Yeah, you know you don't want to

1168
00:59:18,360 --> 00:59:21,200
Speaker 1: have You heard of people getting like entities hooked on them.

1169
00:59:21,880 --> 00:59:24,080
Speaker 2: Yeah, when your energy is a bit low frequency, things

1170
00:59:24,120 --> 00:59:25,080
Speaker 2: can definitely attach to you.

1171
00:59:26,040 --> 00:59:29,080
Speaker 1: Yeah yeah, yeah, And how then do you get them unattached?

1172
00:59:29,120 --> 00:59:32,320
Speaker 2: Well, that's it. I mean sometimes they can really manifest themselves.

1173
00:59:32,440 --> 00:59:34,160
Speaker 2: You sys a lot of self work, Like you've just

1174
00:59:34,200 --> 00:59:35,800
Speaker 2: got to do things that help raise your own frequency

1175
00:59:35,800 --> 00:59:39,120
Speaker 2: and vibration set strong boundaries which unfortunately be feeling negative

1176
00:59:39,160 --> 00:59:41,120
Speaker 2: or you're feeling depressed or all these heavier emotions. It

1177
00:59:41,160 --> 00:59:43,720
Speaker 2: can be very hard to do, kn't of Yeah, totally

1178
00:59:43,800 --> 00:59:48,320
Speaker 2: they attached and eate the negative frequency.

1179
00:59:48,960 --> 00:59:51,680
Speaker 1: And I love how you mentioned you said, like when

1180
00:59:51,760 --> 00:59:53,880
Speaker 1: you're in that kind of energy, like the energy of

1181
00:59:54,000 --> 00:59:57,320
Speaker 1: Cecil Hotel, like it can amplify already kind.

1182
00:59:57,200 --> 00:59:59,959
Speaker 2: Of like, oh, that's it. When you build up of grime.

1183
01:00:00,040 --> 01:00:02,480
Speaker 2: Imagine you haven't cleaned your bathroom for twenty years. Yeah,

1184
01:00:02,680 --> 01:00:04,040
Speaker 2: what's it going to look like. There's gonna be such

1185
01:00:04,080 --> 01:00:08,680
Speaker 2: build up and mold. Exactly. So spaces and places are

1186
01:00:08,720 --> 01:00:11,040
Speaker 2: exactly the same. Energy builds up, and if it's all

1187
01:00:11,080 --> 01:00:13,680
Speaker 2: heavy or negative, it's going to amplify whatever emotions then

1188
01:00:13,720 --> 01:00:14,200
Speaker 2: come into.

1189
01:00:14,080 --> 01:00:15,920
Speaker 1: That space totally. We all feel it.

1190
01:00:16,520 --> 01:00:18,120
Speaker 2: Like you can walk into a building and be like, oh,

1191
01:00:18,200 --> 01:00:20,560
Speaker 2: this feels nice, this feels optimistic. Yeah, well sometimes you

1192
01:00:20,600 --> 01:00:22,280
Speaker 2: go into places you're like, oh, get me out of here.

1193
01:00:22,520 --> 01:00:26,000
Speaker 1: Yeah, heavy totally everyone, And that's like, like, I love

1194
01:00:26,080 --> 01:00:28,040
Speaker 1: the way you describe when we were like three streets

1195
01:00:28,080 --> 01:00:30,480
Speaker 1: away from Cecil, you were like, oh, my stomach just dropped,

1196
01:00:30,560 --> 01:00:33,720
Speaker 1: Like I feel that you could, and then we drove

1197
01:00:34,200 --> 01:00:36,760
Speaker 1: out of their bias skid Row. How did that energy

1198
01:00:36,800 --> 01:00:37,280
Speaker 1: feel for you?

1199
01:00:38,560 --> 01:00:40,720
Speaker 2: Yeah, skid Row wasn't what I expected. It was still

1200
01:00:40,920 --> 01:00:43,959
Speaker 2: very it's just sad to see, yeah, but it's heavy

1201
01:00:44,080 --> 01:00:46,320
Speaker 2: energy at the same time, it's just a mixture of

1202
01:00:47,440 --> 01:00:49,160
Speaker 2: I mean, obviously it's not a good place, doesn't have

1203
01:00:49,160 --> 01:00:49,880
Speaker 2: a good reputation.

1204
01:00:50,040 --> 01:00:52,480
Speaker 1: No one's wanting to be there. Yeah.

1205
01:00:52,760 --> 01:00:55,280
Speaker 2: Yeah, so through it We've been everywhere today.

1206
01:00:55,480 --> 01:00:57,920
Speaker 1: I feel like we've covered a lot of Los Angeles.

1207
01:00:58,080 --> 01:01:00,520
Speaker 2: This is why everyone needs to tune into these episodes,

1208
01:01:00,520 --> 01:01:03,040
Speaker 2: because they are just the most fun podcast episodes i've done.

1209
01:01:03,840 --> 01:01:05,200
Speaker 1: Haunted to a guide of La.

1210
01:01:05,320 --> 01:01:08,880
Speaker 2: Yeah, we should run a TV show on it, Netflix TV. Okay,

1211
01:01:08,960 --> 01:01:11,600
Speaker 2: we've just decided what we're doing in twenty twenty six, everybody.

1212
01:01:11,920 --> 01:01:14,360
Speaker 1: Maybe we've got the energy of Thomas in us just

1213
01:01:14,480 --> 01:01:14,920
Speaker 1: being like.

1214
01:01:16,120 --> 01:01:17,040
Speaker 2: I think that's idea.

1215
01:01:17,080 --> 01:01:20,120
Speaker 1: He wants to be on it. Yeah, Oh make it happened, Tom, Yeah,

1216
01:01:20,360 --> 01:01:23,640
Speaker 1: we'll work with you. You are amazing. Let's get some lunch,

1217
01:01:23,680 --> 01:01:24,000
Speaker 1: my friend.

1218
01:01:24,520 --> 01:01:25,840
Speaker 2: Thanks Lola, Thanks.

1219
01:01:25,560 --> 01:01:33,000
Speaker 1: Everally David, welcome back, Lola, thanks for having me all right,

1220
01:01:33,120 --> 01:01:35,760
Speaker 1: well there was there was our true crime, La.

1221
01:01:36,520 --> 01:01:38,920
Speaker 2: Haven't we had a bloody day and a half.

1222
01:01:39,320 --> 01:01:40,800
Speaker 1: Day and a half already.

1223
01:01:40,920 --> 01:01:43,360
Speaker 2: I've absolutely loved it. Thank you once again for putting

1224
01:01:43,400 --> 01:01:44,800
Speaker 2: on an incredible show.

1225
01:01:45,440 --> 01:01:47,920
Speaker 1: Oh so fun, so fun to research. When I know

1226
01:01:48,080 --> 01:01:50,600
Speaker 1: we're getting to hang, we've just been talking about trying

1227
01:01:50,600 --> 01:01:51,520
Speaker 1: to do another one soon.

1228
01:01:52,920 --> 01:01:55,640
Speaker 2: Yes, because I'll be back here in September, so time

1229
01:01:55,760 --> 01:01:57,720
Speaker 2: just flies. I'll be back in like three months.

1230
01:01:57,880 --> 01:02:00,200
Speaker 1: How exciting is that? I can't see. I can't wait

1231
01:02:00,240 --> 01:02:02,040
Speaker 1: to see how much has changed in that time for

1232
01:02:02,120 --> 01:02:02,560
Speaker 1: both of us.

1233
01:02:02,840 --> 01:02:05,680
Speaker 2: Oh yeah, I reckon by that stage will be brand

1234
01:02:05,680 --> 01:02:09,160
Speaker 2: new people in a good way. They just you know, evolved, transformed.

1235
01:02:09,320 --> 01:02:11,320
Speaker 1: Yeah, I good words, I agree.

1236
01:02:12,080 --> 01:02:12,560
Speaker 2: Not happening.

1237
01:02:12,800 --> 01:02:16,600
Speaker 1: Now for the Aussies listening to this, you are going

1238
01:02:16,680 --> 01:02:20,480
Speaker 1: to embark on a ginormous live to nine shows. Is

1239
01:02:20,520 --> 01:02:20,920
Speaker 1: that correct?

1240
01:02:21,000 --> 01:02:23,160
Speaker 2: Nine shows over eight cities?

1241
01:02:23,280 --> 01:02:23,760
Speaker 1: No? Hold on?

1242
01:02:25,520 --> 01:02:28,880
Speaker 2: Is it? Yes? Let me think, I don't know.

1243
01:02:29,480 --> 01:02:32,640
Speaker 1: Are you doing Melbourne, Sydney, Perth, Adelaide.

1244
01:02:32,320 --> 01:02:34,760
Speaker 2: Every capital city in Thesy and Goldie?

1245
01:02:34,920 --> 01:02:36,000
Speaker 1: Yes? How good?

1246
01:02:36,240 --> 01:02:38,240
Speaker 2: I can't wait. So that will start in October and

1247
01:02:38,440 --> 01:02:40,000
Speaker 2: go through October November.

1248
01:02:40,000 --> 01:02:41,560
Speaker 1: And tickets go on sale September one.

1249
01:02:41,720 --> 01:02:44,520
Speaker 2: Yes, So further information on tickets and venues and all

1250
01:02:44,600 --> 01:02:46,920
Speaker 2: that will be releasing around the start of September.

1251
01:02:48,040 --> 01:02:49,400
Speaker 1: So exciting. I can't wait.

1252
01:02:49,560 --> 01:02:50,800
Speaker 2: It's a shame the Lola.

1253
01:02:50,840 --> 01:02:52,440
Speaker 1: I'm aboad to have you as my guests, and then

1254
01:02:53,520 --> 01:02:55,400
Speaker 1: it'll happen. It's going to LA one.

1255
01:02:55,560 --> 01:02:56,360
Speaker 2: Well, it's coming.

1256
01:02:56,800 --> 01:02:58,600
Speaker 1: I am so proud of you, my friend.

1257
01:02:58,720 --> 01:03:01,160
Speaker 2: Thank you, Lola. Likewise, and to the listener.

1258
01:03:01,280 --> 01:03:03,600
Speaker 1: We've done so many episodes together now, so I'm going

1259
01:03:03,640 --> 01:03:06,040
Speaker 1: to link all the la ones in the show notes

1260
01:03:06,080 --> 01:03:10,200
Speaker 1: here and please follow David on instat It's David the

1261
01:03:10,240 --> 01:03:12,919
Speaker 1: Medium on Insta, isn't it? It is? You are also

1262
01:03:12,960 --> 01:03:15,040
Speaker 1: going to launch a pods. You're going to relaunch your

1263
01:03:15,040 --> 01:03:16,919
Speaker 1: pod soon enough? Am I allowed to say that? Yes?

1264
01:03:17,120 --> 01:03:20,560
Speaker 2: So the pod will be relaunched around mid June. So

1265
01:03:20,640 --> 01:03:24,520
Speaker 2: I'm really excited for season two. Season one just I'm

1266
01:03:24,560 --> 01:03:26,640
Speaker 2: still very proud of season one, but season two just

1267
01:03:26,680 --> 01:03:29,360
Speaker 2: feels so much more me and really getting You've leveled up,

1268
01:03:29,600 --> 01:03:31,160
Speaker 2: leveled up, a great producing team.

1269
01:03:31,240 --> 01:03:31,360
Speaker 1: Now.

1270
01:03:31,880 --> 01:03:35,439
Speaker 2: Yeah, nice a rebirth of Medium at Large.

1271
01:03:35,960 --> 01:03:39,040
Speaker 1: I cannot wait to listen. I'll also pop the link

1272
01:03:39,080 --> 01:03:40,480
Speaker 1: to that in the show notes as well.

1273
01:03:40,600 --> 01:03:42,120
Speaker 2: Thank you, can't wait to have you on. Am I

1274
01:03:42,160 --> 01:03:44,640
Speaker 2: going to sign me up coming to Melbourne next time?

1275
01:03:44,840 --> 01:03:47,919
Speaker 1: Yep? I'm down. I'm down. Thank you, my friend. Let's

1276
01:03:47,920 --> 01:03:49,280
Speaker 1: get you back to your hotel, shall we?

1277
01:03:49,400 --> 01:03:51,800
Speaker 2: Sounds great? Thanks Lola, Thanks everyone, Thank you.

1278
01:03:53,960 --> 01:03:59,560
Speaker 1: That's a wrap on another episode of Fearlessly Failing. As always,

1279
01:03:59,720 --> 01:04:02,360
Speaker 1: thank you, thank you to our guests, and let's continue

1280
01:04:02,400 --> 01:04:08,240
Speaker 1: the conversation on Instagram. I'm at Yamo Lollerberry This potty

1281
01:04:08,720 --> 01:04:12,880
Speaker 1: my work for podcast is available on all streaming platforms.

1282
01:04:13,400 --> 01:04:16,360
Speaker 1: I'd love it if you could subscribe, RPE and comment,

1283
01:04:16,640 --> 01:04:18,520
Speaker 1: and of course spread the love.