1 00:00:00,320 --> 00:00:02,880 Speaker 1: You're listening to the Jonesy and Demanda podcast. 2 00:00:03,120 --> 00:00:06,080 Speaker 2: We're putting Timothy with two double's actually just one double. 3 00:00:06,680 --> 00:00:09,760 Speaker 2: Timothy Charlemage to the pub Test. He recently was talking 4 00:00:09,760 --> 00:00:13,000 Speaker 2: to Matthew McConaughey on some kind of podcast and he 5 00:00:13,039 --> 00:00:13,600 Speaker 2: said this. 6 00:00:13,800 --> 00:00:15,800 Speaker 3: And I don't want to be working in ballet or 7 00:00:15,840 --> 00:00:18,400 Speaker 3: opera or you know, things where it's like, hey, keep 8 00:00:18,440 --> 00:00:21,840 Speaker 3: this thing alive. Even though he cares about this, all 9 00:00:21,920 --> 00:00:24,919 Speaker 3: respect to the ballet and opera people out there, I 10 00:00:25,040 --> 00:00:26,760 Speaker 3: just lost fourteen cents in viewership. 11 00:00:27,120 --> 00:00:29,480 Speaker 2: A lot of people do care. He lost about fifty 12 00:00:29,520 --> 00:00:32,199 Speaker 2: thousand listeners overnight, and as this comment summed it up 13 00:00:32,240 --> 00:00:35,120 Speaker 2: for me, they said, how ignorant If he doesn't like 14 00:00:35,159 --> 00:00:36,640 Speaker 2: ballet and oper if he says they're not for me, 15 00:00:36,680 --> 00:00:39,159 Speaker 2: that's one thing to say. No one cares when he's 16 00:00:39,200 --> 00:00:41,760 Speaker 2: in the arts as well. It's punching down on other 17 00:00:41,800 --> 00:00:42,600 Speaker 2: forms of the course. 18 00:00:42,640 --> 00:00:44,640 Speaker 3: But I feel that that's taken out and the problem 19 00:00:44,680 --> 00:00:46,000 Speaker 3: with all social media. 20 00:00:45,720 --> 00:00:47,480 Speaker 2: It's not taken out of context. This is the third 21 00:00:47,560 --> 00:00:51,159 Speaker 2: or fourth He said this a few times about ballet 22 00:00:51,560 --> 00:00:55,160 Speaker 2: and about and about opera and how small they are, 23 00:00:55,200 --> 00:00:57,280 Speaker 2: and no one really gives a rats. He said that 24 00:00:57,320 --> 00:01:00,000 Speaker 2: a couple of times. So how do you feel Timothy 25 00:01:00,160 --> 00:01:02,880 Speaker 2: Charlemagne and what he said? Does it pass the pub test? 26 00:01:03,760 --> 00:01:05,040 Speaker 4: No, No, it's not cool. 27 00:01:05,080 --> 00:01:07,440 Speaker 1: He's just got a lot to learn, that's all. 28 00:01:08,040 --> 00:01:10,200 Speaker 4: He's only young and he just doesn't have to just 29 00:01:10,319 --> 00:01:10,720 Speaker 4: be away. 30 00:01:10,720 --> 00:01:13,000 Speaker 1: He's in the arts, so you can't turn a I 31 00:01:13,000 --> 00:01:13,320 Speaker 1: don't know. 32 00:01:13,400 --> 00:01:14,000 Speaker 4: I just think not. 33 00:01:14,200 --> 00:01:14,920 Speaker 2: Well, I don't know. 34 00:01:15,040 --> 00:01:17,440 Speaker 4: I think he should just be more sensitive, like you know, 35 00:01:17,480 --> 00:01:19,840 Speaker 4: it's the opera and the ballet, like I don't know, 36 00:01:19,920 --> 00:01:23,280 Speaker 4: it's about the ballet comments. So for me, it's just unnecessary. 37 00:01:23,360 --> 00:01:25,640 Speaker 4: They didn't come for him. I'm not sure why he's 38 00:01:25,840 --> 00:01:27,240 Speaker 4: feeling the need to come for them. 39 00:01:28,000 --> 00:01:31,080 Speaker 1: Look, it probably does. He's got to write to say 40 00:01:31,120 --> 00:01:33,920 Speaker 1: what he wants. And personally, I don't know the guy. 41 00:01:34,000 --> 00:01:36,200 Speaker 1: You could put him in a line up with Scooby 42 00:01:36,200 --> 00:01:38,600 Speaker 1: Doo and Squeaky the space he had or pick Scooby Doo, 43 00:01:38,640 --> 00:01:40,240 Speaker 1: but would know the difference with the other two. 44 00:01:40,440 --> 00:01:43,399 Speaker 4: No, absolutely not. And he's you know, dirting, one of 45 00:01:43,400 --> 00:01:47,640 Speaker 4: those cudash ins. So I guess he's not No, not 46 00:01:47,720 --> 00:01:49,960 Speaker 4: at all. Oh, he's just annoying. 47 00:01:50,240 --> 00:01:51,760 Speaker 3: I don't know. 48 00:01:51,880 --> 00:01:53,760 Speaker 4: He just rubs me the wrong way I. 49 00:01:53,800 --> 00:01:55,920 Speaker 2: Like that comment. You can put him with Scooby Doo, 50 00:01:56,200 --> 00:01:58,600 Speaker 2: Squeaky the Space House. I know Scooby Doo, but I 51 00:01:58,600 --> 00:02:02,520 Speaker 2: don't know the other two. Why bring up Squeaky? 52 00:02:02,560 --> 00:02:06,000 Speaker 3: This cartoon figures and one is a human. 53 00:02:05,800 --> 00:02:08,080 Speaker 2: But one he doesn't know. Why would he bring up 54 00:02:08,120 --> 00:02:08,760 Speaker 2: one he doesn't know. 55 00:02:08,880 --> 00:02:10,760 Speaker 3: You know, down at the Jones Man of Arms, there's 56 00:02:10,760 --> 00:02:11,320 Speaker 3: no judgment. 57 00:02:11,360 --> 00:02:13,160 Speaker 2: There's no judgment, no judgment.