1 00:00:00,200 --> 00:00:04,240 Speaker 1: The Christian O'Connell Breakfast Show Podcast Milbourn's Gold one oh 2 00:00:04,280 --> 00:00:08,960 Speaker 1: four point three live from Level two twenty one to 3 00:00:09,119 --> 00:00:10,720 Speaker 1: thirty one Goodwood Street. 4 00:00:10,760 --> 00:00:13,120 Speaker 2: Writchman, this is. 5 00:00:13,000 --> 00:00:16,800 Speaker 1: The christ Jan o'conn all Breakfast Show on Melbourn's Gold 6 00:00:16,920 --> 00:00:18,000 Speaker 1: one oh four point. 7 00:00:17,880 --> 00:00:21,680 Speaker 3: Three coming in hot. We're showing number one hundred and six. 8 00:00:21,720 --> 00:00:22,119 Speaker 2: Good morning. 9 00:00:22,120 --> 00:00:24,640 Speaker 3: It's to Christian O'Connell breckforst show for us today and 10 00:00:24,680 --> 00:00:27,920 Speaker 3: the three final Wands in One Last Dream. It is 11 00:00:28,080 --> 00:00:31,160 Speaker 3: live Gig Day. They're playing live tonight in a pub 12 00:00:31,440 --> 00:00:35,159 Speaker 3: in Fitzroy labor in vain Jui. The next hour we'll 13 00:00:35,159 --> 00:00:36,960 Speaker 3: give you a chance to come and join us tonight, 14 00:00:36,960 --> 00:00:39,160 Speaker 3: have a beer with the show. Watch three bands play 15 00:00:39,200 --> 00:00:42,400 Speaker 3: their heart out. One of those bands will be winning 16 00:00:42,520 --> 00:00:45,120 Speaker 3: the big slot to open up for fifteen thousand people 17 00:00:45,440 --> 00:00:50,320 Speaker 3: in how many days? Hours seconds? He's not got it day? 18 00:00:50,600 --> 00:00:51,280 Speaker 2: Are you talking to me? 19 00:00:51,320 --> 00:00:51,520 Speaker 4: Yeah? 20 00:00:51,560 --> 00:00:55,160 Speaker 5: Yeah, this whole time ten days, five hours, fifty five minutes, 21 00:00:55,200 --> 00:00:56,120 Speaker 5: seventeen seconds. 22 00:00:56,760 --> 00:00:58,600 Speaker 3: It's getting really close now, all right. 23 00:00:58,520 --> 00:00:59,520 Speaker 2: So that's tonight. 24 00:00:59,560 --> 00:01:03,120 Speaker 3: Also show today Maroon five tickets at seven thirty and 25 00:01:03,200 --> 00:01:09,080 Speaker 3: ten weeks after tickets. I've got stuff to talk to 26 00:01:09,120 --> 00:01:11,600 Speaker 3: you about today, But I've got to be honest. Before 27 00:01:11,720 --> 00:01:14,039 Speaker 3: the show, we're having our normal kind of show meeting, 28 00:01:14,080 --> 00:01:16,880 Speaker 3: and normally you'd be surprised to know there is planning. 29 00:01:16,959 --> 00:01:20,280 Speaker 3: There is, Dad, promise you there is planning. There's not much. 30 00:01:20,440 --> 00:01:23,840 Speaker 3: There is some a nod towards planning. Okay, we're in 31 00:01:23,840 --> 00:01:28,400 Speaker 3: the vague state of planning. Okay, but today we've drifted 32 00:01:28,440 --> 00:01:30,200 Speaker 3: over the last five minutes. 33 00:01:30,560 --> 00:01:30,640 Speaker 6: Now. 34 00:01:30,640 --> 00:01:32,040 Speaker 3: I don't know if it's this time of the day 35 00:01:32,120 --> 00:01:36,000 Speaker 3: where you're awake, you're up, but you're not quite ready 36 00:01:36,080 --> 00:01:38,720 Speaker 3: for the world. You're still in the half sleep world, 37 00:01:38,720 --> 00:01:41,560 Speaker 3: whatever happens to us at sleepy time. But Yousa Beck 38 00:01:41,640 --> 00:01:43,400 Speaker 3: was chatting to Jack and I and Brian in the 39 00:01:43,480 --> 00:01:47,960 Speaker 3: studio about the afterlife and we were all speculating about 40 00:01:48,440 --> 00:01:50,840 Speaker 3: when we hopefully all go to the afterlife and whatever 41 00:01:50,880 --> 00:01:52,840 Speaker 3: you want to call it, a good place. Do you 42 00:01:52,880 --> 00:01:55,240 Speaker 3: want to be clothed? How do you want to be clothed? 43 00:01:55,240 --> 00:01:57,240 Speaker 3: And I was telling the guys how I would like 44 00:01:57,280 --> 00:02:00,600 Speaker 3: to be pretty smartly dressed, okay, because I just if 45 00:02:00,800 --> 00:02:03,880 Speaker 3: just say there is an afterlife and a good place, 46 00:02:04,280 --> 00:02:06,040 Speaker 3: I don't want. The only reason that don't let me 47 00:02:06,080 --> 00:02:08,639 Speaker 3: in because I haven't got a collar and a hard shoe, 48 00:02:08,840 --> 00:02:11,480 Speaker 3: you know, because I did spend the second half of 49 00:02:11,520 --> 00:02:13,760 Speaker 3: my life living in Australia and I've fonged up or something. 50 00:02:13,840 --> 00:02:15,400 Speaker 3: They're going to go, Look, we'd love to let you mean, 51 00:02:15,400 --> 00:02:19,480 Speaker 3: you're a good guy, but there's no shoes and you 52 00:02:19,480 --> 00:02:21,119 Speaker 3: know there's no there's no tie. 53 00:02:20,840 --> 00:02:23,760 Speaker 5: There and most people would you say most people get 54 00:02:23,760 --> 00:02:24,480 Speaker 5: buried in a suit? 55 00:02:24,600 --> 00:02:26,440 Speaker 2: Is that or like a nice dress. 56 00:02:27,280 --> 00:02:30,480 Speaker 3: My uncle died a couple of years ago and he 57 00:02:30,560 --> 00:02:33,240 Speaker 3: did not want to be buried in a suit, right, And 58 00:02:34,200 --> 00:02:38,120 Speaker 3: his favorite band was Madness, and he wants he buried 59 00:02:38,160 --> 00:02:41,760 Speaker 3: in his favorite Madness T shirt seriously, So he had 60 00:02:41,800 --> 00:02:44,200 Speaker 3: a pair of jeans, he had his favorite hat and 61 00:02:44,240 --> 00:02:46,839 Speaker 3: his Madness T shirt. He wanted to go out like that. 62 00:02:47,480 --> 00:02:49,320 Speaker 3: So yeah, he had his Madness taur T shirt on, 63 00:02:49,440 --> 00:02:50,720 Speaker 3: like a live show T shirt. 64 00:02:50,760 --> 00:02:52,880 Speaker 2: And it's possible he got turned away at the Pearly game. 65 00:02:53,080 --> 00:02:54,679 Speaker 3: Well we don't know. You don't have the big guys 66 00:02:55,000 --> 00:02:57,480 Speaker 3: who doesn't not like Madness. So I think actually maybe 67 00:02:57,480 --> 00:02:59,400 Speaker 3: that was Look, we'll tak a part of it, you know, 68 00:02:59,440 --> 00:03:01,280 Speaker 3: you can come for on this. The other thing I 69 00:03:01,320 --> 00:03:05,520 Speaker 3: do is I want to take with me a really 70 00:03:05,520 --> 00:03:09,760 Speaker 3: big coffin with like another coffin attached to it, as 71 00:03:09,840 --> 00:03:11,880 Speaker 3: like a kind of I want to take a load 72 00:03:11,919 --> 00:03:14,560 Speaker 3: of snacks, some books and some box sets as well. 73 00:03:14,760 --> 00:03:16,440 Speaker 5: You want to be loaded up. But how do you 74 00:03:16,480 --> 00:03:17,840 Speaker 5: get from one coffin to the next? 75 00:03:17,919 --> 00:03:22,399 Speaker 3: Or are they I think I guess they'd have to be. Yeah, 76 00:03:22,440 --> 00:03:24,960 Speaker 3: I need someone to help invent some kind of I. 77 00:03:24,960 --> 00:03:27,240 Speaker 2: Think you just bought a bigger coffin with compartments in it. 78 00:03:27,360 --> 00:03:28,200 Speaker 2: Yeah that's it? Then? 79 00:03:28,400 --> 00:03:30,400 Speaker 3: Yeah, yeah, that's what I'd like. How do you want 80 00:03:30,440 --> 00:03:30,600 Speaker 3: to go? 81 00:03:31,800 --> 00:03:32,360 Speaker 4: I love. 82 00:03:34,120 --> 00:03:34,480 Speaker 2: Had something. 83 00:03:34,480 --> 00:03:36,480 Speaker 3: The other night we had some good news about the show, 84 00:03:36,560 --> 00:03:39,200 Speaker 3: and this my wife and I celebrated. We celebrated to 85 00:03:39,200 --> 00:03:41,240 Speaker 3: it with a bottle of champagne and two bags of 86 00:03:41,240 --> 00:03:44,160 Speaker 3: those mission chips. Last night we got through another one 87 00:03:44,200 --> 00:03:46,360 Speaker 3: watching the second episode. Great TV show that might me 88 00:03:46,440 --> 00:03:49,800 Speaker 3: catch it on? I view that ABC catch up Killing Eve. 89 00:03:49,880 --> 00:03:52,200 Speaker 3: It's a great show about a female assassin from the 90 00:03:52,480 --> 00:03:54,800 Speaker 3: brilliant books. But yeah, well we got through another bag 91 00:03:54,920 --> 00:03:57,640 Speaker 3: last night. I'm getting through a bag and I those 92 00:03:57,680 --> 00:04:01,680 Speaker 3: mission chips they are they're like crack. They need to 93 00:04:01,680 --> 00:04:04,280 Speaker 3: have some sort of warning on or something. They are 94 00:04:04,360 --> 00:04:07,400 Speaker 3: amazing I could murder a bag right now. Those cheese 95 00:04:07,480 --> 00:04:10,560 Speaker 3: Natcho flavors are incredible. So what are you taking to 96 00:04:10,600 --> 00:04:13,440 Speaker 3: the journey to the afterlife? Well, I hate not that guitar. 97 00:04:14,400 --> 00:04:19,200 Speaker 3: Didn't think of that, but I'll keep wondering. Jack Johnson, 98 00:04:19,320 --> 00:04:21,640 Speaker 3: now big on that thing. Some tumeless noise. 99 00:04:21,720 --> 00:04:23,760 Speaker 5: Yeah, we'll talk about doing the planning meeting. I try 100 00:04:23,800 --> 00:04:25,760 Speaker 5: and serenade us with a bit of background music. 101 00:04:25,600 --> 00:04:26,279 Speaker 2: And I get yelled. 102 00:04:26,640 --> 00:04:28,880 Speaker 3: This guy there's always on a beach, isn't there late 103 00:04:28,920 --> 00:04:30,400 Speaker 3: at night trying to pull the ladies. 104 00:04:30,760 --> 00:04:31,719 Speaker 2: He can't play a song. 105 00:04:31,720 --> 00:04:34,080 Speaker 3: It's just like noodling. He's got it over his shoulder 106 00:04:34,080 --> 00:04:35,919 Speaker 3: as he wanders like a hobo down the beach. 107 00:04:37,040 --> 00:04:38,120 Speaker 2: Patsy, what are you taking? 108 00:04:38,560 --> 00:04:42,320 Speaker 7: I think I would take my old cat and dog's 109 00:04:42,400 --> 00:04:43,080 Speaker 7: ashes with me. 110 00:04:43,240 --> 00:04:45,480 Speaker 2: Oh god, I would they have to. 111 00:04:45,440 --> 00:04:47,880 Speaker 8: Come with me into the They're probably up there. They 112 00:04:47,920 --> 00:04:48,560 Speaker 8: might make me. 113 00:04:48,880 --> 00:04:52,280 Speaker 3: Letting in some nutty cat lady. Hey, what have you 114 00:04:52,320 --> 00:04:54,400 Speaker 3: got there? We just need to go over in that line. 115 00:04:54,440 --> 00:04:56,120 Speaker 3: What's in here? Dead cats? 116 00:04:56,120 --> 00:04:56,520 Speaker 2: Get out? 117 00:04:56,800 --> 00:04:59,839 Speaker 8: And my jewelry. I'm taking all my jeweying. 118 00:04:59,480 --> 00:05:03,320 Speaker 3: Downstairs, cat lady, downstairs, crazy cat lady with dead animals. 119 00:05:03,400 --> 00:05:06,479 Speaker 2: It's the border patrol version of the after life. They're 120 00:05:06,480 --> 00:05:07,840 Speaker 2: sh having cameras in your paces. 121 00:05:08,200 --> 00:05:11,600 Speaker 1: Let's make that TV show the Christian O'Connell breakfast Show, 122 00:05:11,720 --> 00:05:13,880 Speaker 1: Melbourne's Gold one oh four point three. 123 00:05:14,040 --> 00:05:16,960 Speaker 3: So we've stumbled in today's show carrying a conversation that 124 00:05:16,960 --> 00:05:20,080 Speaker 3: we started before the show, talking about how we'd like 125 00:05:20,120 --> 00:05:21,960 Speaker 3: to be dressed and what we'd like to take with 126 00:05:22,080 --> 00:05:24,360 Speaker 3: us to the afterlife. And do you know what these 127 00:05:24,400 --> 00:05:27,120 Speaker 3: are the kind of conversations that are swirling around in 128 00:05:27,160 --> 00:05:28,920 Speaker 3: your mind if you get up this time of day, 129 00:05:28,920 --> 00:05:31,560 Speaker 3: aren't they You're not really unless you got something really 130 00:05:31,600 --> 00:05:33,320 Speaker 3: big gun on your life. You're not really thinking about 131 00:05:33,320 --> 00:05:35,400 Speaker 3: this at lunchtime unless you've got a really bad job 132 00:05:35,600 --> 00:05:37,520 Speaker 3: and he's staring out your window in your little sail 133 00:05:37,720 --> 00:05:40,440 Speaker 3: just thinking, oh, when will the afterlife take me to 134 00:05:40,480 --> 00:05:44,159 Speaker 3: a better place? But sometimes when that transition between now 135 00:05:44,279 --> 00:05:47,200 Speaker 3: and sleep and you're not quite got your emotional armor 136 00:05:47,200 --> 00:05:49,080 Speaker 3: together to deal with the world, it's kind of like 137 00:05:49,120 --> 00:05:51,400 Speaker 3: this hazy kind of hour or two before the rest 138 00:05:51,440 --> 00:05:53,120 Speaker 3: of the world wakes up and comes online. 139 00:05:53,160 --> 00:05:55,400 Speaker 2: It's like a secret hour of the day. 140 00:05:55,400 --> 00:05:57,200 Speaker 3: I always think this part of the day, And so yeah, 141 00:05:57,200 --> 00:05:59,480 Speaker 3: we'll talking about the afterlife. What do you want to 142 00:05:59,520 --> 00:06:01,440 Speaker 3: be dressed, how you want to be dressed, and what 143 00:06:01,480 --> 00:06:02,760 Speaker 3: do you want to take with you? I'm thinking I 144 00:06:02,800 --> 00:06:05,920 Speaker 3: will take my these headphones I'm wearing now. I had 145 00:06:05,920 --> 00:06:09,120 Speaker 3: these for twelve years my last show I've taken Yeah, seriously, 146 00:06:09,160 --> 00:06:09,920 Speaker 3: like a talisman. 147 00:06:10,000 --> 00:06:12,120 Speaker 2: I wondered why he had special felt around. 148 00:06:11,920 --> 00:06:15,279 Speaker 3: The mind had to be re lined three times last years. Seriously, 149 00:06:15,279 --> 00:06:17,840 Speaker 3: engineers to get really annoyed. They need to be relined again. 150 00:06:17,880 --> 00:06:20,159 Speaker 3: They just send them to some lady who would reline. 151 00:06:20,200 --> 00:06:25,839 Speaker 3: They're like fur lined silk ermine headphones. The Bomby has Australia. 152 00:06:25,839 --> 00:06:26,359 Speaker 2: Who can do that? 153 00:06:26,480 --> 00:06:27,760 Speaker 5: Or do they have to be said back to the 154 00:06:27,839 --> 00:06:29,640 Speaker 5: UK and we have to take a week or so off. 155 00:06:31,920 --> 00:06:33,520 Speaker 3: Tell me now, I have to find someone in Melbourne, 156 00:06:33,560 --> 00:06:35,279 Speaker 3: a special tailor that can do this. It seems to 157 00:06:35,360 --> 00:06:39,120 Speaker 3: us I would take these silk lined headphones with me. 158 00:06:39,960 --> 00:06:42,320 Speaker 3: I mean, we don't know the afterlife? Do they have 159 00:06:42,400 --> 00:06:46,160 Speaker 3: an opening for a breakfast show djail I'm written down here. 160 00:06:46,400 --> 00:06:48,600 Speaker 3: If this was a sitcom, it'd be called God's DJ. 161 00:06:50,480 --> 00:06:53,400 Speaker 3: And whatever song the big guy wants is going straight 162 00:06:53,480 --> 00:06:55,320 Speaker 3: on air, even if it is die straight. So I 163 00:06:55,320 --> 00:06:58,000 Speaker 3: wouldn't normally play it, big guy, but for you, I'll 164 00:06:58,040 --> 00:06:59,400 Speaker 3: play God's DJ. 165 00:06:59,520 --> 00:06:59,880 Speaker 2: That's my. 166 00:07:03,240 --> 00:07:05,280 Speaker 3: I'm sunned at this, but we're actually getting people calling 167 00:07:05,279 --> 00:07:07,760 Speaker 3: in to talk about this conversation about the afterlife. 168 00:07:07,800 --> 00:07:09,720 Speaker 2: Gary, good morning, Yeah. 169 00:07:09,640 --> 00:07:13,240 Speaker 9: Good morning Christian. On this topic, my dad was an 170 00:07:13,240 --> 00:07:15,600 Speaker 9: ill bushy and all he ever lived in for twelve 171 00:07:15,680 --> 00:07:22,640 Speaker 9: months of a year was shorts and singleryboy stubbes shorts 172 00:07:24,080 --> 00:07:27,120 Speaker 9: with bone parting around the ledge and a Swan's boonie 173 00:07:27,120 --> 00:07:30,320 Speaker 9: because it was there Sydney. To him, it was South 174 00:07:30,440 --> 00:07:32,800 Speaker 9: Melbourne because he was an ill South Melbourne boy and 175 00:07:32,800 --> 00:07:33,800 Speaker 9: that's what he got buried in. 176 00:07:34,480 --> 00:07:36,160 Speaker 2: Yeah, I think that's fair enough. 177 00:07:36,200 --> 00:07:38,200 Speaker 3: I think we should all ideally, if you've got enough 178 00:07:38,240 --> 00:07:40,200 Speaker 3: time to get ready for how you want to leave 179 00:07:40,240 --> 00:07:42,840 Speaker 3: this world. You know, when we start this life where 180 00:07:42,880 --> 00:07:44,800 Speaker 3: we're not clothes, do you come into the world naked 181 00:07:44,800 --> 00:07:47,520 Speaker 3: and screaming? I'd want to go out dressed? How I 182 00:07:47,560 --> 00:07:48,240 Speaker 3: want to be dressed? 183 00:07:48,400 --> 00:07:50,600 Speaker 2: Well, you know, on Monday we were talking about the 184 00:07:50,640 --> 00:07:52,840 Speaker 2: clown wake which your friends saw. Do you want to 185 00:07:52,920 --> 00:07:53,600 Speaker 2: die as a clown? 186 00:07:53,680 --> 00:07:53,800 Speaker 1: No? 187 00:07:53,840 --> 00:07:56,240 Speaker 5: But do you think the clowns all lined up in 188 00:07:56,240 --> 00:07:58,400 Speaker 5: the bar going near the cloan funeral. Do you think 189 00:07:58,440 --> 00:08:00,880 Speaker 5: they buried their friend as a clown or is it 190 00:08:00,920 --> 00:08:03,600 Speaker 5: for sure you think he was in their makeup and everything. 191 00:08:03,680 --> 00:08:06,320 Speaker 2: Yeah, what a scary thing to go and see his state. 192 00:08:06,520 --> 00:08:09,120 Speaker 3: Then we all saw that beautiful Look at Aretha Franklin 193 00:08:09,240 --> 00:08:12,440 Speaker 3: lying there in state with our high heels, that beautiful dress. 194 00:08:12,520 --> 00:08:16,440 Speaker 3: She looks stunning. Okay, however, you know a clown. Imagine 195 00:08:16,440 --> 00:08:18,040 Speaker 3: if you're going to see a clown, or even if 196 00:08:18,160 --> 00:08:20,280 Speaker 3: imagine you were in charge of just a morgal wherever 197 00:08:20,280 --> 00:08:23,040 Speaker 3: they're kept somewhere a crypt and there's a clown lying 198 00:08:23,080 --> 00:08:26,040 Speaker 3: in state at nighttime. It's anything scary than seeing a 199 00:08:26,080 --> 00:08:28,880 Speaker 3: dead clown in a coffin at two am. 200 00:08:28,840 --> 00:08:33,360 Speaker 2: Especially if the flower on his lapel sprays up, sprays blood. 201 00:08:36,559 --> 00:08:40,439 Speaker 1: Money, Melbourne the Christian O'Connell breakfast Show, Melbourne's Gold one 202 00:08:40,480 --> 00:08:41,520 Speaker 1: oh four point three. 203 00:08:41,559 --> 00:08:43,880 Speaker 3: It's all this conversation about the afterlife and how we 204 00:08:43,880 --> 00:08:46,280 Speaker 3: think we might want to be dressed to journey to 205 00:08:46,559 --> 00:08:50,080 Speaker 3: the afterlife. As I remember, many years ago, I had 206 00:08:50,120 --> 00:08:55,480 Speaker 3: a short lived radio feature called the Dead Celebrity Chat Show. Okay, 207 00:08:55,760 --> 00:08:57,200 Speaker 3: as a radio guy, Jack, see if you. 208 00:08:57,200 --> 00:09:00,000 Speaker 2: Can guess how it worked dead, well, you were. 209 00:09:00,520 --> 00:09:03,160 Speaker 5: Maybe get your psidekick to ring up and pretend to 210 00:09:03,200 --> 00:09:06,520 Speaker 5: be a Selebi who had left the world. 211 00:09:06,760 --> 00:09:08,960 Speaker 3: That would be one pause away. Or do you get 212 00:09:08,960 --> 00:09:11,640 Speaker 3: an American psychic who used to come to London every 213 00:09:11,679 --> 00:09:13,760 Speaker 3: three months in on the show, who used to claim 214 00:09:13,800 --> 00:09:18,080 Speaker 3: that she could channel dead celebrities And so I remember 215 00:09:18,080 --> 00:09:20,439 Speaker 3: on one chat show we had what great lineup for 216 00:09:20,520 --> 00:09:22,880 Speaker 3: guests Bruce Lee, Elvis and King Henry the. 217 00:09:22,800 --> 00:09:25,319 Speaker 2: Eighth, and so you would do all your interviews through her. 218 00:09:25,440 --> 00:09:27,840 Speaker 3: Yes, can you ask King Henry the Eighth, then Elvis 219 00:09:28,080 --> 00:09:29,920 Speaker 3: and then Bruce Lee? 220 00:09:30,600 --> 00:09:34,400 Speaker 2: That's their favorite snack. I used to love that feature. 221 00:09:34,440 --> 00:09:38,000 Speaker 3: But what after one version of it when we had 222 00:09:38,200 --> 00:09:40,960 Speaker 3: a four. I won't say who is because people get upset, 223 00:09:41,080 --> 00:09:43,040 Speaker 3: But this was fifteen years ago. Was about fifteen years 224 00:09:43,040 --> 00:09:45,400 Speaker 3: ago when Carl Pilkinson was my producer. Right, If anybody 225 00:09:45,400 --> 00:09:48,160 Speaker 3: who know the K Man from Ricky and Steve shows, 226 00:09:48,200 --> 00:09:50,079 Speaker 3: he was producinghim at the times, you understand why that 227 00:09:50,120 --> 00:09:50,600 Speaker 3: got on air. 228 00:09:51,320 --> 00:09:53,880 Speaker 2: We had a royal who. 229 00:09:53,840 --> 00:09:56,120 Speaker 3: Lost their life for the last sort of ten or 230 00:09:56,120 --> 00:09:57,719 Speaker 3: fifteen years, and that was the one that got a 231 00:09:57,720 --> 00:09:59,240 Speaker 3: lot of complaints and we had to say goodbye. To 232 00:09:59,440 --> 00:10:01,719 Speaker 3: bartoas love that feature some of those guests, what this 233 00:10:01,800 --> 00:10:04,359 Speaker 3: had come up with? When you think about chat shows nowadays, 234 00:10:04,520 --> 00:10:07,240 Speaker 3: a lot of very dull celebrities. You think about some 235 00:10:07,280 --> 00:10:09,520 Speaker 3: of the greatest chat show guests ever, a lot of 236 00:10:09,520 --> 00:10:11,080 Speaker 3: them are dead. Do you imagine the stories that David 237 00:10:11,080 --> 00:10:14,000 Speaker 3: boemers that now along sitting there on the Dead Somebody's 238 00:10:14,040 --> 00:10:15,760 Speaker 3: couch with Bruce Lee and Elvison King, any of the 239 00:10:15,800 --> 00:10:18,680 Speaker 3: eighth All right, we've got Shannon l like, good morning, Sharon, 240 00:10:19,080 --> 00:10:21,960 Speaker 3: Good morning Christian. Hell are you no, I'm very well, Sharon, 241 00:10:22,040 --> 00:10:24,040 Speaker 3: And we're talking this morning about I don't even know 242 00:10:24,040 --> 00:10:26,400 Speaker 3: why we was talking to talking about this about the afterlife. 243 00:10:26,720 --> 00:10:30,439 Speaker 10: I have no idea. But this is more my stepdad. 244 00:10:30,520 --> 00:10:34,320 Speaker 10: My stepdad was renowned for wearing his blunstone boots, blue 245 00:10:34,360 --> 00:10:36,760 Speaker 10: denim jeans and a blue pilot top. And that's what 246 00:10:36,880 --> 00:10:38,840 Speaker 10: he got buried in, along with a pecket of smokes 247 00:10:38,840 --> 00:10:39,880 Speaker 10: and a can of ev. 248 00:10:42,559 --> 00:10:45,320 Speaker 3: That is the look of a study. 249 00:10:45,480 --> 00:10:48,160 Speaker 10: Oh yes, definitely, But that's that was my stepdad every day. 250 00:10:48,160 --> 00:10:50,160 Speaker 10: That's why you wore. And yet so pega smokes and 251 00:10:50,200 --> 00:10:52,080 Speaker 10: a VB can't winning the grave with him. 252 00:10:52,120 --> 00:10:53,920 Speaker 3: So do you mean he was, he was. He used 253 00:10:53,960 --> 00:10:56,320 Speaker 3: to rock around in rhinestone like cowboy boots. 254 00:10:56,679 --> 00:10:58,120 Speaker 10: No, just not a blunstone boot. 255 00:10:58,679 --> 00:10:59,440 Speaker 2: Are right? Your work? 256 00:10:59,440 --> 00:11:01,000 Speaker 3: You kind of tray he bluntstone? Okay? 257 00:11:01,080 --> 00:11:03,280 Speaker 10: Dnhim jeans and the parlor top had to have a 258 00:11:03,360 --> 00:11:05,439 Speaker 10: pocket in there so we could have your place to 259 00:11:05,440 --> 00:11:06,160 Speaker 10: putty smokes. 260 00:11:06,280 --> 00:11:08,079 Speaker 2: And did you give him a lighter as well? Because 261 00:11:08,080 --> 00:11:10,000 Speaker 2: I mean, God forbid he does wake up and you 262 00:11:10,000 --> 00:11:13,360 Speaker 2: feel it, realize he's carried. He'll read three cigarettes. 263 00:11:13,360 --> 00:11:15,560 Speaker 3: Think what a cruel irony? What a cool because you 264 00:11:15,600 --> 00:11:18,080 Speaker 3: can you can light something off the interior of the coffin. 265 00:11:18,120 --> 00:11:20,120 Speaker 3: I guess it's wood, you know, But you still need 266 00:11:20,200 --> 00:11:22,920 Speaker 3: you need you right o, Jack, You've got. 267 00:11:22,800 --> 00:11:24,920 Speaker 10: A good point there. So I don't know whether that happened, 268 00:11:24,920 --> 00:11:27,079 Speaker 10: but I'm really look, there might be one stuck in 269 00:11:27,120 --> 00:11:27,520 Speaker 10: there somewhere. 270 00:11:27,520 --> 00:11:28,559 Speaker 2: I'm taking back up and. 271 00:11:28,480 --> 00:11:30,079 Speaker 3: Put some matches in a case not to they have 272 00:11:30,160 --> 00:11:31,920 Speaker 3: to exhume that body. Let's go down to the gray 273 00:11:31,960 --> 00:11:32,680 Speaker 3: side right now. 274 00:11:33,840 --> 00:11:35,280 Speaker 9: Oh look, I mean she's laughing. 275 00:11:35,280 --> 00:11:36,800 Speaker 3: I put she's crying now that we're gone too far. 276 00:11:37,200 --> 00:11:40,319 Speaker 1: The Christian oh Connell Breakfast Show Melbourne's Gold one oh 277 00:11:40,400 --> 00:11:41,319 Speaker 1: four point three. 278 00:11:41,480 --> 00:11:44,480 Speaker 3: Your Golden Pass to go and see the Eagles under 279 00:11:44,520 --> 00:11:48,559 Speaker 3: the Southern Stars. They've added some alsus Yesterday Melbourne Cup Carnival, 280 00:11:48,600 --> 00:11:49,800 Speaker 3: The must have been busy yesterday. 281 00:11:49,800 --> 00:11:50,160 Speaker 2: Next year. 282 00:11:50,200 --> 00:11:53,120 Speaker 3: Phil Coddins Bryan Ferry get into all of his show 283 00:11:53,520 --> 00:11:56,560 Speaker 3: The Royal Melbourne Show twenty nineteen, Red Hot Summer Talk, 284 00:11:56,640 --> 00:11:58,880 Speaker 3: Kinie Melbourne Comedy Festival. 285 00:11:58,960 --> 00:11:59,360 Speaker 2: What is this? 286 00:11:59,400 --> 00:12:02,680 Speaker 3: The Game of thro credits, the Grand Prix, Banana Rama, 287 00:12:03,400 --> 00:12:08,240 Speaker 3: Jack's Christmas Day Barbecue, Pats His Boxing Day Barbecue, My 288 00:12:08,440 --> 00:12:12,080 Speaker 3: News Eve Party, Huggies at Friday nights, every party you 289 00:12:12,120 --> 00:12:13,439 Speaker 3: don't need to go to those. You don't need to 290 00:12:13,480 --> 00:12:16,000 Speaker 3: worry about dresser tire, just turn up naked. I made 291 00:12:16,040 --> 00:12:18,480 Speaker 3: that mistake the first Friday I moved here. Ill we 292 00:12:18,559 --> 00:12:20,520 Speaker 3: do is keep listening from ten to or five. You're 293 00:12:20,559 --> 00:12:22,160 Speaker 3: listening out for the Golden Song. 294 00:12:22,080 --> 00:12:25,440 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's gold one oh four 295 00:12:25,480 --> 00:12:25,960 Speaker 1: point three. 296 00:12:26,160 --> 00:12:29,160 Speaker 3: So imagine this then, right, You're a big star, and 297 00:12:29,640 --> 00:12:31,400 Speaker 3: such a big star that you could just call up 298 00:12:31,440 --> 00:12:34,400 Speaker 3: any TV show one for back in the day eighties 299 00:12:34,520 --> 00:12:37,720 Speaker 3: or nineties, and imagine that Time Travelers. You're also so powerful, 300 00:12:37,720 --> 00:12:40,480 Speaker 3: such a big star. Time Travelers at You're disposal as well. 301 00:12:40,720 --> 00:12:43,640 Speaker 3: Hemus was Brothers every weekend. They're flicking back between the 302 00:12:43,679 --> 00:12:45,439 Speaker 3: nineties eighties. That's how I did. When you're a big 303 00:12:45,480 --> 00:12:48,320 Speaker 3: star and you can be a co star in any 304 00:12:48,400 --> 00:12:51,400 Speaker 3: TV show you want, create your own character. 305 00:12:51,800 --> 00:12:53,480 Speaker 2: What TV show would it be for me? 306 00:12:55,840 --> 00:13:02,720 Speaker 3: Sopranos absolutely, just for me, one of the greatest TV 307 00:13:02,840 --> 00:13:03,439 Speaker 3: shows ever. 308 00:13:04,320 --> 00:13:07,360 Speaker 2: S are You're a good but guy are bad guy? 309 00:13:07,960 --> 00:13:10,839 Speaker 3: I'm I've thought a lot about this right because I 310 00:13:10,840 --> 00:13:13,080 Speaker 3: think you're gonna start watching this show all over again. 311 00:13:13,160 --> 00:13:15,360 Speaker 2: Honestly, mate, if you're not seeing me, I met envious 312 00:13:15,360 --> 00:13:18,160 Speaker 2: of you. It's such a brilliant show. It's up there 313 00:13:18,200 --> 00:13:19,760 Speaker 2: with me for Game with Game of Thrones. 314 00:13:19,920 --> 00:13:23,000 Speaker 5: In series that I know, it's got like eight seasons 315 00:13:23,040 --> 00:13:23,800 Speaker 5: or nine seasons. 316 00:13:23,840 --> 00:13:27,440 Speaker 2: I just seem so daunting to watch the whole thing from. 317 00:13:27,400 --> 00:13:30,600 Speaker 3: Sopranos easier to get into than Game of Thrones. Game 318 00:13:30,640 --> 00:13:32,960 Speaker 3: of Thrones, honestly, it's like going to college. You're gonna 319 00:13:32,960 --> 00:13:35,280 Speaker 3: have to do a lot of breeding and homework a night. 320 00:13:35,360 --> 00:13:38,440 Speaker 3: There's notes, assignments, it demands a lot of you. 321 00:13:38,559 --> 00:13:40,199 Speaker 2: Sopranos is easier to get into. 322 00:13:40,679 --> 00:13:44,480 Speaker 3: Here's who I am, though, Here's my character Midnight Mike, 323 00:13:46,160 --> 00:13:51,840 Speaker 3: Late Late Night DJ, Your Calls and Hits, Late Night DJ. Okay, 324 00:13:51,960 --> 00:13:55,120 Speaker 3: your Calls and Hits. Tony's a big fan after he's 325 00:13:55,160 --> 00:13:57,679 Speaker 3: done gambling and stuff like that. What's he always listened 326 00:13:57,679 --> 00:14:00,920 Speaker 3: to when he drives home midnight Mike, Your Calls and 327 00:14:00,960 --> 00:14:03,679 Speaker 3: Hits is Midnight Mic here every midnight between midnight and 328 00:14:03,760 --> 00:14:06,280 Speaker 3: two am, Tony. I don't know who Tony is. 329 00:14:06,320 --> 00:14:06,599 Speaker 2: I don't know. 330 00:14:06,640 --> 00:14:08,559 Speaker 3: It's a gangster, okay, on his way home from a 331 00:14:08,640 --> 00:14:11,920 Speaker 3: hit or something. He's a regular caller. One day, I'm 332 00:14:11,960 --> 00:14:17,360 Speaker 3: having breakfast Tony soprano. Big T introduced it. I'm Tony. 333 00:14:17,800 --> 00:14:20,800 Speaker 3: We get talking. I said, I need the breakfast show 334 00:14:20,800 --> 00:14:23,880 Speaker 3: guy taken out so I can get his key. He 335 00:14:24,000 --> 00:14:26,880 Speaker 3: kills the breakfast show guy for me. Like I said, 336 00:14:26,920 --> 00:14:28,360 Speaker 3: I've probably got into a little bit too much. 337 00:14:28,440 --> 00:14:28,920 Speaker 2: Get out. 338 00:14:30,040 --> 00:14:31,760 Speaker 3: It's a little bit. It's got a little bit cold 339 00:14:32,040 --> 00:14:33,960 Speaker 3: in the studio, very quiet. 340 00:14:34,000 --> 00:14:35,960 Speaker 2: I just looked down the what I wrote. I was like, 341 00:14:36,000 --> 00:14:37,840 Speaker 2: I'd like to be in the Simpsons or Seinfeld. 342 00:14:38,880 --> 00:14:41,880 Speaker 5: I didn't have the character brief that you had. 343 00:14:42,760 --> 00:14:45,760 Speaker 3: I thought a lot about this over the years. Okay, 344 00:14:45,880 --> 00:14:48,760 Speaker 3: so that if I get the call from David Chase 345 00:14:48,760 --> 00:14:51,600 Speaker 3: saying we're bringing it back. I'm like, I'm ready midnight. 346 00:14:51,640 --> 00:14:53,920 Speaker 3: Mike's good to go. I've even got my fur lined headphones. 347 00:14:54,720 --> 00:14:57,200 Speaker 3: So Jack, you're going, You're going to this? 348 00:14:57,200 --> 00:14:59,160 Speaker 2: This is right one of my favorite faving shows of 349 00:14:59,200 --> 00:14:59,560 Speaker 2: all time. 350 00:15:00,160 --> 00:15:02,160 Speaker 3: Racist comment, Si, Come ever. 351 00:15:02,520 --> 00:15:04,240 Speaker 5: I'd traveled back in time and so I can be 352 00:15:04,320 --> 00:15:07,280 Speaker 5: my age. I don't have to be a child in Finefeld. 353 00:15:07,720 --> 00:15:10,000 Speaker 3: Yeah, I mean, anyway, why would Jerry or Elane or 354 00:15:10,080 --> 00:15:12,360 Speaker 3: Kramer something or George want to hang out with the kid? 355 00:15:12,440 --> 00:15:14,960 Speaker 2: Jack? So you're thirty one, I'm thirty one. 356 00:15:15,320 --> 00:15:19,320 Speaker 5: I thought I could be like Elane's boyfriend, maybe sleepy Jack, 357 00:15:20,240 --> 00:15:24,800 Speaker 5: sleepy old Seinfeld, Like all the big characters did have 358 00:15:24,880 --> 00:15:26,360 Speaker 5: an idiosyncrasy about them. 359 00:15:26,360 --> 00:15:31,840 Speaker 3: So what would be sleepy Jack? You know, you've got narcolepsy, 360 00:15:31,840 --> 00:15:35,320 Speaker 3: exact condition where you're falling asleep. So your Elaine's boyfriend, 361 00:15:35,400 --> 00:15:36,840 Speaker 3: you know, right as they're getting down to it. 362 00:15:37,200 --> 00:15:38,840 Speaker 2: Oh no, it's sleepy Jack. 363 00:15:38,960 --> 00:15:39,160 Speaker 4: You know. 364 00:15:40,960 --> 00:15:41,240 Speaker 9: You know. 365 00:15:42,680 --> 00:15:44,560 Speaker 3: You go to meet her parents, You're just about to 366 00:15:44,600 --> 00:15:47,560 Speaker 3: be introduced. And he pulled a seat from the super Bowl. 367 00:15:47,680 --> 00:15:49,880 Speaker 3: I could actually see that episode happening. 368 00:15:50,160 --> 00:15:51,280 Speaker 8: It's not too far. 369 00:15:51,120 --> 00:15:55,600 Speaker 3: From you know, reality, but just some rhymes has written 370 00:15:55,600 --> 00:15:58,000 Speaker 3: down a piece of payment that you'd beat Kramer's half 371 00:15:58,080 --> 00:15:59,760 Speaker 3: brother and he's gone, look at the hair. 372 00:16:00,400 --> 00:16:00,480 Speaker 9: Hi. 373 00:16:03,160 --> 00:16:06,640 Speaker 3: Yeah, Kramer discovers he's got a long lost Australian half 374 00:16:06,680 --> 00:16:10,000 Speaker 3: brother that could run for seasons. Pats what would you be? 375 00:16:10,080 --> 00:16:10,800 Speaker 3: What TV show are you? 376 00:16:11,000 --> 00:16:15,080 Speaker 8: I'd be Sex in the City most definitely. Oh oh god. 377 00:16:15,160 --> 00:16:16,840 Speaker 8: It was a great series. 378 00:16:18,000 --> 00:16:22,600 Speaker 3: Balls Shrinking, the worst TV show ever. 379 00:16:22,480 --> 00:16:24,600 Speaker 7: Best done the two I've been there, done that. And 380 00:16:24,640 --> 00:16:27,000 Speaker 7: I'd be pats the Star New York news anchor. 381 00:16:29,080 --> 00:16:30,000 Speaker 3: That's a fantasy. 382 00:16:30,200 --> 00:16:33,520 Speaker 8: I'd get kickbacks from Gucci and Manolo Blantic every week. 383 00:16:36,560 --> 00:16:37,880 Speaker 2: Who's willing to sell out? Yeah? 384 00:16:38,000 --> 00:16:41,200 Speaker 8: Yeah, I'd be corrupt Patsy, you know, send. 385 00:16:41,000 --> 00:16:43,440 Speaker 3: Her news, send her a little pr release that being 386 00:16:43,440 --> 00:16:48,840 Speaker 3: the News. 387 00:16:46,400 --> 00:16:48,360 Speaker 2: Dropped cash for comments into her. 388 00:16:48,280 --> 00:16:51,120 Speaker 3: News as if pat would like that as well, I 389 00:16:51,240 --> 00:16:58,120 Speaker 3: would Margarita's half Price seven This Morning specials in bargos 390 00:16:59,840 --> 00:17:01,760 Speaker 3: think give us a call. What TV show would you 391 00:17:02,080 --> 00:17:05,080 Speaker 3: like to be? And nine four one oh four three 392 00:17:05,200 --> 00:17:07,480 Speaker 3: can be a current one or going back through the decades. 393 00:17:07,680 --> 00:17:09,360 Speaker 3: Nine four one four one oh four. 394 00:17:09,200 --> 00:17:12,639 Speaker 1: Three The Christian O'Connell Breakfast Show, Melbourne's gold one oh 395 00:17:12,760 --> 00:17:14,359 Speaker 1: four point three talking smaller. 396 00:17:14,400 --> 00:17:16,920 Speaker 3: Then if you could be in any TV show, which 397 00:17:16,920 --> 00:17:22,440 Speaker 3: one would it be? So for Jack straight Top the 398 00:17:22,480 --> 00:17:26,639 Speaker 3: greatest sitcom ever. I don't think you can make a 399 00:17:26,680 --> 00:17:29,159 Speaker 3: case for another one being any funnier than Seinfeld. 400 00:17:29,600 --> 00:17:32,000 Speaker 2: And when it's hypothetical as well, you're allowed to time travel, 401 00:17:32,040 --> 00:17:34,000 Speaker 2: so I could be my age back in the nineties. 402 00:17:34,000 --> 00:17:40,840 Speaker 3: Easy pats, he's gone for this horror And remind me again, 403 00:17:40,880 --> 00:17:44,520 Speaker 3: you're in your glamorous news reader where you are now and. 404 00:17:44,520 --> 00:17:45,960 Speaker 8: I get kickbacks, I'm corrupt? 405 00:17:46,280 --> 00:17:49,199 Speaker 5: And then how do you tie into the news reader 406 00:17:49,800 --> 00:17:50,800 Speaker 5: was shooting for Jack? 407 00:17:50,840 --> 00:17:51,880 Speaker 3: That's what we're working with. 408 00:17:53,320 --> 00:17:56,760 Speaker 2: What's your relationship with the main the old guy, which 409 00:17:56,800 --> 00:17:57,239 Speaker 2: is what you're doing. 410 00:17:57,680 --> 00:18:00,000 Speaker 8: I'm the legendary girlfriend. I've got it all. 411 00:18:00,080 --> 00:18:03,560 Speaker 11: I'm a good combination of all four Oh my work, Yeah, 412 00:18:04,000 --> 00:18:10,000 Speaker 11: I'm a sixth bomb on the business woman, mother and 413 00:18:10,280 --> 00:18:11,120 Speaker 11: all around legend. 414 00:18:13,119 --> 00:18:13,640 Speaker 2: Where's I. 415 00:18:15,200 --> 00:18:21,040 Speaker 3: Tony Soprano's favorite late night DJ, Midnight Mike, Your calls 416 00:18:21,280 --> 00:18:24,720 Speaker 3: had hits, although Jack's thinking that actually, when I said 417 00:18:25,240 --> 00:18:28,000 Speaker 3: your calls and hits, I meant night classic rock. You thought, 418 00:18:28,000 --> 00:18:30,400 Speaker 3: actually I was a late night DJ. When you made 419 00:18:30,400 --> 00:18:33,560 Speaker 3: a request for your say, a business partner, it was 420 00:18:33,680 --> 00:18:35,720 Speaker 3: code to have them wha you could call. 421 00:18:35,600 --> 00:18:37,640 Speaker 2: In and your requence is actually a hit? 422 00:18:38,600 --> 00:18:41,840 Speaker 5: And Matt So Midnight Michael almost calling Magic Midnight Micha 423 00:18:41,840 --> 00:18:42,960 Speaker 5: would go your calls them. 424 00:18:43,440 --> 00:18:46,760 Speaker 3: H I say, I thought that it's in italics right 425 00:18:46,840 --> 00:18:50,439 Speaker 3: and HiT's all right? All right, it's got to lie, Kylie, 426 00:18:50,440 --> 00:18:53,760 Speaker 3: good morning. I'm pretty good to have you well this morning. 427 00:18:53,840 --> 00:18:57,360 Speaker 6: Having a good week, very good, Yeah, having a great week, excellent? 428 00:18:57,480 --> 00:18:59,399 Speaker 2: And which TV show were going to put you in? 429 00:19:00,280 --> 00:19:01,240 Speaker 12: Definitely Happy Days? 430 00:19:01,760 --> 00:19:03,639 Speaker 2: Great one of the great theme too well. 431 00:19:15,080 --> 00:19:18,040 Speaker 3: And Karlie, what are you in the Happy Days? Oh? 432 00:19:18,359 --> 00:19:22,720 Speaker 13: Definitely love a tough Cadero, love her. 433 00:19:23,520 --> 00:19:23,800 Speaker 2: Do you know what? 434 00:19:23,800 --> 00:19:26,520 Speaker 3: I still love that show as a kid, I really really. 435 00:19:26,200 --> 00:19:30,600 Speaker 8: Did a great show that was played by Susie, wasn't it. 436 00:19:30,720 --> 00:19:31,240 Speaker 14: Yeah? 437 00:19:31,720 --> 00:19:35,040 Speaker 3: Very young, yeah, before she had all the hits like 438 00:19:35,080 --> 00:19:40,960 Speaker 3: a down at Devilgate Drive and that. Yeah, Klie, if 439 00:19:41,000 --> 00:19:42,520 Speaker 3: you killed great one, have a good day. 440 00:19:42,720 --> 00:19:43,440 Speaker 15: Thank you too. 441 00:19:43,600 --> 00:19:43,959 Speaker 1: Bye. 442 00:19:44,080 --> 00:19:45,679 Speaker 2: All right, let's go to Darren. 443 00:19:45,680 --> 00:19:49,080 Speaker 3: Good morning, Darren, good morning, good morning mate. And it 444 00:19:49,160 --> 00:19:50,639 Speaker 3: sounds like you're on your way to work. 445 00:19:51,680 --> 00:19:55,159 Speaker 9: Yeah yeah, yeah yeah. 446 00:19:54,480 --> 00:19:55,720 Speaker 2: And what do you do Darren? 447 00:19:55,760 --> 00:19:59,760 Speaker 3: What is work builder. Okay, so you've got a proper job, 448 00:19:59,760 --> 00:20:05,119 Speaker 3: you wan hard? Yeah kind of? Alright, what's the TV 449 00:20:05,160 --> 00:20:05,680 Speaker 3: show for you? 450 00:20:06,480 --> 00:20:07,400 Speaker 16: Might the eighteen? 451 00:20:07,600 --> 00:20:08,120 Speaker 2: Get in? 452 00:20:09,119 --> 00:20:10,720 Speaker 3: What a great shows can help? 453 00:20:10,920 --> 00:20:13,239 Speaker 1: And if you can fight, maybe you can hire him? 454 00:20:23,280 --> 00:20:25,560 Speaker 3: Suddenly I'm a kid again. Hi, though, my week was 455 00:20:25,600 --> 00:20:28,280 Speaker 3: watching the eighteen? And are you one of the characters 456 00:20:28,280 --> 00:20:28,560 Speaker 3: in it? 457 00:20:29,880 --> 00:20:33,440 Speaker 9: I reckon, I'm a morph character. I got the looks 458 00:20:33,520 --> 00:20:43,000 Speaker 9: of faith, yeah yeah, and kill out of. 459 00:20:41,720 --> 00:20:43,600 Speaker 2: You you've gone through the paths. 460 00:20:43,720 --> 00:20:46,719 Speaker 3: Yes, and the Swiss army knife of all of them, 461 00:20:47,040 --> 00:20:50,040 Speaker 3: a beautiful hybrid. Back in the day, was there anyone 462 00:20:50,040 --> 00:20:52,000 Speaker 3: better looking on the TV in the on the in 463 00:20:52,040 --> 00:20:53,960 Speaker 3: the eighties than Benedicts as the face? 464 00:20:54,040 --> 00:20:55,840 Speaker 2: Man? He was gorgeous, wasn't he? 465 00:20:56,680 --> 00:20:57,280 Speaker 16: Absolutely? 466 00:20:58,680 --> 00:20:59,000 Speaker 2: Anyway? 467 00:20:59,040 --> 00:21:01,159 Speaker 3: Yeah, going off somewhere that Darren, have a good day 468 00:21:01,160 --> 00:21:04,640 Speaker 3: at work, take care a good day all right, thanks mate. 469 00:21:04,680 --> 00:21:08,040 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 470 00:21:08,080 --> 00:21:09,000 Speaker 1: point three. 471 00:21:08,720 --> 00:21:11,280 Speaker 3: It's all about tonight heading to the pub in Fitzroy. 472 00:21:11,400 --> 00:21:14,320 Speaker 3: It is live gignight for the three final bands, the 473 00:21:14,359 --> 00:21:17,359 Speaker 3: bands you've voted for last week for one last dream. 474 00:21:17,720 --> 00:21:19,320 Speaker 3: I'd imagine right now as they're getting to go and 475 00:21:19,320 --> 00:21:21,959 Speaker 3: do a day's work. All the band members from the 476 00:21:21,960 --> 00:21:25,640 Speaker 3: three bands must be so excited and nervous. The pub 477 00:21:25,680 --> 00:21:27,320 Speaker 3: that we're going to be in tonight labor in Vain. 478 00:21:27,359 --> 00:21:29,320 Speaker 3: We've got tickets to come and join us. We've got 479 00:21:29,320 --> 00:21:31,520 Speaker 3: to do it ticketed. If it was a bigger pub, 480 00:21:31,520 --> 00:21:32,919 Speaker 3: I'd say just turn up and come and see us, 481 00:21:32,920 --> 00:21:34,120 Speaker 3: have a beer with us. It'll be lovely to meet 482 00:21:34,160 --> 00:21:36,200 Speaker 3: you and see you tonight for a beer in Fitzroy. 483 00:21:36,400 --> 00:21:38,600 Speaker 3: But it's I mean, it's one of those pubs. It's 484 00:21:38,600 --> 00:21:41,560 Speaker 3: a proper music venue where you go in the door, 485 00:21:41,640 --> 00:21:43,840 Speaker 3: you're in the bar and the band are playing over 486 00:21:43,880 --> 00:21:46,520 Speaker 3: there by the board snooker table and I think even 487 00:21:46,560 --> 00:21:48,960 Speaker 3: the table has been moved out the way. That's the performance. 488 00:21:49,119 --> 00:21:51,159 Speaker 5: Yeah, well the poll table becomes the same disc. That's 489 00:21:51,240 --> 00:21:51,919 Speaker 5: where they put it all. 490 00:21:52,400 --> 00:21:55,959 Speaker 3: It is really really intimate, like a proper music venue. 491 00:21:56,000 --> 00:21:59,040 Speaker 3: So for the bands playing who haven't played live some 492 00:21:59,119 --> 00:22:01,760 Speaker 3: of the cases twenty eight years, they're playing night to night, 493 00:22:01,840 --> 00:22:03,399 Speaker 3: we're going to be right on top of them. Obviously 494 00:22:03,440 --> 00:22:05,920 Speaker 3: we're filming it all as well, so if you want 495 00:22:05,960 --> 00:22:07,480 Speaker 3: to be there, we'll give you a chance later on 496 00:22:07,520 --> 00:22:10,760 Speaker 3: this morning show but it is pub gig night before 497 00:22:10,800 --> 00:22:12,640 Speaker 3: that dual the next twenty minutes before we start opening 498 00:22:12,680 --> 00:22:14,479 Speaker 3: up the lines for this morning's Panic game for your 499 00:22:14,480 --> 00:22:17,119 Speaker 3: Marion five tickets. I've always been obsessed with as a 500 00:22:17,160 --> 00:22:22,000 Speaker 3: dog owner, pets that have human names. I remember walking 501 00:22:22,080 --> 00:22:25,760 Speaker 3: on a beach. We do have them in England, the freezing. 502 00:22:25,520 --> 00:22:26,760 Speaker 2: Cold, but we do have the. 503 00:22:28,359 --> 00:22:30,119 Speaker 3: No, no, no, there are some really nice sandy ones, 504 00:22:30,160 --> 00:22:32,919 Speaker 3: Pebby ones. A horrible beaches, aren't they They're just not fun, 505 00:22:33,080 --> 00:22:34,800 Speaker 3: it's just awful. But there's a really nice one where 506 00:22:34,800 --> 00:22:37,640 Speaker 3: I first started in radio and Bournemouth and it's down 507 00:22:37,720 --> 00:22:40,200 Speaker 3: there Pire. Once walking an old dog of ours, when 508 00:22:40,200 --> 00:22:42,440 Speaker 3: we said this older dog a rescue dog. 509 00:22:42,640 --> 00:22:45,840 Speaker 2: And suddenly a dog just took off. 510 00:22:46,160 --> 00:22:47,879 Speaker 3: There was like a cafe where you could sit and 511 00:22:47,920 --> 00:22:50,720 Speaker 3: have some chips and have a lunch, and it overlooks 512 00:22:50,760 --> 00:22:53,240 Speaker 3: opened up onto the beach and this dog you know 513 00:22:53,240 --> 00:22:54,920 Speaker 3: what they like sunse where they just take off As 514 00:22:54,960 --> 00:22:57,560 Speaker 3: the owner gets up, you know, and he's yelling at 515 00:22:57,600 --> 00:23:02,680 Speaker 3: the dog and all I hear is Dave, Dave, Dave, 516 00:23:02,800 --> 00:23:06,200 Speaker 3: and then s this labrador takes off after another dog 517 00:23:06,240 --> 00:23:07,919 Speaker 3: and then there's a guy sort of you know, in 518 00:23:08,000 --> 00:23:11,240 Speaker 3: thongs from a waddle down the beach after this dog 519 00:23:11,320 --> 00:23:12,760 Speaker 3: called Dave. Which is it? 520 00:23:12,840 --> 00:23:13,240 Speaker 2: Which is so? 521 00:23:13,440 --> 00:23:16,199 Speaker 3: Since that moment, I've always become obsessed for pets to 522 00:23:16,240 --> 00:23:18,359 Speaker 3: have human names. And then when I used to walk, 523 00:23:18,480 --> 00:23:20,760 Speaker 3: and even if you've not got a pet yourself or 524 00:23:20,760 --> 00:23:22,800 Speaker 3: a dog or anything, you might have been running in 525 00:23:22,840 --> 00:23:25,359 Speaker 3: a park or just walking in the park and heard 526 00:23:25,400 --> 00:23:29,679 Speaker 3: someone yell a human name, like Sandra or Peter, and 527 00:23:29,880 --> 00:23:32,920 Speaker 3: suddenly a dog comes wandling over. I remember there used 528 00:23:32,920 --> 00:23:35,080 Speaker 3: to be when I used to walk my dog where 529 00:23:35,080 --> 00:23:39,760 Speaker 3: we used to live, there was a dog called mister Stephenson, and. 530 00:23:40,920 --> 00:23:42,280 Speaker 2: I don't even know the owner's name. 531 00:23:42,320 --> 00:23:45,080 Speaker 3: I would always see this lady like in her sixties. 532 00:23:45,160 --> 00:23:47,680 Speaker 3: And that's the thing. If you're a dog walker, you 533 00:23:48,119 --> 00:23:49,960 Speaker 3: end up becoming friends with these people. We've got no 534 00:23:50,040 --> 00:23:52,600 Speaker 3: idea what their names are. But all you know is 535 00:23:52,760 --> 00:23:55,080 Speaker 3: always saw the lady that walks mister Stevenson every day, 536 00:23:55,359 --> 00:23:58,840 Speaker 3: and then always go, how is mister Stephenson? I never 537 00:23:58,960 --> 00:24:00,919 Speaker 3: enough guts that says, excuse me all the way, that 538 00:24:00,960 --> 00:24:03,920 Speaker 3: isn't a dog's name. Why is he called mister Stephenson? 539 00:24:04,400 --> 00:24:06,119 Speaker 3: So this morning I want to see what are the 540 00:24:06,160 --> 00:24:08,960 Speaker 3: dog names human Sorry, not humans with dog names. I said, 541 00:24:09,000 --> 00:24:14,760 Speaker 3: that's tomorrow's phone. Have we got a rover? Might be 542 00:24:14,840 --> 00:24:16,960 Speaker 3: Hipster's name for all we know in this city. I'm 543 00:24:17,000 --> 00:24:19,720 Speaker 3: looking for pets with human names. Let's find out what 544 00:24:19,800 --> 00:24:23,960 Speaker 3: we've got in Melbourne. Okay, pets with human names, cats, dogs, 545 00:24:24,000 --> 00:24:25,399 Speaker 3: whatever you've got, let me know if they've got a 546 00:24:25,480 --> 00:24:27,240 Speaker 3: human name or ones that you've heard. 547 00:24:27,160 --> 00:24:30,480 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 548 00:24:30,560 --> 00:24:31,320 Speaker 1: point three. 549 00:24:31,320 --> 00:24:33,800 Speaker 2: Pets with human names? What have you got? 550 00:24:33,880 --> 00:24:39,080 Speaker 3: Nine four one four one four three, Patsy, that's monster 551 00:24:39,160 --> 00:24:43,120 Speaker 3: of a dog. You've got the horse dog Presley. Great 552 00:24:43,200 --> 00:24:43,640 Speaker 3: name for a. 553 00:24:43,560 --> 00:24:44,679 Speaker 8: Dog, yes after all this? 554 00:24:45,000 --> 00:24:47,440 Speaker 3: Yeah? Yeah, and also is the shape of Elvis when 555 00:24:47,440 --> 00:24:48,760 Speaker 3: he died on the old toilet as. 556 00:24:48,680 --> 00:24:55,600 Speaker 17: Well as the world's biggest dogs tall, wide and tall. 557 00:24:56,720 --> 00:24:57,800 Speaker 3: He could put a cart. 558 00:24:57,680 --> 00:24:58,760 Speaker 8: That thing, Yeah he could. 559 00:24:59,040 --> 00:25:00,920 Speaker 3: Actually, Yeah, let's get a lies now, just send it. 560 00:25:01,000 --> 00:25:02,639 Speaker 2: Good morning, good morning. 561 00:25:02,680 --> 00:25:03,160 Speaker 18: How are you? 562 00:25:03,240 --> 00:25:04,920 Speaker 3: I'm good to send to thanks to calling the show. 563 00:25:05,000 --> 00:25:06,679 Speaker 3: So pets with human names? 564 00:25:07,560 --> 00:25:10,760 Speaker 13: So my t too, Tuna has a dog called Kevin. 565 00:25:11,280 --> 00:25:15,119 Speaker 13: It's a black malt to and a d after Kevin run. 566 00:25:17,480 --> 00:25:23,840 Speaker 5: Kevin when he was still Prime Minister or just stillness. 567 00:25:21,080 --> 00:25:25,120 Speaker 13: Now because it looks nothing like Kevin myself. I've got 568 00:25:25,119 --> 00:25:27,680 Speaker 13: Betty and I've got Humphrey. 569 00:25:27,840 --> 00:25:28,239 Speaker 2: There's a lot. 570 00:25:28,240 --> 00:25:31,000 Speaker 3: There's a lot going on there. You've got Betty and Humphrey. 571 00:25:31,680 --> 00:25:35,240 Speaker 13: Yeah, Betty is black Betty, she's a black Labrador and 572 00:25:35,359 --> 00:25:38,000 Speaker 13: Humphrey is a chocolate Labrador. So he looks like a beer. 573 00:25:38,080 --> 00:25:38,720 Speaker 11: So it's Humpy. 574 00:25:39,359 --> 00:25:41,840 Speaker 3: Got that that makes sense? And so it's Kevin right 575 00:25:41,960 --> 00:25:44,720 Speaker 3: or does he just answer the name of Kevin Ken 576 00:25:45,040 --> 00:25:46,880 Speaker 3: see again, I'd love to hear that. In the park, 577 00:25:46,960 --> 00:25:50,160 Speaker 3: someone yells, Kevin, you know a little malti ships who 578 00:25:50,160 --> 00:25:50,960 Speaker 3: comes running over? 579 00:25:51,840 --> 00:25:52,119 Speaker 2: All right? 580 00:25:52,200 --> 00:25:56,920 Speaker 3: Just send thanks, you have a good day. No say no, 581 00:25:58,960 --> 00:26:00,960 Speaker 3: So I just said the no plan. Use me on a. 582 00:26:03,040 --> 00:26:05,480 Speaker 2: Mark. Good morning, Good morning, maw. 583 00:26:05,840 --> 00:26:08,840 Speaker 16: I'm pretty good Mark, and uh love the guys. I 584 00:26:08,880 --> 00:26:09,600 Speaker 16: love the show. 585 00:26:09,720 --> 00:26:10,480 Speaker 3: Thank you very much. 586 00:26:10,480 --> 00:26:10,680 Speaker 2: Mark. 587 00:26:10,720 --> 00:26:12,760 Speaker 3: And what have you got for us pets with human names. 588 00:26:13,840 --> 00:26:20,400 Speaker 16: I've got a dog called Denny Crane and my cat 589 00:26:20,560 --> 00:26:23,119 Speaker 16: and my cat do you know what? 590 00:26:23,119 --> 00:26:25,280 Speaker 3: What a great name for a cat. But the cat 591 00:26:25,400 --> 00:26:27,080 Speaker 3: loves being called Doris day. 592 00:26:27,680 --> 00:26:30,400 Speaker 16: She does, she does. And Denny and Denny Denny gets 593 00:26:30,440 --> 00:26:33,280 Speaker 16: Denny all the time until he's in trouble and it's Denny. 594 00:26:34,359 --> 00:26:36,399 Speaker 5: Mike PROMI me, who Denny Crane is? I know it 595 00:26:36,480 --> 00:26:37,800 Speaker 5: sounds like a familiar character. 596 00:26:38,720 --> 00:26:40,640 Speaker 16: He's William Shatner Off. 597 00:26:42,160 --> 00:26:48,560 Speaker 3: Oh yeah that is that's a great one. Boston Legal. 598 00:26:49,160 --> 00:26:53,760 Speaker 16: We actually named a dog before we got him. We 599 00:26:53,880 --> 00:26:55,520 Speaker 16: decided on a name when got a dog. 600 00:26:55,720 --> 00:26:58,439 Speaker 3: So we're watching Shatner and Boston Legal. One day went, 601 00:26:58,480 --> 00:27:00,240 Speaker 3: do you know what when we get a dog, he's 602 00:27:00,240 --> 00:27:01,320 Speaker 3: me called Danny Crane. 603 00:27:01,840 --> 00:27:03,960 Speaker 16: That's well, we basically watched the show all the time 604 00:27:04,000 --> 00:27:05,760 Speaker 16: and we said, yeah, that's gonna be a dog's name. 605 00:27:05,880 --> 00:27:07,119 Speaker 16: Kenny Jenny Crane. 606 00:27:07,600 --> 00:27:08,960 Speaker 3: That's a pretty one. Mark Dan's she. 607 00:27:09,000 --> 00:27:11,240 Speaker 16: Kill mate you guys? 608 00:27:11,400 --> 00:27:16,440 Speaker 3: He hello, yes, hello, hey, welcome to the show. 609 00:27:17,200 --> 00:27:19,200 Speaker 16: Thank you, thank you for having me. Great show. 610 00:27:19,359 --> 00:27:21,280 Speaker 3: All right, thanks a lot. Heat And what's your pet 611 00:27:21,320 --> 00:27:22,040 Speaker 3: with a human name? 612 00:27:22,960 --> 00:27:25,280 Speaker 16: I was down in Aplin Street in Saint Kilda and 613 00:27:25,320 --> 00:27:28,200 Speaker 16: this woman was telling her a miniature fox Seria to sit, 614 00:27:28,640 --> 00:27:29,440 Speaker 16: sit sit. 615 00:27:29,560 --> 00:27:35,080 Speaker 2: Bruce willis good boye. Bruce willis good boy. 616 00:27:35,480 --> 00:27:38,280 Speaker 3: Oh that's great, poo hard Bruce willis. 617 00:27:40,080 --> 00:27:41,480 Speaker 2: All right, he thank you very much. 618 00:27:41,520 --> 00:27:41,880 Speaker 3: You cool. 619 00:27:42,800 --> 00:27:46,200 Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four 620 00:27:46,200 --> 00:27:46,880 Speaker 1: point three. 621 00:27:47,000 --> 00:27:49,959 Speaker 2: Talking us morning about pets with human names. 622 00:27:51,800 --> 00:27:55,800 Speaker 3: Juici Beck just had a word with me and uh, 623 00:27:56,600 --> 00:27:58,639 Speaker 3: you know she's labeled up on our state of the 624 00:27:58,760 --> 00:28:01,600 Speaker 3: art phone system. Here they can put like notes by 625 00:28:01,640 --> 00:28:04,800 Speaker 3: your name and one of them says, can't talk right now, 626 00:28:04,920 --> 00:28:07,720 Speaker 3: she's just me cauld You just tell Jack that it's 627 00:28:07,760 --> 00:28:11,040 Speaker 3: the it's the owner that can't talk and not her dog. 628 00:28:14,200 --> 00:28:14,560 Speaker 2: The dog. 629 00:28:14,960 --> 00:28:16,879 Speaker 3: Can we speak the dog right now? He's reading the paper? 630 00:28:16,960 --> 00:28:17,560 Speaker 2: Is he okay? 631 00:28:17,840 --> 00:28:20,840 Speaker 3: It's just taking this morning. Dump is just doing the crossword? Okay? 632 00:28:21,040 --> 00:28:25,080 Speaker 3: Can I can I speak to over an hour? It's 633 00:28:25,119 --> 00:28:29,040 Speaker 3: thet chack. I mean, how thick does she think you are? 634 00:28:31,400 --> 00:28:34,600 Speaker 3: Let him know it's in case Jack thinks that Christian 635 00:28:34,600 --> 00:28:39,200 Speaker 3: wants to speak to dogs today. Dogs the phone in 636 00:28:41,320 --> 00:28:44,080 Speaker 3: all right, this guy's take a few more. Okay, So 637 00:28:44,120 --> 00:28:45,800 Speaker 3: what have we had so far? Some ones that become 638 00:28:45,840 --> 00:28:47,000 Speaker 3: in pets with human names. 639 00:28:47,000 --> 00:28:48,640 Speaker 5: So something that we didn't get you during that song 640 00:28:48,760 --> 00:28:50,520 Speaker 5: Marie's cat Nigel, So it's. 641 00:28:50,320 --> 00:28:52,840 Speaker 3: Marie the cat that's called in because cats can call him. 642 00:28:54,960 --> 00:29:01,160 Speaker 5: Andy's pug, Trev Frank's Stuffy. I love that and Helen's 643 00:29:01,240 --> 00:29:02,920 Speaker 5: dash hand was called Miley Cyrus. 644 00:29:03,040 --> 00:29:05,800 Speaker 3: Okay, Helen's the one who can't talk, and it's her, 645 00:29:05,880 --> 00:29:07,840 Speaker 3: not the d good Mightley Cyrus. 646 00:29:07,840 --> 00:29:10,480 Speaker 2: Debbie, Hi, good morning. 647 00:29:10,760 --> 00:29:12,840 Speaker 3: I don't know if this is Debbie who's a dash 648 00:29:12,840 --> 00:29:15,120 Speaker 3: hand or something. You can't call him Debbie. Welcome to 649 00:29:15,160 --> 00:29:15,520 Speaker 3: the show. 650 00:29:16,360 --> 00:29:20,200 Speaker 12: Thank you. I just I have a little dog called 651 00:29:20,440 --> 00:29:25,760 Speaker 12: Reggie and Ie. He's in trouble. He's original, but a boss. 652 00:29:25,840 --> 00:29:28,880 Speaker 12: I had had a dog and a cat named Daryl 653 00:29:29,080 --> 00:29:29,760 Speaker 12: and ruffall. 654 00:29:32,720 --> 00:29:34,920 Speaker 5: It seems more normal for a cat to have a 655 00:29:35,000 --> 00:29:38,040 Speaker 5: human name because they think they're like us, not like us, 656 00:29:38,040 --> 00:29:39,080 Speaker 5: superior to us. 657 00:29:39,800 --> 00:29:42,000 Speaker 3: You know, I remember many many years ago when I 658 00:29:42,040 --> 00:29:45,040 Speaker 3: was single going back to a lady's place and she 659 00:29:45,160 --> 00:29:48,560 Speaker 3: had this evil looking cat that hated me, just hated me. 660 00:29:48,960 --> 00:29:52,280 Speaker 3: And it was called Sandra. And this cat was evil. 661 00:29:53,560 --> 00:29:57,160 Speaker 3: It sand is my friend, and I was right get 662 00:29:57,200 --> 00:30:00,120 Speaker 3: out of here, Ah, Debbie, don't you call me? Uh? 663 00:30:00,640 --> 00:30:02,080 Speaker 3: Now we go from Debbie to debrook. 664 00:30:02,080 --> 00:30:03,880 Speaker 2: Come morning, good morning? 665 00:30:03,960 --> 00:30:06,120 Speaker 3: Here are you? Now? 666 00:30:06,160 --> 00:30:07,680 Speaker 2: Are you the owner of the pet? 667 00:30:08,360 --> 00:30:13,120 Speaker 19: Yeah, I'm the owner. And I have a black headed 668 00:30:13,400 --> 00:30:19,040 Speaker 19: Northern Territory python and her name is Lucy Lucy and 669 00:30:19,080 --> 00:30:21,960 Speaker 19: she My nine year old named her after Lucy in. 670 00:30:21,960 --> 00:30:24,000 Speaker 2: The Sky A great song. 671 00:30:24,680 --> 00:30:30,680 Speaker 3: She is beautiful the kid or the python? Okay, and 672 00:30:31,320 --> 00:30:33,000 Speaker 3: how big is there pie? I didn't even know you 673 00:30:33,000 --> 00:30:34,360 Speaker 3: could have a pet python. 674 00:30:34,800 --> 00:30:37,880 Speaker 19: Yes, yeah you can, as long as it's not dangerous 675 00:30:37,960 --> 00:30:41,480 Speaker 19: or poisonous or anything. But she is. She's beautiful. She 676 00:30:41,520 --> 00:30:44,240 Speaker 19: doesn't bite, she's as isn't it. 677 00:30:46,320 --> 00:30:47,200 Speaker 2: Got a gum shielding. 678 00:30:48,520 --> 00:30:53,040 Speaker 19: She's seven foot long head bowl foot and she's about 679 00:30:53,080 --> 00:30:57,000 Speaker 19: the width of the coke bottle, a big one. 680 00:30:55,600 --> 00:31:00,720 Speaker 3: Whatever she wants. 681 00:31:01,760 --> 00:31:04,520 Speaker 19: I feel bad if I go telling you she eats 682 00:31:04,520 --> 00:31:08,040 Speaker 19: a big, giant, extra extra large rat and it's got 683 00:31:08,040 --> 00:31:11,520 Speaker 19: to be frozen, and sometimes small bunnies. But we won't 684 00:31:11,560 --> 00:31:13,880 Speaker 19: go there. 685 00:31:13,040 --> 00:31:17,440 Speaker 3: Where do you get stuff like that from the giant 686 00:31:17,520 --> 00:31:18,959 Speaker 3: rat and the small bunny? 687 00:31:19,600 --> 00:31:23,680 Speaker 19: We go to mainly the pet barn or the pet shops. 688 00:31:23,240 --> 00:31:25,440 Speaker 3: Or what they got under the counter. 689 00:31:27,920 --> 00:31:32,600 Speaker 19: Bunny big freezer in a big freezer. But she yeah, 690 00:31:32,640 --> 00:31:36,200 Speaker 19: she's growing, and she's about she's growing nine years old. 691 00:31:36,680 --> 00:31:41,320 Speaker 3: You're going to get twelve foot Where it sleep. 692 00:31:41,920 --> 00:31:44,640 Speaker 19: She sleeps in a big six foot m tank. We've 693 00:31:44,680 --> 00:31:46,680 Speaker 19: got her in the garage because I won't let her 694 00:31:46,680 --> 00:31:48,800 Speaker 19: in the house. Just think case she gets out and 695 00:31:48,920 --> 00:31:50,760 Speaker 19: once you get into your bed, so we'll just leave 696 00:31:50,840 --> 00:31:51,520 Speaker 19: her in there. 697 00:31:53,600 --> 00:31:56,120 Speaker 5: Because the danger with pythons is in the bike, is it, Debra, 698 00:31:56,280 --> 00:31:58,720 Speaker 5: it's thee. 699 00:31:58,360 --> 00:32:04,400 Speaker 19: Yeah, yeah so but she's a harmless hit and Lucy's 700 00:32:04,920 --> 00:32:06,840 Speaker 19: we play the song to every now and then and 701 00:32:06,880 --> 00:32:07,560 Speaker 19: she's awesome. 702 00:32:08,200 --> 00:32:09,720 Speaker 3: It's a little snake dance or something. 703 00:32:09,960 --> 00:32:14,080 Speaker 19: Yeah. She loves everything that's good. 704 00:32:14,200 --> 00:32:15,840 Speaker 3: A right, she doesn't never hate anything. 705 00:32:16,280 --> 00:32:16,440 Speaker 9: Right. 706 00:32:17,800 --> 00:32:20,800 Speaker 19: I'll send a photo through to the mobile number four 707 00:32:20,840 --> 00:32:21,200 Speaker 19: you see. 708 00:32:21,920 --> 00:32:22,840 Speaker 2: Yeah, look forward to meeting you. 709 00:32:23,080 --> 00:32:26,640 Speaker 19: It's beautiful, Thank you, thanks a lot, Thank. 710 00:32:26,480 --> 00:32:27,240 Speaker 2: You, Bye bye. 711 00:32:27,400 --> 00:32:31,280 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point. 712 00:32:31,080 --> 00:32:34,520 Speaker 3: Three att this morning's after Patsy's Ladies and News and Sport. 713 00:32:34,560 --> 00:32:38,160 Speaker 3: Today we got the Thursday Naked Vocal. We've got a 714 00:32:38,200 --> 00:32:40,800 Speaker 3: brilliant one today. An amazing performance and not one but 715 00:32:40,880 --> 00:32:43,480 Speaker 3: two people totally change the way you hear one of 716 00:32:43,520 --> 00:32:47,160 Speaker 3: the most famous rock and roll songs ever. Right now 717 00:32:47,200 --> 00:32:50,440 Speaker 3: though Maroon Five bringing their red Pale Blues talk Back 718 00:32:50,480 --> 00:32:54,920 Speaker 3: to Australia Rod laver Arena, Fridre February the twenty second, 719 00:32:55,040 --> 00:32:56,160 Speaker 3: brought to you by Live Nation. 720 00:32:56,320 --> 00:32:57,600 Speaker 2: You can win your way there. 721 00:32:57,600 --> 00:33:01,880 Speaker 3: This morning the Christian you know Connor Breakfast shows. 722 00:33:01,440 --> 00:33:05,160 Speaker 2: Ten weeks of tickets. Every morning at seven thirty am. 723 00:33:04,960 --> 00:33:07,440 Speaker 3: You'll chance to win tickets to the biggest shows in town. 724 00:33:08,440 --> 00:33:08,720 Speaker 2: All right. 725 00:33:08,760 --> 00:33:11,440 Speaker 3: The way we're doing it this week is our game 726 00:33:11,480 --> 00:33:15,400 Speaker 3: called panic. We'll give you five seconds try and panic you. 727 00:33:15,400 --> 00:33:18,160 Speaker 3: You're going to name as many things in a category 728 00:33:18,200 --> 00:33:20,840 Speaker 3: that I give you to get your warmed up. Show 729 00:33:20,920 --> 00:33:22,920 Speaker 3: how it could be done. We've been doing a little 730 00:33:22,960 --> 00:33:28,080 Speaker 3: version between producer Becks and Pats and I've been really 731 00:33:28,080 --> 00:33:31,600 Speaker 3: surprised this week actually because Pats is you know, shot proof, 732 00:33:32,200 --> 00:33:39,120 Speaker 3: the amazing newsreader, and she's faultless. However, this game terrible, God, 733 00:33:39,560 --> 00:33:41,400 Speaker 3: that's not fair. I've given you another. 734 00:33:41,680 --> 00:33:43,520 Speaker 8: The topics have been really rank. 735 00:33:44,400 --> 00:33:45,680 Speaker 2: They've been really easy. 736 00:33:45,920 --> 00:33:47,560 Speaker 8: You know, really, what is it today? 737 00:33:48,280 --> 00:33:53,120 Speaker 3: Name as many Egyptian gods and goddesses do you have 738 00:33:53,240 --> 00:33:53,880 Speaker 3: to be taking? 739 00:33:56,160 --> 00:33:59,600 Speaker 8: What was the name Cleopatras? That's all like in Vicos ruler? 740 00:34:00,160 --> 00:34:02,520 Speaker 2: I don't think she was a goddess, was a ruler? 741 00:34:03,880 --> 00:34:07,360 Speaker 3: I mean, is it that hard and so easy? 742 00:34:07,440 --> 00:34:08,000 Speaker 2: I've got five? 743 00:34:08,239 --> 00:34:09,319 Speaker 3: What would you would hang on? 744 00:34:10,040 --> 00:34:14,360 Speaker 8: How long have you known about the ra Horace shoe bar. So, 745 00:34:16,080 --> 00:34:19,040 Speaker 8: I think someone might have done some research paranoid. 746 00:34:19,200 --> 00:34:22,640 Speaker 3: I mean how I thought about the Sisterhood soon might 747 00:34:22,719 --> 00:34:25,680 Speaker 3: have giving so she The only way that bets could 748 00:34:25,680 --> 00:34:27,040 Speaker 3: know about it is some one must have helped her. 749 00:34:27,080 --> 00:34:28,560 Speaker 3: How insult into a team member? 750 00:34:29,400 --> 00:34:31,080 Speaker 2: I know so much about it. You've ben stuff with 751 00:34:31,200 --> 00:34:33,120 Speaker 2: Graham Hancock, I mean starting up, Yeah, I know. 752 00:34:33,480 --> 00:34:34,880 Speaker 3: I just thought you would have known that, all right? 753 00:34:34,920 --> 00:34:39,319 Speaker 3: Another one then for producer Becks Elements on the periodic table. 754 00:34:39,520 --> 00:34:44,000 Speaker 2: How did you hear you and living brilliant born? It's 755 00:34:44,040 --> 00:34:46,879 Speaker 2: embarrassing she slammed your past. 756 00:34:47,160 --> 00:34:50,400 Speaker 3: Yeah, we get the throat clearing that so we know 757 00:34:51,520 --> 00:34:52,399 Speaker 3: she's not well done. 758 00:34:52,680 --> 00:34:54,200 Speaker 2: That's awesome, Yeah, that's awesome. 759 00:34:54,880 --> 00:34:56,600 Speaker 3: She's putting pins in your doll. We know she's got 760 00:34:56,600 --> 00:34:58,000 Speaker 3: a doll of each one of us on this team, 761 00:34:58,000 --> 00:34:58,879 Speaker 3: shts pins in them? 762 00:34:59,480 --> 00:34:59,920 Speaker 2: All right? 763 00:35:00,480 --> 00:35:01,879 Speaker 3: Yes, call in now. 764 00:35:02,160 --> 00:35:03,240 Speaker 2: Line's over, beautiful. 765 00:35:03,360 --> 00:35:06,920 Speaker 3: Panic to win the Maroon five tickets ninety four one four, 766 00:35:07,160 --> 00:35:10,680 Speaker 3: one oh four three. We need to get that throat 767 00:35:10,760 --> 00:35:11,720 Speaker 3: clearance on drops. 768 00:35:11,719 --> 00:35:12,719 Speaker 2: I need that. I love it. 769 00:35:12,719 --> 00:35:17,040 Speaker 3: It's it's like it's when it's gone nuclear with Pats. 770 00:35:16,320 --> 00:35:19,719 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 771 00:35:19,760 --> 00:35:20,840 Speaker 1: point three. 772 00:35:21,560 --> 00:35:23,960 Speaker 5: The Christian O'Connell Breakfast Shows. 773 00:35:23,520 --> 00:35:25,319 Speaker 2: Ten weeks of tickets. 774 00:35:25,440 --> 00:35:27,719 Speaker 3: Every morning at seven thirty am, you'll chance to win 775 00:35:27,760 --> 00:35:32,040 Speaker 3: tickets to the biggest shows in town this week Maroon 776 00:35:32,080 --> 00:35:34,719 Speaker 3: at five week ten and ten meters of tickets looks 777 00:35:34,840 --> 00:35:37,719 Speaker 3: rolling out to next week. Every single morning at seven 778 00:35:37,800 --> 00:35:41,120 Speaker 3: thirty Bryan Adams tickets as he goes into week eleven. 779 00:35:41,560 --> 00:35:43,160 Speaker 3: That's it's a huge. 780 00:35:43,000 --> 00:35:45,640 Speaker 2: Brian Adams fan. I can't wait for them the comeback. 781 00:35:46,360 --> 00:35:50,000 Speaker 3: You can win Pats's tickets every single day next week 782 00:35:50,000 --> 00:35:53,400 Speaker 3: at seven thirty. We're starting to brainstorm ideas Pats for 783 00:35:53,440 --> 00:35:56,640 Speaker 3: how this is gonna work. Oh okay, it's gonna be 784 00:35:56,640 --> 00:35:59,960 Speaker 3: a fair game. A fair game really, Yeap doesn't know. 785 00:36:03,600 --> 00:36:05,839 Speaker 2: I've got that one drops O great. 786 00:36:05,960 --> 00:36:08,799 Speaker 3: When that's about to go nuclear. She does this, it's 787 00:36:08,800 --> 00:36:10,040 Speaker 3: a cue for me to move it on. 788 00:36:10,400 --> 00:36:11,560 Speaker 2: All right, then let's play. 789 00:36:11,640 --> 00:36:14,200 Speaker 3: Now, let's have meet today's two contestants taking each other 790 00:36:14,200 --> 00:36:17,440 Speaker 3: on to play panic. Allison, you're up first, Good morning. 791 00:36:18,000 --> 00:36:19,719 Speaker 12: The why and Christian and here he's going. 792 00:36:20,719 --> 00:36:22,000 Speaker 2: Have you well this morning, Alison? 793 00:36:22,719 --> 00:36:25,280 Speaker 12: Yes, I am a bit nervous, but I'm all. 794 00:36:25,200 --> 00:36:28,839 Speaker 3: Right, Okay, I've got a nice, easy, gettable one for you. 795 00:36:29,000 --> 00:36:35,480 Speaker 3: Five seconds, five seconds on countries of Europe? 796 00:36:36,239 --> 00:36:36,520 Speaker 4: Fuck? 797 00:36:42,760 --> 00:36:45,919 Speaker 2: What happened? Elson? Come on? 798 00:36:46,160 --> 00:36:50,080 Speaker 3: I mean even I would have taken the word countries 799 00:36:50,120 --> 00:36:50,800 Speaker 3: of Europe. 800 00:36:51,560 --> 00:36:53,480 Speaker 12: I thought they can't have pretty one? 801 00:36:53,560 --> 00:36:54,279 Speaker 16: And then that's done? 802 00:36:56,280 --> 00:36:58,600 Speaker 3: Guy? Come on, all right, do you know what I'll 803 00:36:58,640 --> 00:36:59,120 Speaker 3: play fair? 804 00:36:59,160 --> 00:37:00,200 Speaker 2: I play fair. Okay. 805 00:37:00,400 --> 00:37:02,600 Speaker 3: We will give you a countdown which you've never done before. 806 00:37:02,719 --> 00:37:04,640 Speaker 3: The three to one, all right, and I'll give you 807 00:37:04,640 --> 00:37:10,760 Speaker 3: a brand new one, all right, yes, whispering to whoever 808 00:37:10,760 --> 00:37:12,840 Speaker 3: it was was already helping you. There were two bloody sons, 809 00:37:13,360 --> 00:37:18,920 Speaker 3: all right? Then five seconds to name as many American states? 810 00:37:19,000 --> 00:37:22,800 Speaker 2: Three to one. 811 00:37:23,320 --> 00:37:23,920 Speaker 12: Alabama? 812 00:37:24,000 --> 00:37:24,520 Speaker 16: I like you. 813 00:37:26,120 --> 00:37:29,800 Speaker 2: One, three brilliant. 814 00:37:29,960 --> 00:37:31,320 Speaker 3: That was good, all right, Allison? 815 00:37:31,360 --> 00:37:31,719 Speaker 2: That's better. 816 00:37:31,760 --> 00:37:33,759 Speaker 3: Okay, three might be enough to get your tickets, so right, No, 817 00:37:33,840 --> 00:37:36,000 Speaker 3: you did good, you did well, all right, don't worry. 818 00:37:36,960 --> 00:37:37,440 Speaker 2: Brendan. 819 00:37:38,320 --> 00:37:39,720 Speaker 18: How are you? How are you? 820 00:37:40,360 --> 00:37:41,640 Speaker 3: What a great voice you've got? 821 00:37:41,640 --> 00:37:41,879 Speaker 2: Mate? 822 00:37:42,680 --> 00:37:42,960 Speaker 18: Thanks? 823 00:37:43,040 --> 00:37:43,320 Speaker 2: Mate? 824 00:37:46,200 --> 00:37:47,840 Speaker 3: You are you colling from me your bed? Or just 825 00:37:47,880 --> 00:37:48,640 Speaker 3: tired this morning? 826 00:37:49,360 --> 00:37:49,520 Speaker 2: Man? 827 00:37:49,640 --> 00:37:52,080 Speaker 18: I'm at work. I've been since four thirty this morning. 828 00:37:52,640 --> 00:37:57,920 Speaker 2: What do you do? It's a Brendan Favona. 829 00:37:57,600 --> 00:38:01,040 Speaker 18: I Manager Timmer company, So every timber out on sight, 830 00:38:01,200 --> 00:38:03,200 Speaker 18: so beat all the traffic in the mornings. 831 00:38:03,440 --> 00:38:05,640 Speaker 3: Right, okay, mate, okay, so you ready to play panic? 832 00:38:06,760 --> 00:38:07,759 Speaker 18: I am all right? 833 00:38:09,640 --> 00:38:10,960 Speaker 2: Should I give them types of trees? 834 00:38:12,000 --> 00:38:13,359 Speaker 3: That it's too easy? 835 00:38:14,560 --> 00:38:15,160 Speaker 8: He'd know it. 836 00:38:15,239 --> 00:38:18,880 Speaker 3: Yeah, it's co bet. If I did just have interest, 837 00:38:18,920 --> 00:38:20,879 Speaker 3: if I said types of trees, what would you do? 838 00:38:21,840 --> 00:38:22,040 Speaker 2: Well? 839 00:38:22,120 --> 00:38:26,840 Speaker 18: We work with starpross hardwood, I'd say, uh, that's a trash. 840 00:38:26,920 --> 00:38:31,040 Speaker 18: I'd stay pining, would never give you a proper one. 841 00:38:31,120 --> 00:38:34,440 Speaker 3: Okay, Brendan, here's yours and need as many car brands 842 00:38:34,880 --> 00:38:42,800 Speaker 3: cart brands as possible. In five seconds BMW toya for 843 00:38:43,120 --> 00:38:47,319 Speaker 3: holden smash smash the is that six seven a high 844 00:38:47,360 --> 00:38:48,120 Speaker 3: school this week? 845 00:38:48,160 --> 00:38:48,560 Speaker 2: Brendan. 846 00:38:48,560 --> 00:38:49,480 Speaker 3: You've got the tickets? 847 00:38:50,200 --> 00:38:51,200 Speaker 18: Thank you very much? 848 00:38:51,320 --> 00:38:53,240 Speaker 3: All right mate, they're all yours. 849 00:38:53,320 --> 00:38:54,600 Speaker 2: Enjoy the gig. Okay, that's good. 850 00:38:54,600 --> 00:38:58,960 Speaker 3: On the show. Your chance to win a big price. 851 00:38:59,040 --> 00:39:00,680 Speaker 2: Then gold won of points. 852 00:39:00,440 --> 00:39:03,919 Speaker 3: Three is exclusive Golden ticket back again today from ten 853 00:39:03,920 --> 00:39:06,480 Speaker 3: o'clock right through till five o'clock. Listen out for the 854 00:39:06,520 --> 00:39:09,359 Speaker 3: Golden Song. This golden ticket gets you and a friend 855 00:39:09,400 --> 00:39:12,240 Speaker 3: to all the biggest shows in town under the Southern 856 00:39:12,280 --> 00:39:15,200 Speaker 3: Stars Royal Melbourne Show Next year, fil Cone's Brian Ferry, 857 00:39:15,440 --> 00:39:20,080 Speaker 3: Melbourne Comedy Festival, the Grand Prix, Banana Rama, Kylie, loads 858 00:39:20,080 --> 00:39:21,480 Speaker 3: of them. They see all the big shows you want 859 00:39:21,480 --> 00:39:23,040 Speaker 3: to go and see. You can get into all of those. 860 00:39:23,120 --> 00:39:24,920 Speaker 3: You can play again from ten am this morning. 861 00:39:24,719 --> 00:39:28,040 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 862 00:39:28,080 --> 00:39:28,680 Speaker 1: point three. 863 00:39:28,800 --> 00:39:30,120 Speaker 3: I don't know about you, but I love this part 864 00:39:30,120 --> 00:39:32,680 Speaker 3: of the week when we get to play this amazing music. 865 00:39:32,719 --> 00:39:35,759 Speaker 3: So it's this week's naked Vocal. If you brand into 866 00:39:35,800 --> 00:39:37,399 Speaker 3: the show, or maybe you listen to it, you never 867 00:39:37,440 --> 00:39:39,200 Speaker 3: heard this bit, it's very very easy for me to 868 00:39:39,360 --> 00:39:42,040 Speaker 3: sell it to you. Okay, we play an amazing thing 869 00:39:42,080 --> 00:39:44,719 Speaker 3: called an isolated vocal. This is a where a song, 870 00:39:44,880 --> 00:39:47,919 Speaker 3: when it's first recorded, it's everything else stripped back. It's 871 00:39:48,000 --> 00:39:50,440 Speaker 3: just laid down their vocal performance and the ones we 872 00:39:50,440 --> 00:39:52,400 Speaker 3: play out. It's way before the time. 873 00:39:52,200 --> 00:39:54,160 Speaker 2: We live in now, with a lot of inane. 874 00:39:54,280 --> 00:39:57,319 Speaker 3: Homogenized chart music where it's all auto tunes. You don't 875 00:39:57,320 --> 00:39:59,560 Speaker 3: know whether they can really sing that well. But back 876 00:39:59,560 --> 00:40:01,120 Speaker 3: in the day, you had to go into a booth 877 00:40:01,280 --> 00:40:03,200 Speaker 3: and you had to nail it in a couple of takes, 878 00:40:03,400 --> 00:40:06,120 Speaker 3: and you had to really really masteredy voice. What I've 879 00:40:06,120 --> 00:40:08,279 Speaker 3: got here is Mick Jagger. Now I love the Stones right, 880 00:40:08,280 --> 00:40:11,400 Speaker 3: They're my bad. However, the star in this one isn't 881 00:40:11,440 --> 00:40:15,080 Speaker 3: a strip back raw Mick Jagger. It's actually the lady 882 00:40:15,200 --> 00:40:18,240 Speaker 3: who rock and roll really has forgotten about, called Mary Clayton. 883 00:40:18,560 --> 00:40:21,760 Speaker 3: One of the best ever Stone songs for us Stones 884 00:40:21,800 --> 00:40:25,279 Speaker 3: fan is Gimme Shelter. It's an amazing song title track 885 00:40:25,280 --> 00:40:28,480 Speaker 3: from Let It Bleed, widely considered one of their best albums. 886 00:40:28,760 --> 00:40:31,879 Speaker 3: Mary Clayton is a backing singer. She's someone like rock 887 00:40:31,880 --> 00:40:34,320 Speaker 3: and roll, who's Who's But right in the middle of 888 00:40:34,320 --> 00:40:36,680 Speaker 3: the night, they were really struggling to get Jagger to 889 00:40:36,680 --> 00:40:38,920 Speaker 3: give the performance they needed for the song, and so 890 00:40:39,000 --> 00:40:41,400 Speaker 3: they ring up this backing singer called Mary Clayton in 891 00:40:41,400 --> 00:40:43,000 Speaker 3: the middle of the night. It's the Stone so you 892 00:40:43,040 --> 00:40:46,319 Speaker 3: can call anyone. And she was pregnant. She's woken up 893 00:40:46,320 --> 00:40:48,040 Speaker 3: in the middle of the night. They get her a taxi, 894 00:40:48,280 --> 00:40:51,600 Speaker 3: she goes into the studio and she sings on this. 895 00:40:52,120 --> 00:40:54,960 Speaker 3: Listen out for this. Then in the actual song, you're 896 00:40:54,960 --> 00:40:57,640 Speaker 3: not even really aware that there's someone else singing with 897 00:40:57,719 --> 00:41:01,239 Speaker 3: Mac with Jagger with me. But when you hear it 898 00:41:01,239 --> 00:41:03,400 Speaker 3: stripped back. You really hear it, and it throws you. 899 00:41:03,880 --> 00:41:07,400 Speaker 3: It's not perfect because you hear her voice crack twice, 900 00:41:07,800 --> 00:41:09,640 Speaker 3: and they don't also tune it like they do now 901 00:41:09,719 --> 00:41:12,520 Speaker 3: or try and touch it up. It's it's imperfect, which 902 00:41:12,560 --> 00:41:15,880 Speaker 3: to me makes it perfect. It's an amazing, natural, beautiful, 903 00:41:16,120 --> 00:41:19,720 Speaker 3: organic piece of rock and roll history. Mix so blown away. 904 00:41:19,840 --> 00:41:23,520 Speaker 3: Where her voice cracks, it breaks. You hear them go 905 00:41:23,640 --> 00:41:26,080 Speaker 3: whoa in the background, and they keep it in. Listen 906 00:41:26,120 --> 00:41:29,840 Speaker 3: to this then, Mary Clayan, Mick Jagger, give me shelter. Oh, 907 00:41:32,600 --> 00:41:36,120 Speaker 3: it's done the shallow way. It's turn the shallow way. 908 00:41:40,760 --> 00:41:42,160 Speaker 2: It's the shallow way. 909 00:41:42,760 --> 00:41:43,400 Speaker 3: It's turn the. 910 00:41:43,520 --> 00:41:44,759 Speaker 2: Show away way. 911 00:41:46,880 --> 00:42:07,879 Speaker 17: Really shit, he did. It's the show. 912 00:42:08,880 --> 00:42:10,120 Speaker 8: He's the show. 913 00:42:14,800 --> 00:42:17,960 Speaker 2: I'll tell you love, sister. 914 00:42:19,840 --> 00:42:24,880 Speaker 3: It's just a kiss work, It's still a kiss. 915 00:42:25,840 --> 00:42:28,280 Speaker 2: It's just a kids, It's. 916 00:42:28,160 --> 00:42:34,760 Speaker 3: Just a kiss your way, GISs your way, kiss your way. Amazing? 917 00:42:34,840 --> 00:42:37,879 Speaker 3: Is that then, Mary Clayton, not just Mick Jagger. This 918 00:42:37,960 --> 00:42:41,759 Speaker 3: week's isolated vocal stars, pregnant in the mine of the 919 00:42:41,840 --> 00:42:44,600 Speaker 3: night gets up and makes that it's something special. I 920 00:42:44,640 --> 00:42:47,000 Speaker 3: love that all right now. This this is a full song. 921 00:42:47,480 --> 00:42:50,040 Speaker 3: This is gimme Shelter on Gold one oh four point three. 922 00:42:50,040 --> 00:42:51,800 Speaker 3: It's the Christian O'Connell Breakfast. 923 00:42:51,440 --> 00:42:59,200 Speaker 1: Show, The Christian O'Connell Breakfast Show, Nolde's Gold one oh 924 00:42:59,280 --> 00:43:00,440 Speaker 1: four point three. 925 00:43:01,480 --> 00:43:04,520 Speaker 3: We're all listening to this really loud Lynn Studio, Rolling 926 00:43:04,560 --> 00:43:09,000 Speaker 3: Stones give Me Shelter. Mary Clayton the star on that 927 00:43:09,560 --> 00:43:12,600 Speaker 3: isolated vocal with Mick. That song's good, always got the 928 00:43:12,680 --> 00:43:14,799 Speaker 3: brooding edge that I love about the Rolling Stones. You've 929 00:43:14,800 --> 00:43:19,120 Speaker 3: got mixed great opening intro on the guitar, Kisa intro 930 00:43:19,200 --> 00:43:21,040 Speaker 3: on the guitar, and then you've got that Mary Clayton 931 00:43:21,120 --> 00:43:23,319 Speaker 3: vocal performance sit Lightning in a bottle of that song, 932 00:43:23,480 --> 00:43:26,120 Speaker 3: and then even got Mick on the harmonica on that 933 00:43:26,160 --> 00:43:29,080 Speaker 3: as well. It's a great song, Christian. That's my favorite 934 00:43:29,160 --> 00:43:31,600 Speaker 3: isolated vocal you've ever done. I think I've heard all 935 00:43:31,600 --> 00:43:32,920 Speaker 3: of them over the last couple of months. I thought 936 00:43:32,960 --> 00:43:34,920 Speaker 3: I loved The Stones and that song before, but that 937 00:43:34,960 --> 00:43:37,120 Speaker 3: has just blown my mind. Thank you. That has made 938 00:43:37,120 --> 00:43:39,520 Speaker 3: my day here in that song on that's from Andrew. 939 00:43:39,880 --> 00:43:41,480 Speaker 3: That's made our day here and that I love doing this. 940 00:43:41,760 --> 00:43:43,520 Speaker 3: If you find it in them, they're all on YouTube. 941 00:43:43,560 --> 00:43:45,160 Speaker 3: That's where I find them. Go and have a deep 942 00:43:45,200 --> 00:43:46,840 Speaker 3: dive on there. If you've seen any the love me 943 00:43:46,920 --> 00:43:49,080 Speaker 3: to play one day, just email me Christian at Gold 944 00:43:49,120 --> 00:43:52,399 Speaker 3: one oh four to three dot com dot Au. All right, 945 00:43:52,480 --> 00:43:54,799 Speaker 3: you know what, I can't go from the power of 946 00:43:54,920 --> 00:43:58,440 Speaker 3: that into what we've got lined up. We need to 947 00:43:58,440 --> 00:44:03,319 Speaker 3: play a song to because everyone's still feeling you know, 948 00:44:03,400 --> 00:44:06,000 Speaker 3: there's a kind of verbrating motion that was still all 949 00:44:06,040 --> 00:44:08,279 Speaker 3: in that same energy hopefully after that amazing bit of 950 00:44:08,280 --> 00:44:12,399 Speaker 3: beautiful music. And I can't do this next and it's 951 00:44:12,400 --> 00:44:15,000 Speaker 3: a play a song. You'll know why. I promise you 952 00:44:15,120 --> 00:44:16,880 Speaker 3: stay with me. I'll be back in two and a 953 00:44:16,920 --> 00:44:20,240 Speaker 3: half minutes after this from the eighties and you're frankly 954 00:44:20,280 --> 00:44:22,040 Speaker 3: go oh yeah, no he needed to play the song 955 00:44:22,120 --> 00:44:23,160 Speaker 3: then ask us this. 956 00:44:24,640 --> 00:44:28,000 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 957 00:44:28,080 --> 00:44:28,720 Speaker 1: point three. 958 00:44:28,800 --> 00:44:31,720 Speaker 3: All right, it is time for this week's You're Smarter 959 00:44:32,000 --> 00:44:35,319 Speaker 3: than Google. This is where once a week we use 960 00:44:35,400 --> 00:44:37,960 Speaker 3: our collective brain power to try and work something out. 961 00:44:38,239 --> 00:44:40,040 Speaker 3: And there was a time in the world when we 962 00:44:40,120 --> 00:44:42,720 Speaker 3: used to do this before we had Google, instant access 963 00:44:42,760 --> 00:44:47,720 Speaker 3: to all the world's knowledge on our phones. Don't consult Google. 964 00:44:47,800 --> 00:44:49,719 Speaker 3: I don't want to do that, it won't work. Let's 965 00:44:49,719 --> 00:44:51,880 Speaker 3: try and work it out together like we used to 966 00:44:51,920 --> 00:44:54,239 Speaker 3: have to do to kind of throw back Thursday thing. 967 00:44:54,640 --> 00:44:57,480 Speaker 3: You're smarter than Google. We use our collective brain power, 968 00:44:58,040 --> 00:45:00,440 Speaker 3: and we have a mission today. 969 00:45:01,480 --> 00:45:13,759 Speaker 2: Pandas hang on, Pandas. How do they mate? On yesterday's show? 970 00:45:14,560 --> 00:45:18,080 Speaker 5: I thought I had a memory of zoo keepers dressing 971 00:45:18,160 --> 00:45:21,120 Speaker 5: up as pandas to excite them more to well, I 972 00:45:21,120 --> 00:45:23,360 Speaker 5: don't know, and I've refrained from googling overnight because I 973 00:45:23,360 --> 00:45:25,480 Speaker 5: don't want to ruin the segment. This is as much 974 00:45:25,480 --> 00:45:28,560 Speaker 5: as I know, they get dressed up to help the 975 00:45:28,560 --> 00:45:29,239 Speaker 5: pandas mate. 976 00:45:29,239 --> 00:45:30,960 Speaker 2: Now, I don't know if they dress up as the female. 977 00:45:30,960 --> 00:45:33,239 Speaker 3: Where will you get a sexy panda outfit from? You're 978 00:45:33,239 --> 00:45:35,279 Speaker 3: going to have sexy land and go listen, I've seen 979 00:45:35,320 --> 00:45:38,719 Speaker 3: the French maid. Have you got anything in a panda? 980 00:45:39,480 --> 00:45:43,080 Speaker 5: At some point then they must sub out, so you know, 981 00:45:43,120 --> 00:45:46,120 Speaker 5: they get their male Randy or the female and then. 982 00:45:46,120 --> 00:45:48,000 Speaker 2: Roll out of the way and then bring the people 983 00:45:48,080 --> 00:45:49,280 Speaker 2: roll quickly in case. 984 00:45:49,719 --> 00:45:52,880 Speaker 3: In case the old case, the female chi chi or 985 00:45:52,960 --> 00:45:55,200 Speaker 3: he chin chin, he gets a bit excited and suddenly 986 00:45:55,239 --> 00:45:57,440 Speaker 3: you're involved in threesome. You didn't want any part of 987 00:45:57,680 --> 00:45:59,400 Speaker 3: you're trying to call. 988 00:45:59,320 --> 00:46:00,680 Speaker 2: Your way to the forest. 989 00:46:00,800 --> 00:46:08,440 Speaker 3: Guys stronger than we thought you got. 990 00:46:10,120 --> 00:46:12,319 Speaker 5: You got the other zoo keeper outside the cave, but 991 00:46:12,360 --> 00:46:13,520 Speaker 5: he doesn't know which ones. 992 00:46:13,280 --> 00:46:16,640 Speaker 3: You shot, Dave, which were you in there? 993 00:46:20,239 --> 00:46:20,600 Speaker 2: All right? 994 00:46:20,600 --> 00:46:22,920 Speaker 3: So you think they're using a decoy, some kind of 995 00:46:22,960 --> 00:46:23,800 Speaker 3: love decoy. 996 00:46:23,920 --> 00:46:26,560 Speaker 2: I want to know anyone's theory about the getting dressed 997 00:46:26,640 --> 00:46:28,239 Speaker 2: up as a panda to help them mate. 998 00:46:28,360 --> 00:46:31,799 Speaker 3: So you're smart than Google this week, pandas, how do 999 00:46:32,080 --> 00:46:35,520 Speaker 3: they mate? What parts of the humans playing this? So 1000 00:46:35,600 --> 00:46:38,960 Speaker 3: anything to do with panda mating? I don't believe we're 1001 00:46:38,960 --> 00:46:41,520 Speaker 3: actually saying this. Now you understand why to play a song, 1002 00:46:41,520 --> 00:46:44,840 Speaker 3: I couldn't go like that amazing vocal going hey panda sex, 1003 00:46:45,080 --> 00:46:46,160 Speaker 3: how do I canthing do that? 1004 00:46:46,200 --> 00:46:46,359 Speaker 2: Then? 1005 00:46:46,760 --> 00:46:48,080 Speaker 3: Because they don't want to do it, so you have 1006 00:46:48,120 --> 00:46:50,960 Speaker 3: to get humans to try and get them excited. Nine 1007 00:46:51,080 --> 00:46:53,240 Speaker 3: four one four one o four. 1008 00:46:53,200 --> 00:46:56,719 Speaker 1: Three The Christian O'Connell Breakfast Show, Melbourne's Gold one oh 1009 00:46:56,760 --> 00:46:57,480 Speaker 1: four point three. 1010 00:46:57,680 --> 00:46:59,160 Speaker 3: I don't want any of you thinking that you've just 1011 00:46:59,160 --> 00:47:02,000 Speaker 3: tuned into a seem because we're starting against some pretty 1012 00:47:02,040 --> 00:47:05,919 Speaker 3: highbrowd content. Next, Hunters and Collectors. Tody graul on gold 1013 00:47:06,000 --> 00:47:08,520 Speaker 3: one four point three is the Christian O'Connor breckforst show. 1014 00:47:08,719 --> 00:47:12,080 Speaker 3: They're doing this weeks. You're smarter than Google. We don't 1015 00:47:12,080 --> 00:47:14,560 Speaker 3: want you to consult Google. Let's try and work stuff 1016 00:47:14,560 --> 00:47:18,840 Speaker 3: out together using our brains like we had to this week. Pandas, 1017 00:47:19,080 --> 00:47:21,759 Speaker 3: how do they mate? Why do they need so much 1018 00:47:21,880 --> 00:47:23,480 Speaker 3: encouragement from us? 1019 00:47:24,000 --> 00:47:24,640 Speaker 2: What do you think? 1020 00:47:24,840 --> 00:47:27,040 Speaker 3: Nine four one four one oh four to three. Now 1021 00:47:27,120 --> 00:47:29,880 Speaker 3: from what I've overheard, and I've seen pandas when they 1022 00:47:29,880 --> 00:47:32,239 Speaker 3: were they're always lent out somewhere, aren't they. You know, 1023 00:47:32,239 --> 00:47:35,160 Speaker 3: they're always on loan. And I went to a Scottish 1024 00:47:35,200 --> 00:47:37,040 Speaker 3: zoo they've always had them for a couple of years, 1025 00:47:37,239 --> 00:47:38,880 Speaker 3: and I mean, no wonder the don't feel like doing 1026 00:47:38,920 --> 00:47:41,480 Speaker 3: it's freezing up there and there's no vegetables and so 1027 00:47:41,520 --> 00:47:43,879 Speaker 3: but anyway, I went to see the pandas up there, 1028 00:47:44,000 --> 00:47:48,120 Speaker 3: and someone told me that the male panda get this 1029 00:47:48,280 --> 00:47:52,000 Speaker 3: to attract the female panda. Part of the mating ritual. 1030 00:47:52,600 --> 00:47:57,040 Speaker 3: He does a handstand and peace. That's right. 1031 00:47:57,360 --> 00:47:59,040 Speaker 2: They don't look like the kind of animal that is 1032 00:47:59,360 --> 00:48:01,560 Speaker 2: a limble nimble enough to. 1033 00:48:01,480 --> 00:48:04,040 Speaker 3: Do it, but they hardly move as well. I don't 1034 00:48:04,040 --> 00:48:05,879 Speaker 3: know what that what's in that bamboo? But they don't 1035 00:48:05,880 --> 00:48:07,920 Speaker 3: have a lot of energy either. All right, let's find it. 1036 00:48:08,000 --> 00:48:10,920 Speaker 2: What you think? Matt, Good morning, Good morning guys. 1037 00:48:10,920 --> 00:48:11,319 Speaker 3: How are we? 1038 00:48:11,400 --> 00:48:12,120 Speaker 2: Yeah? Pretty good? 1039 00:48:12,120 --> 00:48:14,440 Speaker 3: So welcome to your some more than Google. What do 1040 00:48:14,480 --> 00:48:15,840 Speaker 3: you think about pandas? 1041 00:48:16,280 --> 00:48:18,680 Speaker 15: I'm pretty sure I've seen on a doc or TV 1042 00:48:18,719 --> 00:48:22,640 Speaker 15: show somewhere that they have the pandas watch pander porn 1043 00:48:23,080 --> 00:48:24,480 Speaker 15: when they're in their cages at night. 1044 00:48:25,600 --> 00:48:30,080 Speaker 3: But I mean, I mean, what can David Attenburgh outtakes 1045 00:48:30,160 --> 00:48:30,640 Speaker 3: or something? 1046 00:48:30,760 --> 00:48:34,480 Speaker 15: Well, I think it's David Edenbura or Carl Pilkington, one 1047 00:48:34,520 --> 00:48:36,440 Speaker 15: of the two you know, very wise englishmen. 1048 00:48:36,560 --> 00:48:37,920 Speaker 2: Yeah, came in, can't builton? 1049 00:48:37,960 --> 00:48:38,120 Speaker 9: Yea. 1050 00:48:38,280 --> 00:48:40,480 Speaker 3: I used to produce them an old radio show mine 1051 00:48:40,480 --> 00:48:43,080 Speaker 3: for five years. So he's been to see and they're 1052 00:48:43,120 --> 00:48:44,480 Speaker 3: watching adult movies. 1053 00:48:45,440 --> 00:48:48,280 Speaker 15: They're watching Panda's Panda adult movies. 1054 00:48:51,320 --> 00:48:52,960 Speaker 2: Does Beijing who excited. 1055 00:48:52,600 --> 00:48:54,680 Speaker 15: And have some you know panda solo action? 1056 00:48:55,040 --> 00:48:58,719 Speaker 2: Yeah? That's enough man. 1057 00:48:58,840 --> 00:49:02,440 Speaker 5: Do they show them on laptops or to have TV screens. 1058 00:49:02,040 --> 00:49:03,359 Speaker 2: In the like? 1059 00:49:03,520 --> 00:49:06,080 Speaker 15: Well what I saw they had, like you old box 1060 00:49:06,200 --> 00:49:10,000 Speaker 15: television screens just on a weely stand in front of 1061 00:49:10,040 --> 00:49:10,560 Speaker 15: their cages. 1062 00:49:10,880 --> 00:49:12,480 Speaker 3: Well, and are they sat in the tire or the 1063 00:49:12,800 --> 00:49:14,759 Speaker 3: chomping on that bamboo they love so much, and they're 1064 00:49:14,760 --> 00:49:19,360 Speaker 3: watching the videos they're watching and they're obviously pandas enjoying themselves, 1065 00:49:19,400 --> 00:49:19,879 Speaker 3: aren't they. 1066 00:49:20,080 --> 00:49:22,439 Speaker 2: That's correct? Who knew? All right? Matt? 1067 00:49:22,480 --> 00:49:24,000 Speaker 16: Thank you very much, my pleasure. 1068 00:49:24,080 --> 00:49:28,440 Speaker 5: Have a good day, guys, Thank you, Jim, you Christian? 1069 00:49:28,440 --> 00:49:28,879 Speaker 4: Here you going? 1070 00:49:28,960 --> 00:49:30,840 Speaker 3: I'm pretty good. And Jim, what do you reckon? 1071 00:49:31,640 --> 00:49:34,200 Speaker 16: Well, I'd have made of mine. Actually worked in a zoo, 1072 00:49:34,200 --> 00:49:35,080 Speaker 16: and he said that they. 1073 00:49:35,640 --> 00:49:40,200 Speaker 4: Gave the female and medical medication medicalatada water and then 1074 00:49:40,200 --> 00:49:47,040 Speaker 4: they gave them mile some liquid viagra and that helped him. 1075 00:49:44,760 --> 00:49:51,040 Speaker 3: M yeah, did you just decide to send to yourself 1076 00:49:51,120 --> 00:49:56,719 Speaker 3: pause himself for a dramatic panda effect? That's very good? 1077 00:49:57,520 --> 00:49:58,879 Speaker 3: Do you appreciate That's very good? 1078 00:49:59,160 --> 00:50:01,600 Speaker 2: Now, Jim, if you did, you may ever say anything 1079 00:50:01,640 --> 00:50:04,640 Speaker 2: about the panda suits? Am I remembering that? Correctly? 1080 00:50:04,760 --> 00:50:06,920 Speaker 5: Somewhere that the zoo keepers would get into a panda 1081 00:50:07,040 --> 00:50:09,759 Speaker 5: suit to help the situation. 1082 00:50:10,760 --> 00:50:11,799 Speaker 4: He never mentioned that. 1083 00:50:11,880 --> 00:50:13,840 Speaker 3: No, I guess if you've got to do that, you 1084 00:50:13,840 --> 00:50:15,799 Speaker 3: don't want your mates knowing about it. You go, how's works? 1085 00:50:15,840 --> 00:50:16,000 Speaker 2: Say? 1086 00:50:16,239 --> 00:50:19,560 Speaker 3: What are those claw marks on your net? I don't know, guys, 1087 00:50:21,400 --> 00:50:21,680 Speaker 3: it was. 1088 00:50:21,680 --> 00:50:25,440 Speaker 2: A bit weird, so you all right? Thanks a lot, Jim. 1089 00:50:25,960 --> 00:50:29,879 Speaker 1: Are you the Christian O'Connell Breakfast Show, Melbourne's Gold one 1090 00:50:29,920 --> 00:50:30,760 Speaker 1: oh four point. 1091 00:50:30,640 --> 00:50:32,799 Speaker 3: Three to see a tweet from someone who's tuned into 1092 00:50:32,840 --> 00:50:34,719 Speaker 3: the show for the first time and we never know, 1093 00:50:35,120 --> 00:50:37,959 Speaker 3: you know radio Breavist radio. You're not hanging on every word, 1094 00:50:37,960 --> 00:50:39,560 Speaker 3: despout what we'd like to think. You hear it, it's 1095 00:50:39,560 --> 00:50:42,680 Speaker 3: in the background, you flick around or something, and and 1096 00:50:42,719 --> 00:50:44,040 Speaker 3: then I just get this. This is. 1097 00:50:45,719 --> 00:50:49,160 Speaker 2: From an at James Shrevelle tuned into. 1098 00:50:48,960 --> 00:50:51,080 Speaker 3: At Gold one oh four three and trying to hear 1099 00:50:51,320 --> 00:50:55,360 Speaker 3: at oc segue from soft sales tainted love to panda 1100 00:50:55,440 --> 00:51:00,120 Speaker 3: human threesomes surreal wrong. But now I find myself brainstorming 1101 00:51:00,280 --> 00:51:03,719 Speaker 3: a panda procreation playlist. So far I've got Michael Jacks 1102 00:51:03,760 --> 00:51:05,600 Speaker 3: and it doesn't matter if you're black and white and 1103 00:51:05,760 --> 00:51:10,759 Speaker 3: Bau McCartney and Stevie wonder Ebony and great work if you. 1104 00:51:10,719 --> 00:51:13,200 Speaker 2: Want to work today, Rock and roll Radio. 1105 00:51:13,200 --> 00:51:23,440 Speaker 14: Christian O'Connell's one Love Dream, Bang Bang. 1106 00:51:23,200 --> 00:51:26,759 Speaker 3: It's all my son, Jack tell us how many hours, 1107 00:51:26,840 --> 00:51:28,920 Speaker 3: how many days and minutes to the big show in 1108 00:51:28,960 --> 00:51:30,800 Speaker 3: front of fifteen thousand people. 1109 00:51:30,880 --> 00:51:33,400 Speaker 5: You'll be welcoming the band on stage in ten days, 1110 00:51:33,400 --> 00:51:35,520 Speaker 5: three hours, seventeen minutes, fifty seconds. 1111 00:51:35,560 --> 00:51:36,480 Speaker 2: But we don't have the. 1112 00:51:36,440 --> 00:51:40,359 Speaker 3: Band yet, but tonight we get so much closer. The 1113 00:51:40,360 --> 00:51:43,960 Speaker 3: three final bands picked by you Melbourne playing a pub. 1114 00:51:44,480 --> 00:51:46,800 Speaker 3: They each get to do one of their own songs 1115 00:51:47,640 --> 00:51:50,200 Speaker 3: and a cover version of George Michael's Faith. I'll give 1116 00:51:50,200 --> 00:51:52,400 Speaker 3: you details in about a minute's time. If Anko and 1117 00:51:52,480 --> 00:51:55,480 Speaker 3: join us tonight watch the bands play at the Labour 1118 00:51:55,520 --> 00:51:59,000 Speaker 3: and Vain Pub in Fitzroy. Love to see you down there. 1119 00:51:59,239 --> 00:52:02,840 Speaker 3: See three reunited bands, some of haven't played together twenty 1120 00:52:02,960 --> 00:52:06,279 Speaker 3: one case twenty eight years or reunited playing for the 1121 00:52:06,280 --> 00:52:09,080 Speaker 3: big prize, opening up for fifteen thousand music fans before 1122 00:52:09,160 --> 00:52:12,720 Speaker 3: Jimmy Barnes is on stage, before the Angels, John Stevenson's 1123 00:52:13,000 --> 00:52:14,640 Speaker 3: the Reunited Band will be. 1124 00:52:14,640 --> 00:52:15,399 Speaker 2: Opening up for them. 1125 00:52:15,440 --> 00:52:17,280 Speaker 3: So it's a big, big, big thing tonight. 1126 00:52:17,680 --> 00:52:17,839 Speaker 2: Now. 1127 00:52:17,840 --> 00:52:19,120 Speaker 3: If you know, if you're new to this, you don't 1128 00:52:19,120 --> 00:52:21,280 Speaker 3: know how it's been working. Here are the three bands 1129 00:52:21,400 --> 00:52:25,880 Speaker 3: you picked from the eighties. We've got hot Property the 1130 00:52:26,000 --> 00:52:27,320 Speaker 3: Midnight Design. 1131 00:52:32,000 --> 00:52:34,759 Speaker 14: Listen to. 1132 00:52:37,680 --> 00:52:41,920 Speaker 3: It's that beautiful eighties wig up. That's Hot Property playing tonight. 1133 00:52:42,160 --> 00:52:54,680 Speaker 3: Then there's Bungalow, Gray Big Stadium almost sound to them. 1134 00:52:54,840 --> 00:52:55,640 Speaker 2: That's Bungalow. 1135 00:52:56,480 --> 00:53:01,040 Speaker 3: And then you've got March in Moscow telling you the 1136 00:53:01,160 --> 00:53:11,040 Speaker 3: standard was so high for this. This is March in Moscow. 1137 00:53:12,760 --> 00:53:14,320 Speaker 3: They got a lot of fans coming down tonight. 1138 00:53:14,400 --> 00:53:16,400 Speaker 6: I'll be making a trip down from Shippingham with my 1139 00:53:16,480 --> 00:53:18,839 Speaker 6: daughter on Tuesday to watch the guys in March in 1140 00:53:18,880 --> 00:53:21,920 Speaker 6: Moscow play live. I'm really looking forward to seeing them 1141 00:53:22,000 --> 00:53:23,600 Speaker 6: hit the stage again after. 1142 00:53:23,400 --> 00:53:24,320 Speaker 2: Five long years. 1143 00:53:24,400 --> 00:53:27,000 Speaker 6: We're all super excited and can't wait to see them 1144 00:53:27,000 --> 00:53:29,440 Speaker 6: do what they love and that's play live music. 1145 00:53:29,880 --> 00:53:31,840 Speaker 3: Thank you very much. Then we got Hot Property. They 1146 00:53:31,920 --> 00:53:33,200 Speaker 3: got fans traveling down tonight. 1147 00:53:33,680 --> 00:53:33,879 Speaker 1: Hi. 1148 00:53:34,160 --> 00:53:36,440 Speaker 20: I'm Marisa, the daughter of Steve, who is the keyboy 1149 00:53:36,480 --> 00:53:37,960 Speaker 20: player from the band Hot Property. 1150 00:53:38,280 --> 00:53:40,040 Speaker 2: Just want to wish them the best of luck for tonight. 1151 00:53:40,080 --> 00:53:41,120 Speaker 2: I'm sure they'll do great. 1152 00:53:41,320 --> 00:53:44,759 Speaker 3: Hopefully you guys win go Hot Property. Now, last week 1153 00:53:44,760 --> 00:53:47,440 Speaker 3: it was the big votof on Friday and Bungalow we're 1154 00:53:47,440 --> 00:53:49,520 Speaker 3: in the mix and we got this amazing message from 1155 00:53:49,719 --> 00:53:51,920 Speaker 3: Dell which really sums up what it means for everyone 1156 00:53:51,960 --> 00:53:53,080 Speaker 3: in all the three bands. 1157 00:53:53,360 --> 00:53:56,080 Speaker 2: Hey, this is Dale from Bungalow. The One Last Dream. 1158 00:53:55,840 --> 00:53:58,799 Speaker 21: Competition has been an amazing experience for our band for 1159 00:53:58,840 --> 00:54:01,200 Speaker 21: so many reasons. I listened to some of the tracks 1160 00:54:01,200 --> 00:54:03,319 Speaker 21: from my album for the first time in many years 1161 00:54:03,320 --> 00:54:05,040 Speaker 21: with my daughter in the car the other day and 1162 00:54:05,120 --> 00:54:08,360 Speaker 21: had tears in my eyes. Like so many bands, unfortunately 1163 00:54:08,440 --> 00:54:11,480 Speaker 21: life took us in different directions, so many great memories, 1164 00:54:11,520 --> 00:54:14,000 Speaker 21: and to be quite honest, the ever present. 1165 00:54:13,840 --> 00:54:15,400 Speaker 2: Sense of opportunities lost. 1166 00:54:15,640 --> 00:54:18,120 Speaker 21: Please help us to make this happen and stand together 1167 00:54:18,200 --> 00:54:20,640 Speaker 21: on that stage at Whereby Park for one last crack 1168 00:54:20,680 --> 00:54:21,239 Speaker 21: of our dream. 1169 00:54:21,920 --> 00:54:23,839 Speaker 3: And this is the daughter that he was talking about. 1170 00:54:23,960 --> 00:54:24,520 Speaker 3: Is Chloe? 1171 00:54:24,920 --> 00:54:28,600 Speaker 20: Hey, this is Chloe Dale's daughter. It's been really crazy 1172 00:54:28,680 --> 00:54:32,040 Speaker 20: hearing Dad on the radio every morning, and I think 1173 00:54:32,080 --> 00:54:35,080 Speaker 20: that he would be great at the big show coming up. 1174 00:54:35,600 --> 00:54:38,080 Speaker 20: Music is something that brings my dad and I together. 1175 00:54:38,320 --> 00:54:41,799 Speaker 20: We record songs together and we play together. And I 1176 00:54:41,840 --> 00:54:44,600 Speaker 20: think in some way Dad gave up on his dream 1177 00:54:44,960 --> 00:54:48,200 Speaker 20: so we could focus on my dreams in music. So 1178 00:54:48,800 --> 00:54:51,239 Speaker 20: I think it would be really awesome if Dad could 1179 00:54:51,280 --> 00:54:53,440 Speaker 20: have one last go at his dream. 1180 00:54:54,120 --> 00:54:55,640 Speaker 3: I hadn't listened to that before playing. 1181 00:54:55,640 --> 00:54:56,680 Speaker 2: Now I'm crying. 1182 00:55:01,680 --> 00:55:04,560 Speaker 3: We're all welling up. Listen to that what a beautiful, 1183 00:55:04,600 --> 00:55:07,720 Speaker 3: big heart daughter. He's young woman, he's raised there saying 1184 00:55:07,719 --> 00:55:12,520 Speaker 3: that about his dad. Thanks, I can't do that to us. Oh, 1185 00:55:13,280 --> 00:55:14,400 Speaker 3: how need you take a moment? 1186 00:55:14,640 --> 00:55:15,000 Speaker 2: All right? 1187 00:55:15,000 --> 00:55:17,959 Speaker 3: Listen you hope you get what this means to the bands. 1188 00:55:17,960 --> 00:55:19,719 Speaker 3: You can get it there from Chloe talking about a 1189 00:55:19,840 --> 00:55:22,360 Speaker 3: dad and what happens to us in life, these dreams. 1190 00:55:22,440 --> 00:55:25,040 Speaker 3: So the bands are already one getting this fart and 1191 00:55:25,080 --> 00:55:27,439 Speaker 3: playing tonight. It's gonna be an amazing chance for them. 1192 00:55:27,760 --> 00:55:30,200 Speaker 3: Come along, have a beer with us, you can meet us. 1193 00:55:30,480 --> 00:55:32,799 Speaker 3: That's not the highlight. It's three in the seeing these 1194 00:55:32,840 --> 00:55:35,440 Speaker 3: three bands giving them another moment, a second kind of 1195 00:55:35,480 --> 00:55:38,600 Speaker 3: big chance. So come down tonight. We're in Fitzroy. We're 1196 00:55:38,640 --> 00:55:40,680 Speaker 3: at the Labor in Vain. We need to have your 1197 00:55:40,760 --> 00:55:44,000 Speaker 3: names because it is a really small, intimate venue. When 1198 00:55:44,000 --> 00:55:47,480 Speaker 3: I say venue, it's a room with a bar, toilets 1199 00:55:47,680 --> 00:55:49,719 Speaker 3: and the banderby in the corner. And we'll be there 1200 00:55:49,760 --> 00:55:51,880 Speaker 3: as well. So if actually coming down tonight, it's in 1201 00:55:51,960 --> 00:55:53,960 Speaker 3: fitz right, Labor in Vain. Give me a call now. 1202 00:55:53,960 --> 00:55:55,919 Speaker 3: We've got a couple of tickets to give away. We'd 1203 00:55:55,920 --> 00:55:58,160 Speaker 3: love to see you and buy your beer. Nine four 1204 00:55:58,200 --> 00:56:01,280 Speaker 3: one four one O four three. I need some dishes, 1205 00:56:01,280 --> 00:56:02,319 Speaker 3: a little bit of dust in here. 1206 00:56:02,440 --> 00:56:06,560 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one four point three. 1207 00:56:07,000 --> 00:56:12,759 Speaker 3: You smell like bacon? They were doing that thing dogs do. 1208 00:56:14,440 --> 00:56:16,279 Speaker 3: Can I can smell food? Does this mean can I 1209 00:56:16,320 --> 00:56:17,120 Speaker 3: smell warm food? 1210 00:56:17,480 --> 00:56:17,960 Speaker 2: No? I can. 1211 00:56:18,040 --> 00:56:19,919 Speaker 5: I just didn't want to answer in cases a trap 1212 00:56:19,920 --> 00:56:20,960 Speaker 5: and you were doing some kind of. 1213 00:56:23,840 --> 00:56:26,879 Speaker 3: My show one hundred and six. You now think any 1214 00:56:26,920 --> 00:56:28,280 Speaker 3: moment I could be. 1215 00:56:28,200 --> 00:56:30,240 Speaker 2: Springing some kind of trap on you. 1216 00:56:30,320 --> 00:56:33,120 Speaker 3: What could I have planned or lined up some kind 1217 00:56:33,120 --> 00:56:35,600 Speaker 3: of production to just go into now with the old 1218 00:56:35,600 --> 00:56:37,120 Speaker 3: classic can you smell food? 1219 00:56:39,080 --> 00:56:41,480 Speaker 5: I thought you were doing a cop joke like can 1220 00:56:41,520 --> 00:56:42,480 Speaker 5: someone smell bacon? 1221 00:56:42,480 --> 00:56:42,600 Speaker 17: Here? 1222 00:56:42,680 --> 00:56:44,520 Speaker 2: There? Never do that? 1223 00:56:44,680 --> 00:56:45,799 Speaker 3: No, they weren't really hard. 1224 00:56:45,840 --> 00:56:46,759 Speaker 2: No, I would never say that. 1225 00:56:46,880 --> 00:56:49,839 Speaker 3: Hey, listen, just a quick update here about Bunnings and 1226 00:56:49,880 --> 00:56:53,360 Speaker 3: the cement mixer. They're having a big meeting today about it. 1227 00:56:54,160 --> 00:56:55,120 Speaker 8: Really exciting. 1228 00:56:55,239 --> 00:56:57,000 Speaker 2: They said they never do stuff like this that you 1229 00:56:57,200 --> 00:56:57,960 Speaker 2: never give away from that. 1230 00:56:58,239 --> 00:57:00,279 Speaker 3: I went to Bunnings about two weeks ago and got 1231 00:57:00,280 --> 00:57:01,839 Speaker 3: a couple of things, but the thing that really caught 1232 00:57:01,880 --> 00:57:04,600 Speaker 3: my eye was an amazing thing, the Holy Grail. What 1233 00:57:04,680 --> 00:57:07,240 Speaker 3: a thing to have for a breakfast show a cement mixer. 1234 00:57:07,680 --> 00:57:10,759 Speaker 3: Are still at seven hundred and forty nine dollars. Ok, 1235 00:57:10,960 --> 00:57:13,040 Speaker 3: and so I'm hoping that with all the plugs I've 1236 00:57:13,080 --> 00:57:17,480 Speaker 3: been giving Bunnings that they would playball. Yeah, and just 1237 00:57:17,600 --> 00:57:19,840 Speaker 3: how it works in this injury. A couple of little cheeky. 1238 00:57:19,600 --> 00:57:23,600 Speaker 2: Plugs actually against the law, isn't it. Well? 1239 00:57:23,800 --> 00:57:25,400 Speaker 3: What about those football boots you got? 1240 00:57:25,920 --> 00:57:32,360 Speaker 2: Yes? Exactly, yeah, there was a trap. 1241 00:57:32,440 --> 00:57:33,080 Speaker 3: Do you smell food? 1242 00:57:35,240 --> 00:57:37,520 Speaker 2: Anyway, they're having a meeting today to see where they're going. 1243 00:57:37,480 --> 00:57:40,680 Speaker 3: To give me a free cement mixer. So everyone apparently 1244 00:57:40,680 --> 00:57:43,960 Speaker 3: the meetings at midday. Please, whatever you're up to at midday, 1245 00:57:44,320 --> 00:57:46,440 Speaker 3: send positive vibes to. 1246 00:57:46,960 --> 00:57:53,240 Speaker 1: Bunny the Christian O'Connell breakfast show Melbourne's gold one oh 1247 00:57:53,360 --> 00:57:59,800 Speaker 1: four point three. 1248 00:58:00,400 --> 00:58:02,160 Speaker 2: It's amazing that golden ticket, isn't it? 1249 00:58:02,200 --> 00:58:02,560 Speaker 3: Pats? 1250 00:58:02,640 --> 00:58:04,640 Speaker 8: Yeah? 1251 00:58:03,320 --> 00:58:06,200 Speaker 3: I mean why didn't you just tell us all the shows? 1252 00:58:06,200 --> 00:58:07,280 Speaker 3: It gets you into. 1253 00:58:08,560 --> 00:58:08,920 Speaker 2: Apes? 1254 00:58:09,040 --> 00:58:11,680 Speaker 7: I know one is Brian Adams. Oh yeah, yeah, go 1255 00:58:11,720 --> 00:58:15,120 Speaker 7: through the Sandu's Kingdom. Do you get tickets to that 1256 00:58:15,440 --> 00:58:16,560 Speaker 7: that's coming up? 1257 00:58:16,320 --> 00:58:18,720 Speaker 2: No? Um, it's on the email. 1258 00:58:18,800 --> 00:58:19,240 Speaker 3: I've seen it. 1259 00:58:19,320 --> 00:58:22,800 Speaker 8: Shan Twain not on that. Not to Shania. 1260 00:58:23,400 --> 00:58:25,600 Speaker 2: Oh this is not looking good. 1261 00:58:25,800 --> 00:58:27,200 Speaker 8: What's all top level stuff? 1262 00:58:29,280 --> 00:58:31,040 Speaker 2: And listen, by the way, made this for you. We 1263 00:58:31,080 --> 00:58:31,360 Speaker 2: hear this. 1264 00:58:31,400 --> 00:58:33,000 Speaker 3: When Pats wants me to move on, she's REDI you 1265 00:58:33,000 --> 00:58:40,520 Speaker 3: to teck you hear this. We've made this the Pat's remix. 1266 00:58:40,960 --> 00:58:42,920 Speaker 2: I love it all right. 1267 00:58:42,800 --> 00:58:45,760 Speaker 3: Then, Okay, today's at work time waster Bunnings is that 1268 00:58:45,840 --> 00:58:47,640 Speaker 3: it's another plug I need. 1269 00:58:47,680 --> 00:58:50,440 Speaker 2: I'm demining fight some mixers now. But isn't this negative 1270 00:58:50,440 --> 00:58:54,240 Speaker 2: bunning views? Well? Safety, Jack? What's great? What's better more 1271 00:58:54,280 --> 00:58:56,480 Speaker 2: positive news than Healthday? Safety? In our hs? 1272 00:58:56,800 --> 00:58:59,240 Speaker 3: Yep, they're insistent that your onions now go underneath the 1273 00:58:59,320 --> 00:59:01,160 Speaker 3: sausage and it's some money's for on the. 1274 00:59:01,120 --> 00:59:02,120 Speaker 2: Floor and you trip over. 1275 00:59:02,680 --> 00:59:07,720 Speaker 3: So we're doing make a movie safer safer movies. I've 1276 00:59:07,760 --> 00:59:14,680 Speaker 3: got reservoir dogs, grooming parlor, thank you, to show away 1277 00:59:14,720 --> 00:59:19,680 Speaker 3: a mocking bird. It's better than kidding. Star Wars not 1278 00:59:19,720 --> 00:59:22,479 Speaker 3: the Empire strikes back, but Star Wars the Empire makes 1279 00:59:22,480 --> 00:59:29,919 Speaker 3: a formal response. Nice fellas light contact fight cup and 1280 00:59:29,960 --> 00:59:34,840 Speaker 3: this is my best one, die Hard Hat. It's got 1281 00:59:35,520 --> 00:59:38,760 Speaker 3: easy to get damage Bruce widers die Hard Hat. Okay, Jack, 1282 00:59:38,760 --> 00:59:40,400 Speaker 3: what have you got for safer movies? 1283 00:59:41,480 --> 00:59:50,760 Speaker 2: Pretty normal activity, very good, mild things yeah yep, and 1284 00:59:51,320 --> 00:59:53,040 Speaker 2: first Bueller's Day at School. 1285 00:59:54,720 --> 00:59:57,920 Speaker 3: Yeah nice. Okay, make a movie safer, the best one 1286 00:59:57,960 --> 01:00:00,040 Speaker 3: we get to the next ten minutes. We got a 1287 01:00:00,120 --> 01:00:04,000 Speaker 3: double Gold Class voucher thanks to Village Cinemas Gold Class 1288 01:00:04,040 --> 01:00:07,200 Speaker 3: to be one text in then your safer movies to 1289 01:00:07,520 --> 01:00:09,680 Speaker 3: four seventy five O three one O four three, The. 1290 01:00:09,720 --> 01:00:13,480 Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three. 1291 01:00:13,720 --> 01:00:19,400 Speaker 3: Today's that word time waster. The onions now underneath the 1292 01:00:19,440 --> 01:00:23,200 Speaker 3: sausage and the sausage sizzle at Munning's still raging on. 1293 01:00:23,400 --> 01:00:26,720 Speaker 3: People wading into this. See some sort of big angry 1294 01:00:26,760 --> 01:00:29,400 Speaker 3: commentator yesterday on the TV, some big angry head. I 1295 01:00:29,440 --> 01:00:31,600 Speaker 3: do know that the guy is saying this is gonna 1296 01:00:31,640 --> 01:00:38,760 Speaker 3: hurt Australian, like, where's the channel changer? How calm down? 1297 01:00:40,760 --> 01:00:43,200 Speaker 3: The onion's are still in there, all right. So we're 1298 01:00:43,200 --> 01:00:48,240 Speaker 3: asking this morning to make a movie safer suicide Hotline Squad. 1299 01:00:49,280 --> 01:00:53,280 Speaker 3: That's good, smart, right, subtle. Brendan well done, the good, 1300 01:00:53,280 --> 01:00:59,840 Speaker 3: the bad, and the cudleyh God plus uh diet hard. 1301 01:01:02,400 --> 01:01:04,840 Speaker 2: Gold class possibility. 1302 01:01:04,720 --> 01:01:09,240 Speaker 3: Terry Terry, well done. Steaks on a plane nice safe 1303 01:01:09,280 --> 01:01:10,480 Speaker 3: for that he could getz. 1304 01:01:10,680 --> 01:01:12,400 Speaker 2: Couldn't you know? What about where the onions in there? 1305 01:01:12,400 --> 01:01:14,400 Speaker 2: With the steak as well? Yeah? I was thinking vampire 1306 01:01:14,480 --> 01:01:16,240 Speaker 2: steaks as well, the ones that you've put to the 1307 01:01:16,240 --> 01:01:18,640 Speaker 2: heart of a vampire. Oh yeah, that's not safe. All 1308 01:01:18,640 --> 01:01:22,040 Speaker 2: I will thinking that Bron men in black becomes men 1309 01:01:22,040 --> 01:01:26,280 Speaker 2: in high viz. These a good Gold. 1310 01:01:26,600 --> 01:01:29,680 Speaker 3: Wood and Rob and Hoppers crossing mentally fit mad Max 1311 01:01:30,720 --> 01:01:33,880 Speaker 3: mentally fit man Max, don't get it instead of mad Max. 1312 01:01:33,920 --> 01:01:35,840 Speaker 3: I think he meant if he'd left out the man, 1313 01:01:35,920 --> 01:01:40,520 Speaker 3: if he'd done mentally fit Max good, try Bron's marriage 1314 01:01:40,560 --> 01:01:47,000 Speaker 3: on the Orient Express instead of murder Gold, Yeah, you're 1315 01:01:47,040 --> 01:01:50,360 Speaker 3: going to go way kinky steel capped boots instead of 1316 01:01:50,440 --> 01:01:50,960 Speaker 3: kinky boots. 1317 01:01:51,000 --> 01:01:52,160 Speaker 2: Yeah, steel cap booth yep. 1318 01:01:52,280 --> 01:01:54,480 Speaker 3: Gold Jews are jewels well done. Don't know what I 1319 01:01:54,480 --> 01:01:56,800 Speaker 3: said there? This went on to them they can all 1320 01:01:56,880 --> 01:01:58,160 Speaker 3: have gold conn. 1321 01:01:57,960 --> 01:02:03,320 Speaker 2: Airback my favorite movie, well one of gold. 1322 01:02:03,520 --> 01:02:10,120 Speaker 3: Rachel instead of splash splash guard silver, uh top. 1323 01:02:09,960 --> 01:02:13,800 Speaker 2: None is that safe? Silver? 1324 01:02:14,400 --> 01:02:19,120 Speaker 3: And none went none dangerous? They did God's work apparently. 1325 01:02:19,160 --> 01:02:24,000 Speaker 3: What's the Nunda and Ninja Nuns? Drunk Nuns? Texas Chainsaw 1326 01:02:24,040 --> 01:02:28,160 Speaker 3: Operating Manual Funny Civil Plus, scott An Ocean Grove, World 1327 01:02:28,200 --> 01:02:33,840 Speaker 3: Up Driving, Miss Days, Eat Slowly, Silvil plus plus and 1328 01:02:34,640 --> 01:02:39,240 Speaker 3: two Dude ones coming up here, Dude, don't die hard 1329 01:02:40,000 --> 01:02:43,840 Speaker 3: and do this is my favorite one the week. Dude, 1330 01:02:44,120 --> 01:02:50,960 Speaker 3: there's my car in the garage that is nice and safe? 1331 01:02:51,080 --> 01:02:51,880 Speaker 2: Which one don't get? 1332 01:02:51,960 --> 01:02:53,520 Speaker 3: The Gold class vouchers. 1333 01:02:53,640 --> 01:02:55,360 Speaker 2: I can't remember the ones I laughed at. It's going 1334 01:02:55,440 --> 01:02:58,440 Speaker 2: to have to be doing rewind today and get back 1335 01:02:58,480 --> 01:03:01,840 Speaker 2: to them tomorrow. There's my car. There you go, Pete 1336 01:03:01,840 --> 01:03:03,400 Speaker 2: and Abbot's whad you are the winner. 1337 01:03:03,160 --> 01:03:06,520 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 1338 01:03:06,560 --> 01:03:07,080 Speaker 1: point three. 1339 01:03:07,360 --> 01:03:10,440 Speaker 3: So tonight we're all going to be down in Fitzroy 1340 01:03:10,520 --> 01:03:13,080 Speaker 3: pub called the Labor in Vain and the three final 1341 01:03:13,160 --> 01:03:16,320 Speaker 3: bands in One Last Dream and can be playing. We've 1342 01:03:16,360 --> 01:03:19,440 Speaker 3: got three bands, three great bands, two different sounding bands 1343 01:03:19,440 --> 01:03:27,600 Speaker 3: that you picked last week from the Ages' got hot property. 1344 01:03:29,000 --> 01:03:35,919 Speaker 3: Now we got March in Moscow. As we've been saying 1345 01:03:35,920 --> 01:03:38,960 Speaker 3: throughout all this standard is very very high. And then 1346 01:03:38,960 --> 01:03:49,520 Speaker 3: we got Bungalow. So they're all going to be playing tonight. 1347 01:03:50,080 --> 01:03:52,240 Speaker 3: What's up for grabs for a lot of these for 1348 01:03:52,320 --> 01:03:54,640 Speaker 3: all the bands it's huge. You're opening up for fifteen 1349 01:03:54,680 --> 01:03:58,280 Speaker 3: thousand people before Jimmy Barnes is on stage or the Angels. 1350 01:03:58,640 --> 01:04:01,800 Speaker 3: Our reunited band is actually one of the bands tonight. 1351 01:04:01,840 --> 01:04:04,520 Speaker 3: We're days away, hopefully making the decision tonight as to 1352 01:04:04,560 --> 01:04:08,000 Speaker 3: which one it's gonna be. And the show is getting 1353 01:04:08,040 --> 01:04:10,560 Speaker 3: closer and closer. Jack Out Close. 1354 01:04:10,400 --> 01:04:13,000 Speaker 5: In ten days, two hours, forty eight minutes and thirty 1355 01:04:13,080 --> 01:04:16,120 Speaker 5: three seconds, they'll be walking on stage now. 1356 01:04:16,160 --> 01:04:20,479 Speaker 3: Earlier on the show, we eyed our hearts melted when 1357 01:04:21,120 --> 01:04:25,040 Speaker 3: one of the bands down from Bungalow. His daughter Chloe 1358 01:04:25,160 --> 01:04:28,760 Speaker 3: left this about her. Daddy is the lead singer in Bungalow. Hey, 1359 01:04:28,920 --> 01:04:29,280 Speaker 3: this is. 1360 01:04:29,280 --> 01:04:32,920 Speaker 20: Chloe Dale's daughter. It's been really crazy hearing Dad on 1361 01:04:32,920 --> 01:04:36,160 Speaker 20: the radio every morning, and I think that he would 1362 01:04:36,240 --> 01:04:39,680 Speaker 20: be great at the big show coming up. Music is 1363 01:04:39,720 --> 01:04:42,520 Speaker 20: something that brings my dad and I together. We record 1364 01:04:42,600 --> 01:04:45,800 Speaker 20: songs together and we play together. And I think in 1365 01:04:45,840 --> 01:04:48,760 Speaker 20: some way Dad gave up on his dream so we 1366 01:04:48,800 --> 01:04:49,800 Speaker 20: could focus on my. 1367 01:04:49,920 --> 01:04:51,120 Speaker 2: Dreams in music. 1368 01:04:51,680 --> 01:04:53,760 Speaker 8: So I think it would be really. 1369 01:04:53,560 --> 01:04:57,000 Speaker 20: Awesome if Dad could have one last go at his dream. 1370 01:04:58,160 --> 01:05:02,920 Speaker 3: Much Okay, there's so much going on in that it's 1371 01:05:02,960 --> 01:05:05,160 Speaker 3: oh my, there's so much going on. You know what 1372 01:05:05,240 --> 01:05:07,919 Speaker 3: an amazing dad he must be. What a beautiful young 1373 01:05:07,960 --> 01:05:11,240 Speaker 3: woman Chloe is as well. And this is some more 1374 01:05:11,280 --> 01:05:14,400 Speaker 3: family members from Bungalow as well who left these messages. 1375 01:05:14,960 --> 01:05:18,520 Speaker 22: Hi, it's Kylie and Harper met from Bungalow's family. We're 1376 01:05:18,640 --> 01:05:22,040 Speaker 22: super excited that Daddy is playing in One Last Dream. 1377 01:05:22,240 --> 01:05:24,439 Speaker 22: I've been with Matt for twenty five years. I saw 1378 01:05:24,480 --> 01:05:27,800 Speaker 22: the original Bungalow and I'm really excited that they're having 1379 01:05:27,800 --> 01:05:28,640 Speaker 22: another go at it. 1380 01:05:29,160 --> 01:05:30,080 Speaker 8: What do you think, Hafa? 1381 01:05:30,480 --> 01:05:35,040 Speaker 5: I hope Daddy, We've gut be very good at John playing. 1382 01:05:36,280 --> 01:05:38,600 Speaker 3: All the best guys all right, I can't wait to tonight. 1383 01:05:38,640 --> 01:05:42,400 Speaker 3: You can hear how the bands sound in twenty eighteen 1384 01:05:42,480 --> 01:05:45,400 Speaker 3: on Tomorrow Morning's Breakfast Show. You hear there Eastern one 1385 01:05:45,440 --> 01:05:48,240 Speaker 3: original song and a cover version of George Michael's Faith. 1386 01:05:48,280 --> 01:05:50,200 Speaker 2: You can hear that tomorrow morning on the show. 1387 01:05:49,960 --> 01:05:53,360 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1388 01:05:53,360 --> 01:05:54,080 Speaker 1: point three. 1389 01:05:54,160 --> 01:05:55,920 Speaker 2: We will see you later on tonight. 1390 01:05:55,960 --> 01:05:58,600 Speaker 3: Then for the three big bands playing live down at 1391 01:05:58,600 --> 01:06:01,200 Speaker 3: the pub in Fitzroy, Labour and in Vain. If you're 1392 01:06:01,200 --> 01:06:03,400 Speaker 3: coming down, we see down there tonight on tomorrow's bok 1393 01:06:03,440 --> 01:06:05,200 Speaker 3: for the show. You can hear all the thought. How 1394 01:06:05,200 --> 01:06:08,600 Speaker 3: about you? Three final bands all sound now in twenty eighteen. 1395 01:06:09,040 --> 01:06:10,360 Speaker 3: What are you guys up to today? 1396 01:06:10,400 --> 01:06:12,920 Speaker 5: Before tonight's I'm going to be listening out for the 1397 01:06:12,920 --> 01:06:13,640 Speaker 5: Golden ticket? 1398 01:06:14,360 --> 01:06:18,080 Speaker 3: Someone's monkey, See Monkey, Do Monkey? 1399 01:06:18,760 --> 01:06:20,080 Speaker 2: What a golden ticket as well? 1400 01:06:20,120 --> 01:06:22,240 Speaker 3: You and a friend could be going to Patsy's got 1401 01:06:22,240 --> 01:06:24,480 Speaker 3: all the details? Where does it get you into. 1402 01:06:24,880 --> 01:06:26,880 Speaker 8: All the best shows in town? 1403 01:06:26,960 --> 01:06:28,560 Speaker 3: There's so many, but give you give give. 1404 01:06:28,840 --> 01:06:30,480 Speaker 8: Brian Adams is one. 1405 01:06:31,000 --> 01:06:33,360 Speaker 2: Give us a flavor of a few more Adams. 1406 01:06:34,560 --> 01:06:35,840 Speaker 3: Brian Ferry is one of them. 1407 01:06:35,960 --> 01:06:39,320 Speaker 8: Not Ryan Ferry. Yeah, that's right, give me another three, 1408 01:06:39,400 --> 01:06:46,479 Speaker 8: Roxy Music Twain it just give. 1409 01:06:46,440 --> 01:06:48,400 Speaker 3: Us three the email every day. 1410 01:06:48,640 --> 01:06:51,440 Speaker 5: Yeah, Christian's been saying it on the show. 1411 01:06:53,360 --> 01:06:57,040 Speaker 3: Eagles under the Southern Stars, Melbourne Cup Carnival twenty nineteen, 1412 01:06:57,080 --> 01:07:00,960 Speaker 3: Phil Collins, Brian Ferry, Raw Melbourne Show twenty nineteen. I 1413 01:07:00,960 --> 01:07:03,439 Speaker 3: love they putting here, Raw Melbourne Show twenty nineteen. We're 1414 01:07:03,440 --> 01:07:06,520 Speaker 3: not sending you in a time machine back to Lemington, just. 1415 01:07:06,440 --> 01:07:09,280 Speaker 2: Giving you the chickens going. Sorry you missed it. They 1416 01:07:09,280 --> 01:07:11,520 Speaker 2: were good passes and everything. 1417 01:07:11,600 --> 01:07:14,800 Speaker 3: Photo shot yourself in a picture here Kylie, Melbourne Comedy 1418 01:07:14,840 --> 01:07:17,800 Speaker 3: Festival and loads more starts at ten with Huggie and 1419 01:07:18,120 --> 01:07:19,760 Speaker 3: right through the five we've got tonight. Just listening out 1420 01:07:19,760 --> 01:07:23,440 Speaker 3: for the Golden Song Tyler. Today's show is Dog Can't 1421 01:07:23,480 --> 01:07:26,040 Speaker 3: Talk right now, that's listening. We're speak to tomorrow 1422 01:07:26,120 --> 01:07:29,480 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's gold one oh four 1423 01:07:29,520 --> 01:07:30,000 Speaker 1: point three