1 00:00:03,960 --> 00:00:26,680 Speaker 1: It's sousy and don Man does funny. 2 00:00:12,440 --> 00:00:33,600 Speaker 2: It's so a man skipped work Scottie for six years 3 00:00:33,680 --> 00:00:35,919 Speaker 2: and was only found out after he was set to 4 00:00:35,960 --> 00:00:37,000 Speaker 2: win an award. 5 00:00:39,760 --> 00:00:40,400 Speaker 3: That's brilliant. 6 00:00:40,640 --> 00:00:44,240 Speaker 2: Yeah, so this is why King Garcia he's skipped work 7 00:00:44,320 --> 00:00:45,000 Speaker 2: for six years. 8 00:00:45,200 --> 00:00:46,920 Speaker 3: No one noticed that he's over in Spain. 9 00:00:47,400 --> 00:00:52,199 Speaker 2: So the Spaniards, you, I don't want to cast dispersions, 10 00:00:52,240 --> 00:00:54,760 Speaker 2: but really they don't have the big biggest worker ethic. 11 00:00:55,520 --> 00:00:56,480 Speaker 3: Well I don't know about that. 12 00:00:56,520 --> 00:00:58,960 Speaker 4: You see, there might be some very hard working Spaniards around. 13 00:00:59,160 --> 00:01:01,160 Speaker 4: I'm sure there are. But this bloke's a bit of 14 00:01:01,200 --> 00:01:04,120 Speaker 4: a genius, isn't he six years coping the paycheck? 15 00:01:04,280 --> 00:01:04,520 Speaker 3: Yep? 16 00:01:04,760 --> 00:01:06,880 Speaker 4: And he then he got an award and he turned 17 00:01:06,920 --> 00:01:08,360 Speaker 4: up and they go, who the hell are you? 18 00:01:09,319 --> 00:01:11,280 Speaker 3: He's worked for the government? Is this is? 19 00:01:11,440 --> 00:01:14,280 Speaker 2: He was a building supervisor for a water treatment plant 20 00:01:14,400 --> 00:01:17,160 Speaker 2: in Spain. He worked there for more than twenty years, 21 00:01:17,200 --> 00:01:20,120 Speaker 2: and then he just stopped showing up and no one noticed, 22 00:01:20,160 --> 00:01:22,200 Speaker 2: and he thought, I'll try my luck, see how long 23 00:01:22,240 --> 00:01:26,679 Speaker 2: this goes? For for six years, amazingly at work. The 24 00:01:26,720 --> 00:01:29,600 Speaker 2: whole time, he collected his annual salary of forty one 25 00:01:29,640 --> 00:01:31,160 Speaker 2: thousand dollars five hundred years. 26 00:01:31,080 --> 00:01:33,319 Speaker 3: Over six years. You are very good on the MATSK 27 00:01:33,400 --> 00:01:36,480 Speaker 3: two hundred and forty grand. Look at that. Why'd you 28 00:01:36,480 --> 00:01:38,440 Speaker 3: a bit over two and forty years? And it's still 29 00:01:38,520 --> 00:01:40,600 Speaker 3: that is, mate. Look, I got a tape measure in 30 00:01:40,600 --> 00:01:42,440 Speaker 3: my hand. I just had things up all the time. 31 00:01:42,600 --> 00:01:44,720 Speaker 4: I had a young blake that turned up for work 32 00:01:44,760 --> 00:01:46,920 Speaker 4: wanting to be an apprentice, and I used to put 33 00:01:46,959 --> 00:01:48,520 Speaker 4: them on for a little bit to see how they'd go. 34 00:01:48,600 --> 00:01:51,080 Speaker 4: And will was hard work back in those days. And 35 00:01:51,680 --> 00:01:53,640 Speaker 4: at about I think it was about eleven o'clock, I 36 00:01:53,680 --> 00:01:57,960 Speaker 4: found him asleep in the wardrobe. He'd had a tough morning, 37 00:01:58,400 --> 00:02:00,480 Speaker 4: and I said, but I don't think you cut out 38 00:02:00,520 --> 00:02:04,280 Speaker 4: for this. You're asleep in the wardrobe after about four hours. 39 00:02:04,440 --> 00:02:07,040 Speaker 2: And you've run a lot of building projects. Well, I 40 00:02:07,120 --> 00:02:10,560 Speaker 2: used to, But would you agree? And I've worked as 41 00:02:10,560 --> 00:02:13,600 Speaker 2: a labor on many building sites. There's nothing worse when 42 00:02:13,600 --> 00:02:15,120 Speaker 2: they've told you to look busy. 43 00:02:16,080 --> 00:02:18,360 Speaker 4: Yes, well, I mean we do that on television of it, 44 00:02:18,440 --> 00:02:20,520 Speaker 4: you know, like if we've got the cameras rowling and 45 00:02:20,560 --> 00:02:24,040 Speaker 4: there's you know, other tradesmen in the background, but they 46 00:02:24,080 --> 00:02:27,639 Speaker 4: can't go while we're talking to someone sometimes very rarely. 47 00:02:28,560 --> 00:02:30,640 Speaker 4: You know, just look busy, boys, because you can't just 48 00:02:30,680 --> 00:02:33,359 Speaker 4: stand there staring at the camera in the background because 49 00:02:33,400 --> 00:02:35,600 Speaker 4: you got other trades in there. So just measure something, boys. 50 00:02:35,880 --> 00:02:37,760 Speaker 4: I'm only going to be talking for one minute and 51 00:02:37,760 --> 00:02:39,400 Speaker 4: then you can get back to work. And because they 52 00:02:39,400 --> 00:02:41,080 Speaker 4: want to have start up, they want to start circular 53 00:02:41,120 --> 00:02:44,160 Speaker 4: saws and stuff like that, and just look busy. We 54 00:02:44,200 --> 00:02:47,359 Speaker 4: always say that, you know, for thirty seconds, and then 55 00:02:47,680 --> 00:02:49,440 Speaker 4: then I leave and they can get back into it. 56 00:02:49,880 --> 00:02:52,160 Speaker 3: But it is hard to do that because you measure 57 00:02:52,160 --> 00:02:54,960 Speaker 3: things about eight times. Yeah, tape measure in, tape measure out. 58 00:02:55,200 --> 00:02:57,440 Speaker 3: I've of fro noticed they're very thorough on the block. 59 00:02:58,360 --> 00:03:01,079 Speaker 2: Heck, why does Keith get so then if they're always 60 00:03:01,120 --> 00:03:02,360 Speaker 2: measuring everything, Yes. 61 00:03:02,200 --> 00:03:05,520 Speaker 3: That's right, Well that's right. We measure everything five times, 62 00:03:05,560 --> 00:03:07,320 Speaker 3: not once. Hey, that's exactly what you do. But I 63 00:03:07,720 --> 00:03:08,840 Speaker 3: back in the days when I used. 64 00:03:08,760 --> 00:03:11,440 Speaker 2: To work for a living, I work down at the 65 00:03:11,480 --> 00:03:14,080 Speaker 2: resort down the snow and this is when they were 66 00:03:14,080 --> 00:03:17,080 Speaker 2: building Blue Couse Ski Resort. Yes, so it was heading 67 00:03:17,160 --> 00:03:19,440 Speaker 2: up to the start of the season. Everyone was going 68 00:03:19,480 --> 00:03:21,520 Speaker 2: to be there and they just needed laborers to do 69 00:03:21,560 --> 00:03:24,399 Speaker 2: a little bit of spackle around the place and if 70 00:03:24,400 --> 00:03:26,400 Speaker 2: you could do a little bit of concreting and stuff 71 00:03:26,440 --> 00:03:26,720 Speaker 2: like that. 72 00:03:26,880 --> 00:03:27,680 Speaker 3: But we got there. 73 00:03:27,880 --> 00:03:31,000 Speaker 2: They'd hired too many laborers with nothing for us to do, 74 00:03:31,080 --> 00:03:33,080 Speaker 2: and they said, look, there's government ministers around. 75 00:03:33,120 --> 00:03:34,400 Speaker 3: You just got to look busy. Yep. 76 00:03:34,920 --> 00:03:37,720 Speaker 2: I'd carry a bucket of cement around with me, and 77 00:03:37,760 --> 00:03:39,840 Speaker 2: I'd moved the bucket from one door to another. 78 00:03:40,000 --> 00:03:41,640 Speaker 3: It nearly killed me just trying to come up with 79 00:03:41,640 --> 00:03:42,160 Speaker 3: stuff to do. 80 00:03:42,440 --> 00:03:45,040 Speaker 4: Taxpayer money too, by the way, it was taxpayer money. 81 00:03:45,120 --> 00:03:47,720 Speaker 3: And I have your bludging on the people I have 82 00:03:47,840 --> 00:03:49,840 Speaker 3: killed a bad well. I wanted to work. I wanted 83 00:03:49,880 --> 00:03:52,320 Speaker 3: to work hard. I wanted to work hard. You're a 84 00:03:52,360 --> 00:03:54,640 Speaker 3: work ethic, mate, that's my work ethic. How long you've 85 00:03:54,640 --> 00:03:55,240 Speaker 3: been getting up. 86 00:03:55,160 --> 00:04:00,040 Speaker 4: At Bundy three in the morning since two thousand and three? 87 00:04:00,360 --> 00:04:03,880 Speaker 3: Yeah, twenty twenty odd years, it is. It's twenty one years, 88 00:04:03,960 --> 00:04:04,880 Speaker 3: twenty one years. You know. 89 00:04:04,920 --> 00:04:06,640 Speaker 2: When I first started doing it, I remember, I used 90 00:04:06,680 --> 00:04:07,800 Speaker 2: to think I was going to throw up. 91 00:04:07,920 --> 00:04:09,640 Speaker 3: I'd get up out of bed. Now, used to think 92 00:04:09,640 --> 00:04:11,360 Speaker 3: I'm just gonna I'm going to kill over. 93 00:04:12,040 --> 00:04:14,600 Speaker 4: It's a tough one, like really hard getting up at 94 00:04:14,600 --> 00:04:19,359 Speaker 4: that time. Yeah, and continually doing it forever. And you 95 00:04:19,400 --> 00:04:21,560 Speaker 4: know the amount that you drink on a Sunday night, 96 00:04:21,640 --> 00:04:24,960 Speaker 4: it must be difficult joking, you don't. 97 00:04:25,360 --> 00:04:26,760 Speaker 3: I know you're very responsible. 98 00:04:26,920 --> 00:04:30,680 Speaker 2: Thank you, thank you missed under the bus well Mane. 99 00:04:30,680 --> 00:04:33,080 Speaker 2: I don't think it's been great talking to you, Scuttie. 100 00:04:33,600 --> 00:04:35,400 Speaker 2: Look out for the block that's back on the telly. 101 00:04:35,440 --> 00:04:36,480 Speaker 3: When is it. 102 00:04:36,480 --> 00:04:40,400 Speaker 4: It's coming on after the Olympics on nine and nine now, okay, 103 00:04:40,720 --> 00:04:44,360 Speaker 4: and we're keen, we're ready to go. We've done three 104 00:04:44,360 --> 00:04:48,000 Speaker 4: months of building and it's looking really sharp and fun 105 00:04:48,080 --> 00:04:49,800 Speaker 4: and it's going to be it's going to be a 106 00:04:49,800 --> 00:04:51,360 Speaker 4: great series number twenty. 107 00:04:51,240 --> 00:04:53,760 Speaker 2: Okay, And you'll be showing up to work every day 108 00:04:53,760 --> 00:04:56,080 Speaker 2: and not like Joaquin Gassin, I'll be there. 109 00:04:56,160 --> 00:04:58,520 Speaker 3: You'll be getting all the awards. You got to imagine 110 00:04:58,520 --> 00:05:00,200 Speaker 3: if you've got a log award and you hadn't been 111 00:05:00,240 --> 00:05:04,560 Speaker 3: seen on Telly for ages. Imagine another one. 112 00:05:13,400 --> 00:05:17,320 Speaker 2: The time old question where do you put your sauce? 113 00:05:17,560 --> 00:05:18,960 Speaker 2: Where do you keep your sauce? Do you keep it 114 00:05:19,000 --> 00:05:21,160 Speaker 2: in the fridge or do you keep it in the pantry. 115 00:05:21,279 --> 00:05:24,240 Speaker 2: Jessica Row, I keep it in the fridge. I keep 116 00:05:24,320 --> 00:05:27,080 Speaker 2: pretty much all of our condiments in the fridge. 117 00:05:27,240 --> 00:05:29,520 Speaker 5: I don't know if that's a good idea, but anything 118 00:05:29,560 --> 00:05:32,799 Speaker 5: with the lid that I've opened, I keep in the fridge. 119 00:05:32,880 --> 00:05:35,159 Speaker 6: I also keep cereal in the fridge. 120 00:05:35,600 --> 00:05:36,880 Speaker 3: Keeps the pantry mouths out. 121 00:05:37,200 --> 00:05:38,360 Speaker 7: Well, that's what I reckon. 122 00:05:38,720 --> 00:05:41,280 Speaker 3: Now you're right, it's not what you reckon. I put 123 00:05:41,320 --> 00:05:42,279 Speaker 3: my rice in the fridge. 124 00:05:42,520 --> 00:05:45,480 Speaker 6: Do you what the rice? The microwave rice in a bag? 125 00:05:45,839 --> 00:05:45,880 Speaker 5: No? 126 00:05:46,839 --> 00:05:51,000 Speaker 3: No, because that's sealed in a bag. Your beard's mighty, 127 00:05:51,080 --> 00:05:51,840 Speaker 3: and your long grain. 128 00:05:51,920 --> 00:05:55,640 Speaker 7: I'm the crapouse guidance would you put? 129 00:05:56,240 --> 00:05:58,520 Speaker 2: You know you shouldn't be eating that stuff either. Oh, 130 00:05:59,320 --> 00:06:03,200 Speaker 2: that's full of microplastics. No, it's full of micro says 131 00:06:03,800 --> 00:06:07,080 Speaker 2: that Uncle Ben's stuff. It's full of microplastic. 132 00:06:07,120 --> 00:06:07,800 Speaker 6: Who says this? 133 00:06:08,440 --> 00:06:11,640 Speaker 3: The internet? The internet, and they've never been wrong, No. 134 00:06:11,800 --> 00:06:12,600 Speaker 2: Never, No. 135 00:06:12,839 --> 00:06:15,280 Speaker 6: Microwave rice is the best. It's quick and easy. 136 00:06:15,760 --> 00:06:21,000 Speaker 3: Met it's easy, and it is yummy, except for the microplastics. 137 00:06:21,480 --> 00:06:22,800 Speaker 2: You know, you're not want to be like a turtle 138 00:06:23,760 --> 00:06:25,599 Speaker 2: inhaling all those microplastics. 139 00:06:26,640 --> 00:06:30,200 Speaker 6: Oh, you've made me, but turtles turtles inhale. 140 00:06:30,240 --> 00:06:32,280 Speaker 3: The microplastics are going to the sea. 141 00:06:33,200 --> 00:06:37,840 Speaker 5: Oh, yes, you've really taking me off on a tention 142 00:06:38,040 --> 00:06:39,920 Speaker 5: here I'm thinking about turtles eating. 143 00:06:39,880 --> 00:06:43,080 Speaker 3: Rice and eating the rice. 144 00:06:44,600 --> 00:06:49,159 Speaker 2: The turtles are inhaling the microplastics in the sea. Someone 145 00:06:49,200 --> 00:06:52,599 Speaker 2: throws a straw into the sea, a turtle inhales that straw. 146 00:06:53,080 --> 00:06:57,120 Speaker 2: Microplastics go within. So when they're making the microwave rice, 147 00:06:57,120 --> 00:07:01,240 Speaker 2: this is what I heard the process. The machine puts 148 00:07:01,360 --> 00:07:02,920 Speaker 2: microplastics into the rice. 149 00:07:03,520 --> 00:07:05,320 Speaker 6: Oh, I'm going to have to research this. 150 00:07:05,680 --> 00:07:06,680 Speaker 3: Do you research? I will. 151 00:07:06,720 --> 00:07:08,080 Speaker 6: I'm going to do a deep dive. 152 00:07:09,160 --> 00:07:10,520 Speaker 3: We have other fish to fryday. 153 00:07:10,640 --> 00:07:13,520 Speaker 2: Because the people the arbiter of whether you keep your 154 00:07:13,640 --> 00:07:16,800 Speaker 2: sauce in the pantry or the fridge, Muster Foods have 155 00:07:16,960 --> 00:07:20,120 Speaker 2: spoken and they've kept out of this debate for a 156 00:07:20,240 --> 00:07:20,960 Speaker 2: long long time. 157 00:07:21,480 --> 00:07:24,280 Speaker 3: But now they have come out and says Master Foods 158 00:07:24,320 --> 00:07:27,200 Speaker 3: will always recommend keeping it in the freege. 159 00:07:27,320 --> 00:07:27,520 Speaker 5: Ah. 160 00:07:28,640 --> 00:07:31,080 Speaker 6: That is good to know. They finally said that's what 161 00:07:31,200 --> 00:07:34,240 Speaker 6: you need to do. What do they say about vegimi though. 162 00:07:34,520 --> 00:07:36,360 Speaker 3: Vegemite it's got a lot of salt in it, but 163 00:07:36,640 --> 00:07:37,720 Speaker 3: that's not their wheelhouse. 164 00:07:37,800 --> 00:07:42,680 Speaker 2: By the way, Master Foods don't own vegemite, so they 165 00:07:42,760 --> 00:07:46,760 Speaker 2: get well away from that. But vegiminite, it's yeast salt. 166 00:07:47,720 --> 00:07:50,520 Speaker 2: It's pretty much it's got a half life of a 167 00:07:50,560 --> 00:07:51,240 Speaker 2: thousand years. 168 00:07:51,520 --> 00:07:54,560 Speaker 5: Do you know? Once though, with my veggie which I 169 00:07:54,720 --> 00:07:57,200 Speaker 5: hadn't put in the fridge, I opened it and it 170 00:07:57,320 --> 00:07:58,760 Speaker 5: was covered in mold. No. 171 00:07:59,320 --> 00:08:01,720 Speaker 6: Yes, And I was surprised. 172 00:08:01,880 --> 00:08:07,200 Speaker 2: Someone's double dipped, someone's put some butter from sandwich, Yes, 173 00:08:07,520 --> 00:08:08,520 Speaker 2: gone into the vegemite. 174 00:08:08,640 --> 00:08:11,240 Speaker 6: And I never thought about that. That might have even 175 00:08:11,320 --> 00:08:12,480 Speaker 6: been myself. 176 00:08:12,120 --> 00:08:15,480 Speaker 5: Probably making veggie sandwiches all the kids. 177 00:08:15,680 --> 00:08:17,080 Speaker 3: Yes, it definitely would have been you. 178 00:08:17,440 --> 00:08:19,920 Speaker 6: Ah, all these things I'm learning. 179 00:08:20,000 --> 00:08:22,720 Speaker 3: That's what Petie said to me. He said, can you 180 00:08:22,760 --> 00:08:23,840 Speaker 3: have a word to pussy Cat? 181 00:08:25,400 --> 00:08:28,720 Speaker 2: If you're gonna put vegemite on toast, don't go the 182 00:08:28,760 --> 00:08:31,520 Speaker 2: butter into the vegemite. You can put the vegemite into 183 00:08:31,560 --> 00:08:34,160 Speaker 2: the butter. It looks unsightly, but it's not going to 184 00:08:34,240 --> 00:08:36,880 Speaker 2: contaminate or go off because it's vegemite. 185 00:08:37,880 --> 00:08:40,880 Speaker 6: What about peanut butter? What do you do with peanut butter? 186 00:08:41,600 --> 00:08:42,920 Speaker 3: I kept that in the cupboard. You don't put in 187 00:08:42,960 --> 00:08:44,360 Speaker 3: the fridge because it gets too stiff. It's got a 188 00:08:44,400 --> 00:08:45,040 Speaker 3: lot of oil in it. 189 00:08:45,320 --> 00:08:50,880 Speaker 5: Ah, how are you the arbiter the yoda on all 190 00:08:50,960 --> 00:08:53,000 Speaker 5: of what to put in and out of the fridge? 191 00:08:53,160 --> 00:08:55,800 Speaker 2: Well, I just I've always been a I was raised 192 00:08:55,880 --> 00:08:59,560 Speaker 2: by a mother who used by dates to like a suggestion. 193 00:09:00,080 --> 00:09:03,040 Speaker 2: I went round to her house just recently and she 194 00:09:03,160 --> 00:09:05,680 Speaker 2: had American mustard there, and I'm like, oh, look, Muster 195 00:09:05,800 --> 00:09:09,240 Speaker 2: Foods have released the classic mustard label from when I 196 00:09:09,400 --> 00:09:11,960 Speaker 2: was a kid, and I'm slathering it on my thing. 197 00:09:12,240 --> 00:09:15,080 Speaker 2: And then look at the used by date nineteen eighty four. 198 00:09:15,400 --> 00:09:20,200 Speaker 2: No way, it's classic mustard from nineteen eighty four. I said, mum, 199 00:09:20,920 --> 00:09:23,360 Speaker 2: this has been around for more than thirty years. 200 00:09:24,080 --> 00:09:26,599 Speaker 6: And you were fine, though, weren't you. Nothing happened to you. 201 00:09:27,960 --> 00:09:30,480 Speaker 3: Well that's not the point, Jessica, But I. 202 00:09:30,480 --> 00:09:32,640 Speaker 6: Think that is a good point to remember you were. 203 00:09:32,760 --> 00:09:33,400 Speaker 6: You were okay. 204 00:09:35,320 --> 00:09:39,120 Speaker 3: Yeah, But still I wouldn't subscribe to eating off foods. 205 00:09:39,720 --> 00:09:43,160 Speaker 3: I just don't. I don't think some way to do. 206 00:09:43,440 --> 00:09:46,199 Speaker 5: But perhaps it's about the wording. It's not off, it's 207 00:09:46,320 --> 00:09:51,560 Speaker 5: just older aged. It's aged mustard. 208 00:09:51,880 --> 00:09:53,040 Speaker 3: It's age mustard. 209 00:09:53,840 --> 00:09:57,640 Speaker 2: It's the cutting room for yeah, yeah, yeah, it's Jis 210 00:09:57,679 --> 00:10:04,079 Speaker 2: you an Amanda's cunning room flour? Todd mckennie in for 211 00:10:04,240 --> 00:10:07,040 Speaker 2: Amanda Keller and having you done a great job today? 212 00:10:07,600 --> 00:10:10,719 Speaker 3: Had Well, I've had fun, I've finally woken up. It 213 00:10:10,800 --> 00:10:11,800 Speaker 3: was a bit bleary eye. 214 00:10:13,200 --> 00:10:15,520 Speaker 2: You did do breakfast radio with Sonya Krueger. I did 215 00:10:15,520 --> 00:10:17,679 Speaker 2: it for a couple of years, and you competed against us. 216 00:10:17,840 --> 00:10:19,800 Speaker 2: We did it down the corridor in the same studio, 217 00:10:19,880 --> 00:10:23,400 Speaker 2: so it was weird, which that station now has completely 218 00:10:23,440 --> 00:10:25,160 Speaker 2: gone mix on six point five. 219 00:10:25,679 --> 00:10:27,720 Speaker 8: Do you know I remember because we were literally, as 220 00:10:27,760 --> 00:10:29,800 Speaker 8: you know, down the corridor from each other. I remember 221 00:10:29,880 --> 00:10:32,320 Speaker 8: one day, I don't know if you remember, Sonya Krueger 222 00:10:32,360 --> 00:10:36,080 Speaker 8: brought her dog, Fergie, yes, into that was a little 223 00:10:36,080 --> 00:10:39,199 Speaker 8: staffy and she walked down the corridor and weed outside 224 00:10:39,240 --> 00:10:39,760 Speaker 8: your studio. 225 00:10:39,880 --> 00:10:41,840 Speaker 3: Do you remember that. I remember I said to Sonya, 226 00:10:41,880 --> 00:10:42,880 Speaker 3: that's unacceptable. 227 00:10:43,360 --> 00:10:46,200 Speaker 2: You know the dog fair enough, but you Sonya had 228 00:10:46,240 --> 00:10:47,840 Speaker 2: been training that dog for six months. 229 00:10:48,760 --> 00:10:51,920 Speaker 3: I thought that was interstation rivalry right there. What it 230 00:10:52,120 --> 00:10:55,080 Speaker 3: was right there? That radio station has down become Kiss 231 00:10:55,720 --> 00:10:57,199 Speaker 3: Oh and Jackiey. That's right. 232 00:10:57,400 --> 00:11:00,520 Speaker 2: So they're not down the corridor anymore. They're upstairs, well 233 00:11:00,640 --> 00:11:03,520 Speaker 2: in the penthouse. No, I wouldn't like to think it's 234 00:11:03,559 --> 00:11:05,120 Speaker 2: what I get a broom, and I bet they do 235 00:11:05,440 --> 00:11:07,720 Speaker 2: it up there a bit. You shut up, get the noise, 236 00:11:07,920 --> 00:11:08,760 Speaker 2: keep the noise down there. 237 00:11:08,840 --> 00:11:09,280 Speaker 3: You kids. 238 00:11:09,920 --> 00:11:12,959 Speaker 2: There's something that's been discussed with great length and I 239 00:11:13,040 --> 00:11:14,240 Speaker 2: don't know if you've heard about this. 240 00:11:14,559 --> 00:11:19,280 Speaker 3: It's the palm tree Aren't installation in It's in the 241 00:11:19,559 --> 00:11:22,000 Speaker 3: main drag of Crown Street. I do like it. 242 00:11:22,040 --> 00:11:23,480 Speaker 2: I think it's I think it's great. But it's a 243 00:11:23,520 --> 00:11:27,520 Speaker 2: palm tree strapped to a street light pole. Well, I've 244 00:11:27,559 --> 00:11:28,760 Speaker 2: just been handled a photo of it. 245 00:11:29,080 --> 00:11:31,880 Speaker 3: You like it? Well, it's it looks like something being 246 00:11:31,960 --> 00:11:34,760 Speaker 3: delivered that hasn't been delivered properly. And I think that's 247 00:11:35,080 --> 00:11:36,719 Speaker 3: it's got caught. That's the point of it. 248 00:11:36,960 --> 00:11:40,679 Speaker 2: But what are they saying? It's about how it's modern? 249 00:11:41,200 --> 00:11:43,079 Speaker 2: It's modern, and what are they saying about it? So 250 00:11:43,160 --> 00:11:45,480 Speaker 2: what it is is a palm tree with a root 251 00:11:45,600 --> 00:11:48,040 Speaker 2: ball which is wrapped in Hessian yep. So it's being 252 00:11:48,120 --> 00:11:51,160 Speaker 2: delivered to a property and it's got itself caught on 253 00:11:51,280 --> 00:11:52,120 Speaker 2: a light pole. 254 00:11:52,240 --> 00:11:54,000 Speaker 3: And that's where it's been delivered, I would imagine. 255 00:11:54,000 --> 00:11:56,280 Speaker 2: And if you look down further into the picture, then 256 00:11:56,280 --> 00:11:58,920 Speaker 2: there's another palm tree that's just been strapped to a 257 00:11:59,040 --> 00:12:01,120 Speaker 2: sandstone block on its side. 258 00:12:01,760 --> 00:12:02,760 Speaker 3: So what is the message? 259 00:12:02,840 --> 00:12:04,319 Speaker 2: Well, I guess the message is what does it say 260 00:12:04,320 --> 00:12:08,160 Speaker 2: to you when you order something online or whatever. Are 261 00:12:08,200 --> 00:12:11,000 Speaker 2: you always happy with how it arrives? Have you thought, 262 00:12:11,800 --> 00:12:13,360 Speaker 2: whis that up on my garage roof? 263 00:12:14,080 --> 00:12:14,280 Speaker 3: Where? 264 00:12:14,400 --> 00:12:14,559 Speaker 5: Yes? 265 00:12:14,640 --> 00:12:17,599 Speaker 8: And once they start these drone deliveries, that's going to 266 00:12:17,640 --> 00:12:19,599 Speaker 8: be a real thing. This is going to be a 267 00:12:19,880 --> 00:12:22,280 Speaker 8: get your palm tree delivered by a drone. You're probably 268 00:12:22,320 --> 00:12:23,520 Speaker 8: going to end up with it stuck to you. 269 00:12:23,880 --> 00:12:27,160 Speaker 3: On the right. So we had the Guzman came around 270 00:12:27,160 --> 00:12:31,120 Speaker 3: the other night. Usman. Oh, he delivers the Goozman, which 271 00:12:31,160 --> 00:12:35,640 Speaker 3: is always good. That eats gone nice. But the Goozman Gawaja, No, 272 00:12:35,760 --> 00:12:40,160 Speaker 3: no Usman, just Usman the originals. I don't think Usman 273 00:12:40,240 --> 00:12:43,319 Speaker 3: Gawaja needs to dry for uber eats. Yeah, we don't know. 274 00:12:43,559 --> 00:12:47,719 Speaker 3: But anyway, he delivered it at our front door and 275 00:12:48,040 --> 00:12:48,559 Speaker 3: my wife. 276 00:12:48,400 --> 00:12:52,199 Speaker 2: Said, where's the Guzman. Hasn't you know, hasn't arrived And 277 00:12:52,240 --> 00:12:54,560 Speaker 2: I don't know. And then I looked at my phone 278 00:12:54,559 --> 00:12:56,559 Speaker 2: and said, your food has been delivered And it was 279 00:12:56,600 --> 00:12:57,480 Speaker 2: twenty minutes ago. 280 00:12:57,800 --> 00:12:59,679 Speaker 3: Oh so it was cold. Yeah, he just left. He 281 00:12:59,760 --> 00:13:01,760 Speaker 3: leaves at the door. But no ding dong. Yeah, that's 282 00:13:01,760 --> 00:13:03,680 Speaker 3: happened to me. What's happened to me? A future? 283 00:13:03,800 --> 00:13:04,439 Speaker 2: So this is the thing. 284 00:13:05,120 --> 00:13:05,600 Speaker 3: It's a thing. 285 00:13:06,200 --> 00:13:08,199 Speaker 2: I think they get lazy. I think they get really busy. 286 00:13:08,480 --> 00:13:10,360 Speaker 2: How hard is it to ring a door? I've had 287 00:13:10,440 --> 00:13:12,959 Speaker 2: exactly the same conversation. But do you know what I 288 00:13:13,080 --> 00:13:16,439 Speaker 2: got delivered to my house? I got home, I was traveling, 289 00:13:16,559 --> 00:13:19,280 Speaker 2: got home, got from the airport, got to my front gate, 290 00:13:19,400 --> 00:13:23,319 Speaker 2: and there's these massive boxes, three massive, massive boxes on 291 00:13:23,400 --> 00:13:24,000 Speaker 2: my front porch. 292 00:13:24,440 --> 00:13:25,559 Speaker 3: And I didn't know what it was. 293 00:13:26,280 --> 00:13:30,319 Speaker 2: It was pool equipment. So it was a creepy Crawley pool. 294 00:13:30,800 --> 00:13:33,400 Speaker 2: You know the tube that feeds the creepy Crawley. 295 00:13:33,720 --> 00:13:34,079 Speaker 3: It was that. 296 00:13:34,280 --> 00:13:37,679 Speaker 2: It was a whole stack of pool salts, and it 297 00:13:37,840 --> 00:13:39,599 Speaker 2: was it wasn't for me, and it was for like 298 00:13:40,040 --> 00:13:41,640 Speaker 2: four or five streets over. 299 00:13:43,640 --> 00:13:46,400 Speaker 3: It wasn't my street, wasn't the same number of the house. 300 00:13:46,440 --> 00:13:47,880 Speaker 3: And I thought, what do I do with that? Do 301 00:13:47,960 --> 00:13:49,880 Speaker 3: you have a pool? I've got a pool, but I've 302 00:13:49,920 --> 00:13:51,839 Speaker 3: got my own creepy Crawley, Like I don't. I have 303 00:13:51,920 --> 00:13:52,199 Speaker 3: a man. 304 00:13:53,760 --> 00:13:57,600 Speaker 8: I have a man that comes over and yellow likerathong, right, 305 00:13:59,640 --> 00:14:03,079 Speaker 8: So I thought, what do I do with that? Just 306 00:14:03,200 --> 00:14:05,839 Speaker 8: to get a picture of that, you can almost taste it, 307 00:14:05,960 --> 00:14:08,400 Speaker 8: can't you? But that I thought, what do I do 308 00:14:08,559 --> 00:14:11,319 Speaker 8: with this? It's clearly wrong. But the guy would have 309 00:14:11,360 --> 00:14:13,920 Speaker 8: had to have got it out of his car, struggled 310 00:14:13,960 --> 00:14:15,719 Speaker 8: with it to my front porch. I've got a long 311 00:14:15,800 --> 00:14:18,719 Speaker 8: driveway down to the house, and so I had to 312 00:14:18,840 --> 00:14:21,320 Speaker 8: then put it in. The address was clearly marked on 313 00:14:21,360 --> 00:14:23,520 Speaker 8: the package, and then I took it around to the 314 00:14:23,560 --> 00:14:26,520 Speaker 8: people's house and they're opening the door with their mouths 315 00:14:26,560 --> 00:14:26,960 Speaker 8: over going. 316 00:14:27,000 --> 00:14:29,960 Speaker 2: Why is Todd McKenny. It looked like my career was over. 317 00:14:30,080 --> 00:14:33,120 Speaker 2: I've suddenly become a delivery I was expecting husband Kowaja, 318 00:14:33,560 --> 00:14:38,720 Speaker 2: it's delivery. No, it's Todd Kenny's subjaded old tappans. That's 319 00:14:38,800 --> 00:14:42,000 Speaker 2: Todd mckenny's creepy Crawley. It's my little side hustle delivery 320 00:14:42,040 --> 00:14:44,040 Speaker 2: go pull pull equipment delivery guy. 321 00:14:44,240 --> 00:14:45,920 Speaker 3: So how do they get that stuff wrong? 322 00:14:46,040 --> 00:14:48,960 Speaker 2: Like they don't read and that's what they just say, Oh, 323 00:14:49,000 --> 00:14:50,560 Speaker 2: that place has probably got a pull. 324 00:14:50,600 --> 00:14:53,440 Speaker 3: I'll just dump all this stuff there. That's it. That's 325 00:14:53,760 --> 00:14:56,080 Speaker 3: attention to detail, Todd. So maybe this wool and gong 326 00:14:56,200 --> 00:14:58,560 Speaker 3: art piece, well they were going to remove it. 327 00:14:59,360 --> 00:15:01,760 Speaker 2: They've got to take away from Crown Street, but it 328 00:15:01,880 --> 00:15:04,080 Speaker 2: was going to cost one million dollars. Well, they just 329 00:15:04,160 --> 00:15:07,080 Speaker 2: need a helicopter to get it and just take it up. 330 00:15:07,440 --> 00:15:12,200 Speaker 2: Are expert in this, well, I'm becoming one now. But 331 00:15:12,440 --> 00:15:14,760 Speaker 2: I think I actually agree with them. I'd be up 332 00:15:14,760 --> 00:15:17,200 Speaker 2: in arms about that. That just looks but it's art. 333 00:15:17,520 --> 00:15:18,960 Speaker 2: It's yeah, but what is art? 334 00:15:19,360 --> 00:15:19,480 Speaker 1: You know? 335 00:15:19,560 --> 00:15:22,000 Speaker 8: I'm off to Venice in a minute to an art fair. Yeah, 336 00:15:22,040 --> 00:15:24,000 Speaker 8: but I will be outraged at most of the things 337 00:15:24,040 --> 00:15:26,560 Speaker 8: I see and so and everybody at those art fairs. 338 00:15:26,600 --> 00:15:28,160 Speaker 8: They walk around and you do it too when you 339 00:15:28,240 --> 00:15:29,240 Speaker 8: go to that, you can go I could do that. 340 00:15:29,360 --> 00:15:30,320 Speaker 3: I could do that. I could do that. 341 00:15:30,680 --> 00:15:35,120 Speaker 2: Or you know Jackson Pollock who Blue Poles Painting, Yes, 342 00:15:35,560 --> 00:15:38,880 Speaker 2: goth Whitlam bought that in nineteen seventy something for one 343 00:15:38,920 --> 00:15:42,360 Speaker 2: million dollars and that everyone blew up deluxe. They said 344 00:15:42,400 --> 00:15:44,920 Speaker 2: that is outrageous, what a stupid amount of money to 345 00:15:45,040 --> 00:15:48,840 Speaker 2: pay on a stupid painting. Well and last count, yeah 346 00:15:48,960 --> 00:15:51,880 Speaker 2: it was worth three hundred yeah yeah see yeah, but 347 00:15:51,960 --> 00:15:53,960 Speaker 2: that is that's got some artistry involved to it. 348 00:15:54,120 --> 00:15:56,200 Speaker 3: This this palm tree is stuck to a thing with 349 00:15:56,280 --> 00:15:57,200 Speaker 3: a bit of sticky tape. 350 00:15:57,440 --> 00:15:59,680 Speaker 2: I think it would be hard to do and maybe 351 00:15:59,760 --> 00:16:03,560 Speaker 2: you're creepy Crawley Todd's creepy Crawley delivery service. Maybe that 352 00:16:03,760 --> 00:16:06,680 Speaker 2: was an art installation in itself. Maybe it was, and 353 00:16:06,760 --> 00:16:08,800 Speaker 2: maybe me dealing with it was all part of the picture. 354 00:16:08,840 --> 00:16:12,840 Speaker 2: Maybe I'm on some obscure YouTube channel lugging it into 355 00:16:12,880 --> 00:16:15,360 Speaker 2: my car around to the owner's house. 356 00:16:15,440 --> 00:16:18,800 Speaker 3: There it is wackiest home deliveries. It's the whole new 357 00:16:18,880 --> 00:16:22,440 Speaker 3: segment for the show, Husband Kawaji with the pusban to 358 00:16:23,400 --> 00:16:24,120 Speaker 3: creepy crawl, I. 359 00:16:24,120 --> 00:16:26,080 Speaker 2: Could do it Hawaiian shirt with Miraccas and making a 360 00:16:26,120 --> 00:16:27,840 Speaker 2: whole big thing. It's a new television show. 361 00:16:28,080 --> 00:16:30,960 Speaker 3: It is. Yeah, I'll co host it with you, thinking 362 00:16:30,960 --> 00:16:33,520 Speaker 3: as it was your idea, I think it might be 363 00:16:33,600 --> 00:16:46,600 Speaker 3: busy everybody. Here is some more Julie Goodwin in for 364 00:16:46,680 --> 00:16:47,840 Speaker 3: Amanda Keller today. 365 00:16:48,440 --> 00:16:51,360 Speaker 2: Something we missed on the show was this story about 366 00:16:51,400 --> 00:16:55,760 Speaker 2: a woman calling police for mistaking a realistic sex doll 367 00:16:56,200 --> 00:17:00,800 Speaker 2: for a body. She called the police because this doll 368 00:17:01,480 --> 00:17:04,360 Speaker 2: was on a beach and it appears to be headless. 369 00:17:04,359 --> 00:17:05,000 Speaker 3: There's no head. 370 00:17:05,200 --> 00:17:08,080 Speaker 7: Yeah, like, is that how it how it came? 371 00:17:08,280 --> 00:17:12,480 Speaker 3: That's no? No, Well do they I'm sure headless ones? 372 00:17:12,640 --> 00:17:14,000 Speaker 7: Or does the head come off? 373 00:17:14,400 --> 00:17:17,320 Speaker 2: Isn't the the world is terrible if people are ordering that, 374 00:17:17,880 --> 00:17:20,000 Speaker 2: you know, because at one time I went into a 375 00:17:20,119 --> 00:17:22,719 Speaker 2: sex shop, you know, just the one time, why why 376 00:17:22,800 --> 00:17:24,440 Speaker 2: I was in there. But I was in there and 377 00:17:24,480 --> 00:17:25,960 Speaker 2: I was just looking at the array of stuff that 378 00:17:26,080 --> 00:17:28,440 Speaker 2: they had. But then on the wall there was a sheep, 379 00:17:28,920 --> 00:17:30,560 Speaker 2: a sex doll. Sheep a sheep? 380 00:17:30,760 --> 00:17:33,119 Speaker 3: Yeah, And I went, so, at what point are you 381 00:17:33,280 --> 00:17:37,160 Speaker 3: going from, you know, a doll to the sheep? 382 00:17:37,840 --> 00:17:40,680 Speaker 7: What point are you going from you yessen to a doll? 383 00:17:41,520 --> 00:17:43,840 Speaker 3: Well exactly, but you know, I could see, like people 384 00:17:43,920 --> 00:17:45,040 Speaker 3: that make it lonely. 385 00:17:45,000 --> 00:17:48,639 Speaker 9: I guess, well, I guess, I mean, look at it 386 00:17:48,720 --> 00:17:52,920 Speaker 9: this way. It'd probably be worse if you mistook a 387 00:17:53,040 --> 00:17:54,520 Speaker 9: dead body for a sex doll. 388 00:17:55,200 --> 00:17:57,960 Speaker 3: That's true that I started having it off with it 389 00:17:59,440 --> 00:17:59,879 Speaker 3: your on a. 390 00:18:00,040 --> 00:18:02,000 Speaker 7: I was going to leave that bit unsaid. Yeah, here 391 00:18:02,040 --> 00:18:02,840 Speaker 7: we are in court again. 392 00:18:02,920 --> 00:18:06,000 Speaker 2: Here we are the lady and I sort of have 393 00:18:06,760 --> 00:18:08,960 Speaker 2: a bit of empathy for her as well, because she 394 00:18:09,080 --> 00:18:11,199 Speaker 2: could see it was definitely the shape of a torso 395 00:18:11,640 --> 00:18:14,480 Speaker 2: face down and could tell it was a woman's figure. 396 00:18:15,600 --> 00:18:17,720 Speaker 2: So she's looking at it, and you don't want to 397 00:18:17,760 --> 00:18:19,320 Speaker 2: go up there and see if it was a real body, 398 00:18:19,359 --> 00:18:20,480 Speaker 2: because that'd be kind of gross. 399 00:18:20,600 --> 00:18:21,520 Speaker 6: Well yeah, like. 400 00:18:22,160 --> 00:18:25,000 Speaker 9: Yeah, like if you you wouldn't want to get too 401 00:18:25,040 --> 00:18:28,399 Speaker 9: close to it. No, and it looks like it's on 402 00:18:28,520 --> 00:18:28,880 Speaker 9: a beach. 403 00:18:28,920 --> 00:18:29,640 Speaker 3: It's on a beach. 404 00:18:30,040 --> 00:18:32,439 Speaker 7: It's kind of washed up there that. No, you wouldn't 405 00:18:32,440 --> 00:18:32,920 Speaker 7: want to see that. 406 00:18:33,160 --> 00:18:37,240 Speaker 2: No one wants to see that. So three police officers responded. 407 00:18:37,600 --> 00:18:40,480 Speaker 2: They were also convinced it was real when they first saw. 408 00:18:40,359 --> 00:18:42,760 Speaker 7: It, straight to Scotland Yard. 409 00:18:43,720 --> 00:18:46,399 Speaker 2: And that's the other job about being a copper, isn't it. 410 00:18:46,560 --> 00:18:48,000 Speaker 2: You have to go and investigate it. 411 00:18:48,119 --> 00:18:48,520 Speaker 5: You have to. 412 00:18:48,800 --> 00:18:50,440 Speaker 2: And they thought it was a real book, and they've 413 00:18:50,440 --> 00:18:52,480 Speaker 2: gone on, hang on it, maybe, Harry, you go and 414 00:18:52,600 --> 00:18:53,879 Speaker 2: have a look and. 415 00:18:53,960 --> 00:18:55,640 Speaker 7: See what you think about it a stick and see 416 00:18:55,680 --> 00:18:56,080 Speaker 7: what happens. 417 00:18:56,280 --> 00:18:57,360 Speaker 3: So they would have been relieved. 418 00:18:57,520 --> 00:18:59,680 Speaker 2: They've gone over there and they've poked it with a stick, 419 00:19:00,119 --> 00:19:03,359 Speaker 2: she said, and discover that it's not indeed, it's just 420 00:19:03,480 --> 00:19:06,920 Speaker 2: a it's a sex style. But if you ever like, 421 00:19:07,200 --> 00:19:09,760 Speaker 2: I find that as I get older, my short sight 422 00:19:09,880 --> 00:19:12,200 Speaker 2: and oh yeah, it's more and more. 423 00:19:12,280 --> 00:19:12,320 Speaker 5: So. 424 00:19:12,680 --> 00:19:15,080 Speaker 2: One day I was walking down my street and I 425 00:19:15,200 --> 00:19:18,719 Speaker 2: thought I saw there's this massive dog, this big domman 426 00:19:19,000 --> 00:19:21,320 Speaker 2: sitting on the Oh oh my god, look at that 427 00:19:21,359 --> 00:19:22,960 Speaker 2: side of the dog. And I'm not scared of dogs. 428 00:19:23,000 --> 00:19:26,160 Speaker 2: I don't believe, and I wouldn't usually cross the road. 429 00:19:26,240 --> 00:19:30,000 Speaker 2: Brother on that dog that looks like the hound of Baskerville. 430 00:19:30,040 --> 00:19:31,040 Speaker 2: So I'm keeping away from that. 431 00:19:31,760 --> 00:19:33,800 Speaker 3: As I get closer, I've crossed the other side of 432 00:19:33,840 --> 00:19:34,200 Speaker 3: the road. 433 00:19:34,520 --> 00:19:39,280 Speaker 2: It's a tree stump, two tree stumps together, and the 434 00:19:39,359 --> 00:19:41,680 Speaker 2: optical illusion looked like it was this big domoman. 435 00:19:41,920 --> 00:19:45,879 Speaker 9: You're just like my husband, right, So I wear glasses 436 00:19:46,200 --> 00:19:49,240 Speaker 9: because I'm not too vain to wear glasses. He's constantly 437 00:19:49,320 --> 00:19:51,680 Speaker 9: walking around squinting at things. I show him something on 438 00:19:51,760 --> 00:19:53,920 Speaker 9: my phone, I have to he borrows my glasses. In 439 00:19:54,000 --> 00:19:55,919 Speaker 9: the restaurants, we can read the menu. It's like, come 440 00:19:56,000 --> 00:20:00,800 Speaker 9: on time, Jonesy. If you're mistaking tree stump for Doberman 441 00:20:00,960 --> 00:20:03,520 Speaker 9: and hounds of Baskerville's time for the glasses. 442 00:20:03,520 --> 00:20:04,920 Speaker 3: Well, it's funny you say that I do go and 443 00:20:04,960 --> 00:20:07,520 Speaker 3: get my eyes checked quite regularly, Do you do? And yeah, 444 00:20:07,520 --> 00:20:09,200 Speaker 3: I do? I do. You know, just you don't check 445 00:20:09,240 --> 00:20:09,760 Speaker 3: my macula? 446 00:20:10,000 --> 00:20:11,760 Speaker 7: Do you pay attention to what they say? 447 00:20:11,840 --> 00:20:12,159 Speaker 3: And they do? 448 00:20:12,720 --> 00:20:14,600 Speaker 2: And the guy said, what I've got, I've got this 449 00:20:14,800 --> 00:20:19,080 Speaker 2: like stigmatism. One eye is short and one eye is long, right, 450 00:20:19,320 --> 00:20:22,520 Speaker 2: So they correct each other. Is that how that's what 451 00:20:22,600 --> 00:20:22,920 Speaker 2: he said? 452 00:20:23,320 --> 00:20:24,680 Speaker 7: They just seeing tree stump dogs. 453 00:20:24,760 --> 00:20:27,520 Speaker 3: This is the eye guy. It was a very effective illusion. 454 00:20:27,840 --> 00:20:29,879 Speaker 9: Okay, well yeah, I mean I can see how you 455 00:20:29,880 --> 00:20:32,040 Speaker 9: can go having very effective I. 456 00:20:32,160 --> 00:20:34,080 Speaker 3: Was waving at a palm tree thinking that it was 457 00:20:34,600 --> 00:20:35,320 Speaker 3: a friend of mine. 458 00:20:36,840 --> 00:20:39,280 Speaker 7: Do you ever say hello to those yard dudes? 459 00:20:40,920 --> 00:20:43,760 Speaker 2: Now I go in and buy stuff, all the goods 460 00:20:43,840 --> 00:20:45,880 Speaker 2: they have on offer, not outside of sections. 461 00:20:45,920 --> 00:20:46,840 Speaker 7: You can't see the price. 462 00:20:48,600 --> 00:20:58,160 Speaker 2: Hey, everybody, it's time for jonesianamandas gotten room floor. Liz 463 00:20:58,240 --> 00:21:01,080 Speaker 2: Ellis is in for Amanda and this is right in 464 00:21:01,200 --> 00:21:04,480 Speaker 2: your wheelhouse. I know the netball never made it to 465 00:21:04,520 --> 00:21:05,040 Speaker 2: the Olympics. 466 00:21:05,160 --> 00:21:06,520 Speaker 3: Thank you for bringing that up. I don want to 467 00:21:06,560 --> 00:21:07,639 Speaker 3: rub salt into wounds. 468 00:21:07,760 --> 00:21:10,000 Speaker 2: Yes, open winds. But you know what, I reckon you 469 00:21:10,040 --> 00:21:11,920 Speaker 2: would have made it. It would have been a given 470 00:21:11,960 --> 00:21:13,040 Speaker 2: that you would have got a gold medal. 471 00:21:13,080 --> 00:21:13,920 Speaker 3: Do you want to think about that? 472 00:21:14,119 --> 00:21:15,600 Speaker 10: Yeah, no, I reckon we would have got a gold 473 00:21:15,640 --> 00:21:18,560 Speaker 10: medal too. So yes, And I hate the fact that 474 00:21:18,640 --> 00:21:20,320 Speaker 10: we are not in the Olympics as much as I 475 00:21:20,640 --> 00:21:21,520 Speaker 10: love the Olympics. 476 00:21:21,680 --> 00:21:23,600 Speaker 3: Sure, and if you were in the Olympics and you 477 00:21:23,720 --> 00:21:24,600 Speaker 3: won a gold medal. 478 00:21:24,760 --> 00:21:27,720 Speaker 2: Second question, A part of my question is would you 479 00:21:27,920 --> 00:21:30,000 Speaker 2: have got an Olympics rings tattoo? 480 00:21:30,280 --> 00:21:32,240 Speaker 10: I would have just been a sheep and gone and 481 00:21:32,280 --> 00:21:34,600 Speaker 10: got an Olympics Well, I think I think you can 482 00:21:34,640 --> 00:21:37,320 Speaker 10: get an Olympics ring tattoo even if you don't win 483 00:21:37,480 --> 00:21:39,280 Speaker 10: a gold medal. I think if you go to the Olympics, 484 00:21:39,320 --> 00:21:42,919 Speaker 10: it's enough of an achievement. And like these guys who 485 00:21:43,160 --> 00:21:45,520 Speaker 10: go off to the Olympics are just adonicis so as 486 00:21:45,520 --> 00:21:48,119 Speaker 10: if you wouldn't want to stick a five ring tattoo 487 00:21:48,160 --> 00:21:48,840 Speaker 10: on your pecks. 488 00:21:49,200 --> 00:21:49,920 Speaker 3: They just looked good. 489 00:21:50,119 --> 00:21:52,440 Speaker 2: I was reading where it actually started and it was 490 00:21:52,720 --> 00:21:56,080 Speaker 2: went back to nineteen eighty eight and it was Christopher Jacobs. 491 00:21:56,720 --> 00:22:00,359 Speaker 2: He started it at the Sole Olympics. You got the 492 00:22:00,800 --> 00:22:03,920 Speaker 2: rings tattooed. Yeah, right, Did he win a gold medal? 493 00:22:04,440 --> 00:22:05,080 Speaker 3: I'm not too sure. 494 00:22:05,119 --> 00:22:07,600 Speaker 2: There's not any other details there, but he just got 495 00:22:07,640 --> 00:22:09,879 Speaker 2: the tattoo. But then there are other people that were 496 00:22:09,920 --> 00:22:14,480 Speaker 2: getting tattoos. Yes, so they before they went to the Olympics. 497 00:22:14,640 --> 00:22:16,600 Speaker 6: Yes, Oh no, I think you've got to go to 498 00:22:16,640 --> 00:22:17,400 Speaker 6: the Olympics first. 499 00:22:17,480 --> 00:22:17,760 Speaker 3: You can't. 500 00:22:17,840 --> 00:22:21,080 Speaker 10: You can't get a pre Olympics tat before you turn 501 00:22:21,200 --> 00:22:22,920 Speaker 10: up there because so many things can happen, and what 502 00:22:23,000 --> 00:22:25,840 Speaker 10: happens if you get your tat and then you don't 503 00:22:25,920 --> 00:22:28,480 Speaker 10: actually like you get injured or something happens and you 504 00:22:28,640 --> 00:22:31,120 Speaker 10: actually don't go. Like, I think that's a very that's 505 00:22:31,160 --> 00:22:34,200 Speaker 10: a risky play. And like I was a bit of 506 00:22:34,240 --> 00:22:36,360 Speaker 10: a I was a bit superstitious when I was an athlete. 507 00:22:36,480 --> 00:22:38,840 Speaker 10: So one of the things that I was superstitious about 508 00:22:38,960 --> 00:22:40,320 Speaker 10: was that if you had to go and do a 509 00:22:40,400 --> 00:22:42,119 Speaker 10: photo shoot, like we need a captain, they send you 510 00:22:42,160 --> 00:22:44,160 Speaker 10: out to do photo shoots with the trophy, so either 511 00:22:44,680 --> 00:22:47,479 Speaker 10: you know, the super Netball Trophy or the World Cup trophy. 512 00:22:47,600 --> 00:22:50,840 Speaker 10: And I had a superstition that if we hadn't won 513 00:22:51,119 --> 00:22:53,760 Speaker 10: the trophy the last time, then I couldn't touch the 514 00:22:53,800 --> 00:22:56,359 Speaker 10: trophy until we won it. So for example, two thousand 515 00:22:56,359 --> 00:22:57,960 Speaker 10: and seven, I was a captain of the Diamonds for 516 00:22:58,000 --> 00:22:59,960 Speaker 10: the World Cup and we had to do these photosh 517 00:23:00,200 --> 00:23:02,000 Speaker 10: and because New Zealand had won the two thousand and 518 00:23:02,080 --> 00:23:03,879 Speaker 10: three World Cup, I didn't want to touch the trophy 519 00:23:04,000 --> 00:23:06,680 Speaker 10: until until I'd won it, until my team had won it. 520 00:23:06,760 --> 00:23:08,920 Speaker 6: So the moment you touch it then it's a bit special. 521 00:23:08,680 --> 00:23:12,320 Speaker 10: Right, Yes, yes, man, it worked it worked, we won, 522 00:23:12,560 --> 00:23:15,399 Speaker 10: So I mean the four years of hard work and blood, 523 00:23:15,400 --> 00:23:17,480 Speaker 10: sweat and tears we put in may have may have 524 00:23:17,560 --> 00:23:18,160 Speaker 10: played a part. 525 00:23:18,320 --> 00:23:19,560 Speaker 6: I don't want to, you know, put it all on 526 00:23:19,640 --> 00:23:20,280 Speaker 6: the superstition. 527 00:23:20,400 --> 00:23:23,399 Speaker 10: But so but I would think that getting the tat 528 00:23:23,560 --> 00:23:25,880 Speaker 10: before you go the Olympics it's just tempting fake get 529 00:23:25,920 --> 00:23:27,440 Speaker 10: it and you don't have to win a gold medal, 530 00:23:27,480 --> 00:23:28,240 Speaker 10: but you do have to. 531 00:23:28,320 --> 00:23:29,800 Speaker 6: Actually walk in the door. 532 00:23:30,040 --> 00:23:31,280 Speaker 3: Have you got any tattoos? 533 00:23:31,440 --> 00:23:31,600 Speaker 5: I do? 534 00:23:31,960 --> 00:23:32,960 Speaker 6: It's not the Olympic rings. 535 00:23:33,000 --> 00:23:34,600 Speaker 10: I should have got the Olympic rings with just like 536 00:23:34,680 --> 00:23:37,879 Speaker 10: a big you know those big no entry circle and 537 00:23:38,000 --> 00:23:42,080 Speaker 10: stripe the top I do have. I've got a little 538 00:23:42,119 --> 00:23:45,200 Speaker 10: gecko tattooed on my back right, Yeah, it's a lizard. 539 00:23:45,520 --> 00:23:47,640 Speaker 3: Yes, and why is that? Liz? 540 00:23:48,200 --> 00:23:50,960 Speaker 10: Liz and one of my a very dear friend of mine. 541 00:23:51,720 --> 00:23:54,320 Speaker 10: She spent some time working up in northwest western Australia 542 00:23:54,400 --> 00:23:59,600 Speaker 10: years ago and got this gecko tattooed and unfortunately sadly 543 00:24:00,160 --> 00:24:02,320 Speaker 10: away from breast cancer. So a few of us, whose 544 00:24:02,359 --> 00:24:04,240 Speaker 10: sister and her friends, we all got the same tattoo. 545 00:24:04,760 --> 00:24:07,800 Speaker 10: So it's a really lovely memory. So yeah, my mum 546 00:24:07,920 --> 00:24:10,800 Speaker 10: wasn't very happy about me getting a tattoo because you know, 547 00:24:10,880 --> 00:24:13,400 Speaker 10: I'm fifty and you still care about what your mum thinks, obviously, 548 00:24:13,760 --> 00:24:16,199 Speaker 10: but she was, she was more understanding. 549 00:24:15,680 --> 00:24:17,840 Speaker 6: When she knew that it was because of Linda and 550 00:24:18,200 --> 00:24:19,080 Speaker 6: that story as well. 551 00:24:19,359 --> 00:24:22,000 Speaker 3: And everyone's got a tattoo now, I know, like you know, 552 00:24:22,119 --> 00:24:22,840 Speaker 3: it's like you know. 553 00:24:24,560 --> 00:24:26,280 Speaker 10: On this show you talk about what gets your gooolies 554 00:24:26,280 --> 00:24:28,080 Speaker 10: against my gool is that I was an early adopter 555 00:24:28,160 --> 00:24:29,959 Speaker 10: and everyone's got everyone's got tattoo. 556 00:24:29,960 --> 00:24:30,560 Speaker 3: I got to make them. 557 00:24:30,720 --> 00:24:33,200 Speaker 2: Used to be the president of the Hell's Angels and 558 00:24:33,359 --> 00:24:35,480 Speaker 2: he said, well, hang on there, the Britster is more 559 00:24:35,520 --> 00:24:36,399 Speaker 2: tattooed than I am. 560 00:24:37,000 --> 00:24:40,879 Speaker 10: I suspect the Hell's Angels were early adopters, very early adoptors. 561 00:24:41,520 --> 00:24:44,960 Speaker 10: Here's my piece of gratuitous advice for aspiring Olympians. Don't 562 00:24:45,000 --> 00:24:46,639 Speaker 10: get the tats until you've walked in the door at 563 00:24:46,640 --> 00:24:49,720 Speaker 10: the Olympics and actually competed. Then, once you've done, go 564 00:24:49,840 --> 00:24:52,520 Speaker 10: for your life, get all the Olympic tats. A hooy hoy, yeah, 565 00:24:53,280 --> 00:24:54,200 Speaker 10: get it on your hooy. 566 00:25:01,000 --> 00:25:05,879 Speaker 3: Come back to Tusi and the band That's County