1 00:00:00,400 --> 00:00:03,640 Speaker 1: Jumb mission with Jonesy and Amanda I guess on the 2 00:00:03,680 --> 00:00:06,880 Speaker 1: hearts and ears of the country through the band Killing Heidi. 3 00:00:06,920 --> 00:00:09,280 Speaker 1: Of course we also know her from Spicks and Specs. 4 00:00:09,560 --> 00:00:12,360 Speaker 1: And with much of the country in lockdown and facing restrictions, 5 00:00:12,760 --> 00:00:16,960 Speaker 1: Australian artists are facing more devastation with their income. Gigs 6 00:00:16,960 --> 00:00:19,480 Speaker 1: are canceled. It's just a very very tough time where 7 00:00:19,480 --> 00:00:20,520 Speaker 1: we have some good news. 8 00:00:20,880 --> 00:00:22,079 Speaker 2: Ella Hooper, Hello. 9 00:00:22,680 --> 00:00:25,000 Speaker 3: Hi, good morning. How you going very well? 10 00:00:25,040 --> 00:00:26,720 Speaker 1: I was just saying earlier that we turned to the 11 00:00:26,800 --> 00:00:29,200 Speaker 1: arts when the country is in a crisis, when there's 12 00:00:29,200 --> 00:00:32,680 Speaker 1: a flood, when there's a fire, or the arts step 13 00:00:32,760 --> 00:00:35,280 Speaker 1: up and entertain us. And we're now sitting at home 14 00:00:35,560 --> 00:00:39,560 Speaker 1: streaming music, we're streaming shows, but those artists aren't getting 15 00:00:39,600 --> 00:00:40,600 Speaker 1: the support that they need. 16 00:00:41,720 --> 00:00:44,000 Speaker 3: Yes, look, I mean that's the role of the arts. 17 00:00:44,040 --> 00:00:47,320 Speaker 3: It's to unify, it's to shoo, that's to heal. It's 18 00:00:47,360 --> 00:00:51,519 Speaker 3: just tell stories and reflect. You know, our various states 19 00:00:51,520 --> 00:00:54,240 Speaker 3: are being. When we're up, we reflect that. When we're down, 20 00:00:54,320 --> 00:00:56,560 Speaker 3: we reflect that. And it really really is important. I 21 00:00:56,560 --> 00:00:59,240 Speaker 3: don't want to get too intellectual about it, but it's 22 00:00:59,280 --> 00:01:02,320 Speaker 3: a really critical I think in a civilized society. We 23 00:01:02,560 --> 00:01:05,679 Speaker 3: use and we need the arts, but we just don't 24 00:01:05,680 --> 00:01:07,520 Speaker 3: talk about it or think about it much. The big 25 00:01:07,800 --> 00:01:10,720 Speaker 3: sort of goes on without saying but sometimes we need 26 00:01:10,760 --> 00:01:11,480 Speaker 3: to talk about it. 27 00:01:12,400 --> 00:01:17,360 Speaker 1: So what's happening now with this is called Isole, isol Aid, 28 00:01:17,880 --> 00:01:20,640 Speaker 1: home grown, isolated, Like this is. 29 00:01:20,600 --> 00:01:23,040 Speaker 3: Our sort of our sending our love down a well 30 00:01:23,160 --> 00:01:27,000 Speaker 3: moment And that's a little Simpsons reference there for anyone who 31 00:01:28,040 --> 00:01:31,800 Speaker 3: we're sort of gathering together and it's a wonderful thing. 32 00:01:31,880 --> 00:01:33,680 Speaker 3: So this one's a bit of a mouthful, but to 33 00:01:33,720 --> 00:01:36,120 Speaker 3: break it down for you, it's a big, big collaboration. 34 00:01:36,280 --> 00:01:40,119 Speaker 3: So Isolate is an online streaming festival that's already been 35 00:01:40,120 --> 00:01:43,200 Speaker 3: going gangbusters since the very first sort of lockdown in Melbourne. 36 00:01:43,240 --> 00:01:46,319 Speaker 3: It's a fantastic initiative. Gives us somewhere to perform, gives 37 00:01:46,360 --> 00:01:49,440 Speaker 3: us somewhere to connect, It gives us another platform while 38 00:01:49,920 --> 00:01:53,200 Speaker 3: live concerts are not a thing, you know, and it's 39 00:01:53,240 --> 00:01:55,000 Speaker 3: just been getting bigger and bigger and bigger. And this 40 00:01:55,040 --> 00:01:59,400 Speaker 3: one is I want to say competition, because we're basically 41 00:01:59,440 --> 00:02:03,000 Speaker 3: opening up the isol Aid festival platform for this homegrown 42 00:02:03,560 --> 00:02:06,960 Speaker 3: rolling festival. Every two weeks. We're giving that sort of 43 00:02:07,000 --> 00:02:10,120 Speaker 3: massive platform because this is purpose some really established artists 44 00:02:10,200 --> 00:02:12,960 Speaker 3: as well as some up and comers, so people will 45 00:02:13,000 --> 00:02:16,280 Speaker 3: be able to enter and win a place in the festival, 46 00:02:16,320 --> 00:02:19,600 Speaker 3: so they will get a performance slot on Homegrown the Festival, 47 00:02:19,880 --> 00:02:24,600 Speaker 3: but they'll also be in the running to win this 48 00:02:24,760 --> 00:02:29,320 Speaker 3: wonderful company called ninety nine Designs, which is a graphics 49 00:02:29,320 --> 00:02:33,880 Speaker 3: and content company, basically to twenty five two thousand dollars 50 00:02:33,919 --> 00:02:40,120 Speaker 3: grants for creative work and artwork from freelance professional graphic designers. 51 00:02:40,160 --> 00:02:42,600 Speaker 3: And that's actually a huge part of being a MUSO 52 00:02:42,600 --> 00:02:45,400 Speaker 3: two and the flow on effect of releasing stuff and 53 00:02:45,440 --> 00:02:49,160 Speaker 3: making tour posts, making t shirts, making record covers, selling 54 00:02:49,200 --> 00:02:52,120 Speaker 3: all that merch is often how we survive. So we're 55 00:02:52,160 --> 00:02:55,800 Speaker 3: basically giving people, the artists the chance to have a 56 00:02:55,840 --> 00:02:59,000 Speaker 3: free merch creation package that they can then sell to 57 00:02:59,080 --> 00:03:02,120 Speaker 3: their sands. Twenty five of those going out there. And 58 00:03:02,160 --> 00:03:06,680 Speaker 3: then there's one ten thousand dollars grant which is pretty chunky, 59 00:03:06,760 --> 00:03:09,919 Speaker 3: nothing to be sneezed at, and that's actually chosen by 60 00:03:09,960 --> 00:03:11,800 Speaker 3: like a panel of expit. I'm very excited because I 61 00:03:11,800 --> 00:03:13,960 Speaker 3: get to be on that panel of judges and chose 62 00:03:14,000 --> 00:03:16,240 Speaker 3: who gets the ten thousand dollar grant to boost their 63 00:03:16,240 --> 00:03:18,800 Speaker 3: career and help their creative growth in this crazy time, 64 00:03:19,200 --> 00:03:21,839 Speaker 3: and that person also gets a dedicated one on one 65 00:03:22,280 --> 00:03:25,960 Speaker 3: hour long mentoring session with me about so writing or 66 00:03:26,000 --> 00:03:27,679 Speaker 3: about career or whatever they want to do, which is 67 00:03:27,680 --> 00:03:29,960 Speaker 3: actually something I do a lot of behind the scenes already. 68 00:03:30,000 --> 00:03:32,720 Speaker 3: I do quite a bit of mentoring for various sort 69 00:03:32,760 --> 00:03:36,560 Speaker 3: of musical organizations and stuff like that. So it's really exciting. 70 00:03:37,040 --> 00:03:39,480 Speaker 2: It's better than just putting electrical tape on your drum 71 00:03:39,640 --> 00:03:42,000 Speaker 2: on your bass drum skin saying the name of your band? 72 00:03:42,120 --> 00:03:42,760 Speaker 1: Is that what you did? 73 00:03:42,840 --> 00:03:44,880 Speaker 3: That's two. That's good too, But yeah, this is a 74 00:03:44,920 --> 00:03:45,640 Speaker 3: bit more high end. 75 00:03:45,720 --> 00:03:47,400 Speaker 2: Did you ever do that? In Killing Heidi? Did you 76 00:03:47,440 --> 00:03:49,640 Speaker 2: ever have like on the drum skin? Just killing HAIDI 77 00:03:49,680 --> 00:03:52,240 Speaker 2: written in electrical tape, We used. 78 00:03:52,080 --> 00:03:54,320 Speaker 3: Pain, We use all sorts of things with views that go. 79 00:03:54,400 --> 00:03:56,520 Speaker 3: We'll probably used blue tag at some stage and you know, 80 00:03:56,760 --> 00:03:59,760 Speaker 3: Texas sharpies. But I think I think that the tape 81 00:03:59,800 --> 00:04:00,640 Speaker 3: is really good option. 82 00:04:00,760 --> 00:04:02,920 Speaker 2: Yeah. Yeah, but it's a sign that you've truly made 83 00:04:02,920 --> 00:04:05,520 Speaker 2: it when you've got the drum skin at the front 84 00:04:05,600 --> 00:04:07,280 Speaker 2: and it's got the name of the band on it, 85 00:04:07,520 --> 00:04:11,120 Speaker 2: you know, that's the cool professionally done, not with electrical tape, 86 00:04:11,480 --> 00:04:13,960 Speaker 2: but professionally done mum's old wax strips. 87 00:04:14,800 --> 00:04:17,719 Speaker 3: Yeah, that could be one of these artists chooses to do. 88 00:04:17,800 --> 00:04:19,960 Speaker 3: In fact, that's a really good idea. They could use 89 00:04:20,000 --> 00:04:22,240 Speaker 3: their two thousand dollars graphic design grant to get the 90 00:04:22,279 --> 00:04:23,160 Speaker 3: drum skins done. 91 00:04:23,480 --> 00:04:26,120 Speaker 1: They just get some electrical tape and a giant bag 92 00:04:26,160 --> 00:04:26,760 Speaker 1: of mixed. 93 00:04:26,560 --> 00:04:31,360 Speaker 2: Lolly and that's it. That's what I well, it's so great. 94 00:04:31,400 --> 00:04:35,800 Speaker 2: And to support isolate Homegrown, visit ninety nine designs dot 95 00:04:35,800 --> 00:04:38,960 Speaker 2: com dot au slash Homegrown and here's to you getting 96 00:04:39,000 --> 00:04:41,919 Speaker 2: back in our faces on stage again. Ella. 97 00:04:42,200 --> 00:04:44,560 Speaker 3: Oh thanks anytime. Look, you know you can't get me 98 00:04:44,600 --> 00:04:46,599 Speaker 3: off together. You'll have to get a giant cook and 99 00:04:46,720 --> 00:04:49,120 Speaker 3: get dragged me off there because I'm having too much fun. 100 00:04:49,240 --> 00:04:51,800 Speaker 2: Excellent, Well, lovely to talk to you, take you Ella. 101 00:04:52,040 --> 00:04:55,920 Speaker 3: Thanks guys, bye, Jonesy and Amanda's