1 00:00:01,200 --> 00:00:04,840 Speaker 1: Powered by they iHeartRadio, a app from ninety six AIRFM 2 00:00:05,080 --> 00:00:06,920 Speaker 1: to where Abby You're listening today? 3 00:00:07,280 --> 00:00:09,960 Speaker 2: This is Clezy and Lisa's podcast. 4 00:00:10,320 --> 00:00:12,640 Speaker 3: Coming up on the podcast, The Shore Report details on 5 00:00:12,680 --> 00:00:14,880 Speaker 3: who cleaned up at the Arias last night, which led 6 00:00:14,960 --> 00:00:17,320 Speaker 3: us to ask you what's the greatest nsy song of 7 00:00:17,360 --> 00:00:17,759 Speaker 3: all time? 8 00:00:17,960 --> 00:00:21,120 Speaker 2: The Triffin's what Happened road Ah some Feel Good nineteen 9 00:00:21,160 --> 00:00:24,079 Speaker 2: eighty seven nostalgia with Clearsy's Tragic Music Box. 10 00:00:24,239 --> 00:00:27,120 Speaker 3: Ben O'Shea spilt the details and surprises with what he 11 00:00:27,160 --> 00:00:30,080 Speaker 3: said about Wicked the movie, including his rating and. 12 00:00:30,200 --> 00:00:33,080 Speaker 2: The story behind the song song This Ice House is 13 00:00:33,120 --> 00:00:37,040 Speaker 2: Great Southern Land The Sure Report on. 14 00:00:37,280 --> 00:00:43,120 Speaker 4: Ninety six AIRVM perbs Troy Sevan won three of the 15 00:00:43,159 --> 00:00:46,000 Speaker 4: big awards at the Arias last night, Best Solo Artist, 16 00:00:46,120 --> 00:00:49,080 Speaker 4: Best Pop Release, and Album of the Year. 17 00:00:49,360 --> 00:00:50,760 Speaker 2: Thank you guys, so so so much. 18 00:00:51,240 --> 00:00:54,320 Speaker 5: This album has like completely completely changed my life. Was 19 00:00:54,720 --> 00:00:58,400 Speaker 5: inspired by the moments between Lockdowns and Melbourne. I was 20 00:00:58,400 --> 00:01:02,800 Speaker 5: like single and really press and lonely, and then those 21 00:01:02,800 --> 00:01:04,440 Speaker 5: little glimpses of hope in between. 22 00:01:04,520 --> 00:01:05,360 Speaker 2: I just started to. 23 00:01:05,280 --> 00:01:08,279 Speaker 5: Like go out and like hook up with random people 24 00:01:08,400 --> 00:01:08,880 Speaker 5: and like. 25 00:01:11,400 --> 00:01:16,520 Speaker 2: Wait okay because I oh my mom, Sorry mom. 26 00:01:16,760 --> 00:01:20,080 Speaker 5: Mom, guys, my mom has seen the craziest my shows. 27 00:01:20,440 --> 00:01:22,840 Speaker 2: This is like nothing for her. They were laughing because 28 00:01:23,040 --> 00:01:25,000 Speaker 2: his mum was with him and she was in the 29 00:01:25,000 --> 00:01:27,720 Speaker 2: audience and she put her hands over her ears when 30 00:01:27,720 --> 00:01:29,919 Speaker 2: he started to go off script. 31 00:01:30,000 --> 00:01:30,160 Speaker 5: There. 32 00:01:30,760 --> 00:01:34,480 Speaker 2: Royal Otis won the most awards, taking home for including 33 00:01:34,560 --> 00:01:37,880 Speaker 2: Best Group and Best Rock Album, g Flip One Song 34 00:01:37,920 --> 00:01:42,320 Speaker 2: of the Year, Emily Waramara one Best Adult Contemporary Album, 35 00:01:42,440 --> 00:01:45,640 Speaker 2: Troy Cassa Daily won Best Country Album, and Missy Higgins 36 00:01:45,680 --> 00:01:48,760 Speaker 2: won Best Australian Live Act and was inducted into the 37 00:01:48,800 --> 00:01:50,600 Speaker 2: ARIA Hall of Fame. The fact that. 38 00:01:50,640 --> 00:01:54,480 Speaker 6: I'm able to have a continuing relationship with my audience 39 00:01:54,520 --> 00:01:59,000 Speaker 6: after twenty three years is something I feel incredibly fortunate about. 40 00:02:00,160 --> 00:02:03,080 Speaker 6: That my fans still want to come in hear my 41 00:02:03,200 --> 00:02:06,760 Speaker 6: existential ramblings and my stories after all this time just 42 00:02:07,160 --> 00:02:10,160 Speaker 6: blows my mind. I don't take it for granted. 43 00:02:10,680 --> 00:02:13,160 Speaker 2: We'll come back to Missy in a moment. The members 44 00:02:13,160 --> 00:02:15,239 Speaker 2: of One Direction have come together for the first time 45 00:02:15,240 --> 00:02:19,320 Speaker 2: in nine years for Liam Payne's funeral. Harry Styles, Mullick, 46 00:02:19,560 --> 00:02:22,440 Speaker 2: nahl Horn and Louis Tomlinson were all there, along with 47 00:02:22,639 --> 00:02:26,480 Speaker 2: Simon Cowell, who formed one direction on the Expector. Liam's 48 00:02:26,560 --> 00:02:28,639 Speaker 2: girlfriend Kay Cassidy was one of the first people to 49 00:02:28,760 --> 00:02:32,760 Speaker 2: arrive at the service, alongside Elizabeth Hurley's son Damien Hurley. 50 00:02:33,320 --> 00:02:35,880 Speaker 2: And the Wicked movie is out today and fun fact, 51 00:02:36,200 --> 00:02:39,560 Speaker 2: Lady Gaga was originally in talks to play el Faber, 52 00:02:39,720 --> 00:02:42,760 Speaker 2: the role being played by Cynthia Arrivo. This was when 53 00:02:42,840 --> 00:02:45,400 Speaker 2: the movie had a different director at the Helm, Stephen Doldry, 54 00:02:45,440 --> 00:02:49,200 Speaker 2: who departed the departed the project in twenty twenty due 55 00:02:49,200 --> 00:02:52,880 Speaker 2: to scheduling conflicts. At that time, the role of Fierro, 56 00:02:53,320 --> 00:02:55,480 Speaker 2: who's played by Jonathan Bailey, was going to be played 57 00:02:55,480 --> 00:02:57,400 Speaker 2: by singer Shawn Mendez, so it was going to be 58 00:02:57,440 --> 00:03:00,400 Speaker 2: Sean Mendez and Lady Gaga. It's not though. Were talking 59 00:03:00,440 --> 00:03:03,360 Speaker 2: about the big winners. Choyce Van at the Arias last night. 60 00:03:03,560 --> 00:03:07,760 Speaker 2: G Flip one song of the year. I mean, it's 61 00:03:07,840 --> 00:03:11,200 Speaker 2: not one that we play. It's called the Worst person Alive. 62 00:03:11,280 --> 00:03:27,040 Speaker 2: This is what it sounds like. I don't mind it. 63 00:03:28,680 --> 00:03:32,160 Speaker 2: Pop Field hasn't. Flipp has got a really sweet voice. 64 00:03:32,639 --> 00:03:34,440 Speaker 2: I don't mind it. It's not the worst song I've 65 00:03:34,440 --> 00:03:36,960 Speaker 2: heard this year. We're asking what do you think is 66 00:03:37,040 --> 00:03:39,880 Speaker 2: the best Australian Song ever in the morning after the 67 00:03:39,960 --> 00:03:44,360 Speaker 2: arias Garth in cart up Helo. Good, what gets your 68 00:03:44,400 --> 00:03:45,840 Speaker 2: vote for best Australian Song ever? 69 00:03:47,760 --> 00:03:50,000 Speaker 7: Personally it's sounds byang. 70 00:03:50,080 --> 00:03:53,840 Speaker 2: I think that should Ganga Dang, you know, as literally 71 00:03:53,920 --> 00:03:57,400 Speaker 2: as you said it. Craig and Singleton texted Ganga Jang 72 00:03:57,520 --> 00:04:00,600 Speaker 2: sounds of then you're not Craig and Singleton in. 73 00:04:00,560 --> 00:04:03,200 Speaker 3: The patio Garth and Card from the patio together. 74 00:04:03,600 --> 00:04:07,080 Speaker 7: So that's it's just the way it's sings everything Australian. 75 00:04:08,920 --> 00:04:11,480 Speaker 3: Thanks Garth, thanks great, yeah, and thanks to Doug from 76 00:04:11,480 --> 00:04:12,920 Speaker 3: tu Jo, who's he'd shoot the thrilled by a. 77 00:04:13,000 --> 00:04:15,800 Speaker 2: C Yes, and he got that in nice and early 78 00:04:16,320 --> 00:04:17,360 Speaker 2: thirty this morning. 79 00:04:17,080 --> 00:04:18,920 Speaker 3: As soon as he heard it up and about just 80 00:04:19,000 --> 00:04:20,400 Speaker 3: a little hint and Doug goes under it. 81 00:04:20,600 --> 00:04:24,240 Speaker 2: He loves Peter and Meranguru. What do you think I've 82 00:04:24,279 --> 00:04:27,920 Speaker 2: always liked west Bo Dingos. Okay, yeah, there was a 83 00:04:27,960 --> 00:04:28,800 Speaker 2: beauty all. 84 00:04:28,720 --> 00:04:34,640 Speaker 3: Right, well early eighties or late seventies, seventies, I think, yeah, yeah. 85 00:04:34,440 --> 00:04:38,240 Speaker 2: It's just the time, the title of the band and 86 00:04:38,320 --> 00:04:42,280 Speaker 2: the song and well just the song itself. I just 87 00:04:42,320 --> 00:04:44,560 Speaker 2: reagon it's the cracker we are asking for the greatest 88 00:04:44,680 --> 00:04:49,800 Speaker 2: Australian song. So the money, Thanks Peter. I've got to 89 00:04:49,839 --> 00:04:51,520 Speaker 2: admit I do have a definished of favor. 90 00:04:51,440 --> 00:04:53,240 Speaker 3: You have gone You're Lucky? 91 00:04:53,360 --> 00:04:56,960 Speaker 2: Yes, And not only is it a Australian song, it's 92 00:04:57,000 --> 00:04:58,200 Speaker 2: a West Australia West was the. 93 00:04:58,240 --> 00:04:59,000 Speaker 3: Song have you got a Bit? 94 00:04:59,080 --> 00:04:59,840 Speaker 2: Yeah? Got a bit right? 95 00:05:13,640 --> 00:05:14,359 Speaker 8: Dare yep. 96 00:05:16,360 --> 00:05:16,400 Speaker 7: A? 97 00:05:16,600 --> 00:05:19,160 Speaker 2: Dare you to argue with me that the trip It's 98 00:05:19,200 --> 00:05:21,720 Speaker 2: wide open road is not the greatest Australian song of 99 00:05:21,839 --> 00:05:25,440 Speaker 2: all time. Have personal favorites and that is an absolute gym, 100 00:05:25,480 --> 00:05:26,839 Speaker 2: isn't it? It is what a beauty? 101 00:05:27,080 --> 00:05:30,200 Speaker 3: Yes, and that feel, that production and everything about it, 102 00:05:30,480 --> 00:05:31,320 Speaker 3: everything about it. 103 00:05:31,400 --> 00:05:31,960 Speaker 2: Going for it. 104 00:05:32,520 --> 00:05:34,600 Speaker 3: Incredible talent. Now, I could give you a list of 105 00:05:34,640 --> 00:05:36,480 Speaker 3: about ninety, but I'm going to come up with one 106 00:05:36,520 --> 00:05:40,200 Speaker 3: because in excesses Change comes to mind and Grinspoon's Chemical Heart. 107 00:05:40,240 --> 00:05:41,960 Speaker 3: But I'm going to go with one that Springsteen played 108 00:05:42,120 --> 00:05:42,640 Speaker 3: last time. 109 00:05:42,520 --> 00:05:42,800 Speaker 2: He was here. 110 00:05:42,839 --> 00:05:50,880 Speaker 3: It was the Saints this month, nice shows the late 111 00:05:50,960 --> 00:05:53,200 Speaker 3: Chris Baali and the Saints just like Firework and the 112 00:05:53,240 --> 00:05:54,560 Speaker 3: eas Street Band did really. 113 00:05:54,400 --> 00:06:00,200 Speaker 2: Well for well. Paul and Joodler, Hello O Paulning, how 114 00:06:00,360 --> 00:06:01,280 Speaker 2: is it good? What's yours? 115 00:06:02,000 --> 00:06:04,320 Speaker 7: It has to be the Angels, and if it's going 116 00:06:04,400 --> 00:06:05,920 Speaker 7: to be the Angels, it has to be. Am I 117 00:06:06,000 --> 00:06:10,320 Speaker 7: ever going to see your face again? I'm not that 118 00:06:10,400 --> 00:06:12,119 Speaker 7: good at singing. I wouldn't do it to your viewers, 119 00:06:12,240 --> 00:06:16,200 Speaker 7: but a couple of I was listening to Liveline the 120 00:06:16,279 --> 00:06:19,120 Speaker 7: other day and it's actually really good, even the live 121 00:06:20,240 --> 00:06:20,839 Speaker 7: all the people. 122 00:06:21,240 --> 00:06:25,120 Speaker 3: Yeah, yeah, yeah, Doc going on best Doc neson. Yeah. 123 00:06:25,400 --> 00:06:27,280 Speaker 7: It was a shame that he died because imagine what 124 00:06:27,360 --> 00:06:28,440 Speaker 7: he would have done if he had. 125 00:06:28,360 --> 00:06:28,920 Speaker 2: Have kept going. 126 00:06:29,600 --> 00:06:31,520 Speaker 3: Yeah to lose Doc. 127 00:06:31,839 --> 00:06:33,680 Speaker 7: I haven't heard the Triffords for so long. 128 00:06:34,920 --> 00:06:37,400 Speaker 2: You're going to look it up today now? After that, Yeah, 129 00:06:37,760 --> 00:06:40,240 Speaker 2: I need to listen to that song, the greatest song 130 00:06:40,320 --> 00:06:46,680 Speaker 2: of all the album or the album thanks Paul to 131 00:06:46,800 --> 00:06:49,320 Speaker 2: Peter and Melville, he agrees the Angels. Am I ever 132 00:06:49,360 --> 00:06:51,800 Speaker 2: going to see your face again? We've got some boats 133 00:06:51,839 --> 00:06:52,760 Speaker 2: for you know Friday. 134 00:06:52,880 --> 00:06:53,960 Speaker 3: My mind the easy. 135 00:06:53,800 --> 00:06:57,920 Speaker 2: Beads is popping up. I see. Robert in Darch says 136 00:06:58,000 --> 00:07:02,919 Speaker 2: down Under, we've got Leaps and Bounds by Paul Kelly. 137 00:07:03,080 --> 00:07:06,720 Speaker 2: That's Janelle in Ferndal Plamo Reckons Blue sky Mine by 138 00:07:06,800 --> 00:07:12,160 Speaker 2: Midnight Oil. Peter from Serpentine says, most people think that 139 00:07:12,280 --> 00:07:15,000 Speaker 2: I know think that I'm crazy, really thought it's a 140 00:07:15,000 --> 00:07:18,360 Speaker 2: pretty good one's lots of DC had any Daddy calls. 141 00:07:20,080 --> 00:07:22,520 Speaker 3: I've seen a lot of this. 142 00:07:22,880 --> 00:07:27,080 Speaker 2: Yes, Grant in Beaconsfield has given us some Eagle rock 143 00:07:27,160 --> 00:07:29,960 Speaker 2: Daddy cal There's a lot of a lot of ice House, 144 00:07:30,800 --> 00:07:33,840 Speaker 2: which is good because they are in the story behind 145 00:07:33,880 --> 00:07:37,080 Speaker 2: the song. Today eight o'clock, let's go to Ging and Dave. 146 00:07:38,920 --> 00:07:39,160 Speaker 3: Hello. 147 00:07:40,080 --> 00:07:41,000 Speaker 2: Do you think Dave. 148 00:07:42,640 --> 00:07:43,360 Speaker 7: It's got everything? 149 00:07:46,520 --> 00:07:48,720 Speaker 2: Yes, the best of both worlds with the two of them. 150 00:07:48,800 --> 00:07:50,880 Speaker 3: Want a contrast to those voices too, They're just so. 151 00:07:54,160 --> 00:07:54,320 Speaker 2: Yeah. 152 00:07:54,400 --> 00:07:55,239 Speaker 3: Yeah, it is an epic. 153 00:07:55,800 --> 00:08:03,480 Speaker 2: We played it yesterday and we did we did. Oh 154 00:08:03,520 --> 00:08:04,160 Speaker 2: what a great. 155 00:08:07,680 --> 00:08:13,720 Speaker 3: Yeah, the White Sands do it one years ago and 156 00:08:14,240 --> 00:08:16,239 Speaker 3: watching him play guitar is just a treat in itself, 157 00:08:16,280 --> 00:08:16,560 Speaker 3: isn't it? 158 00:08:16,640 --> 00:08:21,440 Speaker 2: Dave freaking nature? Thanks Dave you. Oh I like this 159 00:08:21,600 --> 00:08:25,080 Speaker 2: one Eve by Stevie right, Alan and Carlo all three parts. 160 00:08:25,160 --> 00:08:29,160 Speaker 2: I would say, Alan, definitely, I love that Master's Apprentices 161 00:08:29,200 --> 00:08:32,880 Speaker 2: because I love you. Yes, I in Allen Brook says 162 00:08:32,960 --> 00:08:35,400 Speaker 2: Hunters and Collectors when the River runs dry? What a 163 00:08:35,480 --> 00:08:39,640 Speaker 2: great song. And another one for ice House is great 164 00:08:39,800 --> 00:08:44,679 Speaker 2: Southern Land. It was Ron Instrumental who said cleaning Lady. 165 00:08:44,720 --> 00:08:47,719 Speaker 2: Thanks wrong, Yes, not school, Melissa in Secret Harbor? What 166 00:08:48,000 --> 00:08:51,160 Speaker 2: do you think you get the last vote? What do 167 00:08:51,240 --> 00:08:54,600 Speaker 2: you think is the greatest Australian song at all time? 168 00:08:54,880 --> 00:08:57,559 Speaker 8: There's so many oddy songs that define who we are 169 00:08:57,640 --> 00:09:01,880 Speaker 8: as a nation. However, there's one, my opinion, that just 170 00:09:02,040 --> 00:09:04,079 Speaker 8: stands to test the time and that has to be 171 00:09:04,640 --> 00:09:10,920 Speaker 8: up there because because Mike Brady, I mean, what other country, seriously, 172 00:09:11,040 --> 00:09:15,120 Speaker 8: I stand to be corrected maybe has a song that 173 00:09:15,440 --> 00:09:20,640 Speaker 8: is specifically written about one of our favorite national sports 174 00:09:20,960 --> 00:09:23,679 Speaker 8: and it just puts the hair on the back of 175 00:09:23,800 --> 00:09:26,240 Speaker 8: your neck, you know, it makes it stand up. And 176 00:09:26,360 --> 00:09:28,880 Speaker 8: I was just thinking this year at the Grand Final, 177 00:09:29,240 --> 00:09:32,439 Speaker 8: what happens when Brady passes on? Are we going to 178 00:09:32,520 --> 00:09:35,040 Speaker 8: super impose him up on the big screen? Because what 179 00:09:35,240 --> 00:09:38,640 Speaker 8: would an Aussie Grand Final be without Mike Brady? 180 00:09:41,040 --> 00:09:45,000 Speaker 2: Kiss? Yes, yes, because I mean footy is just fo 181 00:09:45,080 --> 00:09:46,719 Speaker 2: Do you even love it? Or you hate it? 182 00:09:47,240 --> 00:09:48,640 Speaker 3: And sim lyrics isn't it? 183 00:09:49,320 --> 00:09:50,120 Speaker 2: He is? Sorry? 184 00:09:56,640 --> 00:10:01,920 Speaker 3: Thanks Melissa More Lisa More Podcasts soon. 185 00:10:04,320 --> 00:10:09,400 Speaker 4: Delving deep into the archives of Earth music history. 186 00:10:10,320 --> 00:10:12,920 Speaker 2: Clezies Tragic Music Box. 187 00:10:13,440 --> 00:10:15,839 Speaker 3: Where do we got nineteen eighty seven from the Tragic 188 00:10:15,960 --> 00:10:19,000 Speaker 3: Music Box? Today Lease nineteen eighty seven. As you just said, 189 00:10:19,160 --> 00:10:20,480 Speaker 3: you'd love to go back to eighty seven. 190 00:10:20,600 --> 00:10:21,880 Speaker 2: God like that tone. 191 00:10:22,080 --> 00:10:24,959 Speaker 3: Eighty seven nineteen eighty seven, of course we know less 192 00:10:25,080 --> 00:10:27,520 Speaker 3: was the year Frio was prettied up and pumped in 193 00:10:27,640 --> 00:10:31,600 Speaker 3: anticipation of Australia's defense in the America's Cup. Oh yes, 194 00:10:32,200 --> 00:10:34,760 Speaker 3: class look computer for Channel nineteen Bag got the coup. 195 00:10:34,840 --> 00:10:38,400 Speaker 3: They signed Australia two captain Johnny Bertrand and Wing Keel 196 00:10:38,440 --> 00:10:40,640 Speaker 3: designed you and to expend Lexon on their commentary team 197 00:10:41,120 --> 00:10:43,320 Speaker 3: after their heroics of four years earlier. 198 00:10:43,800 --> 00:10:44,520 Speaker 2: And it was everywhere. 199 00:10:44,559 --> 00:10:46,280 Speaker 3: You could watch the races on the big screen in 200 00:10:46,360 --> 00:10:49,600 Speaker 3: the lobby lounge of the twelve meter bar at Berswick Casino. Yeah, 201 00:10:49,679 --> 00:10:51,839 Speaker 3: were you still working there at that stage? It was 202 00:10:52,080 --> 00:10:55,959 Speaker 3: eighty seven open eighty six? No, there you've done. No, okay, 203 00:10:56,120 --> 00:10:57,199 Speaker 3: You've got got another job. 204 00:10:57,360 --> 00:11:00,160 Speaker 2: I wasn't there for long, just there for aa. 205 00:11:00,880 --> 00:11:04,719 Speaker 3: Unfortunately, Dennis cott I got his revenge right and you know, 206 00:11:04,840 --> 00:11:07,160 Speaker 3: after all, the who, after everything that happened four years later, 207 00:11:07,240 --> 00:11:09,679 Speaker 3: got his revenge. Stars and Stripes eighty seven defeated Ian 208 00:11:09,760 --> 00:11:13,079 Speaker 3: Murray's Koko Barough three in a four nil sweep Engage 209 00:11:13,160 --> 00:11:15,160 Speaker 3: Roads off Freo. It was actually it was a slaughter. 210 00:11:15,520 --> 00:11:18,400 Speaker 3: Sadly it wasn't no party for Bondi and his team 211 00:11:18,440 --> 00:11:21,679 Speaker 3: this time, unfortunately. But that didn't stop the sale and 212 00:11:21,720 --> 00:11:24,240 Speaker 3: anchor and Freo running out of beer because every night 213 00:11:24,320 --> 00:11:27,480 Speaker 3: people just went we're drinking and we're partying. Everybody went 214 00:11:27,480 --> 00:11:30,559 Speaker 3: to the Salnker at least once during that Yeah, that 215 00:11:30,720 --> 00:11:32,880 Speaker 3: race absolutely Yeah, what a busy pub right in the 216 00:11:32,920 --> 00:11:36,160 Speaker 3: heart of Frio and Bondie's defense team Australian forward didn't 217 00:11:36,280 --> 00:11:39,680 Speaker 3: make the final, been by Murray's mob. Speaking of Bondie, 218 00:11:39,679 --> 00:11:43,400 Speaker 3: his hotel at Scarborough, the Scarborough Observation City Resort Hotel, 219 00:11:43,800 --> 00:11:46,120 Speaker 3: opening time for the Cup tourists of eighty seven. He 220 00:11:46,160 --> 00:11:48,320 Speaker 3: always had the tourists in mind, didn't He were making 221 00:11:48,360 --> 00:11:51,480 Speaker 3: the dollars eighty seven also there they were only here 222 00:11:51,520 --> 00:11:53,560 Speaker 3: for a couple of weeks whatever, longer than they're out 223 00:11:53,600 --> 00:11:56,400 Speaker 3: of town. Yeah, I did their one visit to the pub. 224 00:11:56,800 --> 00:11:59,240 Speaker 3: Also that year, the West Coast Eagules were brand new, 225 00:11:59,400 --> 00:12:02,960 Speaker 3: joining the expanded VFL competition. Because it was eighty seven, 226 00:12:03,040 --> 00:12:06,240 Speaker 3: it wasn't the AFL for another three years. The Perth 227 00:12:06,320 --> 00:12:09,280 Speaker 3: Wildcats made the National Basketball League playoffs for the first 228 00:12:09,320 --> 00:12:13,320 Speaker 3: time after adding American born stars James Crawford, the Alabama Slammer, 229 00:12:13,360 --> 00:12:15,800 Speaker 3: and Cal Bruton to their roster. That made sense. You 230 00:12:15,880 --> 00:12:17,520 Speaker 3: had those guys, you make the playoffs straight away. 231 00:12:17,600 --> 00:12:20,800 Speaker 2: That was a dream team. Wasn't incredible about the dream team? 232 00:12:21,000 --> 00:12:22,000 Speaker 2: That was unreal? 233 00:12:22,200 --> 00:12:25,040 Speaker 3: That was one, no doubt. Moving away from Sport nineteen 234 00:12:25,040 --> 00:12:28,000 Speaker 3: eighty seven, long before Facebook, Marketplace or even gum Tree, 235 00:12:28,520 --> 00:12:30,600 Speaker 3: you can actually buy and sell stuff using the Sunday 236 00:12:30,640 --> 00:12:34,000 Speaker 3: Times readers mart or you could go down to Frio 237 00:12:34,200 --> 00:12:37,280 Speaker 3: for the Trash and Treasure for telethon and buy and 238 00:12:37,400 --> 00:12:39,920 Speaker 3: sell at the Trash and Treasure then the Henderson Street 239 00:12:39,960 --> 00:12:43,240 Speaker 3: car park in Frio every Sunday at the movies. Michael 240 00:12:43,280 --> 00:12:46,120 Speaker 3: Douglas is one of the hottest people in Hollywood. Greed 241 00:12:46,240 --> 00:12:48,240 Speaker 3: is good is what he said in Wall Street, and 242 00:12:48,360 --> 00:12:53,080 Speaker 3: in Fatal Attraction, Glenn Close said that cheating is dangerous. 243 00:12:55,559 --> 00:12:57,599 Speaker 2: I got to see you start and I was not 244 00:12:57,720 --> 00:12:58,160 Speaker 2: going to start. 245 00:12:58,200 --> 00:13:01,000 Speaker 3: It's going to go on, and I don't sleep with 246 00:13:01,040 --> 00:13:03,439 Speaker 3: The Bunny Boiler movie scared the hell out of me. 247 00:13:03,640 --> 00:13:05,920 Speaker 3: In nineteen eighty seven, you could buy a new fiberglass 248 00:13:05,960 --> 00:13:09,200 Speaker 3: family pool from pouls the Sapphire Pools for four thousand, 249 00:13:09,240 --> 00:13:11,040 Speaker 3: five hundred bucks. Yeah, he was known as Pool, the 250 00:13:11,080 --> 00:13:11,800 Speaker 3: outdoor outlaw. 251 00:13:12,000 --> 00:13:12,920 Speaker 2: Had you dig your own holder? 252 00:13:13,000 --> 00:13:14,480 Speaker 3: Yeah, I think you were digging. Hell, it was a 253 00:13:14,559 --> 00:13:18,800 Speaker 3: hand dig. In eighty seven, shoulder pads were huge in 254 00:13:18,960 --> 00:13:21,120 Speaker 3: size and sales. You had the big shoulder pads going 255 00:13:21,160 --> 00:13:21,720 Speaker 3: on eighty seven. 256 00:13:22,160 --> 00:13:24,719 Speaker 2: Well, you couldn't not. I mean, if you wanted to 257 00:13:24,760 --> 00:13:27,319 Speaker 2: buy a blazer, you were getting shoulder out of you 258 00:13:27,559 --> 00:13:28,040 Speaker 2: liked it or not. 259 00:13:29,280 --> 00:13:31,599 Speaker 3: Yeah. Speaking of hot stars, I mean Harry Hamlin, a 260 00:13:31,679 --> 00:13:33,840 Speaker 3: handsome man from Olor, was one of the hottest stars 261 00:13:33,880 --> 00:13:36,920 Speaker 3: on TV around the world. And the Golden Girls were irresistible. 262 00:13:36,960 --> 00:13:39,000 Speaker 3: Of course they love the Golden Girls too. Is to 263 00:13:39,080 --> 00:13:42,840 Speaker 3: Perth included e Rhythmics, Texan boogie woogie rockers, Ezy Top. 264 00:13:43,000 --> 00:13:44,760 Speaker 3: It was a hot new Aussie band called Noisework. So 265 00:13:45,000 --> 00:13:47,400 Speaker 3: they didn't play the ENSGND once they visited twice they 266 00:13:47,440 --> 00:13:50,240 Speaker 3: were that much in demand. And the legendary Stevie Wonder 267 00:13:50,320 --> 00:13:53,559 Speaker 3: played the Entertainment Center and he was a star on Telethon. 268 00:14:17,720 --> 00:14:18,560 Speaker 2: And every year. 269 00:14:21,720 --> 00:14:25,480 Speaker 3: The letter even modified is lyrics for telephone. 270 00:14:25,160 --> 00:14:25,680 Speaker 2: Is a lesson. 271 00:14:26,280 --> 00:14:28,440 Speaker 3: He really is a letter, yeah, unreal. 272 00:14:28,480 --> 00:14:34,760 Speaker 2: More Cley More Lisa More podcasts soon great to flick 273 00:14:35,120 --> 00:14:36,239 Speaker 2: with ben o'she. 274 00:14:36,600 --> 00:14:38,720 Speaker 3: Good Morning, Much Good Morning. 275 00:14:38,920 --> 00:14:42,640 Speaker 2: Been a couple of weeks the big blogbuster movies. 276 00:14:43,000 --> 00:14:44,240 Speaker 9: It's going to just keep going all the way to 277 00:14:44,320 --> 00:14:47,360 Speaker 9: Christmas as we get into the summer blockbuster season in America. 278 00:14:47,440 --> 00:14:49,280 Speaker 9: But this one we're talking about today one of the 279 00:14:49,320 --> 00:14:53,520 Speaker 9: most anticipated films of the year, the adaptation of the 280 00:14:53,680 --> 00:14:56,440 Speaker 9: hit musical Wicked. Do you know how much money the 281 00:14:56,520 --> 00:14:59,200 Speaker 9: Wicked musical has made at the global box office? I 282 00:14:59,280 --> 00:15:03,760 Speaker 9: love six billion dollars. It's billion since since it's Broadway 283 00:15:03,800 --> 00:15:06,640 Speaker 9: taboo in two thousand and three. So a lot of 284 00:15:06,680 --> 00:15:09,320 Speaker 9: people love it, you know, all the big songs like 285 00:15:09,480 --> 00:15:13,480 Speaker 9: popular and defined Gravity and it's the theater show is 286 00:15:13,480 --> 00:15:15,360 Speaker 9: coming to Perth I think in the next month. Yes, 287 00:15:16,200 --> 00:15:18,680 Speaker 9: but the film is out now, directed by John m 288 00:15:18,880 --> 00:15:21,760 Speaker 9: chu who did he Did In the Heights, which was 289 00:15:21,800 --> 00:15:24,160 Speaker 9: another musical adaptation a couple of years ago that no 290 00:15:24,240 --> 00:15:26,560 Speaker 9: one saw but was actually really amazing. 291 00:15:26,560 --> 00:15:27,880 Speaker 2: Which is actually really good. 292 00:15:28,400 --> 00:15:30,160 Speaker 9: Yeah, it came out during the pandemic and just it 293 00:15:30,280 --> 00:15:31,880 Speaker 9: just was one of those it got kind of lost 294 00:15:31,920 --> 00:15:34,360 Speaker 9: in the in the in the fuss around that. But 295 00:15:34,520 --> 00:15:39,280 Speaker 9: so that the movie. Can you sum up a global 296 00:15:39,320 --> 00:15:44,440 Speaker 9: pandemic like that? Anyway's move along, move And so so 297 00:15:45,040 --> 00:15:50,040 Speaker 9: the musical movie of Wicked stars Ariana Grande pop star 298 00:15:50,320 --> 00:15:54,600 Speaker 9: as Glinda the Good, and Cynthia Arrivo, who's Oscar nominee, 299 00:15:54,880 --> 00:15:57,640 Speaker 9: as Alphaba. Because this is an origin story of the 300 00:15:57,720 --> 00:16:00,520 Speaker 9: Wicked Witch of the West from the with It of Oz, 301 00:16:00,680 --> 00:16:02,120 Speaker 9: you know, so you're talking about one hundred and twenty 302 00:16:02,160 --> 00:16:05,080 Speaker 9: five year old kind of source material here, and the 303 00:16:05,120 --> 00:16:08,280 Speaker 9: Wicked Musical kind of refreshed that reimagined it is she 304 00:16:08,440 --> 00:16:14,000 Speaker 9: that's right, that's right, Alphaba who's the green one, and 305 00:16:14,080 --> 00:16:17,880 Speaker 9: Glinda the Good dressed in pink. And so, going going 306 00:16:17,960 --> 00:16:21,280 Speaker 9: into this, like we knew that Cynthia Arrivo was a 307 00:16:21,280 --> 00:16:25,760 Speaker 9: great actor. She was in that biopic Harriet. She's won 308 00:16:25,840 --> 00:16:28,320 Speaker 9: a Tony, she's won a Grammy, she had the Oscar nomination. 309 00:16:28,480 --> 00:16:33,440 Speaker 9: She sees a legit, legit actor, and she brings that 310 00:16:33,640 --> 00:16:36,480 Speaker 9: to this role really like you watch it, you go, well, 311 00:16:36,680 --> 00:16:39,040 Speaker 9: this is a serious dramatic performance here, even though she's 312 00:16:39,080 --> 00:16:42,400 Speaker 9: a green witch. And but the big surprise for me, 313 00:16:42,520 --> 00:16:46,160 Speaker 9: the revelation was that Ariana Grande is actually hilarious. It's 314 00:16:46,280 --> 00:16:49,480 Speaker 9: real legitimately very ultimately funny. I interviewed her, She wasn't 315 00:16:49,520 --> 00:16:54,560 Speaker 9: that funny when I spoke to him. Both were too tiny. 316 00:16:54,640 --> 00:16:56,880 Speaker 9: Oh yeah, it was a love fest, like you know, 317 00:16:57,200 --> 00:16:59,120 Speaker 9: and this this is this is a movie about, you know, 318 00:16:59,200 --> 00:17:01,720 Speaker 9: the relationship with these two women who find themselves in 319 00:17:01,760 --> 00:17:06,800 Speaker 9: this very difficult situation where the society of Oz is 320 00:17:06,920 --> 00:17:10,320 Speaker 9: under threat because of you know, like these forces that 321 00:17:10,440 --> 00:17:13,879 Speaker 9: are trying to divide and conquer and maybe the wizard 322 00:17:13,880 --> 00:17:16,280 Speaker 9: played by Jeff Goldblum is not such a nice guy. 323 00:17:17,280 --> 00:17:20,600 Speaker 9: You've got Oscar winner Michelle Yoh as sort of the 324 00:17:20,920 --> 00:17:23,440 Speaker 9: sort of the one of the lecturers out of Hogwarts 325 00:17:23,520 --> 00:17:26,920 Speaker 9: style school. There's a lot of really Harry Potter vibes 326 00:17:26,960 --> 00:17:29,960 Speaker 9: if you're watching it. But fans of the musical will 327 00:17:29,960 --> 00:17:32,840 Speaker 9: be happy to know that no expense was spared to 328 00:17:32,920 --> 00:17:34,960 Speaker 9: bring this production to the screen. Like this is the 329 00:17:35,040 --> 00:17:39,720 Speaker 9: most lavishly produced big screen musical in the history of cinema. 330 00:17:40,040 --> 00:17:42,720 Speaker 9: Like we're talking two hundred million dollars they spent on it. 331 00:17:43,000 --> 00:17:45,720 Speaker 9: There was one set that was as big as two 332 00:17:45,920 --> 00:17:49,399 Speaker 9: American football fields, if you can imagine the scale of that, 333 00:17:49,800 --> 00:17:52,359 Speaker 9: and so some of these musical numbers, you're watching it 334 00:17:52,440 --> 00:17:54,840 Speaker 9: on the screen, going, this has got to be CG 335 00:17:54,920 --> 00:17:57,440 Speaker 9: effects because it stretches as far as you can see 336 00:17:57,600 --> 00:17:59,479 Speaker 9: hundreds and hundreds of performers, but it was all real 337 00:18:00,560 --> 00:18:03,480 Speaker 9: and they sang the songs live, which it just doesn't happen. 338 00:18:03,720 --> 00:18:05,879 Speaker 9: So when you're watching the movie, you're seeing Ariana Grande 339 00:18:06,000 --> 00:18:09,080 Speaker 9: belting out these songs. You can see the muscles in 340 00:18:09,240 --> 00:18:12,320 Speaker 9: her neck straining to hit the notes, which is it's incredible. 341 00:18:14,080 --> 00:18:16,040 Speaker 9: But it's a part one of two, and that's one 342 00:18:16,040 --> 00:18:18,560 Speaker 9: of the problems of the film. It's any time when 343 00:18:18,600 --> 00:18:21,200 Speaker 9: you have a movie that is split into two, the 344 00:18:21,320 --> 00:18:24,920 Speaker 9: conclusion many is not quite so satisfying. It kind of 345 00:18:25,080 --> 00:18:28,760 Speaker 9: ends where the musical hits intermission on that Defined Gravity song, 346 00:18:28,840 --> 00:18:31,560 Speaker 9: which is an incredible musical number in the film, But 347 00:18:31,720 --> 00:18:33,840 Speaker 9: then it ends and you're just like, I've got to 348 00:18:33,840 --> 00:18:34,960 Speaker 9: wait till next year to see. 349 00:18:34,840 --> 00:18:37,200 Speaker 2: How this is going to finish out. Now, I'm not 350 00:18:37,280 --> 00:18:39,480 Speaker 2: a fan of the two parts, and I'm not either. 351 00:18:39,880 --> 00:18:41,400 Speaker 2: I've got to not a series. I've got to knock 352 00:18:41,400 --> 00:18:42,080 Speaker 2: it down a little bit for. 353 00:18:42,119 --> 00:18:44,399 Speaker 3: It's like binge, yeah, you want to keep going? 354 00:18:44,480 --> 00:18:48,200 Speaker 2: Yeah, yeah, all right, Well, how many pay no attention 355 00:18:48,280 --> 00:18:50,840 Speaker 2: to the man behind the cursion giving it. 356 00:18:51,400 --> 00:18:54,199 Speaker 9: Yeah, like in other ways, it's a very very special 357 00:18:54,320 --> 00:18:56,520 Speaker 9: film and certainly fans of the musical will love it. 358 00:18:56,560 --> 00:19:00,240 Speaker 2: I'm going to give this one four oko yes, and 359 00:19:00,280 --> 00:19:04,000 Speaker 2: you're knocking it down. Yeah, but that's how that's. 360 00:19:03,880 --> 00:19:04,600 Speaker 3: How good it is. 361 00:19:04,720 --> 00:19:06,000 Speaker 2: The production is insane. 362 00:19:06,200 --> 00:19:08,240 Speaker 9: This will reredible, Like I wouldn't be surprised that all 363 00:19:08,280 --> 00:19:12,520 Speaker 9: of it wins six seven oscars. Yeah, a lot of technical, technical, 364 00:19:12,880 --> 00:19:15,719 Speaker 9: Best Design, Best Costume, Like I think there's a really 365 00:19:15,760 --> 00:19:18,800 Speaker 9: good chance Ariana and Cynthia both get Oscar nominations out 366 00:19:18,800 --> 00:19:20,159 Speaker 9: of this, so we'll. 367 00:19:20,000 --> 00:19:22,840 Speaker 2: Get Globe nominations. Yeah, it's a lower part. 368 00:19:23,320 --> 00:19:25,680 Speaker 3: Yeah, that trend of filmmakers going back to actually putting 369 00:19:25,800 --> 00:19:28,240 Speaker 3: real people in real sets. Yeah, that's that's really helped me. 370 00:19:29,080 --> 00:19:33,400 Speaker 2: Very interesting more. Yeah, thanks guys, see you next week. 371 00:19:33,680 --> 00:19:37,520 Speaker 2: Let me tell you a story on time and leases, 372 00:19:37,720 --> 00:19:41,200 Speaker 2: the story behind the song. This morning, we were talking 373 00:19:41,280 --> 00:19:43,720 Speaker 2: about the Great Australian Songs off the back of g 374 00:19:43,880 --> 00:19:46,600 Speaker 2: Flip winning Song of the Year at the Arias last night, 375 00:19:46,800 --> 00:19:48,160 Speaker 2: and this one came. 376 00:19:48,119 --> 00:19:52,040 Speaker 3: Up more than a few times, a few votes in it. 377 00:19:52,240 --> 00:19:55,960 Speaker 2: Great Southern Land by Ice House was released on in 378 00:19:56,119 --> 00:19:59,119 Speaker 2: August nineteen eighty two as the lead single from their 379 00:19:59,160 --> 00:20:02,399 Speaker 2: second studio, Primitive Man. It peaked at number five on 380 00:20:02,440 --> 00:20:05,320 Speaker 2: the Australian Singles Chart. At the nineteen eighty two Countdown 381 00:20:05,400 --> 00:20:09,399 Speaker 2: Music Awards, the song was nominated for Best Australian Single. 382 00:20:09,520 --> 00:20:13,160 Speaker 2: When it came out, The Guardian wrote, many great Australian 383 00:20:13,240 --> 00:20:15,920 Speaker 2: songs couldn't sound more different to the circumstances in which 384 00:20:15,960 --> 00:20:17,760 Speaker 2: they were dreamed up, and none more so than Ice 385 00:20:17,800 --> 00:20:20,680 Speaker 2: House's nineteen eighty two classic Great Southern Land. While the 386 00:20:20,760 --> 00:20:24,280 Speaker 2: song evokes the vast emptiness of the nation's countryside, it 387 00:20:24,400 --> 00:20:26,879 Speaker 2: was written and recorded in Ivor Davies' living room in 388 00:20:27,000 --> 00:20:30,800 Speaker 2: the inner Sydney suburb of Leichhart, right under the airport 389 00:20:30,880 --> 00:20:31,520 Speaker 2: flight path. 390 00:20:31,920 --> 00:20:34,119 Speaker 3: Isn't that funny? So different than the subject matter, and. 391 00:20:34,160 --> 00:20:38,000 Speaker 2: They'd we are playing going over. Apparently Iver frequently had 392 00:20:38,040 --> 00:20:40,400 Speaker 2: to stop the tape as the roar of the engines 393 00:20:40,440 --> 00:20:42,840 Speaker 2: made the houses foundations rattle. 394 00:20:43,400 --> 00:20:46,200 Speaker 3: Called it Great Southern Airlines. Shi, Yeah, he's over talking 395 00:20:46,200 --> 00:20:47,840 Speaker 3: about his original inspiration. 396 00:20:47,520 --> 00:20:47,840 Speaker 2: For the song. 397 00:20:47,920 --> 00:20:50,920 Speaker 1: It's much easier to see in hindsight sort of where 398 00:20:50,960 --> 00:20:53,760 Speaker 1: it came from, because we went on that first international tour. 399 00:20:53,760 --> 00:20:55,600 Speaker 1: It was the first time I'd been away from Australia 400 00:20:55,800 --> 00:20:58,359 Speaker 1: for any length of time. And I remember the flying 401 00:20:58,800 --> 00:21:02,159 Speaker 1: from Sydney to I remember sort of being interested to 402 00:21:02,200 --> 00:21:03,840 Speaker 1: look out the window until the point where we got 403 00:21:03,840 --> 00:21:06,720 Speaker 1: to what looked like desert, not much in particular, and 404 00:21:06,880 --> 00:21:09,480 Speaker 1: I fell asleep over the desert, not much in particular, 405 00:21:09,480 --> 00:21:11,239 Speaker 1: and I didn't wake up for two hours, and when 406 00:21:11,280 --> 00:21:13,000 Speaker 1: I looked out again, we were still over desert and 407 00:21:13,080 --> 00:21:15,520 Speaker 1: not much in particular. And I think it was it 408 00:21:15,680 --> 00:21:20,400 Speaker 1: was that moment, that light bulb moment when I suddenly went, oh, 409 00:21:20,520 --> 00:21:25,119 Speaker 1: my goodness, the scale of the continent, you know, was 410 00:21:25,440 --> 00:21:29,280 Speaker 1: suddenly very real. It's a damn big continent. It's a 411 00:21:29,480 --> 00:21:31,840 Speaker 1: very big because it was the moment where he went, wow, 412 00:21:32,800 --> 00:21:33,520 Speaker 1: how incredible. 413 00:21:33,600 --> 00:21:33,800 Speaker 2: Yeah. 414 00:21:34,119 --> 00:21:36,639 Speaker 3: Ten years ago this month was selected for inclusion in 415 00:21:36,720 --> 00:21:40,280 Speaker 3: the Australian National Film and Sound Archives Sounds of Australia list. 416 00:21:40,320 --> 00:21:41,760 Speaker 2: I think it's a pretty cool thing to get it 417 00:21:41,800 --> 00:21:44,840 Speaker 2: gone for absolutely belongs in there real And I. 418 00:21:44,880 --> 00:21:47,400 Speaker 3: Do wonder if tomorrow, when the Aussie Boys walk out 419 00:21:47,480 --> 00:21:50,000 Speaker 3: they often use this song down at Optus for the 420 00:21:50,200 --> 00:21:52,760 Speaker 3: test paton India, if they play the song again tomorrow 421 00:21:52,800 --> 00:21:54,879 Speaker 3: to start a New Cricket summer, so it seems to 422 00:21:54,920 --> 00:21:56,600 Speaker 3: be one that they do well. 423 00:21:57,600 --> 00:22:00,240 Speaker 2: Iiver didn't always think it would be a hit, and 424 00:22:00,840 --> 00:22:02,480 Speaker 2: he told our own Rustle that. 425 00:22:03,320 --> 00:22:05,960 Speaker 3: I heard that you thought it might not actually work 426 00:22:06,000 --> 00:22:06,520 Speaker 3: on the radio. 427 00:22:06,600 --> 00:22:08,960 Speaker 2: You thought, no, no, no, it's a bit long. Even 428 00:22:08,960 --> 00:22:10,240 Speaker 2: though the record company liked. 429 00:22:10,119 --> 00:22:12,720 Speaker 1: It, right, everybody immediately liked it, but I was terrified 430 00:22:12,760 --> 00:22:15,399 Speaker 1: of it because it was five minutes and fifteen seconds long. Now, 431 00:22:15,760 --> 00:22:19,120 Speaker 1: you've got to imagine those days that the record company said, 432 00:22:19,720 --> 00:22:22,159 Speaker 1: when you take a single into the radio station, what 433 00:22:22,200 --> 00:22:24,639 Speaker 1: they'll do is that they'll look at the label and 434 00:22:24,760 --> 00:22:28,720 Speaker 1: if they see three point fifty nine seconds, three minutes 435 00:22:28,720 --> 00:22:30,119 Speaker 1: fifty nine seconds, that's fine. 436 00:22:30,359 --> 00:22:32,879 Speaker 2: If they see a four, forget it, they'll never play it. 437 00:22:33,119 --> 00:22:34,760 Speaker 2: I was trying out a five. 438 00:22:35,000 --> 00:22:37,040 Speaker 1: We have a very long note that started at the 439 00:22:37,080 --> 00:22:40,679 Speaker 1: front of it, and the record company kind of discreetly 440 00:22:40,840 --> 00:22:44,000 Speaker 1: tried to encourage me to edit the note off because 441 00:22:44,040 --> 00:22:46,200 Speaker 1: it took care of about fifteen seconds on its own, 442 00:22:46,640 --> 00:22:49,240 Speaker 1: and I'm very glad I didn't, because our keyboard player 443 00:22:49,240 --> 00:22:52,080 Speaker 1: at the time a little while ago said, I've never 444 00:22:52,160 --> 00:22:54,119 Speaker 1: kind of dreamed of the idea that I could stand 445 00:22:54,200 --> 00:22:57,480 Speaker 1: there and play one note and the entire audience would erupt. 446 00:22:58,440 --> 00:23:03,399 Speaker 2: And that's exactly what happens. Crazie and Lisa ninety six A. M.