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Speaker 1: The Christian O'Connell Breakfast Show podcast Melbourne's Gold one oh

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Speaker 1: four point.

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Speaker 2: Three strong time. So the podcasting you already with the producer,

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Speaker 2: it is actually getting in my way. Hey Jack, it's

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Speaker 2: coming home. It's coming, it's coming home, it's coming. We're

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Speaker 2: gonna smash Croatia and then hey, Frenchie, good house as

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Speaker 2: we kick them in the dick.

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Speaker 3: It's gonna because people done listening to podcasts straight away.

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Speaker 3: A lot of people catch up in a week's time

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Speaker 3: or a few days time.

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Speaker 2: I know some people that are literally stopped by them

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Speaker 2: to catch up in ten years time.

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Speaker 3: Either way, if England doesn't make it, you're gonna look silly.

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Speaker 2: Wow, I'm happy to look silly because I won't be

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Speaker 2: looking silly. I'll tell you what. Let's put some money

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Speaker 2: on it. Ten ten bucks, says England beat Croatia. You

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Speaker 2: up for that?

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Speaker 3: You know it means I won't back for our barrack

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Speaker 3: for Croatia tomorrow morning.

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Speaker 2: They need your help. I don't. We are the mighty England.

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Speaker 2: We are gonna smash through Croatia. This tournament is ours

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Speaker 2: and I'll eaven say it now. I'm gonna even go

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Speaker 2: bigger now We're gonna in the World Cup. We are boy,

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Speaker 2: we are enjoy this special podcast. This podcast was actually

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Speaker 2: presented on the eve of England smashing Croatia. Hello France,

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Speaker 2: World Cup Final Bits, Bash Bosh.

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Speaker 1: Live from Level two twenty one to thirty one wood Street, Wretchman.

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Speaker 1: This is the Christian Cup All Breakfast Show on Nolvin's

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Speaker 1: Gold one oh four point three.

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Speaker 2: Do you know what I like? Jack? Is how Pats

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Speaker 2: Pats wants to b DJ. Doesn't she that little flourish

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Speaker 2: she does? After the news where you'll go heavy news story,

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Speaker 2: heavy news story. What are you up to at nine

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Speaker 2: o'clock today? We're doing a high school disco.

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Speaker 4: Actually muck that out Q up somehow in case you

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Speaker 4: didn't manage.

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Speaker 2: Cute little a technical linger there everyone, as you pulled

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Speaker 2: back the curtain and you see the Wizard of ors.

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Speaker 3: Am I the Wicked Witch or the good Witch, Wicked Witch.

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Speaker 2: Good morning, It's the Christian O'Connor Breakfast Show Show number

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Speaker 2: twenty three. So England will play France in the World

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Speaker 2: Cup Final.

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Speaker 3: France dive down, confident and progress through. But England still

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Speaker 3: have to technically win against croat to go through. I guess.

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Speaker 2: I don't know if you've checked all the various memes

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Speaker 2: on the interwebs. It's coming home my friends, or is

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Speaker 2: it the team coming home? I don't know which one.

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Speaker 2: It is so great news they've got all the boys out,

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Speaker 2: the coach out as well, the Tie Socker team, all

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Speaker 2: the boys they're out there safe.

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Speaker 3: Yep, it's great.

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Speaker 2: It's amazing America.

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Speaker 5: Really.

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Speaker 2: Yeah. I was reading about the Australian doctor as well,

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Speaker 2: who's been in with the boys, say some deep cave

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Speaker 2: rescue diver and how all the lads have had a

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Speaker 2: mild sedative and so that I can't still work out

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Speaker 2: how people can do stuff like that. You know what

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Speaker 2: the Thai divers have done and British divers and Australian divers.

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Speaker 2: You know when you just read about people, and even

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Speaker 2: reading about the story, I get cross the phobic. You

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Speaker 2: just think, I don't know how six hours of going

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Speaker 2: through tunnels one would.

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Speaker 3: See their footage makes your claustrophobia.

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Speaker 2: Sure, it's an incredible story. They will make a movie

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Speaker 2: about this as well. I think working time at the

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Speaker 2: moment ty hard. Yeah, Nicholas Cage will play the soccer

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Speaker 2: coach that got them in the trouble Dwayne rock Johnson,

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Speaker 2: the lee diver who single handedly gets them out, and

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Speaker 2: at one point, as the cave starts to like maybe

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Speaker 2: crumble or something, he starts bench pressing a rock out

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Speaker 2: the word save yourself that and they're all squishing him

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Speaker 2: out the way going You trapped us though, with your

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Speaker 2: huge arms and fat thighs. Come on, Dwayne. Move. Yesterday evening,

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Speaker 2: I was talking to the kids, right they start a

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Speaker 2: new school next week, and they go straight into auditions

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Speaker 2: for the new school play. And I was saying, well,

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Speaker 2: you know what, if you've got to do an audition

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Speaker 2: or anything, your dad can help you, because you are

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Speaker 2: having dinner right now with When this guy was ten,

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Speaker 2: I played King George in a very moving school play

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Speaker 2: about George and a dragon. I was George who slayed

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Speaker 2: the dragon in a performer that some people who were

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Speaker 2: there are still talking about to this day.

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Speaker 3: Is it a well known character or is it an

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Speaker 3: original script?

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Speaker 6: No?

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Speaker 2: Originally are all those one other drama teacher. It's shabby

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Speaker 2: old school play.

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Speaker 3: I only went through school having original scripts, so I know.

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Speaker 2: What it's like. I remember, because it's you lose friends

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Speaker 2: if you've got a decent role and your friends haven't

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Speaker 2: you're spragging right? So I remember my best mate. We

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Speaker 2: both auditioned. I got George, which was the lead character,

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Speaker 2: and he just became the moon, no words, just he

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Speaker 2: was just the moon, just a stand there and be

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Speaker 2: the moon with his face painted white. He just had

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Speaker 2: to moon.

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Speaker 3: The year before the moon was a cardboard cutout, and

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Speaker 3: this year it could be a suit.

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Speaker 2: Yeah. And another one of my friends was just a door.

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Speaker 2: He just had to move out the way. Humiliating, humiliating.

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Speaker 2: So this morning, I'd like to know what were you

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Speaker 2: in your school play? Jack? What were you?

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Speaker 3: A non speaking role also, but I got to be human,

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Speaker 3: so at least I wasn't an object or a heavenly body.

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Speaker 2: So what was the school play? Another one of those original.

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Speaker 3: Ones, original play called the Canteen. I was a boy

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Speaker 3: who knocked on the window of the canteen before it opened, So.

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Speaker 2: You were just knocker you listening.

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Speaker 3: I remember not realizing at the time that a non

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Speaker 3: speaking role meant you were less important, because I went

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Speaker 3: home quite excited to Mom and Dad that I had

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Speaker 3: made the school play and.

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Speaker 2: I'm in a silent movie. Oh bless little simple Jack.

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Speaker 2: So when you saw movies like with Tom Hanks, is like, God,

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Speaker 2: that guy is such a loosey. He has to till

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Speaker 2: the talking of the people in the will see. Now

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Speaker 2: that's the guy that's the part to get pats. What

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Speaker 2: were you in your school play?

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Speaker 4: I was a zombie in my year seven production at

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Speaker 4: Wangra at a high Dracula spectacular.

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Speaker 2: I bet you're an amazing zombie as well. Well.

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Speaker 4: We were more sort of like a chorus line. We

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Speaker 4: did a lot of singing.

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Speaker 2: Oh right, so it was like a musical zombie play.

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Speaker 2: It was. It was yeah, well you were years ahead

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Speaker 2: than ahead of Walking Dead.

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Speaker 1: The Christian O'Connell Breakfast, Joe Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: Basically if you can divide it, everybody up. Really did

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Speaker 2: you have a speaking bart or a non speaking bart or?

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Speaker 2: I think the worst bits were you were part of

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Speaker 2: the technical crew.

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Speaker 7: And light.

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Speaker 2: Last year us kids were the school play what's it

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Speaker 2: called Shop of Horrors And there was some bored looking

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Speaker 2: kid on the light picking his nose, scratching his ars,

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Speaker 2: and then he was in the spotlight and he was

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Speaker 2: always like three seconds behind. They'd moved this spotlight had

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Speaker 2: to cash them up. Have any moved one foot? Mate?

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Speaker 2: Come on, Keita, good morning.

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Speaker 6: There you going mad?

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Speaker 2: Yeah? Pretty good, Keita. What were you in your school play?

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Speaker 6: All the three in a cardboard box with the arms

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Speaker 6: out with leading on it, and they are the hardest

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Speaker 6: part standing there not laughing but just mag and I

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Speaker 6: can't take the paper in the.

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Speaker 2: Crowd, waving at your mum and dad woman little tree arms.

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Speaker 6: Oh yeah, just doing the rodbot. It was unreal, like, Keita.

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Speaker 3: Did you get a face hole or was there a

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Speaker 3: cowdboard box on your head?

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Speaker 2: Oh?

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Speaker 6: I know, it went like Iver made. There's like a

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Speaker 6: circle cut out and it was just I don't know's

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Speaker 6: on and off, lights on and off, and like everyone

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Speaker 6: had run around and changed.

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Speaker 2: Well, it's quite some performance piece you were doing there, Keita.

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Speaker 2: What was the actual school play?

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Speaker 6: The school player was all about all different stuff, like

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Speaker 6: about stuff like George Jenkins or famous book criders, this

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Speaker 6: and that and I've got to be a tree from

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Speaker 6: around the well in grade four to this like background

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Speaker 6: thing and it's just I thought it was terrible because

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Speaker 6: everyone's got their part this and that. Ever, I'm waiting

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Speaker 6: for a good part. Probably wanted the best kid in

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Speaker 6: school and then they've gone, you know, and you're just

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Speaker 6: there three.

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Speaker 2: Keita, thank you very much and cool, have a good day. Vanessa. Hello, Hello,

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Speaker 2: and Vanessa, what were you? It's van just start of

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Speaker 2: stumbling on their hello, that sort of hello says it's

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Speaker 2: really early and it is very early early Vanessa. What

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Speaker 2: were you in your school play?

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Speaker 8: Well, when we auditioned, I was a rock and then

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Speaker 8: by the time I went, like we went to the

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Speaker 8: stage production, they said here and they gave me the shrub,

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Speaker 8: so I had to stand behind.

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Speaker 2: Do you think you were downgraded from the rock to

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Speaker 2: the shrub? Is that a promotion? No?

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Speaker 8: I think it was a bit of a promotion because

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Speaker 8: I could actually see through the shrub and I could

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Speaker 8: see my parents' face in the audio.

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Speaker 2: That's amazing, some sort of drama teacher going listen, I

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Speaker 2: love what you did with the shrub.

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Speaker 8: How do you feel that's amazing?

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Speaker 1: The Christian O'Connell Breakfast Joe Melbourne's Gold one oh four

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Speaker 1: point three?

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Speaker 2: What were you in your school play? Talking part, speaking

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Speaker 2: part or non speaking part. I've asked Jack now to

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Speaker 2: move to our whiteboard, which we sometimes used you on

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Speaker 2: the show as we try and this morning, we try

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Speaker 2: and list a cast of players, and what you were

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Speaker 2: King George? I was George, not royalty. No, I just

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Speaker 2: realized what the play was. I think I just promote

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Speaker 2: myself there, trying to press you, you know, new in town,

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Speaker 2: trying to have had that new pony. You know, he

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Speaker 2: was a king when he was ten years of age.

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Speaker 2: Let's not forget there's that call of thinks I'm from Malta.

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Speaker 2: I don't think I stoodn't work that one out. I

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Speaker 2: was George in George and the Dragon Slays the Dragon.

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Speaker 2: I was ten, and so we had Keita who was.

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Speaker 3: A tree tree cardboar bux tree yep.

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Speaker 2: And Vanessa was the shrub from a rock to a shrub.

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Speaker 2: Yeah all right, let's go to Alex. Good morning, Alex Lay. Yeah,

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Speaker 2: pretty good, Alex. I hope you well this morning. So

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Speaker 2: what were you in your school play?

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Speaker 3: So?

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Speaker 9: I was about toxic dumping. And basically what the school

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Speaker 9: did is they put me in like one of their

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Speaker 9: main condition events to join the air conditioners together, and

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Speaker 9: I was I was a worm and I had to

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Speaker 9: spin around the head and business air conditioner thing around

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Speaker 9: and then get on the floor and move around like a.

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Speaker 2: Verb and why are you a worm in an air conditioner?

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Speaker 6: I don't know. I didn't right it, but.

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Speaker 2: I didn't write. It's my job is just to do

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Speaker 2: the magic and performer.

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Speaker 9: It was pretty hot in spiet with all the stage

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Speaker 9: wats and everything like that.

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Speaker 6: You know.

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Speaker 2: I love the fact that, Alex, it was about toxic

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Speaker 2: dumping because your school play sometimes they would do stuff

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Speaker 2: your themes of the day, you know, environmentalism. I went

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Speaker 2: to school play two years ago that was about global

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Speaker 2: warming and kids would pretend to melt on stage and

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Speaker 2: it was so bad.

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Speaker 9: If you get the chance to call back and hearing,

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Speaker 9: I think it's still going on.

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Speaker 2: That's great, Alex, thank you very much for cool Kinton

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Speaker 2: coming nine four one four one o four three. Let's

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Speaker 2: take one more.

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Speaker 7: Olivia, how are you going?

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Speaker 2: I'm pretty good, Olivia. So what were you in your

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Speaker 2: school play?

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Speaker 8: I was a farmer, a hillbilly farmer, but the cow

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Speaker 8: didn't turn up, so I also had to improvise and

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Speaker 8: be a cow at the same time.

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Speaker 9: Wow.

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Speaker 2: Well, I mean you're a utility player, you know you

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Speaker 2: can do different characters. This is incredible. How did the

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Speaker 2: farmer talk to the cow? Did you play both parts

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Speaker 2: I didn't.

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Speaker 8: It wasn't talking from the farmer to the cow. I

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Speaker 8: just had to go in there with like a pitchfork

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Speaker 8: and look like a farmer and pretend to herd the

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Speaker 8: cow and one cow. And then I had to get

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Speaker 8: on all falls and start making more knowing as well.

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Speaker 2: Okay, school's taking a turn. Okay, it's a little too

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Speaker 2: excited that kind of chitch out the pitchfork. Color four.

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Speaker 2: Stop it, madam.

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Speaker 1: The Christian O'Connell breakfast Show on Gold one oh four

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Speaker 1: point three.

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Speaker 2: Some amazing artwork from you this morning. Jack. I don't

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Speaker 2: wonder as you're going to do that. So Jack as

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Speaker 2: well the whiteboard, we've got a cast of stars made

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Speaker 2: up of you. If you're in your school play, we

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Speaker 2: want to add you to a cast of stars. What

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Speaker 2: were you in your school playing? Nine four one four

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Speaker 2: one four three, Jack, run it down for us at

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Speaker 2: the moment. What is the cast?

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Speaker 3: So you were George the dragon Slayer. Yeah, in your

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Speaker 3: school play. I was had a non sp making role

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Speaker 3: in the original script of the Canteen. I was boy

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Speaker 3: at Canteen. Pats was a dancing and singing zombie. We

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Speaker 3: had Keita, who was a cardboard tree, Vanessa who was

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Speaker 3: a shrub previously a rock, Alex who I think he

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Speaker 3: was an air conditioning unit and also a worm spinning

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Speaker 3: around on the ground, and then Olivia who was a

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Speaker 3: farmer but then had to also play the cow in

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Speaker 3: the scene because the cow was sick that day.

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Speaker 2: I mean, Olivia, of anyone we spoke this morning, has

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Speaker 2: obviously got real range in terms of what she can

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Speaker 2: do on a stage.

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Speaker 10: Peter, No, Paul morning, Christian morning, guys.

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Speaker 5: How are you?

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Speaker 2: We're pretty good, Paul. I hope you well this morning

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Speaker 2: as well. And what were you in this school play?

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Speaker 10: I was a donkey in a Nativity scene. All I

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Speaker 10: had to do was that's all I had to do

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Speaker 10: say or they called out from the narration and he

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Speaker 10: went to the cow, to the chickens, to the donkey.

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Speaker 10: I said nothing to the donkey. I said nothing to

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Speaker 10: the donkeys. The third time, I still said nothing. Looking

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Speaker 10: at the crowd, and to find my parents kicking in

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Speaker 10: the pants, I screamed, that was the beginning at the

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Speaker 10: end of my career.

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Speaker 2: Do you know what? The kicking in the bum to

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Speaker 2: get a loan, that's I often have to do that

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Speaker 2: with Jack Actually to night of an Olgin on the show.

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Speaker 2: It still works technique. Let's is tried and tested technique. Paul,

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Speaker 2: that's a great one. We're actually to our cast. Thank

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Speaker 2: you very much for calling mate.

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Speaker 1: Had a good day The Christian O'Connell Breakfast Show on

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Speaker 1: Gold one oh four point three.

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Speaker 3: Hello, Hello, is the list.

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Speaker 2: All right? Jack? Remind everyone someone have tuned in this

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Speaker 2: morning from the very first time. How does your early

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Speaker 2: morning game work?

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Speaker 3: It's water tight. Now two contestants decipher. I'm off, I'm

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Speaker 3: off to the races already. Two contestants, two categories. Each

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Speaker 3: contestant gets one category. How long is that list? How

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Speaker 3: long can they make that list for their given category?

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Speaker 3: They win a prize if they have the longest list.

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Speaker 2: Do you know what, I take back my sneaker. You

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Speaker 2: nailed it. You nailed it. That is how it works. Okay.

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Speaker 2: Prize is today Skyscraper? Why not Dwayne Johnson in a

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Speaker 2: brand new movie. He's saving a skyscrape for everyone. But

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Speaker 2: guess what, he's got half a leg missing genius. Okay,

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Speaker 2: We've got tickets for you to go and see sky

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Speaker 2: Scrape of the movie with Dwayne Johnson out in cinemas

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Speaker 2: on the twelfth of July. You can win your tickets now.

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Speaker 2: Oh that was the old phone number I was had

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Speaker 2: to give out to my old radio show, Oh.

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Speaker 1: The Christian O'Connell breakfast show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: I keep a long list of categories in a notes

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Speaker 3: folder on my phone. Some of them are as good

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Speaker 3: as others, but I still want to work my way

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Speaker 3: through each of them in order.

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Speaker 2: Okay, ray Man, nice to have the side story.

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Speaker 3: I'll start with my worst one for today's show.

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Speaker 2: Don't you know what you hear? Great one yesterday, Bugs

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Speaker 2: that can Fly? That was a great one.

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Speaker 3: I think this one's took broad Our first topic today

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Speaker 3: is famous people.

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Speaker 2: What. No, you can't go from bugs that can Fly,

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Speaker 2: which is a real test under the twenty second time pressures.

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Speaker 2: They're simply famous people. What's happened to you?

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Speaker 3: The second one is types of pizza?

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Speaker 2: Oh no, this is terrible. Listen. I know we had

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Speaker 2: some major news yesterday that we have increased the listenership

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Speaker 2: by zero point eight percent, but let's not let it

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Speaker 2: go to our heads team zero point eight percent. Yeah,

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Speaker 2: we are the new Kings of Melbourne Radio. No point

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Speaker 2: eight percent. Thank you. You're welcome, Caitlin. Yeah, you get

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Speaker 2: twenty seconds on famous people? Off you go? Oh no,

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Speaker 2: well well well well well well where's the time of God?

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Speaker 2: Nick's gone? You just double that? Yeah, all right, get

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Speaker 2: twenty seconds.

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Speaker 5: Go Allan DeGeneres, Paris Hilton, Kevin Hart, Adam Bayla, Drew Barrymore, Um,

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Speaker 5: but Dwayne the Rock Johnson, Um, yeah, my, oh my god.

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Speaker 3: Any famous person?

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Speaker 5: Oh no, the house, madam yourself, Christian your gotcha.

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Speaker 2: That's the second one I made it? Did I make

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Speaker 2: into bugs that can fly? Yes? He did really well. Katelyn.

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Speaker 2: Stay there, Okay, stay there, Kaitlin, and let's get who

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Speaker 2: got here? Corey Coome Morning, Cory Money, Okay, Cory. Types

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Speaker 2: of pizza? Off you go.

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Speaker 8: Cheese, Margarita, Hawaiian mate lovers.

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Speaker 6: Uh oh, chicken, Uh it's a frame.

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Speaker 2: Uh.

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Speaker 9: Whatever else we got?

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Speaker 6: We got what?

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Speaker 2: Look around its pizza roven a little bit of.

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Speaker 3: Times up only five?

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Speaker 2: You said types of pizza cheese isn't strictly the type

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Speaker 2: of pizza. Now you want.

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Speaker 3: Cheese cheese pizza. I'll count that. Yeah, count that, but

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Speaker 3: it doesn't matter. Kaitlin wins with seven against five.

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Speaker 2: Wow. Way that's amazing, well done, Kate. Okay, you win

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Speaker 2: the prize.

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Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four

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Speaker 1: point three.

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Speaker 2: I can't believe I'm actually saying this, and I can't

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Speaker 2: believe you're okay with this as well. Do you want

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Speaker 2: to watch England Coacia World Cup semi final tomorrow morning

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Speaker 2: four am with Jack and I rounder Andy Lee's lair

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Speaker 2: Jack's house sitting. Andy has not okayed this. He okayed

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Speaker 2: me come around to watch it.

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Speaker 3: I'll ask him now if it was in the middle

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Speaker 3: of the night where he's holidaying in the mould Ives.

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Speaker 2: This is upset Nick so much he's called the station's lawyer.

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Speaker 3: I know what what did you ask? Wanted to ask

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Speaker 3: the legal department?

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Speaker 2: And Lee is going to come back and sue the show,

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Speaker 2: sue you and I see you guys in as Pat

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Speaker 2: weirdly calls at the front court, well with me in

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Speaker 2: the back court. Okay, so you won't find us. Do

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Speaker 2: we also need to ask a lawyer to call in

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Speaker 2: to represent us should Andy Lee decide to sue us

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Speaker 2: when he comes back from holiday.

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Speaker 3: I don't even know what law had been not just

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Speaker 3: that Nickmama.

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Speaker 2: She's a called Sarah the Yes Station. I didn't leave

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Speaker 2: out the most important bit, which is we're bringing a

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Speaker 2: listener along. She knows about that.

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Speaker 3: Are you left out that we haven't got any's permission yet?

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Speaker 2: Consent? Yeah? You are apparently in this the consenting adult,

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Speaker 2: and that isn't good for any of us. Margaret, Good morning.

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Speaker 3: Margaret, Good morning.

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Speaker 2: Hey Margaret. Your fancy coming round to Andy Lee's place

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Speaker 2: and watching the game with us?

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Speaker 11: I'd loved it. That'd be great.

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Speaker 2: And you've been enjoying the World Cup? Or not really

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Speaker 2: your thing?

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Speaker 11: No, I've been loving I've watched nearly every game so far.

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Speaker 2: Have you? So you're big soccer fan.

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Speaker 11: I am a big soccer fan.

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Speaker 2: Yeah? Then what a World Cup? Hasn't it been one

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Speaker 2: of the more enjoyable World Cups in a long long time.

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Speaker 2: It's wide open, it really has been.

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Speaker 11: Other than the soccer roos bombing out the way they did.

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Speaker 2: Shame, I think that was a real show. We'd be

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Speaker 2: nice to see you guys go a bit further. And

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Speaker 2: how do you think you can be honest with me?

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Speaker 2: How do you think England are going to do? Is

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Speaker 2: it coming home or is it just the team coming home.

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Speaker 11: Na, Na, Na, it's coming home. I've pegged them against

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Speaker 11: France in the final.

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Speaker 2: Yeah, brilliant. Well this could be the person have on

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Speaker 2: the couch with us, Okay, Margaret, stay there, Sam, Yes,

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Speaker 2: good morning Christian, Yes, good morning, Sam. Come on in, Sam, Sam, Sam.

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Speaker 2: Fancy joining us on Andy Lee's couch and watching the

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Speaker 2: game tomorrow at four am?

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Speaker 7: Absolutely?

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Speaker 2: Now, who will you be cheering on? Who are you

417
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Speaker 2: going to be barracking for? England or Croatia? I don't

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Speaker 2: mind England of course England. Okay? Why are you supporting us? Well?

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Speaker 12: Because I was born there?

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Speaker 2: You're from England? Are you, Pommy? How long you've been

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Speaker 2: over here?

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Speaker 10: About three years?

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Speaker 2: Right?

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Speaker 3: Okay, you're asking the wrong type of questions, like Christian,

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Speaker 3: who they're going to support? We got to ask if

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Speaker 3: they're clean?

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Speaker 2: Okay? Right? Have you got clean shoes?

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Speaker 12: You're not going to make a fool wear trainers?

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Speaker 2: Okay, trainers is cool? Also, Sam, have you got a

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Speaker 2: criminal record? Have you done any time inside?

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Speaker 6: No?

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Speaker 2: Whow it's bound to say that, right.

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Speaker 3: I don't want to turn around and Andy's computers missing

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Speaker 3: after we had doing.

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Speaker 2: Yeah, we will need to search you. What's that thing

436
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Speaker 2: they get the airport. The scanner. We have to have

437
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Speaker 2: a scanner. I just heard Nick the producer scaring scaring

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Speaker 2: Sam going if we if you are selecting the boys

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Speaker 2: pick you, you have to come to radio station. We

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Speaker 2: blindfold and put in the back of a car and

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Speaker 2: driven there and then we're going to try the car

442
00:20:18,040 --> 00:20:19,760
Speaker 2: round in circles a couple times and spin your out

443
00:20:19,800 --> 00:20:20,800
Speaker 2: so you don't know where you are.

444
00:20:21,480 --> 00:20:23,360
Speaker 3: I have to take their phone off him as well, then, Nick,

445
00:20:23,400 --> 00:20:25,800
Speaker 3: I guess, so they can't google Mad themselves.

446
00:20:25,320 --> 00:20:29,360
Speaker 2: Geo location tagging. Okay, let's speak to Mark in Belgrave.

447
00:20:29,440 --> 00:20:31,280
Speaker 2: Stay there, Sam, Good morning, Mark.

448
00:20:31,960 --> 00:20:35,000
Speaker 12: Good morning Christian. How are you welcome to Australia, buddy?

449
00:20:35,400 --> 00:20:39,400
Speaker 2: Actually very much, Mark. That's very kind to say. Mark.

450
00:20:39,440 --> 00:20:41,440
Speaker 2: Do you fancy joining Jack and I watching the game?

451
00:20:42,400 --> 00:20:44,600
Speaker 12: I want to boo there more than anything, Mate, I'm

452
00:20:44,600 --> 00:20:48,439
Speaker 12: told you quite say.

453
00:20:49,119 --> 00:20:51,840
Speaker 2: Okay, we found our guy. All right, Mark, you're on

454
00:20:51,960 --> 00:20:54,000
Speaker 2: the couch. I'll see you tomorrow morning four am.

455
00:20:54,080 --> 00:20:58,200
Speaker 1: It's you, sir, The Christian O'Connell breakfast show on Gold

456
00:20:58,400 --> 00:20:59,600
Speaker 1: one oh four point three.

457
00:21:00,160 --> 00:21:02,680
Speaker 2: This morning. I'm irritated because I've just had to retie

458
00:21:02,760 --> 00:21:05,720
Speaker 2: my shoelace for the second time this morning.

459
00:21:05,880 --> 00:21:08,119
Speaker 3: Yeah, I don't think that warranted a text message to

460
00:21:08,200 --> 00:21:09,680
Speaker 3: me this morning. You say, I don't know. I still

461
00:21:09,720 --> 00:21:10,840
Speaker 3: don't know how to tie my shoe.

462
00:21:10,920 --> 00:21:12,720
Speaker 2: Well, you know, there are certain things you should be

463
00:21:12,840 --> 00:21:14,840
Speaker 2: you should know how to do as an adult, and

464
00:21:15,480 --> 00:21:18,159
Speaker 2: if I'm wearing shoes with laces at least two or

465
00:21:18,200 --> 00:21:20,040
Speaker 2: three times during the day, I'll have to.

466
00:21:20,240 --> 00:21:21,960
Speaker 3: Well, I hope you're wearing shoes with lacers, because the

467
00:21:22,000 --> 00:21:26,720
Speaker 3: only other option is the velcrow and adult adults wearing

468
00:21:26,840 --> 00:21:28,680
Speaker 3: velcros shoes I know about.

469
00:21:28,760 --> 00:21:32,600
Speaker 2: No, it's only acceptable at the two stages of your life.

470
00:21:32,600 --> 00:21:34,640
Speaker 2: At the beginning, like little kids can wear velcrow shoes

471
00:21:34,720 --> 00:21:36,840
Speaker 2: is easy, and then the old folk like them as

472
00:21:36,880 --> 00:21:39,240
Speaker 2: well because it's easy for the elderly to put them on,

473
00:21:39,320 --> 00:21:41,359
Speaker 2: you know. But in the middle, there's no reason for

474
00:21:41,480 --> 00:21:43,399
Speaker 2: you to be If I start rocking around Melbourne now

475
00:21:43,640 --> 00:21:47,440
Speaker 2: in velcrow shoes, it's not a hipster look. It's not

476
00:21:47,640 --> 00:21:50,240
Speaker 2: hips to look at all. I don't know how to

477
00:21:50,760 --> 00:21:51,920
Speaker 2: correctly tie shoelace.

478
00:21:52,080 --> 00:21:54,480
Speaker 3: Or do you go for loop swoop pul or do

479
00:21:54,560 --> 00:21:55,840
Speaker 3: you go for bunnies?

480
00:21:56,000 --> 00:21:57,720
Speaker 2: Beg your pardon? What's that the Karma Sutra.

481
00:21:58,280 --> 00:22:01,720
Speaker 3: But I still do bunny Is, which is it's kind

482
00:22:01,760 --> 00:22:01,919
Speaker 3: of a.

483
00:22:02,000 --> 00:22:04,440
Speaker 2: Childish way to tie you just come around, haven't it.

484
00:22:05,880 --> 00:22:07,880
Speaker 3: How did you teach your daughter to do shoes because

485
00:22:08,119 --> 00:22:08,600
Speaker 3: I haven't.

486
00:22:09,440 --> 00:22:09,800
Speaker 2: I haven't.

487
00:22:09,880 --> 00:22:15,120
Speaker 3: She's a mill crow kid, she's still she's well shoelaces.

488
00:22:15,160 --> 00:22:17,080
Speaker 3: As Christian on the other side of the desk, to

489
00:22:17,119 --> 00:22:19,520
Speaker 3: see what Bunny is is is make one ear, make

490
00:22:19,600 --> 00:22:21,520
Speaker 3: two ears, so you've got your two loops and then

491
00:22:21,560 --> 00:22:23,760
Speaker 3: you wrap them around and string them together.

492
00:22:23,840 --> 00:22:25,159
Speaker 2: Yeah, that's what I'm doing. I'm doing that.

493
00:22:25,359 --> 00:22:25,920
Speaker 3: You're doing, Bunny.

494
00:22:26,040 --> 00:22:28,080
Speaker 2: But then how are they working their way? Undone?

495
00:22:28,400 --> 00:22:30,040
Speaker 3: You need to double not him Christian.

496
00:22:30,119 --> 00:22:34,600
Speaker 2: Yeah, you need a double knight. Really the esthetic of

497
00:22:34,680 --> 00:22:36,000
Speaker 2: the shoe then looks hold that.

498
00:22:36,200 --> 00:22:38,199
Speaker 4: It's your insurance policy when you're double not.

499
00:22:38,480 --> 00:22:39,560
Speaker 2: An insurance policy.

500
00:22:40,160 --> 00:22:42,440
Speaker 3: Pats to you, bunny Is. I can't believe actually that

501
00:22:42,520 --> 00:22:45,359
Speaker 3: you bunny is Christian, because I've never met another adult

502
00:22:45,359 --> 00:22:46,159
Speaker 3: who's still bunny Is.

503
00:22:46,240 --> 00:22:49,320
Speaker 2: I've never thought about it that hard, just grown up personal.

504
00:22:49,800 --> 00:22:51,520
Speaker 3: Sweet Paul is the more advanced.

505
00:22:53,000 --> 00:22:55,880
Speaker 2: I must have missed that lesson at school that day

506
00:22:55,960 --> 00:22:58,600
Speaker 2: because I am forty five and I'm still doing that.

507
00:22:58,720 --> 00:23:01,200
Speaker 2: I still don't know how to correctly shoe. I get

508
00:23:01,280 --> 00:23:03,639
Speaker 2: nervous when I have to put shoes with lasers on,

509
00:23:04,400 --> 00:23:06,120
Speaker 2: and I hate it because there's nothing worse when you're

510
00:23:06,160 --> 00:23:09,359
Speaker 2: walking along and if you don't deal with that lace

511
00:23:09,400 --> 00:23:12,120
Speaker 2: as it comes on on once you've done another cut

512
00:23:12,119 --> 00:23:14,640
Speaker 2: of strides and it's like touch the ground it because

513
00:23:14,680 --> 00:23:16,399
Speaker 2: what I call the dead man's lace. You don't want

514
00:23:16,400 --> 00:23:18,720
Speaker 2: to go anywhere near it because it's touched the ground.

515
00:23:19,200 --> 00:23:21,520
Speaker 2: You then got bend down to pay in the backside.

516
00:23:21,680 --> 00:23:23,639
Speaker 3: Do you ever get so desperate at night when you

517
00:23:23,720 --> 00:23:25,800
Speaker 3: still get your shoes on that you wear them to

518
00:23:25,880 --> 00:23:27,480
Speaker 3: bed so that you don't have to lace up the

519
00:23:27,560 --> 00:23:28,640
Speaker 3: next day now.

520
00:23:28,560 --> 00:23:32,199
Speaker 2: Because they have to be insane to wear shoes to bed. However,

521
00:23:32,359 --> 00:23:33,920
Speaker 2: you know, we get it early in the morning. I

522
00:23:34,000 --> 00:23:35,920
Speaker 2: have told you with us sometimes I'm going to bed

523
00:23:36,000 --> 00:23:38,679
Speaker 2: fully clothed and with my shoes on, so I can

524
00:23:38,760 --> 00:23:40,840
Speaker 2: literally just wake up, get out of bed, and I'm

525
00:23:40,880 --> 00:23:41,200
Speaker 2: good to go.

526
00:23:41,359 --> 00:23:44,400
Speaker 3: It feels like any minute you can edge that alarm back.

527
00:23:44,640 --> 00:23:48,280
Speaker 2: You'll take fulllly clothes and with some toast button in

528
00:23:48,359 --> 00:23:51,400
Speaker 2: my hand and wake up and go and just eat

529
00:23:51,480 --> 00:23:52,399
Speaker 2: it like that to deal with it.

530
00:23:52,760 --> 00:23:56,080
Speaker 1: The Christian O'Connell Breakfast Joe Melbourne's Gold one oh four

531
00:23:56,160 --> 00:23:56,640
Speaker 1: point three.

532
00:23:56,760 --> 00:23:59,360
Speaker 2: I feel a bit stupid now, uh, the the fact

533
00:23:59,400 --> 00:24:02,760
Speaker 2: that I actually can't at forty five time a shoelace correctly.

534
00:24:02,760 --> 00:24:05,000
Speaker 2: Still I'm still doing bunny Is. But I like to

535
00:24:05,040 --> 00:24:07,160
Speaker 2: think there are other people out there who still can't

536
00:24:07,200 --> 00:24:09,639
Speaker 2: do something even though you're now a grown up.

537
00:24:09,960 --> 00:24:10,920
Speaker 3: Well, I still can't.

538
00:24:11,200 --> 00:24:11,480
Speaker 2: Really.

539
00:24:12,080 --> 00:24:14,359
Speaker 3: Only in the last couple of years I got the

540
00:24:14,680 --> 00:24:22,960
Speaker 3: hang of an analog clock. I was always very slow

541
00:24:23,000 --> 00:24:26,600
Speaker 3: at telling an analog clock, telling the time, telling the time.

542
00:24:26,720 --> 00:24:29,159
Speaker 2: Yeah, all right, let's have it. Look, we've got one.

543
00:24:29,600 --> 00:24:31,120
Speaker 3: I mean, and now I'll tell you. In the last

544
00:24:31,119 --> 00:24:32,600
Speaker 3: couple of years, I've got the hang of it. Last

545
00:24:32,640 --> 00:24:38,000
Speaker 3: couple of times seven, how did you I deferred to digital?

546
00:24:38,400 --> 00:24:42,360
Speaker 2: Really, that's amazing. Producer Becks has just come in. She's

547
00:24:42,400 --> 00:24:44,439
Speaker 2: come out in sympathy for me, someone that she's grown up,

548
00:24:44,440 --> 00:24:45,840
Speaker 2: but she still doesn't know how to do Becks, or

549
00:24:45,880 --> 00:24:46,200
Speaker 2: was it for you?

550
00:24:46,640 --> 00:24:48,960
Speaker 3: I can't I use chopsticks at all?

551
00:24:51,800 --> 00:24:53,200
Speaker 2: What do you mean if you try to use it

552
00:24:53,240 --> 00:24:54,400
Speaker 2: then the meat will just fall off?

553
00:24:54,480 --> 00:24:56,960
Speaker 3: For my fingers are too short. I just can't work

554
00:24:57,000 --> 00:24:59,280
Speaker 3: out how to hold them properly? Is too short?

555
00:24:59,359 --> 00:25:02,960
Speaker 2: I poke normally, I'm playing in the dum your hand,

556
00:25:03,359 --> 00:25:04,960
Speaker 2: you don't strike me as have a little pork fingers.

557
00:25:05,000 --> 00:25:06,720
Speaker 2: You know some people have lot with little port stages,

558
00:25:06,720 --> 00:25:07,639
Speaker 2: aren't they little stubbies?

559
00:25:07,720 --> 00:25:10,240
Speaker 3: Well, kids can use chop sticks, so they've got short

560
00:25:10,280 --> 00:25:12,119
Speaker 3: fingers by nature and they can use them.

561
00:25:12,240 --> 00:25:14,399
Speaker 2: Kids don't have short fingers by nature. They don't have

562
00:25:15,560 --> 00:25:18,920
Speaker 2: relative to them. They're not like kids. Do you think

563
00:25:19,000 --> 00:25:22,600
Speaker 2: come over like inch long fingers? Those poor little kiddies.

564
00:25:23,320 --> 00:25:25,200
Speaker 2: How do they make a shoe in that sweatshot with

565
00:25:25,280 --> 00:25:26,280
Speaker 2: those tiny fingers.

566
00:25:28,640 --> 00:25:30,480
Speaker 3: I'm going up against too many kids on this show.

567
00:25:30,560 --> 00:25:32,400
Speaker 3: Yesterday I said with a twelve year old couldn't kick

568
00:25:32,400 --> 00:25:32,840
Speaker 3: me in the head.

569
00:25:32,920 --> 00:25:35,520
Speaker 2: We are still looking for a twelve year old martial

570
00:25:35,640 --> 00:25:37,480
Speaker 2: artist to come in Friday. I'm not making this up

571
00:25:37,520 --> 00:25:40,159
Speaker 2: and try and kick Jack in the head. So if

572
00:25:40,200 --> 00:25:42,199
Speaker 2: you are off that, please let us know. But come

573
00:25:42,240 --> 00:25:44,320
Speaker 2: out in sympathy for me this today. What you're grown up?

574
00:25:44,359 --> 00:25:45,359
Speaker 2: What stool can't you do?

575
00:25:45,560 --> 00:25:48,480
Speaker 1: The Christian O'Connell breakfast show Melbourne's.

576
00:25:48,000 --> 00:25:50,399
Speaker 2: Gold one oh four point three, So this morning I

577
00:25:50,560 --> 00:25:52,400
Speaker 2: like you to come back simpathy for me. I'm forty

578
00:25:52,400 --> 00:25:55,639
Speaker 2: five to detire shoe lace stool wearing a shoe with

579
00:25:55,720 --> 00:25:57,440
Speaker 2: lacers today. This means that two or three times a

580
00:25:57,480 --> 00:26:00,680
Speaker 2: day you'll see me around Richmond, bent over easy and

581
00:26:01,200 --> 00:26:03,760
Speaker 2: I'm tied up my shoelacers. Can let's not start rumors.

582
00:26:04,680 --> 00:26:06,919
Speaker 2: So I know what as a grown up? What stool?

583
00:26:06,960 --> 00:26:09,560
Speaker 2: Don't you know how to do? What can't you do? Catherine?

584
00:26:09,600 --> 00:26:10,040
Speaker 2: Good morning?

585
00:26:10,840 --> 00:26:11,280
Speaker 10: Good morning?

586
00:26:11,320 --> 00:26:11,960
Speaker 8: How are you Christian?

587
00:26:12,000 --> 00:26:13,720
Speaker 2: I'm pretty good, Catherine. I hope you're well as well.

588
00:26:13,760 --> 00:26:15,520
Speaker 2: And what can't you do as a grown up?

589
00:26:16,280 --> 00:26:17,760
Speaker 8: I can't burp on command?

590
00:26:18,760 --> 00:26:22,040
Speaker 2: Now, I'm not sure that's a life skill like tiny shoelaces.

591
00:26:22,200 --> 00:26:23,399
Speaker 2: I can't burp on command.

592
00:26:24,320 --> 00:26:25,760
Speaker 11: Oh but it's my nine year old.

593
00:26:25,760 --> 00:26:27,720
Speaker 8: And if you can birth the alphabet and if I

594
00:26:27,840 --> 00:26:29,560
Speaker 8: get if I drink some soft drink, I'll get a

595
00:26:29,600 --> 00:26:30,320
Speaker 8: pain in my tummy.

596
00:26:30,359 --> 00:26:31,360
Speaker 11: I can't burp it out.

597
00:26:31,680 --> 00:26:33,280
Speaker 2: I can't burple command. Could you burp?

598
00:26:33,400 --> 00:26:34,359
Speaker 3: I couldn't bear right now?

599
00:26:34,440 --> 00:26:36,159
Speaker 2: If you made me? No, there was I don't know

600
00:26:36,160 --> 00:26:39,439
Speaker 2: how I did that, but no, no, I remember at

601
00:26:39,480 --> 00:26:41,240
Speaker 2: school I always used to be in oree of the

602
00:26:41,320 --> 00:26:43,639
Speaker 2: kid that could burp on command? You know, but I

603
00:26:43,760 --> 00:26:45,439
Speaker 2: know I don't. I don't think that's one you need

604
00:26:45,440 --> 00:26:47,640
Speaker 2: to worry about. It's not as bad as my thine shoelaces.

605
00:26:48,840 --> 00:26:50,919
Speaker 10: No, really, Catherine, have a good day.

606
00:26:50,960 --> 00:26:52,919
Speaker 2: Thanks for giving us a call. Anthony.

607
00:26:54,080 --> 00:26:55,120
Speaker 7: Good morning, Good.

608
00:26:55,040 --> 00:26:57,639
Speaker 2: Morning, Anthony. What can't you do as an adult?

609
00:26:58,480 --> 00:27:02,040
Speaker 7: Well say, I can't trage the tire. I've never had

610
00:27:02,080 --> 00:27:05,720
Speaker 7: to change the card fire. I get the idea of

611
00:27:05,880 --> 00:27:06,960
Speaker 7: how to. I've been.

612
00:27:08,320 --> 00:27:10,240
Speaker 2: So you wouldn't know where to put the little jack

613
00:27:10,359 --> 00:27:11,800
Speaker 2: and how to jack.

614
00:27:11,680 --> 00:27:13,600
Speaker 7: Would be the hardest part. But knock on wood, I

615
00:27:13,640 --> 00:27:17,680
Speaker 7: haven't had to go there so far. So yeah, changing

616
00:27:17,720 --> 00:27:18,480
Speaker 7: the card five.

617
00:27:18,560 --> 00:27:21,560
Speaker 3: I'm with Anthony. I got a feeling like I know

618
00:27:21,920 --> 00:27:24,679
Speaker 3: I could do it if if push came to shove, but.

619
00:27:25,200 --> 00:27:27,200
Speaker 7: Find listening to the nuts work out with a jack.

620
00:27:27,320 --> 00:27:29,040
Speaker 9: Change shirt in my head.

621
00:27:29,760 --> 00:27:31,639
Speaker 3: But but what I think, Anthony, And tell me if

622
00:27:31,680 --> 00:27:34,119
Speaker 3: you agree with this, I've got I told you yesterday,

623
00:27:34,119 --> 00:27:35,920
Speaker 3: I've got the spare tire on the car at the moment,

624
00:27:36,000 --> 00:27:38,920
Speaker 3: had to get it done on the weekend. I you

625
00:27:39,040 --> 00:27:41,280
Speaker 3: get the call outs anyway, if you're with the rac

626
00:27:41,440 --> 00:27:42,640
Speaker 3: V or with your insurance, you can.

627
00:27:42,600 --> 00:27:44,159
Speaker 2: Get another guy to do it.

628
00:27:44,240 --> 00:27:46,360
Speaker 3: You should know how to change I called him out.

629
00:27:46,840 --> 00:27:48,960
Speaker 2: That is awful. I'd be embarrassed to do that.

630
00:27:50,240 --> 00:27:51,960
Speaker 7: It's a lot of money just to change a tire.

631
00:27:52,200 --> 00:27:54,920
Speaker 3: No, but you get the call outs like we you're insurance.

632
00:27:55,000 --> 00:27:56,800
Speaker 2: That's the problem with your millennials. You don't. I don't

633
00:27:56,840 --> 00:27:59,359
Speaker 2: want to get grease on my hands. Don't get my

634
00:27:59,480 --> 00:28:10,040
Speaker 2: hips to be Anthony. That's you called Monica. I'm pretty good, Monica.

635
00:28:10,119 --> 00:28:12,600
Speaker 2: What can't you do as a grown up? I've still

636
00:28:12,600 --> 00:28:19,000
Speaker 2: got tired. I get really really nervous. China balloon, you

637
00:28:19,080 --> 00:28:21,400
Speaker 2: fright you're going to pop it? Yeah?

638
00:28:23,600 --> 00:28:24,040
Speaker 11: Yeah, I can.

639
00:28:24,200 --> 00:28:26,119
Speaker 8: I can get to like the little Mavis, and then

640
00:28:26,119 --> 00:28:26,760
Speaker 8: I can't get.

641
00:28:28,960 --> 00:28:30,920
Speaker 2: Catherine is just maybe the same as me. It feels

642
00:28:31,000 --> 00:28:33,840
Speaker 2: like you're like touching on belly button when I go

643
00:28:33,920 --> 00:28:35,280
Speaker 2: near them, because it looks like a bit like a

644
00:28:36,000 --> 00:28:38,560
Speaker 2: like a little squeamish. It's all better, buttony.

645
00:28:40,000 --> 00:28:43,360
Speaker 3: You're just not good at times. You can't do the balloon.

646
00:28:43,760 --> 00:28:45,280
Speaker 2: The other thing that I really wish I could do.

647
00:28:45,680 --> 00:28:47,960
Speaker 2: You don't see You have to see a guy. It's

648
00:28:48,040 --> 00:28:49,680
Speaker 2: only a guy that can do this where they're trying

649
00:28:49,720 --> 00:28:51,280
Speaker 2: to fly down a taxi and they do that big

650
00:28:51,360 --> 00:28:53,800
Speaker 2: old whistle, you know they were I wish I could.

651
00:28:54,800 --> 00:28:56,600
Speaker 2: Oh my god, you can do the big whistle.

652
00:28:57,200 --> 00:28:59,880
Speaker 3: I'm in all of you, but but I can't whistle normally.

653
00:29:02,440 --> 00:29:03,880
Speaker 2: So how did you do that? How did you do

654
00:29:03,960 --> 00:29:10,280
Speaker 2: the big whistles? Yeah? Oh, I'm in awe of that. No,

655
00:29:10,640 --> 00:29:13,720
Speaker 2: just no, that's not the one. It's do it again.

656
00:29:13,760 --> 00:29:18,000
Speaker 2: It's this one. Wow, it's like you're hailing down a taxi.

657
00:29:18,080 --> 00:29:19,800
Speaker 2: That's that. It doesn't matter. You can't change your tie.

658
00:29:19,840 --> 00:29:22,800
Speaker 1: You can do that the Christian O'Connell breakfast shoe Melbourne's

659
00:29:22,880 --> 00:29:24,320
Speaker 1: gold one oh four point three.

660
00:29:25,320 --> 00:29:26,760
Speaker 2: Yeah, I mean, awe of people that can do that.

661
00:29:26,880 --> 00:29:28,680
Speaker 2: I'm just not mad enough. I don't know how to

662
00:29:28,760 --> 00:29:31,240
Speaker 2: do it. Do you think that the yard of whistling

663
00:29:31,760 --> 00:29:35,160
Speaker 2: is sadly gonna just die out? You don't. It's normally

664
00:29:35,200 --> 00:29:36,920
Speaker 2: thing like a trade he might do if they're working

665
00:29:37,120 --> 00:29:39,560
Speaker 2: doing something, you know, around your house. They're always the

666
00:29:39,680 --> 00:29:43,000
Speaker 2: ones who are keeping whistling going, like whistling a tune. Yes,

667
00:29:43,160 --> 00:29:45,320
Speaker 2: you know, it's a little thing when you're up to something,

668
00:29:45,360 --> 00:29:47,280
Speaker 2: you know, you're screwing something. I'm doing. IM have a

669
00:29:47,320 --> 00:29:49,320
Speaker 2: little bit of painting. You add a little kind of

670
00:29:49,360 --> 00:29:50,600
Speaker 2: background music, don't you tooose.

671
00:29:51,280 --> 00:29:53,520
Speaker 3: Yeah, it feels like an older generation team now, I

672
00:29:53,600 --> 00:29:55,000
Speaker 3: will is it dying out?

673
00:29:55,160 --> 00:29:57,680
Speaker 2: Well, I don't see. I don't think many teenagers are

674
00:29:57,720 --> 00:29:59,479
Speaker 2: whistling these days. They don't know what it is. Why

675
00:29:59,520 --> 00:30:02,680
Speaker 2: would they wi They've got no reason to whistle. We

676
00:30:02,880 --> 00:30:04,720
Speaker 2: like to whistle while you're doing something. It's a little

677
00:30:05,040 --> 00:30:07,280
Speaker 2: it's like your own soundtrack, whistle while you work. I

678
00:30:07,360 --> 00:30:10,160
Speaker 2: bet there's no teenagers now that are keeping the dying

679
00:30:10,280 --> 00:30:13,120
Speaker 2: art of whistling. I sadly think it's going to pass away.

680
00:30:13,200 --> 00:30:16,080
Speaker 2: Everyone's going to die with us.

681
00:30:16,560 --> 00:30:20,360
Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four

682
00:30:20,440 --> 00:30:20,920
Speaker 1: point three.

683
00:30:21,080 --> 00:30:23,240
Speaker 2: I'm a little bit nervous today because at four o'clock

684
00:30:23,280 --> 00:30:25,960
Speaker 2: in the morning England are in their semifinal at the

685
00:30:26,000 --> 00:30:28,640
Speaker 2: World Cup. And I know you don't really care, but

686
00:30:28,760 --> 00:30:30,760
Speaker 2: for me this is a really big deal and I

687
00:30:30,800 --> 00:30:32,800
Speaker 2: don't know why it's a big deal. I'm preparing for

688
00:30:32,880 --> 00:30:33,360
Speaker 2: bad news.

689
00:30:33,840 --> 00:30:35,840
Speaker 3: Well you're the only one, because the rest of England

690
00:30:35,880 --> 00:30:37,760
Speaker 3: seem to think they've already won the whole thing the

691
00:30:37,840 --> 00:30:38,720
Speaker 3: way they're carrying on.

692
00:30:38,920 --> 00:30:43,680
Speaker 2: I just unfortunately, more often our England World Cups has

693
00:30:43,720 --> 00:30:46,280
Speaker 2: been terrible in my lifetime, it's only our third ever

694
00:30:46,400 --> 00:30:50,000
Speaker 2: semi final. The last one still hurts from nineteen ninety

695
00:30:50,040 --> 00:30:52,720
Speaker 2: we crashed out cruelly to Germany yet again on penalties.

696
00:30:53,120 --> 00:30:56,120
Speaker 2: So you know all the stuff about it's coming home. Yeah,

697
00:30:56,200 --> 00:30:58,320
Speaker 2: tomorrow morning, if we get through the final, you will

698
00:30:58,400 --> 00:31:00,600
Speaker 2: hear me say that. Right now. I'm the team could

699
00:31:00,600 --> 00:31:03,560
Speaker 2: be coming home. I'm really really tense. And also the

700
00:31:03,640 --> 00:31:06,280
Speaker 2: fact that it's four in the morning. It's four in

701
00:31:06,320 --> 00:31:08,400
Speaker 2: the morning, so I think we're going to go around.

702
00:31:09,360 --> 00:31:11,160
Speaker 2: I'm going to come around to Andy Lee's place, your

703
00:31:11,200 --> 00:31:13,320
Speaker 2: house sitting at the moment, and it's only about five

704
00:31:13,320 --> 00:31:17,920
Speaker 2: minutes away from the radio station. So is it Okay,

705
00:31:17,960 --> 00:31:19,160
Speaker 2: you're gonna have to let me in at four in

706
00:31:19,160 --> 00:31:20,120
Speaker 2: the morning so I can watch the game.

707
00:31:20,120 --> 00:31:22,120
Speaker 3: I'll let you in, but don't you're not having any

708
00:31:22,360 --> 00:31:24,160
Speaker 3: drinks or putting your feet up on the coffee table

709
00:31:24,240 --> 00:31:26,760
Speaker 3: or anything. Because he gets back at seven am tomorrow morning.

710
00:31:27,040 --> 00:31:27,640
Speaker 2: That's great.

711
00:31:28,200 --> 00:31:29,960
Speaker 3: The house has got to if we clean it up today,

712
00:31:30,000 --> 00:31:30,960
Speaker 3: it's got to stay clean.

713
00:31:31,080 --> 00:31:34,280
Speaker 2: Okay, I'm not the one who's been sleeping in his

714
00:31:34,440 --> 00:31:36,000
Speaker 2: bed when you should have been in the guest bed

715
00:31:36,760 --> 00:31:38,440
Speaker 2: and also wearing his clothes. Is that his.

716
00:31:38,840 --> 00:31:41,680
Speaker 3: This jumper's mine right. The hat Actually, there's.

717
00:31:41,520 --> 00:31:44,000
Speaker 2: No way, there's no way Andy Leewood wears something like that,

718
00:31:44,360 --> 00:31:47,720
Speaker 2: So you're not that hat. That is too that that's

719
00:31:47,800 --> 00:31:50,800
Speaker 2: too much. I mean you might as well wear his underpants.

720
00:31:50,840 --> 00:31:53,560
Speaker 2: It's the same thing. That's the hair. Then's that's too

721
00:31:53,640 --> 00:31:58,000
Speaker 2: much taking a man's hat? Wowill we so kindie. Jack

722
00:31:58,040 --> 00:31:59,959
Speaker 2: has been like an honorary England fan. But I get

723
00:32:00,040 --> 00:32:01,720
Speaker 2: the feeling now that you've turned on us and you're

724
00:32:01,720 --> 00:32:04,160
Speaker 2: actually hoping we crash out because people are getting excited

725
00:32:04,200 --> 00:32:04,640
Speaker 2: in England.

726
00:32:04,880 --> 00:32:07,320
Speaker 3: Well you get you're getting too smug, way too smug.

727
00:32:07,440 --> 00:32:12,120
Speaker 3: Not you personally, but English people. So I'm barracking. I'm

728
00:32:12,200 --> 00:32:15,760
Speaker 3: barracking for England, but fast again. If coming behind, that

729
00:32:16,120 --> 00:32:18,200
Speaker 3: is my one for England to lose, so that it

730
00:32:18,280 --> 00:32:20,000
Speaker 3: wipes the smug look off your faces.

731
00:32:20,480 --> 00:32:23,160
Speaker 2: I'm not being smug. I'm preparing for bad news. I'd

732
00:32:23,200 --> 00:32:25,000
Speaker 2: love it if we got through. I think the team agree.

733
00:32:25,600 --> 00:32:27,800
Speaker 2: Jack left this message over the weekend while he was

734
00:32:27,840 --> 00:32:31,280
Speaker 2: not watching the quarter final, which was started at midnight.

735
00:32:32,360 --> 00:32:35,120
Speaker 3: Yes, dude, yes, that was awesome.

736
00:32:35,920 --> 00:32:38,240
Speaker 2: I mean, what an ecstatic celebration.

737
00:32:38,400 --> 00:32:40,840
Speaker 3: Well that's after England scored their first against Sweden.

738
00:32:40,960 --> 00:32:42,560
Speaker 2: Yeah, hard to tell that you're excited.

739
00:32:43,720 --> 00:32:48,360
Speaker 3: Yes, dude, dude, yes that was awesome. It's hard to

740
00:32:48,440 --> 00:32:51,040
Speaker 3: watch a game on your own while your wife's are

741
00:32:51,080 --> 00:32:52,440
Speaker 3: sleep in the next room and you're trying not to.

742
00:32:52,640 --> 00:33:02,040
Speaker 2: This is how celebrations should sound, all right, So let's

743
00:33:02,040 --> 00:33:02,920
Speaker 2: put the two of them together.

744
00:33:06,320 --> 00:33:13,720
Speaker 3: Yes, dude, Yes that was awesome. Yes, dude, yes that

745
00:33:13,880 --> 00:33:14,480
Speaker 3: was awesome.

746
00:33:16,760 --> 00:33:19,160
Speaker 2: So all of this, though, do you think it would

747
00:33:19,160 --> 00:33:22,080
Speaker 2: be nice to invite a listener to come, you know,

748
00:33:22,080 --> 00:33:23,680
Speaker 2: a couple of listeners to come around with us and

749
00:33:23,720 --> 00:33:25,680
Speaker 2: watch the game. Someone wanted to fire around at Andy's.

750
00:33:25,840 --> 00:33:27,320
Speaker 3: Sure, if we were going to a pub like the

751
00:33:27,360 --> 00:33:29,680
Speaker 3: original idea. But if we're going to Andy's, I can't

752
00:33:29,880 --> 00:33:32,400
Speaker 3: be inviting listeners of the show to come and sit

753
00:33:32,440 --> 00:33:34,120
Speaker 3: on his couch and watch the game.

754
00:33:34,320 --> 00:33:37,200
Speaker 2: A great price. Come around Andy Lee's gear, Try some

755
00:33:37,280 --> 00:33:39,680
Speaker 2: of his clothes on, you know, Jackie, pick up some

756
00:33:39,720 --> 00:33:41,800
Speaker 2: of our favorites. So you've been wearing this week, it's great.

757
00:33:41,840 --> 00:33:44,680
Speaker 2: Line his bed for a bit, take a little peal

758
00:33:44,680 --> 00:33:46,360
Speaker 2: of you you and Andy Lee's bed for Instagram. I

759
00:33:46,400 --> 00:33:49,240
Speaker 2: think that's a great money that can't rise our prizes.

760
00:33:49,640 --> 00:33:52,280
Speaker 3: I don't feel comfortable having a bunch of listeners there.

761
00:33:52,680 --> 00:33:54,960
Speaker 3: Listen one.

762
00:33:55,560 --> 00:33:57,600
Speaker 2: Could we have one and then blindfold them around the

763
00:33:57,680 --> 00:34:00,440
Speaker 2: corner and turn them hours. You need to ask and

764
00:34:00,600 --> 00:34:02,760
Speaker 2: if he's okay with this? You know you've known him

765
00:34:02,800 --> 00:34:04,120
Speaker 2: the longest you work with the guy.

766
00:34:04,640 --> 00:34:06,280
Speaker 3: I don't feel comfortable. I feel like, you know what,

767
00:34:06,440 --> 00:34:09,759
Speaker 3: because he's landing at seven am tomorrow, should we just

768
00:34:09,920 --> 00:34:11,680
Speaker 3: do it and assume that he'll be in the air

769
00:34:11,719 --> 00:34:12,800
Speaker 3: and won't find out about it?

770
00:34:13,239 --> 00:34:16,080
Speaker 2: You're okay with us bringing a stranger into his house?

771
00:34:16,280 --> 00:34:19,560
Speaker 3: Just one? He can sit between us or her and

772
00:34:19,719 --> 00:34:21,879
Speaker 3: they and we can watch them so that they don't

773
00:34:21,960 --> 00:34:24,719
Speaker 3: go and wipe their dirty muddy boots on the floor.

774
00:34:25,080 --> 00:34:27,520
Speaker 2: Listen to God. One of four point three have muddy boots.

775
00:34:28,400 --> 00:34:30,160
Speaker 2: Who are these hikers that we've got listening?

776
00:34:30,280 --> 00:34:32,120
Speaker 3: Do you know how clean Andy's house is?

777
00:34:32,520 --> 00:34:37,320
Speaker 2: It is like American Psycho. It's too clean. He is

778
00:34:37,480 --> 00:34:40,840
Speaker 2: Christian Bell. You know. It's exhausting a bit, you know

779
00:34:40,920 --> 00:34:43,360
Speaker 2: when you I remember going around there and putting a

780
00:34:43,400 --> 00:34:44,719
Speaker 2: beer on the table, and he's one of those guys

781
00:34:44,760 --> 00:34:47,040
Speaker 2: that goes and gets a coasters. It's just a beer.

782
00:34:47,680 --> 00:34:49,440
Speaker 3: Yeah, Well that's what if we have to bring a

783
00:34:49,480 --> 00:34:52,040
Speaker 3: listener tomorrow. Let's put the plastic down like he didn't.

784
00:34:53,760 --> 00:34:55,920
Speaker 2: All right, do you want to watch the England gate?

785
00:34:55,960 --> 00:34:56,880
Speaker 2: Are we really doing this?

786
00:34:57,800 --> 00:34:59,120
Speaker 3: Just one one only? Yeah?

787
00:34:59,120 --> 00:35:00,640
Speaker 2: I can't believe you're okay with this.

788
00:35:01,600 --> 00:35:05,480
Speaker 3: I think he'll be fine. It's this one if we

789
00:35:05,560 --> 00:35:06,960
Speaker 3: were doing a party in his head.

790
00:35:07,520 --> 00:35:09,160
Speaker 2: Do you want to come and watch the England game

791
00:35:09,239 --> 00:35:11,440
Speaker 2: with us? It's at four am in the morning, rounder

792
00:35:11,560 --> 00:35:12,680
Speaker 2: Andy Lee's.

793
00:35:12,719 --> 00:35:16,120
Speaker 1: Lair, The Christian O'Connell Breakfast Show, Melbourne's Gold one oh

794
00:35:16,239 --> 00:35:16,960
Speaker 1: four point.

795
00:35:16,760 --> 00:35:19,960
Speaker 2: Three Wednesday, Hume Day, Wednesday. You're in the middle of

796
00:35:20,040 --> 00:35:23,280
Speaker 2: the week. I was trying to assess, am I winning,

797
00:35:23,360 --> 00:35:25,759
Speaker 2: losing or drawing the week so far? When you get

798
00:35:25,800 --> 00:35:27,960
Speaker 2: to Wednesday, and so I'd like you to do that

799
00:35:28,000 --> 00:35:29,600
Speaker 2: as well, to come moment this morning, right now to

800
00:35:29,640 --> 00:35:32,200
Speaker 2: think how's it gone so far? Think of this right

801
00:35:32,280 --> 00:35:35,480
Speaker 2: now as halftime you're coming and thinking what's happened so

802
00:35:35,560 --> 00:35:37,200
Speaker 2: far on the first half of them? Are you winning

803
00:35:37,239 --> 00:35:38,600
Speaker 2: the week? Are you losing the week? Or are you

804
00:35:38,719 --> 00:35:40,960
Speaker 2: drawing the week? For me? I fill at the moment,

805
00:35:41,840 --> 00:35:43,960
Speaker 2: forget about England. Whatever's going to happen in the World

806
00:35:43,960 --> 00:35:46,400
Speaker 2: Cup game. I genuinely woke up this morning saw the

807
00:35:46,480 --> 00:35:48,879
Speaker 2: news that the twelve young boys and the coach they're

808
00:35:48,880 --> 00:35:51,000
Speaker 2: all out safe. It's been one of those stories that's

809
00:35:51,080 --> 00:35:54,040
Speaker 2: captivated us all. It was horrific this time last week

810
00:35:54,520 --> 00:35:56,480
Speaker 2: the news was it was gonna be months before they

811
00:35:56,480 --> 00:35:58,239
Speaker 2: could get them out and would they even be safe,

812
00:35:58,239 --> 00:36:00,600
Speaker 2: And you couldn't help but just think about the horror

813
00:36:00,640 --> 00:36:02,080
Speaker 2: of trying to get them out. How I was scared.

814
00:36:02,120 --> 00:36:03,800
Speaker 2: They must have been to hear the news today that

815
00:36:03,840 --> 00:36:06,200
Speaker 2: they're all okay, and the coach as well, and the

816
00:36:06,560 --> 00:36:09,080
Speaker 2: all the brave divers and the Australian doctor who's been

817
00:36:09,120 --> 00:36:10,719
Speaker 2: in with the boys over the last couple of days

818
00:36:10,800 --> 00:36:13,080
Speaker 2: checking their okay, he's out saved too, it is. It's

819
00:36:13,160 --> 00:36:15,200
Speaker 2: fantastic news. Let's not forget the guy lost his life

820
00:36:15,239 --> 00:36:18,319
Speaker 2: as well. Came on sooner was the brave tie diver

821
00:36:18,360 --> 00:36:20,040
Speaker 2: who died of the weekend trying to get them out

822
00:36:20,040 --> 00:36:22,040
Speaker 2: as well. But it's been an amazing story.

823
00:36:22,160 --> 00:36:24,399
Speaker 3: And now did Elon Musk end up having a hand

824
00:36:24,440 --> 00:36:25,160
Speaker 3: in getting them out.

825
00:36:25,320 --> 00:36:28,200
Speaker 2: He's still in there, must he's in there.

826
00:36:29,640 --> 00:36:31,160
Speaker 3: They're trying to get him out as we speak.

827
00:36:31,239 --> 00:36:34,080
Speaker 2: I can't I mean at least he tried to help. Okay,

828
00:36:34,120 --> 00:36:36,800
Speaker 2: he's a molting billion here. He's a real life Tony Stark.

829
00:36:37,520 --> 00:36:40,399
Speaker 2: He if you seen about these boys, build a mini

830
00:36:40,520 --> 00:36:46,439
Speaker 2: summary now and help. But he is Tony Stark whenever

831
00:36:46,440 --> 00:36:47,200
Speaker 2: I see him now.

832
00:36:47,200 --> 00:36:48,960
Speaker 3: And he probably thought he had a couple of months

833
00:36:49,000 --> 00:36:51,160
Speaker 3: of his sleep and that's when they started rushing him out.

834
00:36:51,200 --> 00:36:53,479
Speaker 3: He's like, oh now, I've only got a couple of days.

835
00:36:53,520 --> 00:36:56,240
Speaker 2: Take it apart, guys. I don't need them mini submarine now. Okay,

836
00:36:57,840 --> 00:36:59,919
Speaker 2: But if I had to give myself in the middle

837
00:36:59,920 --> 00:37:02,879
Speaker 2: of week a score right now, I beat near eight.

838
00:37:03,239 --> 00:37:06,600
Speaker 2: Because this radio show, our first of a ratings come out.

839
00:37:06,680 --> 00:37:10,080
Speaker 2: We are zero point eight percent up. It is huge.

840
00:37:10,840 --> 00:37:15,560
Speaker 2: You've seen the boasters feel the success. Touch it not

841
00:37:15,600 --> 00:37:18,200
Speaker 2: zero point eight percent. It's amazing, isn't it.

842
00:37:18,280 --> 00:37:19,640
Speaker 3: We've moved the needle we have.

843
00:37:19,840 --> 00:37:21,520
Speaker 2: You know, yesterday we actually went to the pub to

844
00:37:21,600 --> 00:37:24,000
Speaker 2: celebrate this. I may have stayed a bit longer than

845
00:37:24,040 --> 00:37:25,799
Speaker 2: I intend to, two hours in there for six hours.

846
00:37:25,840 --> 00:37:29,640
Speaker 2: But I need to complain to whoever makes that furfees

847
00:37:30,040 --> 00:37:33,000
Speaker 2: drink for making it too easy to drink it all day.

848
00:37:33,400 --> 00:37:37,000
Speaker 2: There's nothing better than spontaneous daytime drinking, you feel like

849
00:37:37,080 --> 00:37:39,600
Speaker 2: you've won life. I'm drinking it through the old day.

850
00:37:39,600 --> 00:37:41,759
Speaker 2: I've gotta go back to the office. I don't have

851
00:37:41,800 --> 00:37:44,719
Speaker 2: a proper job of one life. We're drinking the middle

852
00:37:44,719 --> 00:37:47,120
Speaker 2: of the There's no one else in this pub. There's

853
00:37:47,120 --> 00:37:49,919
Speaker 2: about twelve of us. The entire radio station was there.

854
00:37:50,800 --> 00:37:53,080
Speaker 3: There's nothing like a big pub that's got many rooms,

855
00:37:53,280 --> 00:37:55,600
Speaker 3: many tables, and just one group.

856
00:37:55,680 --> 00:37:57,799
Speaker 2: We're in this like canteen. At this pub.

857
00:37:58,040 --> 00:37:59,759
Speaker 3: They had to un mustard door for us to get in.

858
00:38:02,600 --> 00:38:05,960
Speaker 1: The Christian O'Connell breakfast Joe Melbourne's gold one oh four

859
00:38:06,000 --> 00:38:06,480
Speaker 1: point three.

860
00:38:06,719 --> 00:38:10,200
Speaker 2: I've just got from the boss sou the receipt of

861
00:38:10,280 --> 00:38:11,520
Speaker 2: our bar tab yesterday.

862
00:38:12,320 --> 00:38:15,400
Speaker 3: Oh boy, are you going to remember? There was pretty

863
00:38:15,440 --> 00:38:17,360
Speaker 3: much everyone from the radio station, so there was like

864
00:38:17,520 --> 00:38:18,960
Speaker 3: twelve or fifteen people there.

865
00:38:19,120 --> 00:38:23,360
Speaker 2: Yeah, you know, I was talking. I was tucking a

866
00:38:23,400 --> 00:38:29,280
Speaker 2: few of those furfees away, eighteen jugs, eighteen jugs of furfees.

867
00:38:30,680 --> 00:38:34,239
Speaker 2: I'm looking here at Stone and Woody Stone in wood

868
00:38:34,400 --> 00:38:36,440
Speaker 2: don't know Woody is. I was gone kissing he was there.

869
00:38:38,200 --> 00:38:44,080
Speaker 2: Five of those seven Smirnoff vodkas. This is unbelieval. The

870
00:38:44,160 --> 00:38:46,120
Speaker 2: total bar built was how how much do you think

871
00:38:46,160 --> 00:38:48,920
Speaker 2: it came to just include the food? Yeah, yeah, I

872
00:38:49,040 --> 00:38:56,239
Speaker 2: reckon it was eight hundred, nine hundred and sixty five dollars. Well,

873
00:38:56,440 --> 00:39:01,560
Speaker 2: it's the zero point eight percent increase, one thousand dollar

874
00:39:01,680 --> 00:39:03,680
Speaker 2: bar bill. The players are in town.

875
00:39:03,760 --> 00:39:06,320
Speaker 3: Everyone, Well, all the revenue we make now from that

876
00:39:06,400 --> 00:39:08,040
Speaker 3: point eight increase incredible.

877
00:39:09,080 --> 00:39:11,680
Speaker 2: On that we're now losing the station money. Yeah, it's

878
00:39:11,719 --> 00:39:13,479
Speaker 2: going really well. Okay, your mid week score.

879
00:39:14,280 --> 00:39:16,960
Speaker 3: My first goal for is that I gave myself an

880
00:39:17,000 --> 00:39:19,960
Speaker 3: early exit out of the bar yesterday, which is smart

881
00:39:20,239 --> 00:39:23,719
Speaker 3: for being fresh and on top of it today, Oh.

882
00:39:23,160 --> 00:39:26,839
Speaker 2: I didn't really Okay, Oh cool, Yeah, if you call

883
00:39:26,920 --> 00:39:27,400
Speaker 2: that fresh.

884
00:39:27,520 --> 00:39:29,680
Speaker 3: Well, there's some shady characters in the office this morning.

885
00:39:30,520 --> 00:39:33,680
Speaker 2: There's some rough looking people, some really really bad people

886
00:39:33,719 --> 00:39:36,120
Speaker 2: who stayed. I left at six o'clock. I done six hounds,

887
00:39:36,200 --> 00:39:40,640
Speaker 2: was enough. I had furfys come out my ears, I

888
00:39:40,760 --> 00:39:41,319
Speaker 2: had a lot.

889
00:39:41,960 --> 00:39:43,840
Speaker 3: I'd already had dinner by the time he texted me.

890
00:39:44,000 --> 00:39:46,279
Speaker 2: I just got when I got home, right, my wife

891
00:39:46,360 --> 00:39:48,560
Speaker 2: just had a quiet word, said put yourself to bed.

892
00:39:50,480 --> 00:39:52,200
Speaker 2: You know, we convinced so Hi.

893
00:39:54,640 --> 00:39:56,800
Speaker 3: I forgot about I forgot about the tweet that I

894
00:39:57,040 --> 00:39:57,640
Speaker 3: gaed out.

895
00:39:58,000 --> 00:39:59,879
Speaker 2: You let the kids. You get yourself up to bed.

896
00:40:00,200 --> 00:40:02,880
Speaker 2: Just put yourself to bed. Look at child got up

897
00:40:02,880 --> 00:40:08,719
Speaker 2: to bed eight in the evening. Fine, I'm back kids.

898
00:40:08,760 --> 00:40:09,560
Speaker 2: We're gonna be fine.

899
00:40:10,160 --> 00:40:12,279
Speaker 3: Did you ever go back and delete the tweet that

900
00:40:12,400 --> 00:40:14,839
Speaker 3: you wrote last night at about six thirty pm where

901
00:40:15,000 --> 00:40:17,040
Speaker 3: it looks like you just mashed the keyboard.

902
00:40:18,360 --> 00:40:21,640
Speaker 1: Breakfast show on Gold one oh four point three the

903
00:40:21,680 --> 00:40:22,799
Speaker 1: first half of your week?

904
00:40:23,440 --> 00:40:24,960
Speaker 2: If you wont it, lost it or draw?

905
00:40:25,480 --> 00:40:30,040
Speaker 3: How are you doing goal against? We're house sitting Andy's

906
00:40:30,080 --> 00:40:34,640
Speaker 3: place at the moment, and started watching Westworld, which is

907
00:40:34,680 --> 00:40:36,160
Speaker 3: actually a great TV show.

908
00:40:36,080 --> 00:40:39,000
Speaker 2: Really really good. I just midway through the second season

909
00:40:39,000 --> 00:40:39,399
Speaker 2: at the moment.

910
00:40:39,480 --> 00:40:41,960
Speaker 3: Well, we're only four or five episodes in. But the

911
00:40:42,040 --> 00:40:45,879
Speaker 3: problem is we give back Andy his house tomorrow. We'll

912
00:40:45,920 --> 00:40:49,560
Speaker 3: have to get foxhel hooked up if we want to

913
00:40:49,640 --> 00:40:50,919
Speaker 3: keep watching this worth season.

914
00:40:51,040 --> 00:40:53,799
Speaker 2: Honestly, West World is really really good and it gets

915
00:40:53,920 --> 00:40:56,759
Speaker 2: so much better as well the second season. After keep

916
00:40:56,800 --> 00:40:59,000
Speaker 2: reading up online trying to understand what's going.

917
00:40:58,880 --> 00:41:01,800
Speaker 3: On, really feel like I need to google what's going on?

918
00:41:02,000 --> 00:41:03,600
Speaker 2: You wait till the second half of the first season,

919
00:41:03,800 --> 00:41:06,200
Speaker 2: especially the last two or three episodes, where you're like,

920
00:41:06,680 --> 00:41:09,000
Speaker 2: hang on a minute. That's a great show.

921
00:41:09,080 --> 00:41:11,240
Speaker 3: So now we just have to decide whether to stick

922
00:41:11,280 --> 00:41:14,000
Speaker 3: with it or let it go. You know, sometimes with

923
00:41:14,080 --> 00:41:15,960
Speaker 3: a TV show just like it's good.

924
00:41:16,080 --> 00:41:19,000
Speaker 2: But they got certain TV shows that demand quite a

925
00:41:19,040 --> 00:41:20,320
Speaker 2: lot of you as a viewer. You have to do

926
00:41:20,360 --> 00:41:22,160
Speaker 2: a lot of brain power. Game of Thrones is like that.

927
00:41:22,320 --> 00:41:24,120
Speaker 2: You really need to pay attention and I almost have

928
00:41:24,239 --> 00:41:26,440
Speaker 2: like reading notes with it. West Ones likely too, but

929
00:41:26,480 --> 00:41:28,719
Speaker 2: it pays off. It's a great show. Pass what's your

930
00:41:28,760 --> 00:41:29,440
Speaker 2: midwek scurse?

931
00:41:29,920 --> 00:41:33,560
Speaker 4: I'm winning on all fronts this week. Couldn't get any better.

932
00:41:33,840 --> 00:41:36,840
Speaker 4: I went to buy bread at the local bakery yesterday.

933
00:41:36,880 --> 00:41:39,200
Speaker 4: I didn't have cash, so I said, oh look, I'll

934
00:41:39,280 --> 00:41:41,520
Speaker 4: just pop in next door Toble worse get some cash out,

935
00:41:41,600 --> 00:41:44,440
Speaker 4: you know, those self serve kind of things. Anyway, I

936
00:41:44,520 --> 00:41:48,600
Speaker 4: got back to the bakery and some kind gentleman had

937
00:41:48,760 --> 00:41:50,160
Speaker 4: paid for my bread.

938
00:41:50,320 --> 00:41:53,960
Speaker 3: So when I went to pity on you, trick again,

939
00:41:54,280 --> 00:41:57,279
Speaker 3: keep doing this, they must have thought you, that old

940
00:41:57,320 --> 00:41:57,919
Speaker 3: bag lady.

941
00:41:59,120 --> 00:42:03,080
Speaker 2: That confusionality over there. I don't know how money works.

942
00:42:03,160 --> 00:42:05,680
Speaker 3: Yeah it was when it was your round yesterday, Pats.

943
00:42:05,719 --> 00:42:10,719
Speaker 3: I saw some of that sing through the handbager out

944
00:42:10,719 --> 00:42:11,879
Speaker 3: in the bathroom each time.

945
00:42:12,200 --> 00:42:14,360
Speaker 2: Actually on that bar tab, there's only one person that

946
00:42:14,480 --> 00:42:17,399
Speaker 2: had champagne, and that was you, Pats. That's right, yeah,

947
00:42:17,600 --> 00:42:19,719
Speaker 2: So what a nice mix that you had some fresh

948
00:42:19,800 --> 00:42:21,040
Speaker 2: bread and some champa.

949
00:42:21,719 --> 00:42:25,520
Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four

950
00:42:25,600 --> 00:42:26,320
Speaker 1: point three.

951
00:42:26,280 --> 00:42:28,560
Speaker 2: At the start Today show. In the secret part of

952
00:42:28,600 --> 00:42:30,640
Speaker 2: the show, the secret Howl, we're talking about the school place,

953
00:42:30,960 --> 00:42:32,640
Speaker 2: whether we had the speaking part or the shame of

954
00:42:32,760 --> 00:42:35,400
Speaker 2: having a non speaking part, And we start to put

955
00:42:35,480 --> 00:42:38,239
Speaker 2: up on our whiteboard in the studio the school play

956
00:42:38,480 --> 00:42:41,520
Speaker 2: cast of stars from all of our roles and the

957
00:42:41,560 --> 00:42:43,520
Speaker 2: people that called in. So we've got Jack.

958
00:42:43,680 --> 00:42:46,279
Speaker 3: Well, you've probably got the most prominent speaking part of

959
00:42:46,360 --> 00:42:48,480
Speaker 3: anybody that we've had on today. You were George the

960
00:42:48,600 --> 00:42:53,239
Speaker 3: Dragon Slayer and some King George remake. I was Boy

961
00:42:53,440 --> 00:42:56,560
Speaker 3: at Canteen, a non speaking role in the original play.

962
00:42:57,640 --> 00:43:00,600
Speaker 3: Pats was a dancing zombie in the chorus line.

963
00:43:00,520 --> 00:43:02,520
Speaker 2: Of the podcast when she left.

964
00:43:06,200 --> 00:43:10,200
Speaker 3: Of course, we had Paul playing the donkey. Keita was

965
00:43:10,239 --> 00:43:13,319
Speaker 3: a cardboard tree, Vanessa was a shrub, Alex was an

966
00:43:13,320 --> 00:43:16,680
Speaker 3: air conditioning unit, and Olivia had to play two roles

967
00:43:16,760 --> 00:43:18,200
Speaker 3: in the same scene, farmer and.

968
00:43:18,400 --> 00:43:21,360
Speaker 2: The cow powerful. That's range. So were you in your

969
00:43:21,400 --> 00:43:23,239
Speaker 2: school play? What were you? Let me know on nine

970
00:43:23,280 --> 00:43:25,959
Speaker 2: four one o four three Becks who takes your calls

971
00:43:26,000 --> 00:43:28,520
Speaker 2: on the show, producer Becks. She started to tell us

972
00:43:28,560 --> 00:43:30,759
Speaker 2: before the show about her school plan, and I was like,

973
00:43:30,880 --> 00:43:32,560
Speaker 2: I can't do this justice. You need to go on

974
00:43:32,640 --> 00:43:35,439
Speaker 2: out and tell everyone. Becks, tell us about your school play.

975
00:43:35,600 --> 00:43:38,880
Speaker 3: Okay. I was a co lead role Dougie and Shaza,

976
00:43:38,960 --> 00:43:41,360
Speaker 3: a West Coast story. We used to write our own plays,

977
00:43:41,520 --> 00:43:45,200
Speaker 3: so it was like a football netball rivalry of Romeo

978
00:43:45,200 --> 00:43:47,879
Speaker 3: and Juliet's style. And I had to kiss my best

979
00:43:47,920 --> 00:43:50,200
Speaker 3: friend in front of my whole school. It's really awkward.

980
00:43:50,280 --> 00:43:52,319
Speaker 2: What do you mean your best friend a girl?

981
00:43:52,880 --> 00:43:55,000
Speaker 3: No guy, one of my best friends. But you wrote

982
00:43:55,040 --> 00:43:56,640
Speaker 3: the play the school.

983
00:43:56,719 --> 00:43:58,320
Speaker 11: Yeah, we always wrote our own school plays.

984
00:43:58,320 --> 00:44:01,360
Speaker 2: And there's all the casting school and you did the

985
00:44:01,400 --> 00:44:06,600
Speaker 2: costume as well. Who are you then, Dougie? No modern

986
00:44:06,600 --> 00:44:07,160
Speaker 2: school or something.

987
00:44:07,360 --> 00:44:09,279
Speaker 3: It doesn't make it sound like a coincidence if you

988
00:44:09,360 --> 00:44:11,040
Speaker 3: wrote the play and you cast the play.

989
00:44:10,920 --> 00:44:17,520
Speaker 2: And then you kissed the writer director producer. Okay, all right,

990
00:44:17,560 --> 00:44:18,839
Speaker 2: let's know what were you in your school playing?

991
00:44:18,880 --> 00:44:21,840
Speaker 1: Nine four one four one four three the Christian O'Connell

992
00:44:21,960 --> 00:44:24,960
Speaker 1: Breakfast Show on Gold one oh four point three.

993
00:44:25,239 --> 00:44:33,560
Speaker 2: Barbara, Yes, that is so good. Yes, what of it?

994
00:44:33,719 --> 00:44:37,440
Speaker 2: What do you want? Is it cold? Cool? Babs? Babs?

995
00:44:37,480 --> 00:44:38,560
Speaker 2: What were you in the school play?

996
00:44:40,040 --> 00:44:42,480
Speaker 8: I was a cat in snow White and the Seven Dwarf,

997
00:44:43,040 --> 00:44:44,960
Speaker 8: and I had to knock the apple out of snow

998
00:44:45,000 --> 00:44:45,560
Speaker 8: White's hand.

999
00:44:46,040 --> 00:44:47,160
Speaker 2: Wow, I don't remember that.

1000
00:44:47,280 --> 00:44:48,279
Speaker 3: I don't remember cat.

1001
00:44:48,840 --> 00:44:52,040
Speaker 2: They just obviously they just wanted to get you on stage,

1002
00:44:52,080 --> 00:44:54,520
Speaker 2: so they just crowbarded a cat and snow White knocking

1003
00:44:54,560 --> 00:44:57,480
Speaker 2: the apple out of her hand. Well that's great. How

1004
00:44:57,600 --> 00:44:59,239
Speaker 2: are you? How would you rate your performance? Were you

1005
00:44:59,280 --> 00:44:59,920
Speaker 2: pretty good as a ca?

1006
00:45:01,320 --> 00:45:03,239
Speaker 12: I think I was better than my sister was as

1007
00:45:03,280 --> 00:45:03,760
Speaker 12: a dwarf.

1008
00:45:03,960 --> 00:45:04,440
Speaker 2: She was.

1009
00:45:05,920 --> 00:45:08,640
Speaker 11: Dopey, which was quite apt because.

1010
00:45:08,760 --> 00:45:11,319
Speaker 10: Here and another dwarf went upstage and forgot to put

1011
00:45:11,360 --> 00:45:12,600
Speaker 10: their masks back on when.

1012
00:45:12,520 --> 00:45:15,719
Speaker 2: They came out. She was just method, you know, she

1013
00:45:15,880 --> 00:45:18,560
Speaker 2: was in character. That's why she was being dopey. So

1014
00:45:18,760 --> 00:45:22,760
Speaker 2: your sister's in the same school play. Yeah, that's brilliant.

1015
00:45:22,800 --> 00:45:24,319
Speaker 2: But you've got the cats, You've got the better role.

1016
00:45:25,440 --> 00:45:26,480
Speaker 10: Oh well yeah, I think so.

1017
00:45:26,840 --> 00:45:29,000
Speaker 2: All right, listen, Babs, thank you very much for calling

1018
00:45:29,040 --> 00:45:29,279
Speaker 2: the show.

1019
00:45:29,320 --> 00:45:33,120
Speaker 10: Have a good day, Thanks you too, Bill.

1020
00:45:34,600 --> 00:45:37,759
Speaker 2: Yes, yes, we've got a new thing now, I think

1021
00:45:37,800 --> 00:45:41,040
Speaker 2: on the show. Does simply come on here and go? Yes, Bill,

1022
00:45:41,160 --> 00:45:42,799
Speaker 2: good morning. I hope you're well this morning, and thanks

1023
00:45:42,840 --> 00:45:44,080
Speaker 2: for giving us a caol. What were you in your

1024
00:45:44,080 --> 00:45:50,839
Speaker 2: school play? Bill was a leper that's going to stay

1025
00:45:50,880 --> 00:45:53,680
Speaker 2: with you for life. So take us in the performance.

1026
00:45:53,719 --> 00:45:55,960
Speaker 2: Did you have to have like arms falling off somehow

1027
00:45:56,160 --> 00:46:02,680
Speaker 2: or fake arms? Oh? Dressed you mum like old sockings.

1028
00:46:03,520 --> 00:46:06,600
Speaker 2: And I had been some places hanging off me. It

1029
00:46:06,719 --> 00:46:11,919
Speaker 2: was pretty armless. Uh. There we go everyone, Thank you Bill,

1030
00:46:12,520 --> 00:46:16,000
Speaker 2: and let's get Carli on. Good morning, Carli. Oh, I

1031
00:46:17,120 --> 00:46:20,840
Speaker 2: take your time. Producers. Hello Carlie, Hello, how are you

1032
00:46:21,239 --> 00:46:22,640
Speaker 2: very good? Are you wells morning, Carlie.

1033
00:46:23,120 --> 00:46:25,200
Speaker 7: I am, I am so.

1034
00:46:25,440 --> 00:46:28,120
Speaker 11: My role in our grade sixth play of the Blues

1035
00:46:28,160 --> 00:46:31,280
Speaker 11: Brothers was the nun or also known as the penguin.

1036
00:46:31,880 --> 00:46:34,320
Speaker 2: Wow, that's good. Your school did the Blues Brothers.

1037
00:46:35,000 --> 00:46:35,920
Speaker 3: Yes, we did.

1038
00:46:36,400 --> 00:46:37,320
Speaker 2: It's really cool.

1039
00:46:38,000 --> 00:46:39,359
Speaker 8: Yeah it was really cool.

1040
00:46:39,440 --> 00:46:42,120
Speaker 11: So yes, I was the penguin and I was on

1041
00:46:42,239 --> 00:46:45,279
Speaker 11: stage just for the first sort of ten minutes and

1042
00:46:45,360 --> 00:46:47,959
Speaker 11: then yeah, I had a real nun habit and everything.

1043
00:46:48,200 --> 00:46:50,799
Speaker 2: And jaminis, did you have to audition for your school play?

1044
00:46:52,560 --> 00:46:55,680
Speaker 11: I think so. From what I can remember, I think

1045
00:46:55,760 --> 00:46:58,360
Speaker 11: we did audition, And I say because I was the loudest,

1046
00:46:58,400 --> 00:46:58,799
Speaker 11: that's why I.

1047
00:46:58,840 --> 00:46:59,319
Speaker 5: Got the part.

1048
00:46:59,520 --> 00:47:01,759
Speaker 2: Yeah, I remember with a couple years later at my

1049
00:47:01,840 --> 00:47:06,040
Speaker 2: school they did a school production of bugsy Malone, and yeah,

1050
00:47:06,160 --> 00:47:08,840
Speaker 2: you know that's classic kids movie, that bugsy Malone. And

1051
00:47:09,160 --> 00:47:13,040
Speaker 2: you had to sing. And I auditioned and you had

1052
00:47:13,120 --> 00:47:15,319
Speaker 2: to bring along your own song. And I was as

1053
00:47:15,320 --> 00:47:16,880
Speaker 2: a thirty year old boy in the eighties, I was

1054
00:47:17,000 --> 00:47:19,479
Speaker 2: quite odd at my school. I had very strange musical tastes.

1055
00:47:19,520 --> 00:47:21,840
Speaker 2: I was into Elvis Presley, and this is the eighties,

1056
00:47:21,920 --> 00:47:23,600
Speaker 2: no one was into the King anymore. But I was

1057
00:47:23,719 --> 00:47:26,160
Speaker 2: right thirteen, I was into the King. So I sung

1058
00:47:26,440 --> 00:47:29,520
Speaker 2: for the audition for buggsy Malone Blue Swede shows. I

1059
00:47:30,200 --> 00:47:33,000
Speaker 2: thing is, I can't sing right. The musical teacher's back

1060
00:47:33,480 --> 00:47:36,000
Speaker 2: was you know to me, So he's on his piano.

1061
00:47:36,360 --> 00:47:39,520
Speaker 2: I could see he was shaking with laughter. It was

1062
00:47:39,880 --> 00:47:42,360
Speaker 2: so bad. Anyway, the next day you get to go

1063
00:47:42,520 --> 00:47:45,680
Speaker 2: outside the teacher's room to walk out all the castles there.

1064
00:47:46,200 --> 00:47:48,360
Speaker 2: I got the role of Knuckles, who's a mute he

1065
00:47:48,400 --> 00:47:50,800
Speaker 2: doesn't even know. Is he not sing? He doesn't even speak.

1066
00:47:51,360 --> 00:47:53,480
Speaker 2: I wasn't even allowed to speak. So I quit. I

1067
00:47:53,560 --> 00:47:55,719
Speaker 2: actually quit the production. That was too much, too sad

1068
00:47:55,760 --> 00:47:57,880
Speaker 2: for me, heartbreak all this, bring it all back and

1069
00:47:57,880 --> 00:47:59,000
Speaker 2: find it very very true. My thing.

1070
00:47:59,080 --> 00:48:02,880
Speaker 1: The Christian O'Connor Breakfast Show, Melbourne's Gold one oh four point.

1071
00:48:02,760 --> 00:48:07,080
Speaker 2: Three Vishna, good morning, Good morning, Vishner. You're live on

1072
00:48:07,160 --> 00:48:08,880
Speaker 2: Gold one of four point three. What were you in

1073
00:48:08,920 --> 00:48:09,600
Speaker 2: your school play?

1074
00:48:10,480 --> 00:48:10,840
Speaker 3: Okay?

1075
00:48:10,960 --> 00:48:13,560
Speaker 13: I think I was on a probably grade four, and

1076
00:48:13,840 --> 00:48:18,040
Speaker 13: we had the robot and I had the privilege of

1077
00:48:18,160 --> 00:48:19,240
Speaker 13: playing the flying monkey.

1078
00:48:21,080 --> 00:48:24,720
Speaker 2: Okay, not Dorothy, remember the role you would have dreamt,

1079
00:48:24,960 --> 00:48:26,240
Speaker 2: but the flying monkey.

1080
00:48:26,800 --> 00:48:28,680
Speaker 13: No, I was supposed to be Dorothy. I wanted to

1081
00:48:28,719 --> 00:48:30,280
Speaker 13: be Dorothy, but there might be the monkey.

1082
00:48:30,600 --> 00:48:31,120
Speaker 3: Yeah, I didn't.

1083
00:48:31,120 --> 00:48:33,000
Speaker 2: We all in life. We all wanted to be Dorothy,

1084
00:48:33,080 --> 00:48:36,120
Speaker 2: but we all end up the monkey in life fish?

1085
00:48:36,320 --> 00:48:38,279
Speaker 3: Did they rig you up? Did they do like? Did

1086
00:48:38,320 --> 00:48:39,600
Speaker 3: they actually try to make you fly?

1087
00:48:41,040 --> 00:48:42,279
Speaker 2: They did me.

1088
00:48:42,520 --> 00:48:50,560
Speaker 13: I had issues with my tail, Yeah, with the tail,

1089
00:48:51,160 --> 00:48:54,840
Speaker 13: And I noticed the audience constantly laughing and laughing, and

1090
00:48:54,920 --> 00:48:58,880
Speaker 13: I thought I was fantastic. Apparently ended up underneath my

1091
00:48:59,040 --> 00:49:01,960
Speaker 13: legs and yeah at the front of Molly's.

1092
00:49:02,360 --> 00:49:04,840
Speaker 2: So yeah, and did your mum or dad have to

1093
00:49:04,880 --> 00:49:06,920
Speaker 2: make your outfit? Do you remember, because mums and dad

1094
00:49:07,080 --> 00:49:09,200
Speaker 2: used to always have to do the last minute alterations

1095
00:49:09,280 --> 00:49:10,000
Speaker 2: to our outfits.

1096
00:49:10,080 --> 00:49:12,320
Speaker 7: Frisco play, Yeah, a little bit, a little bit, a

1097
00:49:12,400 --> 00:49:12,879
Speaker 7: little bit.

1098
00:49:12,840 --> 00:49:17,480
Speaker 2: Here tell also, and you probably sound like maybe a

1099
00:49:17,520 --> 00:49:19,920
Speaker 2: similar age to me. We're really lucky because parents never

1100
00:49:20,040 --> 00:49:21,759
Speaker 2: used to take cameras and stuff like that was Now

1101
00:49:21,960 --> 00:49:26,800
Speaker 2: everything is filmed, digitized, you know, but there's no photos

1102
00:49:26,800 --> 00:49:27,640
Speaker 2: of you asked that monkey.

1103
00:49:27,680 --> 00:49:31,640
Speaker 10: You're lucky, right, yeah, absolutely know nothing.

1104
00:49:32,040 --> 00:49:34,120
Speaker 2: Yeah, that's great, all right, vision listen, have a good day.

1105
00:49:34,200 --> 00:49:36,160
Speaker 2: Thanksgiving us a call? All right, thank you.

1106
00:49:36,960 --> 00:49:40,520
Speaker 3: The Christian Color Breakfast shows high school Disco playlist.

1107
00:49:41,640 --> 00:49:44,480
Speaker 2: Okay, every Wednesday, between nine and ten on The Reckless Show,

1108
00:49:44,800 --> 00:49:48,480
Speaker 2: we're going to bild a mixtape and our playlist. The

1109
00:49:48,520 --> 00:49:50,520
Speaker 2: first one we're going to do is this high school disco,

1110
00:49:50,719 --> 00:49:52,680
Speaker 2: So songs you would have heard at your high school disco.

1111
00:49:53,080 --> 00:49:54,920
Speaker 2: All the songs that are playing between now and ten

1112
00:49:54,960 --> 00:49:58,560
Speaker 2: o'clock all picked by you. Last week, Quippy was looking

1113
00:49:58,600 --> 00:50:01,240
Speaker 2: after the record show and did a great job as always,

1114
00:50:01,560 --> 00:50:04,080
Speaker 2: and he was getting your song suggestions. We've got some

1115
00:50:04,160 --> 00:50:07,400
Speaker 2: brilliant songs coming on for the next hour. Also staying

1116
00:50:07,440 --> 00:50:10,160
Speaker 2: with that theme. Then today's at work time, Wester. We're

1117
00:50:10,200 --> 00:50:13,680
Speaker 2: looking for school movies. Take a movie to school. I've

1118
00:50:13,719 --> 00:50:22,400
Speaker 2: got Luk who's talking, meet the parents, evening the pats,

1119
00:50:23,719 --> 00:50:30,480
Speaker 2: Sure sure shanked, attention about fake and the Curious, the

1120
00:50:30,640 --> 00:50:34,759
Speaker 2: Curious pencil case of Benjamin Body. All right, what have

1121
00:50:34,840 --> 00:50:36,040
Speaker 2: you got for school movies?

1122
00:50:36,120 --> 00:50:38,840
Speaker 3: Jack, i'd sure shank as well, Sure shank reception.

1123
00:50:39,280 --> 00:50:41,719
Speaker 2: Oh, that's cute, good gold.

1124
00:50:41,880 --> 00:50:44,279
Speaker 3: The usual subjects.

1125
00:50:46,960 --> 00:50:48,240
Speaker 2: Reference not a good idea.

1126
00:50:50,200 --> 00:50:52,000
Speaker 3: And canteen wolf.

1127
00:50:55,920 --> 00:50:58,440
Speaker 2: Ah another gold there. I think you one between the

1128
00:50:58,480 --> 00:51:00,200
Speaker 2: two of us, so I send us yours. Then we're

1129
00:51:00,239 --> 00:51:03,800
Speaker 2: looking for your school movies. We do have prizes for

1130
00:51:03,920 --> 00:51:06,040
Speaker 2: the gold. Ones that Jack decides are the Gold, SI

1131
00:51:06,080 --> 00:51:08,200
Speaker 2: the Bronze. If you get gold, what did you buy, Jack,

1132
00:51:08,280 --> 00:51:09,680
Speaker 2: Then I'll send you off to go and see The

1133
00:51:09,760 --> 00:51:12,680
Speaker 2: Wizard of Oz, which is at the Regent Theater up

1134
00:51:12,760 --> 00:51:15,239
Speaker 2: until the twenty ninth. So if you want to text

1135
00:51:15,320 --> 00:51:17,480
Speaker 2: us your school movies, take a movie to school? Oh

1136
00:51:17,600 --> 00:51:20,399
Speaker 2: four seven five three one oh four three oh four

1137
00:51:20,520 --> 00:51:23,560
Speaker 2: seven five o three one oh four three. Oh, you

1138
00:51:23,600 --> 00:51:27,200
Speaker 2: can tweat me at oc so first song. Then this

1139
00:51:27,400 --> 00:51:29,720
Speaker 2: is something different, So then you we're gonna do every Wednesday,

1140
00:51:29,760 --> 00:51:32,400
Speaker 2: We're going to play a playlist of songs picked by

1141
00:51:32,440 --> 00:51:34,640
Speaker 2: you to do with a certain theme high school disco.

1142
00:51:34,800 --> 00:51:37,520
Speaker 2: Between now and ten o'clock. Chris Imboronia kicks us off

1143
00:51:37,560 --> 00:51:38,880
Speaker 2: with this great song, the.

1144
00:51:38,960 --> 00:51:42,439
Speaker 1: Christian O'Connell breakfast Shoe Melbourne's Gold one oh four point

1145
00:51:42,480 --> 00:51:43,800
Speaker 1: three time Now then.

1146
00:51:43,680 --> 00:51:47,640
Speaker 2: To mark today's at work time waster, which is take

1147
00:51:47,680 --> 00:51:49,719
Speaker 2: a school, take a movie back to school, take a

1148
00:51:49,760 --> 00:51:51,960
Speaker 2: school to movie, take the score of the match of

1149
00:51:52,000 --> 00:51:55,919
Speaker 2: the movies. Okay, all makes sense. You're awarding goal silver Bronx.

1150
00:51:56,160 --> 00:51:58,399
Speaker 2: I'm ready to go what you ready to go home?

1151
00:51:58,520 --> 00:52:04,680
Speaker 2: Or almost today? Okay, having a good time. Okay, then

1152
00:52:04,760 --> 00:52:08,799
Speaker 2: let's see what this one gets. Jim Mangi, Jim Mangi.

1153
00:52:08,600 --> 00:52:09,680
Speaker 3: Good silver plus.

1154
00:52:09,840 --> 00:52:11,760
Speaker 2: I can ask you to take a movie to school,

1155
00:52:12,040 --> 00:52:17,440
Speaker 2: Andy World, straight out of Kindy straight out?

1156
00:52:18,000 --> 00:52:19,600
Speaker 3: Yeah, it's all right, Bronze plus.

1157
00:52:19,920 --> 00:52:22,799
Speaker 2: You've been kind Bad Boys in the back row?

1158
00:52:24,000 --> 00:52:24,600
Speaker 3: What's the film?

1159
00:52:24,840 --> 00:52:30,040
Speaker 2: Bad Boys? Boys in?

1160
00:52:30,640 --> 00:52:31,440
Speaker 3: Not creative enough?

1161
00:52:31,560 --> 00:52:34,360
Speaker 2: It is creative? Run? Oh sorry about that, Antonio, I

1162
00:52:34,400 --> 00:52:38,080
Speaker 2: think it's gold Home homework alone and work a line.

1163
00:52:38,120 --> 00:52:39,480
Speaker 3: That's good silver Scott.

1164
00:52:39,400 --> 00:52:42,919
Speaker 2: In Ocean Grown, Little Tuck, Shop of Horrors.

1165
00:52:43,960 --> 00:52:46,279
Speaker 3: That's good silver plus plus, almost a gold, but not

1166
00:52:46,400 --> 00:52:46,800
Speaker 3: a prize.

1167
00:52:47,480 --> 00:52:53,080
Speaker 2: Field Trip of Dreams, Field of Drains. Yeah, silver Year

1168
00:52:53,320 --> 00:52:58,920
Speaker 2: seven in Tibet, that's a goal. What's the film give

1169
00:52:58,960 --> 00:52:59,400
Speaker 2: in Tibet?

1170
00:53:01,600 --> 00:53:01,880
Speaker 3: Silver?

1171
00:53:02,840 --> 00:53:04,680
Speaker 2: I get the feeling in marketing is down because you

1172
00:53:04,800 --> 00:53:08,120
Speaker 2: don't know the movies and actually just genuinely don't know movies.

1173
00:53:09,160 --> 00:53:13,400
Speaker 2: Grew up in a cave, so no goals to the

1174
00:53:14,640 --> 00:53:17,759
Speaker 2: emotional Donald staff.

1175
00:53:17,800 --> 00:53:21,560
Speaker 1: You know the Christian O'Connell breakfast show on Gold one

1176
00:53:21,640 --> 00:53:22,640
Speaker 1: oh four point three.

1177
00:53:24,360 --> 00:53:26,680
Speaker 2: Now, I did ask the team what their songs that

1178
00:53:26,719 --> 00:53:28,799
Speaker 2: are one of their high school disco are, so Jack,

1179
00:53:29,000 --> 00:53:31,280
Speaker 2: your one is incredibly this one.

1180
00:53:34,040 --> 00:53:36,920
Speaker 3: This was the final song played at my first school disco.

1181
00:53:37,960 --> 00:53:39,200
Speaker 3: This isn't even a good bit yet.

1182
00:53:39,239 --> 00:53:41,359
Speaker 2: So did you go to it like a Greek Orthodox school?

1183
00:53:41,400 --> 00:53:42,480
Speaker 2: He did, not, just a.

1184
00:53:42,520 --> 00:53:47,080
Speaker 3: Public I don't know who chose it, but I do remember.

1185
00:53:47,080 --> 00:53:48,400
Speaker 3: It's all getting around in a circle.

1186
00:53:48,960 --> 00:53:52,160
Speaker 2: This is a bit. This is now yesterday on the

1187
00:53:52,200 --> 00:53:53,640
Speaker 2: show you said this is Orbal the Greek. We've had

1188
00:53:53,680 --> 00:53:57,960
Speaker 2: an email from Brian in Pedance Corner saying there's a

1189
00:53:58,000 --> 00:53:59,719
Speaker 2: book and a film where the same name as Orbit

1190
00:53:59,760 --> 00:54:01,360
Speaker 2: the Green, but the song is not called that. It

1191
00:54:01,520 --> 00:54:05,600
Speaker 2: is called Sataki or zorbas Dance. Brian, never email the

1192
00:54:05,600 --> 00:54:12,000
Speaker 2: show again with such boring stuff past what's yours?

1193
00:54:12,320 --> 00:54:18,840
Speaker 3: Mine is? I can't read my writing?

1194
00:54:19,760 --> 00:54:19,920
Speaker 1: Is this?

1195
00:54:20,160 --> 00:54:24,520
Speaker 2: It's insane? The memory, which is an amazing soul. This

1196
00:54:24,680 --> 00:54:25,600
Speaker 2: is a one.

1197
00:54:28,000 --> 00:54:30,360
Speaker 3: Instead of trying to rad your what you've scribbled on,

1198
00:54:31,080 --> 00:54:35,480
Speaker 3: why didn't you just use your memory to shot shot?

1199
00:54:35,840 --> 00:54:36,960
Speaker 2: This is just the way that she went.

1200
00:54:37,400 --> 00:54:38,320
Speaker 1: I have no memory.

1201
00:54:38,440 --> 00:54:40,560
Speaker 2: It's like when a kid does a Poe in it's pants.

1202
00:54:42,000 --> 00:54:48,160
Speaker 2: Felt that she just went, what's happening to us? We

1203
00:54:48,360 --> 00:54:50,319
Speaker 2: need to get out of here? I was still on there.

1204
00:54:50,920 --> 00:54:51,919
Speaker 2: Let's get out of this link.

1205
00:54:52,200 --> 00:54:53,319
Speaker 3: What's over? Of the Great Time?

1206
00:54:54,719 --> 00:54:58,080
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1207
00:54:58,120 --> 00:54:58,600
Speaker 1: point three.

1208
00:54:58,800 --> 00:55:01,800
Speaker 2: We are back tomorrow morning. England could be out of

1209
00:55:01,840 --> 00:55:04,440
Speaker 2: the World Cup, they could be into the World Cup Final.

1210
00:55:04,719 --> 00:55:06,239
Speaker 2: Jack and I are going to watch the game round

1211
00:55:06,280 --> 00:55:08,400
Speaker 2: at Andy Lee's, despite Andy Lee not being there and

1212
00:55:08,480 --> 00:55:11,240
Speaker 2: Jack so westby house sitting. We haven't checked this with Andy,

1213
00:55:11,560 --> 00:55:15,359
Speaker 2: not just that we're bringing around Mark, who's a Croatian fan,

1214
00:55:15,920 --> 00:55:18,600
Speaker 2: and so we're going around to Andy lees house. We've

1215
00:55:18,640 --> 00:55:20,120
Speaker 2: got a chuck in the back of a car and

1216
00:55:20,200 --> 00:55:22,200
Speaker 2: blindfold him. I did.

1217
00:55:23,200 --> 00:55:24,520
Speaker 3: I didn't say we had to do that.

1218
00:55:24,800 --> 00:55:27,080
Speaker 2: Nick co producer said that the lawyer Sarah, the lawyer

1219
00:55:27,440 --> 00:55:29,000
Speaker 2: says we have to do that. I mean, are we

1220
00:55:29,160 --> 00:55:32,400
Speaker 2: going to get arrested driving through the streets of Richmond.

1221
00:55:32,560 --> 00:55:34,759
Speaker 2: What don't we eat up for him? With a blindfolded

1222
00:55:34,800 --> 00:55:36,560
Speaker 2: listener in the back. We're going to stay down.

1223
00:55:38,000 --> 00:55:39,719
Speaker 3: Oh, that's all right. We're just going to Andy Lee's house.

1224
00:55:40,480 --> 00:55:44,040
Speaker 2: He's not there, but it's fine, It's all fine, Tyler.

1225
00:55:44,120 --> 00:55:46,480
Speaker 2: Today's show is zero point eight percent. All right, we'll

1226
00:55:46,520 --> 00:55:48,279
Speaker 2: speak to you tomorrow morning. Thanks for listening The

1227
00:55:48,400 --> 00:55:51,839
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point

1228
00:55:51,920 --> 00:55:52,120
Speaker 1: three