1 00:00:00,640 --> 00:00:04,400 Speaker 1: This is a Will and Woody podcast niniards Friday feels 2 00:00:04,400 --> 00:00:07,280 Speaker 1: at the right time for us to test this. For 3 00:00:07,600 --> 00:00:09,960 Speaker 1: a long time, you and I have been fascinated with 4 00:00:10,000 --> 00:00:14,040 Speaker 1: the idea that an opera singer could break a glass. 5 00:00:14,120 --> 00:00:15,560 Speaker 2: A bit of a myth, isn't it. 6 00:00:15,560 --> 00:00:16,160 Speaker 1: It is a myth. 7 00:00:16,200 --> 00:00:18,200 Speaker 2: I've certainly never seen it in real life. 8 00:00:18,280 --> 00:00:19,680 Speaker 1: And you know, we sort of came in here on 9 00:00:19,720 --> 00:00:21,560 Speaker 1: Friday and we were like, gee whiz, if only we 10 00:00:21,600 --> 00:00:26,800 Speaker 1: had like a world class opera singer studied in London, 11 00:00:26,880 --> 00:00:27,600 Speaker 1: who lived and. 12 00:00:27,560 --> 00:00:28,800 Speaker 3: Worked overseas, who's. 13 00:00:28,560 --> 00:00:31,560 Speaker 1: Touring in an opera right now and who's hopefully not hungover, 14 00:00:32,080 --> 00:00:36,199 Speaker 1: that would be that would be the goal. And then 15 00:00:36,280 --> 00:00:42,480 Speaker 1: lo and behold, Kathy de Jang walks into the studio. 16 00:00:43,240 --> 00:00:45,560 Speaker 4: Thanks for that introduction. 17 00:00:45,240 --> 00:00:46,000 Speaker 5: No worries. 18 00:00:47,400 --> 00:00:50,800 Speaker 1: She's currently touring with Opera Australia the Barber of Seville. 19 00:00:50,800 --> 00:00:53,240 Speaker 1: They've got lots of more shows to go all throughout Australia, 20 00:00:53,280 --> 00:00:54,760 Speaker 1: So head al on to Opera australiaf you want to 21 00:00:54,800 --> 00:00:58,200 Speaker 1: see Kathy in action. But Kathy, welcome to the studio. 22 00:00:58,440 --> 00:01:00,880 Speaker 4: Thank you for having me, and I hope Hr is 23 00:01:00,880 --> 00:01:02,800 Speaker 4: not listening to this interview. Thanks for that. 24 00:01:04,400 --> 00:01:07,360 Speaker 1: Oh your hr yeah yeah, yeah, yeah, because you had 25 00:01:07,360 --> 00:01:08,959 Speaker 1: a huge night last night, No, no. 26 00:01:14,200 --> 00:01:14,520 Speaker 5: Opera. 27 00:01:14,720 --> 00:01:16,800 Speaker 1: No one expected the opera singer is on tour to 28 00:01:16,800 --> 00:01:18,520 Speaker 1: have a wild night, though, like, how does that? 29 00:01:19,080 --> 00:01:19,360 Speaker 5: Well? 30 00:01:19,480 --> 00:01:22,639 Speaker 4: I think there's just too many misconceptions about opera singers anyway, 31 00:01:22,920 --> 00:01:25,800 Speaker 4: myths that needs to be dispelled. 32 00:01:25,760 --> 00:01:28,080 Speaker 1: Right, so this is a great First of all, they 33 00:01:28,120 --> 00:01:30,160 Speaker 1: wear expensive perfumes. 34 00:01:31,160 --> 00:01:35,720 Speaker 4: And they have I'm not five hundred kilos because. 35 00:01:35,480 --> 00:01:37,399 Speaker 2: You think about Pavarotti, right, when you think about an 36 00:01:37,400 --> 00:01:41,160 Speaker 2: opera singer, you think big, meaty Pavarotti. Would you say 37 00:01:41,200 --> 00:01:44,080 Speaker 2: most opera singers are quite trim nowadays? 38 00:01:44,120 --> 00:01:46,759 Speaker 4: You know, we live in a world of you know, 39 00:01:47,440 --> 00:01:48,400 Speaker 4: TV and. 40 00:01:48,600 --> 00:01:50,040 Speaker 3: Oh you've got to look good as well. 41 00:01:50,440 --> 00:01:54,280 Speaker 4: Yeah, yeah, it's not quite acceptable like it used to 42 00:01:54,280 --> 00:01:56,480 Speaker 4: be back in the day. I could do with a sandwich, 43 00:01:56,560 --> 00:02:00,640 Speaker 4: to be honest, is. 44 00:02:00,600 --> 00:02:05,320 Speaker 2: The opera putting you on like a. 45 00:02:05,360 --> 00:02:10,960 Speaker 3: No, no opera thrilled with this interview? Thrilled? 46 00:02:11,040 --> 00:02:13,120 Speaker 5: No, No, it's not. 47 00:02:13,240 --> 00:02:15,520 Speaker 4: It's not like that anymore. And we're not on stage 48 00:02:15,520 --> 00:02:19,560 Speaker 4: wearing porns. And it used to be all the all 49 00:02:19,560 --> 00:02:23,240 Speaker 4: the glamor the traditionals. Yes, no, no, we have really 50 00:02:23,280 --> 00:02:25,760 Speaker 4: modern modern shows. Now, the last show I was in, 51 00:02:25,840 --> 00:02:28,760 Speaker 4: I was just in some underwear and see through. 52 00:02:28,680 --> 00:02:34,760 Speaker 1: Slip right, great, yeah right, it's not no, no, not 53 00:02:34,840 --> 00:02:35,120 Speaker 1: at all. 54 00:02:38,240 --> 00:02:41,360 Speaker 3: How to make our silence very very quickly. 55 00:02:42,760 --> 00:02:44,840 Speaker 2: Gaddy without answering this question, by the way, So what 56 00:02:44,880 --> 00:02:47,600 Speaker 2: we're talking about is an opera singer being able to 57 00:02:47,760 --> 00:02:51,320 Speaker 2: smash a glass? Do you know if you can or not? 58 00:02:51,880 --> 00:02:56,640 Speaker 4: I've definitely heard about it, Okay, yes, okay, I personally 59 00:02:56,720 --> 00:02:57,160 Speaker 4: haven't tried. 60 00:02:57,240 --> 00:03:00,240 Speaker 1: You haven't tried it, okay, So what's the high us 61 00:03:00,280 --> 00:03:01,079 Speaker 1: note that you can hit? 62 00:03:02,639 --> 00:03:06,440 Speaker 2: I don't know, like we actually, we've got some audio 63 00:03:06,520 --> 00:03:08,239 Speaker 2: actually of you, Kathy. 64 00:03:08,200 --> 00:03:09,920 Speaker 3: Yeah, you don't want to hear that. 65 00:03:10,000 --> 00:03:11,680 Speaker 2: Well, maybe you should take your headphones up. 66 00:03:11,800 --> 00:03:12,760 Speaker 5: But this is Kathy. 67 00:03:13,160 --> 00:03:14,280 Speaker 1: Her jokes are out of a job. 68 00:03:14,600 --> 00:03:16,239 Speaker 3: I'm not sure. I haven't seen the video. 69 00:03:16,720 --> 00:03:29,040 Speaker 5: Kathy. 70 00:03:30,200 --> 00:03:36,680 Speaker 6: Wow, wow. 71 00:03:38,360 --> 00:03:39,480 Speaker 1: Z did you breathe in that? 72 00:03:40,320 --> 00:03:40,560 Speaker 4: No? 73 00:03:41,000 --> 00:03:42,400 Speaker 3: You didn't breathe No. 74 00:03:44,760 --> 00:03:46,680 Speaker 1: Wow, that's so impressive. How long do you have to 75 00:03:46,680 --> 00:03:47,720 Speaker 1: train this thing like that? 76 00:03:48,440 --> 00:03:51,200 Speaker 4: I've been doing it for about oh, I don't know, 77 00:03:51,640 --> 00:03:54,760 Speaker 4: almost fifteen years. I used to be an auditor before it. 78 00:03:55,560 --> 00:03:59,040 Speaker 3: Oh wow. Okay, but like an accountant. 79 00:03:59,040 --> 00:04:02,160 Speaker 2: You were like an accountant Wow. 80 00:04:02,520 --> 00:04:05,040 Speaker 1: So unlike opera singing that used to be unsexy and 81 00:04:05,160 --> 00:04:08,920 Speaker 1: remains very unsexy. 82 00:04:08,960 --> 00:04:11,080 Speaker 2: But so did you have like the gift or something? 83 00:04:11,120 --> 00:04:12,200 Speaker 2: Was there a potential there? 84 00:04:12,400 --> 00:04:12,720 Speaker 5: Yeah? 85 00:04:12,880 --> 00:04:15,840 Speaker 4: I was always singing. I played the piano, but I thought, 86 00:04:15,920 --> 00:04:19,840 Speaker 4: you know, i'd do as I'd do a sensible degree first. 87 00:04:19,480 --> 00:04:21,680 Speaker 3: And yeah, okay, it'll. 88 00:04:21,480 --> 00:04:22,360 Speaker 4: Be an opera singer. 89 00:04:22,720 --> 00:04:23,000 Speaker 3: Wow. 90 00:04:24,080 --> 00:04:25,880 Speaker 1: Well you're a gun mate. We know that you trained 91 00:04:25,880 --> 00:04:27,720 Speaker 1: at the Royal Academy of Music in London. You winner 92 00:04:27,720 --> 00:04:30,520 Speaker 1: of the Australian Opera and Audition's Committee's Opera Award and 93 00:04:30,600 --> 00:04:34,120 Speaker 1: recipient at the Postgraduate Vocal Fellowship from Independent Opera UK. 94 00:04:34,240 --> 00:04:36,360 Speaker 1: So she's a weapon, right, We've got the right person 95 00:04:36,400 --> 00:04:38,800 Speaker 1: in the studio for the right job. Yes, we might 96 00:04:38,839 --> 00:04:40,120 Speaker 1: get you to have a look at our texas in 97 00:04:40,160 --> 00:04:42,799 Speaker 1: the song. But on the other side, on the other side, 98 00:04:42,839 --> 00:04:45,160 Speaker 1: you are going to try and break a glass. Yeah, 99 00:04:45,240 --> 00:04:47,640 Speaker 1: this is it. Stay with as well, Boody. You and 100 00:04:47,720 --> 00:04:50,040 Speaker 1: I been doing about for a long time. Can an 101 00:04:50,040 --> 00:04:54,440 Speaker 1: opera singer break a glass? And right now, finally, after 102 00:04:54,760 --> 00:04:58,560 Speaker 1: weeks of really aimless speculation with no definitive proof, we 103 00:04:58,720 --> 00:05:01,359 Speaker 1: have one of austral is one of the world's best 104 00:05:01,400 --> 00:05:04,279 Speaker 1: opera singers in the studio right now in Kathy Dejane, Katy, 105 00:05:04,360 --> 00:05:09,640 Speaker 1: welcome back, Thank you mister. Before this is Kathy strutting 106 00:05:09,680 --> 00:05:19,960 Speaker 1: her stuff on the stage. 107 00:05:20,440 --> 00:05:21,040 Speaker 3: So impressive. 108 00:05:21,520 --> 00:05:23,840 Speaker 2: You've said before, you've never done this before. 109 00:05:23,880 --> 00:05:25,279 Speaker 4: There is there's. 110 00:05:25,120 --> 00:05:28,920 Speaker 2: This myth that incredible opera singers can sing at a 111 00:05:28,960 --> 00:05:32,919 Speaker 2: certain pitch to make a wine glass smash, or to 112 00:05:33,000 --> 00:05:36,520 Speaker 2: make glass smash. So we have a wine glass here 113 00:05:36,560 --> 00:05:40,200 Speaker 2: in the studio. Are you are you confident you'll be 114 00:05:40,240 --> 00:05:41,880 Speaker 2: able to get this bad boy to smash? 115 00:05:43,000 --> 00:05:46,200 Speaker 4: I don't know. I mean that's a pretty thick glass. 116 00:05:46,480 --> 00:05:51,000 Speaker 1: Yeah, we really got some like cheap Kmart glasses. We 117 00:05:51,040 --> 00:05:53,120 Speaker 1: should have got like a readel or something like that 118 00:05:53,320 --> 00:05:54,800 Speaker 1: to give her a chance. 119 00:05:55,360 --> 00:05:56,560 Speaker 2: That's our champagne. 120 00:05:56,880 --> 00:05:57,760 Speaker 3: Which one's thinner? 121 00:05:57,880 --> 00:06:00,560 Speaker 2: Our audio producer Tim seems to think that this one 122 00:06:00,600 --> 00:06:02,320 Speaker 2: will be easier because. 123 00:06:03,000 --> 00:06:05,440 Speaker 4: It's it it resonates, had a lower frequency. 124 00:06:05,760 --> 00:06:08,159 Speaker 1: Yeah, yeah, okay, so I think we should go for 125 00:06:08,360 --> 00:06:10,800 Speaker 1: him the ham sandwich ways in from the depths. 126 00:06:11,920 --> 00:06:14,159 Speaker 4: I mean, that's that's a pretty low figuacy. You could 127 00:06:14,160 --> 00:06:16,120 Speaker 4: probably have a crack at that one. 128 00:06:18,040 --> 00:06:28,080 Speaker 3: Glasses. I don't I don't even Oh that was I 129 00:06:28,080 --> 00:06:29,320 Speaker 3: thought you made the glass tremble. 130 00:06:29,360 --> 00:06:35,240 Speaker 5: There, I thought the glass. Everyone's coffering, what is going on? 131 00:06:35,279 --> 00:06:37,440 Speaker 4: I'm just coughing up the poisons from last night. 132 00:06:37,480 --> 00:06:41,720 Speaker 1: All right, here we go handing the glass to Kathy 133 00:06:41,839 --> 00:06:42,280 Speaker 1: right now. 134 00:06:42,520 --> 00:06:42,920 Speaker 5: I don't know. 135 00:06:43,000 --> 00:06:44,800 Speaker 4: Maybe I should start lower than goop. 136 00:06:45,040 --> 00:06:47,960 Speaker 1: Maybe is it going to be better if you don't 137 00:06:47,960 --> 00:06:49,680 Speaker 1: hold it like if you put it on the table. 138 00:06:50,400 --> 00:06:51,719 Speaker 1: I feel like it's going to have more of a 139 00:06:51,800 --> 00:06:52,280 Speaker 1: chance of. 140 00:06:52,640 --> 00:06:54,760 Speaker 2: Do you want to put safety glasses on, Kathy? Or 141 00:06:54,760 --> 00:06:55,840 Speaker 2: even your sunglasses? 142 00:06:56,240 --> 00:06:58,200 Speaker 1: Yes? No, Kathy, you've got to put the safety glass on. 143 00:06:58,240 --> 00:06:59,760 Speaker 1: I'm being told that's that's protocol. 144 00:06:59,800 --> 00:07:00,479 Speaker 3: I don't know. 145 00:07:01,480 --> 00:07:02,120 Speaker 5: I will do that. 146 00:07:02,839 --> 00:07:04,120 Speaker 3: Wow, it's actually. 147 00:07:05,320 --> 00:07:07,120 Speaker 1: Oh, this is legit. 148 00:07:07,200 --> 00:07:08,800 Speaker 2: This is amazing. 149 00:07:08,880 --> 00:07:12,760 Speaker 4: Oh Jesus, start medium, do. 150 00:07:12,760 --> 00:07:14,680 Speaker 1: Whatever you need to do. We've got a professional operation 151 00:07:14,720 --> 00:07:15,280 Speaker 1: singing here. 152 00:07:15,400 --> 00:07:16,520 Speaker 5: Can she break glass? 153 00:07:23,640 --> 00:07:25,280 Speaker 2: Nod get? 154 00:07:25,320 --> 00:07:27,280 Speaker 3: Wow, didn't get it? 155 00:07:27,480 --> 00:07:29,480 Speaker 1: I thought it was I thought it was going to happen. 156 00:07:29,640 --> 00:07:31,120 Speaker 5: That is amazing, it was. 157 00:07:31,080 --> 00:07:31,600 Speaker 3: Going to happen. 158 00:07:31,720 --> 00:07:36,080 Speaker 1: Do you want to Can you have another crank? Okay? 159 00:07:36,520 --> 00:07:53,080 Speaker 3: Here we go, get there. 160 00:07:53,440 --> 00:07:57,880 Speaker 2: Wow, I can't believe I listen to my goodness, it 161 00:07:57,920 --> 00:07:59,480 Speaker 2: was like you were trying to put a curse on 162 00:07:59,560 --> 00:08:00,920 Speaker 2: the glass us like. 163 00:08:04,960 --> 00:08:12,840 Speaker 1: Kathy, Wow, amazing, Thank you so much for coming in. Wow, Hey, 164 00:08:12,960 --> 00:08:14,760 Speaker 1: not the second time you've been looking at an empty 165 00:08:14,800 --> 00:08:21,160 Speaker 1: wine glass in the last twelve hours. Thank you so 166 00:08:21,280 --> 00:08:23,480 Speaker 1: much for coming in. If you want to go see Kathy, 167 00:08:23,560 --> 00:08:26,440 Speaker 1: she's touring at the moment, Barbara Seville with Opera straight 168 00:08:26,520 --> 00:08:28,040 Speaker 1: head on the Opera Straate. You want to get tickets. 169 00:08:28,040 --> 00:08:30,200 Speaker 1: They still got dates coming up all over the country. 170 00:08:30,320 --> 00:08:33,840 Speaker 1: But before we end this thing, Woods, I already gave 171 00:08:34,000 --> 00:08:36,600 Speaker 1: the glass smashing a crack with my voice. 172 00:08:36,880 --> 00:08:38,760 Speaker 3: Would you like to try I'd love to give it 173 00:08:38,760 --> 00:08:41,080 Speaker 3: a go e of their cars? 174 00:08:41,120 --> 00:08:42,600 Speaker 1: Maybe, just you know, watch your volume. 175 00:08:43,920 --> 00:08:46,079 Speaker 3: Absolutely. I was born with Kay. 176 00:08:46,360 --> 00:08:48,640 Speaker 1: You're actually putting you're putting the you're putting the glasses on. 177 00:08:49,200 --> 00:08:52,480 Speaker 1: You're putting the hazard glasses on. You do not stand 178 00:08:52,520 --> 00:08:54,360 Speaker 1: a chance. Are you serious? 179 00:08:55,600 --> 00:08:56,360 Speaker 5: I do know. 180 00:08:59,000 --> 00:09:01,800 Speaker 1: You don't sing at that frequency. 181 00:09:02,360 --> 00:09:05,959 Speaker 4: Just just go for it, Just see it and hold 182 00:09:06,000 --> 00:09:10,560 Speaker 4: it as loud as you can. There you go, don't bust, 183 00:09:10,600 --> 00:09:12,360 Speaker 4: don't hemorrhage yourself. 184 00:09:13,760 --> 00:09:24,479 Speaker 6: Or hemorrhoid yourself. More importantly, now 185 00:09:24,559 --> 00:09:27,439 Speaker 4: You're done with that, why not check out more from 186 00:09:27,520 --> 00:09:30,000 Speaker 4: Willen Woody on The Full Show podcast