1
00:00:00,480 --> 00:00:03,279
Speaker 1: This is the Will and Woody Podcast.

2
00:00:05,559 --> 00:00:07,880
Speaker 2: You got the one and only bo Ryan who joins

3
00:00:07,960 --> 00:00:15,120
Speaker 2: us right now. One of our favorites. Hey, Valentine's about

4
00:00:15,200 --> 00:00:18,160
Speaker 2: Valentine's Day? To you may to me Valine? You are

5
00:00:18,200 --> 00:00:21,200
Speaker 2: you a celebrator of Valentine's Day? Bow? Do you get

6
00:00:21,239 --> 00:00:21,800
Speaker 2: around it?

7
00:00:22,040 --> 00:00:24,320
Speaker 3: I always go out in the day before because it's

8
00:00:24,320 --> 00:00:26,040
Speaker 3: for dinner, and that it's always cheap and you can

9
00:00:26,040 --> 00:00:27,880
Speaker 3: get it. You can get a restaurant, you can actually

10
00:00:27,920 --> 00:00:31,080
Speaker 3: book in somewhere. Yeah, yeah, we are, I mean, yeah,

11
00:00:31,200 --> 00:00:32,720
Speaker 3: Valentine's Day is good. It's important.

12
00:00:32,960 --> 00:00:36,640
Speaker 4: You're a romantic? Bow? Are you you a romantic guy?

13
00:00:36,960 --> 00:00:37,200
Speaker 2: Yeah?

14
00:00:37,240 --> 00:00:39,960
Speaker 3: Well we're not. First when car and I first got together,

15
00:00:40,040 --> 00:00:42,400
Speaker 3: I did. I made a letter for her, but I

16
00:00:42,440 --> 00:00:45,600
Speaker 3: cut I cut out all the all the letters in

17
00:00:45,720 --> 00:00:47,440
Speaker 3: like a woman's day new idea, and wrote like how

18
00:00:47,520 --> 00:00:49,560
Speaker 3: much I loved her. But it sort of it made

19
00:00:49,560 --> 00:00:54,600
Speaker 3: me look like a bit of a syrups. I cut

20
00:00:54,760 --> 00:00:56,840
Speaker 3: right at the top of your follow her to work

21
00:00:56,880 --> 00:00:59,680
Speaker 3: all that sort of stuff of pump the brakes on

22
00:00:59,680 --> 00:01:00,440
Speaker 3: the road man.

23
00:01:00,440 --> 00:01:04,800
Speaker 4: But yeah, yeah, just stick to dinner dinner ransom notes,

24
00:01:04,880 --> 00:01:06,119
Speaker 4: aw Loo have you and Caraben together?

25
00:01:06,160 --> 00:01:06,560
Speaker 2: Bore now?

26
00:01:07,000 --> 00:01:11,959
Speaker 3: We've been together for it's a good question. And the

27
00:01:12,000 --> 00:01:13,039
Speaker 3: two thousand.

28
00:01:12,720 --> 00:01:16,720
Speaker 2: And four two thousand and four four.

29
00:01:16,560 --> 00:01:18,800
Speaker 3: Okay, well that's when we were younger. We broke up

30
00:01:18,800 --> 00:01:21,880
Speaker 3: in the middle there, but now really, yeah, she went

31
00:01:21,920 --> 00:01:22,960
Speaker 3: out of sease for work.

32
00:01:22,760 --> 00:01:25,320
Speaker 2: You know those ones she went over seas for work.

33
00:01:25,920 --> 00:01:28,959
Speaker 3: Yeah, focused on her career and yeah and all that.

34
00:01:29,080 --> 00:01:31,440
Speaker 2: Did you both hook up with people when she was gone?

35
00:01:31,520 --> 00:01:32,319
Speaker 2: Or did just well?

36
00:01:32,360 --> 00:01:35,800
Speaker 3: We brought we we we said coincided with me playing

37
00:01:35,800 --> 00:01:37,600
Speaker 3: and so I worked out nicely for both of us.

38
00:01:37,760 --> 00:01:39,560
Speaker 4: Yeah, focus on career for a little bit. I actually

39
00:01:39,600 --> 00:01:41,400
Speaker 4: think it's a good test as will in a relationship.

40
00:01:41,440 --> 00:01:42,759
Speaker 4: You know, you spend to be the time of part

41
00:01:42,880 --> 00:01:44,600
Speaker 4: and then did you come back together you know they're

42
00:01:44,640 --> 00:01:44,880
Speaker 4: the one?

43
00:01:44,959 --> 00:01:47,560
Speaker 3: Yeah, well you've got you've been dating your partner for

44
00:01:47,600 --> 00:01:49,000
Speaker 3: a year, what a year now, so that you've got

45
00:01:49,040 --> 00:01:50,000
Speaker 3: limmus tests coming up?

46
00:01:50,040 --> 00:01:51,440
Speaker 2: This is years?

47
00:01:51,640 --> 00:01:55,520
Speaker 3: Yeah, year is yeah, a year. You got to you're

48
00:01:55,560 --> 00:01:56,880
Speaker 3: either going to proposal, it's all over.

49
00:01:57,240 --> 00:01:59,120
Speaker 4: Yeah, let's not say that on radio.

50
00:01:59,200 --> 00:02:02,000
Speaker 2: Let's put that it is true though. It's you get

51
00:02:02,000 --> 00:02:03,840
Speaker 2: to an age. Was you're what thirty three?

52
00:02:03,880 --> 00:02:05,520
Speaker 4: Now thirty three? Yeah, I'm right in the pocket.

53
00:02:05,560 --> 00:02:07,800
Speaker 2: It's everything forever or nothing ever again very soon.

54
00:02:07,880 --> 00:02:10,400
Speaker 3: That's right. Yeah, she's not, She's not the one. You're

55
00:02:10,400 --> 00:02:11,359
Speaker 3: wasting your time, man.

56
00:02:11,240 --> 00:02:15,640
Speaker 4: Yeah right, thanks for the peptok fellas, I really appreciated.

57
00:02:16,360 --> 00:02:18,799
Speaker 4: But you said litmus test before, bo? What what what

58
00:02:18,840 --> 00:02:21,000
Speaker 4: tests do you think needs to be passed for me

59
00:02:21,040 --> 00:02:22,000
Speaker 4: to know that she's the one?

60
00:02:24,200 --> 00:02:25,800
Speaker 3: Well? Do you go through each other's phones and all?

61
00:02:25,880 --> 00:02:27,959
Speaker 3: Are you? Are you trust? Yeah?

62
00:02:29,160 --> 00:02:30,560
Speaker 4: What do you mean go through her phone? You think

63
00:02:30,560 --> 00:02:33,600
Speaker 4: I should go through her phone? That's the test, you know?

64
00:02:33,720 --> 00:02:36,240
Speaker 3: You just you just be you know, give each other

65
00:02:36,280 --> 00:02:39,040
Speaker 3: your pass codes. You just be open and honest and

66
00:02:39,160 --> 00:02:40,560
Speaker 3: just be transparent.

67
00:02:41,080 --> 00:02:43,560
Speaker 2: Tracks she tracks him on his phone?

68
00:02:43,800 --> 00:02:45,400
Speaker 3: Yeah, no, that's a problem that one.

69
00:02:46,000 --> 00:02:46,320
Speaker 2: Really.

70
00:02:47,000 --> 00:02:49,079
Speaker 4: I thought you were the same to be honest and transparent.

71
00:02:49,560 --> 00:02:51,680
Speaker 4: You're saying, don't let her track you?

72
00:02:51,720 --> 00:02:54,400
Speaker 3: No, you can, but yeah the trackings. Just give me

73
00:02:54,440 --> 00:02:55,160
Speaker 3: the pass code, man.

74
00:02:55,160 --> 00:03:03,960
Speaker 2: Yeah, tracking is dead. Trackings car a track you bo?

75
00:03:04,160 --> 00:03:05,240
Speaker 2: She ever tracked you?

76
00:03:05,880 --> 00:03:06,120
Speaker 1: Yeah?

77
00:03:06,680 --> 00:03:09,440
Speaker 3: I would, but made I'm like, I'm in Mongolia in

78
00:03:09,480 --> 00:03:12,200
Speaker 3: a couple of weeks. Yeah, I don't know. I don't

79
00:03:12,200 --> 00:03:12,680
Speaker 3: know how she.

80
00:03:12,680 --> 00:03:15,000
Speaker 2: Goes because you're doing the race. You doing the amazing race.

81
00:03:15,600 --> 00:03:18,440
Speaker 3: Yeah, I'm not meant to say where we're going or

82
00:03:18,440 --> 00:03:19,080
Speaker 3: when we're leaving.

83
00:03:19,400 --> 00:03:20,800
Speaker 5: Might and.

84
00:03:22,760 --> 00:03:24,720
Speaker 2: She might have given up both those things in one

85
00:03:24,760 --> 00:03:31,600
Speaker 2: fell swoop. You boys, you know, I love the idea

86
00:03:31,600 --> 00:03:34,200
Speaker 2: of tracking you while you're doing the race though. That's

87
00:03:34,240 --> 00:03:36,440
Speaker 2: exciting because you can be anywhere in the world. You

88
00:03:36,440 --> 00:03:37,080
Speaker 2: can be anywhere.

89
00:03:37,200 --> 00:03:37,480
Speaker 6: I mean.

90
00:03:38,040 --> 00:03:39,760
Speaker 3: But the hard thing, but in all honesty, is the

91
00:03:39,840 --> 00:03:42,840
Speaker 3: time zone, especially in America and Europe and stuff like that.

92
00:03:42,920 --> 00:03:48,560
Speaker 3: It's we miss each other because it's directly online. It

93
00:03:49,000 --> 00:03:50,840
Speaker 3: makes it hard. But you know what it's like you

94
00:03:50,560 --> 00:03:52,040
Speaker 3: to do it. You're going to work.

95
00:03:52,120 --> 00:03:56,720
Speaker 4: Yeah, you got to work, mate, Yeah, you've got to provide.

96
00:03:56,720 --> 00:03:59,400
Speaker 2: You've got to provide. Well, hopefully you eat enough on

97
00:04:00,560 --> 00:04:04,000
Speaker 2: the amazing race and like a celebrit you're asking the

98
00:04:04,040 --> 00:04:07,320
Speaker 2: cameramen for burritos while you're in the jungle.

99
00:04:08,080 --> 00:04:10,200
Speaker 3: Yeah, it's all good. I'm still a little bit traumatized,

100
00:04:10,200 --> 00:04:11,320
Speaker 3: but I've come out the other side.

101
00:04:11,800 --> 00:04:13,160
Speaker 2: Thank you, mate, that's good.

102
00:04:14,160 --> 00:04:15,080
Speaker 3: Thanks for bringing it up.

103
00:04:16,800 --> 00:04:18,080
Speaker 2: Hey, we're going to do it more to boat right

104
00:04:18,160 --> 00:04:20,080
Speaker 2: up next because he's a stambassador. There's some red hot

105
00:04:20,120 --> 00:04:23,160
Speaker 2: shows on STAN which is streaming at the moment. I

106
00:04:23,200 --> 00:04:25,360
Speaker 2: know you're you want to tell us all about bell

107
00:04:25,440 --> 00:04:30,320
Speaker 2: Air Bow re make a reboot of the original Fresh

108
00:04:30,320 --> 00:04:33,240
Speaker 2: Prince of Bellier, which came out in the nineteen nineties.

109
00:04:34,760 --> 00:04:37,680
Speaker 2: Will Smith's an EP on this. We're going to talk

110
00:04:37,680 --> 00:04:39,560
Speaker 2: to Bow Ryan about it right out. Next, we've got

111
00:04:39,600 --> 00:04:43,919
Speaker 2: Bo Ryan on the phone with us. Ryan now Boat,

112
00:04:44,360 --> 00:04:47,599
Speaker 2: Hey boy, I'll tell you what. There's a whole bunch

113
00:04:47,640 --> 00:04:49,760
Speaker 2: of shows coming up on Stan. You're a stand bassat.

114
00:04:49,800 --> 00:04:51,120
Speaker 2: You've been a stambassador for a long time.

115
00:04:51,160 --> 00:04:51,240
Speaker 1: You.

116
00:04:51,640 --> 00:04:55,120
Speaker 2: Funnily enough, we actually met back then the CEO of

117
00:04:55,160 --> 00:04:58,120
Speaker 2: STAN at the time, and we asked him why you're

118
00:04:58,160 --> 00:05:00,720
Speaker 2: a stambassador and he said, because you're willing to do

119
00:05:00,960 --> 00:05:05,479
Speaker 2: ridiculously embarrassing stuff, not a lot of money at all.

120
00:05:05,640 --> 00:05:08,839
Speaker 3: Yeah. The worst was the bull ride Yellow So I

121
00:05:08,839 --> 00:05:12,800
Speaker 3: didn't read the fine print for that one.

122
00:05:13,160 --> 00:05:15,200
Speaker 4: You both thought he was going for a horse ride

123
00:05:15,320 --> 00:05:17,320
Speaker 4: and he got there and they checked him on a bull.

124
00:05:17,880 --> 00:05:19,720
Speaker 3: Now I thought it was a mechanical bull. I've done

125
00:05:19,760 --> 00:05:22,159
Speaker 3: some great stuff, but that was the most hectic thing

126
00:05:22,279 --> 00:05:25,480
Speaker 3: I've ever done in my life. And yeah, I'm so

127
00:05:25,560 --> 00:05:29,440
Speaker 3: lucky I'm still alive. And yeah, walking man, that was crazy.

128
00:05:29,160 --> 00:05:30,080
Speaker 4: And you have a bad back.

129
00:05:30,200 --> 00:05:35,400
Speaker 2: You've got a really bad is a neck? You proved

130
00:05:35,400 --> 00:05:38,320
Speaker 2: that legal because you've broken your neck playing rug before.

131
00:05:38,440 --> 00:05:41,680
Speaker 3: Yeah, my insurance is through the roof. I mean it's work.

132
00:05:41,960 --> 00:05:43,880
Speaker 3: And you know what else happened. I didn't sign the

133
00:05:43,880 --> 00:05:46,440
Speaker 3: waiver before I got on, you know, I just he's like,

134
00:05:46,520 --> 00:05:48,760
Speaker 3: you have to sign this. I'm like, there's no chance

135
00:05:49,240 --> 00:05:52,520
Speaker 3: I'm letting this go through if something happens to me. No, no, no,

136
00:05:52,600 --> 00:05:54,040
Speaker 3: You're fully accountable.

137
00:05:54,120 --> 00:05:55,560
Speaker 4: So what you were trying to fall with your head

138
00:05:55,640 --> 00:05:56,880
Speaker 4: so you can get some cash out of him?

139
00:05:57,000 --> 00:05:57,279
Speaker 6: No?

140
00:05:57,279 --> 00:05:59,040
Speaker 3: No, I was just making sure that if I did

141
00:05:59,120 --> 00:06:01,240
Speaker 3: land on my head, you know I was going to

142
00:06:01,240 --> 00:06:02,200
Speaker 3: be look after forever.

143
00:06:03,200 --> 00:06:07,680
Speaker 2: All right, mate, Let's let's talk about what's on stand.

144
00:06:08,640 --> 00:06:13,240
Speaker 2: Bell Air the reboots of the Fresh Prince of bel

145
00:06:13,279 --> 00:06:16,640
Speaker 2: Air obviously nineteen ninety. They came out September tenth, nineteen

146
00:06:16,800 --> 00:06:18,800
Speaker 2: nineteen Tst. Prince of Bellier Will Smith was obviously that

147
00:06:18,920 --> 00:06:20,680
Speaker 2: launched his career. He's the EP on this one with

148
00:06:20,760 --> 00:06:23,599
Speaker 2: Quincy Jones. I didn't know who that guy is. But

149
00:06:23,640 --> 00:06:25,039
Speaker 2: have you seen any of this bell Air?

150
00:06:25,200 --> 00:06:27,640
Speaker 3: I've seen the first step. I mean it drops today.

151
00:06:27,160 --> 00:06:29,120
Speaker 2: I say the first step Jesus.

152
00:06:28,960 --> 00:06:36,640
Speaker 3: Well, it's only just literally dropped today as much. They

153
00:06:36,640 --> 00:06:38,680
Speaker 3: don't do that as much. But I grew up with

154
00:06:38,680 --> 00:06:40,719
Speaker 3: Will Smith man. I grew up with Will Smith. This

155
00:06:40,800 --> 00:06:42,440
Speaker 3: is a prequel to that. He comes from a really

156
00:06:42,520 --> 00:06:45,680
Speaker 3: rough area man and in West Philadelphia and then obviously

157
00:06:45,720 --> 00:06:47,039
Speaker 3: he goes to bell Air and we know what happened

158
00:06:47,040 --> 00:06:49,400
Speaker 3: after that. But this is his this is his upbringing

159
00:06:49,440 --> 00:06:52,480
Speaker 3: and this is him, you know, going through some troubled years.

160
00:06:52,640 --> 00:06:56,279
Speaker 2: Oh, it's crazy. It's a bit edgier than It's not

161
00:06:56,320 --> 00:06:58,279
Speaker 2: a comedy, it's not a slapstick comedy.

162
00:06:58,320 --> 00:07:00,800
Speaker 3: No, it's it's it's a true story them. And you know,

163
00:07:01,520 --> 00:07:03,760
Speaker 3: I'm waiting for him to make an appearance like fifty

164
00:07:03,800 --> 00:07:05,920
Speaker 3: cent does in Yeah.

165
00:07:05,839 --> 00:07:07,880
Speaker 4: Of course, you know whenever those guys.

166
00:07:07,640 --> 00:07:10,800
Speaker 3: VP show, they know they throw themselves in. But it's no,

167
00:07:10,920 --> 00:07:13,040
Speaker 3: it's really good man. I'm I'm a Bellair man. I

168
00:07:13,160 --> 00:07:14,080
Speaker 3: like it. I really like.

169
00:07:14,160 --> 00:07:16,360
Speaker 2: Wow. That sounds pretty good. Actually that was a good sell. Yeah,

170
00:07:16,360 --> 00:07:17,880
Speaker 2: I mean I thought these were going to be tedious,

171
00:07:17,880 --> 00:07:21,960
Speaker 2: but you've absolutely crans. I know you've been watching the

172
00:07:22,000 --> 00:07:25,800
Speaker 2: Tourists on stand as well. Apparently you're into this now

173
00:07:25,800 --> 00:07:27,920
Speaker 2: this I gotta I gotta stress this is an old show.

174
00:07:28,000 --> 00:07:30,040
Speaker 2: This has been out for a while, the Tourist, but

175
00:07:30,080 --> 00:07:31,800
Speaker 2: you've been in the jungle so you're catching up on it.

176
00:07:31,800 --> 00:07:32,400
Speaker 2: You're a big fan.

177
00:07:32,520 --> 00:07:36,920
Speaker 3: Yeah, yeah, you know the Hour out Back. I've traveled

178
00:07:36,920 --> 00:07:38,360
Speaker 3: a lot for the race and obviously been in the

179
00:07:38,440 --> 00:07:41,040
Speaker 3: jungle and our hour outback is He's crazy man, but

180
00:07:41,080 --> 00:07:45,200
Speaker 3: it's dangerous. He's dangerous and it shows what happens when

181
00:07:45,200 --> 00:07:47,280
Speaker 3: you can go off the grid and all the good

182
00:07:47,320 --> 00:07:49,400
Speaker 3: and bad things that can happen to you. And I

183
00:07:49,440 --> 00:07:52,320
Speaker 3: mean Jamie Dornon. We're getting every every time there's a

184
00:07:52,360 --> 00:07:54,800
Speaker 3: new stand original side the series or movie come out,

185
00:07:55,000 --> 00:07:56,920
Speaker 3: like Zack Efron and Gold, the name is getting bigger

186
00:07:56,960 --> 00:08:00,680
Speaker 3: and Jamie Dornan was was fantas aastick man. I don't

187
00:08:00,720 --> 00:08:02,720
Speaker 3: know if you've been in land much. I remember I

188
00:08:02,720 --> 00:08:03,960
Speaker 3: spoke to you when I was on the race, when

189
00:08:03,960 --> 00:08:06,000
Speaker 3: I was off the grid somewhere Broken Hill or somewhere

190
00:08:06,520 --> 00:08:10,120
Speaker 3: around there. But super Dangerous made a lot of backpackers

191
00:08:10,120 --> 00:08:12,920
Speaker 3: and tourist cower out there and never returned. So it's

192
00:08:12,920 --> 00:08:13,880
Speaker 3: a good watch as well. Mate.

193
00:08:14,520 --> 00:08:16,640
Speaker 4: We spoke to you once and you said your eyes

194
00:08:16,680 --> 00:08:18,360
Speaker 4: were a bit off, but you thought you saw something

195
00:08:18,400 --> 00:08:19,600
Speaker 4: being putting a boot in a bag.

196
00:08:20,120 --> 00:08:21,400
Speaker 3: Yeah, do you know what I'm got in trouble for

197
00:08:21,400 --> 00:08:22,920
Speaker 3: that because I wasn't meant to be answering my phone

198
00:08:22,920 --> 00:08:24,560
Speaker 3: so we want to do for your for your show.

199
00:08:24,960 --> 00:08:26,640
Speaker 3: I'm getting so much trouble for that.

200
00:08:27,600 --> 00:08:30,000
Speaker 2: Again, we were We should have called the cops.

201
00:08:30,280 --> 00:08:33,080
Speaker 3: We were halfway. No, not about the person in the boot,

202
00:08:33,160 --> 00:08:35,880
Speaker 3: more about answering the phone call when I was working.

203
00:08:36,559 --> 00:08:38,240
Speaker 2: Because you were on the race. You're on the race.

204
00:08:38,320 --> 00:08:40,200
Speaker 2: What about the person? You know they're getting rolled up

205
00:08:40,240 --> 00:08:42,560
Speaker 2: in carpet that's what that's what he saw.

206
00:08:42,960 --> 00:08:45,000
Speaker 3: Yeah, yeah, but again it's a backpack a day week

207
00:08:45,040 --> 00:08:45,400
Speaker 3: turn up.

208
00:08:45,440 --> 00:08:47,800
Speaker 4: Mate, all right, but.

209
00:08:49,320 --> 00:08:51,440
Speaker 2: Before you get selfing more trouble, you're gonna get out

210
00:08:51,480 --> 00:08:54,720
Speaker 2: of here. By Ryan joining the boys here tack out

211
00:08:54,720 --> 00:08:57,400
Speaker 2: stand guys, bell Air tourist Gold all looked pretty amazing

212
00:08:57,480 --> 00:08:59,439
Speaker 2: all streaming on stand As both said, the names just

213
00:08:59,480 --> 00:09:02,400
Speaker 2: keep getting and bigger and bigger. Do not forget amongst

214
00:09:02,400 --> 00:09:05,959
Speaker 2: all of them. The brand new stand original series Bellair

215
00:09:06,240 --> 00:09:09,720
Speaker 2: is now streaming only on stand Bo. Thanks so much

216
00:09:09,760 --> 00:09:12,959
Speaker 2: for joining us, Mate speak soon, boys, All right, Legendy

217
00:09:13,080 --> 00:09:14,000
Speaker 2: Valentine's Day.

218
00:09:14,040 --> 00:09:15,240
Speaker 3: Happy, I love you boys.

219
00:09:15,280 --> 00:09:21,040
Speaker 2: Yeah, podcasting Now, well, Woods, right now, we're gonna play

220
00:09:21,040 --> 00:09:23,480
Speaker 2: a little game, which we like to call which one's

221
00:09:23,480 --> 00:09:30,040
Speaker 2: the boyfriend? All right, so we've got three people on

222
00:09:30,440 --> 00:09:34,439
Speaker 2: the phone here. One of them is Amelia's boyfriend, one

223
00:09:34,440 --> 00:09:36,320
Speaker 2: of them is an absolutely pretending. We've got Amelia who

224
00:09:36,400 --> 00:09:37,959
Speaker 2: joins us first time. Get Amelia.

225
00:09:38,679 --> 00:09:40,559
Speaker 6: Hey, how's it going?

226
00:09:41,320 --> 00:09:44,560
Speaker 2: Very, very very well? So you've got either Bailey or

227
00:09:44,679 --> 00:09:48,079
Speaker 2: Jake is your actual boyfriend? You're obviously trying to convince

228
00:09:48,160 --> 00:09:52,040
Speaker 2: us that one of them is. And well, we're gonna

229
00:09:52,040 --> 00:09:53,640
Speaker 2: have to try and figure out which one it is.

230
00:09:53,679 --> 00:09:56,680
Speaker 2: You can deceive us with it, with whatever means you

231
00:09:56,840 --> 00:09:58,480
Speaker 2: deem necessary. I'll tell you what. You've got a two

232
00:09:58,520 --> 00:10:03,800
Speaker 2: hundred dollars spend it into floor for Valentine's Day stupis

233
00:10:04,000 --> 00:10:07,280
Speaker 2: as well. All thanks into Flora show what love really means.

234
00:10:07,559 --> 00:10:08,280
Speaker 2: Are you ready to go?

235
00:10:08,360 --> 00:10:11,520
Speaker 4: Woods, buddy, it's got a Bailey. First, Bailey, how did

236
00:10:11,520 --> 00:10:12,360
Speaker 4: you meet Amelia?

237
00:10:13,440 --> 00:10:15,720
Speaker 1: So? Look, it's probably something that would get me in

238
00:10:15,760 --> 00:10:18,840
Speaker 1: trouble with work, but she was one of the customers

239
00:10:18,840 --> 00:10:20,560
Speaker 1: that come in once and I work in a clothing

240
00:10:20,600 --> 00:10:24,200
Speaker 1: store and I've helped her out for his time, and

241
00:10:24,559 --> 00:10:26,840
Speaker 1: like well, she was like super chatty and we kind

242
00:10:26,840 --> 00:10:29,240
Speaker 1: of just got along and I kind of asked for

243
00:10:29,280 --> 00:10:31,719
Speaker 1: a number, and yeah, it kind of just went from there.

244
00:10:31,760 --> 00:10:34,920
Speaker 1: A few dates and yeah, been together for what six

245
00:10:34,960 --> 00:10:36,000
Speaker 1: months now? And happy?

246
00:10:36,280 --> 00:10:38,400
Speaker 2: What was his opening line to you, Amelia when you

247
00:10:38,400 --> 00:10:38,880
Speaker 2: got in there?

248
00:10:39,760 --> 00:10:40,800
Speaker 1: Oh, he's like.

249
00:10:40,880 --> 00:10:45,480
Speaker 6: So he's showed me like all the clothes. Was interested

250
00:10:45,520 --> 00:10:48,440
Speaker 6: in some jeans. Yeah, and I tried them on and

251
00:10:48,480 --> 00:10:51,679
Speaker 6: he's like, well they look good on you, so wow.

252
00:10:53,120 --> 00:10:56,839
Speaker 2: Them an opening line was they look good on you?

253
00:10:58,960 --> 00:11:02,720
Speaker 4: What a romantic magic? So, Bailey, what's your favorite part

254
00:11:02,720 --> 00:11:03,440
Speaker 4: about Amelia?

255
00:11:04,800 --> 00:11:07,880
Speaker 1: Honestly, as cheesy as it is, but like the personality

256
00:11:07,960 --> 00:11:09,960
Speaker 1: is a big one. Just just that like she is

257
00:11:10,040 --> 00:11:12,920
Speaker 1: really goofy And that's kind of what I like as well,

258
00:11:12,920 --> 00:11:15,280
Speaker 1: because I'm, as you could probably tell from my opening mind,

259
00:11:15,320 --> 00:11:17,199
Speaker 1: I'm not all there either, So it's just kind of.

260
00:11:17,559 --> 00:11:19,440
Speaker 2: You're both a bit awkward. I can hear that. I

261
00:11:19,440 --> 00:11:21,640
Speaker 2: can hear. That's a good answer. Have you have you

262
00:11:21,679 --> 00:11:24,400
Speaker 2: got a favorite date that that you've been on, Bailey?

263
00:11:25,520 --> 00:11:28,520
Speaker 1: Was one when we drove down like we put she

264
00:11:28,600 --> 00:11:31,760
Speaker 1: put a blindfold on me, you put.

265
00:11:31,679 --> 00:11:37,600
Speaker 7: A blind on yourself, and we went down to Geelong,

266
00:11:37,720 --> 00:11:39,360
Speaker 7: and she drove me down because she knows how much

267
00:11:39,360 --> 00:11:41,480
Speaker 7: I love like vintage markets and stuff, so she took

268
00:11:41,480 --> 00:11:43,160
Speaker 7: me down to the big one in Geelong.

269
00:11:42,920 --> 00:11:46,640
Speaker 2: Down to Geelong. Nice vintage. And when you went down

270
00:11:46,679 --> 00:11:48,840
Speaker 2: to Geelong, did you get any vintage clothing with Bailey?

271
00:11:48,880 --> 00:11:49,720
Speaker 2: What did you get?

272
00:11:50,960 --> 00:11:56,160
Speaker 6: Not so much clothing, but more like antique stuff, Like

273
00:11:56,400 --> 00:11:59,840
Speaker 6: what did you get? Yeah? So I like collecting allan,

274
00:12:00,400 --> 00:12:01,200
Speaker 6: so we found some.

275
00:12:04,760 --> 00:12:07,800
Speaker 4: Yeah, you guys are rather the weirdest couple ever.

276
00:12:11,480 --> 00:12:12,240
Speaker 2: I can't tell.

277
00:12:12,320 --> 00:12:13,080
Speaker 4: I can't tell you.

278
00:12:13,120 --> 00:12:15,839
Speaker 2: I don't tell. I actually can't tell.

279
00:12:15,880 --> 00:12:17,120
Speaker 4: Let's go to a song. We're going to go to

280
00:12:17,160 --> 00:12:19,040
Speaker 4: a song right now. Up next, we speak to the

281
00:12:19,080 --> 00:12:23,160
Speaker 4: other person who is claiming to be Amelia's boyfriend, getting quick. Hello, Jakie,

282
00:12:23,160 --> 00:12:25,880
Speaker 4: are there, Jake?

283
00:12:25,880 --> 00:12:27,679
Speaker 2: What do you think about that? You did you? Did

284
00:12:27,720 --> 00:12:30,160
Speaker 2: you buy it the date down? Did you along with

285
00:12:30,280 --> 00:12:33,600
Speaker 2: the little elephant that Amelia was buying at the vintage market?

286
00:12:34,000 --> 00:12:34,120
Speaker 3: Oh?

287
00:12:34,240 --> 00:12:36,559
Speaker 4: Pretty good, pretty good, it's pretty good.

288
00:12:38,520 --> 00:12:40,120
Speaker 2: Nobody Is she your girlfriend or not?

289
00:12:40,840 --> 00:12:41,120
Speaker 4: Jake?

290
00:12:42,200 --> 00:12:42,400
Speaker 3: Yes?

291
00:12:43,000 --> 00:12:48,040
Speaker 8: Yes, Why do you sound so dodgy?

292
00:12:49,960 --> 00:12:54,880
Speaker 2: Keep us on out? Oh god, all right, we're going

293
00:12:54,960 --> 00:12:57,600
Speaker 2: to do it right up next, trying to figure out

294
00:12:58,040 --> 00:13:00,160
Speaker 2: who's really boyfriend?

295
00:13:00,240 --> 00:13:00,440
Speaker 3: Jake?

296
00:13:00,520 --> 00:13:03,400
Speaker 2: Shut up? Mate, playing a little game of who is

297
00:13:03,440 --> 00:13:09,679
Speaker 2: your boyfriend? We've got Amelia who joins us on the phone.

298
00:13:09,679 --> 00:13:11,240
Speaker 2: I mean, she wins two hundred bucks to spin it

299
00:13:11,280 --> 00:13:13,559
Speaker 2: into Flora if she can convince us, if she can

300
00:13:13,600 --> 00:13:17,240
Speaker 2: trick us. Here, Amelia, you've got the two boys on

301
00:13:17,280 --> 00:13:21,680
Speaker 2: the phone, Bailey and Jake Bailey. So you're definitely Amelia's girlfriend.

302
00:13:21,800 --> 00:13:24,080
Speaker 2: Just boyfriend, just to confirm.

303
00:13:24,200 --> 00:13:27,360
Speaker 1: Yeah, definitely after all this time.

304
00:13:28,840 --> 00:13:30,559
Speaker 4: Yeah, you're laughing a lot. I don't know if it's

305
00:13:30,640 --> 00:13:32,880
Speaker 4: dodgy or just enjoying this. But you said before the

306
00:13:32,880 --> 00:13:34,720
Speaker 4: song you met at a clothing store. You were actually

307
00:13:34,760 --> 00:13:36,920
Speaker 4: working there. She came in trod on some jeans, and

308
00:13:36,960 --> 00:13:40,360
Speaker 4: then since then you've just sought out antique elephants and

309
00:13:40,480 --> 00:13:42,480
Speaker 4: sort of the vime that I'm getting from the two

310
00:13:42,520 --> 00:13:45,880
Speaker 4: of you. Okay, Jake. Then, Jake, how did you meet Amelia?

311
00:13:46,440 --> 00:13:50,840
Speaker 1: Well, it's the best mate's sister, so that's how we've met.

312
00:13:51,120 --> 00:13:52,479
Speaker 2: Who's your best mate?

313
00:13:53,400 --> 00:13:53,920
Speaker 1: Michael?

314
00:13:55,080 --> 00:13:58,760
Speaker 4: You had to think about that.

315
00:13:59,320 --> 00:14:01,840
Speaker 3: They are trying to because he was difficult.

316
00:14:04,480 --> 00:14:07,640
Speaker 2: So Michael said, mate, I meet my sister am Amelia.

317
00:14:07,920 --> 00:14:09,559
Speaker 2: How much older is Michael than you.

318
00:14:10,720 --> 00:14:13,280
Speaker 4: Here's five years years older than.

319
00:14:13,160 --> 00:14:16,480
Speaker 2: You and you close with Michael. You your brother?

320
00:14:17,400 --> 00:14:19,840
Speaker 6: Yeah, he's my older brother. You were pretty close.

321
00:14:20,320 --> 00:14:20,680
Speaker 3: Was he was?

322
00:14:20,680 --> 00:14:20,720
Speaker 1: He?

323
00:14:20,840 --> 00:14:21,440
Speaker 4: Jake was?

324
00:14:21,440 --> 00:14:21,480
Speaker 1: Was?

325
00:14:21,520 --> 00:14:21,840
Speaker 3: He was?

326
00:14:21,840 --> 00:14:23,400
Speaker 4: He angry when you started hooking.

327
00:14:24,280 --> 00:14:26,840
Speaker 3: It took a couple of months to a couple of months.

328
00:14:27,320 --> 00:14:33,240
Speaker 4: But he's come around here.

329
00:14:31,920 --> 00:14:34,400
Speaker 2: Now, Amelia, how can you just describe what Jake looks

330
00:14:34,440 --> 00:14:34,920
Speaker 2: like for us?

331
00:14:34,960 --> 00:14:35,360
Speaker 3: If you can?

332
00:14:36,520 --> 00:14:41,040
Speaker 6: So, Jake has two tattoo sleas and a tatoo chest.

333
00:14:41,280 --> 00:14:43,400
Speaker 6: Then he's trying to finish off his stomach.

334
00:14:44,000 --> 00:14:47,440
Speaker 4: Wow, what's that? What's the tattoo on your stomach?

335
00:14:47,520 --> 00:14:50,480
Speaker 3: Jake got an eagle and a food dog?

336
00:14:51,160 --> 00:14:52,200
Speaker 4: And what dog?

337
00:14:52,920 --> 00:14:54,280
Speaker 1: A food dog? Japanese?

338
00:14:54,440 --> 00:15:02,000
Speaker 2: It's a Japanese thing, mate, golching fast? So you and

339
00:15:02,120 --> 00:15:06,640
Speaker 2: the eagle and the and the food dog on the tummy? Okay, okay?

340
00:15:06,720 --> 00:15:09,520
Speaker 2: And favorite date spots down in rows? But Amelia, what's

341
00:15:09,520 --> 00:15:11,880
Speaker 2: what's your favorite quality about Jake? What's your what's your

342
00:15:11,920 --> 00:15:12,800
Speaker 2: favorite thing about him?

343
00:15:13,760 --> 00:15:17,320
Speaker 6: His personality is really funny. He always makes me a laugh.

344
00:15:18,120 --> 00:15:19,680
Speaker 2: Jake, can you make Amelia laugh?

345
00:15:19,720 --> 00:15:19,880
Speaker 3: Now?

346
00:15:19,960 --> 00:15:21,440
Speaker 2: Let's just sit here a bit of that if we can.

347
00:15:22,320 --> 00:15:25,080
Speaker 1: Uh uh, what do you call a lady?

348
00:15:25,120 --> 00:15:26,680
Speaker 3: That stands in the middle of a tennis court.

349
00:15:30,760 --> 00:15:31,680
Speaker 2: I don't know what.

350
00:15:34,200 --> 00:15:36,080
Speaker 5: That is.

351
00:15:36,160 --> 00:15:40,560
Speaker 2: Pretty good game. He's the thing though, Oh my god,

352
00:15:40,800 --> 00:15:43,400
Speaker 2: I didn't know Amelia. No, she's not genuine love out

353
00:15:43,400 --> 00:15:44,280
Speaker 2: of Amelia.

354
00:15:44,040 --> 00:15:46,080
Speaker 4: And that's why I'm worried they're not actually going at

355
00:15:46,200 --> 00:15:48,880
Speaker 4: I reckon, you know, gets to a stage to.

356
00:15:48,880 --> 00:15:56,000
Speaker 2: Make you laugh a game? Yeah, pretty seems like a

357
00:15:56,000 --> 00:15:58,120
Speaker 2: slippery man. Can Bailey here as now as well?

358
00:15:58,160 --> 00:15:58,400
Speaker 6: Bally?

359
00:15:58,440 --> 00:15:58,880
Speaker 2: You there, mate?

360
00:15:58,880 --> 00:15:59,840
Speaker 1: You can hear me?

361
00:16:00,440 --> 00:16:00,760
Speaker 2: Okay?

362
00:16:00,960 --> 00:16:01,320
Speaker 4: Do you reckon?

363
00:16:01,360 --> 00:16:03,200
Speaker 2: You could make Amelia laugh as well, because I've heard

364
00:16:03,200 --> 00:16:05,240
Speaker 2: her laugh to Jake's joke. What have you got for her?

365
00:16:05,440 --> 00:16:08,120
Speaker 1: So here's the thing. I'm really a jokes guy. Every

366
00:16:08,120 --> 00:16:09,640
Speaker 1: time I tell her a joke, she kind of just

367
00:16:09,680 --> 00:16:10,080
Speaker 1: gives me.

368
00:16:12,000 --> 00:16:12,960
Speaker 2: Let's hear it, Let's hear it.

369
00:16:13,360 --> 00:16:14,440
Speaker 1: Here's my staple.

370
00:16:15,440 --> 00:16:16,960
Speaker 3: What's green and has wheels?

371
00:16:18,120 --> 00:16:21,440
Speaker 1: But brash, I lied about the wheels.

372
00:16:22,440 --> 00:16:22,960
Speaker 6: I hate that.

373
00:16:26,000 --> 00:16:31,880
Speaker 2: Boyfriend boyfriend, Bailey boyfriend. You guys, Amelia and Bally are

374
00:16:31,880 --> 00:16:32,800
Speaker 2: going out.

375
00:16:33,320 --> 00:16:42,680
Speaker 5: No snake, Jacob snake, you're kidding.

376
00:16:44,000 --> 00:16:52,720
Speaker 8: Old well Ja Well fine the snake buddy, Well, they

377
00:16:52,760 --> 00:16:54,240
Speaker 8: get into Flora Peck doesn't.

378
00:16:54,560 --> 00:16:56,560
Speaker 2: Snake that coming.

379
00:16:57,600 --> 00:17:03,800
Speaker 5: Don't believe it I actually domb founded, So that means

380
00:17:03,880 --> 00:17:07,080
Speaker 5: Bailey you you mate, that was all made up, you

381
00:17:07,119 --> 00:17:11,160
Speaker 5: guys going down to Geelong, the vintage shopping, the elephants.

382
00:17:10,760 --> 00:17:14,560
Speaker 2: Oh wow, she I mean the grass joke?

383
00:17:14,720 --> 00:17:17,080
Speaker 4: Was that?

384
00:17:20,600 --> 00:17:20,959
Speaker 3: Alright?

385
00:17:21,040 --> 00:17:26,000
Speaker 2: Good? Great skuys. Well two hundred bucks to spend it

386
00:17:26,040 --> 00:17:28,320
Speaker 2: into Flora Jake. There you go, mate, that's for you

387
00:17:28,359 --> 00:17:33,320
Speaker 2: because on the Lovely Amelia your Valentine, I assume great stuff,

388
00:17:33,320 --> 00:17:34,520
Speaker 2: guys at pleasure.

389
00:17:35,960 --> 00:17:39,960
Speaker 1: You guys coming up next with more Will and Woody,

390
00:17:41,119 --> 00:17:42,600
Speaker 1: the Will and Woody Podcast.

391
00:17:42,920 --> 00:17:45,480
Speaker 2: We want to deviate from programming here because you've rattled

392
00:17:45,520 --> 00:17:46,080
Speaker 2: about a text.

393
00:17:46,080 --> 00:17:49,040
Speaker 4: You've just got something pretty outrageous has just happened. So

394
00:17:49,200 --> 00:17:51,000
Speaker 4: this is no word of a lie. My partner Mim

395
00:17:51,040 --> 00:17:54,120
Speaker 4: has just messaged me with a photo of a bunch

396
00:17:54,200 --> 00:17:58,600
Speaker 4: of flowers because she's at home now and so flowers

397
00:17:58,600 --> 00:18:00,960
Speaker 4: have appeared at the door. She thought they were for her.

398
00:18:01,600 --> 00:18:05,879
Speaker 4: It's got attached on it a note that says, dear Woody,

399
00:18:06,600 --> 00:18:09,639
Speaker 4: I wanted to say how much I appreciate you. I

400
00:18:09,680 --> 00:18:13,120
Speaker 4: know there's a spark there. I hope you feel it too.

401
00:18:14,359 --> 00:18:17,080
Speaker 4: Love your secret Admira. And there's a mobile number. Oh

402
00:18:18,600 --> 00:18:20,920
Speaker 4: dohna we should call. Do you want to call Mim

403
00:18:21,040 --> 00:18:22,199
Speaker 4: or do you want to call the number?

404
00:18:22,400 --> 00:18:24,080
Speaker 2: How do they know your address?

405
00:18:24,920 --> 00:18:28,639
Speaker 4: I have no idea, so mim so my partner's she

406
00:18:28,640 --> 00:18:32,000
Speaker 4: wants to set them on fire currently, so she's not pumped.

407
00:18:32,840 --> 00:18:34,800
Speaker 4: And by the way, the secret Admira has really cooked

408
00:18:34,800 --> 00:18:36,800
Speaker 4: it because my partner's found it before me.

409
00:18:39,040 --> 00:18:41,560
Speaker 2: That is wild. That is what is it? But do

410
00:18:41,640 --> 00:18:42,639
Speaker 2: you think it looks legit?

411
00:18:43,240 --> 00:18:46,080
Speaker 4: Well you tell you tell me, mate, there's two a

412
00:18:46,119 --> 00:18:47,080
Speaker 4: few messages there.

413
00:18:48,600 --> 00:18:50,560
Speaker 2: I know there's a spark there. I hope you feel

414
00:18:50,560 --> 00:18:53,200
Speaker 2: it too. Question right, I love your secret.

415
00:18:53,560 --> 00:18:56,000
Speaker 4: Drinking spark something like dragon that's an electrician I've had

416
00:18:56,080 --> 00:18:58,440
Speaker 4: maybe No, So what do you want to call? Should be?

417
00:18:58,480 --> 00:19:00,359
Speaker 4: Excuse me, sir, I'm a bit rattled. Want to call

418
00:19:00,440 --> 00:19:02,240
Speaker 4: Mim and ask her about it? I think I think

419
00:19:02,240 --> 00:19:04,560
Speaker 4: we called the number first call that No, that's called MIM.

420
00:19:05,000 --> 00:19:06,560
Speaker 4: I need to get it on approval from her. Can

421
00:19:06,560 --> 00:19:07,600
Speaker 4: we call the number and figure out?

422
00:19:08,400 --> 00:19:08,600
Speaker 2: You know?

423
00:19:08,720 --> 00:19:17,400
Speaker 4: Okay? So strange secret and I hope you feel it too. Hello,

424
00:19:18,080 --> 00:19:18,520
Speaker 4: it's Woody.

425
00:19:19,400 --> 00:19:19,680
Speaker 1: Hello.

426
00:19:20,240 --> 00:19:21,240
Speaker 4: Hi, what the.

427
00:19:21,160 --> 00:19:24,719
Speaker 1: Hell do you have a girlfriend?

428
00:19:25,520 --> 00:19:27,800
Speaker 4: Well I do, I do have a girlfriend. It is

429
00:19:27,840 --> 00:19:30,040
Speaker 4: you by the way, you're on hearing wheels here as well.

430
00:19:31,240 --> 00:19:34,480
Speaker 4: Hey kitty, are you going so cuty?

431
00:19:35,080 --> 00:19:41,560
Speaker 2: Something going on there as well? Girlfriend, the bed was

432
00:19:41,560 --> 00:19:44,400
Speaker 2: not calm. You moved on very quickly.

433
00:19:45,520 --> 00:19:47,359
Speaker 4: So mim. So you you got home and there was

434
00:19:47,440 --> 00:19:49,520
Speaker 4: just flowers sitting on the doorstep.

435
00:19:50,800 --> 00:19:52,640
Speaker 1: Yeah, I thought that was from your mum for me

436
00:19:52,720 --> 00:19:53,479
Speaker 1: for some reason.

437
00:19:53,760 --> 00:19:56,240
Speaker 4: That is very odd. Mom would not send you flowers. No,

438
00:19:56,800 --> 00:19:57,400
Speaker 4: of course she would.

439
00:19:57,840 --> 00:19:59,760
Speaker 6: She said that there was something at the door, so

440
00:20:00,040 --> 00:20:01,040
Speaker 6: he said that there was rats.

441
00:20:01,040 --> 00:20:02,880
Speaker 3: So I thought, because she got the rats sent here.

442
00:20:05,840 --> 00:20:06,080
Speaker 2: Yeah.

443
00:20:06,320 --> 00:20:08,399
Speaker 4: Yeah, she keeps sending rats to the number on it.

444
00:20:08,720 --> 00:20:09,480
Speaker 3: Just call the number.

445
00:20:10,119 --> 00:20:11,840
Speaker 4: That's what I was calling to. Are you okay if

446
00:20:11,840 --> 00:20:12,560
Speaker 4: I call the number?

447
00:20:13,200 --> 00:20:13,440
Speaker 3: Yeah?

448
00:20:13,560 --> 00:20:15,080
Speaker 1: I was going to call it and give them a

449
00:20:15,080 --> 00:20:19,320
Speaker 1: piece of my line.

450
00:20:19,400 --> 00:20:20,080
Speaker 2: What are you actually?

451
00:20:21,040 --> 00:20:22,720
Speaker 1: I actually thought about it, and then I thought, Mini

452
00:20:22,800 --> 00:20:24,280
Speaker 1: Psycho attendancy drop it.

453
00:20:24,440 --> 00:20:27,560
Speaker 2: Yeah, yeah, that's fair enough. At the are you just

454
00:20:27,600 --> 00:20:29,240
Speaker 2: protecting your patch you know?

455
00:20:29,480 --> 00:20:32,040
Speaker 1: Yeah? Yeah, yeah, this is this is my territory.

456
00:20:32,280 --> 00:20:36,440
Speaker 2: I know where you live. It gets me, like, how

457
00:20:36,440 --> 00:20:37,800
Speaker 2: do they know where you live? Yeah?

458
00:20:38,040 --> 00:20:41,120
Speaker 1: I mean you did do the show from your port.

459
00:20:41,720 --> 00:20:44,840
Speaker 2: For a year for a year. Yeah, could it be

460
00:20:44,920 --> 00:20:46,000
Speaker 2: Michelle across the road.

461
00:20:46,280 --> 00:20:49,239
Speaker 4: Could be Michelle. But Michelle, I've got Michelle's number. Oh,

462
00:20:49,240 --> 00:20:50,520
Speaker 4: I should check if I've got the number.

463
00:20:51,119 --> 00:20:54,440
Speaker 2: Yeah, it's a good start, terrible detective.

464
00:20:54,440 --> 00:20:58,200
Speaker 1: Well, Michelle, if you're listening to this, I swear to God,

465
00:20:59,400 --> 00:20:59,560
Speaker 1: go on.

466
00:21:00,280 --> 00:21:03,240
Speaker 2: Michelle's like a sixty year old woman. All right, let's

467
00:21:03,280 --> 00:21:03,720
Speaker 2: call the number.

468
00:21:03,920 --> 00:21:04,680
Speaker 4: We're gonna call the number.

469
00:21:05,200 --> 00:21:06,199
Speaker 2: Do you want to stick around with the call?

470
00:21:06,280 --> 00:21:07,639
Speaker 1: Mime? Yeah, I loved it?

471
00:21:09,160 --> 00:21:12,520
Speaker 4: Okay, interesting, all right, let's call them. We go to

472
00:21:12,520 --> 00:21:14,000
Speaker 4: a song. Let's go to a song. Let's we gather

473
00:21:14,040 --> 00:21:16,399
Speaker 4: our thoughts. Okay, mem fat I'm going to play a

474
00:21:16,400 --> 00:21:18,520
Speaker 4: bang in tune right now. Will and Woody up, next,

475
00:21:18,640 --> 00:21:20,720
Speaker 4: we call the number of the person who's just left

476
00:21:20,720 --> 00:21:21,760
Speaker 4: flowers on my doorstep.

477
00:21:22,000 --> 00:21:23,840
Speaker 2: Okay, and Mimi, sure you want to stay for this?

478
00:21:24,640 --> 00:21:24,800
Speaker 3: Yeah?

479
00:21:25,119 --> 00:21:26,600
Speaker 2: Yeah, no, she probably does.

480
00:21:26,119 --> 00:21:26,520
Speaker 1: She do.

481
00:21:26,840 --> 00:21:28,960
Speaker 4: He doesn't want it to me, and you are going

482
00:21:29,000 --> 00:21:30,240
Speaker 4: to kill her faded out.

483
00:21:31,760 --> 00:21:35,719
Speaker 2: The money. Valentine's day to day would certainly something I

484
00:21:35,760 --> 00:21:38,080
Speaker 2: don't celebrate, but you know, a lot of people get

485
00:21:38,119 --> 00:21:40,280
Speaker 2: around it, and a lot of people get around you.

486
00:21:41,680 --> 00:21:43,720
Speaker 2: This has happened mid show. Don't look at me strangely.

487
00:21:43,760 --> 00:21:45,400
Speaker 2: You just had a bunch of flowers sent to your

488
00:21:45,440 --> 00:21:48,840
Speaker 2: home Addressah okay, yeah, okay, someone admitting to be your

489
00:21:48,880 --> 00:21:51,520
Speaker 2: secret admirer, hoping that there is a spark between you.

490
00:21:51,560 --> 00:21:54,120
Speaker 2: Now you're in a relationship with the beautiful Mimi who

491
00:21:54,119 --> 00:21:56,880
Speaker 2: received the flowers and text you and said, well, what

492
00:21:56,920 --> 00:21:58,960
Speaker 2: the actual hell Woody, You all know you're a two

493
00:21:59,000 --> 00:22:01,639
Speaker 2: timing bastard. You hang on, We've got Mimi on the

494
00:22:01,640 --> 00:22:02,400
Speaker 2: phone right now.

495
00:22:02,960 --> 00:22:04,880
Speaker 6: Well, I think I was a little bit more aggressive

496
00:22:04,920 --> 00:22:06,480
Speaker 6: than that, but it's not okay.

497
00:22:06,280 --> 00:22:08,160
Speaker 4: Yeah, you wanted to set fire to the flowers.

498
00:22:08,840 --> 00:22:10,120
Speaker 2: You didn't let me see those texts?

499
00:22:11,240 --> 00:22:14,359
Speaker 1: Ah, well a couple of a couple of words that

500
00:22:14,400 --> 00:22:16,280
Speaker 1: shouldn't be repeated the children.

501
00:22:16,400 --> 00:22:19,000
Speaker 2: Yeah, are you going to keep the flowers?

502
00:22:19,320 --> 00:22:19,439
Speaker 1: Oh?

503
00:22:19,480 --> 00:22:20,480
Speaker 3: Yeah, I already put them in a.

504
00:22:22,119 --> 00:22:24,240
Speaker 4: Yeah, they're actually beautiful, they're little bit tainted. Well, it

505
00:22:24,280 --> 00:22:26,680
Speaker 4: depends on who the person is. Actually, there's just there's

506
00:22:26,720 --> 00:22:29,399
Speaker 4: just a mystery number. I mean, we was pretty much

507
00:22:29,400 --> 00:22:31,560
Speaker 4: summed it up. But yeah, the person you're sping for here,

508
00:22:31,920 --> 00:22:34,639
Speaker 4: I'm not hoping for anyone, and I don't want it

509
00:22:34,680 --> 00:22:35,520
Speaker 4: to be anything, but.

510
00:22:35,480 --> 00:22:39,400
Speaker 1: It's answer nice to feel wanted though.

511
00:22:40,119 --> 00:22:43,359
Speaker 4: No, no, absolutely not. But I don't rely on that

512
00:22:43,440 --> 00:22:45,040
Speaker 4: validation my happiness.

513
00:22:45,080 --> 00:22:47,200
Speaker 2: I obviously can't get this past you. I'm going to

514
00:22:47,240 --> 00:22:49,800
Speaker 2: go to Mimi if I can, because you're annoying me. Mimi,

515
00:22:50,520 --> 00:22:53,600
Speaker 2: for example, if this was you, you would obviously much prefer that,

516
00:22:53,680 --> 00:22:56,320
Speaker 2: like Jared Butler sends you the flowers, as opposed to

517
00:22:56,640 --> 00:22:57,679
Speaker 2: Anthony Albanesi.

518
00:22:58,720 --> 00:23:01,560
Speaker 6: I mean, answer is a great squeeze.

519
00:23:02,200 --> 00:23:04,600
Speaker 1: But they're like one hundred and futy dollars flowers, I reckon,

520
00:23:04,760 --> 00:23:07,960
Speaker 1: So this could be our sugar mummy, and like, I'm

521
00:23:08,040 --> 00:23:08,520
Speaker 1: down to that.

522
00:23:09,119 --> 00:23:12,720
Speaker 4: Oh so I happ you for me to seduce the

523
00:23:12,720 --> 00:23:14,600
Speaker 4: sugar mummery if she's paying us.

524
00:23:14,880 --> 00:23:17,120
Speaker 1: Well, if we get weekly flowers for the house, I'm

525
00:23:17,200 --> 00:23:18,000
Speaker 1: totally fine with that.

526
00:23:18,240 --> 00:23:20,360
Speaker 4: You think my value was just weekly flowers.

527
00:23:21,119 --> 00:23:22,280
Speaker 1: I could get more.

528
00:23:23,400 --> 00:23:25,919
Speaker 4: I'm with a little bit more than that. Anyway, everyone

529
00:23:25,920 --> 00:23:28,080
Speaker 4: wants us to call this, I think we should call

530
00:23:28,080 --> 00:23:30,040
Speaker 4: the number. Obviously, I'll just say it to me, like, hey,

531
00:23:30,040 --> 00:23:31,680
Speaker 4: you got I'll just say how I've got the flowers?

532
00:23:32,480 --> 00:23:33,040
Speaker 4: Who is this?

533
00:23:34,760 --> 00:23:35,000
Speaker 2: Mick?

534
00:23:36,720 --> 00:23:37,240
Speaker 4: Who's Mick?

535
00:23:37,400 --> 00:23:39,239
Speaker 2: We know the number in the system. It comes up

536
00:23:39,240 --> 00:23:39,800
Speaker 2: in the system.

537
00:23:40,080 --> 00:23:45,160
Speaker 4: I'll probably called the show before Hi.

538
00:23:45,280 --> 00:23:47,040
Speaker 3: Sorry, I couldn't get the phone right now just leave

539
00:23:47,080 --> 00:23:47,760
Speaker 3: me a voice message.

540
00:23:47,760 --> 00:23:48,399
Speaker 6: I'll get back to you.

541
00:23:50,200 --> 00:23:51,800
Speaker 2: Hi. This is Woody and I'm really into you.

542
00:23:52,320 --> 00:23:55,560
Speaker 4: That's so. That that was Will, That was Will? That

543
00:23:55,600 --> 00:23:59,000
Speaker 4: was Will? So, who is this? Who is this? Let

544
00:23:59,040 --> 00:24:02,600
Speaker 4: me know who this is? Who is this? That's not funny.

545
00:24:03,160 --> 00:24:04,840
Speaker 4: That's not funny. That's not funny.

546
00:24:04,840 --> 00:24:05,040
Speaker 2: Will.

547
00:24:05,320 --> 00:24:07,600
Speaker 4: That is not funny. That is not funny. You know,

548
00:24:07,640 --> 00:24:09,280
Speaker 4: I've got a partner. I'm gonna have to call me

549
00:24:09,280 --> 00:24:12,000
Speaker 4: in right now. Will and Woodie.

550
00:24:12,640 --> 00:24:17,240
Speaker 2: It's Believe or Not vastly unprofessional.

551
00:24:18,720 --> 00:24:22,920
Speaker 8: He's got some weird fact stores, some.

552
00:24:23,080 --> 00:24:23,920
Speaker 1: Of them real.

553
00:24:24,359 --> 00:24:26,800
Speaker 3: Some Oh yeah.

554
00:24:26,960 --> 00:24:28,560
Speaker 4: The opener explains the.

555
00:24:28,560 --> 00:24:30,840
Speaker 2: Bit it's weird too, hell are we had half an

556
00:24:30,840 --> 00:24:32,480
Speaker 2: hour's worth of Believe it or Not? There obviously wasn't

557
00:24:32,560 --> 00:24:34,719
Speaker 2: enough gear going into the show today that we all know.

558
00:24:34,760 --> 00:24:36,399
Speaker 4: That must have been a dry day. We all know

559
00:24:36,480 --> 00:24:38,280
Speaker 4: that you must have brought some shocking gear.

560
00:24:38,480 --> 00:24:40,439
Speaker 2: It's because I didn't pitch too much content today.

561
00:24:40,480 --> 00:24:42,600
Speaker 4: You must have because we're doing this for half an hour,

562
00:24:42,720 --> 00:24:46,760
Speaker 4: whether you like it or not. Australia Okay, So basically

563
00:24:47,240 --> 00:24:50,840
Speaker 4: the theme today is real or fake places around the world,

564
00:24:51,640 --> 00:24:53,800
Speaker 4: best of five because we're here for a while.

565
00:24:53,920 --> 00:24:56,119
Speaker 2: Not your strongest suit geography traditionally.

566
00:24:56,240 --> 00:24:57,919
Speaker 4: No, but I did a lot of research. Will I

567
00:24:57,960 --> 00:24:59,760
Speaker 4: did a lot of research, as you know, I put

568
00:24:59,760 --> 00:25:02,199
Speaker 4: a lot of time into this game. So here we go.

569
00:25:02,280 --> 00:25:04,560
Speaker 2: And this is because there's a place called Gobbler's Knob

570
00:25:04,680 --> 00:25:07,679
Speaker 2: where the groundhog used to predict the weather or something.

571
00:25:07,760 --> 00:25:10,040
Speaker 4: I know that sounds fake, but that's legit. That's real.

572
00:25:10,200 --> 00:25:13,200
Speaker 4: Gob gobbless nob is real, and the groundhog is real

573
00:25:13,200 --> 00:25:17,720
Speaker 4: that predicts the weather. But an amazing groundhog. Okay, here

574
00:25:17,760 --> 00:25:22,040
Speaker 4: we go, Well, here we go. First place, yes not.

575
00:25:22,520 --> 00:25:24,240
Speaker 2: I hope this is over in three and then we

576
00:25:24,680 --> 00:25:26,160
Speaker 2: finish it in under three minutes.

577
00:25:26,280 --> 00:25:27,520
Speaker 4: Keep your hopes to yourself.

578
00:25:28,280 --> 00:25:31,239
Speaker 2: Okay, you want that as well. A paradox, isn't it.

579
00:25:31,560 --> 00:25:33,320
Speaker 2: You want to win, but you don't want it to

580
00:25:33,320 --> 00:25:34,920
Speaker 2: go for the short amount of time.

581
00:25:34,960 --> 00:25:37,120
Speaker 4: That's true, But I will take the win over anything else.

582
00:25:37,440 --> 00:25:42,800
Speaker 4: First place Pube in Poland. Yeah, so I guess you

583
00:25:42,800 --> 00:25:46,920
Speaker 4: could say that a pole lives in Pube. That's a

584
00:25:46,920 --> 00:25:50,800
Speaker 4: little additional joke I did. But is pub in Poland

585
00:25:51,320 --> 00:25:53,879
Speaker 4: a real place? Pube?

586
00:25:58,160 --> 00:26:00,719
Speaker 2: Can I know something about the place? You're just going

587
00:26:00,760 --> 00:26:01,200
Speaker 2: to tell.

588
00:26:01,080 --> 00:26:03,000
Speaker 4: Me that all I can tell you about Pube is

589
00:26:03,000 --> 00:26:06,240
Speaker 4: that there would be a pole that lives in Pube'.

590
00:26:06,400 --> 00:26:10,840
Speaker 4: That's my one fact about the place Pube.

591
00:26:11,200 --> 00:26:12,160
Speaker 2: I think it's a real place.

592
00:26:13,040 --> 00:26:18,080
Speaker 4: You're wrong doing no matter what.

593
00:26:18,760 --> 00:26:21,639
Speaker 2: This is, this this version of believe it or not?

594
00:26:21,640 --> 00:26:25,560
Speaker 2: Like they're normally ridiculous because they're so outrageous, But this

595
00:26:25,640 --> 00:26:29,159
Speaker 2: time he just reads a word. He doesn't have to

596
00:26:29,200 --> 00:26:30,440
Speaker 2: explain anything about it.

597
00:26:30,560 --> 00:26:33,200
Speaker 4: I thought you were going to geography. I might be wrong.

598
00:26:33,200 --> 00:26:34,920
Speaker 2: I don't think a matter how good you are at geography.

599
00:26:35,240 --> 00:26:36,920
Speaker 2: I think I could just say something right now and

600
00:26:36,920 --> 00:26:40,120
Speaker 2: it would be a place. There's a place called chi

601
00:26:40,480 --> 00:26:44,040
Speaker 2: called Chinoa. I bet you there is there. You go

602
00:26:44,080 --> 00:26:45,359
Speaker 2: believe it or not? What is that true? Or is

603
00:26:45,400 --> 00:26:45,920
Speaker 2: that true or fake?

604
00:26:46,080 --> 00:26:48,760
Speaker 4: Not? How the game works? You seem particularly grumpy today.

605
00:26:49,440 --> 00:26:52,520
Speaker 4: Carry on, Okay, So it's one nilk it is okay,

606
00:26:52,640 --> 00:26:55,199
Speaker 4: Next one will Is this a real or fake place?

607
00:26:57,119 --> 00:27:03,639
Speaker 4: Titty Tits in Austria? Titty Tits? Is that a real phase?

608
00:27:04,560 --> 00:27:06,240
Speaker 2: I can't know something about titty Tips.

609
00:27:06,280 --> 00:27:08,360
Speaker 4: I don't know anything about titty Tits except that it's

610
00:27:08,400 --> 00:27:09,000
Speaker 4: in Austria.

611
00:27:09,080 --> 00:27:11,760
Speaker 2: You're a child. I want to start by saying that

612
00:27:11,800 --> 00:27:14,960
Speaker 2: you're a child. Can you give me something about titty Tits.

613
00:27:15,520 --> 00:27:17,159
Speaker 4: I don't know anything about titty Tits. I wish I

614
00:27:17,160 --> 00:27:19,119
Speaker 4: could tell you about saying about titty Tits sounds like

615
00:27:19,160 --> 00:27:21,000
Speaker 4: a lovely place, That's what I can tell you. Don't

616
00:27:21,040 --> 00:27:22,920
Speaker 4: want to go on a holiday there body, Oh, I

617
00:27:23,040 --> 00:27:29,560
Speaker 4: do one ticket to titty Tits, please return one way. Well,

618
00:27:29,680 --> 00:27:31,800
Speaker 4: is titty Tits Austria a real place? Or if I

619
00:27:31,880 --> 00:27:32,360
Speaker 4: mad it up?

620
00:27:32,520 --> 00:27:33,680
Speaker 2: I think it's real as well.

621
00:27:34,400 --> 00:27:37,919
Speaker 4: No, that's bad, no matter what.

622
00:27:39,440 --> 00:27:39,840
Speaker 2: To a song?

623
00:27:40,400 --> 00:27:40,960
Speaker 4: No, no, no.

624
00:27:42,840 --> 00:27:44,040
Speaker 2: Defensive, isn't it?

625
00:27:44,200 --> 00:27:44,400
Speaker 4: Yeah?

626
00:27:45,080 --> 00:27:45,400
Speaker 2: A song?

627
00:27:45,600 --> 00:27:45,800
Speaker 3: Yeah?

628
00:27:45,880 --> 00:27:47,200
Speaker 4: Okay, good, yeah, fair enough.

629
00:27:47,200 --> 00:27:52,080
Speaker 2: I didn't recather myself hate this game.

630
00:27:52,200 --> 00:27:52,920
Speaker 4: We're going to it.

631
00:27:53,640 --> 00:27:55,240
Speaker 2: In the old version, we would have been done by

632
00:27:55,280 --> 00:27:57,280
Speaker 2: Now you've joined us for an extended version of what

633
00:27:57,359 --> 00:27:58,119
Speaker 2: he's believed or not.

634
00:27:59,200 --> 00:28:01,760
Speaker 4: It's time for believe.

635
00:28:01,440 --> 00:28:02,120
Speaker 2: It or not.

636
00:28:03,080 --> 00:28:06,919
Speaker 4: It's a theme today, will it's places around the world

637
00:28:07,400 --> 00:28:10,520
Speaker 4: because in the news today a groundhog from Gobbler's Knob

638
00:28:11,240 --> 00:28:14,359
Speaker 4: was predicting the weather. So yeah, so today it's just

639
00:28:14,400 --> 00:28:16,280
Speaker 4: real or fake places around the world. I am too

640
00:28:16,359 --> 00:28:18,080
Speaker 4: nil up you are, I'm on fire.

641
00:28:19,359 --> 00:28:22,480
Speaker 2: Well you're not. You're just reading words at me, and

642
00:28:22,520 --> 00:28:24,119
Speaker 2: I have to guess whether they're real in the world.

643
00:28:24,240 --> 00:28:27,480
Speaker 4: Took hours coming up with the places with ts. Yeah,

644
00:28:27,480 --> 00:28:29,280
Speaker 4: that's a good while to come up with titty tits.

645
00:28:29,560 --> 00:28:31,960
Speaker 4: I was like, you know, could be real. Tube Pube

646
00:28:32,040 --> 00:28:33,680
Speaker 4: was the other place that I came up with. Thank

647
00:28:33,720 --> 00:28:37,480
Speaker 4: you for getting around my work. But it's currently too nil.

648
00:28:38,080 --> 00:28:38,920
Speaker 4: But I can I can spend.

649
00:28:38,960 --> 00:28:42,880
Speaker 2: Producers are regretting putting this over to look at this,

650
00:28:42,960 --> 00:28:44,200
Speaker 2: look at this, regret.

651
00:28:43,880 --> 00:28:46,440
Speaker 4: But bloody, what was it titty tits or pube?

652
00:28:47,720 --> 00:28:48,000
Speaker 3: It was?

653
00:28:48,320 --> 00:28:50,000
Speaker 2: It was It was the fact that they were.

654
00:28:50,240 --> 00:28:52,600
Speaker 4: It was the devil they were in sequence. Yeah, that's fair,

655
00:28:52,680 --> 00:28:54,920
Speaker 4: all right, we'll go clean one. We'll go clean one, guys.

656
00:28:55,400 --> 00:28:57,680
Speaker 4: So it is too nil. I can smell a comeback, though,

657
00:28:57,720 --> 00:28:59,920
Speaker 4: will It's written all over you you want it? Okay,

658
00:29:00,000 --> 00:29:00,480
Speaker 4: here we go.

659
00:29:00,520 --> 00:29:01,040
Speaker 2: Here we go.

660
00:29:02,640 --> 00:29:11,040
Speaker 4: Muff, Oh my god, in Ireland, Ireland Muff. Now I

661
00:29:11,080 --> 00:29:12,360
Speaker 4: do know something about Muff.

662
00:29:12,800 --> 00:29:14,800
Speaker 2: Great, there is.

663
00:29:16,960 --> 00:29:18,160
Speaker 4: A Muff diving club.

664
00:29:18,840 --> 00:29:19,920
Speaker 2: I don't stand a chance.

665
00:29:20,960 --> 00:29:26,280
Speaker 4: It's a fifty to fifty. I think it's real, well done,

666
00:29:27,800 --> 00:29:30,480
Speaker 4: and I am totally vindicated in saying the Muff Diving club,

667
00:29:30,480 --> 00:29:31,720
Speaker 4: because that's true. That's a real place.

668
00:29:31,760 --> 00:29:33,160
Speaker 2: I didn't think that you would do that.

669
00:29:33,200 --> 00:29:34,920
Speaker 4: I wouldn't be that gross. I wouldn't be that gross.

670
00:29:34,920 --> 00:29:37,080
Speaker 4: That's a real thing though, the muff Diving Club. Okay,

671
00:29:37,120 --> 00:29:38,320
Speaker 4: here we go two to one.

672
00:29:38,760 --> 00:29:40,360
Speaker 2: I don't think that's a real things.

673
00:29:40,360 --> 00:29:43,200
Speaker 4: Get you can look it up. I'm a member now,

674
00:29:43,760 --> 00:29:50,160
Speaker 4: two to one. Yes, short falls Canada? Short falls?

675
00:29:50,240 --> 00:29:51,320
Speaker 2: How do you spell shot?

676
00:29:51,600 --> 00:29:52,800
Speaker 7: S h a T?

677
00:29:53,080 --> 00:29:57,880
Speaker 2: Don't that He's outrageous. If it was like shy art

678
00:29:57,960 --> 00:30:00,680
Speaker 2: and it was like short falls, be pronounce Do you

679
00:30:00,680 --> 00:30:04,640
Speaker 2: think it's s h r t s h a r T, Yes, s.

680
00:30:04,720 --> 00:30:05,640
Speaker 4: H a r T yes.

681
00:30:05,760 --> 00:30:06,080
Speaker 2: Shot.

682
00:30:06,440 --> 00:30:08,480
Speaker 4: Yes, that's how it's spelled. Oh my god, but I

683
00:30:08,480 --> 00:30:11,200
Speaker 4: don't know if they if the Canadians pronounce it, she arn't. Well,

684
00:30:11,240 --> 00:30:14,640
Speaker 4: you know, no, that would be false. Yeah, shot shot

685
00:30:15,360 --> 00:30:16,000
Speaker 4: shot falls.

686
00:30:16,600 --> 00:30:17,360
Speaker 2: I think it's real.

687
00:30:19,200 --> 00:30:24,000
Speaker 4: No, mate, money.

688
00:30:25,280 --> 00:30:26,440
Speaker 2: Is wow.

689
00:30:27,280 --> 00:30:29,960
Speaker 4: Probably will never be done. Open to response again, we

690
00:30:30,000 --> 00:30:30,920
Speaker 4: all regret that.

691
00:30:31,800 --> 00:30:36,880
Speaker 2: We all regretted that he just to make him pooh

692
00:30:36,920 --> 00:30:41,360
Speaker 2: and Vagina gags for twenty minutes. What is Valentine's Day?

693
00:30:41,440 --> 00:30:45,000
Speaker 2: Happy Valentine's to all those people out there that enjoy

694
00:30:45,160 --> 00:30:47,320
Speaker 2: celebrating a corporate holiday. Woods.

695
00:30:47,440 --> 00:30:52,840
Speaker 4: Oh that's negative. That's what you do? You find You're fine?

696
00:30:52,880 --> 00:30:55,800
Speaker 2: You got in the area. I've got to get myself

697
00:30:55,800 --> 00:30:56,360
Speaker 2: in the zone.

698
00:30:56,480 --> 00:30:57,560
Speaker 4: Mane.

699
00:30:57,760 --> 00:31:00,640
Speaker 2: We all know it's all my calia. If you need

700
00:31:00,720 --> 00:31:03,000
Speaker 2: to be reminded to tell your partner you love them

701
00:31:03,040 --> 00:31:05,480
Speaker 2: on a day by corporate dogs so you can buy

702
00:31:05,480 --> 00:31:08,520
Speaker 2: them some chocolates and fund those capitalist pigs, then go

703
00:31:08,600 --> 00:31:09,000
Speaker 2: for it.

704
00:31:09,120 --> 00:31:12,640
Speaker 4: Oh he's the best. He is the best of the business.

705
00:31:13,000 --> 00:31:16,280
Speaker 4: He is good at any positive story into a negative.

706
00:31:16,280 --> 00:31:19,160
Speaker 4: He's just done it with Valentine's Day. Shame for all

707
00:31:19,200 --> 00:31:21,240
Speaker 4: those people that we're going to have a lovely night tonight.

708
00:31:21,960 --> 00:31:24,440
Speaker 4: But here we go. Well, I've got some positive stories here.

709
00:31:24,600 --> 00:31:26,600
Speaker 4: You are to find the negative in it?

710
00:31:26,640 --> 00:31:27,360
Speaker 2: Are you ready?

711
00:31:27,680 --> 00:31:33,520
Speaker 4: Master? Six year old dance in front of car, gets hit,

712
00:31:34,280 --> 00:31:38,040
Speaker 4: saving sisters life, walks away with scratches.

713
00:31:39,000 --> 00:31:40,800
Speaker 2: These obviously scratched the car as well. If he's going

714
00:31:40,840 --> 00:31:41,360
Speaker 2: to scratch on.

715
00:31:41,440 --> 00:31:45,760
Speaker 4: Him, buddy, how you've damage the car?

716
00:31:45,880 --> 00:31:50,360
Speaker 2: Think about the car? What a brick? What what a brick?

717
00:31:50,440 --> 00:31:51,479
Speaker 4: He's there damaging.

718
00:31:51,760 --> 00:31:53,960
Speaker 2: So he's gonna have a horrible complex when he's older.

719
00:31:54,000 --> 00:31:56,080
Speaker 2: But he's going to be traumatized for the rest of

720
00:31:56,120 --> 00:31:58,000
Speaker 2: his life. Whenever his sister's near the road, he's going

721
00:31:58,040 --> 00:31:59,600
Speaker 2: to be thinking gee, we's got to run out here.

722
00:31:59,680 --> 00:32:03,520
Speaker 2: He's down and then his sister doubled down. He's gonna

723
00:32:03,520 --> 00:32:06,320
Speaker 2: be awful for their relationship as well, because she's gonna

724
00:32:06,320 --> 00:32:10,280
Speaker 2: constantly feel like she owes him something. Yeah, shocking for them.

725
00:32:10,280 --> 00:32:11,720
Speaker 2: You think it'd be bonding.

726
00:32:11,360 --> 00:32:13,080
Speaker 4: But a bit of a divide.

727
00:32:13,080 --> 00:32:15,239
Speaker 2: Don't save people's lives, guy, and he can guild trip

728
00:32:15,360 --> 00:32:17,880
Speaker 2: her anytime. Now, I remember the time I saved your

729
00:32:17,920 --> 00:32:18,520
Speaker 2: life from the car?

730
00:32:18,560 --> 00:32:19,640
Speaker 4: Can I have that? Cookie? Says?

731
00:32:20,000 --> 00:32:22,520
Speaker 2: I really think I actually feel sorry for her now. Yeah,

732
00:32:23,040 --> 00:32:24,680
Speaker 2: it's gonna be a shocking relationship.

733
00:32:24,280 --> 00:32:27,320
Speaker 4: Rippled down. You think we've definitely made that negative. Okay,

734
00:32:28,000 --> 00:32:31,720
Speaker 4: here's another one. Will A man called Max Parrot was

735
00:32:31,760 --> 00:32:36,000
Speaker 4: fighting cancer in hospital in twenty nineteen. He had Hodgkins

736
00:32:36,080 --> 00:32:39,640
Speaker 4: lymphomer In twenty twenty two, he just won an Olympic gold,

737
00:32:39,720 --> 00:32:42,600
Speaker 4: the first gold for Canada at the Beijing twenty twenty

738
00:32:42,640 --> 00:32:46,080
Speaker 4: two Olympics. I mean, what an inspiration. It's negative about that, mate.

739
00:32:46,560 --> 00:32:48,719
Speaker 2: No, there's absolutely nothing negati about that's right.

740
00:32:48,960 --> 00:32:51,960
Speaker 4: That's just impossible. I mean, play the music and he won't.

741
00:32:52,000 --> 00:32:56,480
Speaker 4: Just to keep us moving. No one can do that.

742
00:32:56,760 --> 00:32:57,560
Speaker 4: No one can do that.

743
00:32:57,560 --> 00:33:00,120
Speaker 2: That's a great story. You want to do that. It's

744
00:33:00,120 --> 00:33:02,200
Speaker 2: a great story, beautiful story, and.

745
00:33:02,600 --> 00:33:04,160
Speaker 4: Parents had to play the music to keep it moving,

746
00:33:05,280 --> 00:33:08,080
Speaker 4: all right, third one here, third one? Here, Here we go.

747
00:33:08,160 --> 00:33:11,040
Speaker 4: We'll see how you go here. Maybe the powers are

748
00:33:11,080 --> 00:33:15,480
Speaker 4: starting to drain. Billy Eilish stops concert after spotting fan

749
00:33:15,600 --> 00:33:20,560
Speaker 4: with labored breathing and she gets her an inhaler. Find

750
00:33:20,560 --> 00:33:25,440
Speaker 4: the negative in that rather bizarre story. Billy Eilish stops

751
00:33:25,480 --> 00:33:28,440
Speaker 4: concert after spotting fan with labored breathing so struggling to breathe.

752
00:33:28,640 --> 00:33:31,160
Speaker 4: Make sure the lady gets a puffer or an inhaler.

753
00:33:31,880 --> 00:33:34,080
Speaker 2: Right, that's obvious.

754
00:33:34,920 --> 00:33:36,719
Speaker 4: Could have spread COVID with the puffer.

755
00:33:37,400 --> 00:33:46,680
Speaker 2: Wow, no blood. Let's just say, if you paid a

756
00:33:46,760 --> 00:33:48,880
Speaker 2: ticket to go and see the gig, obviously get an

757
00:33:48,920 --> 00:33:51,120
Speaker 2: interrupted gig. Now, she's probably halfway through.

758
00:33:51,040 --> 00:33:54,320
Speaker 4: A bit to save one person. One person's pissed off

759
00:33:54,360 --> 00:33:57,240
Speaker 4: thousands bloody blood.

760
00:33:57,680 --> 00:34:00,960
Speaker 2: That's not even negative. That's just that's some sense, that's

761
00:34:01,000 --> 00:34:01,480
Speaker 2: common sense.

762
00:34:01,480 --> 00:34:02,680
Speaker 4: It's even a positive story.

763
00:34:02,880 --> 00:34:04,720
Speaker 2: One person. I mean, if we're thinking logically, you've got

764
00:34:04,760 --> 00:34:06,760
Speaker 2: tens of thousands of people that you know, I mean,

765
00:34:06,760 --> 00:34:08,960
Speaker 2: at the end of the day, what this person might

766
00:34:09,000 --> 00:34:12,000
Speaker 2: have died worst case scenario Jesus, Well, she might have.

767
00:34:12,200 --> 00:34:13,799
Speaker 4: Yeah, they're probably worth stopping the concert for, but.

768
00:34:13,760 --> 00:34:16,359
Speaker 2: There's still twenty thousand other people in the room. Woods. Yeah,

769
00:34:17,400 --> 00:34:19,080
Speaker 2: the end of the day. It's like that old philosophical

770
00:34:19,120 --> 00:34:22,040
Speaker 2: problem for trains going towards one person or twenty thousand people.

771
00:34:22,120 --> 00:34:24,440
Speaker 4: Why don't they were going to die? By her stopping

772
00:34:24,480 --> 00:34:26,000
Speaker 4: the content of the twenty thousand people were going to die.

773
00:34:26,200 --> 00:34:29,400
Speaker 2: They might have how she might have short circuited the place,

774
00:34:30,040 --> 00:34:32,440
Speaker 2: jumping off the stage to save the person with the

775
00:34:32,480 --> 00:34:34,240
Speaker 2: inhaler whole place.

776
00:34:35,000 --> 00:34:38,080
Speaker 4: You have gone full negative powers have gone too far.

777
00:34:38,120 --> 00:34:42,120
Speaker 4: I've taken over you. You've gone completely black. All right, let's

778
00:34:42,120 --> 00:34:42,840
Speaker 4: get out of here.