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Speaker 1: Powered by the High Harve Radio WAB from ninety six

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Speaker 1: AIRFM to wherever you're listening today.

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Speaker 2: This is Clezy and Leasa's podcast.

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Speaker 3: Coming up on the podcast today, we asked if you

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Speaker 3: ever camped out for a concert.

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Speaker 4: I talked about taking my kids for holidays as adults,

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Speaker 4: not kid kids.

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Speaker 3: The Sure Report pays tribute to Raquel Welsh.

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Speaker 4: And Joel Jackson joined us to talk about sir.

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Speaker 3: And so you might have hurt Harry Starless coming.

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Speaker 4: Harry is coming to town.

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Speaker 3: I'm sure you've heard Harry Styles bigges stacked on the planet. Yeah,

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Speaker 3: he's coming toe to town and Harry Styles fans have

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Speaker 3: been warned they'll be refused entry if they camp out

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Speaker 3: ahead of his sold out concert in Perth on Monday night. Now,

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Speaker 3: obviously the tickets are sold, they're not. They're not camping

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Speaker 3: out for the tickets. They're camping out to be front

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Speaker 3: and center so that they can get closest to the

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Speaker 3: stage when the door's actually open. You know, they're in

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Speaker 3: the GA area and they just want to run straight

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Speaker 3: down the front and get their first So Harry starts.

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Speaker 3: He kicks off the Australian leg of his Love on

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Speaker 3: tour show at HbF Park Monday, as I said, hordes

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Speaker 3: of fans had been planning to camp out days before

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Speaker 3: the show. I'd drive past there on my way and

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Speaker 3: don't trust me. I don't want you wouldn't want to

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Speaker 3: camp there days before the show in the hopes of

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Speaker 3: getting a spot as close to the stage as possible.

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Speaker 3: Venues West, which operates HbF Park, said camping is strictly prohibited,

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Speaker 3: no deal and no priority entry will be given to

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Speaker 3: anyone camping outside the venue prior to event day. In fact,

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Speaker 3: any on there's some online fans systems or something that

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Speaker 3: some people are trying to organize, they won't be on it.

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Speaker 3: Any patrons queueing or camping will be asked to move

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Speaker 3: on and refused entry. Things have got street, they have changed.

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Speaker 3: The venue says Queuing will be permitted on show day

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Speaker 3: from eight am and not a minute earlier.

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Speaker 4: Denial no camping denial.

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Speaker 3: Do you remember when we could yup? Do you remember

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Speaker 3: when something was on at the end scent and there'd

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Speaker 3: be a like a row of grotty sleeping bags and

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Speaker 3: people with their legs cross those Because I don't want

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Speaker 3: to get out of the queu to go to the toilet,

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Speaker 3: stretching down outside the sort of just a little bit

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Speaker 3: down well.

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Speaker 4: Into the streets where that tennis court is, and that

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Speaker 4: at the arena now was all pavement out there outside

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Speaker 4: the entertainment center. And I remember queing.

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Speaker 3: I was never allowed to cure. I want, you wouldn't

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Speaker 3: go for it.

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Speaker 4: I drove from Bundury to que up for Dire Straits

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Speaker 4: to the two tickets for Brothers in Arms. Yeah, And

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Speaker 4: one quick story is I drove up. I heard a

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Speaker 4: guy on the radio on ninety six a m with

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Speaker 4: a really deep voice. For the first time, I thought

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Speaker 4: he's able to spread butter cup, the spread bodyka and

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Speaker 4: I queued up for eleven hours for Diastraates.

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Speaker 3: Is that they did several shows, did like.

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Speaker 4: Nine shows or chosen a row. Yeah, so there was

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Speaker 4: eighty five. I bought the tickets. Eighty six was the gig. Yeah.

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Speaker 3: My mom wouldn't get on board. You would let me

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Speaker 3: que so I had to bribe. Oh right, I had

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Speaker 3: to bribe cures.

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Speaker 4: But when you're queuing up and you're on pavement, you

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Speaker 4: don't sleep, You really don't. You don't sleep, and you

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Speaker 4: have the Q moves on and you fall asleep, you

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Speaker 4: can get left behind.

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Speaker 3: They seem to be fun times. People would you know,

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Speaker 3: their ghetto blasters and blust out whatever it was we

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Speaker 3: were cuing for. And the best thing about it was

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Speaker 3: if you were the first person in the queue, you

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Speaker 3: bought tickets in the first row, front and center. There was.

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Speaker 3: It was that simple. There was no the first few

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Speaker 3: rosa reserve or whatever it was. It was an honest time, can.

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Speaker 4: I tell you? By eleven and after eleven hours of

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Speaker 4: queuing up the dis straight so I heard the Brothers

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Speaker 4: in Arms album so many times you probably want to

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Speaker 4: want to go. It was over Mark.

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Speaker 3: It was a long way Madeline in Embleton, Hello.

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Speaker 5: Hello, are you good?

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Speaker 3: We camped for Madeline, Oh.

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Speaker 5: Bloody, some lightly candid tund and talk Farm and then

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Speaker 5: place called the Brown Hoouse. You get a mazing band

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Speaker 5: and I keeed up over long queue to see they're

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Speaker 5: desperately in an injury yeah, and the injury yeah yeah,

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Speaker 5: and then when and then the funny thing of the

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Speaker 5: injuries mind that I was a Jamaica blow gona funish

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Speaker 5: Jamaica and in need my mum, so I kind of

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Speaker 5: got in a bit free injured. And then when I

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Speaker 5: came over to Australia. I kicked up overnight to Simple

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Speaker 5: Mind about the bloke that was in chargeable that the

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Speaker 5: next past when the or whatever, and he fell asleep

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Speaker 5: and it was everyone was going past him. But and

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Speaker 5: then other people said, no, that's you, so it's called

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Speaker 5: So we've got the simple lines.

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Speaker 3: Now those fans of those shows Medal and led Zeppelin,

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Speaker 3: Injury and Simple Minds. Which was the best show, I

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Speaker 3: don't know.

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Speaker 5: I think they were really good. I've seen the stones

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Speaker 5: a few times to actually bet them on the stones

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Speaker 5: as well in London.

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Speaker 4: Well you seen everybody.

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Speaker 5: Yeah, this is a really good one right from McCartney.

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Speaker 5: He was talking to yourself, Martha and Pretti and I

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Speaker 5: sat talking him for hours.

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Speaker 1: Math.

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Speaker 4: No, that's good right, and I did.

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Speaker 5: I wasn't a groupy.

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Speaker 4: I fear you were.

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Speaker 6: You.

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Speaker 5: I wasn't.

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Speaker 4: Please tell me that the injury did hit me with

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Speaker 4: your rhythm stick? Did you do that?

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Speaker 5: Bringing? And you never guess. I went backstage because I

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Speaker 5: knew I knew Raymond his mind.

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Speaker 3: I meant back the Jamaican guy, awesome, Yeah.

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Speaker 5: I'll be backstage after the concert, Madeline.

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Speaker 3: Whereas envious as two people can be so good.

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Speaker 4: Thanks, Thanks, She's sorry, Injury and all those other great bands.

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Speaker 3: I didn't catch every word, but I got London Jury,

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Speaker 3: Simple minds.

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Speaker 4: Work stage and we say, yeah, we're saying good morning

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Speaker 4: campus this morning. If you're camping out, or you've ever

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Speaker 4: camped out.

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Speaker 3: For a gig, yeah you're not camping out now.

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Speaker 4: It's a hard act to follow.

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Speaker 3: The fun police have pulled your tent down. Well, no

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Speaker 3: one ever had a tent. No, we camped outside the

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Speaker 3: entertainment center.

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Speaker 4: I'm sure they just had your basics and maybe mum

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Speaker 4: dropped in and dropped your jumper. If you let you.

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Speaker 3: Then you be embarrassed. Of course, fire Away, Dawn and

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Speaker 3: Canning Vale. Who did you camp out for?

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Speaker 4: Of course to Robbie Williams, Robbie the man himself, did

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Speaker 4: you have a sort of like a plan or a tactic?

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Speaker 4: What was your story doing?

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Speaker 7: Look, we've got friends all around the world. I'm talking Glassgow,

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Speaker 7: I'm talking Germany, I'm talking wherever you know. We always

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Speaker 7: set together every gig or sorry, every tour. When it

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Speaker 7: comes to Australium. We started off in Perk, then we

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Speaker 7: go Adelaide, Sydney, Melbourne, Brisbane, we've got a down patch.

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Speaker 7: We camp out probably speaking in Sydney, two nights before

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Speaker 7: the gig. We've got a hotel close by. We take

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Speaker 7: it in terms of what steps blocks, Like thirty minutes

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Speaker 7: these two people go back to the hotel to spressing up,

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Speaker 7: come back the next to the next, to the next,

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Speaker 7: to the next two and we have tents, you name it.

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Speaker 7: We've been everywhere we've been so you know, we've been

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Speaker 7: in Wembley, we've been to America only for the baby stection.

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Speaker 7: And we didn't camp out in Vagas, but you know

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Speaker 7: what we've been there.

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Speaker 3: You are at a well organized Robbie crawl, like a

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Speaker 3: machine we have.

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Speaker 7: But the thing is is Robbie's personal venue security. Like

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Speaker 7: the head of his security force, Venus those is my name.

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Speaker 7: He comes out and has his lunch with us, breaks

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Speaker 7: with his copy. He asked us what the go with?

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Speaker 4: Who?

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Speaker 7: Who shouldn't be here? Who's pausing trouble? We always have

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Speaker 7: like numbers on the hand, one, two, three, four, give

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Speaker 7: me the three twenty is always the same people in Australia.

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Speaker 7: We're all best mate. We all catch up, you know

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Speaker 7: during what we lobby, not even here. We all catch

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Speaker 7: up and it's amazing.

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Speaker 4: That is amazing your own club.

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Speaker 3: Have you met him? I mean, I think you should

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Speaker 3: put in the.

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Speaker 8: That in five times.

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Speaker 7: At Perserina, my girlfriend, one of the meet and greet there,

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Speaker 7: took us backstage. She signed my foot of course, straight

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Speaker 7: to Taboo Place the next day.

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Speaker 3: We've got it, you know.

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Speaker 4: I hope you appreciate how incredible your feedom is. That's

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Speaker 4: that's unreal.

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Speaker 7: He's making a biopicch at the moment and we actually

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Speaker 7: went to the filming in Melbourne.

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Speaker 4: At the show.

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Speaker 7: It is really good.

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Speaker 4: Awesome, Yeah, wow, thank you and you're doing well done there.

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Speaker 4: It's like it's like a career, I know, but it's

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Speaker 4: like a military operation. We go back and refreshing and

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Speaker 4: come back and I know, yeah, look out for Robbie.

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Speaker 3: So organized kim in double Hello, good morning. Who did

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Speaker 3: you camp out for?

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Speaker 9: Kim U two?

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Speaker 2: And bb King That one was for probably I think

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Speaker 2: that was a two night yes, yeah, my friends will

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Speaker 2: love you too, but I can tell them that they

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Speaker 2: were supporting BBC.

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Speaker 4: Yeah Blum And there was.

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Speaker 9: The second coming from the Skyhawks when they did their

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Speaker 9: return show The Hook. Yeah, we came down for that one.

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Speaker 9: We got front Road for that one as well. And

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Speaker 9: we got our picture. We've got our picture on the

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Speaker 9: front of the Sunday Times with a picture of us

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Speaker 9: with our sereo and stopping off the antennas and all that.

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Speaker 3: That's fantastic.

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Speaker 9: And I can't remember the other one now early finished

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Speaker 9: the night shift.

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Speaker 3: That would have been such a one group. I Reckon

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Speaker 3: camped first Skyhooks.

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Speaker 2: Much fun.

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Speaker 3: It wouldn't have been any q rage.

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Speaker 4: No, you just sit around, bitch and much better than Sherbet.

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Speaker 4: That's all you'd be saying to each other. Yeah, that big,

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Speaker 4: big bicket of chips.

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Speaker 3: That's great.

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Speaker 2: That's all there was was a stream of people walking

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Speaker 2: from far thirty.

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Speaker 4: Absolutely see the late Cheerley Strawm some times.

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Speaker 3: Thanks Leanne and Beeswater. Hello, Hi, how are you good?

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Speaker 3: What did you camp out for?

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Speaker 10: It wasn't actually me, it's my partner. He's a massive

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Speaker 10: Pearl Jam fan. He actually he actually already had the tickets,

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Speaker 10: but he wanted to get front stage. So when he

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Speaker 10: was in Seattle, they they camped out like sort of

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Speaker 10: all night because he's got like a group that he

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Speaker 10: sort of meets up with over there.

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Speaker 5: And they camped out all night.

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Speaker 11: And it got that cold that the blow at the front,

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Speaker 11: the security guard at the front give him all a

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Speaker 11: number like in the line and said as long as

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Speaker 11: they are, they're back within the hour, and like checked

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Speaker 11: in that they could.

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Speaker 12: Go go back for an hour, come back, check in and.

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Speaker 2: Then keep doing that.

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Speaker 12: So he would like leg it.

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Speaker 11: Back to the hotel, get more, run back again.

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Speaker 3: So yeah, that's awesome.

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Speaker 10: Not necessarily for tickets, but like yeah, yeah, good, good,

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Speaker 10: good person.

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Speaker 4: You going to see Peljab. You want to be in

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Speaker 4: Eddie Vetda's spit zone. You want to be really close

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Speaker 4: to experience.

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Speaker 11: My partner has actually traveled quite a few times over

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Speaker 11: the season, so really I'm here.

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Speaker 7: To see them and hopefully.

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Speaker 6: They do to here.

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Speaker 3: They're a great here often Jack.

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Speaker 10: We actually went to the Chili Paper that.

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Speaker 8: Was really good.

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Speaker 10: Yeah, my daughter, my daughter's first concert.

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Speaker 11: And she was just yeah, absolutely blown away.

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Speaker 10: Great great stadium, great place to.

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Speaker 7: Have a concert.

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Speaker 4: So yeah, if you do get the chance to see

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Speaker 4: Pearl Jam. The night they did spin the Black Circle

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Speaker 4: here in Perth, a place went nuts at the incense,

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Speaker 4: so it right.

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Speaker 3: Bye.

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Speaker 4: He was cold and he was running back and forward

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Speaker 4: warming up.

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Speaker 3: That's a really decent thing too. You know, that's pretty

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Speaker 3: cool for them to let them do that.

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Speaker 4: Yeah.

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Speaker 3: Absolutely, Heleen and Rollingstone, what have you camped out.

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Speaker 12: For morning, guys, We kempt out for Michael Jackson tickets.

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Speaker 4: Oh when he played the time.

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Speaker 12: It was at the time. Absolutely, We're just teenagers and

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Speaker 12: we thought the last minute, oh, let's go. And it

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Speaker 12: was about midnight. I'm like, let's go. And when we

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Speaker 12: got there, there was actually nobody lined up. Oh maybe

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Speaker 12: maybe you're not allowed because it's next to the casino.

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Speaker 8: Yeah, So we got.

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Speaker 12: Out of our car and once we got into position,

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Speaker 12: all these other people started getting out of their cars

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Speaker 12: and they actually ended up behind us, so we were

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Speaker 12: right at the front of the line. But being teenager,

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Speaker 12: we actually didn't have that much cash because we were

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Speaker 12: never expecting to get the best tickets of the night.

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Speaker 12: So the next morning I had to leave my girlfriend

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Speaker 12: in line and walk over to the casino, find a

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Speaker 12: payphone and try and convince my mum to come down

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Speaker 12: and bring us extra money so we should get better ticket.

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Speaker 3: That's great, you're saying you're going to have to come

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Speaker 3: back to the casino put some money on the roulet wheel.

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Speaker 8: Yeah, oh no, because I was underage. It was a

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Speaker 8: big deal to try to find a payphone and beg

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Speaker 8: my mum, who did love her? Come down and give

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Speaker 8: us the more money so we could get better tickets.

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Speaker 4: And wasn't that a weird venue? The Birds would Die

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Speaker 4: was the.

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Speaker 12: Biggest, absolutely blown out the wind tunnel lay out.

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Speaker 3: Yeah, all right, thanks Kaylen, no fie, so many great memory.

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Speaker 3: I love how there was a cube. But they were

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Speaker 3: also sitting in their car at.

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Speaker 4: That stage, and when Kaylene got out with her friend

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Speaker 4: they would have been they weren't at the front.

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Speaker 3: That was the green light least.

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Speaker 4: I want to take you back in time. Okay, okay.

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Speaker 4: The year was twenty fourteen. Tony Abbott was Prime Minister

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Speaker 4: of Australia. That was that period where we had seven

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Speaker 4: prime ministers in five minutes. Yeah, budgy smoggling Prime Minister.

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Speaker 4: And the biggest songs of the year were these ones.

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Speaker 4: Fants joined Us, Taken Away to the dark Side.

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Speaker 13: Mouths and Buds, Georgia in Treasure, Cheers, Golden Grambiano, Mabio

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Speaker 13: focus or you.

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Speaker 4: Ab oh and see her. Of course it's now ten

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Speaker 4: years of this, nine years.

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Speaker 11: I love this.

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Speaker 3: I pulled a throat muscle, singing that in the car,

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Speaker 3: Oh did you realize I did?

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Speaker 6: Oh?

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Speaker 4: I did? I don't think I did. Hurt here got

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Speaker 4: to do the same. So we now know. It's nine

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Speaker 4: years twenty fourteen. And in twenty fourteen my kids were

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Speaker 4: sixteen and thirteen, Sam and Madison and we decided we're

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Speaker 4: going to go on a family holiday, Dad and the kids.

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Speaker 4: So everyone's up for this holiday. And it was easy.

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Speaker 4: We got on a plane. I finished school. We got

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Speaker 4: on a plane just before Chrissy and we went and

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Speaker 4: went to the Wax Museum at Darling Harbor. That was

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Speaker 4: that was fun, got some photos. We ate too much

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Speaker 4: junk food, don't tell you mother. Yeah. And Madison you're

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Speaker 4: that guy, Yeah, that guy. Absolutely, we went nuts. And

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Speaker 4: Madison at thirteen. You'll get this. She was obsessed with makeup. Yeah,

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Speaker 4: and I'm not talking sheep rubbish. She wasn't using a

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Speaker 4: pencil with dipped in water. There was no crayons. So

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Speaker 4: she had birthday and holiday money right and Christmas money,

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Speaker 4: and she spent I reckon. I spent countless hours in

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Speaker 4: the main streets of Sydney waiting outside for she was

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Speaker 4: a meccan Sephora, and I waited outside each time because

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Speaker 4: it's too embarrassing, you know what your dad in there

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Speaker 4: were there And that's when I learned that you can

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Speaker 4: walk out with two hundred and fifty dollars worth of

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Speaker 4: it and it's three things.

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Speaker 6: Yeah.

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Speaker 4: Yeah, she was thirteen. So let's wind forward to the

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Speaker 4: current day. So I'm now trying to put together a

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Speaker 4: holiday with the same kids, but they're adults. So we're

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Speaker 4: trying to go and see my man in NUSA, Big

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Speaker 4: Regges in NUSA, so we're going to get up there,

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Speaker 4: so Grandad. So I've been trying to put this holiday

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Speaker 4: together for so many weeks now, and if you think

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Speaker 4: about it, it ain't easy. So between us we now

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Speaker 4: have three jobs a job each, so you've got to

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Speaker 4: try and find the time when you can all go

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Speaker 4: at the same time.

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Speaker 3: We've got a Sephora here.

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Speaker 4: We have got a Sephori here now to going to Melbournskaren.

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Speaker 4: We have between us four cats, yes, one new dog

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Speaker 4: good morning Stella. Yes we have you know, there are partners,

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Speaker 4: there are medical appointments. There's the cost of flights at

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Speaker 4: Easter too expensive, had to move that date. It's getting ridiculous.

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Speaker 4: Is it is getting ridiculous. One of us has a

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Speaker 4: new mortgage. I won't mention which one that went up

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Speaker 4: three times before she moved in given that away. Another

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Speaker 4: has theater group commitments with a big production coming up.

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Speaker 4: I reckon, I've moved the dates three times so far

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Speaker 4: for this holiday. It's become ridiculous. I reckon. I can

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Speaker 4: write a friend show about about trying to organize a holiday,

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Speaker 4: which is so much different to when the kids were

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Speaker 4: kids kids. Yeah, you know what I mean, when they

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Speaker 4: were little kids. We've moved at the left front center.

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Speaker 4: I am so determined this is going to happen, but

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Speaker 4: it's just going to keep taking more work and more

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Speaker 4: determination from dad.

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Speaker 3: I have the ideal solution there.

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Speaker 4: What do you go?

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Speaker 3: Get ready to come here?

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Speaker 4: Oh beautiful, he's eighty five. He doesn't fly much anymore,

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Speaker 4: you know what I mean? But I am very determined

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Speaker 4: to get the kids on the road or players.

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Speaker 13: Holy world, We've made it.

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Speaker 4: Damn have we made it. I'm so claver. I'm up

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Speaker 4: for it. More crazy, more Lisa, more podcasts soon. The

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Speaker 4: Sure Report on ninety six air.

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Speaker 3: FM, Raquel Welsh has died overnight. She was eighty two.

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Speaker 3: Her family says she died after a brief illness, but

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Speaker 3: have given no other details. Ridiculously beautiful, Raquel Welsh is

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Speaker 3: regarded as one of the great sex symbols of the screen.

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Speaker 3: Her movies weren't exactly OSCAR nominated classics, but she made

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Speaker 3: a lot of them. She rose to fame in films

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Speaker 3: like One Million Years BC and my all time favorite

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Speaker 3: Saturday afternoon movie, Fantastic Voyage. That's the one where they

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Speaker 3: miniaturize a team of doctors and they get injected inside

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Speaker 3: the body of an important scientist to fix a blood

378
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Speaker 3: clot in his brain and save his life. They have

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Speaker 3: to get in and out in sixty minutes, but face

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Speaker 3: all manner of problems on the way, not least from

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Speaker 3: antibodies inside the guy trying to reject them.

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Speaker 1: They they down.

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Speaker 8: Twenty four seconds left.

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Speaker 4: After that, you're in danger of attack.

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Speaker 3: We're talking about always love you for that movie, Love

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Speaker 3: that movie. It's classic. Raquel Welsh's beauty as something interviewers

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Speaker 3: were often obsessed with, especially in the seventies and eighties,

388
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Speaker 3: as you can imagine, when they felt they could just

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Speaker 3: say whatever. Her interview with Michael Parkinson in nineteen seventy

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Speaker 3: two was no exception.

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Speaker 4: Were you from the beginning? Were you an attractive child?

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Speaker 4: You were a good looking kid.

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Speaker 6: I don't really think I was. I think I had

394
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Speaker 6: like a hair part in the middle and braids, and

395
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Speaker 6: my dad always said, you know that I should be

396
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Speaker 6: very I don't know, sort of neat in appearance. And

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Speaker 6: I wasn't allowed to wear ruffles or bright colors or

398
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Speaker 6: have my hair and curls like a lot of girls

399
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Speaker 6: they went to school with me. So I never really

400
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Speaker 6: thought of myself as pretty pretty. But when I when

401
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Speaker 6: I got a little bit older and the equipment arrived, ye.

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Speaker 4: Oh great, the equipment.

403
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Speaker 3: Well, I Rackel Welsh she was eighty two. Forrest Gump's

404
00:18:17,920 --> 00:18:21,720
Speaker 3: Box of Chocolates has just sold for more than thirty

405
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Speaker 3: five thousand dollars.

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Speaker 13: My mom always said life was like a box of chocolates.

407
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Speaker 3: Entertainment company Ripley's made the winning bid for the proper douction.

408
00:18:32,880 --> 00:18:36,320
Speaker 3: It's autographed by Tom Hanks, but thirty five grand and

409
00:18:36,320 --> 00:18:38,720
Speaker 3: there aren't even any chocolates in it. It's weighed down

410
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Speaker 3: by sad.

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00:18:39,560 --> 00:18:41,200
Speaker 2: You never know what you're going to get.

412
00:18:41,320 --> 00:18:45,760
Speaker 4: Yeah, you might get sad. That is inside.

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Speaker 3: That's a lot.

414
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Speaker 4: Wow.

415
00:18:47,760 --> 00:18:51,199
Speaker 3: Well, Sirrahno begins at the heath Ledger Theater tomorrow and

416
00:18:51,280 --> 00:18:53,240
Speaker 3: runs until March the fifth. You can get your tickets

417
00:18:53,240 --> 00:18:57,440
Speaker 3: through black Swantheater dot com dot au and joining us now.

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Speaker 3: The star of the show, Jold Jackson, Good.

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Speaker 4: Morning, Good morning. How are you both? You're good? Good.

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Speaker 3: Now. There are some people who think I don't know

421
00:19:05,920 --> 00:19:08,760
Speaker 3: anything about Sereno de Bergerac, And yet you do because

422
00:19:08,760 --> 00:19:10,040
Speaker 3: you might have seen Roxanne.

423
00:19:10,160 --> 00:19:11,560
Speaker 4: Yeah, you do know about it.

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00:19:12,840 --> 00:19:15,920
Speaker 1: Yeah, and even the more recent one with Peter Dinkline.

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Speaker 1: But it was all the musical elements.

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Speaker 8: It was great.

427
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Speaker 1: But I before I even got this role in Sirina,

428
00:19:22,240 --> 00:19:26,760
Speaker 1: I was watching Roxanne with like mates and stuff around

429
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Speaker 1: before like a holiday.

430
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Speaker 4: What is this?

431
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Speaker 1: What is this? This is great?

432
00:19:30,880 --> 00:19:31,800
Speaker 4: What's this based on?

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Speaker 6: Oh?

434
00:19:32,880 --> 00:19:34,440
Speaker 1: Something that was in the eighteen fifties?

435
00:19:34,520 --> 00:19:34,760
Speaker 6: Oh?

436
00:19:35,040 --> 00:19:35,320
Speaker 2: Great?

437
00:19:35,400 --> 00:19:38,840
Speaker 1: Okay, so this is seminal literature. Oh cool, But it's

438
00:19:39,280 --> 00:19:42,400
Speaker 1: so much of it has been used throughout other literature

439
00:19:42,640 --> 00:19:45,159
Speaker 1: and through other stories, and that that story of the

440
00:19:45,200 --> 00:19:49,119
Speaker 1: thing of going using somebody else to seduce somebody and

441
00:19:49,200 --> 00:19:52,400
Speaker 1: using their body with your language and teaming up, and

442
00:19:52,520 --> 00:19:54,560
Speaker 1: how that isn't ever going to end well.

443
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Speaker 4: And all those things.

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Speaker 1: So it's it's very fun to make it a bit

445
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Speaker 1: more modern and to put some music to it.

446
00:20:00,840 --> 00:20:03,479
Speaker 4: Very nice. I saw a bus back sign for this

447
00:20:03,600 --> 00:20:06,160
Speaker 4: and ad for this show, and I saw Virginia Go's face,

448
00:20:06,160 --> 00:20:08,199
Speaker 4: And she's much loved in Perth, not just for all

449
00:20:08,240 --> 00:20:10,359
Speaker 4: saints and winners and losers, but she's come quite a

450
00:20:10,359 --> 00:20:13,640
Speaker 4: bit for Telethon. So tell us about how much work

451
00:20:13,680 --> 00:20:15,480
Speaker 4: she's put in for this way. Oh my god.

452
00:20:15,680 --> 00:20:17,840
Speaker 1: I was watching a bunch of interviews of her just

453
00:20:17,920 --> 00:20:20,440
Speaker 1: yesterday to kind of actually get prepared for this, to

454
00:20:20,480 --> 00:20:24,760
Speaker 1: actually pay homage to her. She's an amazing writer, actor,

455
00:20:25,040 --> 00:20:28,359
Speaker 1: entertainer in every sense of the word. She is a

456
00:20:28,400 --> 00:20:30,840
Speaker 1: beast of theater, a beast of what we do. You know,

457
00:20:31,160 --> 00:20:32,919
Speaker 1: you walk into a room and treade the boards with her,

458
00:20:33,000 --> 00:20:36,760
Speaker 1: and you quake not only with not only with trepidation,

459
00:20:36,880 --> 00:20:39,920
Speaker 1: but with excitement. You know. It's a beautiful, beautiful thing.

460
00:20:40,200 --> 00:20:42,720
Speaker 1: But her story about how this came to be, she

461
00:20:42,840 --> 00:20:45,840
Speaker 1: wrote this adaption, she was she flipped.

462
00:20:45,520 --> 00:20:49,440
Speaker 3: The Sarah ro Sand is still Roxanne.

463
00:20:49,560 --> 00:20:50,680
Speaker 1: Roxanne is still Rosanne.

464
00:20:50,920 --> 00:20:52,320
Speaker 3: I am Christy Yann and you're young.

465
00:20:53,119 --> 00:20:57,480
Speaker 1: And so she was watching James McAvoy perform Serenoda Burgerack

466
00:20:57,560 --> 00:21:00,359
Speaker 1: in London. She ended up winning like the Olivier Wards

467
00:21:00,400 --> 00:21:03,280
Speaker 1: or something for it, and two scenes in she goes,

468
00:21:04,000 --> 00:21:06,560
Speaker 1: I've got to play that role. But in order to

469
00:21:06,600 --> 00:21:09,160
Speaker 1: do that, the story changes, and in order to do that,

470
00:21:09,480 --> 00:21:11,639
Speaker 1: I need to write it. So she went back and

471
00:21:11,680 --> 00:21:14,360
Speaker 1: started writing it all and inevitably came across that thing

472
00:21:14,400 --> 00:21:18,280
Speaker 1: where cyah I's body is stopping him from being the

473
00:21:18,280 --> 00:21:21,040
Speaker 1: best version of himself or getting everything that he wants

474
00:21:21,080 --> 00:21:23,280
Speaker 1: because of his large extremities.

475
00:21:23,760 --> 00:21:26,040
Speaker 3: You know, he's conscious.

476
00:21:26,920 --> 00:21:30,159
Speaker 1: But as Virginia started to write it, she realized that

477
00:21:30,359 --> 00:21:33,800
Speaker 1: inside of her version, it's actually from the female perspective.

478
00:21:34,119 --> 00:21:36,800
Speaker 1: There's a real modern thing of going. I mean, I'm

479
00:21:36,800 --> 00:21:41,160
Speaker 1: an incredible writer, fighter, poet, speaker, entertainer, leader, but there's

480
00:21:41,200 --> 00:21:43,679
Speaker 1: something in me or my body is stopping me from

481
00:21:43,720 --> 00:21:47,720
Speaker 1: actually getting everything that I want. And so there's this beautiful,

482
00:21:47,800 --> 00:21:51,639
Speaker 1: beautiful modern twist of actuality where audiences in Melbourne were

483
00:21:51,640 --> 00:21:55,359
Speaker 1: coming out weeping because it's this idea of speaking to

484
00:21:55,520 --> 00:21:58,479
Speaker 1: a modern affliction rather than it being something that is

485
00:21:58,520 --> 00:22:01,359
Speaker 1: you know, a nose is an extremity, but yeah, without

486
00:22:01,400 --> 00:22:04,200
Speaker 1: the nose, we don't have any strange pathetics, which is great.

487
00:22:04,520 --> 00:22:07,000
Speaker 1: It puts it onto the character and you can really

488
00:22:07,000 --> 00:22:10,960
Speaker 1: empathize with it all. So it's a very heartfelt, raucous

489
00:22:11,119 --> 00:22:11,760
Speaker 1: piece that she's in.

490
00:22:12,000 --> 00:22:13,439
Speaker 4: That's impact, that's unreal.

491
00:22:13,560 --> 00:22:15,840
Speaker 1: Yeah, it's really special. You sit around and you read

492
00:22:15,840 --> 00:22:21,560
Speaker 1: it when we did line reads, and everyone's like, I'm okay, that's.

493
00:22:21,359 --> 00:22:22,880
Speaker 3: A great story. And it's a great story for anyone

494
00:22:23,040 --> 00:22:25,240
Speaker 3: likes words. You know, it's a real wordy show. I

495
00:22:25,400 --> 00:22:27,280
Speaker 3: like it, yeah, and I'm a word nerd.

496
00:22:27,480 --> 00:22:31,040
Speaker 1: So there's whole sequences of people just going, what's your

497
00:22:31,080 --> 00:22:35,080
Speaker 1: favorite work? But then there's a yeah, and then there's

498
00:22:35,080 --> 00:22:38,920
Speaker 1: this beautiful thing of my character Christianne hates words. Yeah,

499
00:22:38,920 --> 00:22:42,040
Speaker 1: you know it has and I I'm complete opposite, but

500
00:22:42,119 --> 00:22:45,760
Speaker 1: Roxanne loves him. He loves Roxanne. But there's this also

501
00:22:46,000 --> 00:22:49,240
Speaker 1: great explanation of people who go to theater and sometimes

502
00:22:49,240 --> 00:22:51,920
Speaker 1: feel left out, like the player is so aware that

503
00:22:51,960 --> 00:22:54,360
Speaker 1: it's theater. So my guy has this beautiful piece where

504
00:22:54,359 --> 00:22:56,480
Speaker 1: it's like I just don't get it. Yeah, yeah, I

505
00:22:56,520 --> 00:22:59,480
Speaker 1: don't understand why, Like I get bodies, I do this thing,

506
00:22:59,600 --> 00:23:01,480
Speaker 1: but why is that necessary?

507
00:23:01,640 --> 00:23:01,920
Speaker 4: You know?

508
00:23:02,400 --> 00:23:04,479
Speaker 1: So there's this great meeting of the minds and people,

509
00:23:04,760 --> 00:23:06,879
Speaker 1: all people who love theaterre regardless of it for the

510
00:23:06,880 --> 00:23:11,240
Speaker 1: words or the physical entertainment. It's it ticks all the boxes.

511
00:23:11,840 --> 00:23:13,680
Speaker 3: You're not just in town for sir and oh, you're

512
00:23:13,680 --> 00:23:16,920
Speaker 3: in town for Katie Steele as well. Our first family

513
00:23:16,960 --> 00:23:22,680
Speaker 3: of music. They are you, Katie and the per Symphony Orchestra.

514
00:23:23,119 --> 00:23:23,359
Speaker 4: Yeah.

515
00:23:23,520 --> 00:23:26,159
Speaker 1: I'm still pinching myself every time that somebody says it

516
00:23:26,160 --> 00:23:27,920
Speaker 1: to me. I'm like, I'm going to get a phone

517
00:23:27,920 --> 00:23:31,000
Speaker 1: call saying I signed the wrong contact and it's not

518
00:23:31,040 --> 00:23:35,399
Speaker 1: going to go ahead. Because I've been playing live music

519
00:23:35,440 --> 00:23:38,520
Speaker 1: for fifteen years and mainly doing cover gigs three hour

520
00:23:38,600 --> 00:23:42,600
Speaker 1: sets at pubs four nights a week and Mate play

521
00:23:42,600 --> 00:23:45,280
Speaker 1: flame Trees. Nice Dad would always come to sets and

522
00:23:45,320 --> 00:23:46,920
Speaker 1: just be like, play free bird.

523
00:23:48,440 --> 00:23:49,800
Speaker 4: All the time, all the time.

524
00:23:50,200 --> 00:23:52,800
Speaker 1: The primary school principle at Kartha scene like Kartha High

525
00:23:52,840 --> 00:23:53,480
Speaker 1: would just come in.

526
00:23:53,440 --> 00:23:56,760
Speaker 4: And be like, mate, play free, sit down your.

527
00:23:59,280 --> 00:24:02,480
Speaker 1: So this is like for me, it's it's a wonderful, wonderful,

528
00:24:02,480 --> 00:24:06,240
Speaker 1: wonderful opportunity to finally get your music the way that

529
00:24:06,320 --> 00:24:09,119
Speaker 1: you want it to be heard and to be seated

530
00:24:09,119 --> 00:24:11,479
Speaker 1: in a theater with you know, however many I think

531
00:24:11,520 --> 00:24:14,280
Speaker 1: it's a nine hundred seater theater to be able to

532
00:24:14,280 --> 00:24:16,840
Speaker 1: have the opportunity of a wall of sound of music

533
00:24:16,920 --> 00:24:20,480
Speaker 1: that you've created. We haven't heard the arrangements yet, right,

534
00:24:20,520 --> 00:24:23,359
Speaker 1: And the tickets are only they start at forty five dollars,

535
00:24:23,359 --> 00:24:26,280
Speaker 1: So that for a ticket to see an orchestra, Yeah,

536
00:24:26,280 --> 00:24:29,199
Speaker 1: that's so accessible, and to see even Katie Steele. So

537
00:24:30,280 --> 00:24:33,600
Speaker 1: I'm I'm kind of waking up every day and going, yeah, okay,

538
00:24:33,640 --> 00:24:35,320
Speaker 1: practice practice.

539
00:24:34,920 --> 00:24:37,480
Speaker 4: Here, yeah, bitter, pitch yourself, pitch yourself.

540
00:24:37,880 --> 00:24:39,760
Speaker 1: But also like you've been working towards this for a

541
00:24:39,880 --> 00:24:42,399
Speaker 1: very long time, and it's I can't wait to see that.

542
00:24:42,440 --> 00:24:45,640
Speaker 3: The ASTA Theater is a beautiful old theater, just full

543
00:24:45,680 --> 00:24:47,879
Speaker 3: of you know, feeling. In fact does drive part. I

544
00:24:47,960 --> 00:24:50,239
Speaker 3: drive past the aster when I'm driving to work and

545
00:24:50,560 --> 00:24:52,240
Speaker 3: they were up with a bit of scaffolding doing it

546
00:24:52,240 --> 00:24:53,800
Speaker 3: bit of work. They must be doing it in preparation

547
00:24:53,840 --> 00:24:57,320
Speaker 3: of you and Katie. I think they're having it for Katie,

548
00:24:57,840 --> 00:24:59,000
Speaker 3: rolling out all the stuff.

549
00:24:59,680 --> 00:25:00,840
Speaker 4: Yeah, some big names.

550
00:25:00,960 --> 00:25:06,720
Speaker 1: Yeah, they're like no Chols played in pubs and bloody.

551
00:25:04,880 --> 00:25:07,400
Speaker 3: Historying Sessions is at the the Theatre March twenty nine,

552
00:25:07,400 --> 00:25:10,520
Speaker 3: Tickets for that one is through through tic Tech and

553
00:25:10,560 --> 00:25:13,800
Speaker 3: tickets through black Swantheater dot com dot au for Syrho,

554
00:25:13,920 --> 00:25:16,480
Speaker 3: which begins at the heath Ledger of Theater tomorrow and

555
00:25:16,560 --> 00:25:19,480
Speaker 3: runs until March with thank you for coming in.

556
00:25:19,400 --> 00:25:21,280
Speaker 1: Thanks for having the wonderful chat.

557
00:25:21,400 --> 00:25:23,320
Speaker 4: Oh, I know, I always lovely the chat. And while

558
00:25:23,320 --> 00:25:24,480
Speaker 4: you've got the mo I don't know if it's a

559
00:25:24,480 --> 00:25:26,240
Speaker 4: permanent fixture. You have to do you have to play

560
00:25:26,400 --> 00:25:27,480
Speaker 4: or Flynn. It's going to work.

561
00:25:28,960 --> 00:25:33,679
Speaker 1: They've already made I know, not very well because my

562
00:25:33,720 --> 00:25:37,960
Speaker 1: ex girlfriend's brother played him. Yeah, and so it's always

563
00:25:37,960 --> 00:25:39,280
Speaker 1: this point of contention because.

564
00:25:39,040 --> 00:25:43,760
Speaker 4: I could have done that. Good to see me, thanksgag.

565
00:25:44,880 --> 00:25:48,520
Speaker 3: This is such sad news. One of the thy Cave

566
00:25:48,600 --> 00:25:54,480
Speaker 3: rescue boys has died, now seventeen years old. Duung patch Prompter,

567
00:25:55,280 --> 00:25:57,439
Speaker 3: who was rescued from the Thaire Cave in twenty eighteen

568
00:25:57,480 --> 00:26:00,000
Speaker 3: along with eleven other boys and their soccer coach has

569
00:26:00,359 --> 00:26:04,000
Speaker 3: He was the captain of their Wild Boys soccer team

570
00:26:04,480 --> 00:26:07,760
Speaker 3: and he was thirteen when they were rescued. His cause

571
00:26:07,800 --> 00:26:10,800
Speaker 3: of death this week isn't clear. He had one of

572
00:26:11,440 --> 00:26:15,800
Speaker 3: he'd found a place in an English university and he

573
00:26:15,840 --> 00:26:18,480
Speaker 3: was found unconscious in his dorm on Sunday and died

574
00:26:18,520 --> 00:26:25,200
Speaker 3: in hospital a day or so later. Just so very sad,

575
00:26:25,320 --> 00:26:27,880
Speaker 3: but after everything they went through that that would happen.

576
00:26:27,960 --> 00:26:30,879
Speaker 3: But you know, they say the cause of death isn't clear.

577
00:26:30,960 --> 00:26:33,760
Speaker 3: I mean, you've got to wonder, don't you, if there's

578
00:26:33,800 --> 00:26:36,560
Speaker 3: some sort of lingering effect of what they went through

579
00:26:36,920 --> 00:26:39,840
Speaker 3: could have affected his health to or if it's just

580
00:26:39,920 --> 00:26:45,120
Speaker 3: an isolated, you know, totally random bad luck incident.

581
00:26:45,400 --> 00:26:47,560
Speaker 4: It's funny because the word miracle got bandied around a

582
00:26:47,560 --> 00:26:50,200
Speaker 4: lot with that, the one I was saying, but so much,

583
00:26:50,920 --> 00:26:53,720
Speaker 4: so much work went into it as well, so much planning.

584
00:26:53,960 --> 00:26:55,919
Speaker 3: It wasn't I meant, well, it wasn't a miracle, but

585
00:26:55,960 --> 00:26:59,480
Speaker 3: it was just an incredible, credible, credible, incredible story.

586
00:26:59,240 --> 00:27:01,719
Speaker 4: Incredible, and the people doing it and doing all that planning,

587
00:27:01,720 --> 00:27:04,200
Speaker 4: those rescuers they even couldn't believe that.

588
00:27:04,119 --> 00:27:07,440
Speaker 3: They thought they might get one or two. They thought

589
00:27:07,440 --> 00:27:09,600
Speaker 3: it's worth a try, because because none of them are

590
00:27:09,600 --> 00:27:11,239
Speaker 3: going to survive, if we leave them there, we might

591
00:27:11,240 --> 00:27:12,760
Speaker 3: get one or two. And the fact that they got

592
00:27:13,320 --> 00:27:17,520
Speaker 3: all eleven of them and the coach. But if the

593
00:27:17,600 --> 00:27:21,360
Speaker 3: movie Thirteen Lives came out last year Ron Howard, who

594
00:27:21,600 --> 00:27:25,439
Speaker 3: always makes a very good movie that is fantastic. If

595
00:27:25,480 --> 00:27:27,639
Speaker 3: you haven't seen it, it's on Prime video. And I

596
00:27:27,720 --> 00:27:31,080
Speaker 3: remember at the time thinking, I thought, this story at

597
00:27:31,080 --> 00:27:37,240
Speaker 3: the time of it happening was one of the most unbelievable, incredible, miraculous,

598
00:27:37,280 --> 00:27:40,000
Speaker 3: to use the word stories that will happen in my lifetime.

599
00:27:40,359 --> 00:27:43,000
Speaker 3: And then when you watch it, you're just you're reminded

600
00:27:43,040 --> 00:27:47,400
Speaker 3: of just how how it should not have been so fortunate.

601
00:27:47,640 --> 00:27:49,760
Speaker 4: They made it so really. Joel Egiting and the actors

602
00:27:49,800 --> 00:27:52,280
Speaker 4: in there were brilliant, and there also some things I

603
00:27:52,280 --> 00:27:54,199
Speaker 4: didn't know that they had to reinject these kids as

604
00:27:54,200 --> 00:27:56,399
Speaker 4: they were going through because they would wear off. You know,

605
00:27:56,440 --> 00:27:58,000
Speaker 4: the fact that you're knocking these kids out to get

606
00:27:58,000 --> 00:28:00,000
Speaker 4: them out, and you sort of incredible.

607
00:28:00,080 --> 00:28:01,960
Speaker 3: Don't you take a moment to get your head around

608
00:28:01,960 --> 00:28:05,000
Speaker 3: the fact that it took eight or so hours to

609
00:28:05,080 --> 00:28:07,880
Speaker 3: get each of these kids out. It wasn't a case

610
00:28:07,920 --> 00:28:10,080
Speaker 3: of Okay, everybody, take a deep breath, and you know,

611
00:28:10,160 --> 00:28:12,880
Speaker 3: it was like there was women eight hours and some

612
00:28:12,920 --> 00:28:16,720
Speaker 3: of the teeny tiny little spaces they had to get.

613
00:28:16,520 --> 00:28:19,240
Speaker 4: Through, and if you get the anesthetic wrong with these

614
00:28:19,240 --> 00:28:22,320
Speaker 4: tiny bodies just that yell over the perish, But that

615
00:28:22,440 --> 00:28:23,360
Speaker 4: is very sad.

616
00:28:23,160 --> 00:28:25,840
Speaker 3: That is very sad that one of the boys has

617
00:28:26,640 --> 00:28:27,880
Speaker 3: now seventeen, has died.

618
00:28:29,720 --> 00:28:32,520
Speaker 12: Clesy On Lizave