1 00:00:00,600 --> 00:00:04,040 Speaker 1: Hello, It's Amanda Keller here. I've started a new podcast 2 00:00:04,120 --> 00:00:08,119 Speaker 1: with my best friend, Anita McGregor. Anita has a real job. 3 00:00:08,360 --> 00:00:13,319 Speaker 1: Who knew, She's a forensic psychologist. She's sometimes intelligent, well 4 00:00:13,360 --> 00:00:14,720 Speaker 1: she is most of the time. We spend a lot 5 00:00:14,720 --> 00:00:17,680 Speaker 1: of our weekends together, walking my dog. We're having a 6 00:00:17,720 --> 00:00:19,599 Speaker 1: glass of wine, We're having a thousand cups of tea. 7 00:00:19,640 --> 00:00:24,000 Speaker 1: But we talk about everything. Sometimes we're smart, sometimes we're ridiculous. 8 00:00:24,320 --> 00:00:26,480 Speaker 1: But we thought that the things that we discuss are 9 00:00:26,520 --> 00:00:29,200 Speaker 1: probably the things that everyone else is talking about too. 10 00:00:29,480 --> 00:00:32,239 Speaker 1: Here's a little taste of what you can expect. I'll 11 00:00:32,240 --> 00:00:50,880 Speaker 1: see you at the end. Well. Hello, I'm Amanda Keller. 12 00:00:51,040 --> 00:00:56,120 Speaker 1: You might know me from well various media outlets. 13 00:00:55,760 --> 00:00:56,680 Speaker 2: TV radio. 14 00:00:56,760 --> 00:00:59,640 Speaker 1: I do the Breakfast Show with Jonesy on WSFM. But 15 00:01:01,000 --> 00:01:02,880 Speaker 1: I thought i'd like to introduce you to a friend 16 00:01:02,880 --> 00:01:04,960 Speaker 1: of mine called Anita McGregor, my best friend in the 17 00:01:04,959 --> 00:01:07,560 Speaker 1: whole damn universe, and we thought we'd like to do 18 00:01:07,600 --> 00:01:12,440 Speaker 1: a podcast together. Hello Anita, Hello, a children's show together. 19 00:01:13,200 --> 00:01:15,640 Speaker 1: This is weird. Are sitting opposite a table normally when 20 00:01:15,680 --> 00:01:18,960 Speaker 1: we're chadding, we're walking my dog. We're having a glass 21 00:01:19,000 --> 00:01:21,479 Speaker 1: of wine. Somewhere we're making a gazillion cups of tea. 22 00:01:21,640 --> 00:01:22,640 Speaker 2: That is our lives. 23 00:01:22,840 --> 00:01:27,039 Speaker 1: That's our lives. I have this kind of media frivolous job. 24 00:01:27,400 --> 00:01:29,280 Speaker 1: You have a grown up job. What is it you 25 00:01:29,319 --> 00:01:29,760 Speaker 1: do again? 26 00:01:29,959 --> 00:01:31,880 Speaker 2: I am a forensic psychologist. 27 00:01:32,200 --> 00:01:35,319 Speaker 1: And when people hear forensics, do they assume that you're 28 00:01:35,360 --> 00:01:38,800 Speaker 1: digging up bodies in some kind of research facility. 29 00:01:39,000 --> 00:01:41,720 Speaker 2: Either that or they think that I'm interviewing dead people, 30 00:01:42,240 --> 00:01:44,240 Speaker 2: neither of which is actually true. 31 00:01:44,040 --> 00:01:47,400 Speaker 1: Hopefully not today. Let's check. That's so far, so good, 32 00:01:47,920 --> 00:01:50,520 Speaker 1: so good. So what actually is a forensic psychologist? 33 00:01:50,640 --> 00:01:53,360 Speaker 2: So forensic means in the forum, So anything to do 34 00:01:53,440 --> 00:01:58,160 Speaker 2: with the legal system. So for civil or criminal issues, 35 00:01:58,240 --> 00:02:01,680 Speaker 2: we see offenders, we see victim I've worked with police 36 00:02:01,720 --> 00:02:05,560 Speaker 2: in Canada lots and lots of things, so anything really 37 00:02:05,600 --> 00:02:07,000 Speaker 2: to do with the court system. 38 00:02:07,240 --> 00:02:10,160 Speaker 1: But at the moment you're working in Australia, you have 39 00:02:10,200 --> 00:02:14,600 Speaker 1: an unusual Australian accent. Let's just say, I'll admit that. 40 00:02:14,960 --> 00:02:16,760 Speaker 1: So you've been here from Canada for how. 41 00:02:16,680 --> 00:02:21,799 Speaker 2: Long seventeen years? And strangely enough I met you probably 42 00:02:21,840 --> 00:02:25,359 Speaker 2: in the first month or so of coming to Australia. 43 00:02:25,840 --> 00:02:29,359 Speaker 1: When you first saw me though it was unusual, wasn't it? 44 00:02:29,360 --> 00:02:32,160 Speaker 1: It was very I wasn't drinking. 45 00:02:32,880 --> 00:02:35,639 Speaker 2: That was very unusual, let me tell you, no, it was. 46 00:02:35,840 --> 00:02:39,520 Speaker 2: It was what became a mutual friend of ours, Jackie, 47 00:02:39,600 --> 00:02:43,800 Speaker 2: who asked me to go and watch a Dancing with 48 00:02:43,919 --> 00:02:46,800 Speaker 2: the Stars episode. And I didn't know what Dancing with 49 00:02:46,880 --> 00:02:49,560 Speaker 2: the Stars was. I didn't know who you were, I 50 00:02:49,600 --> 00:02:51,560 Speaker 2: didn't know anybody in Australia. 51 00:02:51,800 --> 00:02:54,200 Speaker 1: A dream, oh, I dream of living like that. 52 00:02:54,360 --> 00:02:58,680 Speaker 2: It was crazy. So went over there and Jackie was 53 00:02:58,760 --> 00:03:02,919 Speaker 2: dressed in a ballroom gown made out of drapes, and 54 00:03:03,440 --> 00:03:08,760 Speaker 2: she was so was I. But it was it was 55 00:03:08,880 --> 00:03:12,760 Speaker 2: extraordinary in meeting you because I had no context for it. 56 00:03:12,800 --> 00:03:16,680 Speaker 2: I had no context about the Australian situation, you know, 57 00:03:16,720 --> 00:03:18,720 Speaker 2: who was who and all those kinds of things. So 58 00:03:19,240 --> 00:03:22,919 Speaker 2: it was a lovely, great time to get to know you, 59 00:03:23,240 --> 00:03:27,160 Speaker 2: and and really we have been friends since then. 60 00:03:27,200 --> 00:03:30,000 Speaker 1: Forged at the hip we really are. So that's kind 61 00:03:30,040 --> 00:03:33,880 Speaker 1: of who we are and our history. But often when 62 00:03:33,919 --> 00:03:36,360 Speaker 1: we're walking and we're talking about things, we talk about 63 00:03:36,560 --> 00:03:39,400 Speaker 1: things that matter in our lives, and we talk about 64 00:03:39,440 --> 00:03:41,840 Speaker 1: silly things we've read during the week, or things we've watched, 65 00:03:41,920 --> 00:03:45,120 Speaker 1: or things we've read, and we thought, why don't we 66 00:03:45,160 --> 00:03:48,240 Speaker 1: share that with everyone, because I reckon everyone else is 67 00:03:48,280 --> 00:03:50,280 Speaker 1: going through the same kind of stuff. 68 00:03:50,240 --> 00:03:52,080 Speaker 2: Just as confused as we are. 69 00:03:51,800 --> 00:03:54,200 Speaker 1: Just as confused as we are. Initially I wanted to 70 00:03:54,200 --> 00:03:56,920 Speaker 1: call this Tea in Therapy. I'd provide the tea and 71 00:03:56,920 --> 00:03:59,720 Speaker 1: you'd provide the therapy. But it was thought that maybe 72 00:03:59,720 --> 00:04:01,760 Speaker 1: people might think it's an actual therapy show. And as 73 00:04:01,800 --> 00:04:05,720 Speaker 1: you'll see there certainly won't be that far from it. 74 00:04:06,200 --> 00:04:08,960 Speaker 1: So hello, and welcome to double a chattery. 75 00:04:09,120 --> 00:04:09,520 Speaker 2: Welcome. 76 00:04:18,040 --> 00:04:21,520 Speaker 1: I read an article in New York newspaper the other 77 00:04:21,600 --> 00:04:24,839 Speaker 1: day and it was about a new bookshop and it 78 00:04:24,920 --> 00:04:28,840 Speaker 1: was called The Ripped Bodice Tell me more, I will 79 00:04:28,880 --> 00:04:32,080 Speaker 1: anea look at what I'm wearing right now and more. 80 00:04:32,760 --> 00:04:36,640 Speaker 1: And The Ripped Bodice is a new bookshop that is 81 00:04:36,760 --> 00:04:40,000 Speaker 1: all about romance novels. And the thing that struck me 82 00:04:40,240 --> 00:04:42,800 Speaker 1: was that the q to go into their big opening 83 00:04:42,880 --> 00:04:46,400 Speaker 1: day went all the way around the block. And it's 84 00:04:46,440 --> 00:04:50,080 Speaker 1: set in the articles that more women than ever are 85 00:04:50,120 --> 00:04:54,320 Speaker 1: reading romance based books in a way that many people 86 00:04:54,320 --> 00:04:58,000 Speaker 1: aren't even aware that they're romance novels. But for example, 87 00:04:58,080 --> 00:05:00,200 Speaker 1: last year there was a fifty two point four four 88 00:05:00,600 --> 00:05:05,320 Speaker 1: percent increase in romance novels in comparison to other fiction categories, 89 00:05:05,320 --> 00:05:08,440 Speaker 1: which were down by over ten percent. So this is 90 00:05:08,480 --> 00:05:12,520 Speaker 1: the one category that's going through the roof. A list 91 00:05:12,560 --> 00:05:14,840 Speaker 1: of eight of the fifteen books on the current New 92 00:05:14,880 --> 00:05:19,480 Speaker 1: York Times Paperback bestseller list are romantic fiction. Virgin River, 93 00:05:19,560 --> 00:05:24,320 Speaker 1: for example, the TV series Bridgeton almost their giant Juggernauts 94 00:05:24,360 --> 00:05:26,880 Speaker 1: might even put Yellowstone on that list. 95 00:05:27,240 --> 00:05:30,720 Speaker 2: Men in wrangler jeans. 96 00:05:30,000 --> 00:05:33,039 Speaker 1: In Australia, wrangler jeans were just the daggy jeans at 97 00:05:33,040 --> 00:05:35,760 Speaker 1: the boys you Knew Water to the school formal In Canada? 98 00:05:35,800 --> 00:05:37,039 Speaker 1: Were they a bit sexier than that? 99 00:05:37,080 --> 00:05:41,560 Speaker 2: They're a bit sexier than that. And I lived in Calgary, 100 00:05:41,760 --> 00:05:46,120 Speaker 2: in Alberta for years, and the Calgary Stampede where there 101 00:05:46,200 --> 00:05:48,760 Speaker 2: was a whole bunch of men dressed up as cowboys 102 00:05:48,800 --> 00:05:51,200 Speaker 2: with the cowboy boots and the houtse and the. 103 00:05:52,520 --> 00:05:55,040 Speaker 1: Course the stampede, they did a little bit. 104 00:05:55,200 --> 00:05:56,400 Speaker 2: There's some nose, I candy. 105 00:05:56,640 --> 00:05:58,800 Speaker 1: Let me just this is the thing, and we're all 106 00:05:58,839 --> 00:06:01,559 Speaker 1: too scared to say that we like it. I think 107 00:06:02,040 --> 00:06:04,840 Speaker 1: because one of the women she was listed in or 108 00:06:04,839 --> 00:06:07,479 Speaker 1: there was quoted in this article said, and she's a 109 00:06:07,520 --> 00:06:11,760 Speaker 1: criminal defense lawyer. She said, she's into cowboy romance. She said, 110 00:06:11,760 --> 00:06:13,840 Speaker 1: I grew up in Brooklyn. But there's something about being 111 00:06:13,880 --> 00:06:17,280 Speaker 1: totally transported, something about that wide open space, a man 112 00:06:17,360 --> 00:06:19,840 Speaker 1: riding on a horseback, a woman falling from him. I'm 113 00:06:19,880 --> 00:06:21,760 Speaker 1: a sucker for that. And that is Yellowstone. 114 00:06:21,960 --> 00:06:24,280 Speaker 2: Absolutely, And when you think about. 115 00:06:24,120 --> 00:06:27,960 Speaker 1: Even like Jane Austen, she was probably or she is 116 00:06:28,000 --> 00:06:30,719 Speaker 1: a romance writer, but because it was about satire, and 117 00:06:30,760 --> 00:06:34,679 Speaker 1: because she used clever language, and she had an opinion 118 00:06:34,720 --> 00:06:38,520 Speaker 1: about things that was seen as quality, that was literature, 119 00:06:38,560 --> 00:06:40,960 Speaker 1: literature and which it is. But if you put a 120 00:06:41,080 --> 00:06:45,120 Speaker 1: vampire in there instead of mister Darcy, it's chick lit 121 00:06:45,320 --> 00:06:47,120 Speaker 1: and it's a little bit shameful. 122 00:06:47,200 --> 00:06:51,320 Speaker 2: And a ripped bous on the cover. Yeah, yeah, yeah, absolutely. 123 00:06:51,480 --> 00:06:54,560 Speaker 1: So it's interesting, isn't it? Where we are that all 124 00:06:54,600 --> 00:06:57,480 Speaker 1: this stuff. I've always thought actually that Fifty Shades of 125 00:06:57,480 --> 00:07:01,560 Speaker 1: Gray was really a Roman because many of Sure, there 126 00:07:01,600 --> 00:07:04,000 Speaker 1: was a lot of sex in it. I had to 127 00:07:04,040 --> 00:07:08,240 Speaker 1: reread it many times, but the through line it is 128 00:07:08,320 --> 00:07:10,840 Speaker 1: like those Jane ere. It's like all those old books 129 00:07:11,240 --> 00:07:16,120 Speaker 1: that those old books literaly, yes, those things that I 130 00:07:16,160 --> 00:07:20,320 Speaker 1: think it's it's almost like a young ingenue, a young 131 00:07:20,400 --> 00:07:24,120 Speaker 1: naive girl catches the eye of a stern, older man 132 00:07:24,960 --> 00:07:28,080 Speaker 1: and it can she turn him to love her, and 133 00:07:28,120 --> 00:07:29,760 Speaker 1: you discover at the end he's loved her all along 134 00:07:29,800 --> 00:07:30,960 Speaker 1: but hasn't been able to show it. 135 00:07:30,960 --> 00:07:33,960 Speaker 2: It's so attractive, and there's such a recipe to it, 136 00:07:34,000 --> 00:07:37,400 Speaker 2: isn't it. It's just there's going to be true love, 137 00:07:37,600 --> 00:07:41,080 Speaker 2: there's going to be challenge, there's going to be lost 138 00:07:41,240 --> 00:07:43,760 Speaker 2: and gain. It's all those things that happen. 139 00:07:44,120 --> 00:07:49,520 Speaker 1: It can be overly consuming, and as a psychologist, want 140 00:07:49,520 --> 00:07:51,960 Speaker 1: to ask you this in the same way that women 141 00:07:51,960 --> 00:07:55,119 Speaker 1: are threatened by men watching porn, but men will say 142 00:07:55,520 --> 00:07:59,000 Speaker 1: this has no bearing on real life. If women are 143 00:07:59,000 --> 00:08:04,080 Speaker 1: obsessed with romans and relationships that are so full on, 144 00:08:04,760 --> 00:08:08,120 Speaker 1: does that impact on how we actually live or is 145 00:08:08,120 --> 00:08:09,560 Speaker 1: it the same sort of thing as I know, the 146 00:08:09,560 --> 00:08:12,640 Speaker 1: difference between real and pornography. 147 00:08:13,240 --> 00:08:17,000 Speaker 2: I really think that that line is getting so blurred 148 00:08:17,920 --> 00:08:21,280 Speaker 2: between kind of what we expect in the world. I mean, 149 00:08:21,320 --> 00:08:24,520 Speaker 2: we've get people on Instagram and Facebook and all those 150 00:08:24,600 --> 00:08:27,880 Speaker 2: kinds of social media platforms where they're showing this kind 151 00:08:27,920 --> 00:08:31,320 Speaker 2: of a game where you know, I'm in love and 152 00:08:31,360 --> 00:08:34,760 Speaker 2: here's my perfect partner, and here's this, and I think 153 00:08:34,840 --> 00:08:37,960 Speaker 2: it really creates these expectations. And then you look at 154 00:08:38,040 --> 00:08:41,960 Speaker 2: your partner and he's, you know, the fourth day where 155 00:08:42,000 --> 00:08:45,880 Speaker 2: he's you know, been glumping around the house and and 156 00:08:45,920 --> 00:08:48,600 Speaker 2: he hasn't done the chores that you wanted him to do. 157 00:08:48,720 --> 00:08:51,600 Speaker 2: And it's this and it's that, and it just doesn't 158 00:08:51,960 --> 00:08:55,959 Speaker 2: match that created expectation that isn't reality. 159 00:08:56,160 --> 00:08:58,600 Speaker 1: It's interesting. We know it's not reality, but I wonder 160 00:08:58,600 --> 00:09:00,840 Speaker 1: how damaging it can be because you may not even 161 00:09:00,880 --> 00:09:04,920 Speaker 1: realize that you're going to bed at seven o'clock to 162 00:09:05,000 --> 00:09:08,239 Speaker 1: read your romance book and your husband's staying watching TV downstairs, 163 00:09:09,160 --> 00:09:13,640 Speaker 1: or you shut down your relationship at home because you 164 00:09:13,679 --> 00:09:17,160 Speaker 1: want to live more in your romance world. Maybe this 165 00:09:17,200 --> 00:09:19,600 Speaker 1: is what people do when they're playing games online. I've 166 00:09:19,600 --> 00:09:21,719 Speaker 1: never been a computer person, but that's the same thing. 167 00:09:21,760 --> 00:09:25,160 Speaker 1: So kind of escaping your real relationships may be Well. 168 00:09:25,000 --> 00:09:28,199 Speaker 2: It's really interesting that I was reading this book about 169 00:09:28,880 --> 00:09:32,839 Speaker 2: dopamine and it's this addiction psychiatrist. Her name is Anna Lemke, 170 00:09:33,520 --> 00:09:36,800 Speaker 2: and fascinating book. I've listened to a couple of podcasts 171 00:09:36,840 --> 00:09:40,040 Speaker 2: that she's been in and she talked about in the 172 00:09:40,120 --> 00:09:47,000 Speaker 2: book how she got absolutely addicted to erotica and mostly 173 00:09:47,040 --> 00:09:51,920 Speaker 2: about vampire romance. Her gateway drug was the Twilight series. 174 00:09:52,280 --> 00:09:54,560 Speaker 2: But then she said that she got to the point 175 00:09:54,640 --> 00:09:59,080 Speaker 2: where she was around the house she had medical journals, 176 00:09:59,120 --> 00:10:02,679 Speaker 2: and inside she had like a little romance novel so 177 00:10:02,720 --> 00:10:05,079 Speaker 2: that she could go and pretend that she was reading 178 00:10:05,080 --> 00:10:08,959 Speaker 2: a medical journal and being really smart rather than reading this, 179 00:10:10,640 --> 00:10:14,200 Speaker 2: you know, crazy romance novel. And that she had gone 180 00:10:14,280 --> 00:10:16,400 Speaker 2: and she talked about a time where she had gone 181 00:10:16,440 --> 00:10:20,280 Speaker 2: off for a family function with friends and that she 182 00:10:20,480 --> 00:10:23,960 Speaker 2: had reclused herself into a little room so that she 183 00:10:24,000 --> 00:10:26,240 Speaker 2: could just go and read these romance she was reading 184 00:10:26,280 --> 00:10:30,320 Speaker 2: in between seeing clients. And she was an addiction psychiatrist 185 00:10:30,640 --> 00:10:35,240 Speaker 2: and didn't realize it, had no kind of recognition that 186 00:10:35,400 --> 00:10:37,800 Speaker 2: her own behavior was that addictive. 187 00:10:38,000 --> 00:10:41,920 Speaker 1: So what she had was an addiction. It wasn't just 188 00:10:41,960 --> 00:10:44,280 Speaker 1: that she was into reading these books. It doesn't have 189 00:10:44,320 --> 00:10:47,439 Speaker 1: the same physiological effect as it does if you're addicted 190 00:10:47,440 --> 00:10:48,119 Speaker 1: to alcohols. 191 00:10:48,200 --> 00:10:52,000 Speaker 2: Absolutely it's I mean, there are some physical things that 192 00:10:52,040 --> 00:10:55,040 Speaker 2: are different when you're you know, on heroin or fentanyl 193 00:10:55,400 --> 00:10:59,319 Speaker 2: or whatever, but it really is affecting that dopamine system 194 00:10:59,400 --> 00:11:02,480 Speaker 2: that we have, and that there is this seesar that 195 00:11:02,520 --> 00:11:06,480 Speaker 2: we have between pleasure and pain, and that, as you know, 196 00:11:06,520 --> 00:11:09,280 Speaker 2: we can maybe start with a compulsion to do something 197 00:11:09,360 --> 00:11:11,760 Speaker 2: or a desire to do something, but when we move 198 00:11:11,800 --> 00:11:15,560 Speaker 2: into addiction that there tends to be higher tolerance, Like 199 00:11:15,600 --> 00:11:18,680 Speaker 2: you need more and more to get the same hit. 200 00:11:19,480 --> 00:11:21,720 Speaker 2: I think you were saying the other day that you'd 201 00:11:21,760 --> 00:11:25,760 Speaker 2: started rereading parts of a book that you had liked. 202 00:11:26,000 --> 00:11:27,920 Speaker 1: I've been going through this recently, and I think because 203 00:11:27,920 --> 00:11:31,000 Speaker 1: I'm in a long term relationship, I've suddenly started to 204 00:11:31,040 --> 00:11:33,760 Speaker 1: get all hot and bothered. Well, it started with that 205 00:11:33,880 --> 00:11:37,080 Speaker 1: a book called Romantic Comedy, which has written I think 206 00:11:37,120 --> 00:11:38,600 Speaker 1: it's Curtis Siddon. 207 00:11:38,960 --> 00:11:41,920 Speaker 2: Yeah, sit close, guy, Yes, yeah, it's a woman actually, 208 00:11:42,280 --> 00:11:43,880 Speaker 2: oh yeah, and we've read her for. 209 00:11:43,920 --> 00:11:46,599 Speaker 1: Book clubs, so it's literally in that good book in 210 00:11:46,679 --> 00:11:48,960 Speaker 1: that and the book was so fantastic. But what I 211 00:11:48,960 --> 00:11:51,880 Speaker 1: loved about it it was a woman who worked, for 212 00:11:51,880 --> 00:11:55,400 Speaker 1: for all intents and purposes, Saturday Night Live. She's a writer, 213 00:11:56,120 --> 00:11:59,760 Speaker 1: and she watches male writers who look average crack on 214 00:12:00,160 --> 00:12:02,600 Speaker 1: all the famous stars that come on the show, much younger, 215 00:12:02,760 --> 00:12:05,320 Speaker 1: much younger, And that constantly happens in that world and 216 00:12:05,360 --> 00:12:07,840 Speaker 1: she said she's an average looking, smart, funny woman, but 217 00:12:07,920 --> 00:12:11,080 Speaker 1: that never happens. And then this sort of guy who's 218 00:12:11,120 --> 00:12:13,400 Speaker 1: been famous for a number of years, this rock star, 219 00:12:13,960 --> 00:12:16,320 Speaker 1: comes on the show and she feels a thing for him, 220 00:12:16,320 --> 00:12:18,559 Speaker 1: but can't believe that he'd feel it for her. Then 221 00:12:18,640 --> 00:12:21,280 Speaker 1: lockdown happens, and they write each other a series of emails. 222 00:12:21,679 --> 00:12:24,880 Speaker 1: I got so swept up in that, so swept up 223 00:12:24,880 --> 00:12:28,000 Speaker 1: in the romance of that, I almost found myself googling 224 00:12:28,120 --> 00:12:30,360 Speaker 1: him to see what his albums were like. He was 225 00:12:30,440 --> 00:12:34,040 Speaker 1: made up, And then I found myself. When I'd finished 226 00:12:34,080 --> 00:12:36,760 Speaker 1: the book, I went back and reread it because I 227 00:12:36,800 --> 00:12:41,000 Speaker 1: wanted that hit again. And then I started watching Outlander, 228 00:12:41,040 --> 00:12:43,520 Speaker 1: which I started watching ten years ago when it started 229 00:12:44,000 --> 00:12:46,240 Speaker 1: and didn't watch much of it. I went back recently 230 00:12:46,360 --> 00:12:49,640 Speaker 1: and started again and got completely consumed. I had the 231 00:12:49,640 --> 00:12:52,079 Speaker 1: house to myself for a weekend. I watched the entire 232 00:12:52,120 --> 00:12:56,360 Speaker 1: first series. I ate my meals on a stable table 233 00:12:56,640 --> 00:13:00,280 Speaker 1: like an old mole in front of the television. MUCH 234 00:13:00,280 --> 00:13:03,160 Speaker 1: had to attach a drool sponge to my chin for 235 00:13:03,240 --> 00:13:05,440 Speaker 1: all the drooling I was doing. It was shameful. 236 00:13:05,760 --> 00:13:08,880 Speaker 2: This was after you had interviewed Sam Hwans and I 237 00:13:08,880 --> 00:13:11,640 Speaker 2: interviewed him for a movie he'd done, and I thought, Oh, 238 00:13:11,640 --> 00:13:12,840 Speaker 2: he's nice, And then. 239 00:13:12,760 --> 00:13:15,320 Speaker 1: I watched that shot and I thought, what a waste 240 00:13:15,320 --> 00:13:18,480 Speaker 1: of a crush. I wanted to go back and interview 241 00:13:18,559 --> 00:13:22,280 Speaker 1: him again and somehow viscerally tell him how in love 242 00:13:22,280 --> 00:13:24,320 Speaker 1: I was. But I was in love with the character 243 00:13:24,360 --> 00:13:27,880 Speaker 1: he plays, Jamie, and I reckon that even Sam Hwan, 244 00:13:27,920 --> 00:13:31,800 Speaker 1: who's the actor, can't live up to being Jamie, because 245 00:13:31,920 --> 00:13:34,680 Speaker 1: Jamie is this character who will defend you to the 246 00:13:34,760 --> 00:13:37,040 Speaker 1: end of the earth. That's what women seem to want, 247 00:13:37,120 --> 00:13:39,800 Speaker 1: don't they doesn't matter how liberated we are, We're still 248 00:13:39,800 --> 00:13:41,280 Speaker 1: going for that protection stuff. 249 00:13:41,600 --> 00:13:44,320 Speaker 2: I think in our minds we are. I think in 250 00:13:44,400 --> 00:13:47,400 Speaker 2: reality there are women who are kind of claiming their 251 00:13:47,440 --> 00:13:50,160 Speaker 2: power and saying no, I don't want that. There is 252 00:13:50,160 --> 00:13:55,440 Speaker 2: that article about, you know, the Barbie Beyonce Taylors Swift 253 00:13:55,559 --> 00:13:59,400 Speaker 2: thing that is basically that divorce. Roots are coming up 254 00:14:00,480 --> 00:14:01,360 Speaker 2: of that because. 255 00:14:01,160 --> 00:14:04,880 Speaker 1: Women are saying, you know what, I'm finding my feet 256 00:14:04,960 --> 00:14:07,400 Speaker 1: and I'm not happy with where I am. Oh, it's 257 00:14:07,440 --> 00:14:09,720 Speaker 1: just exhausting being alive, isn't it. 258 00:14:11,000 --> 00:14:12,240 Speaker 2: Don't know, worry about myself. 259 00:14:12,280 --> 00:14:15,880 Speaker 1: If there was an actual guy who spoke to you 260 00:14:16,000 --> 00:14:19,120 Speaker 1: is the way men speak in books. If you say 261 00:14:19,280 --> 00:14:20,800 Speaker 1: I love you and they go ditto. And you know, 262 00:14:21,480 --> 00:14:23,920 Speaker 1: I want you to say I love you till the 263 00:14:23,920 --> 00:14:26,320 Speaker 1: stars fall out of the sky. I can't breathe again 264 00:14:26,360 --> 00:14:28,800 Speaker 1: until you're in my arms. If a guy actually spoke 265 00:14:28,800 --> 00:14:30,680 Speaker 1: to you like that, you go, why do you get 266 00:14:30,720 --> 00:14:31,520 Speaker 1: off your creep? 267 00:14:32,400 --> 00:14:36,240 Speaker 2: We would actually be probably texting the police or calling 268 00:14:36,240 --> 00:14:38,800 Speaker 2: the police and saying, come and get this guy stocking. 269 00:14:41,880 --> 00:14:52,840 Speaker 1: It's a funny old world, isn't it. That's the kind 270 00:14:52,880 --> 00:14:55,040 Speaker 1: of thing. So if you'd like to join us, it's 271 00:14:55,080 --> 00:14:58,560 Speaker 1: called Double a Chattery. Search for Double a Chattery wherever 272 00:14:58,600 --> 00:15:01,480 Speaker 1: you're listening to this podcast right now. I'll see you there.