1 00:00:05,840 --> 00:00:08,880 Speaker 1: Donald Trump's in hot water. We're finding out very soon 2 00:00:08,920 --> 00:00:10,719 Speaker 1: whether or not he is there's going to be any 3 00:00:10,760 --> 00:00:13,280 Speaker 1: sort of criminal charges placed against him, given that there 4 00:00:13,400 --> 00:00:17,079 Speaker 1: is this case about the alleged hush money one hundred 5 00:00:17,079 --> 00:00:19,000 Speaker 1: thousand dollars that he paid to a former porn star 6 00:00:19,040 --> 00:00:21,759 Speaker 1: and Stormy Daniels to have sex with him, and he 7 00:00:21,840 --> 00:00:23,720 Speaker 1: tried to cover it up obviously, as I said, by 8 00:00:23,760 --> 00:00:26,239 Speaker 1: paying a hundred thousand dollars. That is currently in the court. 9 00:00:26,280 --> 00:00:28,360 Speaker 1: So they finished sort of giving all their evidence today, 10 00:00:28,440 --> 00:00:30,560 Speaker 1: so it's sort of just waiting to hear what the 11 00:00:30,680 --> 00:00:32,040 Speaker 1: judge has to say back about that. 12 00:00:32,080 --> 00:00:32,879 Speaker 2: But while all of. 13 00:00:32,800 --> 00:00:34,879 Speaker 1: That is going on, we have very much someone on 14 00:00:34,920 --> 00:00:38,919 Speaker 1: the inside called Ty Cobb. Ty was the former Special 15 00:00:38,960 --> 00:00:43,000 Speaker 1: council in the White House for Trump throughout the entire 16 00:00:43,400 --> 00:00:45,920 Speaker 1: Russian investigation. You remember there was all that chat around 17 00:00:45,960 --> 00:00:48,519 Speaker 1: whether or not Russia had meddled with the votes for 18 00:00:48,640 --> 00:00:52,519 Speaker 1: the US election that year. And Tye joins us right 19 00:00:52,560 --> 00:00:56,640 Speaker 1: now amazingly from Washington, DC. Welcome Tied to Will and Woody. 20 00:00:57,040 --> 00:00:58,319 Speaker 3: Hey, gentlemen, how are you to Nate. 21 00:00:58,840 --> 00:01:01,120 Speaker 4: We're good, Mabe, Thank you so so much for your time. 22 00:01:01,200 --> 00:01:04,640 Speaker 4: My first question, Ty, You've obviously worked one on one 23 00:01:04,800 --> 00:01:08,120 Speaker 4: with Donald Trump. What is he like as a person. 24 00:01:08,840 --> 00:01:13,800 Speaker 3: I think he's very much in charge, very you know, 25 00:01:14,000 --> 00:01:18,240 Speaker 3: demanding and dictates the results that he would like and 26 00:01:18,280 --> 00:01:21,520 Speaker 3: then waits to hear you know, who pushes back. But yes, 27 00:01:21,600 --> 00:01:24,040 Speaker 3: he's very much, very much one of a kind. 28 00:01:24,240 --> 00:01:26,880 Speaker 1: Obviously in your position in the White House, Ty, I 29 00:01:26,880 --> 00:01:29,360 Speaker 1: imagine you got to know him pretty closely, did you. Guys? Ever, 30 00:01:29,680 --> 00:01:31,679 Speaker 1: I mean, was it more just than professional? Were you 31 00:01:31,720 --> 00:01:32,640 Speaker 1: fraternizing it all? 32 00:01:32,880 --> 00:01:36,200 Speaker 3: Well? Well, the foreign president is not much of a fraatenizer. 33 00:01:36,840 --> 00:01:37,000 Speaker 1: You know. 34 00:01:37,080 --> 00:01:40,200 Speaker 3: He has a loyal group of you know, friends that 35 00:01:40,959 --> 00:01:43,920 Speaker 3: have been with him throughout the years. He also has 36 00:01:44,640 --> 00:01:48,480 Speaker 3: you know, a very sort of clear professional lines. You know, 37 00:01:48,760 --> 00:01:52,800 Speaker 3: he doesn't fraternize with you know, his perceived subordinates. And 38 00:01:54,000 --> 00:01:55,280 Speaker 3: that's just that's just who he is. 39 00:01:55,520 --> 00:01:58,920 Speaker 4: So Ty, speaking specifically about the court case that has 40 00:01:59,120 --> 00:02:01,280 Speaker 4: just wrapped up with don't have a result yet, but 41 00:02:01,640 --> 00:02:03,000 Speaker 4: you know, you know the ins and outs of this. 42 00:02:03,680 --> 00:02:05,040 Speaker 4: What do you think the result will be? 43 00:02:05,360 --> 00:02:07,800 Speaker 3: Well, I think under the way the case has been 44 00:02:07,800 --> 00:02:11,240 Speaker 3: presented in the system here in the United States, I 45 00:02:11,240 --> 00:02:13,800 Speaker 3: think the likely result is that he will be convicted. 46 00:02:14,440 --> 00:02:18,120 Speaker 3: I think It's very difficult to predict how an appeal 47 00:02:18,160 --> 00:02:21,040 Speaker 3: will go. But Trump would have a better chance than most, 48 00:02:21,080 --> 00:02:23,560 Speaker 3: I think, because of the issues in this case of 49 00:02:23,680 --> 00:02:26,399 Speaker 3: having his case overturned on appeal if he is convicted. 50 00:02:26,480 --> 00:02:29,600 Speaker 4: So, so are we talking jail, Tom Could he be going 51 00:02:29,600 --> 00:02:30,040 Speaker 4: to jail? 52 00:02:30,240 --> 00:02:35,400 Speaker 3: So that's a theoretical possibility. Typically a first offender in 53 00:02:35,440 --> 00:02:39,880 Speaker 3: a matter like this would not go to jail under 54 00:02:39,960 --> 00:02:43,880 Speaker 3: the New York state laws and sentencing guidelines. But Trump's 55 00:02:43,880 --> 00:02:46,720 Speaker 3: certainly done his best to breed animosity between him and 56 00:02:46,720 --> 00:02:49,560 Speaker 3: the judge, and there's really no guarantee that he would 57 00:02:49,560 --> 00:02:52,320 Speaker 3: not go to jail. On the other hand, he won't 58 00:02:52,360 --> 00:02:54,680 Speaker 3: go to jail for a long time if he wins 59 00:02:54,720 --> 00:02:58,959 Speaker 3: the US election. In the United States, it is pretty 60 00:02:58,960 --> 00:03:01,840 Speaker 3: clear if this was a case that that any sentence 61 00:03:01,840 --> 00:03:04,600 Speaker 3: would be stayed and during the term of his presidency, 62 00:03:04,720 --> 00:03:07,320 Speaker 3: whether it ends naturally at the end of four years 63 00:03:07,400 --> 00:03:10,880 Speaker 3: or by impeachment. So it wouldn't he would not go 64 00:03:10,960 --> 00:03:13,680 Speaker 3: to jail for several years if he wins. On the 65 00:03:13,680 --> 00:03:16,160 Speaker 3: other hand, if he loses, he could well go to jail. 66 00:03:16,639 --> 00:03:19,800 Speaker 1: But if he becomes so let's say he's found guilty 67 00:03:20,080 --> 00:03:23,840 Speaker 1: and he's indicted. Whatever that looks like. Exactly does that 68 00:03:23,919 --> 00:03:27,160 Speaker 1: mean that, like, if he wins, can he still run 69 00:03:27,200 --> 00:03:29,400 Speaker 1: for president? And if he becomes president, can he then 70 00:03:29,480 --> 00:03:32,680 Speaker 1: poddon himself as president from the offense? 71 00:03:33,120 --> 00:03:36,000 Speaker 3: So that's an interesting question, It's an excellent question. He 72 00:03:36,000 --> 00:03:38,800 Speaker 3: wouldn't need to parton himself. If it was a federal conviction, 73 00:03:38,920 --> 00:03:42,160 Speaker 3: he could just have the federal government, by virtue of 74 00:03:42,200 --> 00:03:45,160 Speaker 3: the Department of Justice, dismissed the case and it would 75 00:03:45,200 --> 00:03:46,760 Speaker 3: be as though it was never brought. But this is 76 00:03:46,800 --> 00:03:50,880 Speaker 3: a statecase. He cannot pardon himself, of course or dismiss 77 00:03:50,960 --> 00:03:54,520 Speaker 3: of course statecase. That would be hanging over his head. 78 00:03:54,840 --> 00:03:57,880 Speaker 1: I know you mentioned before that he's done his best 79 00:03:57,880 --> 00:04:00,760 Speaker 1: to get out of the judge's skin. Can you be specific, 80 00:04:00,760 --> 00:04:03,720 Speaker 1: because I'm just I think everybody's fascinated around the character 81 00:04:03,800 --> 00:04:05,560 Speaker 1: of this guy. Has he has he has he been 82 00:04:05,640 --> 00:04:08,800 Speaker 1: like huffing and puffing in the witness box? What's what 83 00:04:08,960 --> 00:04:11,320 Speaker 1: can you be like anecdotally? What has he been like 84 00:04:11,360 --> 00:04:11,920 Speaker 1: in in the court. 85 00:04:12,080 --> 00:04:14,120 Speaker 3: He never made it. He never made it to the 86 00:04:14,120 --> 00:04:18,480 Speaker 3: witness box. He did not testify, and of course defendants 87 00:04:18,480 --> 00:04:21,080 Speaker 3: are not required to testify in the United States. But 88 00:04:21,240 --> 00:04:23,040 Speaker 3: he does every day on the way in and out 89 00:04:23,040 --> 00:04:26,280 Speaker 3: of court, take the opportunity to appear in front of 90 00:04:26,320 --> 00:04:30,200 Speaker 3: the press and lambass the judge as you know, corrupt, 91 00:04:30,320 --> 00:04:36,080 Speaker 3: uh evil and uh uh you know a trumpeter trumped arrangement. 92 00:04:36,400 --> 00:04:38,440 Speaker 4: So always in front of that barricade. He's always I 93 00:04:38,440 --> 00:04:40,320 Speaker 4: feel like every day I have him standing behind that 94 00:04:40,360 --> 00:04:45,000 Speaker 4: barricade outside the court case just hammering the judge an. 95 00:04:44,880 --> 00:04:47,920 Speaker 1: Idiot, Like when the one person who you really need 96 00:04:47,960 --> 00:04:51,080 Speaker 1: to be nice to, if you like, only somebody on 97 00:04:51,720 --> 00:04:54,200 Speaker 1: this guy with enough hubris to walk out there and 98 00:04:54,560 --> 00:04:57,560 Speaker 1: carry on like that. Like he's just so predictable in 99 00:04:57,560 --> 00:04:58,360 Speaker 1: that sense, isn't he? 100 00:04:58,440 --> 00:04:58,640 Speaker 5: Tie? 101 00:04:59,120 --> 00:05:01,480 Speaker 3: He is. On the other hand, you know he's sometimes 102 00:05:01,480 --> 00:05:04,960 Speaker 3: crazy like a fox, because that that narrative, you know, 103 00:05:05,000 --> 00:05:08,040 Speaker 3: fires up his base, and it's also intended to de 104 00:05:08,200 --> 00:05:11,560 Speaker 3: legitimize the judge in the court and the case. And 105 00:05:11,800 --> 00:05:13,800 Speaker 3: I think he's had I think he's been somewhat effective 106 00:05:14,279 --> 00:05:17,479 Speaker 3: with that, at least with his followers and perhaps some independence. 107 00:05:17,760 --> 00:05:18,039 Speaker 2: Wow. 108 00:05:18,240 --> 00:05:21,560 Speaker 4: I would always say Tie. Photos or videos of him 109 00:05:21,600 --> 00:05:24,840 Speaker 4: on on the on the President's jet, the private jet, 110 00:05:24,960 --> 00:05:29,560 Speaker 4: either eating KFC or like little cheeseburgers from like Macas, 111 00:05:29,560 --> 00:05:31,719 Speaker 4: like what what what? What's? What's he standard? 112 00:05:31,839 --> 00:05:31,919 Speaker 5: Like? 113 00:05:32,320 --> 00:05:33,240 Speaker 4: Lunch order. 114 00:05:34,520 --> 00:05:35,479 Speaker 3: Hamburger's and steak? 115 00:05:36,160 --> 00:05:40,200 Speaker 4: Really a normal lunchames hamburger and steak. 116 00:05:40,200 --> 00:05:43,279 Speaker 3: Hamburger or steak or hamburger handstick? 117 00:05:46,080 --> 00:05:47,800 Speaker 1: And is he is he having a beer to wash 118 00:05:47,839 --> 00:05:49,560 Speaker 1: that down? Or is it a gloss of wine or 119 00:05:49,640 --> 00:05:50,800 Speaker 1: a milkshake. 120 00:05:50,480 --> 00:05:52,880 Speaker 3: Or no, no, so he's not a Dia Cox Die 121 00:05:52,920 --> 00:05:54,520 Speaker 3: Cooke diach. 122 00:05:56,200 --> 00:05:58,080 Speaker 4: Cheeseburger and no no, Died Coke. 123 00:06:00,560 --> 00:06:03,440 Speaker 1: Former Special counsel in the White House to Donald Trump, 124 00:06:03,560 --> 00:06:05,960 Speaker 1: Ty Cobb, who joins right here on Willingwoody tied. It's 125 00:06:05,960 --> 00:06:07,320 Speaker 1: been a pleasure talking you. Thank you so much for 126 00:06:07,360 --> 00:06:08,560 Speaker 1: your time, man. I know it's late there. 127 00:06:08,800 --> 00:06:10,240 Speaker 3: Nice to talk with you guys. Take care. 128 00:06:10,240 --> 00:06:11,360 Speaker 2: I have a great day you too. 129 00:06:11,440 --> 00:06:16,080 Speaker 1: Ex Ty Cob there from Washington, d C. Speaking of 130 00:06:16,160 --> 00:06:17,600 Speaker 1: DC's dad Coke. 131 00:06:17,880 --> 00:06:18,320 Speaker 2: How good. 132 00:06:22,040 --> 00:06:24,400 Speaker 1: The next child artist who's going to be hanging out 133 00:06:24,400 --> 00:06:26,480 Speaker 1: in our kids in Modern Art gallery trying to get 134 00:06:26,480 --> 00:06:28,200 Speaker 1: some arts and nobs to pay tens of thousands of 135 00:06:28,240 --> 00:06:32,320 Speaker 1: dollars for work done just by children. It's a grand plan, Woods. 136 00:06:32,440 --> 00:06:34,120 Speaker 1: I'm very pumped about this. The next artist is going 137 00:06:34,120 --> 00:06:35,320 Speaker 1: to join us right up next one, I say, the 138 00:06:35,360 --> 00:06:37,280 Speaker 1: artist I mean ten year old boy. He's going to 139 00:06:37,320 --> 00:06:39,800 Speaker 1: be in the studio right now. Though, I want to 140 00:06:39,800 --> 00:06:44,200 Speaker 1: talk about a guy who was deliberately eaten or trying 141 00:06:44,240 --> 00:06:46,479 Speaker 1: to get eaten by an anaconda. 142 00:06:46,800 --> 00:06:50,800 Speaker 6: My anaconda don't want none unless you got bun time. 143 00:06:51,839 --> 00:06:53,840 Speaker 4: This is rich coming from me. But what an idiot. 144 00:06:55,240 --> 00:06:57,200 Speaker 4: The thing that disappoints me about this book because I 145 00:06:57,200 --> 00:06:59,440 Speaker 4: saw this story obviously, because this is my kind of story. 146 00:06:59,440 --> 00:07:00,000 Speaker 2: This is your best. 147 00:07:00,520 --> 00:07:03,000 Speaker 4: He commits to it. He goes, you know, guys, I'm 148 00:07:03,000 --> 00:07:05,640 Speaker 4: doing this. I'm going to be willingly swallowed by a snake. Right. 149 00:07:06,760 --> 00:07:09,680 Speaker 4: He gets to the mouth and goes, get me out 150 00:07:09,680 --> 00:07:11,200 Speaker 4: and get me out of here. I mean, if you're 151 00:07:11,200 --> 00:07:13,240 Speaker 4: going to do it, mate, go through with it. 152 00:07:14,200 --> 00:07:15,760 Speaker 1: He's in the mouth of an aniconda. 153 00:07:15,920 --> 00:07:18,280 Speaker 4: Yeah, but he said he was going to be swallowed. 154 00:07:18,320 --> 00:07:20,280 Speaker 4: If you say you're going to do something, you bloody 155 00:07:20,280 --> 00:07:21,320 Speaker 4: do it right. 156 00:07:21,880 --> 00:07:25,000 Speaker 1: Well, I think I kind of think props to him, 157 00:07:25,200 --> 00:07:30,640 Speaker 1: to be fair, he did get practically strangled or asphyxiated 158 00:07:30,680 --> 00:07:34,080 Speaker 1: to near death, had his ribs exploded. His ribs exploded, 159 00:07:34,120 --> 00:07:35,880 Speaker 1: I think so internally, I. 160 00:07:35,800 --> 00:07:37,720 Speaker 4: Didn't say that that's that's quite impressive. 161 00:07:38,000 --> 00:07:38,280 Speaker 2: He said. 162 00:07:38,280 --> 00:07:42,240 Speaker 1: He couldn't Breathe effectively ripped his arms apart. Oh yeah, 163 00:07:42,400 --> 00:07:46,360 Speaker 1: that's quite quite. He might have paid the piper there. 164 00:07:47,920 --> 00:07:49,520 Speaker 1: He's done a good job anyway. 165 00:07:49,680 --> 00:07:52,280 Speaker 2: So but I agree with you. 166 00:07:52,800 --> 00:07:57,080 Speaker 1: I reckon soft, hop out weak, and I reckon. If 167 00:07:57,160 --> 00:08:01,400 Speaker 1: I reckon, I could get restricted like restricted, and I 168 00:08:01,440 --> 00:08:04,680 Speaker 1: reckon I would still be able to talk. So what 169 00:08:04,720 --> 00:08:07,920 Speaker 1: I was thinking here, we haven't got a sneak shame, 170 00:08:08,000 --> 00:08:10,160 Speaker 1: but to prove my point, what I was thinking is 171 00:08:10,760 --> 00:08:12,880 Speaker 1: do you want to come over here and squeeze me? 172 00:08:13,840 --> 00:08:16,920 Speaker 4: I'm usually not I don't enjoy inflicting. I prefer to 173 00:08:16,960 --> 00:08:20,280 Speaker 4: receive pain. But now I'll play that role. That's fine. 174 00:08:21,520 --> 00:08:22,320 Speaker 6: Are we doing it now? 175 00:08:23,040 --> 00:08:23,280 Speaker 2: Yeah? 176 00:08:23,320 --> 00:08:25,960 Speaker 1: So what I was thinking is just to prove my point. Yeah, 177 00:08:26,720 --> 00:08:27,880 Speaker 1: he's really hurried over here. 178 00:08:27,960 --> 00:08:28,640 Speaker 4: Yeah, I'm pumped. 179 00:08:28,960 --> 00:08:30,840 Speaker 1: I feel you liked I thought you liked receiving. 180 00:08:30,960 --> 00:08:34,880 Speaker 4: I've decided I can go both ways, always in one, 181 00:08:35,120 --> 00:08:37,120 Speaker 4: all right, So you're what I'm going to try and 182 00:08:37,160 --> 00:08:41,120 Speaker 4: do is I'm going to try and read the story 183 00:08:41,160 --> 00:08:43,400 Speaker 4: about the snake constriction. 184 00:08:44,120 --> 00:08:46,840 Speaker 1: Whilst you're attempting to constrict me. 185 00:08:47,160 --> 00:08:50,240 Speaker 4: You won't be able to talk. I'm a very good wrestler. 186 00:08:50,280 --> 00:08:52,520 Speaker 4: You know this. Okay, stand up. 187 00:08:52,840 --> 00:08:53,280 Speaker 1: I don't want to. 188 00:08:53,280 --> 00:08:54,960 Speaker 4: I don't want to get a good grasp of you. 189 00:08:55,200 --> 00:08:57,800 Speaker 1: Okay. Now, do we need to have like a safety 190 00:08:57,840 --> 00:08:59,280 Speaker 1: word or like a tap out thing? 191 00:09:00,360 --> 00:09:00,560 Speaker 4: Sure? 192 00:09:00,600 --> 00:09:02,640 Speaker 6: Watch your safe word? I know you've got one. 193 00:09:04,160 --> 00:09:06,920 Speaker 1: Just on a second, all right, what is my safe word? 194 00:09:07,440 --> 00:09:10,120 Speaker 4: Come on, mate, stop so making it seem that you 195 00:09:10,160 --> 00:09:10,600 Speaker 4: don't have one. 196 00:09:12,000 --> 00:09:17,640 Speaker 1: My safe word can be uh pine pineapple? 197 00:09:18,120 --> 00:09:19,400 Speaker 4: Yeah, very boring safe word. 198 00:09:19,440 --> 00:09:21,760 Speaker 1: Okay, all right, so do you want to Are you 199 00:09:21,800 --> 00:09:22,480 Speaker 1: going around? Yeah? 200 00:09:22,480 --> 00:09:27,319 Speaker 6: Okay, you got me from behind? I'm sorry, sorry, sorry, sorry. 201 00:09:27,200 --> 00:09:29,280 Speaker 4: I genuinely didn't mean that. Okay, it's probably gonna make 202 00:09:29,320 --> 00:09:29,959 Speaker 4: more sense, isn't it. 203 00:09:30,000 --> 00:09:31,199 Speaker 1: Okay, you can take you from behind? 204 00:09:31,360 --> 00:09:31,760 Speaker 2: All right? 205 00:09:31,840 --> 00:09:33,920 Speaker 1: Now, where are you gonna put Oh my god, he's 206 00:09:33,920 --> 00:09:34,640 Speaker 1: really getting in there. 207 00:09:34,679 --> 00:09:35,960 Speaker 4: Okay, this is gonna really hurt. 208 00:09:36,040 --> 00:09:37,680 Speaker 6: Don't hurt me. Don't hurt me. 209 00:09:37,800 --> 00:09:38,679 Speaker 4: I'm gonna be a snake. 210 00:09:38,800 --> 00:09:39,480 Speaker 6: Don't hurt me. 211 00:09:40,040 --> 00:09:40,640 Speaker 2: Okay, here we go. 212 00:09:40,679 --> 00:09:41,360 Speaker 6: So I'm gonna try and. 213 00:09:41,280 --> 00:09:43,520 Speaker 7: Get my god man, he tried to get eaten by 214 00:09:43,559 --> 00:09:45,240 Speaker 7: a live stay for goldst the moment he was into 215 00:09:45,320 --> 00:09:47,960 Speaker 7: away from his gate from exploding it. In two thousand 216 00:09:47,960 --> 00:09:51,640 Speaker 7: and four episodes of the Discovery channels, eat Live by Balls. 217 00:09:55,800 --> 00:09:58,760 Speaker 6: I'm going to pass out. I think I'm going to 218 00:09:58,840 --> 00:09:59,280 Speaker 6: pass out. 219 00:10:04,600 --> 00:10:05,440 Speaker 4: I'm going to pass. 220 00:10:06,760 --> 00:10:10,160 Speaker 6: Sit down, Sit down, Just sit. 221 00:10:11,600 --> 00:10:12,040 Speaker 2: He's down. 222 00:10:13,559 --> 00:10:18,319 Speaker 1: He's down, all right. Next to the work, shouts to 223 00:10:18,400 --> 00:10:19,280 Speaker 1: our art gallery. 224 00:10:20,720 --> 00:10:24,319 Speaker 8: Next weekwards we fill a modern art gallery with kids 225 00:10:25,080 --> 00:10:28,280 Speaker 8: art in an attempt to get all of those art 226 00:10:28,320 --> 00:10:32,280 Speaker 8: snobs to pay tens of thousands of dollars for paintings 227 00:10:32,320 --> 00:10:34,760 Speaker 8: exclusively done by children. 228 00:10:35,280 --> 00:10:38,240 Speaker 6: Wearing what he needs try. 229 00:10:39,720 --> 00:10:42,240 Speaker 1: Inside out too, only in thirteen. 230 00:10:44,880 --> 00:10:47,000 Speaker 4: A huge part of this will is locking in an 231 00:10:47,040 --> 00:10:53,400 Speaker 4: appropriate looking space or gallery for this exhibition of children's art. 232 00:10:53,440 --> 00:10:54,320 Speaker 4: Right now. 233 00:10:55,040 --> 00:10:56,680 Speaker 1: We just got to look, it's got look, it's got 234 00:10:56,679 --> 00:11:00,880 Speaker 1: a little legit. All this whole thing has to look legit. 235 00:11:00,720 --> 00:11:05,240 Speaker 1: We're not pranking Joe Blow here, we're pranking people who 236 00:11:05,320 --> 00:11:08,320 Speaker 1: frequent art galleries like these are them and and for me, 237 00:11:08,840 --> 00:11:12,120 Speaker 1: we haven't nailed this unless we get those people, because 238 00:11:12,160 --> 00:11:14,640 Speaker 1: they're the people that we all detest. They're the people 239 00:11:14,640 --> 00:11:17,560 Speaker 1: that we all want to exactly fall into coffy up 240 00:11:18,280 --> 00:11:20,240 Speaker 1: thousands through child's painting. 241 00:11:20,040 --> 00:11:23,720 Speaker 4: Exactly right. So we all discussed this amongst the team. 242 00:11:23,720 --> 00:11:26,280 Speaker 4: We decided I was definitely the man to try and 243 00:11:26,400 --> 00:11:28,800 Speaker 4: find an appropriate art gallery. 244 00:11:28,880 --> 00:11:31,600 Speaker 1: Everyone listening knows that that's not the truth. Well, and 245 00:11:32,040 --> 00:11:34,040 Speaker 1: I can't stress that enough. 246 00:11:34,160 --> 00:11:36,800 Speaker 4: Well, I was given the responsibilities. It obviously means I 247 00:11:36,840 --> 00:11:37,760 Speaker 4: was the best. 248 00:11:37,480 --> 00:11:40,040 Speaker 1: Knowledge of people that are working on this currently. There 249 00:11:40,040 --> 00:11:42,880 Speaker 1: are other people that are actually working. There's actually their 250 00:11:43,000 --> 00:11:44,600 Speaker 1: job to find the art gallery. 251 00:11:44,640 --> 00:11:47,360 Speaker 4: And I'm kind of the flag bearer at the front. 252 00:11:47,679 --> 00:11:49,800 Speaker 4: So basically I have just been doing a lot of 253 00:11:49,840 --> 00:11:53,359 Speaker 4: research just about the most popular galleries in Australia. 254 00:11:53,440 --> 00:11:54,920 Speaker 1: Did you get l jerges anything like that? 255 00:11:55,400 --> 00:11:57,560 Speaker 4: No, No, I think we just worked together actually on that. 256 00:11:57,640 --> 00:11:59,960 Speaker 4: We just burnt the candle at both ends. That's why 257 00:12:00,040 --> 00:12:02,400 Speaker 4: the hard working people say that's not that expression. But 258 00:12:02,520 --> 00:12:04,959 Speaker 4: got anyway, So I did make a few phone calls 259 00:12:05,000 --> 00:12:09,559 Speaker 4: this morning, and well I'll let you guys decide how 260 00:12:09,559 --> 00:12:10,360 Speaker 4: those phone calls went. 261 00:12:11,559 --> 00:12:13,560 Speaker 3: Hello, Luise, come to an artcent Can. 262 00:12:13,440 --> 00:12:13,880 Speaker 2: I help you? 263 00:12:14,320 --> 00:12:18,559 Speaker 4: We're are curators and we have come into our possessions 264 00:12:18,640 --> 00:12:22,679 Speaker 4: some beautiful pieces from some smaller known artists. We are 265 00:12:22,720 --> 00:12:26,360 Speaker 4: just looking for the appropriate location to house that work 266 00:12:26,400 --> 00:12:31,520 Speaker 4: and potentially make some dollars and cents. Right, So I 267 00:12:31,559 --> 00:12:34,559 Speaker 4: was wondering if we could use your gallery. 268 00:12:34,120 --> 00:12:38,600 Speaker 1: Please no, I'm sorry, No, I don't think what you've 269 00:12:38,600 --> 00:12:42,840 Speaker 1: got there is appropriate for what we have and see. 270 00:12:42,600 --> 00:12:46,880 Speaker 2: You later, Okay, see you later, Gallery colerate A. 271 00:12:47,640 --> 00:12:50,880 Speaker 8: Look, I'm so sorry. I love your enthusiasm, but we 272 00:12:50,960 --> 00:12:53,679 Speaker 8: won't be shifting any of our artwork server for yours. 273 00:12:54,240 --> 00:12:56,880 Speaker 4: With the other artwork there is, there's still a location 274 00:12:57,000 --> 00:13:01,240 Speaker 4: there where we could display our work. Could we could 275 00:13:01,240 --> 00:13:02,800 Speaker 4: be there all the best our fresco. 276 00:13:03,600 --> 00:13:05,960 Speaker 2: We appreciate that right by now. 277 00:13:07,280 --> 00:13:08,960 Speaker 5: Lending Street Gallery, Freddie speaking. 278 00:13:09,400 --> 00:13:11,160 Speaker 4: The exciting news for you is we've just come into 279 00:13:11,480 --> 00:13:15,400 Speaker 4: contact with some really really unique pieces and we're just 280 00:13:15,400 --> 00:13:19,400 Speaker 4: looking for a location to house those pieces. Next week, 281 00:13:19,880 --> 00:13:24,199 Speaker 4: can I hang those pieces there? You know, we can 282 00:13:24,200 --> 00:13:27,200 Speaker 4: talk numbers another time, but can we hang the pieces there? 283 00:13:27,480 --> 00:13:30,840 Speaker 4: Bring in some patrons, make some sweet sweet dish. 284 00:13:32,080 --> 00:13:35,600 Speaker 5: Unfortunately, not sadly, we do have a concurrent exhibition on 285 00:13:35,840 --> 00:13:36,440 Speaker 5: at the moment. 286 00:13:37,400 --> 00:13:42,480 Speaker 2: Collab No, okay, thank you very much. 287 00:13:42,360 --> 00:13:47,360 Speaker 4: No, okay, yeah, no problem. They will rue the day, 288 00:13:47,440 --> 00:13:48,240 Speaker 4: They will rue the day. 289 00:13:50,960 --> 00:13:51,240 Speaker 9: No. 290 00:13:51,880 --> 00:13:54,560 Speaker 4: Yeah, yeah, a brutal, a brutal, but they've missed out 291 00:13:54,559 --> 00:13:56,560 Speaker 4: an opportunity, and I'm gonna be honest with you, will 292 00:13:56,840 --> 00:14:00,760 Speaker 4: I'm actually glad they said no because I don't know. 293 00:14:01,000 --> 00:14:04,520 Speaker 4: I've got one gallery that is, and this is one 294 00:14:04,559 --> 00:14:09,120 Speaker 4: of the most famous galleries in Australia. And I'm so 295 00:14:09,160 --> 00:14:11,640 Speaker 4: excited about this one that I'm gonna call them live 296 00:14:11,679 --> 00:14:12,440 Speaker 4: on the radio show. 297 00:14:12,480 --> 00:14:14,439 Speaker 1: I don't think this is a good idea. 298 00:14:14,960 --> 00:14:17,680 Speaker 4: This is a great idea. It's not like this. We're 299 00:14:17,679 --> 00:14:22,160 Speaker 4: calling Mona. I've got their number. It's not a good 300 00:14:22,240 --> 00:14:25,760 Speaker 4: It's not up the k our art in Mona, Australia's 301 00:14:25,760 --> 00:14:26,640 Speaker 4: most famous gallery. 302 00:14:26,680 --> 00:14:31,160 Speaker 1: You calling Mona, but like who it's a place. 303 00:14:31,080 --> 00:14:32,200 Speaker 4: Well, whoever picks up the phone. 304 00:14:33,960 --> 00:14:35,960 Speaker 1: We just need a place to hang the stuff. 305 00:14:36,000 --> 00:14:39,080 Speaker 4: But it needs to be a legit looking place, right. 306 00:14:39,200 --> 00:14:43,160 Speaker 4: These art snobs they sniff out spaces that aren't in 307 00:14:43,240 --> 00:14:43,800 Speaker 4: their world. 308 00:14:43,960 --> 00:14:44,160 Speaker 10: Right. 309 00:14:44,520 --> 00:14:47,120 Speaker 4: So my thought is, after a number of rejections from 310 00:14:47,160 --> 00:14:48,680 Speaker 4: other galleries, Mona. 311 00:14:49,880 --> 00:14:50,120 Speaker 1: Yeah. 312 00:14:50,600 --> 00:14:52,440 Speaker 4: Now, people who don't know what Mona is, well, what 313 00:14:52,600 --> 00:14:52,840 Speaker 4: is it? 314 00:14:53,720 --> 00:14:54,880 Speaker 1: Well, I was gonna ask you, what do you think 315 00:14:54,880 --> 00:14:55,840 Speaker 1: the acronym stands for? 316 00:14:56,040 --> 00:15:00,760 Speaker 4: Well, no idea but modern no? Why no, I don't know, 317 00:15:00,880 --> 00:15:02,760 Speaker 4: but I do know that they're on the four. You're 318 00:15:02,760 --> 00:15:04,480 Speaker 4: about to call them. They're on the four. I think 319 00:15:04,480 --> 00:15:06,480 Speaker 4: they're not going to say all right before this cone 320 00:15:06,480 --> 00:15:08,200 Speaker 4: call goes on, what does that acronym stand for? 321 00:15:09,560 --> 00:15:09,960 Speaker 1: Acronym? 322 00:15:10,440 --> 00:15:12,600 Speaker 4: They are on the forefront of modern art. I know 323 00:15:12,720 --> 00:15:15,480 Speaker 4: that they've They've got a very famous wall of female 324 00:15:15,560 --> 00:15:19,640 Speaker 4: private parts, which people all over the world talk about. Yeah, 325 00:15:19,680 --> 00:15:22,400 Speaker 4: so this place is right in the zeitgeist of these 326 00:15:22,480 --> 00:15:25,360 Speaker 4: arts knobs. If our kids art is in there, we 327 00:15:25,400 --> 00:15:27,680 Speaker 4: can pull this off, all right, some can give them 328 00:15:27,720 --> 00:15:28,360 Speaker 4: a little tinkle. 329 00:15:28,480 --> 00:15:30,360 Speaker 1: I just I don't like, do you know, do you 330 00:15:30,400 --> 00:15:32,880 Speaker 1: know anything else about it? Apart from the wall of vaginas? 331 00:15:32,920 --> 00:15:33,760 Speaker 1: Do you know anything else? 332 00:15:34,480 --> 00:15:37,280 Speaker 4: I know it's in Tasmania, So there you go. 333 00:15:37,360 --> 00:15:38,840 Speaker 1: Okay, I just think you might need to know a 334 00:15:38,880 --> 00:15:41,800 Speaker 1: little bit more like this is this is a large 335 00:15:41,920 --> 00:15:43,640 Speaker 1: establishment to be This. 336 00:15:43,520 --> 00:15:45,600 Speaker 4: Is an opportunity for them. This is that stop thinking 337 00:15:45,600 --> 00:15:48,960 Speaker 4: about this is me begging them. I'm kind of going like, hey, listen, 338 00:15:49,200 --> 00:15:51,120 Speaker 4: I've got an amazing opportunity for you guys. Why are 339 00:15:51,200 --> 00:15:53,360 Speaker 4: you again, Mona? Was it? Sorry? I've never heard of you. 340 00:15:53,480 --> 00:15:55,400 Speaker 4: That that's you know, well you haven't, that's my. 341 00:15:57,640 --> 00:15:57,880 Speaker 5: Mind. 342 00:15:58,000 --> 00:15:59,040 Speaker 4: Okay, here we go. 343 00:16:00,080 --> 00:16:01,800 Speaker 1: Now, I'm not here, I'm not here. 344 00:16:01,840 --> 00:16:03,560 Speaker 2: You are hello? 345 00:16:04,120 --> 00:16:04,560 Speaker 4: Hello? 346 00:16:05,200 --> 00:16:05,360 Speaker 10: Hi? 347 00:16:05,600 --> 00:16:06,240 Speaker 4: Is this Mona? 348 00:16:07,040 --> 00:16:07,280 Speaker 5: Yes? 349 00:16:07,480 --> 00:16:09,640 Speaker 1: Jared Land from Mona outstanding. 350 00:16:10,200 --> 00:16:13,000 Speaker 4: Hi Jared, my name is Woody. I'm just calling with 351 00:16:13,040 --> 00:16:17,240 Speaker 4: my business colleague William. He's conferencing in from Adelaide by Jared. 352 00:16:18,480 --> 00:16:19,520 Speaker 1: Hi. 353 00:16:20,120 --> 00:16:21,920 Speaker 4: Look, basically I won't waste any too much of your 354 00:16:21,920 --> 00:16:26,720 Speaker 4: time here, Jared. We've come into possession of some pretty 355 00:16:27,120 --> 00:16:32,520 Speaker 4: unbelievable pieces from some lesser known artists from Australia, local 356 00:16:32,640 --> 00:16:37,440 Speaker 4: local artists. I can't say their names, but basically there's 357 00:16:37,440 --> 00:16:40,280 Speaker 4: a few competing galleries that are pretty desperate to get 358 00:16:40,320 --> 00:16:45,480 Speaker 4: these works up on their walls. But no doubt, you know, 359 00:16:45,560 --> 00:16:47,320 Speaker 4: it's it's a it's a it's a wall zone out 360 00:16:47,320 --> 00:16:51,400 Speaker 4: there in the art world. But basically, I've always from 361 00:16:51,440 --> 00:16:54,840 Speaker 4: from the very beginning of trying to collect these arts, 362 00:16:54,880 --> 00:16:58,240 Speaker 4: my vision, my vision has been Mona. So I just 363 00:16:58,280 --> 00:17:01,120 Speaker 4: wanted to reach out to you and see if perhaps 364 00:17:01,160 --> 00:17:02,200 Speaker 4: that could be a possibility. 365 00:17:02,560 --> 00:17:05,480 Speaker 5: So you're looking to put this artwork on an exhibition 366 00:17:05,520 --> 00:17:06,040 Speaker 5: at Mona. 367 00:17:06,680 --> 00:17:09,880 Speaker 4: That's exactly right now, right well next next week. 368 00:17:09,880 --> 00:17:13,600 Speaker 5: Actually to give you it's not a good week unfortunately. 369 00:17:13,640 --> 00:17:16,879 Speaker 5: I mean, we do like to hear from younger and 370 00:17:17,200 --> 00:17:20,600 Speaker 5: emerging artists, but we've got a big project on with 371 00:17:20,680 --> 00:17:23,800 Speaker 5: the exhibition here, and we're working with a Wu Tang 372 00:17:23,840 --> 00:17:24,440 Speaker 5: Clan CD. 373 00:17:24,560 --> 00:17:28,680 Speaker 1: That's very special, so Wanlan. 374 00:17:28,240 --> 00:17:30,880 Speaker 5: We've got a Wu Tang Clan CD. Got once upon 375 00:17:30,880 --> 00:17:33,720 Speaker 5: a Tom Michelle. Then it's very rare CD that the 376 00:17:33,760 --> 00:17:36,399 Speaker 5: group recorded only one copy of them. We're working on 377 00:17:36,560 --> 00:17:41,080 Speaker 5: making presentation of that. Really, so I can't really help you. 378 00:17:41,440 --> 00:17:44,000 Speaker 4: That sounds amazing, But here's what I'm thinking. Here's what 379 00:17:44,000 --> 00:17:45,479 Speaker 4: I'm thinking, Jared. I mean, I'm a bit of an 380 00:17:45,480 --> 00:17:46,960 Speaker 4: ideas man, So go with me here. 381 00:17:47,119 --> 00:17:49,000 Speaker 5: You've got a loophole there Wu. 382 00:17:48,920 --> 00:17:52,520 Speaker 4: Tang Clan is playing and that's the soundtrack to the 383 00:17:52,520 --> 00:17:54,480 Speaker 4: pieces that we're going to put on the walls. I 384 00:17:54,520 --> 00:17:55,320 Speaker 4: think that can work. 385 00:17:57,680 --> 00:18:01,439 Speaker 5: It's still going to be really difficult security around what 386 00:18:01,520 --> 00:18:03,240 Speaker 5: I've got to do. It's going to be difficult to 387 00:18:03,280 --> 00:18:04,320 Speaker 5: allow people. 388 00:18:04,520 --> 00:18:07,400 Speaker 1: Children the plan. Are the Klan going to be in. 389 00:18:08,040 --> 00:18:10,560 Speaker 5: To see that the clan made a few years ago 390 00:18:10,600 --> 00:18:14,000 Speaker 5: and they only pressed one copy of the Klan becoming themselves? 391 00:18:14,240 --> 00:18:17,760 Speaker 1: The Klan won't be there, not going to be well, yeah. 392 00:18:17,600 --> 00:18:21,600 Speaker 4: Do you do want to know any more about the artists? Maybe, Jared, 393 00:18:21,800 --> 00:18:24,000 Speaker 4: you know, just in case, maybe that'll entice you into 394 00:18:24,520 --> 00:18:29,680 Speaker 4: not really, that's that's that's that's not that's completely fair enough, Jared. 395 00:18:29,920 --> 00:18:32,720 Speaker 5: That's be good if we could move on because they're 396 00:18:32,720 --> 00:18:33,720 Speaker 5: pretty busy museum. 397 00:18:33,960 --> 00:18:38,760 Speaker 1: Yeah, Jared, an exhibition around tank plan. 398 00:18:38,920 --> 00:18:40,879 Speaker 4: I would like to go to the minor at some stage, 399 00:18:40,880 --> 00:18:42,480 Speaker 4: is there like, is there any all. 400 00:18:42,359 --> 00:18:47,679 Speaker 5: The Jared, You're free to come down to don't bring 401 00:18:47,760 --> 00:18:48,320 Speaker 5: an exhibition? 402 00:18:48,680 --> 00:18:58,080 Speaker 4: Yeah, yeah, thanks Jared, message. 403 00:18:55,240 --> 00:18:55,800 Speaker 2: Thanks Jared. 404 00:18:56,000 --> 00:18:59,400 Speaker 4: Okay, this happens. Well, this happens. You get a couple 405 00:18:59,400 --> 00:19:03,120 Speaker 4: of hours. You're gonna like going to places like that, 406 00:19:03,359 --> 00:19:04,760 Speaker 4: so do why as long as it's free. I'm not 407 00:19:04,760 --> 00:19:06,359 Speaker 4: sure if I made that clear to Jay when I 408 00:19:06,359 --> 00:19:08,120 Speaker 4: said I wanted to come down that I was hoping 409 00:19:08,119 --> 00:19:10,159 Speaker 4: need to be free of charge. But anyway, look a 410 00:19:10,160 --> 00:19:10,720 Speaker 4: couple of notes. 411 00:19:10,760 --> 00:19:13,000 Speaker 1: You can't just call Mona and say, can I put 412 00:19:13,080 --> 00:19:15,720 Speaker 1: three pieces of kids artwork in your gallery next week? 413 00:19:15,840 --> 00:19:19,159 Speaker 4: It's five pieces, I'll have you know, and yes, your 414 00:19:19,160 --> 00:19:22,119 Speaker 4: bluddy can well you can ask. As my dad always said, 415 00:19:22,280 --> 00:19:24,000 Speaker 4: a mouth that is closed cannot be fed. 416 00:19:24,600 --> 00:19:27,280 Speaker 1: And as my dad always said, don't try and get 417 00:19:27,359 --> 00:19:29,119 Speaker 1: kids art in a professional art gallery. 418 00:19:29,400 --> 00:19:31,359 Speaker 4: He said that a number of times. A couple of 419 00:19:31,359 --> 00:19:33,639 Speaker 4: eyes there. But we're working, we're moving in the right direction. 420 00:19:33,720 --> 00:19:35,800 Speaker 4: I think we're moving in the right direction. 421 00:19:35,640 --> 00:19:37,359 Speaker 1: Right, so I'll keep looking then chill it. 422 00:19:37,440 --> 00:19:39,640 Speaker 4: Yeah, I might handle that to you actually, because that's 423 00:19:39,680 --> 00:19:40,920 Speaker 4: clearly not a skill of mine. 424 00:19:40,960 --> 00:19:48,800 Speaker 1: Defined galleries, we're joined by the one and only Rob Bell. 425 00:19:49,840 --> 00:19:53,040 Speaker 1: Like you're in Sydney doing shows, I'm still here. 426 00:19:53,040 --> 00:19:55,400 Speaker 9: I've got two more months, two more months ago, eight 427 00:19:55,400 --> 00:19:56,680 Speaker 9: weeks left of Angeliette. 428 00:19:56,680 --> 00:19:58,600 Speaker 2: Can you believe it's like a year and a half 429 00:19:58,640 --> 00:19:59,520 Speaker 2: I've been doing this show. 430 00:20:00,000 --> 00:20:03,080 Speaker 4: I'm still going. It sounds like you're loving it, hanging 431 00:20:03,119 --> 00:20:04,840 Speaker 4: with long distance with with Georgie. 432 00:20:05,000 --> 00:20:07,440 Speaker 2: Let's about I'm wearing her jumper right now. I just 433 00:20:07,640 --> 00:20:12,880 Speaker 2: can smell her. That's that's how desperate I am. Oh no, yeah, 434 00:20:12,880 --> 00:20:14,399 Speaker 2: I'm wearing her Tailor Swift jumper. 435 00:20:15,320 --> 00:20:16,840 Speaker 1: I heard that you guys went to the gig together. 436 00:20:16,880 --> 00:20:18,439 Speaker 1: She's a massive tailor Swift fans, isn't she? 437 00:20:18,640 --> 00:20:20,200 Speaker 2: Yes, she cried, Oh wow. 438 00:20:20,520 --> 00:20:23,600 Speaker 9: She had already seen the show in San Francisco. I 439 00:20:23,600 --> 00:20:25,880 Speaker 9: think she saw it three more times here in Australia. 440 00:20:25,920 --> 00:20:26,600 Speaker 2: But yes, she loves it. 441 00:20:27,160 --> 00:20:28,600 Speaker 4: Okay, how's the comparison. 442 00:20:29,119 --> 00:20:30,560 Speaker 1: She saw it three. 443 00:20:30,400 --> 00:20:33,600 Speaker 2: Times as yeah, and she has a podcast about it 444 00:20:33,640 --> 00:20:33,920 Speaker 2: as well. 445 00:20:34,000 --> 00:20:39,159 Speaker 4: She's propping on haws. The comparison between her reaction to 446 00:20:39,200 --> 00:20:42,960 Speaker 4: watching Taylor Swift perform and seeing you perform. 447 00:20:42,680 --> 00:20:48,800 Speaker 9: Very similar, Like she saw the Barbershop Quartet, It was 448 00:20:48,880 --> 00:20:50,199 Speaker 9: very similar, very similar. 449 00:20:50,280 --> 00:20:53,520 Speaker 1: How many times had she been to see and Juliet seven? 450 00:20:53,760 --> 00:20:57,520 Speaker 1: She's gonna next month because that Tally's just got to 451 00:20:57,560 --> 00:21:00,760 Speaker 1: be higher than Taylor Swift. For the sake of your Jim, 452 00:21:00,760 --> 00:21:02,000 Speaker 1: it just has to be. 453 00:21:02,080 --> 00:21:03,680 Speaker 2: And also for our mortgage as well. 454 00:21:03,800 --> 00:21:08,200 Speaker 1: Yeah, yeah, yeah, I was actually watching the project other night, 455 00:21:09,160 --> 00:21:12,679 Speaker 1: rob and I'm speaking of Georgie, and I noted this 456 00:21:12,760 --> 00:21:15,280 Speaker 1: down and I've got some audio of it because I 457 00:21:15,359 --> 00:21:17,520 Speaker 1: just this. I don't know people that. 458 00:21:17,560 --> 00:21:18,440 Speaker 4: Don't know you, Robbed. 459 00:21:18,440 --> 00:21:21,359 Speaker 1: You're you're classy, you're charming. You're also one of the 460 00:21:21,400 --> 00:21:25,800 Speaker 1: great bullshitters. And I was really really great to see 461 00:21:25,840 --> 00:21:26,840 Speaker 1: her put this on the TV. 462 00:21:27,640 --> 00:21:30,880 Speaker 4: Early on in our relationship, he was being an asshole. 463 00:21:31,080 --> 00:21:32,520 Speaker 6: Water on Earth is happening. I'm not sure if this 464 00:21:32,560 --> 00:21:33,320 Speaker 6: guy is right for me. 465 00:21:33,400 --> 00:21:35,960 Speaker 4: He sent me a text me like I'm so sorry 466 00:21:36,000 --> 00:21:38,800 Speaker 4: of being an idiot. Mecury is in retrograde, so it's 467 00:21:38,840 --> 00:21:40,080 Speaker 4: like that's what we're blaming it. 468 00:21:40,000 --> 00:21:43,600 Speaker 2: All Mercury no idea what she's talking about. 469 00:21:43,840 --> 00:21:46,720 Speaker 9: Maybe I may have said that, but that's seven years 470 00:21:46,720 --> 00:21:48,400 Speaker 9: ago or sixty six or seven years ago. 471 00:21:48,480 --> 00:21:50,560 Speaker 4: Do you believe in that stuff though, that when things 472 00:21:50,680 --> 00:21:54,040 Speaker 4: like mercury are in retro grade, it impacts your mood. 473 00:21:54,080 --> 00:21:56,320 Speaker 9: The full Yeah, when the full when there's a full moon, 474 00:21:56,560 --> 00:21:57,680 Speaker 9: I always feel a bit weird. 475 00:21:58,720 --> 00:22:00,320 Speaker 2: And if I haven't charged my crystal. 476 00:22:00,280 --> 00:22:06,720 Speaker 9: Yeah, just for the record, I haven't charged. 477 00:22:06,760 --> 00:22:07,160 Speaker 2: By question. 478 00:22:08,920 --> 00:22:11,320 Speaker 9: We worked through it all and but yeah, the distance 479 00:22:11,600 --> 00:22:13,560 Speaker 9: is difficult at the moment, but we're making it. 480 00:22:13,560 --> 00:22:14,200 Speaker 2: We're making it work. 481 00:22:14,320 --> 00:22:16,800 Speaker 1: Meals. I want to shoot an apology your way. I 482 00:22:16,840 --> 00:22:22,159 Speaker 1: think this is over. So a little while ago, we 483 00:22:22,200 --> 00:22:24,520 Speaker 1: were in a van on the way back from our 484 00:22:24,520 --> 00:22:28,679 Speaker 1: barbershop called tech Gig, and I think you are. You 485 00:22:28,800 --> 00:22:31,760 Speaker 1: gave me Tina Arena's number, and you said, don't tell 486 00:22:31,760 --> 00:22:33,720 Speaker 1: her that I gave it to you. 487 00:22:33,720 --> 00:22:35,320 Speaker 4: You double down on that as well. You said, on 488 00:22:35,359 --> 00:22:37,480 Speaker 4: a number of occasions, I shouldn't have given that number. 489 00:22:37,560 --> 00:22:39,280 Speaker 4: Please don't say that it's from me. 490 00:22:39,640 --> 00:22:40,480 Speaker 2: Yeah, what did you do? 491 00:22:40,720 --> 00:22:43,840 Speaker 1: Well, Well, I've got the audio of the time that 492 00:22:43,880 --> 00:22:45,159 Speaker 1: we called her, and I just want to say that 493 00:22:45,200 --> 00:22:46,719 Speaker 1: I really wanted her on the show. And you were 494 00:22:46,720 --> 00:22:49,000 Speaker 1: the only leg in that I had to her or 495 00:22:49,080 --> 00:22:51,520 Speaker 1: leg up that I had to hurt. Anyway, this is 496 00:22:51,720 --> 00:22:52,680 Speaker 1: this is the startup fin call? 497 00:22:53,160 --> 00:22:53,400 Speaker 6: Hello? 498 00:22:53,560 --> 00:22:54,840 Speaker 2: Is that Tina? 499 00:22:55,359 --> 00:22:58,680 Speaker 1: Hi? Tina? My name is Will. I do a radio 500 00:22:58,720 --> 00:23:01,159 Speaker 1: show called Will and Muddy and Rob Mills gave me 501 00:23:01,160 --> 00:23:01,639 Speaker 1: a number. 502 00:23:02,280 --> 00:23:05,960 Speaker 6: Okay, how are. 503 00:23:05,800 --> 00:23:07,199 Speaker 10: You robed in? 504 00:23:07,320 --> 00:23:07,800 Speaker 2: Contact? 505 00:23:07,880 --> 00:23:12,520 Speaker 9: Leader told me that so which is unusual? 506 00:23:12,400 --> 00:23:16,800 Speaker 4: Which is which is unusual? How about the tone of 507 00:23:16,840 --> 00:23:20,800 Speaker 4: that which is unusual? You would have let you should 508 00:23:20,840 --> 00:23:21,879 Speaker 4: have let me know that you were going to call it. 509 00:23:21,920 --> 00:23:24,239 Speaker 9: I would to text her, just say hey, mate, Will 510 00:23:24,320 --> 00:23:26,320 Speaker 9: is probably gonna be a call if that's okay. 511 00:23:26,359 --> 00:23:28,879 Speaker 4: It's not the way Will does things like. 512 00:23:29,200 --> 00:23:31,159 Speaker 1: I actually panicked because I didn't think she'd pick up 513 00:23:31,160 --> 00:23:33,320 Speaker 1: the phone, but she picked up. We cold called her 514 00:23:33,800 --> 00:23:35,439 Speaker 1: in a big no note and then she picked up, 515 00:23:35,440 --> 00:23:37,680 Speaker 1: and I was like, ship, I needed a very lovely person, 516 00:23:37,720 --> 00:23:40,240 Speaker 1: she really and I needed to backpedal and I was like, well, 517 00:23:40,280 --> 00:23:43,720 Speaker 1: Millsy's all I've got. So a human, A human shielded you. 518 00:23:43,800 --> 00:23:48,800 Speaker 1: But it worked, So don't be surprised if if she 519 00:23:48,840 --> 00:23:51,920 Speaker 1: snubs you at the next areas but can't wait. That's 520 00:23:51,920 --> 00:23:52,560 Speaker 1: what it comes down to. 521 00:23:52,600 --> 00:23:55,080 Speaker 4: Has she reached out to you since Millsy. 522 00:23:54,800 --> 00:23:58,720 Speaker 2: No, she hasn't strange that it's weird. Actually, you know. 523 00:23:59,640 --> 00:24:01,159 Speaker 1: Mercury in retrograde for her as well. 524 00:24:01,160 --> 00:24:05,239 Speaker 2: Obviously at the moment, I can't believe you did that. 525 00:24:07,640 --> 00:24:08,520 Speaker 1: I'm so sorry. 526 00:24:08,600 --> 00:24:10,520 Speaker 9: I feel you need to give me a number, and 527 00:24:10,880 --> 00:24:12,199 Speaker 9: you need to give me a phone number and then 528 00:24:12,240 --> 00:24:13,000 Speaker 9: I'll call them and. 529 00:24:13,200 --> 00:24:18,840 Speaker 1: Yeah, well, yeah, who's whose number number of that you 530 00:24:19,000 --> 00:24:23,280 Speaker 1: haven't got? I haven't got anyone's number that you haven't got. 531 00:24:23,520 --> 00:24:29,880 Speaker 4: Your your buddies with the peaking duck boys. 532 00:24:27,040 --> 00:24:33,439 Speaker 1: Every buddies with the peaking doug forewhere have a conversation? 533 00:24:34,960 --> 00:24:36,800 Speaker 2: I just looked at my phone. It just arrived that 534 00:24:36,840 --> 00:24:37,960 Speaker 2: phone number. So that's great. 535 00:24:39,080 --> 00:24:40,360 Speaker 4: Just giving out that number all the time. 536 00:24:41,320 --> 00:24:44,160 Speaker 1: W w W dot Rob Mills dot net, dot net 537 00:24:44,320 --> 00:24:46,160 Speaker 1: strange interesting there with the libraries. 538 00:24:46,280 --> 00:24:48,119 Speaker 2: So I took it. One took it. Someone took it 539 00:24:48,200 --> 00:24:49,960 Speaker 2: many years ago, the dot com And I was like. 540 00:24:50,000 --> 00:24:52,479 Speaker 1: Someone took your dot com? Yeah, have you rushed out 541 00:24:52,520 --> 00:24:52,760 Speaker 1: to them? 542 00:24:52,760 --> 00:24:53,880 Speaker 4: Have you tried to contact them? 543 00:24:53,920 --> 00:24:57,679 Speaker 2: Could be the architect. There's a Robmills architects. Yeah, yeah, 544 00:24:57,680 --> 00:24:58,320 Speaker 2: it could be him. 545 00:24:58,440 --> 00:25:00,800 Speaker 4: Do you feel competitive with Rob Mill the architect? 546 00:25:00,880 --> 00:25:01,919 Speaker 2: He's very successful. 547 00:25:03,359 --> 00:25:05,800 Speaker 4: But surely on a Google surgery would pop up over 548 00:25:05,880 --> 00:25:08,439 Speaker 4: Rob Mills, the architect, you think, so, I don't know 549 00:25:08,920 --> 00:25:10,000 Speaker 4: if you do it quickly, I don't. 550 00:25:10,040 --> 00:25:11,560 Speaker 2: I actually don't know. He's very good. 551 00:25:12,119 --> 00:25:14,800 Speaker 9: Is Australia Australia. I think a lot of a lot 552 00:25:14,800 --> 00:25:18,040 Speaker 9: of Melbourne like he's done, like one hot yogurt. I 553 00:25:18,080 --> 00:25:20,960 Speaker 9: think there's like he does, like really beautiful buildings. 554 00:25:21,280 --> 00:25:23,399 Speaker 2: He built a hot yoga. Yeah, he put a hot yogat. 555 00:25:23,520 --> 00:25:24,320 Speaker 1: Wow, oh wow? 556 00:25:24,440 --> 00:25:25,320 Speaker 2: Hang on he beats? 557 00:25:25,320 --> 00:25:25,800 Speaker 4: Does he beat? 558 00:25:25,800 --> 00:25:26,320 Speaker 6: Millsy? 559 00:25:26,560 --> 00:25:27,520 Speaker 4: So Mills, he's. 560 00:25:27,359 --> 00:25:30,600 Speaker 1: Got the first like you've got. You've got like the news, 561 00:25:30,960 --> 00:25:33,280 Speaker 1: and then you've got your Instagram and then it goes 562 00:25:33,359 --> 00:25:37,879 Speaker 1: robmills dot net and then robmills dot com, which is 563 00:25:38,000 --> 00:25:39,280 Speaker 1: architecture and interiors. 564 00:25:39,520 --> 00:25:39,720 Speaker 2: Yeah. 565 00:25:39,880 --> 00:25:41,600 Speaker 4: Have you ever spoken to this guy? 566 00:25:41,680 --> 00:25:41,960 Speaker 2: Millsy? 567 00:25:42,200 --> 00:25:42,320 Speaker 1: No? 568 00:25:42,359 --> 00:25:44,240 Speaker 2: But a part of me beauty. 569 00:25:46,160 --> 00:25:53,120 Speaker 1: His website is very sorry. 570 00:25:53,920 --> 00:25:55,640 Speaker 2: Check out the look. 571 00:25:56,200 --> 00:25:57,760 Speaker 1: Does doesn't not a candle? 572 00:25:58,680 --> 00:26:04,600 Speaker 2: I made out myself on a Wicks. I know you're 573 00:26:04,640 --> 00:26:07,320 Speaker 2: thinking it's twenty twenty four. 574 00:26:08,520 --> 00:26:09,400 Speaker 7: That is awesome. 575 00:26:10,000 --> 00:26:12,040 Speaker 1: Great shot of you singing out the front here. Hey, 576 00:26:12,080 --> 00:26:13,320 Speaker 1: I know we've got something that we want to talk 577 00:26:13,320 --> 00:26:14,760 Speaker 1: to you about. Rob, But you're going to be in 578 00:26:14,840 --> 00:26:18,960 Speaker 1: Victoria for these shows, Tasmania and New South Wales South Australia, 579 00:26:19,000 --> 00:26:20,719 Speaker 1: and you're going to be in the full bon Jovie kid, 580 00:26:20,800 --> 00:26:22,840 Speaker 1: by the looks of things, the leather jacket, the works. 581 00:26:22,920 --> 00:26:25,120 Speaker 9: Look, there'll be some I'm thinking about getting some leather 582 00:26:25,200 --> 00:26:28,960 Speaker 9: pants for this gig. I'm on the shred just trying 583 00:26:28,960 --> 00:26:30,320 Speaker 9: to get you know, I don't want to go full 584 00:26:30,359 --> 00:26:33,560 Speaker 9: eighties bon Jovi because that's really long hair and full 585 00:26:33,760 --> 00:26:35,720 Speaker 9: just leather pants in the top off. I don't think 586 00:26:35,800 --> 00:26:37,840 Speaker 9: anyone needs to see forty two year old meals with 587 00:26:38,280 --> 00:26:40,240 Speaker 9: his top half. But look, I'm aiming to get a 588 00:26:40,240 --> 00:26:42,440 Speaker 9: little bit shredded for this gig. The band is hot. 589 00:26:42,600 --> 00:26:45,959 Speaker 9: We're playing all all the hits, you know, Blaze of Glory, 590 00:26:46,000 --> 00:26:50,800 Speaker 9: It's many, Keep the Faith, Bed of Roses Bad, Madison, 591 00:26:50,880 --> 00:26:53,399 Speaker 9: Blood on Blood, have a nice day. We're going to 592 00:26:53,400 --> 00:26:54,960 Speaker 9: do some of the new stuff. He's got a new 593 00:26:55,000 --> 00:26:57,480 Speaker 9: single out, Legendary, which is pretty cool as well. 594 00:26:57,560 --> 00:26:59,280 Speaker 4: So we are you because we actually will. And I 595 00:26:59,359 --> 00:27:01,320 Speaker 4: did a corporate gig on the weekend where the band 596 00:27:01,400 --> 00:27:05,560 Speaker 4: Beorn again performed a tribute band but like they are 597 00:27:05,600 --> 00:27:08,040 Speaker 4: in character, like they are as soon as they're on stage, 598 00:27:08,040 --> 00:27:10,320 Speaker 4: They're like, hello, everybody, how are you? How's it going 599 00:27:10,520 --> 00:27:15,840 Speaker 4: when you're when you're on stage? Are you are you 600 00:27:15,880 --> 00:27:16,600 Speaker 4: John Bondrevi? 601 00:27:16,920 --> 00:27:17,360 Speaker 2: No, no, no no. 602 00:27:18,400 --> 00:27:21,119 Speaker 9: The aim is just to put on an awesome concert 603 00:27:21,119 --> 00:27:22,840 Speaker 9: with all these hits, like I haven't rocked out with 604 00:27:22,920 --> 00:27:25,040 Speaker 9: a full band for you know, over a year now, 605 00:27:25,080 --> 00:27:27,600 Speaker 9: since doing since doing this and Juliette, which is you know, 606 00:27:27,600 --> 00:27:29,320 Speaker 9: there's some there's some rock songs here we do it's 607 00:27:29,320 --> 00:27:32,399 Speaker 9: my life in the show. But when this sort of 608 00:27:33,000 --> 00:27:34,720 Speaker 9: this job came up, I was like, I would love 609 00:27:34,760 --> 00:27:38,159 Speaker 9: to do these songs. The back catalog is just so incredible. 610 00:27:38,200 --> 00:27:40,280 Speaker 9: And I watched the documentary which has just come out 611 00:27:40,280 --> 00:27:43,560 Speaker 9: on Disney the last couple of weeks. It's a really 612 00:27:43,560 --> 00:27:46,000 Speaker 9: great documentary. He's one of those the nice guys of 613 00:27:46,080 --> 00:27:48,879 Speaker 9: rock and roll. Yeah, yeah, like him and Dave Grohl 614 00:27:48,920 --> 00:27:52,040 Speaker 9: I think are up there just these consummate professionals, like 615 00:27:52,160 --> 00:27:55,280 Speaker 9: just still going out at still making music still yeah, 616 00:27:55,320 --> 00:27:57,239 Speaker 9: but just really good guys of rock and roll. I mean, 617 00:27:57,280 --> 00:27:59,600 Speaker 9: sure they had the eighties, they still did some pretty 618 00:27:59,640 --> 00:28:00,000 Speaker 9: wild there. 619 00:28:00,600 --> 00:28:02,320 Speaker 4: Of course, we will have we will have Yeah. 620 00:28:02,840 --> 00:28:06,240 Speaker 9: But he's I'm super impressed with just the amount of 621 00:28:06,280 --> 00:28:08,199 Speaker 9: songs they have so forty years, we're going to go 622 00:28:08,240 --> 00:28:10,920 Speaker 9: through the catalog of all the hits I don't know 623 00:28:11,320 --> 00:28:12,439 Speaker 9: and get to go all the. 624 00:28:12,400 --> 00:28:13,080 Speaker 2: Way around the country. 625 00:28:13,119 --> 00:28:15,440 Speaker 9: Yeah, playing at Penrith at Least Club, which I haven't 626 00:28:15,440 --> 00:28:16,840 Speaker 9: played there since like two thousand and four. 627 00:28:16,920 --> 00:28:17,439 Speaker 1: So awesome. 628 00:28:17,480 --> 00:28:18,200 Speaker 4: Yeah, I can't wait. 629 00:28:18,400 --> 00:28:21,040 Speaker 1: It looks like you're playing some really niche spots Millsy. 630 00:28:21,040 --> 00:28:24,640 Speaker 9: Tweetheads, the Palms Crown. We've already like eighty percent sold out, 631 00:28:24,640 --> 00:28:25,760 Speaker 9: So okay. 632 00:28:25,560 --> 00:28:28,639 Speaker 1: Well, Rodmills dot net dot you not dot com and 633 00:28:29,119 --> 00:28:32,280 Speaker 1: unless you want your home done, in which case I'm 634 00:28:32,280 --> 00:28:35,600 Speaker 1: thinking is Rodmills dot com because his website is unbelievable 635 00:28:35,640 --> 00:28:38,560 Speaker 1: that architects like you know what it's doing. I don't 636 00:28:38,560 --> 00:28:40,360 Speaker 1: even think even if you, even if you've got the 637 00:28:40,440 --> 00:28:42,240 Speaker 1: rights to Rodmills dot Com, I like there'd be some 638 00:28:42,320 --> 00:28:43,320 Speaker 1: Internet adjudicator and. 639 00:28:43,360 --> 00:28:46,240 Speaker 2: Be like, nah, you can't have that. This guy's so good. 640 00:28:47,360 --> 00:28:51,640 Speaker 1: Way the Internet would protest. I know this is probably 641 00:28:51,640 --> 00:28:53,200 Speaker 1: a bit rich, but if you can you give us 642 00:28:53,240 --> 00:28:55,160 Speaker 1: a I mean, like, I know the pipes aren't warmed 643 00:28:55,240 --> 00:28:56,680 Speaker 1: up or anything like that, but you've got anything in 644 00:28:56,720 --> 00:28:58,080 Speaker 1: the range right now that we can have a little 645 00:28:58,080 --> 00:29:00,280 Speaker 1: bit of a sample just to chorus, just a just 646 00:29:00,320 --> 00:29:02,640 Speaker 1: I know that's a big ass. He's got chewing gum 647 00:29:02,680 --> 00:29:03,120 Speaker 1: in the mouth. 648 00:29:03,720 --> 00:29:07,600 Speaker 2: He's wonted waned ditle. 649 00:29:12,560 --> 00:29:12,960 Speaker 6: Guys. 650 00:29:14,760 --> 00:29:17,200 Speaker 1: Rob Mills go on saying dot com, dot you if 651 00:29:17,200 --> 00:29:21,960 Speaker 1: you want a bathroom, and at you if you want 652 00:29:21,960 --> 00:29:28,320 Speaker 1: to hear some bon Jovi. We're talking things. Dad's yell, 653 00:29:28,880 --> 00:29:30,760 Speaker 1: if you've got one, please give us a call. Because 654 00:29:30,880 --> 00:29:33,120 Speaker 1: Robert de Niro, who I think, is a father of twelve, 655 00:29:33,120 --> 00:29:34,520 Speaker 1: I just want to check that with our button push 656 00:29:34,520 --> 00:29:34,880 Speaker 1: of Tommy. 657 00:29:36,120 --> 00:29:40,520 Speaker 4: Unfortunately, he's a father of five. Five right almost close, close, 658 00:29:40,560 --> 00:29:41,080 Speaker 4: seven off. 659 00:29:42,480 --> 00:29:44,640 Speaker 1: Well have you got if you got five, what's five 660 00:29:44,680 --> 00:29:45,120 Speaker 1: to twelve? 661 00:29:45,200 --> 00:29:45,360 Speaker 2: You know? 662 00:29:45,520 --> 00:29:46,640 Speaker 1: Sure, eyes, I'm concerned. 663 00:29:46,640 --> 00:29:46,920 Speaker 2: Sure. 664 00:29:47,280 --> 00:29:48,840 Speaker 1: So he's got a lot of kids, he's a father. 665 00:29:48,840 --> 00:29:50,560 Speaker 1: He's out the front of this Donald Trump court case 666 00:29:50,560 --> 00:29:53,120 Speaker 1: with the hearing finished notes, obviously a massive crown there, 667 00:29:53,360 --> 00:29:55,560 Speaker 1: and he was rolling out in front of at the 668 00:29:55,600 --> 00:30:00,360 Speaker 1: front of the court case calling everyone fruitcaking idiots because 669 00:30:00,400 --> 00:30:03,760 Speaker 1: the crowd was too dense for him, which is just 670 00:30:03,920 --> 00:30:08,479 Speaker 1: such a dad thing to yell, like crowd, crowds, crowd, 671 00:30:09,840 --> 00:30:11,960 Speaker 1: you've got one of these one of my favorites that 672 00:30:12,000 --> 00:30:16,040 Speaker 1: comes to mind before I get to you, Nikki is in. 673 00:30:16,360 --> 00:30:18,680 Speaker 1: I grew up in Melbourne and my dad had this 674 00:30:18,760 --> 00:30:21,440 Speaker 1: theory that like every time we pulled onto a main road, 675 00:30:21,480 --> 00:30:24,560 Speaker 1: that he always pulled out behind a tram, And so 676 00:30:24,680 --> 00:30:26,160 Speaker 1: every time he pulled out into a main road he 677 00:30:26,200 --> 00:30:32,560 Speaker 1: would always yell the trams track me. He was sure, 678 00:30:32,800 --> 00:30:36,400 Speaker 1: he was sure that Vic Metro had like a tracker 679 00:30:36,440 --> 00:30:37,000 Speaker 1: on our car. 680 00:30:37,480 --> 00:30:40,920 Speaker 4: That would always that's a great brank. That actually is 681 00:30:40,920 --> 00:30:42,920 Speaker 4: a great trank tracked me. 682 00:30:43,080 --> 00:30:43,400 Speaker 6: Kids. 683 00:30:43,920 --> 00:30:47,840 Speaker 1: Nicky's called on one six five, Nikki, what is your 684 00:30:47,920 --> 00:30:48,360 Speaker 1: dad yell? 685 00:30:49,760 --> 00:30:52,080 Speaker 10: Growing up, my dad us to yell at us all 686 00:30:52,160 --> 00:30:54,200 Speaker 10: and tell us not to run on the tiles with 687 00:30:54,320 --> 00:30:54,760 Speaker 10: socks on. 688 00:30:56,040 --> 00:30:57,960 Speaker 1: I am now running running? 689 00:30:58,120 --> 00:31:01,000 Speaker 10: Yeah, definitely, no, No, I'm now twenty eight. I was 690 00:31:01,080 --> 00:31:03,280 Speaker 10: running through the house with socks on while I was 691 00:31:03,320 --> 00:31:06,880 Speaker 10: holding my nephew and I fell over and I broke 692 00:31:06,960 --> 00:31:10,640 Speaker 10: my elbow and my dad just had to go at 693 00:31:10,680 --> 00:31:12,640 Speaker 10: me and said, well, if you weren't running with socks 694 00:31:12,640 --> 00:31:13,440 Speaker 10: on the file. 695 00:31:14,360 --> 00:31:20,240 Speaker 1: Wow, just disregarding the plaster. You're an icee. You no 696 00:31:20,320 --> 00:31:22,160 Speaker 1: one loves and I told you so, like a dad, 697 00:31:22,320 --> 00:31:23,000 Speaker 1: where do you reckon? 698 00:31:23,080 --> 00:31:24,920 Speaker 4: Dad yells this so I'll just tell you what he yells, 699 00:31:24,920 --> 00:31:26,160 Speaker 4: and then you tell me where he is. 700 00:31:26,800 --> 00:31:27,880 Speaker 6: It's a potato. 701 00:31:28,880 --> 00:31:30,560 Speaker 4: Where's he? Where is he? Where's dad? 702 00:31:31,320 --> 00:31:35,760 Speaker 1: No? No, No, he's angry about how much it paid 703 00:31:35,760 --> 00:31:36,240 Speaker 1: for chips. 704 00:31:36,560 --> 00:31:37,960 Speaker 6: It's a potato cooking? 705 00:31:38,040 --> 00:31:40,560 Speaker 1: Is he peeling potato? It's a potato. 706 00:31:41,000 --> 00:31:42,360 Speaker 6: Oh, it's a potato. 707 00:31:43,600 --> 00:31:49,080 Speaker 4: Self checkout. He still doesn't get it, still doesn't get 708 00:31:49,120 --> 00:31:50,480 Speaker 4: it because he. 709 00:31:50,480 --> 00:31:51,040 Speaker 6: Doesn't love that. 710 00:31:51,080 --> 00:31:52,120 Speaker 2: The machine doesn't. 711 00:31:52,160 --> 00:31:53,000 Speaker 6: It's a potato. 712 00:31:54,720 --> 00:31:55,760 Speaker 2: The other one I love. 713 00:31:56,360 --> 00:31:58,520 Speaker 1: Is just just what we were saying before. Just when 714 00:31:58,520 --> 00:32:00,640 Speaker 1: they yell your mom's name, and I just know that 715 00:32:00,640 --> 00:32:02,720 Speaker 1: they're like late for something because it's always in like 716 00:32:02,720 --> 00:32:04,600 Speaker 1: a distance. It was always in a distant bedroom. It 717 00:32:04,640 --> 00:32:09,000 Speaker 1: was always you just hear this. Yeah, he's lost something. 718 00:32:09,240 --> 00:32:10,840 Speaker 2: You know he's lost something. 719 00:32:10,920 --> 00:32:13,440 Speaker 4: Or no, it's more like you've put something. Yes, yes, 720 00:32:13,480 --> 00:32:14,600 Speaker 4: because I wouldn't have lost it. 721 00:32:14,720 --> 00:32:16,400 Speaker 1: And then if Mum didn't have it, then he'd come 722 00:32:16,400 --> 00:32:17,720 Speaker 1: straight out and be like, all right, which one of 723 00:32:17,760 --> 00:32:19,840 Speaker 1: you stole my keys? And I'd be like, dude, I'm five, 724 00:32:20,240 --> 00:32:22,479 Speaker 1: I've got nothing to do with the car. At this stage, 725 00:32:22,960 --> 00:32:25,680 Speaker 1: Michael put everyone in six ' five things. Dad's yell, 726 00:32:27,360 --> 00:32:28,640 Speaker 1: he yells stupid kid. 727 00:32:29,440 --> 00:32:31,680 Speaker 4: Stupid kid kid. Yeah, I keep that from down a 728 00:32:31,680 --> 00:32:32,360 Speaker 4: couple of times. 729 00:32:32,840 --> 00:32:35,959 Speaker 1: Definitely got that, you, Michael, or just like other kids, 730 00:32:36,480 --> 00:32:39,200 Speaker 1: all my siblings, every single one, every kid he knows 731 00:32:39,240 --> 00:32:40,360 Speaker 1: basically even a baby. 732 00:32:40,800 --> 00:32:45,720 Speaker 4: Oh yeah, you can't a baby, especially if it's a 733 00:32:45,760 --> 00:32:46,320 Speaker 4: random baby. 734 00:32:46,480 --> 00:32:49,800 Speaker 1: The other one I love from my dad was just 735 00:32:49,880 --> 00:32:52,280 Speaker 1: when you'd get home, it would be freezing, and you 736 00:32:52,400 --> 00:32:53,840 Speaker 1: get home, you obviously turn the heater up. 737 00:32:54,120 --> 00:32:55,200 Speaker 2: Oh yeah, but. 738 00:32:55,120 --> 00:32:57,520 Speaker 1: It was just whoever got home first obviously turned the 739 00:32:57,520 --> 00:32:59,000 Speaker 1: heater up because it was freezing in the house. It 740 00:32:59,080 --> 00:33:01,440 Speaker 1: was like a goddamn ca in Siberia and you you 741 00:33:01,440 --> 00:33:03,080 Speaker 1: were soon as dad got home. The first thing yet, 742 00:33:03,360 --> 00:33:04,400 Speaker 1: who touched the hater? 743 00:33:05,160 --> 00:33:07,080 Speaker 2: No better, it was who touched the thermost? 744 00:33:07,240 --> 00:33:07,520 Speaker 4: Dat? 745 00:33:08,800 --> 00:33:09,560 Speaker 2: I know what amis? 746 00:33:09,680 --> 00:33:11,400 Speaker 1: Dat was at that now. 747 00:33:11,320 --> 00:33:14,160 Speaker 4: He'd brandished the remote. Who touched this? 748 00:33:14,640 --> 00:33:15,440 Speaker 6: It's auto? 749 00:33:16,040 --> 00:33:17,400 Speaker 1: It's on auto. 750 00:33:19,320 --> 00:33:22,480 Speaker 4: Now, Bree, what does your dad always yell hi? 751 00:33:23,240 --> 00:33:26,360 Speaker 10: Anytime my dad sees a politician on the telly, who 752 00:33:26,440 --> 00:33:28,040 Speaker 10: will yell you bloody scum? 753 00:33:33,800 --> 00:33:38,320 Speaker 1: Speaking of politicians on the TV, Brie Donald Trump formed politician. 754 00:33:38,480 --> 00:33:41,360 Speaker 1: He's caught hearing ended today about the alleged hush money 755 00:33:41,360 --> 00:33:43,440 Speaker 1: he paid one hundred thousand dollars to a porn star 756 00:33:43,800 --> 00:33:47,840 Speaker 1: to not reveal the details of him having sex with her, allegedly. Allegedly. 757 00:33:47,840 --> 00:33:49,280 Speaker 1: I've already said that, wouldn't worry. 758 00:33:49,320 --> 00:33:50,000 Speaker 4: Got a double dad. 759 00:33:51,840 --> 00:33:53,680 Speaker 1: I'm very excited to say we've got a guy called 760 00:33:53,680 --> 00:33:56,400 Speaker 1: Ty Cobb who is the formerst Special counsel for Trump. 761 00:33:56,440 --> 00:33:58,920 Speaker 1: That is a fancy way of saying he was Trump's 762 00:33:59,200 --> 00:34:03,080 Speaker 1: personal lawyer. This guy lived and worked next to this 763 00:34:03,120 --> 00:34:05,440 Speaker 1: guy during a whole bunch of this stuff. He went 764 00:34:05,480 --> 00:34:08,319 Speaker 1: to lunches with him, he knows him intimately, and he's 765 00:34:08,360 --> 00:34:10,480 Speaker 1: going to spill the beans on all of this right 766 00:34:10,560 --> 00:34:11,000 Speaker 1: up next