WEBVTT - We Retook Our Year 12 Exams 🎒 📓 (For Funsies 🤪)

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<v Speaker 1>Flex and Frooms, Flex and Frooms. This is the Flex

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<v Speaker 1>and Frooms catch up podcast, Happy Monday Freaks. Today we

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<v Speaker 1>chat about high school maths. Don't worry, it's not totally triggering.

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<v Speaker 1>It turns out we healed some inner child stuff and

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<v Speaker 1>realize we actually can do maths in real time.

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<v Speaker 2>We've also talked about this new concept called light gassing.

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<v Speaker 2>It's kind of like the opposite or like sister cousin

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<v Speaker 2>of gas lighting. I would put money on it, and

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<v Speaker 2>we don't gamble here from my frequent casino, but I

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<v Speaker 2>put money on it that you have done this in

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<v Speaker 2>the last week.

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<v Speaker 3>Well, Keeter, Flex and Froomes, Flex and Firms.

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<v Speaker 2>We all know what the term gas lighting means, right,

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<v Speaker 2>and if you don't, It's when someone uses psychological methods

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<v Speaker 2>into making you question your own sanity or your powers

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<v Speaker 2>of reasoning.

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<v Speaker 3>It's not the same as lying.

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<v Speaker 2>It's when someone is creating narrative and side stories and

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<v Speaker 2>cameos and characters to make you really believe that the

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<v Speaker 2>thing that you've experienced is not true. And what that

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<v Speaker 2>does is it erodes at your ability to trust yourself,

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<v Speaker 2>and then you end up abandoning yourself in favor of

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<v Speaker 2>this person who has a dominant narrative in your life. Well,

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<v Speaker 2>this TikTok creator Ted not Lasso, put me onto this

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<v Speaker 2>Twitter creator called Spencer Greenberg who's come up with a

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<v Speaker 2>similar concept. But it's called light gassing. And initially, because

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<v Speaker 2>we know gassing is like a colloquial term which means

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<v Speaker 2>to kind of like support someone, to big the marp,

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<v Speaker 2>to ge the mark, to make them feel validated and empowered.

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<v Speaker 3>To what is the light version of that?

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<v Speaker 2>So light gassing, according to Spencer, is when a person

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<v Speaker 2>agrees with or validates another person's false beliefs and misconceptions

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<v Speaker 2>in order to be supportive. Unlike gas lighting, which can

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<v Speaker 2>be a tactic of jerks and abuses, light gassing is

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<v Speaker 2>an unintentionally harmful tactic of friends and supporters. Wow, and

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<v Speaker 2>the way that I just this one changed everything for

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<v Speaker 2>me because you know, we talk a lot about friendship

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<v Speaker 2>and the roles and responsibilities we have as friends to

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<v Speaker 2>each other and to other people, and what often comes up,

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<v Speaker 2>you know, let's say free and now I are discussing

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<v Speaker 2>another friend that we have is trying to figure out

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<v Speaker 2>what's the appropriate level of support or what's the appropriate

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<v Speaker 2>level of intervention, what's the appropriate level of reprimand for

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<v Speaker 2>a thing that they're doing, because we recognize it's not

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<v Speaker 2>our lives and we might not want that outcome, and

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<v Speaker 2>so we might do it differently. And you know, we

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<v Speaker 2>don't want to replicate high school and we're ostracizing people

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<v Speaker 2>because they don't want to live the way that we live.

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<v Speaker 2>And we can also recognize that a big corner zone

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<v Speaker 2>of friendship is being able to put your own things aside,

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<v Speaker 2>to create a safe space for your people to come

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<v Speaker 2>to you with whatever they need and not feel as

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<v Speaker 2>though you're going to turn it on them or reject

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<v Speaker 2>them or make them feel silly or dumb or embarrassed.

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<v Speaker 2>But what is the line? Because unfortunately, I think it's

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<v Speaker 2>quite fine.

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<v Speaker 1>It's definitely very fun. Initially when you said this, I

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<v Speaker 1>thought instantly of like when someone is texting a romantic

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<v Speaker 1>interest and it's like quite obvious that the person's not interested,

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<v Speaker 1>but you're saying, oh, you know, like they could be busy,

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<v Speaker 1>or like maybe they're just like x Y sad, which

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<v Speaker 1>we're all guilty of because it's like, do I want

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<v Speaker 1>to let you down? Because I actually also don't know

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<v Speaker 1>for sure, but we see the signs, and then it's

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<v Speaker 1>only till a few months later that you can say yeah, yeah, yeah,

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<v Speaker 1>like there.

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<v Speaker 3>Was a little something there. Yeah, But then what if

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<v Speaker 3>there's not?

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<v Speaker 2>You know, like what if? Because I don't know if

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<v Speaker 2>we as people are self aware enough to know when

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<v Speaker 2>our baggage is clouding our ability to make good judgment

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<v Speaker 2>on behalf of our friends. Do you know what I'm saying?

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<v Speaker 2>Like we are all going through our own things that

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<v Speaker 2>if you catch someone at the wrong time, everything they

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<v Speaker 2>say to you could be positively good or negatively gired

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<v Speaker 2>or judgmentally gird because they're just going through their own stuff.

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<v Speaker 2>And so, you know, I guess the question that was

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<v Speaker 2>posed at the end of this thread was what is worse?

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<v Speaker 2>You know, like we we are doing this thing in

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<v Speaker 2>society now where we are viewing most people as gas

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<v Speaker 2>lighters where we look around and we feel like, oh,

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<v Speaker 2>everybody's made me feel like what I'm experiencing is false

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<v Speaker 2>in the worst way possible. But what about all the

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<v Speaker 2>people who have made you feel like your experience is

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<v Speaker 2>real when it's not. And I don't know what the

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<v Speaker 2>answer is, but I think it's a good term to

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<v Speaker 2>have under the belt.

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<v Speaker 1>Always I do, okay, you know, I always get a

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<v Speaker 1>bit like funny enough terms, not the TikTok terms. But

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<v Speaker 1>you know, we see it like a lot, a lot

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<v Speaker 1>in the German language, like showed him for it or whatever,

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<v Speaker 1>like they kind ate with that, So.

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<v Speaker 3>We see a lot in the German languages.

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<v Speaker 1>Wedding culture. Has it gone too far? I feel like

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<v Speaker 1>weddings got really lavish in the eighties for some reason

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<v Speaker 1>I don't recall. I feel, you know me Princess Diana vibes.

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<v Speaker 1>Perhaps she heralded in this very.

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<v Speaker 3>As a woman of the monarchy. It is what it is.

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<v Speaker 1>It is what it is, the poofy dresses, the long

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<v Speaker 1>trains and whatnot. But in twenty twenty three, I believe

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<v Speaker 1>everyone is taking it one step further. We've got the

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<v Speaker 1>professional view, We've got the satine robes with a little

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<v Speaker 1>miss on the back. The opportunities to spend money on

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<v Speaker 1>weddings is are endless. And what I find most interesting

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<v Speaker 1>is the social dynamics around bachelorette parties, Because why are

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<v Speaker 1>people telling me that they're spending thousands of dollars pre

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<v Speaker 1>wedding and their time and their money on bachelorette parties.

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<v Speaker 1>Apparently there's potentially a cultural reason, a sociocultural economic race then,

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<v Speaker 1>and it's to do with loneliness. So we have a

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<v Speaker 1>grab from the TikTok Celebrity Memoir book Club podcast and

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<v Speaker 1>Mickey please play it.

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<v Speaker 4>I was just reading an article about how bachelorette party

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<v Speaker 4>culture has gotten out of control. I think that the

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<v Speaker 4>explosion of bachelorette party and wedding culture and the loneliness epidemic,

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<v Speaker 4>which is not just a male loneliness epidemic, there is

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<v Speaker 4>like a big friendship problem right now, are directly linked.

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<v Speaker 1>Maybe it would make sense that people are putting so

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<v Speaker 1>much effort into creating these big bachelorette parties and feeling

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<v Speaker 1>like they need to show that they've got heaps of

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<v Speaker 1>friends stuff like that because of the loneliness epidemic. Like also,

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<v Speaker 1>I was talking to someone and they were like, oh, like,

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<v Speaker 1>what happens if you're let's say you're in the same

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<v Speaker 1>ahead a relationship And it's like, what if a guy

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<v Speaker 1>has a whole friendship group and wants like six whatever

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<v Speaker 1>they're called groomsmen groomsmen, but then you've only got one bride'smaid, Like,

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<v Speaker 1>are we who's culling, who's adding.

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<v Speaker 3>One hundred percent.

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<v Speaker 2>I think a lot of the way that life is

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<v Speaker 2>now is very symptomatic of a problem that people won't address. So,

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<v Speaker 2>you know, when we talk about excess culture, convenience culture,

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<v Speaker 2>performative authenticity, not feeling safe to express your self, cancel culture,

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<v Speaker 2>it all comes back to this fundamental issue that people

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<v Speaker 2>don't feel like they have anyone to rely on.

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<v Speaker 3>They feel lonely.

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<v Speaker 2>And so we can cultivate or synthesize these environments and

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<v Speaker 2>give us an outlet to have connection by any means necessary.

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<v Speaker 2>So if I got a cant it's all a celebrity

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<v Speaker 2>on the internet. To feel close to ten thousand people

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<v Speaker 2>in this moment, it's a worthy trade off.

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<v Speaker 1>True.

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<v Speaker 2>You know, if I get this one moment on my

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<v Speaker 2>birthday to feel like everything's about me and you don't

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<v Speaker 2>reshare me on your story.

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<v Speaker 3>Cut, why would you not do that?

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<v Speaker 2>And I feel as though and it goes it's even

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<v Speaker 2>you know, all these conversations we're having online about red

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<v Speaker 2>flags and dating and ix if they're all symptoms of

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<v Speaker 2>a greater issue. And I think that in order to

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<v Speaker 2>address the issue, it requires too much extracurricular time. You

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<v Speaker 2>know and too much self responsibility. And so when you

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<v Speaker 2>find these outlets that cost you in other ways. They

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<v Speaker 2>cost you emotionally, they cost you financially, they cost you

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<v Speaker 2>physically for a little hit, for a little moment of closeness,

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<v Speaker 2>for a lot of people, it's worth it.

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<v Speaker 1>I never thought of it that way.

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<v Speaker 2>Yeah, it's quite sad, But I also feel like if

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<v Speaker 2>we were living in different communities where we all felt

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<v Speaker 2>really responsible for one another. Like we spoke about a

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<v Speaker 2>couple of weeks ago, how in Amish communities, when you

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<v Speaker 2>get married, the whole community builds your house on the

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<v Speaker 2>day of your marriage. So they've got twenty four hours

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<v Speaker 2>to build you a house, and they're not going to

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<v Speaker 2>paint it or put in furniture, but they build you

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<v Speaker 2>the structure and they move it to wherever you need

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<v Speaker 2>so you know that you truly have the support of

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<v Speaker 2>your community in a physical, tangible way, and they're like

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<v Speaker 2>letting you go. You're still in the same suburb, but

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<v Speaker 2>they're letting you go knowing that we helped you do

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<v Speaker 2>the thing you needed to do. And I think the

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<v Speaker 2>byproduct of this hyperindividualist thing we have going on is

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<v Speaker 2>that people feel as though they're solely responsible for the

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<v Speaker 2>issue and therefore solely responsible for the solution, and to

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<v Speaker 2>seek any additional help would be to put extra shame

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<v Speaker 2>onto themselves and say, well I did this. You know.

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<v Speaker 2>So if you know, you're someone who can be a

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<v Speaker 2>little bit depressiana no depression of anxiety, and that causes

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<v Speaker 2>you to isolate from your friends, and five years later

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<v Speaker 2>you feel as though you don't have really strong friendships groups,

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<v Speaker 2>friendship groups. It takes a lot of It takes a

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<v Speaker 2>lot of gumption to be like it was my fault

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<v Speaker 2>but also was the victim.

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<v Speaker 1>Yeah, yeah, yeah, it's hard like to be both.

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<v Speaker 3>Yeah, it's a lot.

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<v Speaker 2>But you know, if you're doing a little bachelorette party

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<v Speaker 2>or any kind of wedding, because a lot of my

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<v Speaker 2>friends are getting married right now, and I you know,

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<v Speaker 2>we've talked about telling a line between being a supportive

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<v Speaker 2>friend by any means necessary and also throwing in your

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<v Speaker 2>values and letting them know how you really feel. And

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<v Speaker 2>I'm struggling because I'm seeing how much they're reaching for

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<v Speaker 2>a marriage ideal that doesn't even align with them on

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<v Speaker 2>the surface.

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<v Speaker 1>Well, they're going deep.

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<v Speaker 3>They're going deep.

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<v Speaker 2>They're trying to invite all these people so they look

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<v Speaker 2>like they have a lot of friends, or they're trying to,

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<v Speaker 2>you know, not get the dress they really want because

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<v Speaker 2>they don't want to seem like they're begging for the spotlight,

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<v Speaker 2>and they want to come across as casual on this

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<v Speaker 2>big day. It's been one hundred k. It's ridiculous, God,

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<v Speaker 2>but it is a byproduct of living. And we're not

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<v Speaker 2>judging you. We're just using your experience as a talking point.

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<v Speaker 3>Tech Time, tech Time, tech Time.

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<v Speaker 4>It's tech time with flexi frooms on cater We're about

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<v Speaker 4>to get it.

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<v Speaker 2>I regret to inform you the horrors are nalyst and

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<v Speaker 2>if you were scared about AI last week when I

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<v Speaker 2>told you, I spoke to an AI influencer and we

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<v Speaker 2>had a conversation that even me, a person who knows

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<v Speaker 2>that it was fake, felt convinced by the end of

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<v Speaker 2>a five minute conversation, I regret to inform you that

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<v Speaker 2>it's going to be harder and harder and harder to

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<v Speaker 2>discern between what is real and what is fake. You

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<v Speaker 2>thought it was hard because your parents couldn't tell that

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<v Speaker 2>they were getting scammed at their OZ post text message.

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<v Speaker 2>Wait until you scroll Instagram and you see a picture

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<v Speaker 2>of a celebrity like Kendall Jenna and you go onto

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<v Speaker 2>the profile and it looks just like her because there

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<v Speaker 2>are selfies there and you can see her with other

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<v Speaker 2>friends and she's out for dinner. But then the profile

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<v Speaker 2>name says You're sis Billy and it has millions of followers,

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<v Speaker 2>and you're thinking, would Kendall Jenna not just shut this down?

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<v Speaker 2>Like somebody is impersonating her, someone is pretending to be her,

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<v Speaker 2>racking up all these followers, and she's not gonna do

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<v Speaker 2>anything about it. Well, turns out, Miss Kendall Jenna sold

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<v Speaker 2>her likeness, her face, her voice, and her name to

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<v Speaker 2>Facebook aka Meta so they can use her face to

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<v Speaker 2>create an AI friend and AI chatbot that you can

0:11:11.240 --> 0:11:14.599
<v Speaker 2>ask Facebook and Meta related questions to. Because that is

0:11:14.640 --> 0:11:17.000
<v Speaker 2>the world that we're living in. So a year ago

0:11:17.080 --> 0:11:19.319
<v Speaker 2>when chat gpt comes to be and we think, what

0:11:19.440 --> 0:11:22.000
<v Speaker 2>use is this? What even is AI? Like? We don't

0:11:22.000 --> 0:11:24.719
<v Speaker 2>need to talk to robots to answer questions whether or

0:11:24.720 --> 0:11:28.720
<v Speaker 2>not you feel ready for that evolution or change. Accelerationism

0:11:28.840 --> 0:11:31.760
<v Speaker 2>is real and things are happening at such a rapid

0:11:31.800 --> 0:11:34.280
<v Speaker 2>pace that if you don't keep yourself informed, you end

0:11:34.360 --> 0:11:38.880
<v Speaker 2>up confused, misaligned, and let astray. So when I'm googling,

0:11:39.280 --> 0:11:41.520
<v Speaker 2>what is going on? And who else has metapaid to

0:11:41.559 --> 0:11:45.560
<v Speaker 2>do this? Because it can't just be Kendall, It's Tom Brady, Okay,

0:11:45.679 --> 0:11:46.640
<v Speaker 2>it's Brody Jenner.

0:11:46.679 --> 0:11:49.400
<v Speaker 3>Who's the other the Jenda that didn't really get the clout.

0:11:49.160 --> 0:11:51.000
<v Speaker 1>They got a little bit of a tooth one deal. Yeah,

0:11:51.080 --> 0:11:55.680
<v Speaker 1>sure they surely did. And so the whole ethos of

0:11:55.720 --> 0:11:58.240
<v Speaker 1>what Meta is trying to do, And to be clear,

0:11:58.440 --> 0:12:02.119
<v Speaker 1>Meta is Facebook, instat Graham, It's WhatsApp, It's a predominant

0:12:02.120 --> 0:12:06.200
<v Speaker 1>amount of social media and a messaging platforms they're using.

0:12:06.440 --> 0:12:09.480
<v Speaker 1>Or they've launched this personal assistant which is available for

0:12:09.520 --> 0:12:12.760
<v Speaker 1>all their users to engage in conversations, pose inquiries, and

0:12:12.760 --> 0:12:13.880
<v Speaker 1>seek assistance.

0:12:13.440 --> 0:12:15.520
<v Speaker 2>For a wide variety of needs. Why are you helping

0:12:15.559 --> 0:12:18.840
<v Speaker 2>us in that way? Just make the algorithm pretty. In

0:12:18.840 --> 0:12:22.439
<v Speaker 2>addition to this, Meta also introduced a generative AI experience,

0:12:22.480 --> 0:12:26.559
<v Speaker 2>empowering users to create inventive photos with metas AI powered

0:12:26.760 --> 0:12:30.520
<v Speaker 2>image editing tool and explore the fun of personalized AI stickers.

0:12:30.520 --> 0:12:32.880
<v Speaker 2>So when I go on this fake Kendall Jenner's page

0:12:32.920 --> 0:12:35.120
<v Speaker 2>and I see that she's out to dinner and I

0:12:35.160 --> 0:12:36.679
<v Speaker 2>see that she's, you know, shopping.

0:12:36.720 --> 0:12:39.120
<v Speaker 3>Those are fake pictures. Those pictures aren't real.

0:12:39.320 --> 0:12:42.800
<v Speaker 1>I'm scared of this. Let's call your friend Billy, your cis, Billy,

0:12:43.360 --> 0:12:44.080
<v Speaker 1>not the cis.

0:12:44.160 --> 0:12:45.560
<v Speaker 3>Yeah, they're not what they were doing.

0:12:45.800 --> 0:12:48.679
<v Speaker 2>Charlie Emilio's on it, the most followed TikToker in the

0:12:48.679 --> 0:12:50.559
<v Speaker 2>world Snoop Dogg is on it.

0:12:50.559 --> 0:12:51.520
<v Speaker 3>It's just in.

0:12:51.400 --> 0:12:54.079
<v Speaker 2>In addition to that, they've launched these AI characters who

0:12:54.120 --> 0:12:56.640
<v Speaker 2>are animals and robots and all these other things. And

0:12:56.679 --> 0:13:00.360
<v Speaker 2>I guess to present to you this new found, potentially

0:13:00.480 --> 0:13:03.079
<v Speaker 2>scary thing in a way that feels comfortable and safe

0:13:03.120 --> 0:13:05.440
<v Speaker 2>because a lot of us do look to celebrities and

0:13:05.480 --> 0:13:08.000
<v Speaker 2>we think, oh, they're just like us. I recognize Kendall,

0:13:08.080 --> 0:13:09.880
<v Speaker 2>I know her from a show, I know her sisters.

0:13:10.160 --> 0:13:13.440
<v Speaker 2>I feel comfortable that this information is coming to me

0:13:13.720 --> 0:13:14.280
<v Speaker 2>through her.

0:13:14.559 --> 0:13:15.640
<v Speaker 1>This is so weird.

0:13:16.000 --> 0:13:18.560
<v Speaker 2>These are things and topics that we thought were so

0:13:18.720 --> 0:13:21.080
<v Speaker 2>far in the future that wouldn't affect us. And so

0:13:21.160 --> 0:13:24.959
<v Speaker 2>don't be surprised if there was any time to understand contracts,

0:13:24.960 --> 0:13:27.440
<v Speaker 2>to understand terms and conditions, to really recognize what you

0:13:27.440 --> 0:13:29.480
<v Speaker 2>were opting in and opting out. Of now it'd be

0:13:29.480 --> 0:13:31.600
<v Speaker 2>in and if you don't really care about privacy, that's

0:13:31.640 --> 0:13:33.880
<v Speaker 2>also cool as well. The one thing I would advise

0:13:33.920 --> 0:13:35.920
<v Speaker 2>is don't get left behind. Is things are changing because

0:13:35.920 --> 0:13:38.480
<v Speaker 2>we did. We've had ten fifteen years to get used

0:13:38.520 --> 0:13:40.680
<v Speaker 2>to the iPhone, and some of you people are still confused.

0:13:40.840 --> 0:13:41.719
<v Speaker 3>Oh yeah, you know.

0:13:41.800 --> 0:13:44.080
<v Speaker 1>Me realizing you can like press down and create a sticker.

0:13:45.320 --> 0:13:47.440
<v Speaker 2>Yeah, that's a new update that's within the last year.

0:13:47.440 --> 0:13:50.600
<v Speaker 2>So that's okay. But you know, people are still confused

0:13:50.600 --> 0:13:53.040
<v Speaker 2>on how to use an iPhone. What smartphone technology is,

0:13:53.240 --> 0:13:55.680
<v Speaker 2>how you can really leverage it to make your life easier.

0:13:55.760 --> 0:13:58.360
<v Speaker 2>And now we're post We're almost post smartphone.

0:13:58.720 --> 0:14:00.840
<v Speaker 1>Damn, hook it up to my brain. I say, I'm

0:14:00.880 --> 0:14:01.240
<v Speaker 1>ready for that.

0:14:01.360 --> 0:14:03.280
<v Speaker 2>And if you also thought, you know, I've gotten dumber

0:14:03.280 --> 0:14:05.480
<v Speaker 2>since getting an iPhone because I don't know how to

0:14:05.920 --> 0:14:09.080
<v Speaker 2>do basic math without a calculator, or I don't I

0:14:09.120 --> 0:14:12.360
<v Speaker 2>don't commit directions to memory because I'll just use GPS.

0:14:12.440 --> 0:14:15.240
<v Speaker 2>Imagine where you can have an AI generative chatbot who

0:14:15.240 --> 0:14:17.600
<v Speaker 2>can think for you. Bring it, babes, you were going

0:14:17.640 --> 0:14:19.800
<v Speaker 2>to be a vegetable, not derogatory.

0:14:21.200 --> 0:14:23.920
<v Speaker 1>Very recently, the year twelves went and did their final

0:14:23.920 --> 0:14:27.360
<v Speaker 1>exams the HSC, if you will. One of the subjects

0:14:27.440 --> 0:14:30.080
<v Speaker 1>was maths, and allegedly some of the questions were very,

0:14:30.160 --> 0:14:34.160
<v Speaker 1>very difficult, and they involved some tricky wording to trick

0:14:34.280 --> 0:14:35.720
<v Speaker 1>up the students, to trip.

0:14:35.520 --> 0:14:37.120
<v Speaker 3>Them up, which is unnecessary.

0:14:37.600 --> 0:14:40.680
<v Speaker 1>They've been through enough. As far as I'm concerned, I

0:14:40.720 --> 0:14:43.760
<v Speaker 1>personally quit Maths in a hurry in year ten. I

0:14:43.800 --> 0:14:45.840
<v Speaker 1>didn't even do the final little test because I found

0:14:45.840 --> 0:14:49.200
<v Speaker 1>it that disturbing and upsetting. Did you finish maths? FLEXI?

0:14:49.240 --> 0:14:51.080
<v Speaker 3>I'm pretty sure I dropped out in year ten as well.

0:14:51.160 --> 0:14:54.000
<v Speaker 1>Yeah, bit of us. Well, I have some of the

0:14:54.200 --> 0:14:56.840
<v Speaker 1>questions in the test, and I want to see if

0:14:56.880 --> 0:15:00.880
<v Speaker 1>we can answer them. Growing off, an amount of two thousand,

0:15:00.960 --> 0:15:03.600
<v Speaker 1>five hundred is invested in a simple interest rate of

0:15:03.600 --> 0:15:06.680
<v Speaker 1>three percent per annum. How much interest is earned in

0:15:06.720 --> 0:15:10.680
<v Speaker 1>the first two years A seventy five dollars B one

0:15:10.880 --> 0:15:16.480
<v Speaker 1>fifty C two five seven five or two six five two. Okay,

0:15:16.880 --> 0:15:19.000
<v Speaker 1>let me just try it. Oh okay, great, bro I

0:15:19.000 --> 0:15:20.600
<v Speaker 1>could not do maths if I tried.

0:15:20.720 --> 0:15:21.040
<v Speaker 3>Okay.

0:15:21.120 --> 0:15:24.040
<v Speaker 2>So the way that I'm answering this is, an amount

0:15:24.040 --> 0:15:25.960
<v Speaker 2>of twenty five hundred dollars is invested at a simple

0:15:26.000 --> 0:15:29.200
<v Speaker 2>interest rate of three percent per atom. So three percent

0:15:29.240 --> 0:15:31.720
<v Speaker 2>per anim is three percent per year. What's one percent

0:15:31.760 --> 0:15:35.920
<v Speaker 2>of twenty five hundred dollars twenty five dollars two times

0:15:35.920 --> 0:15:37.360
<v Speaker 2>three seventy five dollars.

0:15:38.360 --> 0:15:42.560
<v Speaker 1>And then for two years, it's then one hundred and

0:15:42.560 --> 0:15:44.240
<v Speaker 1>fifty correct.

0:15:44.320 --> 0:15:46.400
<v Speaker 2>Come on, teamwork. Okay, okay, so it's wrong, but now

0:15:46.440 --> 0:15:49.440
<v Speaker 2>I tried number two. A delivery truck was valued at

0:15:49.480 --> 0:15:52.800
<v Speaker 2>sixty five thousand dollars when new, the value of the

0:15:52.840 --> 0:15:56.440
<v Speaker 2>truck depreciates at a rate of twenty two cents per

0:15:56.560 --> 0:16:00.920
<v Speaker 2>kilometer traveled. What is the value of the truck after

0:16:01.000 --> 0:16:03.560
<v Speaker 2>it has traveled a total distance of one hundred and

0:16:03.560 --> 0:16:06.239
<v Speaker 2>thirty two thousand, six hundred kilometers.

0:16:07.160 --> 0:16:10.560
<v Speaker 1>All right, let's see who gets it first. Sixty five

0:16:10.640 --> 0:16:15.000
<v Speaker 1>zero zero? Wait twenty nine?

0:16:15.080 --> 0:16:19.400
<v Speaker 2>Okay, the answer is a okay, so we do the

0:16:19.440 --> 0:16:22.840
<v Speaker 2>maths I had twenty two thousand. If a truck is

0:16:23.000 --> 0:16:26.800
<v Speaker 2>sixty five thousand dollars when it's new, then the value

0:16:26.840 --> 0:16:29.160
<v Speaker 2>of the truck depreciates at a rate of twenty two

0:16:29.200 --> 0:16:32.360
<v Speaker 2>cents per kilometer. What is the value of the truck

0:16:32.680 --> 0:16:34.800
<v Speaker 2>after it's traveled a total distance of one hundred and

0:16:34.840 --> 0:16:37.800
<v Speaker 2>thirty two thousand, six hundred kilometers. So what you do is,

0:16:37.840 --> 0:16:41.280
<v Speaker 2>what's twenty two cents zero point two two times one

0:16:41.320 --> 0:16:44.240
<v Speaker 2>hundred and thirty two thousand, six hundred kilometers. Then you

0:16:44.280 --> 0:16:46.640
<v Speaker 2>get twenty nine thousand, one hundred and seventy two.

0:16:46.760 --> 0:16:47.400
<v Speaker 1>That's what I got.

0:16:47.440 --> 0:16:50.120
<v Speaker 2>So you take twenty nine thousand, one hundred and seventy

0:16:50.120 --> 0:16:54.040
<v Speaker 2>two away from sixty five thousand dollars because twenty nine

0:16:54.040 --> 0:16:58.040
<v Speaker 2>thousand this emount is depreciated from the value of the truck,

0:16:58.080 --> 0:16:59.360
<v Speaker 2>which is sixty five thousand.

0:16:59.560 --> 0:17:00.520
<v Speaker 1>And is that what I said?

0:17:01.440 --> 0:17:04.200
<v Speaker 3>Twenty seven or twenty two or something?

0:17:04.920 --> 0:17:07.200
<v Speaker 1>Okay, So what was the answer flex of number two?

0:17:07.320 --> 0:17:07.560
<v Speaker 3>Eight?

0:17:08.800 --> 0:17:13.760
<v Speaker 1>Yeah? Damn. The last question. A bag contains one hundred

0:17:13.760 --> 0:17:15.639
<v Speaker 1>and fifty jelly beans. Some of them are red and

0:17:15.640 --> 0:17:20.200
<v Speaker 1>the rest of blue. It's giving the matrix. The ratio

0:17:20.280 --> 0:17:23.320
<v Speaker 1>of red to blue jelly beans is two to three.

0:17:23.960 --> 0:17:27.040
<v Speaker 1>Sophie eats ten of each color. What is the new

0:17:27.119 --> 0:17:29.240
<v Speaker 1>ratio of red to blue jelly beans?

0:17:30.000 --> 0:17:30.280
<v Speaker 3>Wait?

0:17:30.480 --> 0:17:32.840
<v Speaker 2>Wait, the ratio of red to blue jelly beans is

0:17:32.840 --> 0:17:35.320
<v Speaker 2>two to three if she she eats ten of each color.

0:17:36.680 --> 0:17:42.640
<v Speaker 1>Please, you're distracting me. One fifty divided by five equals thirty.

0:17:43.640 --> 0:17:47.920
<v Speaker 3>Why are you now talking out? Oh five eight.

0:17:48.880 --> 0:17:52.080
<v Speaker 1>Five eight, I guess it at the same time.

0:17:52.840 --> 0:17:54.679
<v Speaker 3>Was that the same time, Yeah, babe, it was Was

0:17:54.680 --> 0:17:56.399
<v Speaker 3>that the same time? Hands up? If it was the

0:17:56.440 --> 0:17:58.040
<v Speaker 3>same time, well, I can't.

0:17:57.840 --> 0:18:00.720
<v Speaker 1>Believe I would have actually got that question without your interruption.

0:18:01.200 --> 0:18:02.400
<v Speaker 3>Well we we are.

0:18:03.440 --> 0:18:06.520
<v Speaker 2>We are ten years post. It's not more than this.

0:18:06.800 --> 0:18:09.760
<v Speaker 2>We don't have the capacity to answer these questions. Oh,

0:18:09.760 --> 0:18:12.520
<v Speaker 2>there's something so so beautiful nostalgia using a little pen

0:18:12.600 --> 0:18:14.640
<v Speaker 2>to do it's nice.

0:18:15.320 --> 0:18:17.280
<v Speaker 3>We need to get back on the pen to paper.

0:18:17.520 --> 0:18:19.000
<v Speaker 1>I do it all the time every time we're here.

0:18:19.760 --> 0:18:22.399
<v Speaker 3>Yeah, making and it shows. Yeah, phenomenal. Thank you so

0:18:22.480 --> 0:18:23.560
<v Speaker 3>much for that. I really enjoyed it.

0:18:23.600 --> 0:18:29.560
<v Speaker 1>My pleasure Scissors Paper Rock. We had quite what I

0:18:29.560 --> 0:18:33.040
<v Speaker 1>would say is quite a heated discussion, FLEXI about what

0:18:33.080 --> 0:18:36.880
<v Speaker 1>our preferred method was for playing the game. I said,

0:18:37.000 --> 0:18:40.359
<v Speaker 1>it's paper, scissor is rock and like shake shake, shake,

0:18:40.520 --> 0:18:42.720
<v Speaker 1>not paper Scius's rock with.

0:18:42.760 --> 0:18:46.720
<v Speaker 3>Yeah, you had like it was more of a percussion.

0:18:47.560 --> 0:18:49.920
<v Speaker 3>How do you do it? Paper says rock?

0:18:50.240 --> 0:18:52.400
<v Speaker 1>No? I did paper scissors.

0:18:52.000 --> 0:18:55.480
<v Speaker 3>Rock papers rock. It's like a rhythmic.

0:18:56.200 --> 0:19:00.680
<v Speaker 1>No, what are you saying? Paper scissors rock papers rock?

0:19:01.160 --> 0:19:04.800
<v Speaker 2>And so I'm saying, when you do scissors paper rock,

0:19:04.960 --> 0:19:07.400
<v Speaker 2>there's a crescendo and a speed.

0:19:07.119 --> 0:19:09.080
<v Speaker 3>And a build. It's climactic.

0:19:09.800 --> 0:19:15.400
<v Speaker 2>It starts to low, it goes hi scissars, paper rock, scissars,

0:19:15.520 --> 0:19:16.280
<v Speaker 2>paper rock.

0:19:16.440 --> 0:19:19.080
<v Speaker 1>It could be the same paper scissors, right, but it's not.

0:19:19.320 --> 0:19:20.960
<v Speaker 3>That's the thing. But it's not.

0:19:21.320 --> 0:19:23.440
<v Speaker 1>Okay, So we came to concluding that this is a

0:19:23.800 --> 0:19:26.760
<v Speaker 1>cross cultural barrier moment. Yes, I'm from Victoria, you're from

0:19:26.800 --> 0:19:29.240
<v Speaker 1>New South Wales, so our dms are actually out of control.

0:19:29.280 --> 0:19:31.760
<v Speaker 1>I'd say this is probably the most feedback we've ever

0:19:31.800 --> 0:19:33.879
<v Speaker 1>gotten because we really which is.

0:19:33.880 --> 0:19:36.320
<v Speaker 2>Good to know, because why would we waste our time

0:19:36.359 --> 0:19:39.760
<v Speaker 2>discussing things of a complex nature if we can get

0:19:39.800 --> 0:19:43.080
<v Speaker 2>to the root of humanity, which is these things that

0:19:43.160 --> 0:19:47.080
<v Speaker 2>are such core cornerstones of our development that we assume

0:19:47.119 --> 0:19:50.840
<v Speaker 2>are exactly the same and yet are wildly different, so

0:19:51.040 --> 0:19:55.040
<v Speaker 2>different that it's creating a chasm between how we understand each.

0:19:54.880 --> 0:20:01.000
<v Speaker 1>Other, vastly, vastly. So in the US, someone said, we

0:20:01.040 --> 0:20:04.560
<v Speaker 1>say rock paper scissors. Someone says paperciss is rock because

0:20:04.600 --> 0:20:09.159
<v Speaker 1>p becomes four s in the alphabet. Oh, that's a

0:20:09.200 --> 0:20:11.840
<v Speaker 1>bit to a stretch. But she's agreeing with me in

0:20:11.880 --> 0:20:14.840
<v Speaker 1>TASMITI it's rock paper scissors, See, we all have these

0:20:14.960 --> 0:20:18.680
<v Speaker 1>very Yeah. Is diametric Is that the word? I think?

0:20:18.720 --> 0:20:23.040
<v Speaker 1>So diametrically opposing experience where this is. This is a

0:20:23.080 --> 0:20:25.040
<v Speaker 1>very exciting talking point. I say, on your next date

0:20:25.119 --> 0:20:27.399
<v Speaker 1>or your next friend. Hag gets the bottom of their

0:20:27.440 --> 0:20:29.800
<v Speaker 1>personality by asking, how do you play paper scissors?

0:20:29.920 --> 0:20:30.080
<v Speaker 3>Rock?

0:20:31.000 --> 0:20:34.600
<v Speaker 1>Do you shaking hand? How many shakes we are doing

0:20:34.640 --> 0:20:34.960
<v Speaker 1>on it?

0:20:35.080 --> 0:20:35.280
<v Speaker 3>Yeah?

0:20:35.280 --> 0:20:39.119
<v Speaker 2>And what I think the rhythm. What we discovered is

0:20:39.160 --> 0:20:41.080
<v Speaker 2>the rhythm is more important than you think. And that's

0:20:41.080 --> 0:20:43.320
<v Speaker 2>why I was making the emphasis because if you are

0:20:43.359 --> 0:20:45.719
<v Speaker 2>not on the same rhythm, then one of you has

0:20:45.760 --> 0:20:49.600
<v Speaker 2>a false start and reveals your symbol too early or

0:20:49.600 --> 0:20:50.280
<v Speaker 2>too late.

0:20:50.440 --> 0:20:52.840
<v Speaker 1>And then you can start taking from that symbol, even

0:20:52.880 --> 0:20:54.240
<v Speaker 1>if they do it different. When next time, you know

0:20:54.280 --> 0:20:57.520
<v Speaker 1>where their brain exactly he guys, show you play for.

0:20:57.680 --> 0:20:59.280
<v Speaker 2>Me is very good at this game, and I keep

0:20:59.320 --> 0:21:01.600
<v Speaker 2>losing to her for me very good at games generally. Yeah,

0:21:02.040 --> 0:21:04.760
<v Speaker 2>this is where her analytical brain really starts to like

0:21:04.960 --> 0:21:08.680
<v Speaker 2>show off because she in the I think we played

0:21:08.720 --> 0:21:10.760
<v Speaker 2>now maybe eight or nine times, and every time it

0:21:10.800 --> 0:21:12.840
<v Speaker 2>feels as though she knows the move. I'm gonna make

0:21:12.920 --> 0:21:15.400
<v Speaker 2>before I make it, and every time I feel like I'm.

0:21:15.200 --> 0:21:20.000
<v Speaker 3>Being slick, she knows, all right, let's go. Okay, Siss's

0:21:20.119 --> 0:21:23.080
<v Speaker 3>paper rock. She started again. I did rock. She did

0:21:23.160 --> 0:21:25.800
<v Speaker 3>paper scissors, paper rock.

0:21:26.040 --> 0:21:26.520
<v Speaker 1>Gotcha?

0:21:26.560 --> 0:21:27.800
<v Speaker 3>I did paper, she did scissors.

0:21:27.800 --> 0:21:31.320
<v Speaker 2>Well, more like this is I can't do this rock rock,

0:21:31.480 --> 0:21:36.080
<v Speaker 2>paper scissors. We both did rock, rock, paper scissors. I

0:21:36.080 --> 0:21:38.560
<v Speaker 2>did rock, shitted paper. Guys, what She's a genius. I

0:21:38.560 --> 0:21:39.400
<v Speaker 2>don't know what she's doing.

0:21:39.440 --> 0:21:39.680
<v Speaker 3>I didn't.

0:21:40.880 --> 0:21:42.800
<v Speaker 2>I had to ask her about her strategy. I said,

0:21:42.920 --> 0:21:44.320
<v Speaker 2>do you think when you play she's it? Of course,

0:21:44.320 --> 0:21:46.679
<v Speaker 2>I'm like, I'm not thinking. I'm honestly just trying to

0:21:46.680 --> 0:21:48.480
<v Speaker 2>sing a song and move my hand at the same time.

0:21:49.119 --> 0:21:50.720
<v Speaker 2>And this is where I really you really started to

0:21:50.720 --> 0:21:52.120
<v Speaker 2>see the flaws in my persona.

0:21:52.480 --> 0:21:56.600
<v Speaker 1>I do. I feel like the mentalist. You guys, we're

0:21:56.600 --> 0:21:58.040
<v Speaker 1>gonna have to do a poll on the Instagram, so

0:21:58.119 --> 0:22:01.359
<v Speaker 1>please go to Flex and Frooms all word flex and

0:22:01.480 --> 0:22:05.320
<v Speaker 1>Froom's a n D and please vote. We need to

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<v Speaker 1>get to the bottom of the boys. You've been listening

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<v Speaker 1>to the Flex and Frooms Daily podcast. For more, tune

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<v Speaker 1>in de cater on DAB or stream it on iHeartRadio,