1 00:00:00,480 --> 00:00:02,000 Speaker 1: Jonesy and Amanda in the Morning. 2 00:00:03,480 --> 00:00:06,840 Speaker 2: Sam, we can't all be about moving pictures. What about me? 3 00:00:07,080 --> 00:00:08,760 Speaker 2: It'd be a great world, but we can't be. There's 4 00:00:08,800 --> 00:00:11,440 Speaker 2: many genres of music out there. One of those is 5 00:00:11,520 --> 00:00:12,319 Speaker 2: rap and hip hop. 6 00:00:12,560 --> 00:00:15,000 Speaker 1: But what if you don't like rap and hip hop music, 7 00:00:15,320 --> 00:00:17,239 Speaker 1: But at the same time, you don't want to look 8 00:00:17,280 --> 00:00:18,560 Speaker 1: foolish or out of the loop. 9 00:00:18,560 --> 00:00:21,000 Speaker 2: When you're standing around the water cooler talking to your 10 00:00:21,160 --> 00:00:23,160 Speaker 2: younger colleagues, what do you do? 11 00:00:24,239 --> 00:00:26,480 Speaker 1: You go straight to rap them with Muncie. 12 00:00:29,480 --> 00:00:36,400 Speaker 2: Muncie, Jesus Sexy Sexy Sexysus six Sexy six. 13 00:00:37,440 --> 00:00:41,400 Speaker 1: I'm going to talk today about the most talked about 14 00:00:41,520 --> 00:00:44,279 Speaker 1: song in the world at the moment. This is the 15 00:00:44,320 --> 00:00:49,000 Speaker 1: song that is number one on Spotify. This clip has 16 00:00:49,080 --> 00:00:52,959 Speaker 1: been streamed, It's video has been streamed seventy seven million times, 17 00:00:53,000 --> 00:00:57,080 Speaker 1: more than Darryl's new song, even more than that, more 18 00:00:57,120 --> 00:00:57,720 Speaker 1: than Horses. 19 00:00:57,760 --> 00:01:02,720 Speaker 2: I'd say that's incredible. It's a song called w A P. 20 00:01:03,360 --> 00:01:06,920 Speaker 1: In Cincinnati wet Beep Beep. 21 00:01:07,080 --> 00:01:10,000 Speaker 2: So, as I said, this isn't some fringe song. This 22 00:01:10,080 --> 00:01:14,559 Speaker 2: is just write down what the beat beep is right down? Okay, 23 00:01:14,680 --> 00:01:15,680 Speaker 2: So that's wet. 24 00:01:18,680 --> 00:01:23,000 Speaker 1: Oh goodness, So this is a song by Cardi B 25 00:01:23,680 --> 00:01:26,479 Speaker 1: and Meghan the Stallion. 26 00:01:27,680 --> 00:01:29,200 Speaker 2: Come on, it's hard, it's hard. 27 00:01:29,880 --> 00:01:37,039 Speaker 1: Cardi B may know from Bowdac Yellow and I like it. 28 00:01:37,680 --> 00:01:42,000 Speaker 1: Then there's Meghan the Stallion t hub with her hot 29 00:01:42,000 --> 00:01:47,840 Speaker 1: girl summer and savage, savage classie regish. 30 00:01:50,120 --> 00:01:53,440 Speaker 2: So the film clip to this song w a p is. 31 00:01:55,080 --> 00:01:59,280 Speaker 1: It's it's full on. It's it's big pronounced body parts. 32 00:01:59,320 --> 00:02:06,960 Speaker 1: It's big beer bottoms, it's enormous watermelon balloons, bosoms, it's tiny, 33 00:02:07,040 --> 00:02:11,520 Speaker 1: tiny waist. It's them writhing around with Snakes's a weekend 34 00:02:11,520 --> 00:02:14,000 Speaker 1: at the Cardation. Well they have this makes the Kardashians. 35 00:02:14,160 --> 00:02:17,200 Speaker 1: They're wearing flanelette. She has said though she wanted to 36 00:02:17,200 --> 00:02:22,799 Speaker 1: make a film clip that was sexy but clean, nice 37 00:02:22,960 --> 00:02:26,520 Speaker 1: and cut. Not even sure what that means. You know, 38 00:02:27,040 --> 00:02:29,359 Speaker 1: it's no sister Janet Meade, let me put it that way. 39 00:02:30,000 --> 00:02:35,560 Speaker 1: So let's discuss this song. It's kind of for many years, 40 00:02:35,720 --> 00:02:39,320 Speaker 1: men have been the sexual provocateurs in songs. These women 41 00:02:39,320 --> 00:02:43,040 Speaker 1: are now being the sexual provocateurs. Some people are saying 42 00:02:43,080 --> 00:02:48,960 Speaker 1: it's incredibly liberating. I think this song isn't made for me, obviously, 43 00:02:49,400 --> 00:02:52,240 Speaker 1: but this is how the song starts the two women 44 00:02:52,320 --> 00:02:56,880 Speaker 1: are walking down a corridor dressed quite bizarrely. But this 45 00:02:57,040 --> 00:02:59,280 Speaker 1: is how they are allowing themselves to. 46 00:02:59,200 --> 00:03:01,440 Speaker 2: Be referred to. This is other song starts. 47 00:03:08,760 --> 00:03:17,520 Speaker 1: Fast free, seven days a week. There's Hawes in this house. 48 00:03:19,880 --> 00:03:21,960 Speaker 1: I asked Jack my somebody thought of this? And he said, 49 00:03:22,160 --> 00:03:24,400 Speaker 1: do they say hoe or who? Because to him there's 50 00:03:24,440 --> 00:03:27,359 Speaker 1: a difference. And I said, no, they say whow And 51 00:03:27,560 --> 00:03:29,480 Speaker 1: to allow yourself to be referred to that. 52 00:03:29,480 --> 00:03:32,200 Speaker 2: In your own song. I've written this song. I don't know. 53 00:03:32,240 --> 00:03:34,440 Speaker 2: I know it's supposed to be cartoonish and all of that, 54 00:03:34,480 --> 00:03:37,320 Speaker 2: but it just seems it's the wrong it's the wrong message. 55 00:03:37,760 --> 00:03:40,600 Speaker 2: So anyway, let's get to the chorus. Showy, here's the 56 00:03:40,640 --> 00:03:50,760 Speaker 2: lovely chorus. Yes, I think we beat the word bucket. 57 00:03:52,520 --> 00:03:55,240 Speaker 1: It's the only word in the entire song that doesn't 58 00:03:55,280 --> 00:03:58,200 Speaker 1: need to be beat because you have to bring a 59 00:03:58,240 --> 00:04:03,360 Speaker 1: bucket and a mop of a w a cheap. Now. 60 00:04:05,160 --> 00:04:07,120 Speaker 2: I've tried to find bits that we can play. 61 00:04:07,320 --> 00:04:13,760 Speaker 1: Ye, please don't take offense, but here's some more. Sign 62 00:04:13,840 --> 00:04:14,200 Speaker 1: me up. 63 00:04:14,480 --> 00:04:17,000 Speaker 2: I'm surprised. Let's well play. I wear disguise. 64 00:04:17,080 --> 00:04:19,680 Speaker 1: I want you to poke that big mat chuck riding 65 00:04:19,720 --> 00:04:24,280 Speaker 1: the stal v stream. I don't public make a scene, 66 00:04:24,400 --> 00:04:26,000 Speaker 1: I don't cook, I don't clean. 67 00:04:26,040 --> 00:04:28,760 Speaker 2: But let me tell you I got the stream double swallow. 68 00:04:33,160 --> 00:04:33,800 Speaker 2: I think you get that. 69 00:04:33,960 --> 00:04:38,000 Speaker 1: Yeah, you know, America's gone insane because let me tell 70 00:04:38,000 --> 00:04:41,080 Speaker 1: you this, doctors are firing back at critics of that song, 71 00:04:41,120 --> 00:04:43,320 Speaker 1: saying we shouldn't shame women for their w A p s. 72 00:04:43,640 --> 00:04:46,719 Speaker 2: Why because it's galthy to have a w A P. 73 00:04:50,320 --> 00:04:54,560 Speaker 2: It's like, it's not, it's not anatomical a P. It's 74 00:04:55,279 --> 00:04:57,120 Speaker 2: it's it's yeah. 75 00:04:57,320 --> 00:05:01,440 Speaker 1: The A word is just strip. No, the A word 76 00:05:02,360 --> 00:05:05,400 Speaker 1: is for wow. It's in it's a Yeah, I've got 77 00:05:05,400 --> 00:05:08,400 Speaker 1: a great ass book. Yeah, okay, Yeah, so the first 78 00:05:08,400 --> 00:05:09,800 Speaker 1: two were together. 79 00:05:09,720 --> 00:05:15,000 Speaker 2: In that sense. No, because if you had that as well, well, 80 00:05:15,040 --> 00:05:19,680 Speaker 2: the doctors are all for it. You know what. I 81 00:05:19,760 --> 00:05:22,560 Speaker 2: learned the truth at seventeen. Yeah, I know love was 82 00:05:22,600 --> 00:05:26,320 Speaker 2: meant for what? And what for your bucket? So that's 83 00:05:26,360 --> 00:05:28,240 Speaker 2: the number one song in the room. I hope you've 84 00:05:28,320 --> 00:05:28,760 Speaker 2: enjoyed it. 85 00:05:28,839 --> 00:05:32,279 Speaker 1: I have fun around the water cooler, rap them with 86 00:05:32,440 --> 00:05:40,760 Speaker 1: one six six six six, And I'd like to take 87 00:05:40,800 --> 00:05:42,159 Speaker 1: back the beeping of the word bucket. 88 00:05:42,240 --> 00:05:45,440 Speaker 2: It didn't deserve it, you know, We're in a pandemic, 89 00:05:45,800 --> 00:05:48,640 Speaker 2: joined the and Amanda in the morning one point seven