1 00:00:00,560 --> 00:00:00,880 Speaker 1: Quest. 2 00:00:00,920 --> 00:00:04,960 Speaker 2: Yeah, welcome friends to the Christian O'Connell Show podcast Christian 3 00:00:04,960 --> 00:00:08,280 Speaker 2: O'Connell's Show, where every week we do the misheard lyrics. 4 00:00:08,320 --> 00:00:11,040 Speaker 2: So if you ever hear a misheard lyric, and if 5 00:00:11,039 --> 00:00:12,840 Speaker 2: you don't know how they work, you're about to find out. 6 00:00:12,960 --> 00:00:14,480 Speaker 1: The most important thing you need to know is my 7 00:00:14,640 --> 00:00:15,360 Speaker 1: email address. 8 00:00:15,400 --> 00:00:18,560 Speaker 2: That come straight to me, Christian at christiano'connell dot com 9 00:00:18,600 --> 00:00:22,240 Speaker 2: dot au. But your misheard lyrics are back. Let's get 10 00:00:22,280 --> 00:00:28,120 Speaker 2: into this week's it's just another mishardman name Christian O'Connell's 11 00:00:28,320 --> 00:00:29,480 Speaker 2: misshard lyrics. 12 00:00:29,760 --> 00:00:31,720 Speaker 1: All right, so misshard lyrics, how this works? 13 00:00:31,800 --> 00:00:34,400 Speaker 2: You send them in, we play them back if we 14 00:00:34,479 --> 00:00:38,879 Speaker 2: agree with your miss here if not, And for the 15 00:00:38,920 --> 00:00:43,599 Speaker 2: great ones haul of favor, Sammy T's got the Arctic Monkeys, 16 00:00:43,640 --> 00:00:46,800 Speaker 2: great band Cornerstone. I smelt your scent on the seat 17 00:00:46,800 --> 00:00:48,720 Speaker 2: belt and kept my shortcuts to. 18 00:00:48,680 --> 00:00:52,520 Speaker 1: Myself, said a seat belt, im. 19 00:00:56,080 --> 00:00:58,560 Speaker 2: Or is it? I smelt your scent on the seat 20 00:00:58,640 --> 00:01:01,160 Speaker 2: belt and kept my chocolate. It's to myself. 21 00:01:01,880 --> 00:01:10,040 Speaker 1: I smells your slun of seat belt shock against akand 22 00:01:10,319 --> 00:01:13,160 Speaker 1: kind of a Northern accent. I'm not sure though, I 23 00:01:13,280 --> 00:01:15,319 Speaker 1: smell your some of seat belt. 24 00:01:20,680 --> 00:01:23,560 Speaker 2: Yeah, I say no, I say no, two to one, 25 00:01:25,800 --> 00:01:30,280 Speaker 2: Keith Urburn and Pitbull, Jackie's favorite artist, Pitbull, So don't 26 00:01:30,360 --> 00:01:30,920 Speaker 2: let me down. 27 00:01:31,319 --> 00:01:34,520 Speaker 1: The way she's moving that black dress like a hips 28 00:01:34,560 --> 00:01:42,080 Speaker 1: are on fire? We blad dress or is it now? 29 00:01:42,160 --> 00:01:44,800 Speaker 1: This is a lyric? The way she's moving that black 30 00:01:44,880 --> 00:01:50,240 Speaker 1: dress like a hamster on fire. Were blad dress? 31 00:01:53,960 --> 00:02:00,240 Speaker 2: Yes? Come on in Anthony, shame on you, Pitbull, aime 32 00:02:00,320 --> 00:02:02,840 Speaker 2: on you, mister Urban for even giving us that image 33 00:02:02,840 --> 00:02:05,160 Speaker 2: of a pull and a hamster on fire. The way 34 00:02:05,240 --> 00:02:10,560 Speaker 2: she's moving that black dress like a hamster on fires dress. 35 00:02:12,480 --> 00:02:15,200 Speaker 2: It's the active from Keith as well. Sharon's got this 36 00:02:15,440 --> 00:02:19,079 Speaker 2: from Katie Perry dark horse. Are you ready for a 37 00:02:19,160 --> 00:02:20,320 Speaker 2: perfect storm. 38 00:02:26,680 --> 00:02:28,800 Speaker 1: Or is it? Are you ready for ready for ready 39 00:02:28,880 --> 00:02:29,959 Speaker 1: for cricket? Score? 40 00:02:37,240 --> 00:02:37,280 Speaker 2: No? 41 00:02:38,120 --> 00:02:38,640 Speaker 1: Wanted it. 42 00:02:40,919 --> 00:02:47,959 Speaker 2: Monty kiss me more by Doja Cats and hopefully last 43 00:02:48,000 --> 00:02:49,839 Speaker 2: time if I'm going to do with it. We ain't 44 00:02:49,840 --> 00:02:57,280 Speaker 2: got nothing to lose. You know, we recently gave her 45 00:02:57,320 --> 00:02:59,520 Speaker 2: home to a former displaced kiss employment. 46 00:02:59,720 --> 00:03:02,200 Speaker 1: Just to that you, I can so much go back 47 00:03:02,240 --> 00:03:02,680 Speaker 1: down there. 48 00:03:02,720 --> 00:03:09,519 Speaker 2: Okay, sorry say the dancing distracted me and Doja Cat. 49 00:03:09,919 --> 00:03:11,840 Speaker 1: We ain't got nothing to lose. We've heard it we 50 00:03:11,960 --> 00:03:13,040 Speaker 1: ain't got the Vinda loos. 51 00:03:17,840 --> 00:03:18,079 Speaker 2: It is? 52 00:03:18,760 --> 00:03:20,200 Speaker 1: It is there? Come on, that's not. 53 00:03:26,560 --> 00:03:28,480 Speaker 2: You're going to carry out a lot of a lot 54 00:03:28,520 --> 00:03:30,360 Speaker 2: about your Venda loos and Doja's gone? 55 00:03:32,000 --> 00:03:33,799 Speaker 1: Okay, let's wait for the Nda loos though. 56 00:03:34,440 --> 00:03:37,640 Speaker 2: That's how that play would go. My mind just into 57 00:03:37,840 --> 00:03:41,160 Speaker 2: green day Blevarda, Broken dreams. Sometimes I wish someone out 58 00:03:41,200 --> 00:03:42,080 Speaker 2: there will find me. 59 00:03:45,360 --> 00:03:50,960 Speaker 1: Shine very much? Doja cat of their day? Or is it? 60 00:03:51,400 --> 00:04:00,640 Speaker 1: Sometimes I wish your mother bear will find me shine? Yes, 61 00:04:01,440 --> 00:04:03,680 Speaker 1: I love it. It's another horn of Famer. That's a 62 00:04:03,720 --> 00:04:07,120 Speaker 1: great one. Just sin to us, Hall of Famer. I 63 00:04:07,200 --> 00:04:09,640 Speaker 1: love that. Sometimes I wish your mother Bear will find 64 00:04:09,680 --> 00:04:18,360 Speaker 1: me genius. Well done, and one final one feels like 65 00:04:18,400 --> 00:04:19,480 Speaker 1: we're getting quite a few's. 66 00:04:19,480 --> 00:04:21,600 Speaker 2: I can ongo one now for poor old Louis Armstrong 67 00:04:21,880 --> 00:04:24,200 Speaker 2: and for what a wonderful world. This one I haven't 68 00:04:24,279 --> 00:04:24,839 Speaker 2: heard before. 69 00:04:25,440 --> 00:04:29,120 Speaker 1: H This is Serena from Westall Primary School. Hello Serena. 70 00:04:30,120 --> 00:04:35,400 Speaker 1: The Dark, Sacred Night, Dug segre names, I gonna hear 71 00:04:35,480 --> 00:04:44,320 Speaker 1: it for the dog says good night, dug This dog 72 00:04:44,480 --> 00:04:47,200 Speaker 1: say good Night's they're doing a double act on TV. 73 00:04:47,480 --> 00:04:51,600 Speaker 1: Dog sagod night, dug se name, Oh my god, that 74 00:04:51,720 --> 00:04:54,000 Speaker 1: is perfect. That's a great world. Great one to end on. 75 00:04:54,080 --> 00:04:58,640 Speaker 2: Serena, well done, Hall of Favor, three Horn of Famous, 76 00:04:58,720 --> 00:05:02,120 Speaker 2: Thank you very much everyone, Doug Sacred. 77 00:05:01,839 --> 00:05:05,919 Speaker 1: Names, The Christian O'Connell show podcast. 78 00:05:06,120 --> 00:05:08,280 Speaker 2: All right, brand new Hall of famers, Let's get into them. 79 00:05:08,320 --> 00:05:11,120 Speaker 2: Sammy's got this one burned down the house by a 80 00:05:11,320 --> 00:05:13,800 Speaker 2: g R. Used to keep it cool? You stick keep 81 00:05:13,839 --> 00:05:14,240 Speaker 2: the cool? 82 00:05:15,000 --> 00:05:18,760 Speaker 1: Or is it you sticky pickle? You stick keep a cool? 83 00:05:19,560 --> 00:05:22,920 Speaker 1: What is it, miss? Sticky pickle? You sticky pickle going in? 84 00:05:23,520 --> 00:05:24,640 Speaker 2: You stick keep the cool? 85 00:05:24,800 --> 00:05:24,960 Speaker 1: Yeah? 86 00:05:25,360 --> 00:05:28,360 Speaker 2: Yeah, sort of thing like an older relative would say 87 00:05:29,000 --> 00:05:33,040 Speaker 2: to an unruly young teenager, you sticky pickle, you stick 88 00:05:33,120 --> 00:05:38,120 Speaker 2: keep the cool? Yes, Don Christian, I don't know if 89 00:05:38,160 --> 00:05:41,240 Speaker 2: you accept Spanish submissions for the misheard lyrics. Yes we do, 90 00:05:41,720 --> 00:05:47,080 Speaker 2: uh freddie Fender before the last tear drop falls, Perry C. 91 00:05:47,400 --> 00:05:52,000 Speaker 1: Did I save your ass better? Perfect? 92 00:05:55,120 --> 00:05:59,720 Speaker 2: No? No, don don't don don't cross the streams, mate, 93 00:05:59,800 --> 00:06:00,920 Speaker 2: just what everyone else does. 94 00:06:01,000 --> 00:06:05,040 Speaker 1: Don everyone knows it, don don't they? All right? 95 00:06:05,120 --> 00:06:07,600 Speaker 2: Don Come on mate, pack up, Come on mate, you've 96 00:06:07,600 --> 00:06:12,640 Speaker 2: had too many anyway, Manisha blue Bird by Jamestown Revival Bluebird, 97 00:06:12,839 --> 00:06:19,320 Speaker 2: Carry Me Over, Bluebird, Come my Way killing. 98 00:06:24,320 --> 00:06:30,799 Speaker 1: Come on, how to hear that? Didn't it? Huh? Uber 99 00:06:31,120 --> 00:06:42,320 Speaker 1: carrying me over? Uber, come my way. That's how you 100 00:06:42,400 --> 00:06:44,160 Speaker 1: do it, all right, that's how you do it. 101 00:06:44,240 --> 00:06:49,040 Speaker 2: Don Manisha, come on in this hall of and how 102 00:06:49,120 --> 00:06:50,800 Speaker 2: much you love Nicki minash? 103 00:06:51,320 --> 00:06:51,520 Speaker 1: Yeah? 104 00:06:51,600 --> 00:06:55,719 Speaker 2: And that cranks over the weekend Getty crunk on David 105 00:06:55,760 --> 00:06:59,240 Speaker 2: Ghetter feeding featuring Nicki minajh turn me on. I just 106 00:06:59,360 --> 00:07:02,040 Speaker 2: want you to father my young. Wait, it's something with 107 00:07:02,120 --> 00:07:02,800 Speaker 2: Lenon McCartney. 108 00:07:02,839 --> 00:07:04,600 Speaker 1: That line, isn't it. I just want you in a 109 00:07:04,680 --> 00:07:10,320 Speaker 1: far my young, just terrible all about it? I just 110 00:07:10,360 --> 00:07:12,480 Speaker 1: want you in a far my young. Every day we 111 00:07:12,600 --> 00:07:13,640 Speaker 1: move further away from God? 112 00:07:14,880 --> 00:07:15,240 Speaker 2: Or is it? 113 00:07:16,480 --> 00:07:19,080 Speaker 1: And this is a far superior line. I just want 114 00:07:19,160 --> 00:07:21,880 Speaker 1: you to fart on my young. I just want you 115 00:07:21,960 --> 00:07:22,960 Speaker 1: in a farer my young. 116 00:07:23,320 --> 00:07:26,760 Speaker 2: Yes, that's my like well, don Alicia Quinn, I just 117 00:07:26,840 --> 00:07:28,920 Speaker 2: want you in a my young. I just wanted to 118 00:07:29,040 --> 00:07:31,560 Speaker 2: fart on my young. That's minage. I just want you 119 00:07:31,640 --> 00:07:38,280 Speaker 2: in a far my young, Lyicia. This one comes from 120 00:07:38,320 --> 00:07:41,760 Speaker 2: Sean Kelly. You too, trip through your wires. I was 121 00:07:41,880 --> 00:07:44,040 Speaker 2: cold and you clothe me honey? 122 00:07:49,320 --> 00:07:49,640 Speaker 1: Or is it? 123 00:07:49,840 --> 00:07:56,360 Speaker 2: I was born in Dublin, honey, Yes, it is World 124 00:07:56,400 --> 00:08:00,720 Speaker 2: on Sean. And finally, Marty's got this from the Boss, 125 00:08:00,760 --> 00:08:04,800 Speaker 2: Bruce Springsteen tenth Avenue Freeze Out, Tenth Avenue Freeze Out, 126 00:08:09,440 --> 00:08:11,400 Speaker 2: or is the Boss saying, tell the devil you can 127 00:08:11,560 --> 00:08:17,760 Speaker 2: freestyle like that? 128 00:08:18,280 --> 00:08:19,280 Speaker 1: That's a pretty well. 129 00:08:19,240 --> 00:08:26,720 Speaker 2: Well spotted Marty, Tell the devil you can free style? Yeah, 130 00:08:27,000 --> 00:08:30,760 Speaker 2: Marty Hall quite the Thank you, mam shure you miss 131 00:08:30,760 --> 00:08:33,200 Speaker 2: her lyrics. As always, whenever you hear them or mishear them, 132 00:08:33,280 --> 00:08:35,840 Speaker 2: email me Christian at Christian O'Connell dot com dot. 133 00:08:35,720 --> 00:08:38,280 Speaker 1: Au Christian O'Connell Show Podcast. 134 00:08:38,679 --> 00:08:43,400 Speaker 2: This one comes from Craig from Vogue. Gene Kelly Fredistaire 135 00:08:43,480 --> 00:08:50,319 Speaker 2: ginger Rogers dance on Air. Y, I'm not sure about this, 136 00:08:51,240 --> 00:08:55,319 Speaker 2: Jean Kelly Fredistaire ginger vitis. That's the old gum disease 137 00:08:55,920 --> 00:08:59,360 Speaker 2: dance on air. Geen Kelly Fredistair ginger vitis dance on air. 138 00:09:00,360 --> 00:09:05,559 Speaker 1: Key hearing I can't hear it. 139 00:09:05,640 --> 00:09:10,120 Speaker 2: You're hearing gingervitis the team. You're not united in this, Gingervitis. 140 00:09:10,440 --> 00:09:11,040 Speaker 2: Let's hear it again. 141 00:09:11,120 --> 00:09:13,120 Speaker 1: Jean Kenny Freaderstaan gingervitis dance on it. 142 00:09:13,480 --> 00:09:19,640 Speaker 2: Jean Kenny saying yes yes, Hall of Famer, Yes, bring 143 00:09:19,720 --> 00:09:24,240 Speaker 2: it in, Yay, Hall of Favor. Craig, you come on in. 144 00:09:24,440 --> 00:09:28,760 Speaker 2: Let's go to Mashaw Now, Christian Steve as Well stuck in. 145 00:09:28,800 --> 00:09:30,839 Speaker 1: The middle with you. Well, I don't know why I 146 00:09:30,920 --> 00:09:34,800 Speaker 1: came here tonight, Were gone curious a night. 147 00:09:35,520 --> 00:09:38,520 Speaker 2: Michelle is hearing her best friend Kimmy being sledged in 148 00:09:38,600 --> 00:09:40,640 Speaker 2: this song. That's why it stood out. What I don't 149 00:09:40,760 --> 00:09:41,959 Speaker 2: like Kimmy tonight? 150 00:09:42,360 --> 00:09:47,600 Speaker 1: Well curious night? Wow. Wait, that's a great one, Michelle, 151 00:09:47,840 --> 00:09:52,880 Speaker 1: I don't like Kimmy tonight, Were Curious Night? Yeah? Love 152 00:09:55,320 --> 00:09:57,440 Speaker 1: Cory Peterson High Team. 153 00:09:57,520 --> 00:10:01,640 Speaker 2: After Don's terrible attempt last week, oh introviting from the 154 00:10:02,280 --> 00:10:04,719 Speaker 2: famous with a Spanish song. I thought it would crack 155 00:10:04,760 --> 00:10:07,400 Speaker 2: at very different language from Madagascar three. 156 00:10:07,840 --> 00:10:11,520 Speaker 1: The song is called which is French No Regrets. 157 00:10:12,280 --> 00:10:20,800 Speaker 2: The original lyrics are Nile Bairn, Love You Come Over? 158 00:10:22,640 --> 00:10:26,640 Speaker 1: Or is it Australian version Need a Beer for My face? 159 00:10:27,400 --> 00:10:27,800 Speaker 1: Love You. 160 00:10:29,920 --> 00:10:30,440 Speaker 2: Come Over? 161 00:10:32,640 --> 00:10:39,240 Speaker 1: No, No, he's not Cory you crashed in. This is 162 00:10:39,360 --> 00:10:40,880 Speaker 1: not need a beer for my Face. 163 00:10:41,120 --> 00:10:46,200 Speaker 2: I almost hear the beer by almost Love You come 164 00:10:50,040 --> 00:10:53,680 Speaker 2: Let's go to Karenine Christian, how do you talk about 165 00:10:53,720 --> 00:10:56,439 Speaker 2: country music? Last week, though I'd send this one in. Yes, 166 00:10:56,480 --> 00:10:58,760 Speaker 2: I do love country music and I love Chris Stapleton. 167 00:10:58,800 --> 00:11:01,719 Speaker 2: Write a song for a down h Prince. You were 168 00:11:01,800 --> 00:11:04,760 Speaker 2: with Teddy Swift as well. This is Parachute by Chris Stapleton. 169 00:11:05,240 --> 00:11:12,640 Speaker 1: I will be your grace on that one. 170 00:11:12,640 --> 00:11:16,400 Speaker 2: I think the opening line is lights on our highway, 171 00:11:16,840 --> 00:11:19,280 Speaker 2: shadows in the dark. You must be saying there's no 172 00:11:19,440 --> 00:11:22,000 Speaker 2: cut dedicated country music stations in Melbourne. 173 00:11:22,080 --> 00:11:28,000 Speaker 1: Oh ye, stay tune my friends. Bigger picture, Jack, bigger picture, 174 00:11:28,280 --> 00:11:29,000 Speaker 1: send too much? 175 00:11:29,080 --> 00:11:36,840 Speaker 2: Already a musculator, All right, Chris Stapleton, I'll be your parachute. 176 00:11:36,960 --> 00:11:45,160 Speaker 2: Or is it I will be your pair of shoes? Yes, yes, 177 00:11:45,320 --> 00:11:47,120 Speaker 2: and it does be like a line from a country 178 00:11:48,080 --> 00:11:49,240 Speaker 2: I will be your parashoes. 179 00:11:53,520 --> 00:11:55,480 Speaker 1: Come on into the Country Hall of Fame. 180 00:11:55,679 --> 00:11:59,439 Speaker 2: Instance has got Andrew Gold. You know we love the 181 00:11:59,480 --> 00:12:01,600 Speaker 2: song Andrew Old. Thank you for being a friend. Come 182 00:12:01,679 --> 00:12:04,960 Speaker 2: like a show anthem from us. If you threw a party, 183 00:12:05,160 --> 00:12:06,040 Speaker 2: invited everyone you. 184 00:12:06,080 --> 00:12:08,760 Speaker 1: Knew, did you do PNY. 185 00:12:10,040 --> 00:12:10,679 Speaker 2: Invited? 186 00:12:10,840 --> 00:12:15,520 Speaker 1: Everyone knew going to Paul? Then what's going on Paul's life? 187 00:12:15,559 --> 00:12:19,719 Speaker 1: If you threw a party and invited everyone nude, did 188 00:12:19,880 --> 00:12:31,080 Speaker 1: you do PNY invited everyone knew? No? Sorry, PERV Finally, 189 00:12:31,240 --> 00:12:33,320 Speaker 1: Brian A block twin, You too still. 190 00:12:33,200 --> 00:12:37,200 Speaker 2: Haven't found what I'm looking for. I have kissed honey lips? 191 00:12:42,520 --> 00:12:45,360 Speaker 2: Or is it I have kissed? Annie Lennox, lead singer 192 00:12:45,400 --> 00:12:56,840 Speaker 2: with Eurysmix's there. It's there, Annie Lennox, He's he's passed 193 00:12:56,920 --> 00:12:57,560 Speaker 2: Annie Lennox. 194 00:12:57,640 --> 00:13:09,360 Speaker 1: Guys Exclusive, Yes, I'm putting great work. Brian McLaughlin, good ears, 195 00:13:10,160 --> 00:13:12,840 Speaker 1: Christian know Connell's show podcast. 196 00:13:13,280 --> 00:13:16,640 Speaker 2: Chris kiss me my sixpence none the richer original line, 197 00:13:16,720 --> 00:13:18,960 Speaker 2: kiss me out of the bearded barley? 198 00:13:19,400 --> 00:13:26,560 Speaker 1: Kiss or is it kiss me? I love the beer 199 00:13:26,679 --> 00:13:30,720 Speaker 1: in Barley, cheap beer, cheap tans. What's his dream? Right? 200 00:13:31,280 --> 00:13:45,760 Speaker 1: Kiss it is there? Kis the beer and Barny you 201 00:13:45,960 --> 00:13:52,520 Speaker 1: with a bin tang T shirt? Kis what are we? Reckon? 202 00:13:52,640 --> 00:13:52,840 Speaker 2: Team? 203 00:13:52,920 --> 00:13:55,600 Speaker 1: And maybe after a few being from. 204 00:13:58,240 --> 00:14:01,760 Speaker 2: Nathan's got this pass the fire by she had? Is 205 00:14:01,840 --> 00:14:03,600 Speaker 2: it messing with your mind? Kid? 206 00:14:11,040 --> 00:14:27,680 Speaker 1: Or is it messing with your monkey? Hall? 207 00:14:28,840 --> 00:14:37,520 Speaker 2: Is it messing with your monkey? He's really getting into 208 00:14:37,680 --> 00:14:40,200 Speaker 2: land in that line. He's closing his eyes, isn't he 209 00:14:40,280 --> 00:14:41,000 Speaker 2: with the monkey bit? 210 00:14:41,480 --> 00:14:43,240 Speaker 1: Britty one? Nathan, Thank you very much. 211 00:14:43,560 --> 00:14:46,480 Speaker 2: Barry been listening and enjoying the Miss lewis every Monday 212 00:14:46,520 --> 00:14:49,160 Speaker 2: for ages. I have my first one to send in. 213 00:14:49,640 --> 00:14:52,920 Speaker 2: Heard over the weekend on the station to Her Door 214 00:14:53,000 --> 00:14:55,600 Speaker 2: by Paul Kelly. He was riding through the cane in 215 00:14:55,680 --> 00:14:57,960 Speaker 2: the pouring rain on Olympic to her Door. 216 00:15:00,120 --> 00:15:10,840 Speaker 1: Game. I'm not sure right, he's a he's a legend 217 00:15:10,880 --> 00:15:12,920 Speaker 1: around here. I'm sure peop are going to thank us 218 00:15:13,120 --> 00:15:16,040 Speaker 1: because this is on the notes. Or is it? He 219 00:15:16,240 --> 00:15:18,920 Speaker 1: was riding through the cane in the pouring rain on 220 00:15:19,080 --> 00:15:33,880 Speaker 1: a little pig to her doll. You are Game is 221 00:15:35,920 --> 00:15:36,760 Speaker 1: my favorite. 222 00:15:37,040 --> 00:15:39,800 Speaker 2: That is so subtle. But Barry, years of hearing all 223 00:15:39,840 --> 00:15:42,640 Speaker 2: the misheards, that is a hall of famer. That bit 224 00:15:42,960 --> 00:15:44,040 Speaker 2: is confirmed. 225 00:15:43,800 --> 00:15:47,120 Speaker 1: Instance all I got to hear this again. He was 226 00:15:47,240 --> 00:15:50,000 Speaker 1: riding through the cane in the pouring rain on a 227 00:15:50,120 --> 00:15:52,520 Speaker 1: little pig to her dole. If the image is better, 228 00:15:53,240 --> 00:15:55,600 Speaker 1: you are Game. 229 00:16:04,880 --> 00:16:06,800 Speaker 2: That is on my favorite ones ever, Barry, Thank you 230 00:16:06,920 --> 00:16:09,600 Speaker 2: very much, Ella Christian. I was listening to Block Parties 231 00:16:09,680 --> 00:16:12,240 Speaker 2: new album, same here. Everyone on the show picked up 232 00:16:12,280 --> 00:16:15,640 Speaker 2: a misheard lyric for you Block Party in situ, My 233 00:16:15,800 --> 00:16:20,320 Speaker 2: baby's got a smart mouth? Or is it? 234 00:16:20,600 --> 00:16:23,720 Speaker 1: That's a new album that's exactly the same as they say. 235 00:16:23,800 --> 00:16:26,920 Speaker 1: That's so that's sort of the old stuff, or is 236 00:16:27,000 --> 00:16:28,680 Speaker 1: it my baby's got a fart? 237 00:16:28,760 --> 00:16:33,200 Speaker 2: Now's there? 238 00:16:33,760 --> 00:16:40,520 Speaker 1: It's quick, it's there. Yes, thank you very much. 239 00:16:40,600 --> 00:16:43,240 Speaker 2: Sure your misheard lyrics, but the show has been stolen 240 00:16:43,320 --> 00:16:44,240 Speaker 2: today for this one. 241 00:16:44,480 --> 00:16:46,760 Speaker 1: This song would never be heard the same way ever again. 242 00:16:57,560 --> 00:17:00,560 Speaker 1: Thank you very much. Guys, as always em whenever you 243 00:17:00,640 --> 00:17:02,960 Speaker 1: get them. Christian at Christian O'Connell dot com dot A 244 00:17:03,080 --> 00:17:06,320 Speaker 2: You a brighter not you're listening to the Christian o'conll 245 00:17:06,440 --> 00:17:07,240 Speaker 2: Show podcast